Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language. | 0:00:02 | 0:00:07 | |
It's Edinburgh Comedy Fest Live. | 0:00:21 | 0:00:23 | |
Please welcome your host, Kevin Bridges! | 0:00:23 | 0:00:28 | |
CHEERING AND APPLAUSE | 0:00:28 | 0:00:30 | |
Hello. | 0:00:35 | 0:00:37 | |
Good evening, everybody. How are we doing? | 0:00:39 | 0:00:41 | |
CHEERING | 0:00:41 | 0:00:44 | |
Welcome along to Edinburgh Comedy Fest Live. | 0:00:44 | 0:00:46 | |
In aid of Waverley Care, so give yourselves a massive | 0:00:47 | 0:00:51 | |
round of applause for coming out and raising money for a good cause. | 0:00:51 | 0:00:56 | |
APPLAUSE | 0:00:56 | 0:00:58 | |
Good people. Good, good people. Give me a cheer if you're from Edinburgh. | 0:01:00 | 0:01:04 | |
LOUD CHEERING | 0:01:04 | 0:01:06 | |
Good, I like performing in Edinburgh. It's good to come to the Fringe. | 0:01:06 | 0:01:10 | |
Glasgow and Edinburgh are two very different cities. | 0:01:10 | 0:01:13 | |
That's easily summed up. | 0:01:13 | 0:01:15 | |
In Edinburgh, when a gun goes off, it's one o'clock. | 0:01:15 | 0:01:19 | |
And we'll leave it at that. | 0:01:24 | 0:01:26 | |
Give me a cheer if you're not from Edinburgh. The tourists. | 0:01:28 | 0:01:32 | |
QUIETER CHEERING | 0:01:32 | 0:01:33 | |
-Where are we from? -Canada! | 0:01:33 | 0:01:34 | |
-Canada. Cool. -Australia! -Australia. | 0:01:34 | 0:01:37 | |
It's turned into an auction. | 0:01:37 | 0:01:39 | |
Any advance on Australia? | 0:01:39 | 0:01:42 | |
Belfast? | 0:01:42 | 0:01:44 | |
Canada, Australia, and then we're going to go for Belfast. | 0:01:44 | 0:01:48 | |
That's a more exotic choice. Where's the Belfast man? | 0:01:48 | 0:01:51 | |
MAN SHOUTS | 0:01:51 | 0:01:52 | |
Are you at the top deck? I thought you were down there. | 0:01:52 | 0:01:55 | |
Sorry. I was in Belfast last month. | 0:01:55 | 0:01:57 | |
A fantastic thing has opened up in Belfast. | 0:01:57 | 0:02:01 | |
They've opened up an '80s bar... | 0:02:01 | 0:02:04 | |
in Belfast. An '80s bar... | 0:02:04 | 0:02:08 | |
in Belfast. Of all the major cities you don't want to go... | 0:02:08 | 0:02:12 | |
..and celebrate the '80s. | 0:02:15 | 0:02:18 | |
Belfast is up there. There's people chucking petrol bombs at each other, | 0:02:18 | 0:02:23 | |
rubbing shit on the walls. | 0:02:23 | 0:02:26 | |
But who cares? Karma Chameleon's on. | 0:02:26 | 0:02:29 | |
BELFAST ACCENT: I'm a man without conviction. | 0:02:32 | 0:02:35 | |
Welcome to the tourists. | 0:02:37 | 0:02:38 | |
It's good to see Canada and Australia. Welcome to Edinburgh. | 0:02:38 | 0:02:42 | |
I was at a music festival in Spain this year. | 0:02:42 | 0:02:45 | |
There was a bit of hostility towards tourists. | 0:02:45 | 0:02:49 | |
We saw a guy, he had a T-shirt on that said, "Spanish festivals for Spanish people"... | 0:02:49 | 0:02:55 | |
written in English. | 0:02:55 | 0:02:57 | |
I'm reading his T-shirt and thinking, "If that is the attitude, you need to cancel some of the bands." | 0:03:00 | 0:03:05 | |
"You need to cancel Kings Of Leon, The Killers, Rage Against The Machine. | 0:03:05 | 0:03:09 | |
"Good luck with the Ketchup Song." | 0:03:09 | 0:03:11 | |
Three nights in a field, just going, "I said, ah-hey, ah-hah, ah-hey..." | 0:03:13 | 0:03:17 | |
"A-hemana-hemana..." | 0:03:19 | 0:03:21 | |
Hello, front row. How we doing? Young guys at the front. What's your name? | 0:03:21 | 0:03:26 | |
What's that? | 0:03:26 | 0:03:27 | |
"You're amazing"? Good... | 0:03:27 | 0:03:29 | |
Are you kind of meow-meow, mephedrone, amazing? | 0:03:30 | 0:03:33 | |
Just happy to be on the telly. What's your name? | 0:03:36 | 0:03:39 | |
-Craig. -Where are you from, Craig? | 0:03:39 | 0:03:42 | |
-Edinburgh. -Should have seen that coming, to be fair. | 0:03:42 | 0:03:45 | |
-Are you a student? -No. | 0:03:45 | 0:03:46 | |
-What do you do for a living? -I'm a boxer... | 0:03:46 | 0:03:49 | |
Say that again. | 0:03:49 | 0:03:51 | |
A boxer's model. | 0:03:51 | 0:03:52 | |
You're a boxer's what? | 0:03:52 | 0:03:54 | |
-A boxer's model. -A boxer's model? | 0:03:54 | 0:03:57 | |
That's a bit like the game Deal Or No Deal. I could have spoken to anybody. | 0:04:06 | 0:04:10 | |
I just took the 250 box right out of the game. | 0:04:14 | 0:04:17 | |
You're a boxer's model. Does that mean you get punched in the face for a living? | 0:04:20 | 0:04:24 | |
Pretty much. | 0:04:24 | 0:04:26 | |
Boxer's model... what does that mean? | 0:04:26 | 0:04:28 | |
You spar...? I don't really know boxing. I'm not a violent guy. | 0:04:28 | 0:04:32 | |
Enlighten me here. | 0:04:32 | 0:04:33 | |
-Just poses. -Just pose? Oh, boxer shorts! | 0:04:33 | 0:04:36 | |
I thought you just stood there... "Uh! Uh!" | 0:04:43 | 0:04:47 | |
You model boxer shorts. That's awesome! | 0:04:47 | 0:04:50 | |
Is that what you thought he meant, as well? | 0:04:50 | 0:04:52 | |
I'm the dickhead here. I do apologise. | 0:04:52 | 0:04:55 | |
What brand of boxers do you model? | 0:04:57 | 0:04:59 | |
-Next. -Next. | 0:04:59 | 0:05:02 | |
Anybody? | 0:05:02 | 0:05:04 | |
Couple of people. Next. | 0:05:04 | 0:05:06 | |
You're looking to see if you recognise the guy. | 0:05:06 | 0:05:09 | |
"Yeah, I recognise him from last year's Autumn/Winter collection." | 0:05:10 | 0:05:14 | |
Welcome along. Is everybody in the mood for a good night of comedy? | 0:05:16 | 0:05:19 | |
This is the show to catch. We've about a billion comedians on, doing about ten seconds each. | 0:05:19 | 0:05:25 | |
I'm your host, I'll be on in between the acts. | 0:05:27 | 0:05:31 | |
The first act is from Dublin. Any Dubliners in the room? | 0:05:31 | 0:05:34 | |
CHEERING | 0:05:34 | 0:05:35 | |
Couple of people. People from Edinburgh, Dublin has a thing you'll love. | 0:05:35 | 0:05:39 | |
It has a tram that moves. | 0:05:39 | 0:05:41 | |
APPLAUSE | 0:05:41 | 0:05:44 | |
Have you seen the tram on Princes Street? It just sits there. | 0:05:47 | 0:05:51 | |
It does nothing. | 0:05:51 | 0:05:53 | |
But there are still tourists queuing up to get on. | 0:05:53 | 0:05:57 | |
"What time's departure?" "2012, pal." | 0:05:58 | 0:06:02 | |
I was on the Dublin tram. It's called the Luas. | 0:06:08 | 0:06:11 | |
There's a warning sign on the Dublin tram that says, "Pay the fare, or pay the price." | 0:06:11 | 0:06:17 | |
It's the same thing, isn't it? | 0:06:22 | 0:06:24 | |
DUBLIN ACCENT: "Did you pay the fare? We paid the price." | 0:06:25 | 0:06:28 | |
"What price was the fare?" "Oh, it was a fair price." | 0:06:28 | 0:06:32 | |
Ladies and gentlemen, we're going to kick off in style, welcoming one | 0:06:35 | 0:06:39 | |
of the most consistently brilliant live comics at this festival. | 0:06:39 | 0:06:43 | |
Are we in the mood for a good evening of comedy? Let's make some noise. | 0:06:43 | 0:06:46 | |
Let's keep it going. A lot of love in the room. | 0:06:51 | 0:06:54 | |
Welcome to the stage the wonderful Jason Byrne! | 0:06:54 | 0:06:57 | |
Oh, my God, this is posh! | 0:07:08 | 0:07:11 | |
Look at you all in your good clothes because the telly's here and there's lights on you. | 0:07:11 | 0:07:16 | |
"Better get a suit from Next!" | 0:07:16 | 0:07:19 | |
Oh, my God. It's brilliant. I love Scottish people. | 0:07:22 | 0:07:25 | |
And I love the fact there's not any real royalty in this town, so you | 0:07:25 | 0:07:29 | |
just get people from housing estates to sit in the boxes up there. It's great. | 0:07:29 | 0:07:34 | |
A couple of builders and the missus over there | 0:07:34 | 0:07:37 | |
and a couple of electricians in those boxes over there. | 0:07:37 | 0:07:41 | |
All right! | 0:07:41 | 0:07:43 | |
How in the name of God did you get in that box over there? | 0:07:43 | 0:07:48 | |
Are you working in that box? | 0:07:48 | 0:07:49 | |
