Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
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Ha-ha! Wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, | 0:00:02 | 0:00:04 | |
wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, | 0:00:04 | 0:00:09 | |
wet! Ha, they'll never know! | 0:00:09 | 0:00:11 | |
Goodbye! | 0:00:11 | 0:00:12 | |
MUSIC: TO THE TUNE OF LOLLIPOP # Doodlebug, Doodlebug | 0:00:12 | 0:00:14 | |
# Doot-do-do Doodlebug | 0:00:14 | 0:00:15 | |
# Doodlebug, Doodlebug # Doot-do-do Doodlebug | 0:00:15 | 0:00:19 | |
# Doodlebug, Doodlebug # Doot-do-do doodle Doodlebug | 0:00:19 | 0:00:23 | |
# Ba-bum-bum-bum | 0:00:23 | 0:00:25 | |
# Doodlebug, Doodlebug # Doot-do-do Doodlebug | 0:00:25 | 0:00:28 | |
# Doodlebug, Doodlebug... # | 0:00:28 | 0:00:30 | |
I don't know, I just... | 0:00:30 | 0:00:32 | |
It's just a bit plain, isn't it? | 0:00:32 | 0:00:34 | |
I just fancy something more zhoosh-y, | 0:00:34 | 0:00:36 | |
a bit more, you know, chic, sort of... | 0:00:36 | 0:00:38 | |
Oh, hang on. Oh, oh, that is so different. | 0:00:38 | 0:00:41 | |
Oh, that is cray-cray! Ha-ha! | 0:00:41 | 0:00:43 | |
I'll have it. I'll take it. | 0:00:43 | 0:00:45 | |
Now, listen to this. | 0:00:48 | 0:00:49 | |
My mother-in-laaaaaaw... | 0:00:49 | 0:00:51 | |
Thank you all for coming. | 0:00:53 | 0:00:55 | |
The big news is that we've finally set up a firewall that works. | 0:00:55 | 0:00:57 | |
We are no longer able to be hacked by Russians. | 0:00:57 | 0:01:01 | |
Ah, I was told this worked. | 0:01:01 | 0:01:03 | |
THEY ALL GROAN | 0:01:03 | 0:01:04 | |
-Oh, no! -Well, you've got to take your hat off to the Russians. | 0:01:04 | 0:01:07 | |
-Oh, yes, actually. -Very good. -How good. | 0:01:07 | 0:01:09 | |
-RUSSIAN ACCENT: -Mission complete. | 0:01:10 | 0:01:12 | |
I hope I'm doing it right. | 0:01:17 | 0:01:18 | |
Am I doing it right? | 0:01:20 | 0:01:21 | |
I hope I'm doing it right. | 0:01:25 | 0:01:26 | |
Am I doing it right? | 0:01:27 | 0:01:28 | |
I hope I'm doing it right. | 0:01:31 | 0:01:32 | |
Am I doing it right? | 0:01:34 | 0:01:36 | |
Achoo! | 0:01:36 | 0:01:37 | |
Ohh, that was a good one. | 0:01:38 | 0:01:40 | |
Yeah, that's it. Bag up my bogeys and sell them. | 0:01:40 | 0:01:43 | |
Oh, here comes another. | 0:01:44 | 0:01:46 | |
Achoo! | 0:01:46 | 0:01:47 | |
I don't know why, but my bogeys are a delicacy in Malaysia. | 0:01:48 | 0:01:51 | |
Pick up the box, take the box across. | 0:01:56 | 0:01:58 | |
Drop the box. | 0:01:58 | 0:02:00 | |
You're doing great. | 0:02:00 | 0:02:02 | |
TO A BEATBOX BEAT: # And across and down | 0:02:02 | 0:02:03 | |
# Pick up the box Up with the box | 0:02:03 | 0:02:05 | |
# Across with the box and back with the box and down with the box. | 0:02:05 | 0:02:08 | |
# Picking up there Up to the left and down | 0:02:08 | 0:02:11 | |
# Pick up the box, take the box across, and back with the box... # | 0:02:11 | 0:02:14 | |
You know Richard? | 0:02:14 | 0:02:15 | |
