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This programme contains adult humour. | 0:00:00 | 0:00:02 | |
It's Edinburgh Comedy Fest Live 2011! | 0:00:22 | 0:00:27 | |
Please welcome your host, Jon Richardson. | 0:00:27 | 0:00:32 | |
AUDIENCE CHEERS | 0:00:32 | 0:00:34 | |
Hello, Edinburgh! | 0:00:39 | 0:00:41 | |
-AUDIENCE CHEERS -How are you? | 0:00:41 | 0:00:43 | |
Welcome to the Edinburgh Comedy Festival Live. | 0:00:43 | 0:00:47 | |
So the Edinburgh Festival... Are you enjoying it? | 0:00:47 | 0:00:50 | |
You've kind of boiled it all down into one show, | 0:00:50 | 0:00:53 | |
so I'm guessing you're not massively into the festival. | 0:00:53 | 0:00:56 | |
"We can see it in one evening and then just piss off." | 0:00:56 | 0:00:58 | |
I don't like Edinburgh Festival. | 0:00:58 | 0:01:01 | |
There's nowhere in the world where there are more happy people | 0:01:01 | 0:01:04 | |
trying to spread happiness for other people, | 0:01:04 | 0:01:06 | |
and it frankly is mildly irritating. | 0:01:06 | 0:01:09 | |
I'm not a big fan of the happy, if I'm honest. | 0:01:09 | 0:01:11 | |
Give a cheer if you'd describe yourself as a happy person. | 0:01:11 | 0:01:14 | |
-AUDIENCE CHEERS -That's nice. | 0:01:14 | 0:01:17 | |
-You're always happy? -CHEERING | 0:01:17 | 0:01:19 | |
Bullshit. Impossible. Absolutely. | 0:01:19 | 0:01:21 | |
What you're doing there is not paying attention. | 0:01:21 | 0:01:24 | |
THEY LAUGH | 0:01:24 | 0:01:26 | |
Because some stuff is shit. It's just a fact in the world, | 0:01:26 | 0:01:29 | |
and you have acknowledge that so you can deal with it. | 0:01:29 | 0:01:31 | |
The problem with happy people is, if you say, "I'm not very happy," | 0:01:31 | 0:01:35 | |
their advice is terrible. They say, "Oh, you should just chillax." | 0:01:35 | 0:01:39 | |
"You're making that quite difficult with your vocabulary at the moment." | 0:01:39 | 0:01:43 | |
It's like going up to someone who's just been shot | 0:01:43 | 0:01:46 | |
and saying, "Hey, you want to stop bleeding." | 0:01:46 | 0:01:48 | |
-LAUGHTER -It's not advice, is it? | 0:01:48 | 0:01:51 | |
I hate the simplicity of it. When I think of happiness, | 0:01:51 | 0:01:54 | |
the image that comes to mind is a man in Edinburgh. | 0:01:54 | 0:01:56 | |
He was a homeless man, and he used to stand outside the Sainsbury's on Rose Street, | 0:01:56 | 0:02:01 | |
and he used to sing Bobby McFerrin's Don't Worry, Be Happy. | 0:02:01 | 0:02:04 | |
It would cheer you up and you'd give him some money. | 0:02:04 | 0:02:07 | |
The song, if I'm honest, annoys me beyond belief. | 0:02:07 | 0:02:09 | |
That's not advice, is it? "Don't worry - be happy!" | 0:02:09 | 0:02:12 | |
"Oh, I hadn't thought of that. That's a better idea." | 0:02:12 | 0:02:15 | |
There's a line in that song, "Your landlord says your rent is late." | 0:02:15 | 0:02:18 | |
"He may have to litigate. Don't worry!" | 0:02:18 | 0:02:22 | |
That sounds a bit stressful to me, Bob. | 0:02:22 | 0:02:24 | |
That sounds like the sort of thing, if it was happening to me, | 0:02:24 | 0:02:28 | |
I probably would worry a little bit, just in case there was a solution I could find. | 0:02:28 | 0:02:32 | |
My lyrics would be, "Your landlord says your rent is late." | 0:02:32 | 0:02:35 | |
"He may have to litigate. Perhaps it's time to consider a second source of income." | 0:02:35 | 0:02:40 | |
-LAUGHTER -"Certainly in the short term, | 0:02:40 | 0:02:42 | |
but with a double-dip recession looming following cutbacks, | 0:02:42 | 0:02:45 | |
you might want to think longer term. If you've got a spare room, | 0:02:45 | 0:02:48 | |
take on a flat... mate," which still rhymes. | 0:02:48 | 0:02:52 | |
-LAUGHTER -Litigate, flatmate. | 0:02:52 | 0:02:54 | |
There are some issues of rhythm and structure, but aren't there always, ladies? | 0:02:54 | 0:02:58 | |
APPLAUSE | 0:02:58 | 0:03:00 | |
Welcome to the old penis joke. That's all it is. Don't be ashamed. | 0:03:00 | 0:03:03 | |
It's not advice, that, is it? And he used to stand and sing, | 0:03:03 | 0:03:06 | |
and the idea is you go into Sainsbury's, all angry at the world | 0:03:06 | 0:03:09 | |
cos you're stressed, and you think, "This man has got nothing." | 0:03:09 | 0:03:13 | |
"He hasn't got a house or a job, and he's happier than me | 0:03:13 | 0:03:16 | |
cos he's just decided to be," and you give him some money | 0:03:16 | 0:03:18 | |
and you feel better about life. That's what you're meant to think. | 0:03:18 | 0:03:22 | |
It's not what I used to think. I couldn't help but think | 0:03:22 | 0:03:25 | |
what he's really saying is, "My decision not to worry | 0:03:25 | 0:03:28 | |
has led to me being unable to feed and house myself." | 0:03:28 | 0:03:31 | |
"Would you, as a man who worries frequently, | 0:03:33 | 0:03:35 | |
and not just about stuff that concerns you but the most trivial, banal shit you could imagine, | 0:03:35 | 0:03:40 | |