Doing a bit of plastering? | 0:07:51 | 0:07:53 | |
"Oh, better stay. There's a show on. | 0:07:54 | 0:07:56 | |
"Great! I'll ring the missus." | 0:07:56 | 0:07:58 | |
I'm not having a poo, I'm going to get back up. Sorry. | 0:08:00 | 0:08:02 | |
I love Scottish people. You're miserable. It's brilliant. | 0:08:02 | 0:08:07 | |
I was in Australia before I came here. Three and a half months. | 0:08:07 | 0:08:11 | |
Where are the Australians down there? Well done, the Australians. | 0:08:11 | 0:08:15 | |
Always near the front, the Australians, in every show | 0:08:15 | 0:08:18 | |
in Edinburgh, so they can get near the natural light of the stage. | 0:08:18 | 0:08:22 | |
AUSTRALIAN ACCENT: "I've got to get near the light. Ah, that's nice. | 0:08:22 | 0:08:26 | |
"Yeahhh." | 0:08:26 | 0:08:27 | |
The Scottish and Irish, up in the dark, in the damp, in the roof. | 0:08:27 | 0:08:32 | |
"This is all right, I'll stay here. | 0:08:34 | 0:08:36 | |
"I'm not going down the front, it might make me happy." | 0:08:36 | 0:08:39 | |
It's just great, the misery of the Scots. | 0:08:42 | 0:08:45 | |
Your hearts beats twice a year, it's brilliant! Boof! | 0:08:45 | 0:08:50 | |
"What the hell was that?" | 0:08:50 | 0:08:51 | |
"I'm blue!" | 0:08:53 | 0:08:55 | |
Even your breakfast is miserable. | 0:08:55 | 0:08:57 | |
There's nothing happy about breakfast. | 0:08:57 | 0:09:00 | |
"What do you want for breakfast?" "Porridge!" | 0:09:00 | 0:09:04 | |
"What do you want with it? Sugar?" "No! Salt! I want to die!" | 0:09:04 | 0:09:09 | |
People crawling along to work with no energy whatsoever. | 0:09:09 | 0:09:15 | |
"Oh, my God, somebody help us, for Christ's sake..." | 0:09:17 | 0:09:22 | |
"We need money into this city." | 0:09:22 | 0:09:25 | |
"What can we do?" "I don't know." | 0:09:25 | 0:09:27 | |
"I know, do the Tattoo." | 0:09:27 | 0:09:30 | |
"Trick loads of old people and bring them to this thing called the Tattoo." | 0:09:32 | 0:09:37 | |
They must have rang up Michael Flatley to get the idea off him. | 0:09:37 | 0:09:41 | |
Just loads of people doing the same shit at the same time. | 0:09:41 | 0:09:45 | |
Nothing more terrifying than those buses arriving to Edinburgh with tons of old people just being poured off. | 0:09:47 | 0:09:54 | |
It's like a zombie movie as they all head up to the castle. | 0:09:54 | 0:09:57 | |
"We're here to see the marching soldiers. | 0:09:59 | 0:10:03 | |
"Where's the marching soldiers?" | 0:10:03 | 0:10:07 | |
"My God, I love this city, it's amazing." | 0:10:07 | 0:10:10 | |
"Can you tell me where the castle is, please?" | 0:10:10 | 0:10:14 | |
"You mean that thing on the hill up there?!" | 0:10:14 | 0:10:19 | |
Unbelievable. | 0:10:19 | 0:10:20 | |
I love the Tattoo because it's such a scam! Isn't it? | 0:10:20 | 0:10:24 | |
Loads of army people, "Just go this way, just go this way". | 0:10:24 | 0:10:29 | |
"Quick, they're watching. Change, go this way." | 0:10:29 | 0:10:32 | |
"This way, quick. Back up, back up, this way, quick." | 0:10:33 | 0:10:36 | |
"Bring a cannon out." | 0:10:36 | 0:10:38 | |
"Lights. Fireworks!" "Wow, never seen them before." | 0:10:40 | 0:10:44 | |
"Yes, I have!" | 0:10:44 | 0:10:46 | |
There's nothing more terrifying for old people. | 0:10:49 | 0:10:51 | |
What a way to get rid of old people, to send them to the Tattoo. | 0:10:51 | 0:10:55 | |
That last bit is totally terrifying. | 0:10:55 | 0:10:57 | |
They're all sitting there with their blankets, all together, then the Tattoo ends. | 0:10:57 | 0:11:03 | |
Boof! | 0:11:03 | 0:11:05 | |
Ahh... | 0:11:05 | 0:11:08 | |
"Oh, my God." "What's wrong?" | 0:11:08 | 0:11:11 | |
"Mary's dead." | 0:11:11 | 0:11:14 | |
"Quick, take her blanket." | 0:11:14 | 0:11:16 | |
"And her biscuits." | 0:11:22 | 0:11:24 | |
Ladies and gentlemen, I'm very sorry for upsetting your culture. | 0:11:26 | 0:11:31 | |
But I'm Irish, and that's my job. | 0:11:31 | 0:11:33 | |
I'm Jason Byrne. Enjoy the rest of the marathon. | 0:11:33 | 0:11:36 | |
Jason Byrne. Yeah. | 0:11:46 | 0:11:47 | |
Did you enjoy that? | 0:11:47 | 0:11:50 | |
AUDIENCE: Yeah! | 0:11:50 | 0:11:52 | |
Next up, you'll have seen this guy on Live at the Apollo. He has his own BBC Two show starting soon. | 0:11:52 | 0:11:56 | |
Please show some love in the room, go nuts for Stephen K Amos. | 0:11:56 | 0:12:01 | |
Hello. Hello, Edinburgh. That's what I'm talking about. | 0:12:10 | 0:12:13 | |
I love your city. Everybody descends on your lovely city | 0:12:13 | 0:12:17 | |
this month in August and I love our American cousins, they're brilliant. | 0:12:17 | 0:12:21 | |
Two days ago, I'm walking down one of your hilly streets. | 0:12:21 | 0:12:24 | |
Two American tourists walked up to me. I knew they were American because they were wearing bin liners. | 0:12:26 | 0:12:31 | |
AMERICAN ACCENT: "Oh, my God, cobbles! Cobbles are everywhere!" | 0:12:34 | 0:12:38 | |
One of them stopped me and said, "Excuse me, sir. | 0:12:40 | 0:12:43 | |
"That over there - is that the castle? Is that the castle?" | 0:12:43 | 0:12:47 | |
I couldn't resist. I said, "No... | 0:12:47 | 0:12:50 | |
"..That's Gotham City." | 0:12:51 | 0:12:53 | |
They were like, "Oh, my God, you know everything. Who are you?" | 0:12:56 | 0:13:00 | |
I said, "I am the last King of Scotland." | 0:13:00 | 0:13:03 | |
I took a couple of days off. I was touring your lovely country of Scotland. | 0:13:11 | 0:13:16 | |
I went to the Highlands, a place called Aviemore. Do you know Aviemore? | 0:13:16 | 0:13:20 | |
ALL: Yeah. | 0:13:20 | 0:13:22 | |
The locals call it the Hollywood of the Highlands. | 0:13:22 | 0:13:24 | |
I can assure you, it is not. | 0:13:24 | 0:13:26 | |
One light bulb does not Hollywood make. | 0:13:28 | 0:13:31 | |
There's no diversity there. No richness of people, | 0:13:31 | 0:13:34 | |
there are no ethnic minorities, no midgets, there are no... women. | 0:13:34 | 0:13:39 | |
Obviously, there are, but you can't always tell the difference. | 0:13:41 | 0:13:45 | |
Ooh! | 0:13:45 | 0:13:46 | |
Oh, shut your face! | 0:13:46 | 0:13:48 | |
I say what I see. | 0:13:48 | 0:13:50 | |
I said to the woman organising the show, "Excuse me, love. | 0:13:50 | 0:13:53 | |
"Are there any black people here?" | 0:13:53 | 0:13:55 | |
And she went, "Och, aye!" | 0:13:55 | 0:13:57 | |
"Och, aye!" | 0:13:57 | 0:14:00 | |
"There's black Tony." | 0:14:00 | 0:14:02 | |
I was intrigued. I had to meet black Tony. | 0:14:06 | 0:14:10 | |
I found him. He was Spanish. | 0:14:10 | 0:14:13 | |
That's why I love you Scots. You don't mess about. | 0:14:18 | 0:14:22 | |
You say it like it is. | 0:14:22 | 0:14:25 | |
It reminds me of the other people who tend to say what they think, the Australians. Any Australians here? | 0:14:25 | 0:14:31 | |
I love you people. | 0:14:31 | 0:14:32 | |
I did a live breakfast radio interview in Adelaide in Australia. | 0:14:32 | 0:14:37 | |
I have no idea what year it is in Adelaide, for the mullet is alive and well. | 0:14:37 | 0:14:43 | |
This man, live breakfast radio interview, said, "So, Steve, you come to Australia a bit. | 0:14:45 | 0:14:52 | |
"You must get recognised a lot." | 0:14:52 | 0:14:54 | |
"Tell me, what about at night?" | 0:14:54 | 0:14:57 | |
To my face! | 0:15:01 | 0:15:03 | |
I'm like, "I didn't know we were going down Racist Road. | 0:15:05 | 0:15:08 | |
"What the hell are you talking about?" | 0:15:08 | 0:15:10 | |
I don't know about you, Scotland, but at night time, this has never, ever, ever happened to me. | 0:15:10 | 0:15:17 | |
Bam, bam, bam, bam, bam, bam, bam... | 0:15:17 | 0:15:19 | |
Bang! | 0:15:19 | 0:15:21 | |
"What was that?" | 0:15:21 | 0:15:22 | |
"Oh, a black person." | 0:15:22 | 0:15:26 | |