Mm, yeah, Richard. | 0:02:15 | 0:02:17 | |
He just... I mean... | 0:02:17 | 0:02:18 | |
He just really winds me up. | 0:02:18 | 0:02:19 | |
-Mm. -I'm here at nine every day, I don't leave till seven. | 0:02:19 | 0:02:23 | |
He just sort of swans in, clearly been out all night... | 0:02:23 | 0:02:26 | |
Oh, that's Richard for you. | 0:02:26 | 0:02:28 | |
It's just... | 0:02:28 | 0:02:29 | |
It's just a true sort of lack of respect for his colleagues. | 0:02:29 | 0:02:32 | |
I think, yeah, he can be charming, but, you know, that's not the point. | 0:02:32 | 0:02:35 | |
Yes, right. | 0:02:35 | 0:02:36 | |
Wayhey! Dickie's back! What have I missed? | 0:02:36 | 0:02:39 | |
Oh, Richard, what are you like? | 0:02:39 | 0:02:41 | |
# Oppan Gangnam style | 0:02:43 | 0:02:44 | |
# Gangnam style | 0:02:47 | 0:02:48 | |
# Op, op, op, op | 0:02:48 | 0:02:50 | |
# Oppan Gangnam style. # | 0:02:50 | 0:02:51 | |
IRISH ACCENT: Hello, ho-ho-ho! My name's Michael Flatdish | 0:02:51 | 0:02:54 | |
and these are my little Dancing Dishes of Donegal. | 0:02:54 | 0:02:56 | |
Ho-ho! Off you go, girls. | 0:02:56 | 0:02:58 | |
IRISH FOLK MUSIC PLAYS | 0:02:58 | 0:02:59 | |
And a one, two, and a one, two. | 0:02:59 | 0:03:01 | |
That's it, lovely stuff! | 0:03:01 | 0:03:02 | |
Mary! | 0:03:02 | 0:03:03 | |
Mary, will you keep up?! | 0:03:03 | 0:03:04 | |
I just can't seem to get the rhythm. Trying as fast as I can. | 0:03:04 | 0:03:07 | |
Mary, you've got two left feet, you're out of sync there, girl. | 0:03:07 | 0:03:09 | |
I just can't seem to get the rhythm. | 0:03:09 | 0:03:11 | |
Dah. Well, you weren't tired last night dancing around Flanagan's making a fool of yourself. | 0:03:11 | 0:03:15 | |
My legs are all over the place. | 0:03:15 | 0:03:16 | |
Ah, you're just like your mother. You little tease, you! | 0:03:16 | 0:03:19 | |
Don't you talk about my mammy like that, Flatdish. | 0:03:19 | 0:03:22 | |
She had two left feet. | 0:03:22 | 0:03:23 | |
He-he. | 0:03:23 | 0:03:25 | |
Send her my love. | 0:03:25 | 0:03:26 | |
# Doodlebug, Doodlebug # Doot-do-do Doodlebug | 0:03:26 | 0:03:29 | |
# Doodlebug, Doodlebug, doot-do-do Doodle doodle Doodlebug. # | 0:03:29 | 0:03:33 | |
EASTENDERS THEME PLAYS | 0:03:33 | 0:03:36 | |
Enter Danny! | 0:03:36 | 0:03:38 | |
LAMPSHADE: Go. What's your first line? What's your first line? | 0:03:40 | 0:03:42 | |
I'm at a loss, L. | 0:03:42 | 0:03:44 | |
Excellent, now close the door. | 0:03:44 | 0:03:45 | |
I don't know what you want. | 0:03:45 | 0:03:46 | |
Describe Whitney for me, describe Whitney for me! | 0:03:46 | 0:03:48 | |
-Whitney... -Yes, Whitney, yes. | 0:03:48 | 0:03:49 | |
-She's, like, half our age. -Thanks for reminding me. | 0:03:49 | 0:03:51 | |
-She's the one being mature about this. -Good, good. | 0:03:51 | 0:03:53 | |
-Who is she with? -She's with Woody. | 0:03:53 | 0:03:55 | |