give me some money to facilitate my future life choice?" | 0:03:40 | 0:03:43 | |
You don't worry selfishly. Now I'm stressed about him. | 0:03:43 | 0:03:46 | |
He's saying, "Can you worry for two? Because I'm not really bothered." | 0:03:46 | 0:03:49 | |
AUDIENCE LAUGHS | 0:03:49 | 0:03:52 | |
We've got the best comedians from the best comedy festival | 0:03:55 | 0:03:59 | |
in the world, so you're going to have an incredible night. You up for that? | 0:03:59 | 0:04:03 | |
If you saw the show last year, you'll know how good this first act is. | 0:04:03 | 0:04:07 | |
Please give all your love. Welcome the wonderful Mr Josh Widdicombe! | 0:04:07 | 0:04:11 | |
AUDIENCE CHEERS | 0:04:11 | 0:04:13 | |
Hello! | 0:04:16 | 0:04:19 | |
You well? AUDIENCE CHEERS | 0:04:19 | 0:04:21 | |
I'm not as good as that at answering questions. | 0:04:21 | 0:04:24 | |
I struggle with questions. The only question I know what to answer | 0:04:24 | 0:04:27 | |
is when my computer crashes, and it comes back on and it goes, | 0:04:27 | 0:04:31 | |
"Do you want to send a report?" | 0:04:31 | 0:04:33 | |
No! | 0:04:33 | 0:04:35 | |
LAUGHTER I'm not a grass! | 0:04:35 | 0:04:37 | |
If I was going to grass up my computer, I wouldn't do it via my computer. He'll know! | 0:04:39 | 0:04:43 | |
I'll grass him up, he'll start grassing me up. | 0:04:43 | 0:04:46 | |
He's got far more on me than I have on him, I can tell you. | 0:04:46 | 0:04:49 | |
It's nice, Edinburgh. I enjoy it. I struggle with the city. | 0:04:51 | 0:04:55 | |
I grew up in a small village. This kind of thing didn't happen. | 0:04:55 | 0:04:58 | |
The most exciting thing that happened was when I was seven. | 0:04:58 | 0:05:01 | |
There was a field with a bull in it. And I was terrified of this bull. | 0:05:01 | 0:05:05 | |
My dad would go, "Oh, don't worry about that." | 0:05:05 | 0:05:08 | |
"He's more scared of you than you are of him." | 0:05:08 | 0:05:10 | |
I'd think, "No, I don't think he is." | 0:05:10 | 0:05:13 | |
There's only one of us here with a 200-stone weight advantage and horns. | 0:05:13 | 0:05:17 | |
The only way he's more scared of me than I am of him | 0:05:17 | 0:05:20 | |
is if he has a phobia of wellington boots with eyes on the front. | 0:05:20 | 0:05:23 | |
LAUGHTER | 0:05:23 | 0:05:25 | |
I was terrified through my childhood. Bonfire Night terrified me, | 0:05:27 | 0:05:31 | |
because the build-up to it was just warnings | 0:05:31 | 0:05:33 | |
about the way it was going to go wrong. "Bonfire Night's coming up." | 0:05:33 | 0:05:37 | |
"Careful you don't get burnt with a sparkler or a firework." | 0:05:37 | 0:05:40 | |
On Blue Peter every year they had the same warning. | 0:05:40 | 0:05:42 | |
It applied to no-one in Britain. "Bonfire Night's coming up, | 0:05:42 | 0:05:46 | |
and if you do own a pet tortoise"... | 0:05:46 | 0:05:48 | |
LAUGHTER | 0:05:48 | 0:05:50 | |
What?! | 0:05:50 | 0:05:52 | |
"If you do own a pet tortoise and it's hibernating in a box, | 0:05:52 | 0:05:56 | |
do be careful to not absentmindedly throw that box onto the fire." | 0:05:56 | 0:05:59 | |
LAUGHTER | 0:05:59 | 0:06:02 | |
I don't know how unlikely that scenario is. | 0:06:02 | 0:06:04 | |
First, I know no-one who owns a pet tortoise. | 0:06:04 | 0:06:07 | |
Secondly, how unruly is your Bonfire Night getting? | 0:06:07 | 0:06:10 | |
You're going, "Just chuck everything on, yeah." | 0:06:10 | 0:06:13 | |
"Guy Fawkes was a shit. Show him what I think of him." | 0:06:13 | 0:06:16 | |
"Go and get my boxes. Don't look in 'em. Throw 'em on the fire." | 0:06:16 | 0:06:19 | |
"I don't care if the contents are snoring. Throw it on, I told you!" | 0:06:19 | 0:06:23 | |
Two months later you're walking round your house, going, "Where the hell is Sheldon?" | 0:06:23 | 0:06:27 | |
The only thing there wasn't a warning about was the toffee apple. | 0:06:28 | 0:06:31 | |
They should have said, "If you are planning eating a toffee apple, | 0:06:31 | 0:06:35 | |
do be aware that they are shit." | 0:06:35 | 0:06:38 | |
AUDIENCE LAUGHS | 0:06:38 | 0:06:40 | |
No-one actually likes toffee apples. | 0:06:40 | 0:06:42 | |
No-one wants a food that gets worse the more you eat of it. | 0:06:42 | 0:06:45 | |
You're tricking children into eating apples. It's like bobbing for apples. | 0:06:45 | 0:06:49 | |
I spent my year not wanting to eat an apple. | 0:06:49 | 0:06:51 | |
You put that apple in water, put my hands behind my back, | 0:06:51 | 0:06:54 | |
I will drown myself to eat that apple. | 0:06:54 | 0:06:56 | |
It's me or the apple. I couldn't give a shit. I'm waterboarding for apples. | 0:06:56 | 0:07:00 | |
I do not care. If you make something into a game, | 0:07:00 | 0:07:03 | |
people want the prize, no matter what it is. | 0:07:03 | 0:07:05 | |
Like those 2p pushing machines you get at the pier. | 0:07:05 | 0:07:08 | |
I've spent my life trying to get rid of 2ps. | 0:07:08 | 0:07:11 | |