Good night. Thank you very much. | 0:15:27 | 0:15:29 | |
CHEERING AND APPLAUSE | 0:15:29 | 0:15:31 | |
Stephen K Amos! | 0:15:36 | 0:15:38 | |
I'm now going to introduce a man who is this year's hottest ticket at the Fringe, ever since my show sold out. | 0:15:41 | 0:15:49 | |
He's brilliant. You're going to love this guy. One of my favourite comics, | 0:15:49 | 0:15:53 | |
one of the most naturally funny men on the circuit. | 0:15:53 | 0:15:56 | |
Give it up for the wonderful John Bishop! | 0:15:56 | 0:15:59 | |
Hello, good evening, how are you? Good. Good. Nice to be here. | 0:16:11 | 0:16:14 | |
Like everybody who's come onto the stage is going to say, we love Edinburgh. And we do. | 0:16:14 | 0:16:19 | |
I love it particularly at this time of year because you're a welcoming city. | 0:16:19 | 0:16:24 | |
Someone asked me to sum up the Edinburgh Festival the other day. | 0:16:24 | 0:16:27 | |
It was a Wednesday night, I was doing a radio interview. | 0:16:27 | 0:16:31 | |
I said, "You know how I can sum it up?" | 0:16:31 | 0:16:34 | |
"I just walked into a pub and there was a man in the corner with a top hat on, drinking a pint of Guinness, | 0:16:34 | 0:16:43 | |
"and no-one punched him in the head." | 0:16:43 | 0:16:45 | |
What a wonderful thing. | 0:16:47 | 0:16:50 | |
You must be like I am. | 0:16:50 | 0:16:52 | |
I come here and look at these people and think, "Where do you go for 11 months of the year? | 0:16:52 | 0:16:57 | |
"Where do you possibly fit in?" | 0:16:57 | 0:17:00 | |
I've been coming to this city, doing the Edinburgh Festival, for six years. | 0:17:00 | 0:17:06 | |
I even brought my kids. First time was five years ago. | 0:17:06 | 0:17:10 | |
At that point, they would've been five, seven and nine. | 0:17:10 | 0:17:14 | |
You probably remember the year, because they only came up for a week and it was sunny for five days. | 0:17:14 | 0:17:22 | |
You remember that famous sunny week that you had when it was sunny every day? | 0:17:22 | 0:17:27 | |
There's been a museum built to it. | 0:17:27 | 0:17:30 | |
I brought my kids up and I thought, "This is great. | 0:17:30 | 0:17:34 | |
"I'm exposing them to the benefits of the Edinburgh Festival". | 0:17:34 | 0:17:37 | |
Then I realised, that's a disaster, because at that point that was their only experience of Scotland. | 0:17:37 | 0:17:44 | |
That's what they thought Scotland was. | 0:17:44 | 0:17:47 | |
They thought Scotland was a sunny place full of happy people and jugglers. | 0:17:47 | 0:17:51 | |
That's a disaster. | 0:17:54 | 0:17:55 | |
I thought, "One day they'll go on a stag do to Glasgow in February and get their head kicked in". | 0:17:55 | 0:18:00 | |
But I do like it. I like the fact that you have this festival here, in the capital city of your country. | 0:18:03 | 0:18:11 | |
I love the sense of pride you've got in that. | 0:18:11 | 0:18:14 | |
The fact that you have a cannon that you fire at one o'clock | 0:18:14 | 0:18:18 | |
every day, just so the English know you've got a cannon. | 0:18:18 | 0:18:23 | |
Obviously, you haven't worked out is that if we decide to invade again, we might do it at half two. | 0:18:25 | 0:18:31 | |
I also love the fact that when you built a parliament building, | 0:18:33 | 0:18:38 | |
you didn't do it like everyone thought you were going to do it. | 0:18:38 | 0:18:41 | |
You went to Ikea. | 0:18:41 | 0:18:43 | |
APPLAUSE | 0:18:43 | 0:18:46 | |
You got the biggest flat-pack in the world and then you built something horrible. | 0:18:51 | 0:18:57 | |
But I love the fact that you built something horrible just because you | 0:18:57 | 0:19:01 | |
were building next door to where the Queen lives. I love that. | 0:19:01 | 0:19:04 | |
I love that indignation, so that any time the Queen comes and opens her curtains, | 0:19:04 | 0:19:09 | |
she goes, "Oh, for f... sake, look at that!" | 0:19:09 | 0:19:12 | |
And you're all going, "Ah!" | 0:19:12 | 0:19:15 | |
I like that sense of standing up for yourself. | 0:19:16 | 0:19:21 | |
I'm not a big royalist. I'm not a massive fan of the Royal Family. | 0:19:21 | 0:19:25 | |
I'm from Liverpool. I don't mind people living off the state but I think they take the piss. | 0:19:25 | 0:19:31 | |
I know that tonight is a special night for the benefit of a lot | 0:19:33 | 0:19:37 | |
of people, so I've got to go because we're all only on for five minutes. | 0:19:37 | 0:19:42 | |
I know. If there's any girls I've met in the past, you'll know that that's a long time. | 0:19:42 | 0:19:47 | |
So I'm going to shoot off. But on behalf of everybody | 0:19:49 | 0:19:52 | |
who's going to benefit out of tonight's gig, thanks for coming. | 0:19:52 | 0:19:55 | |
God bless and I'll see you some time in the future. Good night. God bless. | 0:19:55 | 0:19:59 | |
John Bishop! | 0:20:06 | 0:20:08 | |
Next up, a big man with a big heart. One of the UK's top comics. | 0:20:12 | 0:20:16 | |
Give it up for Justin Moorhouse! | 0:20:16 | 0:20:18 | |
Thank you very much. Hello! | 0:20:23 | 0:20:26 | |
Hello. Hello! More of you. | 0:20:26 | 0:20:29 | |
Hello. It's OK, I know what happens at the beginning of every show. | 0:20:29 | 0:20:33 | |
I get this all the time. | 0:20:33 | 0:20:34 | |
You're staring at me, working it out, going, "He's from the north of England, yes. | 0:20:34 | 0:20:40 | |
"Yes, he's working class". | 0:20:40 | 0:20:43 | |
And girls, you're all thinking it. Looking at me and going, "He's brilliant at the sex". | 0:20:43 | 0:20:49 | |
I am. It's amazing. I don't know if you've tried it with a fat lad. We're brilliant. | 0:20:49 | 0:20:54 | |
Girls, give us a go. If you've never been on a fat lad, give it a go. | 0:20:54 | 0:20:58 | |
Amazing. Best time you'll ever have. | 0:20:58 | 0:21:00 | |
Do you know why? When we get it, we're grateful. | 0:21:00 | 0:21:04 | |
We try really hard. | 0:21:04 | 0:21:07 | |
Maybe at a wedding, at the end of the night, it's a teary affair. | 0:21:07 | 0:21:11 | |
You're a bit upset, you're on your own, you look across the dance floor and this is your option. | 0:21:11 | 0:21:18 | |
Don't give it up as a bad job. You've seen us at the buffet table, we have a voracious appetite. | 0:21:19 | 0:21:24 | |
You know what I'm saying. Take that analogy further. | 0:21:24 | 0:21:26 | |
We'll start at either end. You know what I'm saying, girls. | 0:21:26 | 0:21:30 | |
Give us a go. | 0:21:30 | 0:21:31 | |
Under the bedclothes with the lights off, it's like a threesome. | 0:21:31 | 0:21:37 | |
But without the moral indignation. | 0:21:37 | 0:21:40 | |
I've lost some weight recently. | 0:21:42 | 0:21:44 | |
Two stone. Thanks for your support(!) | 0:21:44 | 0:21:47 | |
CHEERING | 0:21:47 | 0:21:49 | |
Don't applaud now, it's patronising. | 0:21:49 | 0:21:52 | |
In other countries, they'd be whooping and hollering. | 0:21:52 | 0:21:55 | |
In America, they'd be carrying me out shoulder high... | 0:21:55 | 0:21:57 | |
Well, not carrying me, showing me the exit door. | 0:21:57 | 0:22:00 | |
In this country, "I've lost two stone." "And?" | 0:22:00 | 0:22:04 | |
"What did you do - go for a shit and sneeze at the same time?" | 0:22:04 | 0:22:08 | |
"We call that a clear-out, fatty. Get on with it." | 0:22:08 | 0:22:12 | |
Little things, though. The reason why I had to lose weight, this is the truth. How sad is this? | 0:22:12 | 0:22:19 | |
I was ironing my own shirt before a gig. | 0:22:19 | 0:22:21 | |
Halfway through, I thought, "Am I pressing bedding?" | 0:22:21 | 0:22:24 | |
You know you're too fat when you've finished ironing your own shirt | 0:22:24 | 0:22:28 | |
and you have to bring your mate in from next door to help you fold it. | 0:22:28 | 0:22:32 | |
"Why have you got buttons in the middle of your duvet?" "Shut it. Carry on." | 0:22:34 | 0:22:39 | |