Woody, good, what else? | 0:03:55 | 0:03:56 | |
-She was totally upfront with the geezer. -Yeah. | 0:03:56 | 0:03:58 | |
-Excellent. -Just like we always said we would be. | 0:03:58 | 0:04:00 | |
-OK, give me something quick with the hands. -Is this how it's going to be? -Like it... | 0:04:00 | 0:04:03 | |
-Just random rows... -Now just the left hand. -..a couple of days' peace... | 0:04:03 | 0:04:06 | |
-Nice. -..then, like, a tear up, yeah? | 0:04:06 | 0:04:08 | |
-You... -Come to the bed, come to the bed. | 0:04:08 | 0:04:09 | |
You lied to me. | 0:04:09 | 0:04:10 | |
Come to the bed. Tell her why. | 0:04:10 | 0:04:12 | |
I couldn't tell you any sooner... | 0:04:12 | 0:04:14 | |
-Tell her why, tell her why! -..because you wasn't here... | 0:04:14 | 0:04:16 | |
Love it! Turn to him. | 0:04:16 | 0:04:17 | |
I asked you if you told me everything. | 0:04:18 | 0:04:20 | |
OK, hands to the head. | 0:04:20 | 0:04:22 | |
Now to the face, to the face. | 0:04:22 | 0:04:23 | |
-You kissed her twice, Mick. -Now hold it. | 0:04:23 | 0:04:25 | |
Hold the face, hold the face. | 0:04:25 | 0:04:26 | |
-I know. -She knows! Keep holding the face. | 0:04:26 | 0:04:28 | |
-You kissed in the hospital after the bus crash. -Don't remove the hand from the face. | 0:04:28 | 0:04:31 | |
-Tell me that you didn't! -Remove the hand from the face. | 0:04:31 | 0:04:34 | |
And cut! | 0:04:34 | 0:04:35 | |
# Doodlebug. # | 0:04:35 | 0:04:36 | |
WHISTLING | 0:04:39 | 0:04:42 | |
Ahem. | 0:04:42 | 0:04:43 | |
30 years I've been doing this job. | 0:04:43 | 0:04:45 | |
Yep, 30 years. | 0:04:45 | 0:04:48 | |
Do I get bored of it? No, I do not. | 0:04:48 | 0:04:50 | |
Never dropped a tart. | 0:04:51 | 0:04:52 | |
N-not in my life. | 0:04:52 | 0:04:54 | |
I nearly had a near-miss once, | 0:04:54 | 0:04:56 | |
the day Diana died. | 0:04:56 | 0:04:57 | |
Uh, but then, you know, that's to be expected, | 0:04:57 | 0:04:59 | |
wasn't it? A very emotional day. | 0:04:59 | 0:05:01 | |
Mickey, on the other hand, massive James Bond fan, | 0:05:01 | 0:05:04 | |
he dropped four cakes the day Roger Moore died. | 0:05:04 | 0:05:07 | |
We all had a good crack at him about that, he-he-he. | 0:05:07 | 0:05:09 | |
Mickey! Do you remember you dro... Remember the day Roger Moore died? | 0:05:11 | 0:05:14 | |
How many cakes did you drop? | 0:05:14 | 0:05:15 | |
Four. | 0:05:15 | 0:05:16 | |
Four. Four cakes. | 0:05:16 | 0:05:17 | |
Well, I'm a massive James Bond fan, that's why. | 0:05:17 | 0:05:19 | |
Ha-ha-ha! | 0:05:19 | 0:05:21 | |
Never had a day off. Never had a day off. | 0:05:21 | 0:05:24 | |
Wouldn't want to. I don't know what I'd do with myself, I'd get bored. | 0:05:24 | 0:05:26 | |
He-he-he. | 0:05:26 | 0:05:28 | |
# You wanna be where you can see Our troubles are all the same | 0:05:28 | 0:05:34 | |
# You wanna be where everybody knows your name. # | 0:05:34 | 0:05:38 | |
Right, here's one for you. You'll like this. | 0:05:41 | 0:05:43 | |