You put them on a moving shelf, suddenly I'm going, | 0:07:11 | 0:07:15 | |
"I am having all those 2ps if it kills me." | 0:07:15 | 0:07:18 | |
Not just those 2ps - I'm getting this pound coin changed into more 2ps, | 0:07:18 | 0:07:22 | |
to get these 2ps. | 0:07:22 | 0:07:25 | |
I go for the one that's not just 2ps. It's got extra items balanced on top | 0:07:25 | 0:07:29 | |
I want less! "That's not just 2ps, is it?" | 0:07:29 | 0:07:32 | |
"That's a Shabba Ranks key fob!" | 0:07:32 | 0:07:35 | |
LAUGHTER "I remember Shabba Ranks!" | 0:07:35 | 0:07:37 | |
"I've got keys. I'm having it!" | 0:07:37 | 0:07:39 | |
I won't see these machines in years. The moment I do, I'm an expert, | 0:07:39 | 0:07:43 | |
going, "Oh, that one's not going to fall, is it? No." | 0:07:43 | 0:07:46 | |
"That one's going to pay out big. That one's a 10p." | 0:07:46 | 0:07:48 | |
"I'm going nowhere near that. I'm not made of money." | 0:07:48 | 0:07:51 | |
No-one's ever been on the 10p pushing machine. It's not Monte Carlo. | 0:07:51 | 0:07:55 | |
LAUGHTER There's no guy on the screen | 0:07:55 | 0:07:57 | |
going, "That guy's got a system. Get him out. He's two Tamagotchis up." | 0:07:57 | 0:08:02 | |
The other one I go on is the dance simulator, with the four arrows, | 0:08:04 | 0:08:07 | |
and the arrows come up on the screen. You'll be stood for ages like this, | 0:08:07 | 0:08:11 | |
going, "Well, I tell you what, I'm a better dancer than I thought!" | 0:08:11 | 0:08:15 | |
You are not a better dancer than you thought. | 0:08:15 | 0:08:18 | |
You do that in a nightclub, you are not a better dancer than you think. | 0:08:18 | 0:08:22 | |
"You like these moves, girls? Wait for the big one." | 0:08:22 | 0:08:25 | |
"There it is. Very nice indeed." | 0:08:25 | 0:08:27 | |
APPLAUSE You have been lovely. | 0:08:27 | 0:08:30 | |
My name is Josh Widdicombe. Cheers. Good night! | 0:08:30 | 0:08:33 | |
AUDIENCE CHEERS AND APPLAUDS | 0:08:33 | 0:08:35 | |
Thanks very much. Mr Josh Widdicombe! | 0:08:36 | 0:08:39 | |
Next up... There are some comedians, they have a gift. | 0:08:43 | 0:08:47 | |
When they come out, you hope they stay forever. | 0:08:47 | 0:08:49 | |
This guy's one of them. You'll love him. Please welcome Neil Delamere! | 0:08:49 | 0:08:54 | |
Hello! Hello. It's a pleasure to be here in Edinburgh | 0:08:56 | 0:09:01 | |
because it's not London. And the last time, there was riots in London, | 0:09:01 | 0:09:05 | |
and this is why I like it. The last time there was riots in London, | 0:09:05 | 0:09:08 | |
my auntie, who's 85, saw the footage, | 0:09:08 | 0:09:11 | |
and the police were trying to kettle the students in, | 0:09:11 | 0:09:14 | |
corralling them, like you're trying to keep steam in a kettle. | 0:09:14 | 0:09:17 | |
My auntie knew it was something to do with kettles, or tea, | 0:09:17 | 0:09:20 | |
and she said to me, "Did you see what's happening in London?" | 0:09:20 | 0:09:23 | |
"The police are tea-bagging students!" | 0:09:23 | 0:09:26 | |
LAUGHTER | 0:09:26 | 0:09:28 | |
I said, "I'm pretty sure they're not, actually!" | 0:09:30 | 0:09:33 | |
She goes, "They are! I saw it on Sky News!" | 0:09:33 | 0:09:35 | |
And my brother said, "Maybe they are, and that's why, if you do an impression of an English bobby, | 0:09:35 | 0:09:40 | |
you traditionally go, ''Ello, 'ello, 'ello!'" | 0:09:40 | 0:09:42 | |
We had a little bit of civil unrest in Dublin recently as well. | 0:09:42 | 0:09:46 | |
Tiny bit when the Queen came over. 50 chavvy scumbags turned up | 0:09:46 | 0:09:50 | |
to O'Connell Street and protested by releasing 1,000 black balloons. | 0:09:50 | 0:09:54 | |
Somebody clearly went, "Quick, the Queen's coming over! Blow something up!" | 0:09:54 | 0:09:58 | |
AUDIENCE LAUGHS AND APPLAUDS | 0:09:58 | 0:10:00 | |
So over the Queen flew, avoiding Ryanair, because... | 0:10:06 | 0:10:09 | |
People slag off Ryanair. I'm not going to do that. | 0:10:09 | 0:10:12 | |
"Oh, they fly to this destination," all that. What annoys me | 0:10:12 | 0:10:15 | |
is that they use three different accents on their announcements. | 0:10:15 | 0:10:18 | |
You land, it's that soft, Scottish, "Congratulations. You've arrived on yet another on-time Ryanair flight." | 0:10:18 | 0:10:24 | |
Then there's the English one for the scratch cards, | 0:10:24 | 0:10:27 | |
then a soft, female Southern Irish accent for the safety. | 0:10:27 | 0:10:30 | |
I understand that. It's comforting, like my mammy saying it. | 0:10:30 | 0:10:33 | |
"In the event of a sudden loss in cabin pressure, | 0:10:33 | 0:10:37 | |
we'll probably be grand." | 0:10:37 | 0:10:39 | |
LAUGHTER | 0:10:39 | 0:10:41 | |
"A cup of tea will fall from the panel above your head." | 0:10:44 | 0:10:47 | |
"To start the flow of tea, pull the teapot towards yourself." | 0:10:47 | 0:10:50 | |
It's kind of comforting. The Scottish for punctuality, | 0:10:50 | 0:10:53 | |
the English for selling, and Southern Irish for the safety. | 0:10:53 | 0:10:57 | |