What's that thing you check to find out how fat you are? What's it called? | 0:22:39 | 0:22:43 | |
Not a BMI - a mirror. | 0:22:43 | 0:22:45 | |
I looked in the mirror. "I'm a mess. I have to do something about it." | 0:22:45 | 0:22:49 | |
I put my statistics in, it's unbelievable. It turns out I'm morbidly obese. | 0:22:49 | 0:22:56 | |
Laugh your head off. My kids will be orphans because I'm greedy. Fun times. I'm morbidly obese. | 0:22:56 | 0:23:02 | |
So, I tell you this, my friends. It's not about losing a couple of stone for me. | 0:23:02 | 0:23:06 | |
I've got a real target in life. I don't want to be morbidly obese. | 0:23:06 | 0:23:09 | |
I want to be... obese. | 0:23:09 | 0:23:12 | |
It's only when you're this big can you get away with that as a goal in life. | 0:23:12 | 0:23:16 | |
"What are your hopes and aspirations?" "To be obese!" "Go for it, fatty! Enjoy yourself." | 0:23:16 | 0:23:21 | |
Thank you for listening. Enjoy the festival. I'm Justin Moorhouse. Good night. | 0:23:21 | 0:23:26 | |
Justin Moorhouse. | 0:23:34 | 0:23:36 | |
I'm going to get cracking on. | 0:23:40 | 0:23:42 | |
Next, a Fringe favourite. He's getting rave reviews for his show this year. | 0:23:42 | 0:23:46 | |
Welcome to the stage, Andrew Lawrence. | 0:23:46 | 0:23:49 | |
Thank you very much. What a lovely audience. Lots of couples. | 0:23:56 | 0:24:00 | |
I like that. I've got a girlfriend now. | 0:24:00 | 0:24:02 | |
It's not been easy for me. | 0:24:02 | 0:24:04 | |
I don't think I'm the most attractive man in the world. | 0:24:04 | 0:24:07 | |
Looking at my face is like reading in a car. | 0:24:07 | 0:24:09 | |
For ten minutes, it's all right, then you start to feel a little bit sick. | 0:24:09 | 0:24:12 | |
I'm quite squinty-eyed. You'll notice this as my set goes on. | 0:24:15 | 0:24:19 | |
I've got contact lenses, and they're not very comfortable. | 0:24:19 | 0:24:23 | |
Contact lenses are like parents. The older they get, the more they irritate you. | 0:24:23 | 0:24:26 | |
Then you lose one and the one that's left behind gives you a constant headache. | 0:24:26 | 0:24:30 | |
I started doing comedy and thought, "I'm on to a good thing here. | 0:24:35 | 0:24:38 | |
"If there is one thing women find attractive in a man, it's a good sense of humour." | 0:24:38 | 0:24:42 | |
Then I found out that's rubbish. | 0:24:42 | 0:24:44 | |
Ladies, when you say you find a good sense of humour attractive in a man, | 0:24:44 | 0:24:48 | |
you mean that when you find a man attractive, you'll laugh at any old crap that comes out of his mouth. | 0:24:48 | 0:24:53 | |
That's one of the lessons life has taught me. | 0:24:53 | 0:24:58 | |
Old cliches about communication. | 0:24:58 | 0:25:01 | |
They say all good relationships are about communication and listening. | 0:25:01 | 0:25:05 | |
I'm rubbish at listening. My girlfriend says, "You never listen." | 0:25:05 | 0:25:08 | |
I say, "Yes, please, love. Milk and two sugars." | 0:25:08 | 0:25:10 | |
"You're not listening." Then I say, "To be fair, petal, you do talk a lot. | 0:25:10 | 0:25:15 | |
"You need someone who can filter all the things coming out | 0:25:15 | 0:25:19 | |
of your mouth and extrapolate the important information they might be tested on at a later date." | 0:25:19 | 0:25:24 | |
She walks off without saying anything, I wonder who's lost the | 0:25:24 | 0:25:27 | |
argument, then when we don't have sex for three weeks, I realise it was me. | 0:25:27 | 0:25:31 | |
It's going very well. | 0:25:33 | 0:25:36 | |
The problem is, when you go out with someone, after a while you | 0:25:36 | 0:25:39 | |
feel the burden of development weighing heavily upon your shoulders. | 0:25:39 | 0:25:43 | |
You think, "It's going well, going out with each other. | 0:25:43 | 0:25:46 | |
"Why don't we change things irrevocably by moving in together, getting married and having children, | 0:25:46 | 0:25:51 | |
"see if we can't destroy that happiness and ruin our lives?" | 0:25:51 | 0:25:54 | |
Who's got children? Give me a cheer. | 0:25:54 | 0:25:56 | |
CHEERING | 0:25:56 | 0:25:58 | |
Quite a lot of you. Well done, good for you. | 0:25:58 | 0:26:00 | |
But the problem with children, as far as I can see, is they're born, | 0:26:00 | 0:26:03 | |
they scream, they learn to talk, they start asking questions. | 0:26:03 | 0:26:07 | |
"What's the sky for?" "Why ask me? | 0:26:07 | 0:26:09 | |
"Teachers get paid to tell you about these things." "What's the sky for?" | 0:26:09 | 0:26:13 | |
"It's the roof on the world." "Why's the world need a roof?" | 0:26:13 | 0:26:16 | |
"To stop us all falling out." "What does gravity do?" | 0:26:16 | 0:26:18 | |
"Keeps us all stuck to the ground." "Why's the world need a roof?" | 0:26:18 | 0:26:21 | |
"This is a very circular conversation that could end with me putting you up for adoption." | 0:26:21 | 0:26:26 | |
"Where do babies come from?" | 0:26:26 | 0:26:28 | |
"Same place you came from." "Where did I come from?" | 0:26:28 | 0:26:31 | |
"Your mummy's belly." "How did I get inside Mummy's belly?" | 0:26:31 | 0:26:33 | |
"She ate you." "Why?" | 0:26:33 | 0:26:36 | |
"Because you ask too many questions!" | 0:26:36 | 0:26:40 | |
I don't think I could have children. | 0:26:40 | 0:26:42 | |
I can barely look after myself. | 0:26:42 | 0:26:44 | |
I don't eat properly, don't sleep properly. | 0:26:44 | 0:26:47 | |
Getting home from my gigs at one o'clock in the morning, going to bed at two o'clock in the morning. | 0:26:47 | 0:26:51 | |
8am every morning, the man next door wakes me up, hammering and drilling. | 0:26:51 | 0:26:56 | |
I put up with it for a while, then I got irritated. | 0:26:56 | 0:26:59 | |
After a couple of weeks, I went round and said, "Excuse me, I'm trying to sleep." | 0:26:59 | 0:27:03 | |
He said, "Well, I'm trying to hammer and drill." | 0:27:03 | 0:27:05 | |
I said, "It's a residential area. You shouldn't be hammering and drilling at 8am." | 0:27:05 | 0:27:09 | |
He said, "How am I supposed to fix my house up?" I said, "Don't. | 0:27:09 | 0:27:12 | |
"Just accept it for the dump it is, like I've done with mine." | 0:27:12 | 0:27:15 | |
"What if I want to invite friends for dinner? I don't want them to think I live in a dump." | 0:27:15 | 0:27:20 | |
"If they judge you because you live in a dump, they're not your real friends, they're just scroungers | 0:27:20 | 0:27:25 | |
"trying to get a free meal off a gullible chimp who's prepared to cook something for free." | 0:27:25 | 0:27:29 | |
He said, "I don't care what you think. I want to live in a nice house." | 0:27:29 | 0:27:32 | |
I said, "That's a shallow preoccupation with material things. | 0:27:32 | 0:27:35 | |
"If you surround yourself with nice things, pristine furnishing, pretend you're happy, you're not happy. | 0:27:35 | 0:27:40 | |
"There's no love in your life. | 0:27:40 | 0:27:42 | |
"There's a gaping vacuum in your soul that can only be filled when you renounce material obsessions. | 0:27:42 | 0:27:46 | |
"Embrace love, humanity, God, nature | 0:27:46 | 0:27:48 | |
"and stop drilling! Stop drilling!" | 0:27:48 | 0:27:50 | |
He said, "If you have a problem, take it up with the council." Switched his drill back on. | 0:27:50 | 0:27:55 | |
Every night after that, I got home at 1am, switched on my vacuum cleaner for an hour to irritate him. | 0:27:55 | 0:28:00 | |
Then he bought a drum kit. Now I've got an accordion. | 0:28:00 | 0:28:02 | |
It's getting out of hand, but we're having fun. | 0:28:02 | 0:28:04 | |
Ladies and gentlemen, it's been a delight. Thank you very much. | 0:28:04 | 0:28:09 | |
Give it up for Andrew Laurence! | 0:28:16 | 0:28:18 | |
CHEERING | 0:28:18 | 0:28:21 | |