There's an Englishman, an Irishman and a... | 0:05:43 | 0:05:45 | |
Scotsmaaaaaan... | 0:05:45 | 0:05:46 | |
All right, hello, how are you doing? | 0:05:51 | 0:05:52 | |
I'm a creepy roundabout. | 0:05:52 | 0:05:54 | |
Yeah. | 0:05:54 | 0:05:55 | |
And I'm not always been here on my own in the woods, no, no, no. | 0:05:55 | 0:05:58 | |
I used to be in a playground, | 0:05:58 | 0:05:59 | |
but they moved me on account of being too creepy, he-he. | 0:05:59 | 0:06:02 | |
Well, no, it's partly due to my age and my colour, | 0:06:02 | 0:06:05 | |
sort of ghoulish grey, I suppose you could describe it as. | 0:06:05 | 0:06:08 | |
Yeah, also cos sometimes I do this. | 0:06:08 | 0:06:10 | |
Blergh-oooo-oooo-woooooerrrrgh! | 0:06:10 | 0:06:13 | |
Argh-argh-arrgh! | 0:06:13 | 0:06:16 | |
Which, you know, I can understand, because, | 0:06:16 | 0:06:18 | |
well, it is creepy, isn't it? | 0:06:18 | 0:06:19 | |
Hur-hur-hur. | 0:06:19 | 0:06:21 | |
Boo! | 0:06:21 | 0:06:22 | |
Hi, sorry, it's my first day, think I'm supposed to plop you up in... | 0:06:22 | 0:06:25 | |
Oh, blimey, that is actually quite heavy. | 0:06:25 | 0:06:27 | |
Um, sorry, I think I can only do about four of you. | 0:06:27 | 0:06:30 | |
Oh, butterfingers! | 0:06:30 | 0:06:32 | |
Right, I'll just... | 0:06:32 | 0:06:33 | |
-Ow! -Sorry about that. | 0:06:33 | 0:06:34 | |
That really hurt! | 0:06:34 | 0:06:36 | |
-Right, I'll just plop you win here. -Ooh, he's a bit rough, isn't he? | 0:06:36 | 0:06:38 | |
Clueless. | 0:06:38 | 0:06:40 | |
HE BLOWS A RASPBERRY | 0:06:40 | 0:06:48 | |
Yes! | 0:06:49 | 0:06:50 | |
HE BLOWS A RASPBERRY | 0:06:51 | 0:06:52 | |
Here we are, sir, four more logs for you, sire! | 0:06:52 | 0:06:54 | |
Yes! More logs! Nom, nom, nom, nom, nom. | 0:06:54 | 0:06:58 | |
Yes, sir, coming right up, four more logs, | 0:06:58 | 0:07:00 | |
Absolutely, sir. | 0:07:00 | 0:07:02 | |
Yes, another quartet of logs, please! | 0:07:02 | 0:07:05 | |
Yes, your Highness, more logs. Thank you. | 0:07:05 | 0:07:07 | |
Never stop bringing me logs! | 0:07:07 | 0:07:10 | |
Where are my logs? | 0:07:10 | 0:07:11 | |
I asked for more logs! | 0:07:11 | 0:07:13 | |
-Four more logs here for you, sir. Absolutely. -Nom, nom, nom. | 0:07:13 | 0:07:16 | |
Bring me logs till nightfall, | 0:07:16 | 0:07:19 | |
and then, on the morrow, | 0:07:19 | 0:07:22 | |
I think we shall feast on more logs, ah-ha-ha-ha! | 0:07:22 | 0:07:25 | |
# Doodlebug, Doodlebug # Doot-do-do Doodlebug | 0:07:25 | 0:07:28 | |
# Doodlebug, Doodlebug # Doot-do-do Doodlebug | 0:07:28 | 0:07:31 | |
# Doodlebug, Doodlebug, doot-do-do # Doodle doodle Doodlebug # | 0:07:31 | 0:07:36 | |
HARPS PLAYING | 0:07:38 | 0:07:40 | |
FARTING NOISES | 0:07:44 | 0:07:46 | |
-Oh, dear, oh, dear. -Oh, that is savage. | 0:07:46 | 0:07:49 | |
Oh, someone's had sprouts for lunch. | 0:07:49 | 0:07:51 | |