They don't play Northern Irish that we know of. | 0:10:57 | 0:10:59 | |
I think if you crash, they play a Northern Irish accent, | 0:10:59 | 0:11:02 | |
because that's not an accent to mess around with. You hit the water - | 0:11:02 | 0:11:06 | |
"Right! You've got two minutes to get out!" | 0:11:06 | 0:11:08 | |
"Go-go-go-go-go-go-go-go-go-go-go!" | 0:11:08 | 0:11:12 | |
"Leave your bags! You're on a Ryanair flight." | 0:11:12 | 0:11:14 | |
"Your clothes are probably shite anyway." | 0:11:14 | 0:11:18 | |
AUDIENCE LAUGHS | 0:11:18 | 0:11:21 | |
"Please find your nearest emergency exit." | 0:11:25 | 0:11:28 | |
"I'll give you a clue. The sea is coming in it." | 0:11:28 | 0:11:32 | |
LAUGHTER | 0:11:32 | 0:11:34 | |
"Remember, you can have more children, so pick your favourite one | 0:11:34 | 0:11:39 | |
and save him! He's always wanted to swim with dolphins." | 0:11:39 | 0:11:42 | |
"Now's his chance." | 0:11:42 | 0:11:45 | |
"You can't find your favourite one, pick the ginger one." | 0:11:45 | 0:11:48 | |
"It'll be easier for the helicopters to spot." | 0:11:48 | 0:11:50 | |
AUDIENCE APPLAUDS | 0:11:50 | 0:11:53 | |
"If he gets sunburnt, all the better!" | 0:11:54 | 0:11:57 | |
And five hours later you get washed up on some random beach in France, | 0:11:57 | 0:12:00 | |
and you hear, "Congratulations. You've arrived on yet another on-time Ryanair flight." | 0:12:00 | 0:12:05 | |
It's been a pleasure. Enjoy the rest of your night. | 0:12:10 | 0:12:13 | |
Good luck. Bye-bye. | 0:12:13 | 0:12:15 | |
AUDIENCE CHEERS | 0:12:15 | 0:12:18 | |
Mr Neil Delamere! | 0:12:18 | 0:12:20 | |
So, next up, if you haven't seen this act before, | 0:12:23 | 0:12:26 | |
you're in for a treat. If you've seen them before, | 0:12:26 | 0:12:29 | |
you are in for a treat. You're basically in for a treat. | 0:12:29 | 0:12:32 | |
It's the Irish hip-hop sensation. | 0:12:32 | 0:12:34 | |
Please welcome to the stage Abandoman! | 0:12:34 | 0:12:36 | |
Hey! Yes! | 0:12:39 | 0:12:41 | |
Hello! | 0:12:41 | 0:12:43 | |
Ladies and gentlemen, ladies and gentlemen, how are we all? | 0:12:43 | 0:12:46 | |
We are here with the Irish hip-hop crew. | 0:12:46 | 0:12:49 | |
I know. I'm surprised too. We're going to try a little something. | 0:12:49 | 0:12:54 | |
We're going to try and write the most beautiful musical we can | 0:12:54 | 0:12:57 | |
in four minutes. We need a bit of help from you. | 0:12:57 | 0:12:59 | |
Everybody in this room, take out the oddest thing you can find | 0:12:59 | 0:13:03 | |
in your pockets, in your purses. Just take it out. | 0:13:03 | 0:13:06 | |
Oddest thing you can find, take it out. Every single person. | 0:13:06 | 0:13:09 | |
We need a bit of a champion. I'm going to pick this man on the edge here. | 0:13:09 | 0:13:14 | |
-What's your name, sir? -Greg. -Greg! What do you do, Greg? | 0:13:14 | 0:13:16 | |
If you work in a cafe called Greggs, I'll love you even more, | 0:13:16 | 0:13:20 | |
-but that's neither here or there. -Student. -What do you study? | 0:13:20 | 0:13:23 | |
-Accountancy. -Legend! This is going to be already an awesome musical. | 0:13:23 | 0:13:27 | |
Greg, if you could do anything - if you met a genie today, | 0:13:27 | 0:13:31 | |
what would you wish for? Something a bit esoteric. | 0:13:31 | 0:13:34 | |
-Become a professional golfer. -A professional golfer. | 0:13:34 | 0:13:37 | |
Nothing to do with your studies. I like your style. You're a dreamer! | 0:13:37 | 0:13:41 | |
We're going try and write a great musical about Greg's life. | 0:13:41 | 0:13:45 | |
He studies accountancy. He wants to be a golfer. | 0:13:45 | 0:13:48 | |
Hold up those items. If we touch them, | 0:13:48 | 0:13:50 | |
we're going to use them as inspiration | 0:13:50 | 0:13:53 | |
for a line in Gregg's musical. I'll play Greg. | 0:13:53 | 0:13:55 | |
It's complicated, but it's how Lloyd Webber wrote Cats. | 0:13:55 | 0:13:59 | |
Every single person, hold whatever you've got in the air. | 0:13:59 | 0:14:02 | |
I will become Greg. Hold them on up. | 0:14:02 | 0:14:04 | |
Anything that we touch has to go in a rhyme. | 0:14:04 | 0:14:07 | |
This is the ballad of Mr Greg! CHEERING | 0:14:07 | 0:14:11 | |
# Oh, yeah, he likes to count | 0:14:11 | 0:14:13 | |
# Money in large amounts | 0:14:13 | 0:14:15 | |
# Oh, yeah, he's the best | 0:14:15 | 0:14:17 | |
# So give it up for your boy Greg... | 0:14:17 | 0:14:20 | |
# OK, this is my show, now blow the whistle | 0:14:20 | 0:14:22 | |
-# As a child, all I did was count -# Skittles | 0:14:22 | 0:14:25 | |