Next up, one of the fastest rising, most exciting female comics in the UK. | 0:28:21 | 0:28:25 | |
Give it up for Andi Osho! | 0:28:25 | 0:28:28 | |
Hello! | 0:28:32 | 0:28:34 | |
Let me hear you make some noise! | 0:28:36 | 0:28:38 | |
Wicked. Let me just check... all the black people in the house, make some noise! | 0:28:40 | 0:28:44 | |
SPARSE CHEERING | 0:28:44 | 0:28:45 | |
Four of us! | 0:28:45 | 0:28:47 | |
Wicked! All right. It's not a problem, it's not a problem or anything. | 0:28:47 | 0:28:50 | |
Because you seem nice. But sometimes as a black comic, you come out and | 0:28:50 | 0:28:54 | |
see a sea of white faces staring at you, it feels like an auction. | 0:28:54 | 0:28:57 | |
But there is love in the room, I can feel it. | 0:29:01 | 0:29:05 | |
It's lovely being in Edinburgh. | 0:29:05 | 0:29:07 | |
We've been here, what? For three and a half weeks? | 0:29:07 | 0:29:09 | |
I love the flyerers, they're fantastic. | 0:29:09 | 0:29:11 | |
You can see them getting properly jaded by the whole thing. | 0:29:11 | 0:29:14 | |
This genuinely happened down Drummond Street. | 0:29:14 | 0:29:16 | |
There's a guy, all he's saying is the name of the show, | 0:29:16 | 0:29:19 | |
but I shit you not, the name of the show is Let's Have Sex. | 0:29:19 | 0:29:22 | |
So he's walking up and down Drummond Street saying "Let's have sex", "Let's have sex", | 0:29:22 | 0:29:27 | |
with no flyer in his hand. "Let's have sex." | 0:29:27 | 0:29:29 | |
He did have a flyer. I felt bad for him, I took a flyer, I felt bad for him. | 0:29:31 | 0:29:35 | |
And I can actually recommend having sex with him. | 0:29:35 | 0:29:38 | |
He was amazing. | 0:29:38 | 0:29:41 | |
My mum rang me up as well to make sure I was all right. | 0:29:41 | 0:29:44 | |
You know when your mum doesn't really know what you do? | 0:29:44 | 0:29:47 | |
She said, "How's the busking going, dear?" | 0:29:47 | 0:29:49 | |
"They're gigs, Mum. They're gigs." | 0:29:49 | 0:29:51 | |
It's the only thing we don't agree on, really. | 0:29:51 | 0:29:53 | |
Apart from that. When I was a kid, pocket money, controversial. Give me a cheer if you got pocket money. | 0:29:53 | 0:30:00 | |
The thing is, black parents never give their kids money. | 0:30:00 | 0:30:04 | |
They don't understand why a child wants money. | 0:30:04 | 0:30:06 | |
I asked my mum for pocket money, she said "What do you need money for? | 0:30:06 | 0:30:09 | |
"Are you going to buy stocks and shares?" | 0:30:09 | 0:30:12 | |
"Are you Richard Branson?" | 0:30:12 | 0:30:15 | |
She couldn't understand why I wanted pocket money. | 0:30:15 | 0:30:17 | |
So in the end, I negotiated with her. | 0:30:17 | 0:30:19 | |
"I'll do housework in exchange for pocket money." | 0:30:19 | 0:30:22 | |
And she said, "So that means you are now my employee?". | 0:30:22 | 0:30:26 | |
Not what I had in mind. But I thought I was a clever kid, right? | 0:30:26 | 0:30:29 | |
What I thought I'd do is break the hoover, then she won't ask me to do that stupid shit again. | 0:30:29 | 0:30:34 | |
So I was properly ramming the hoover into the wall, trying to break the hoover. | 0:30:34 | 0:30:37 | |
Trying to make it look like an accident and she went, "OK. Stop. Hammer time". | 0:30:37 | 0:30:42 | |
No, she didn't. Why would she do that? It was early '80s. | 0:30:42 | 0:30:46 | |
She said, "OK, stop. Collaborate and listen". | 0:30:46 | 0:30:48 | |
Of course she didn't, that's a ridiculous idea. | 0:30:51 | 0:30:53 | |
But I do have 47 more of these. | 0:30:53 | 0:30:55 | |
Trappin'! She said, "OK. Stop, see how you're using that?" I was like, "Yeah?" | 0:30:57 | 0:31:02 | |
She said, "OK, I'm going to use your head in the same way!" | 0:31:02 | 0:31:06 | |
She didn't, she didn't... | 0:31:06 | 0:31:07 | |
She did. She did. | 0:31:07 | 0:31:10 | |
To be fair, me and my brothers were properly lazy kids. | 0:31:10 | 0:31:14 | |
When we did do the housework we thought we were slaves. | 0:31:14 | 0:31:16 | |
We were singing negro spirituals and everything. | 0:31:16 | 0:31:20 | |
We were singing, "I been working, I been working. | 0:31:20 | 0:31:23 | |
"I been working ... pick your own cotton!" Very lazy. | 0:31:23 | 0:31:26 | |
There's a lot of strong discipline as well in a Nigerian household. | 0:31:28 | 0:31:31 | |
The best example I saw was very recently on a bus. | 0:31:31 | 0:31:35 | |
There was a woman with her little daughter and her daughter | 0:31:35 | 0:31:38 | |
was messing around and she wanted her to stop but this is what she said. | 0:31:38 | 0:31:41 | |
She said to the little girl, about four or five years old, she said, "OK, do you want me to go to jail?" | 0:31:41 | 0:31:47 | |
And the little girl, to her credit, she went, | 0:31:48 | 0:31:50 | |
"Yes!" | 0:31:50 | 0:31:52 | |
So this is what she said, she said, "OK, so when we get home, I'm going to kill you!" | 0:31:52 | 0:31:57 | |
"Then you won't have to see me again!" | 0:31:59 | 0:32:01 | |
All the white people on the bus looked like you lot... | 0:32:01 | 0:32:04 | |
that's some funny shit, but I'm going to report it. | 0:32:04 | 0:32:07 | |
All the Nigerians on the bus were going, "Very good, that | 0:32:07 | 0:32:09 | |
"it, that's why this country is going down the toilet". | 0:32:09 | 0:32:13 | |
I've got this uncle, a real one, not one that touches you up. | 0:32:13 | 0:32:16 | |
He was trying to explain to me how he's lenient with his son. | 0:32:18 | 0:32:22 | |
But this is what he said, he said, "Yes, I'm firm with the young man, | 0:32:22 | 0:32:25 | |
"of course I'm firm with him, but not like Mugabe". | 0:32:25 | 0:32:28 | |
That's wrong. | 0:32:33 | 0:32:34 | |
That is wrong. That's like saying about your mate, "Yes, I love to go | 0:32:34 | 0:32:38 | |
"swimming with my friend, of course I love to go swimming with my friend, but not like Michael Barrymore". | 0:32:38 | 0:32:44 | |
You've been amazing, enjoy the rest of the show. See ya! | 0:32:47 | 0:32:52 | |
Andi Osho! | 0:33:00 | 0:33:01 | |
Now we've got a bit of bit of musical comedy. | 0:33:04 | 0:33:07 | |
This guy's another fringe favourite, he won the 2008 comedy award, formerly known as the Perrier Award. | 0:33:07 | 0:33:13 | |
Everybody go nuts, you know the score. | 0:33:13 | 0:33:15 | |
Give it up for David O'Doherty. | 0:33:15 | 0:33:17 | |
All right, people. Good evening, my name is Florence and this is my machine. | 0:33:27 | 0:33:32 | |
This is a mini keyboard, by the way. | 0:33:32 | 0:33:34 | |
I am not a giant. | 0:33:34 | 0:33:36 | |
I'm David O'Doherty, but that won't be the title of my autobiography. | 0:33:36 | 0:33:40 | |
To sell some more units I'm going to call it "Harry Potter and the Da Vinci Book of Sudoku". | 0:33:40 | 0:33:45 | |
I'm from Ireland, it's pretty similar to here, I would say the main difference | 0:33:47 | 0:33:55 | |
would just be on a day-to-day basis Ireland is maybe 65% more mystical, it is a very mystical place to live. | 0:33:55 | 0:34:02 | |
It's like living in an Enya song. | 0:34:02 | 0:34:06 | |
It's annoying sometimes how mystical day to day life is in Ireland because it's like, I definitely left | 0:34:06 | 0:34:11 | |
my keys there, it's like, they turned into an eagle. | 0:34:11 | 0:34:14 | |
It's the fifth time they've shape-shifted this week. | 0:34:16 | 0:34:19 | |
Let's try a song. Could you guys create a slightly more mystical lighting state for this. | 0:34:21 | 0:34:26 | |
World ... | 0:34:29 | 0:34:32 | |
You can mess with me once, and you'd probably get away with it, mess with | 0:34:32 | 0:34:36 | |
me twice and the chances are I are still probably won't remember. | 0:34:36 | 0:34:41 | |
But mess with me numerous times across a concerted period in a | 0:34:41 | 0:34:46 | |