Open a window! | 0:07:51 | 0:07:53 | |
Ugh, that's disgusting. | 0:07:53 | 0:07:54 | |
-Flipping heck, love, heard you the first time. -Ooh. | 0:07:54 | 0:07:56 | |
Oh, that... | 0:07:56 | 0:07:57 | |
FARTING NOISE | 0:07:57 | 0:07:58 | |
Oh, the cheek of it! | 0:07:58 | 0:08:01 | |
FARTING NOISE | 0:08:01 | 0:08:02 | |
Oh, you dirty devil! | 0:08:02 | 0:08:04 | |
FARTING NOISE | 0:08:04 | 0:08:06 | |
OK, be honest. With hair? | 0:08:06 | 0:08:08 | |
Without hair? What do you think? | 0:08:08 | 0:08:10 | |
With hair or without hair? | 0:08:10 | 0:08:12 | |
Honestly, be honest. With hair or without hair? | 0:08:12 | 0:08:15 | |
Cos I'm trying to decide, I can't decide, with hair or without hair? | 0:08:15 | 0:08:18 | |
OK, like, with it or without? | 0:08:18 | 0:08:21 | |
Honestly, I want your opinion. | 0:08:21 | 0:08:23 | |
MUSIC: Sandstorm by Darude | 0:08:23 | 0:08:24 | |
-BOTH SINGING ALONG: -# Doo-doo-doo-duh-duh-duh-doo-doo! | 0:08:24 | 0:08:29 | |
# Duh-duh-doo-doo-doo-doo-doo! | 0:08:29 | 0:08:35 | |
# Duh-doo-doo-doo-doo-doo-duh-duh! | 0:08:35 | 0:08:41 | |
# Duh-duh-duh-duh-doo-doo-duh-duh! # | 0:08:41 | 0:08:43 | |
-Ah! -Thank you for that! | 0:08:43 | 0:08:45 | |
We'll have a rest, you carry on, Carol. | 0:08:45 | 0:08:47 | |
No, yeah, loved it. I loved it. | 0:08:47 | 0:08:49 | |
Good one, Carol, yep! | 0:08:49 | 0:08:51 | |
Oof! Ah! | 0:08:51 | 0:08:52 | |
Ah, she's still going, bless her. | 0:08:52 | 0:08:53 | |
THEY BOTH PANT AND GROAN | 0:08:53 | 0:08:58 | |
Were you, like, "What's going on?" | 0:08:59 | 0:09:01 | |
I was literally, like, "What's going on?" | 0:09:01 | 0:09:03 | |
Yeah, that's what I was like. | 0:09:03 | 0:09:05 | |
Yeah, I was like, "What's going on, like?" | 0:09:05 | 0:09:07 | |
I thought they were taking us to the basement. I was, like, "Hang on, we're going outside." | 0:09:07 | 0:09:10 | |
I was actually, like, "Where are we going at all?" | 0:09:10 | 0:09:12 | |
-Yeah. -Like, I couldn't even think where we was going. | 0:09:12 | 0:09:15 | |
And now I'm outside, I'm still, like, "What?" | 0:09:15 | 0:09:18 | |
-Yeah, I'm, like, "What?" -Like, "Why am I here?" | 0:09:18 | 0:09:20 | |
I'm not being funny... | 0:09:20 | 0:09:21 | |
-No, I'm not being funny either. -It's freezing out here. -Yeah, it's not nice. | 0:09:21 | 0:09:24 | |
-It's disgusting. -How long do we have to stand here? I feel like such a mug. | 0:09:24 | 0:09:27 | |
I don't know, I feel like a mug. | 0:09:27 | 0:09:29 | |
Like, I just feel like we've been out here so long now | 0:09:29 | 0:09:32 | |
-and I was just, like, "What?" -Do you feel like you've been mugged off? | 0:09:32 | 0:09:35 | |
-I do feel like I've been mugged off. -Yeah, That's how I feel. And, like, also, on paper, | 0:09:35 | 0:09:38 | |
I feel like a mug. | 0:09:38 | 0:09:39 | |
Hnnnnnngh! | 0:09:39 | 0:09:42 | |
E-excuse me, guys, er, has anyone got a pair of scissors I could borrow? | 0:09:42 | 0:09:46 | |