# That's right, you know, I did it insane, yo | 0:14:25 | 0:14:27 | |
# And then count all the numbers in the rainbow | 0:14:27 | 0:14:30 | |
# Don't you know, I was like a joker | 0:14:30 | 0:14:32 | |
# Count all day, energy from a Coca-Cola | 0:14:32 | 0:14:35 | |
# That's how I did it, I did it with ease | 0:14:35 | 0:14:37 | |
# I broke into a math superstore with these keys | 0:14:37 | 0:14:40 | |
# Yes, you know, when I was just a young fella | 0:14:40 | 0:14:42 | |
# I wanted to be Rihanna with this umbrella | 0:14:42 | 0:14:45 | |
# But I decided, yes, no doubt you see | 0:14:45 | 0:14:47 | |
# That I could do better and do some accountancy | 0:14:47 | 0:14:50 | |
# Don't you know, my life was swell | 0:14:50 | 0:14:52 | |
# Everything I'd do was to look at Excel | 0:14:52 | 0:14:54 | |
# That's right, you know, I'm saying, my friend | 0:14:54 | 0:14:57 | |
# I just sat with math, paper and a pen | 0:14:57 | 0:14:59 | |
# Yeah, I do that, doing that proper | 0:14:59 | 0:15:02 | |
# People said to me that you should be a golfer | 0:15:02 | 0:15:04 | |
# I said, "Golfer? I've got much love" | 0:15:04 | 0:15:07 | |
# "In fact, look at this, I've got a golf glove" | 0:15:07 | 0:15:09 | |
# People said to me, up in the house | 0:15:09 | 0:15:11 | |
# "That is one hand from Mickey Mouse" | 0:15:11 | 0:15:14 | |
# I looking at them, like, boom, they so silly | 0:15:14 | 0:15:16 | |
# Slap them with the house, with the hand of the mouse of Disney | 0:15:16 | 0:15:19 | |
# Yes, sir, then we runnin' over here | 0:15:19 | 0:15:21 | |
# Person down there, I'm saying don't let it disappear | 0:15:21 | 0:15:24 | |
# Said to myself, "Honestly, promise me" | 0:15:24 | 0:15:26 | |
# "Do not be a golfer, that's laughable, comedy" | 0:15:26 | 0:15:29 | |
# So I decided that I'd be good | 0:15:29 | 0:15:31 | |
# Forgetting the life of the Tiger Woods | 0:15:31 | 0:15:34 | |
# I said, don't you know, I did something drastic | 0:15:34 | 0:15:36 | |
# I went to a Shakespearean play named Hamlet | 0:15:36 | 0:15:39 | |
# I decided, yes, man, I'm a hero | 0:15:39 | 0:15:41 | |
# I could be Hamlet | 0:15:41 | 0:15:42 | |
# That way I'd no fear, yo, decide that right now | 0:15:42 | 0:15:45 | |
# It would be swell for me to dedicate my life to Excel | 0:15:45 | 0:15:49 | |
# I said, don't you understand, I could be the best | 0:15:49 | 0:15:51 | |
# Respect the name because the name is Greg | 0:15:51 | 0:15:54 | |
# Every single day I'm oh, so happy | 0:15:54 | 0:15:56 | |
# I'll be a golfer, an accountant for a cafe | 0:15:56 | 0:15:58 | |
# That's right, you know I've got to stroll | 0:15:58 | 0:16:01 | |
# Straight into Greggs to account the sausage rolls | 0:16:01 | 0:16:03 | |
# Ladies and gentlemen, you know he's the best | 0:16:03 | 0:16:05 | |
# Stand up, take a bow, this is Mr Greg | 0:16:05 | 0:16:08 | |
# Ladies and gentlemen, people, you're beautiful | 0:16:08 | 0:16:10 | |
# This is Greg, and this is his musical | 0:16:10 | 0:16:13 | |
# Ladies and gentlemen, it's a random jam | 0:16:13 | 0:16:15 | |
# Much love from the boys, Abandoman # | 0:16:15 | 0:16:18 | |
Thank you very much! AUDIENCE CHEERS | 0:16:18 | 0:16:22 | |
Ladies and gents, give it up for Abandoman! | 0:16:33 | 0:16:36 | |
APPLAUSE | 0:16:36 | 0:16:38 | |
# And now a little bit of admin... | 0:16:39 | 0:16:41 | |
Can't really rap in a northern accent. | 0:16:42 | 0:16:44 | |
"Yeah, I'll pop a cap on yer 'ead." "It's..." | 0:16:44 | 0:16:48 | |
"It's very cold outside. We'll go to the Dog | 0:16:48 | 0:16:50 | |
and have a nice Sunday lunch... bitches!" | 0:16:50 | 0:16:54 | |
-LAUGHTER -There we go. | 0:16:54 | 0:16:56 | |
Showcasing skills. | 0:16:56 | 0:16:58 | |
Next up tonight, easily one of the most naturally brilliant comics | 0:16:58 | 0:17:02 | |
I've ever worked with. Please welcome the wonderful Seann Walsh! | 0:17:02 | 0:17:06 | |
Thank you! Hello, Edinburgh! | 0:17:12 | 0:17:15 | |
-Hello! -It's good to be here. Nice to be at the festival. | 0:17:15 | 0:17:18 | |
Lot of drinking. The Royal Mile, there's a lot of drinking there. | 0:17:18 | 0:17:23 | |
I saw a bloke... You know those people that expect money | 0:17:23 | 0:17:26 | |
for standing still? I saw a bloke so drunk, | 0:17:26 | 0:17:31 | |
he put down a pound. He went, "Good luck to you, man." | 0:17:31 | 0:17:34 | |
"Good luck. Keep up the good work. Good luck." | 0:17:34 | 0:17:37 | |
It was an actual statue. | 0:17:37 | 0:17:40 | |
LAUGHTER | 0:17:40 | 0:17:41 | |
I've been trying to look after myself this festival. | 0:17:44 | 0:17:47 | |
I've not taken it too far. I've not started going to the gym. | 0:17:47 | 0:17:50 | |
My friends have been. Everyone's going to the gym now. | 0:17:50 | 0:17:53 | |
All these new gyms. Every new building seems to be a gym, made of glass! | 0:17:53 | 0:17:58 | |
So you have to look in and see people working out, | 0:17:58 | 0:18:01 | |
and feel shit about your own body. | 0:18:01 | 0:18:03 | |
You look up... There's blokes on the cross-trainer. | 0:18:03 | 0:18:07 | |
There is nothing that makes you look like a bigger dick | 0:18:07 | 0:18:10 | |
than the cross-trainer, is there? | 0:18:10 | 0:18:12 | |
Looking up and seeing 12 blokes in a row, just going... | 0:18:12 | 0:18:15 | |
LAUGHTER | 0:18:15 | 0:18:16 | |