similar way and think you're going to get away with it? | 0:34:46 | 0:34:49 | |
Well, you're wrong. | 0:34:49 | 0:34:51 | |
I'm going to lampoon you, | 0:34:51 | 0:34:54 | |
through a comedy song. | 0:34:54 | 0:34:56 | |
I'm talking about my beefs! | 0:34:59 | 0:35:02 | |
2010, things I've encountered again and again. My beefs! | 0:35:02 | 0:35:07 | |
2010, excuse me while I unleash a "Ah!" | 0:35:07 | 0:35:11 | |
People with iPhones, stop trying to show me what your iPhone can do. | 0:35:11 | 0:35:15 | |
I couldn't give a shit, they've been out for years! | 0:35:15 | 0:35:18 | |
Yeah! | 0:35:18 | 0:35:20 | |
But when you realise the truth, there is no app for loneliness! | 0:35:20 | 0:35:24 | |
I don't need an iPhone. I have an iPod already and if I'm honest there | 0:35:29 | 0:35:33 | |
have been times when I've pretended my iPod is an iPhone just when I'm | 0:35:33 | 0:35:37 | |
talking to someone who is incredibly boring I'm like, I am so sorry, I'm going to have to get this. Hello? | 0:35:37 | 0:35:42 | |
Shit, look, it's Prince. Agh! | 0:35:44 | 0:35:46 | |
23-year-old men from Edinburgh, stop buying pointless accessories for your rubbish cars. | 0:35:48 | 0:35:55 | |
It's not the Batmobile, it is a 2003 Citroen Saxo. | 0:35:55 | 0:36:00 | |
Blue lights underneath the chassis, that is practical in that it stops | 0:36:00 | 0:36:03 | |
junkies shooting up in your wheel arches. | 0:36:03 | 0:36:05 | |
Girls, stop telling me about your dreams. Seriously. | 0:36:07 | 0:36:12 | |
Just the fateful moment when it begins, I had a dream last night... | 0:36:12 | 0:36:16 | |
No! Save me from the next two minutes. | 0:36:16 | 0:36:19 | |
"I was on a horse, the horse was flying." I don't care. | 0:36:19 | 0:36:22 | |
"It was unbelievable!" Of course it's unbelievable, it's a dream! | 0:36:22 | 0:36:27 | |
What do you want, highly believable dreams? | 0:36:27 | 0:36:29 | |
"I had a dream, it was like a Mike Leigh film!" Whoah! | 0:36:29 | 0:36:33 | |
Celebrity news. | 0:36:33 | 0:36:35 | |
Stop appearing at the end of real news, you diminish real news. | 0:36:35 | 0:36:40 | |
"And the death toll from the Pakistan flood could rise as high as 40,000." | 0:36:40 | 0:36:44 | |
"Christina Aguilera's cat has alopecia." No! | 0:36:44 | 0:36:48 | |
DVD players and laptop computers, play all regions of DVD, if you don't, you're racist. | 0:36:51 | 0:36:58 | |
Come on! | 0:36:58 | 0:37:00 | |
Finally, people who constantly update what it is they're doing on the internet in the form | 0:37:00 | 0:37:04 | |
of status updates, from where I'm sitting it seems like there's two main schools of status update. | 0:37:04 | 0:37:09 | |
The first and most common is make your life sound as awesome as possible. | 0:37:09 | 0:37:13 | |
"Just had a picnic up a hill". | 0:37:13 | 0:37:17 | |
"What a perfect day". No! | 0:37:17 | 0:37:19 | |
I know what you're like, you're bipolar, you cry for half the morning. | 0:37:19 | 0:37:24 | |
But even more pointless than that is the other one, "About to make an omelette". No! | 0:37:24 | 0:37:31 | |
What? You are about to undertake the mighty omelette? | 0:37:31 | 0:37:34 | |
Thank goodness you told me! This could go anyway! | 0:37:34 | 0:37:37 | |
Somebody alert Cern, alert NASA, you might create a new element. | 0:37:37 | 0:37:42 | |
Clear a space on the periodic table for "omlettium"! | 0:37:42 | 0:37:47 | |
Sort it out, world, if you don't, you risk being part of my beefs 2010. | 0:37:47 | 0:37:53 | |
David O'Doherty! | 0:38:10 | 0:38:12 | |
Now I'm going to welcome a man who's on his 11th year at | 0:38:16 | 0:38:19 | |
the Festival, he's won awards, played to packed out venues. | 0:38:19 | 0:38:22 | |
You'll have seen him on Mock The Week, Never Mind The Buzzcocks, | 0:38:22 | 0:38:25 | |
put your hands together and welcome to the stage, Mark Watson! | 0:38:25 | 0:38:28 | |
That's it! | 0:38:33 | 0:38:35 | |
Hi. Nice intro there but I hope your expectations | 0:38:38 | 0:38:42 | |
are at a manageable level, you don't people expecting too much. | 0:38:42 | 0:38:45 | |
You should always expect the worst, that's what my dad taught me. | 0:38:45 | 0:38:48 | |
Expect a shit life and if you have a fairly shit life, you're reasonably satisfied. | 0:38:48 | 0:38:52 | |
I remember coming home from school once and my dad said, | 0:38:52 | 0:38:56 | |
"Would you rather Father Christmas didn't exist, or your mum was dead?" | 0:38:56 | 0:39:00 | |
I was 10! I said, I'd rather Father Christmas didn't exist... | 0:39:01 | 0:39:05 | |
"Right", he said, "Good news." There you are, | 0:39:05 | 0:39:07 | |
softening the blows of life. | 0:39:07 | 0:39:11 | |
There we are, nice to get your first laugh, always that sense of, will it be shit? | 0:39:11 | 0:39:16 | |
I'll be fine. I reckon I'll be fine. | 0:39:16 | 0:39:17 | |
You never know if people will laugh. | 0:39:17 | 0:39:20 | |
Perhaps they won't understand you, I've got a peculiar accent, a bit Welsh, a bit West Country, | 0:39:20 | 0:39:25 | |
both accents people find hard to understand, or even imitate. | 0:39:25 | 0:39:28 | |
A friend of mine said, "I can never do a Welsh accent. | 0:39:28 | 0:39:31 | |
"If I do, it sounds Pakistani". | 0:39:31 | 0:39:34 | |
I said, you have to try harder to master it, Ahmed. | 0:39:34 | 0:39:38 | |
Thanks! I didn't expect you to laugh at that. | 0:39:43 | 0:39:46 | |
You never know, I'm a pessimist. | 0:39:46 | 0:39:49 | |
I tend to find most accents I'm all right with, not all, some | 0:39:49 | 0:39:53 | |
are tricky, South African is a peculiar accent to understand. | 0:39:53 | 0:39:56 | |
All the vowels are the same. A word like "cigarette" | 0:39:56 | 0:40:01 | |
sounds like "secrets". | 0:40:01 | 0:40:03 | |
Secrets! Secrets! I was in South Africa and somebody said, "Give me one of your secrets | 0:40:03 | 0:40:07 | |
"Can I have one of your secrets?" Well, I once masturbated in the British Library. | 0:40:07 | 0:40:12 | |
Oh, you want a fag! | 0:40:12 | 0:40:16 | |
True story. | 0:40:16 | 0:40:18 | |
Unfortunately. | 0:40:20 | 0:40:22 | |
Everything's difficult, you can't just buy butter, you've got to choose between 15 different brands. | 0:40:22 | 0:40:27 | |
Butter, I Can't Believe It's Not Butter, | 0:40:27 | 0:40:29 | |
Butterlicious, Utterly Butterly, Butter Than The Rest, Fuck Me, This Looks Like Butter But It's Not. | 0:40:29 | 0:40:36 | |
It's unbelievable! I can't believe it's not butter... | 0:40:36 | 0:40:38 | |
I don't know about you, it's been on sale for nearly 20 years, I'm starting to conquer my incredulity. | 0:40:38 | 0:40:45 | |
It might be time to rename it, I'm Prepared To Accept Finally | 0:40:45 | 0:40:48 | |
This Is Not Butter, (Let's All Just Get On With It And Move On, Shall We) | 0:40:48 | 0:40:52 | |
I realise that's a long name. | 0:40:52 | 0:40:55 | |
You've been a very nice audience, which is not to be taken for granted. | 0:40:57 | 0:41:00 | |
People don't always laugh that much. | 0:41:00 | 0:41:02 | |
That's the curse of the comedian. The quiet audience member. | 0:41:02 | 0:41:05 | |
People say, "I enjoyed it, mate. | 0:41:05 | 0:41:07 | |
"I didn't laugh out loud, I never really laugh out loud." | 0:41:07 | 0:41:10 | |
Which when you're up here is pretty useless. | 0:41:10 | 0:41:12 | |
It's like somebody saying, "That was the best sex ever". | 0:41:12 | 0:41:15 | |
"Really? You were crying for most of it". | 0:41:15 | 0:41:17 | |
"Yeah, I didn't enjoy it but I admired what you were trying to do". | 0:41:17 | 0:41:21 | |
You're looking at me thinking, "He's never had sex!" | 0:41:23 | 0:41:26 | |
Wrong! I've got a wife! Look at that! | 0:41:26 | 0:41:28 | |
A wedding ring, that doesn't prove it, people wear all kinds of things. | 0:41:28 | 0:41:31 | |