Hello? Anyone?! | 0:09:46 | 0:09:47 | |
What am I going to do?! | 0:09:47 | 0:09:49 | |
I'm getting married! | 0:09:50 | 0:09:51 | |
I'm getting married but I-I'm stuck to a post! | 0:09:51 | 0:09:54 | |
Ha-ha! Oh! Ah-ha-ha-ha! | 0:09:54 | 0:09:57 | |
What am I going to do? | 0:09:57 | 0:09:59 | |
Um, Miss, hello? | 0:09:59 | 0:10:00 | |
Er, could you just make a phone call? | 0:10:00 | 0:10:02 | |
Tell the vicar I'm going to be late! | 0:10:02 | 0:10:04 | |
A-ha-ha-ha! | 0:10:04 | 0:10:06 | |
Hi, there, I'm starting my work experience here this morning | 0:10:06 | 0:10:08 | |
and I've been told to report to a Dirty Jim? | 0:10:08 | 0:10:11 | |
Oh, yeah, yeah, yeah, that's me. | 0:10:12 | 0:10:14 | |
Yeah, welcome to Dirty Jim's Island. | 0:10:14 | 0:10:16 | |
Er, thank you, I think. | 0:10:17 | 0:10:19 | |
Wonderful. | 0:10:19 | 0:10:21 | |
Errrrgh? | 0:10:21 | 0:10:22 | |
HE HUMS GREENSLEEVES | 0:10:24 | 0:10:26 | |
Errrrrgh. | 0:10:26 | 0:10:27 | |
Ptoooey! | 0:10:27 | 0:10:29 | |
He-he-he-he-he. | 0:10:29 | 0:10:30 | |
HE BELCHES: Right, you'll like this one. There's two nuns in the | 0:10:32 | 0:10:34 | |
baaaaaaaaaaa... | 0:10:34 | 0:10:36 | |
# Down, down, deeper and down | 0:10:36 | 0:10:39 | |
# Down, down, deeper and down | 0:10:39 | 0:10:41 | |
# Down, down, deeper and down | 0:10:41 | 0:10:44 | |
# Down, down, deeper and down... # | 0:10:44 | 0:10:47 | |
What's the words? I don't know the words! | 0:10:47 | 0:10:49 | |
THEY SIGH | 0:10:49 | 0:10:50 | |
You're just a stupid '70s school building, | 0:10:52 | 0:10:54 | |
I'm a demolition ball coming for all of you! | 0:10:54 | 0:10:57 | |
Boom! Boom, boom, boom all day long. | 0:10:57 | 0:11:00 | |
Bricks, cement, don't bother me, I'll just... | 0:11:00 | 0:11:03 | |
Boom! ..come at you harder and faster. | 0:11:03 | 0:11:05 | |
I'm going to make you wish you were never built! How do you like them apples? | 0:11:05 | 0:11:08 | |
Boom! | 0:11:08 | 0:11:09 | |
I'm coming for you next, Mr Windowpane. | 0:11:09 | 0:11:12 | |
I'll be starting the bidding for lot number 42 at £10. | 0:11:12 | 0:11:16 | |
Have I got £10? The lady on the right, £10. | 0:11:16 | 0:11:18 | |
£15. £15, £20. £20, £30, | 0:11:18 | 0:11:22 | |
40, 45, 50, 55, 60, | 0:11:22 | 0:11:25 | |
£60, 65, £75. £80, £90. £95, | 0:11:25 | 0:11:30 | |
£100. 105, 110. 120, 125, 135, | 0:11:30 | 0:11:35 | |
and 145, 145, 150. | 0:11:35 | 0:11:37 | |
150, going, going, going. Gone! | 0:11:37 | 0:11:39 | |
And sold! To the gentleman who looks like all the other gentlemen. | 0:11:39 | 0:11:42 | |
Thank you. | 0:11:42 | 0:11:44 | |
CAR HORN BEEPS | 0:11:44 | 0:11:45 | |
Hang on a second. | 0:11:45 | 0:11:47 | |
Who's that? | 0:11:47 | 0:11:49 | |
Who is that? | 0:11:49 | 0:11:50 | |
Hang on. I don't even know who that is, though. | 0:11:50 | 0:11:52 | |
No, seriously though, who is that? | 0:11:52 | 0:11:54 | |