What are you doing? Your body doesn't need to do that, does it? | 0:18:18 | 0:18:22 | |
I've never been walking down the high street, | 0:18:22 | 0:18:25 | |
seen a bloke going, "Oh, God, I'm late." | 0:18:25 | 0:18:27 | |
"Out the way! Out the way!" | 0:18:27 | 0:18:30 | |
I can't stand all these blokes that take their top off on a sunny day. | 0:18:33 | 0:18:37 | |
Every bloke that doesn't have a good body looks at that guy, | 0:18:37 | 0:18:40 | |
goes, "He's a prick." LAUGHTER | 0:18:40 | 0:18:42 | |
You very quickly realise that, when a man says, "He's a prick," | 0:18:44 | 0:18:47 | |
what he actually means is, "I wish I was him." | 0:18:47 | 0:18:50 | |
I do that when I see a bloke on a bicycle, cycling with no hands. | 0:18:51 | 0:18:56 | |
You know that guy? | 0:18:57 | 0:18:59 | |
LAUGHTER | 0:18:59 | 0:19:02 | |
You're going, "Please die. Please crash. Please die." | 0:19:02 | 0:19:06 | |
Just once, I'd love to see that guy go, whoo... | 0:19:06 | 0:19:08 | |
Just so you could go, "You all right, mate? Do you need a hand?" | 0:19:08 | 0:19:12 | |
"Should've used yours earlier." | 0:19:12 | 0:19:14 | |
LAUGHTER | 0:19:14 | 0:19:16 | |
Blokes take their top off... In my local pub, guys go up to girls, | 0:19:17 | 0:19:21 | |
go, "Feel that. Look at that. Feel that. Look at that." | 0:19:21 | 0:19:24 | |
That's a lot of confidence. "Look at that. Feel that." | 0:19:24 | 0:19:27 | |
The only time I say that about my body | 0:19:27 | 0:19:30 | |
is when I've woken up hung over, | 0:19:30 | 0:19:32 | |
can't remember what's happened the night before, | 0:19:32 | 0:19:35 | |
and I've found a bruise. | 0:19:35 | 0:19:37 | |
You've got to point out when you've got a bruise. You have to do it. | 0:19:37 | 0:19:41 | |
You can't keep that to yourself. "Look at that! How'd that happen?" | 0:19:41 | 0:19:44 | |
"Look, I've got a bruise. Look." When they do look, "Feel it." | 0:19:44 | 0:19:48 | |
"Go on, feel it. Ow! See, it's definitely a bruise." | 0:19:48 | 0:19:52 | |
LAUGHTER | 0:19:52 | 0:19:53 | |
You've got to tell people. We do it with hiccups, as well. | 0:19:53 | 0:19:56 | |
You do the hiccup, then you tell them. | 0:19:56 | 0:19:59 | |
HE HICCUPS "Oh, I got hiccups." "I know!" | 0:19:59 | 0:20:02 | |
THEY LAUGH | 0:20:02 | 0:20:04 | |
Maybe I should do more exercising. I'm too lazy. | 0:20:04 | 0:20:07 | |
The closest I get to exercising is... | 0:20:07 | 0:20:10 | |
trying to keep up the window in my living room. | 0:20:10 | 0:20:12 | |
The sash window, the one that never stays up. | 0:20:12 | 0:20:15 | |
HE MAKES GRINDING, CLUNKING SOUNDS | 0:20:15 | 0:20:18 | |
I should go and get the cardboard first, but I can't be bothered. | 0:20:19 | 0:20:23 | |
It's like when you're trying to put the SCART lead in the back of the TV. | 0:20:23 | 0:20:27 | |
First ten minutes, you always try and do it without looking. | 0:20:27 | 0:20:30 | |
LAUGHTER | 0:20:30 | 0:20:33 | |
This has never worked before, but please, just the once... | 0:20:34 | 0:20:38 | |
I can't be bothered to move the television. Please! | 0:20:38 | 0:20:41 | |
Ladies and gentlemen, I've been Seann Walsh. Have a good night! | 0:20:41 | 0:20:44 | |
CHEERING / APPLAUSE | 0:20:44 | 0:20:46 | |
Ladies and gentlemen, Mr Seann Walsh! | 0:20:47 | 0:20:51 | |
AUDIENCE CHEERS | 0:20:51 | 0:20:53 | |
Next act, that super-smart, super-funny... | 0:20:54 | 0:20:57 | |
He's only right over there. Make some noise | 0:20:57 | 0:20:59 | |
for the wonderful Mark Watson! | 0:20:59 | 0:21:01 | |
AUDIENCE CHEERS | 0:21:01 | 0:21:04 | |
Hello! | 0:21:05 | 0:21:07 | |
All right. I don't tend to make the most exciting first impression | 0:21:08 | 0:21:12 | |
on an audience. I wish I could come out and be more like a rock star, | 0:21:12 | 0:21:16 | |
but I'm a bit sort of scrawny looking, pathetic, thin... | 0:21:16 | 0:21:19 | |
I'm so thin, it's unbelievable. People look at me | 0:21:19 | 0:21:21 | |
and imagine I don't eat. "Oh, have you had dinner?" | 0:21:21 | 0:21:24 | |
Which is in fact bullshit. If someone said to me, | 0:21:24 | 0:21:26 | |
"You have to either give up food or give up sex," | 0:21:26 | 0:21:29 | |
I'd say, "No, I don't," and that would be the end of it, I think, pretty much. | 0:21:29 | 0:21:33 | |
I'm not falling for that one again, wife. | 0:21:33 | 0:21:36 | |
You know? LAUGHTER | 0:21:36 | 0:21:38 | |
I have got a wife! People imagine that I haven't, | 0:21:38 | 0:21:41 | |
but I have, despite the natural disadvantage | 0:21:41 | 0:21:43 | |
of my skeletal appearance. But it's just my metabolism. | 0:21:43 | 0:21:47 | |
People imagine that I'm sort of starving myself. | 0:21:47 | 0:21:50 | |
I just metabolise incredibly quickly. | 0:21:50 | 0:21:53 | |
By the time you've asked for the bill, I've shat it, basically. | 0:21:53 | 0:21:56 | |
In that sort of situation I'm absolutely ruthless. | 0:21:56 | 0:21:59 | |
They don't even know I've been there half the time. | 0:21:59 | 0:22:02 | |