You see people often with a football shirts with a Rooney on the back, often it's not. | 0:41:31 | 0:41:37 | |
I've been tricked by that a few times, I can tell you. | 0:41:37 | 0:41:41 | |
I've quite enjoyed this. Sorry! | 0:41:41 | 0:41:45 | |
I didn't mean to say it in that tone of surprise, like every gig I've ever done has been shit until now. | 0:41:45 | 0:41:49 | |
I mean, thank you! Thanks very much! Bye! | 0:41:49 | 0:41:52 | |
Mark Watson! | 0:41:59 | 0:42:01 | |
Now a guy I've worked with loads of times on the comedy circuit, a | 0:42:04 | 0:42:09 | |
personal favourite of mine, well on the way to becoming a household name. | 0:42:09 | 0:42:13 | |
Please put your hands together for the exceptional Mickey Flanigan. | 0:42:13 | 0:42:18 | |
-Good evening, everybody. Hello. -Hello! | 0:42:26 | 0:42:29 | |
Always nice to come to Edinburgh, a nice polite, civilised town. | 0:42:29 | 0:42:33 | |
I come from London, we've lost it there really. I come from London. | 0:42:33 | 0:42:39 | |
We lost the plot in London, everyone is so uncivilised. | 0:42:39 | 0:42:42 | |
I get very angry with people who come on the transport system, thick | 0:42:42 | 0:42:47 | |
people, slow people, old people, getting in my way when I'm busy. | 0:42:47 | 0:42:53 | |
I'm a busy man, I'm a Cockney, we're always double busy. | 0:42:53 | 0:42:56 | |
If you need a bit of proof, I can do the walk if you need it. | 0:42:58 | 0:43:01 | |
The Cockney has a number of walks, that's your main one, casual, standard, just walking about. | 0:43:01 | 0:43:07 | |
That's your standard Cockney walk there. | 0:43:09 | 0:43:12 | |
Then you've your busy, double busy walking about. | 0:43:12 | 0:43:16 | |
Let's have a walk about! Can't hang about! | 0:43:16 | 0:43:18 | |
Got to sign on, get back to work. | 0:43:18 | 0:43:20 | |
I'm always double busy, so slow people irritate me. | 0:43:22 | 0:43:25 | |
I was on the train the other day and got off to go through the barrier | 0:43:25 | 0:43:28 | |
and this bloke just stopped in front of the barrier, starts looking for his ticket. | 0:43:28 | 0:43:33 | |
Wasting valuable seconds of my life. | 0:43:36 | 0:43:39 | |
Call me old-fashioned, I got my ticket out on the train, I'm like that. | 0:43:39 | 0:43:43 | |
I'm anticipating the barrier, | 0:43:43 | 0:43:46 | |
they've only been there about 20 years. | 0:43:46 | 0:43:48 | |
Not this geezer, caught him out. | 0:43:48 | 0:43:50 | |
So, I'm standing behind him. | 0:43:53 | 0:43:56 | |
I'm like, "Excuse me, mate. Excuse me! Excuse me!" Nothing. | 0:43:58 | 0:44:04 | |
Blanked me. | 0:44:04 | 0:44:06 | |
So I stood back and weighed up my options. | 0:44:06 | 0:44:08 | |
Don't drop kick him, that's going too far. | 0:44:08 | 0:44:11 | |
Even for London standards. | 0:44:11 | 0:44:13 | |
I looked down, he got a dog with him, in't he? Got a dog. | 0:44:13 | 0:44:16 | |
A Scottie dog. | 0:44:16 | 0:44:18 | |
With a green coat on. | 0:44:18 | 0:44:21 | |
On the coat it said, "A hearing dog for the deaf". | 0:44:21 | 0:44:26 | |
Then it made sense why he blanked me. | 0:44:27 | 0:44:30 | |
Blind people have a guide dog, deaf people have a hearing dog. | 0:44:30 | 0:44:33 | |
I bent down and said, "Will you get out of the fucking way?" | 0:44:33 | 0:44:37 | |
Do we have young people in the audience? I love young people. | 0:44:42 | 0:44:45 | |
I'm in my 40s now, I've reached the point, I don't know what you're thinking about any more. | 0:44:45 | 0:44:49 | |
What is this haircut you have now? | 0:44:49 | 0:44:51 | |
Down and forward. | 0:44:51 | 0:44:53 | |
Down and forward. From the back. | 0:44:53 | 0:44:55 | |
Bring it on! There you go. | 0:44:55 | 0:44:57 | |
That's the one for me, let's get out there. | 0:45:00 | 0:45:03 | |
This was big in the '70s. | 0:45:03 | 0:45:07 | |
Among middle-aged men who weren't prepared to accept that they were going bald. | 0:45:07 | 0:45:11 | |
They would go like this, | 0:45:11 | 0:45:14 | |
go out for the evening like this and you had to stand opposite them and have a sensible conversation. | 0:45:14 | 0:45:21 | |
They come at you from the side nowadays, teenagers. | 0:45:23 | 0:45:26 | |
They're all twisted up. | 0:45:26 | 0:45:28 | |
Twisted up! | 0:45:28 | 0:45:30 | |
They love chicken, teenagers. Love chicken. | 0:45:33 | 0:45:37 | |
Wherever there's chicken, you'll see the hooded teenager just hanging about. | 0:45:37 | 0:45:41 | |
Just hang about by the chicken. Come on! | 0:45:41 | 0:45:44 | |
Let's hang about by the chicken! | 0:45:44 | 0:45:47 | |
Sometimes you fancy a bit of chicken. | 0:45:48 | 0:45:50 | |
But this means you have to negotiate the chicken children. | 0:45:50 | 0:45:57 | |
The hooded, menacing chicken children. | 0:45:57 | 0:46:01 | |
And they're coming at you from the side. | 0:46:01 | 0:46:03 | |
They've got a leg they never wanted in the first place. | 0:46:05 | 0:46:08 | |
They got this leg they drag along. | 0:46:08 | 0:46:10 | |
Coming at you. | 0:46:10 | 0:46:12 | |
Coming towards you... | 0:46:13 | 0:46:16 | |
Like some sort of Thriller video, innnit? | 0:46:16 | 0:46:18 | |
Guarding the zinger! | 0:46:20 | 0:46:21 | |
You go in for the chicken. | 0:46:24 | 0:46:26 | |
"I'm going in". | 0:46:26 | 0:46:28 | |
And they've got their cap on, their hood up, they're coming at you from the side, the chicken children. | 0:46:28 | 0:46:32 | |
And all they keep saying is, "What's happening?" | 0:46:35 | 0:46:38 | |
"What's happening?" | 0:46:38 | 0:46:41 | |
They're obsessed with that. | 0:46:41 | 0:46:43 | |
The reason they're so obsessed with what's happening is that they can't see where they're going. | 0:46:46 | 0:46:51 | |
Come on, man! | 0:46:53 | 0:46:55 | |
You've been lovely. Thank you, ladies and gentlemen! | 0:46:56 | 0:46:59 | |
Micky Flanagan! | 0:47:08 | 0:47:09 | |
Let me crack on. This guy's a veteran on the comedy circuit. | 0:47:11 | 0:47:14 | |
You're going to see more of him on TV. Give it up for Simon Evans. | 0:47:14 | 0:47:18 | |
Good evening. Nice to be here. | 0:47:28 | 0:47:30 | |
I thought I might start this evening with a joke. | 0:47:30 | 0:47:34 | |
There were three men: An Englishman, a Welshman and a Pakistani. | 0:47:34 | 0:47:41 | |
Yes, you weren't expecting that, were you? | 0:47:41 | 0:47:45 | |
That's my favourite bit of the joke. The tension which is palpable in the room when I mention the third member | 0:47:45 | 0:47:51 | |
of that gathering. I will mention the gentleman who told me this joke, I didn't know him well, he had already | 0:47:51 | 0:47:56 | |
uttered the immortal phrase, "Some of my best friends are black." | 0:47:56 | 0:48:00 | |
Which is rarely the sign of an untroubled conscience. | 0:48:00 | 0:48:04 | |
I pointed out that labradors don't count. But as it happens, | 0:48:04 | 0:48:08 | |
as it happens, I think he was in the clear on this. Anyway, you judge. | 0:48:08 | 0:48:15 | |
Three men, English, Welsh, Pakistani. | 0:48:15 | 0:48:17 | |
These three congregate one morning innocently enough in the maternity | 0:48:17 | 0:48:20 | |
ward of their local hospital to collect their newborn sons. | 0:48:20 | 0:48:23 | |
The mood is one of joyous anticipation. | 0:48:23 | 0:48:25 | |
From which we may reasonably deduce that they are first-time fathers. | 0:48:25 | 0:48:29 | |
Little note of bitterness there for serial parents. | 0:48:30 | 0:48:34 | |
However, this mood, fragile as it is, is shattered prematurely when they are informed by the doctor, or more | 0:48:35 | 0:48:41 | |
likely some sort of middle management lackey who is siphoning funds away from frontline services, | 0:48:41 | 0:48:47 | |
be that as it may, | 0:48:47 | 0:48:49 | |
that there has been a mix-up at the hospital and he can no longer say | 0:48:49 | 0:48:54 | |