Oh, my gosh. I think I'm being replaced! | 0:11:54 | 0:11:57 | |
-Oh, my God! -I can't even look! | 0:11:57 | 0:12:00 | |
-I can't even... -I don't even know who she is, like... | 0:12:00 | 0:12:03 | |
-Who is she? -Oh, no, I'm so sorry. | 0:12:03 | 0:12:05 | |
What is she? What's going on? | 0:12:05 | 0:12:07 | |
I don't know, darl... Wait, hang on a sec. | 0:12:07 | 0:12:09 | |
-Who's that? -Oh, babe. -No, no, seriously, though, who is that? | 0:12:09 | 0:12:12 | |
Babe, this is the worst day of my life. | 0:12:12 | 0:12:15 | |
I think I'm being replaced as well! | 0:12:15 | 0:12:16 | |
-Oh, babe, I can't believe this. -Oh, my God, I can't believe this. | 0:12:16 | 0:12:20 | |
# I got that sunshine in my pocket | 0:12:29 | 0:12:32 | |
# Got that good soul in my feet | 0:12:32 | 0:12:34 | |
# I feel that hot blood in my body When it drops | 0:12:34 | 0:12:38 | |
# I can't take my eyes up off it | 0:12:38 | 0:12:40 | |
# Moving so phenomenally | 0:12:40 | 0:12:42 | |
# Room on lock the way we rock it, so don't stop | 0:12:42 | 0:12:46 | |
# And under the lights, when everything goes | 0:12:46 | 0:12:50 | |
# Nowhere to hide when I'm getting you close | 0:12:50 | 0:12:55 | |
# When we move, well, you already know | 0:12:55 | 0:12:59 | |
# So just imagine, just imagine, just imagine | 0:12:59 | 0:13:04 | |
# Nothing I can see but you when you dance, dance, dance | 0:13:04 | 0:13:08 | |
# Feeling good, good, creeping up on you | 0:13:08 | 0:13:10 | |
# So just dance, dance, dance, come on | 0:13:10 | 0:13:12 | |
# All those things I shouldn't do | 0:13:12 | 0:13:14 | |
# But you dance, dance, dance | 0:13:14 | 0:13:17 | |
# Ain't nobody leaving soon, so keep dancing | 0:13:17 | 0:13:21 | |
# I can't stop the feeling | 0:13:21 | 0:13:23 | |
# So just dance, dance, dance | 0:13:23 | 0:13:25 | |
# I can't stop the feeling! | 0:13:25 | 0:13:27 | |
# So just dance, dance, dance... # | 0:13:27 | 0:13:29 | |
-Come on. -I can't stop the feeling. | 0:13:29 | 0:13:31 | |
And now for the grand finale, | 0:13:31 | 0:13:32 | |
the Dancing Dishes of Donegal will turn on the lasers! | 0:13:32 | 0:13:37 | |
That's it, girls. Lovely stuff. | 0:13:38 | 0:13:40 | |
Oh, Mary. | 0:13:40 | 0:13:42 | |
Stupid laser, just like your mother. Dah. | 0:13:42 | 0:13:44 | |
It's harder than it looks, you know, | 0:13:44 | 0:13:46 | |
when you get started and everything like that. | 0:13:46 | 0:13:48 | |
My name's Michael Flatdish, good night! | 0:13:48 | 0:13:50 | |
Mary! | 0:13:50 | 0:13:51 | |
# Doodlebug, Doodlebug # Doot-do-do doodle Doodlebug | 0:13:51 | 0:13:57 | |
# Ba-bum-bum-bum | 0:13:57 | 0:13:58 | |
# Doodlebug, Doodlebug # Doot-do-do Doodlebug | 0:13:58 | 0:14:01 | |
# Doodlebug, Doodlebug # Doot-do-do Doodlebug | 0:14:01 | 0:14:04 | |
# Doodlebug, Doodlebug # Doot-do-do doodle doodle Doodlebug | 0:14:04 | 0:14:09 | |
# A-Doodlebug. # | 0:14:09 | 0:14:10 |