I am not only married, but I'm a dad! Can you believe it? | 0:22:02 | 0:22:06 | |
I've got a baby. You never get used to it. I'm a dad! | 0:22:06 | 0:22:09 | |
Just saying it now, "I'm a dad" - it feels wrong, you know? | 0:22:09 | 0:22:12 | |
I mean, dads are like a different species. | 0:22:12 | 0:22:14 | |
You look around here - I can see people that are clearly dads, | 0:22:14 | 0:22:17 | |
and they're lovely, but they're not how you'd like to see yourself. | 0:22:17 | 0:22:21 | |
They wear dad clothes, listen to dad music. | 0:22:21 | 0:22:24 | |
On the way here they had, maybe, the Eagles on, you know... | 0:22:24 | 0:22:27 | |
They make dad noises. I'm 31. | 0:22:27 | 0:22:30 | |
I've started making dad noises. I've started picking things up | 0:22:30 | 0:22:33 | |
and going, "Hup!", for example! It's not that heavy an object. | 0:22:33 | 0:22:37 | |
Recently I caught myself getting into a hot bath | 0:22:37 | 0:22:40 | |
and sort of going, "Ai-ai-ahhhh..." | 0:22:40 | 0:22:43 | |
LAUGHTER And as I was doing it, | 0:22:43 | 0:22:45 | |
I thought, "This is not one of my noises. This is a dad noise." | 0:22:45 | 0:22:48 | |
My God! It's a slippery slope. What'll it be next? | 0:22:48 | 0:22:51 | |
Soon I'll be saying, "Any more for any more?" at the end of a meal. | 0:22:51 | 0:22:54 | |
My father-in-law... I shouldn't really tell you this, | 0:22:54 | 0:22:57 | |
but we're a long way... We're in Edinburgh. He lives in Essex. | 0:22:57 | 0:23:00 | |
My father-in-law - James Howes, in case you do meet him - | 0:23:00 | 0:23:03 | |
he, um... They live in... They're in Essex. | 0:23:03 | 0:23:06 | |
When he sneezes, you would swear he was shouting the word Hiroshima. | 0:23:06 | 0:23:10 | |
It's amazing. "Hiroshima!" | 0:23:10 | 0:23:12 | |
There's no even attempt at a sneeze. It's just one yell. | 0:23:12 | 0:23:15 | |
"Hiroshima!" So people that don't know him, | 0:23:15 | 0:23:18 | |
it scares the shit out of people! "Hiroshima!" | 0:23:18 | 0:23:20 | |
You can see people thinking, "Did that man just shout Hiroshima?" | 0:23:20 | 0:23:24 | |
"Is he having World War II flashbacks to a time well before he was born?" | 0:23:24 | 0:23:27 | |
The first time I ever stayed at my future wife's house... | 0:23:27 | 0:23:31 | |
I didn't know her at all. I'd barely been going out with her for... | 0:23:31 | 0:23:34 | |
I'd never met my future father-in-law. | 0:23:34 | 0:23:36 | |
I was woken up at two in the morning by what appeared to be my future father-in-law going, "Hiroshima!" | 0:23:36 | 0:23:42 | |
I thought, "Is it some sort of test of suitability?" | 0:23:42 | 0:23:44 | |
"You can't have my daughter unless you win this battle of wits." I nearly went in in my pyjamas - | 0:23:44 | 0:23:49 | |
"Nagasaki!", like we were playing some atomic-war-based Mallet's Mallet. | 0:23:49 | 0:23:53 | |
A few blank faces. Mallet's Mallet - a long time ago. | 0:23:53 | 0:23:56 | |
No time to explain now. My time's up. I got to go! My name's Mark Watson. | 0:23:56 | 0:24:00 | |
AUDIENCE CHEERS | 0:24:00 | 0:24:03 | |
Mr Mark Watson! | 0:24:04 | 0:24:06 | |
CHEERING / APPLAUSE | 0:24:06 | 0:24:09 | |
Next up we've got... He's won pretty much every award in comedy. | 0:24:10 | 0:24:14 | |
He's one of the biggest names of the festival now, deservedly so. | 0:24:14 | 0:24:17 | |
-Please welcome Mr Russell Kane! -AUDIENCE CHEERS | 0:24:17 | 0:24:20 | |
How are you? All right? AUDIENCE SHOUTS "YES" | 0:24:27 | 0:24:31 | |
This is the first festival I've done as a single man. | 0:24:31 | 0:24:33 | |
Newly single! Give me a cheer. AUDIENCE CHEERS | 0:24:33 | 0:24:36 | |
"You really going to talk about being single?" I've never been single in my life! | 0:24:36 | 0:24:40 | |
I'm a serial monogamist, one of those weak people | 0:24:40 | 0:24:43 | |
that go from one relationship to the next | 0:24:43 | 0:24:45 | |
because I didn't get enough love from Daddy when I was growing up, | 0:24:45 | 0:24:48 | |
so I rush from one relationship to the other - | 0:24:48 | 0:24:51 | |
"I'll never recover from Carol... Wait! You've shown me some rudimentary kindness." | 0:24:51 | 0:24:55 | |
"Let's move in straight away. Hooray!" | 0:24:55 | 0:24:57 | |
Over and over again. And the other thing - why was there no warning | 0:24:57 | 0:25:01 | |
about how horrific it is to be a single man? | 0:25:01 | 0:25:05 | |
Lots of nonsense is talked about how great it is to be a single guy, | 0:25:05 | 0:25:09 | |
out on the pull, doing what you like when you like | 0:25:09 | 0:25:11 | |
into whichever sock you like, on your own, | 0:25:11 | 0:25:14 | |
and... "I still love her! I still love Carrie." | 0:25:14 | 0:25:18 | |
Right? That's the reality. | 0:25:18 | 0:25:21 | |
And a lot of girls moan about it. "It's worse to be a single woman." | 0:25:21 | 0:25:25 | |
"How dare you say that? You think you're on the shelf | 0:25:25 | 0:25:27 | |