with any certainty whose son is whose. | 0:48:54 | 0:48:56 | |
Now, you or I might return home and inform our legal representatives and begin a costly and time-consuming | 0:48:58 | 0:49:05 | |
but ultimately profitable lawsuit against this hospital for gross professional misconduct. | 0:49:05 | 0:49:10 | |
At the least you would demand a DNA test in order to establish paternity. | 0:49:10 | 0:49:13 | |
But this being a joke... | 0:49:13 | 0:49:16 | |
The three men agree to sort it out between them. | 0:49:18 | 0:49:20 | |
The Englishman goes in first, as is his right. | 0:49:22 | 0:49:25 | |
According to strict alphabetical order, at least. | 0:49:28 | 0:49:31 | |
The Englishman goes in first and emerges a moment later with what is | 0:49:33 | 0:49:37 | |
clearly, even to the medically untrained eye, the Pakistani child. | 0:49:37 | 0:49:42 | |
The Pakistani gentleman says as much and the Englishman says, | 0:49:42 | 0:49:45 | |
"Sorry, but one of those two is Welsh, and I'm not taking any chances." | 0:49:45 | 0:49:49 | |
It's the relief, isn't it? | 0:50:00 | 0:50:02 | |
When you realise which of your possible prejudices is being pandered to on this occasion. | 0:50:02 | 0:50:07 | |
And your secondary relief when you realise the rest of the room shares your abhorrence of the Welsh. | 0:50:09 | 0:50:14 | |
But I'm allowed to tell that joke. I have some Welsh blood in me. | 0:50:14 | 0:50:18 | |
Not a great deal and the transfusion unit is being sued. | 0:50:18 | 0:50:23 | |
I don't care what forms I signed, I'd rather have variant CJD, but it's done now. Still walking upright. | 0:50:23 | 0:50:30 | |
I haven't got long, but I want to say something about Wales this evening. | 0:50:33 | 0:50:36 | |
Clever, this bit. Not Wales the country, | 0:50:36 | 0:50:39 | |
but the large, blubbery mammals... | 0:50:39 | 0:50:42 | |
That live in Wales. | 0:50:42 | 0:50:44 | |
That is actually a statistically supported insult. | 0:50:46 | 0:50:49 | |
They are the fattest in the region, but I'm afraid the UK is now the fattest country in Europe. | 0:50:49 | 0:50:54 | |
This is nothing to be proud of. We used to have moral superiority | 0:50:54 | 0:50:57 | |
over America on this basis and little else and we're drifting. | 0:50:57 | 0:51:00 | |
But as a society, it's not wise | 0:51:01 | 0:51:05 | |
that we now reward excessive levels of corpulence with subsidised transport. | 0:51:05 | 0:51:10 | |
I'm not talking about a bus pass but these three-wheeled electrical obesity vehicles. | 0:51:10 | 0:51:17 | |
Clearly designed for the elderly and infirm. | 0:51:18 | 0:51:20 | |
Nobody would quarrel with that. | 0:51:20 | 0:51:22 | |
But they've been hijacked recently, not literally, I hope - that would be a boring crime to watch unfold. | 0:51:22 | 0:51:30 | |
But they've been hijacked by the overweight. | 0:51:32 | 0:51:35 | |
I thought the first one was hovering, he was so vast. | 0:51:35 | 0:51:38 | |
I thought, "No wonder you've put on a few pounds if you've mastered the art of levitation". | 0:51:40 | 0:51:45 | |
"You're not going to burn off many calories that way". | 0:51:45 | 0:51:48 | |
Then I saw a wire basket glinting between his thighs. | 0:51:48 | 0:51:50 | |
If they must have subsidised transport, I recommend spacehoppers. | 0:51:53 | 0:51:57 | |
You see the sense. They're more affordable, they'll burn off calories and it would give us all a laugh. | 0:52:00 | 0:52:07 | |
They could even paint their own faces on the front so they knew whose was whose | 0:52:07 | 0:52:12 | |
when they come out of Greggs in the morning! | 0:52:12 | 0:52:14 | |
You've been delightful. See you soon. | 0:52:14 | 0:52:18 | |
Simon Evans. | 0:52:23 | 0:52:25 | |
There's been a lot of love in the room so far. | 0:52:28 | 0:52:31 | |
You're a top crowd. I mean that, excellent crowd. | 0:52:31 | 0:52:34 | |
We're going to finish up with a comedy hero of mine. | 0:52:34 | 0:52:36 | |
This guy has performed all over the world, from Afghanistan to Wolverhampton. | 0:52:36 | 0:52:41 | |
He's one of my favourite comics. | 0:52:41 | 0:52:44 | |
Please welcome to the stage, the wonderful Tom Stade! | 0:52:44 | 0:52:48 | |
-Good evening! -Hey! | 0:52:58 | 0:53:01 | |
Good to be here. I'm loving this place. | 0:53:01 | 0:53:05 | |
You know, shopping and finding shit. | 0:53:07 | 0:53:09 | |
I was over at a little place called Primark. | 0:53:09 | 0:53:13 | |
I love that store, man. | 0:53:14 | 0:53:16 | |
I'm convinced nobody goes there to buy anything, but just to mess the place up. | 0:53:16 | 0:53:22 | |
It's the only store I have seen where people go "These jeans are shit", and then just chuck them. | 0:53:22 | 0:53:27 | |
Of course they're shit, they're £3. | 0:53:34 | 0:53:36 | |
Just cos stuff is cheap, doesn't mean you guys have to chuck it around. | 0:53:40 | 0:53:45 | |
That's why Argos keeps all their stuff in the freaking back. | 0:53:45 | 0:53:50 | |
They don't trust you. | 0:53:50 | 0:53:53 | |
They're like, "Don't show it to them, you saw what they done to Primark". | 0:53:53 | 0:53:56 | |
I love Argos, man. | 0:53:59 | 0:54:01 | |
I remember the first time I walked in Argos, they made me feel like I was a spy. | 0:54:01 | 0:54:08 | |
I walked up to the teller and handed her a piece of paper. | 0:54:08 | 0:54:12 | |
Then she looked at me and went, "OK". | 0:54:14 | 0:54:16 | |
"Go to checkpoint B". | 0:54:18 | 0:54:20 | |
I went to checkpoint B. | 0:54:24 | 0:54:26 | |
They didn't even know who I was, man. | 0:54:26 | 0:54:29 | |
"You don't know me? | 0:54:29 | 0:54:31 | |
"I'm 376". | 0:54:31 | 0:54:34 | |
Love that store. Catalogue shopping. | 0:54:37 | 0:54:40 | |
That's where you do catalogue shopping. At the store. | 0:54:40 | 0:54:44 | |
Normally, you get the catalogue and bring it home and order it, but you guys go down to the store and do it. | 0:54:47 | 0:54:52 | |
I love that catalogue. | 0:54:55 | 0:54:58 | |
You women, you're good with the catalogue. | 0:54:58 | 0:55:01 | |
Women are awesome with catalogues, man. | 0:55:01 | 0:55:04 | |
My woman can flip through the catalogue like nobody. | 0:55:04 | 0:55:08 | |
Women don't even need to look at the index to know what page the stuff they want is on. | 0:55:08 | 0:55:16 | |
My woman walked into Argos and flicked through that catalogue like she was a Jedi knight. | 0:55:16 | 0:55:21 | |
She went, "That's what I want". | 0:55:23 | 0:55:25 | |
I'm like, "Wow, how did you do that?" | 0:55:27 | 0:55:29 | |
She said, "I'll show you something else. | 0:55:29 | 0:55:32 | |
"That's what you want". | 0:55:32 | 0:55:34 | |
I'm like, "I don't even know what I want". | 0:55:36 | 0:55:38 | |
Then I went, "Holy shit, that is what I want. A trampoline". | 0:55:38 | 0:55:45 | |
And you can't just buy no trampoline, you got to get all your trampoline trimmings. | 0:55:50 | 0:55:58 | |
Got to get that safety cage. | 0:55:58 | 0:56:00 | |
In case you're a loser and you don't know how to bounce up and down. | 0:56:00 | 0:56:04 | |
One of these sideways bouncers. | 0:56:06 | 0:56:09 | |
Turns out I'm a sideways bouncer. | 0:56:11 | 0:56:14 | |
I smashed my head against the safety bar. | 0:56:14 | 0:56:17 | |
"Thank God that safety bar was there to stop me from landing on that soft grass". | 0:56:20 | 0:56:25 | |
Thank you very much, ladies and gentlemen. | 0:56:31 | 0:56:34 | |
Tom Stade, everybody. | 0:56:44 | 0:56:45 | |
That's the end of the evening. | 0:56:45 | 0:56:47 | |
Give yourselves a round of applause. | 0:56:47 | 0:56:50 | |
And for all the comedians you've seen this evening. | 0:56:50 | 0:56:54 | |
God bless, good night. See you again some time. | 0:56:54 | 0:56:56 | |
Cheers! | 0:56:56 | 0:56:59 |