and you're only 25. Men look at you when you're not even looking for male attention." | 0:25:27 | 0:25:32 | |
"What, you think because I put a short skirt on..." | 0:25:32 | 0:25:35 | |
"I'm post-feminist. I wear what I like now." | 0:25:35 | 0:25:37 | |
"I'm not asking for that. It's so hard to be a woman." Fair enough! | 0:25:37 | 0:25:40 | |
Fair enough, ladies. But have you ever stopped for a second | 0:25:40 | 0:25:45 | |
to think what it's like to be on the other team? | 0:25:45 | 0:25:47 | |
To be one of those desperate, rapey gits on the dance floor | 0:25:47 | 0:25:51 | |
with his eyes scouring... "Please, someone weak enough | 0:25:51 | 0:25:54 | |
to come home with me... That one's got a limp! Chase her!" | 0:25:54 | 0:25:57 | |
"Wait, Carol! Please wait!" | 0:25:57 | 0:26:00 | |
LAUGHTER | 0:26:00 | 0:26:02 | |
RUSSELL CHUCKLES | 0:26:02 | 0:26:04 | |
And there's, er... You know, the lowest... | 0:26:06 | 0:26:09 | |
This is on telly, so I'm a bit worried about doing this next bit. | 0:26:09 | 0:26:14 | |
I'm in the flow now, and I'm so post-modern I don't care. I've not planned anything. | 0:26:14 | 0:26:18 | |
How "Edinburgh" is that intellectual lip? | 0:26:18 | 0:26:21 | |
So smug, the things at the festival without punch lines! | 0:26:21 | 0:26:24 | |
It was amazing. | 0:26:24 | 0:26:27 | |
LAUGHTER | 0:26:27 | 0:26:29 | |
Do you know the lowest moment of my year? | 0:26:29 | 0:26:32 | |
Some of you are thinking, "After every gig, all the girls are..." | 0:26:32 | 0:26:35 | |
Do you know why I never pull at any gig? | 0:26:35 | 0:26:37 | |
Because I can't resist revealing this, | 0:26:37 | 0:26:39 | |
to show how weak the male brain can really be. | 0:26:39 | 0:26:42 | |
I found myself doing the most odious thing. Didn't sleep with anyone, | 0:26:42 | 0:26:46 | |
but trotting down from the stage to survey people that had been in my show, | 0:26:46 | 0:26:50 | |
hunting for girls with low self-esteem. | 0:26:50 | 0:26:53 | |
What a depressing moment in a man's life, | 0:26:53 | 0:26:56 | |
when you realise you can only be aroused | 0:26:56 | 0:26:58 | |
by a girl with no confidence! "You're not too confident, are you?" | 0:26:58 | 0:27:01 | |
"Want to go out for a Pizza Express?" | 0:27:01 | 0:27:04 | |
In fact, in this lovely large theatre, | 0:27:04 | 0:27:06 | |
if any girls with low self-esteem could just arrange yourselves by the bins, | 0:27:06 | 0:27:10 | |
that would be... "I've got no confidence since Andrew left me." | 0:27:10 | 0:27:14 | |
"I hate the way I look. I hate my body." "Get in the van! You'll do. | 0:27:14 | 0:27:17 | |
Ladies and gentlemen, thank you very much. Good night! | 0:27:18 | 0:27:21 | |
CHEERING / APPLAUSE | 0:27:21 | 0:27:24 | |
It's Mr Russell Kane! | 0:27:26 | 0:27:29 | |
The next act - he's an amazing man, amazing comic. | 0:27:31 | 0:27:34 | |
Welcome to the stage the wonderful Mr David O'Doherty! | 0:27:34 | 0:27:38 | |
AUDIENCE CHEERS | 0:27:38 | 0:27:41 | |
Uh-oh! Uh-oh! | 0:27:45 | 0:27:48 | |
Uh-oh! Somebody's got the party machine. | 0:27:48 | 0:27:51 | |
Uh-oh! Does anyone have the time? It's party time. | 0:27:51 | 0:27:56 | |
Let's do it. Good evening, ladies and gentlemen. | 0:27:56 | 0:28:00 | |
My name is David O'Doherty. | 0:28:00 | 0:28:02 | |
My mother was Shannen Doherty from Beverly Hills 90210. | 0:28:02 | 0:28:07 | |
LAUGHTER My father is Pete Doherty, | 0:28:07 | 0:28:09 | |
the drug addict. | 0:28:09 | 0:28:11 | |
Right. Let's take it down. HE PLAYS DRAMATIC RIFF | 0:28:11 | 0:28:15 | |
World, | 0:28:17 | 0:28:19 | |
on this very broadcast last year, | 0:28:19 | 0:28:22 | |
I told you to stop messing with me. I said you could mess with me once, | 0:28:22 | 0:28:27 | |
and you might get away with it. Mess with me twice, | 0:28:27 | 0:28:30 | |
and chances are, I still probably won't remember. | 0:28:30 | 0:28:34 | |
But mess with me numerous times across a concerted period | 0:28:34 | 0:28:38 | |
in a similar way, and think you're going to get away with it? | 0:28:38 | 0:28:41 | |
Well, you're wrong, because I'm going to lampoon you | 0:28:41 | 0:28:44 | |
through a comedy song...song...song. | 0:28:44 | 0:28:47 | |
# I'm talking about My Beefs, Two-Zero-One-One | 0:28:51 | 0:28:55 | |
# Things I want to shoot with my fury gun... | 0:28:55 | 0:28:57 | |
Pow! # My Beefs, 2011 | 0:28:57 | 0:29:00 | |
# Things that make me go "aaagh" | 0:29:00 | 0:29:03 | |
# Beauticians | 0:29:03 | 0:29:05 | |
# Stop dressing up a nurses | 0:29:05 | 0:29:08 | |
# You are not nurses | 0:29:08 | 0:29:10 | |
# You are the opposite of nurses... | 0:29:10 | 0:29:12 | |
Especially when I have a bicycle accident close to you | 0:29:12 | 0:29:15 | |
and you offer no assistance whatsoever, | 0:29:15 | 0:29:18 | |
and blood is streaming from my face. Thank you, beauticians! | 0:29:18 | 0:29:21 | |
# Boots the Chemist | 0:29:21 | 0:29:24 | |
# Could your "ladies, get ready for summer" campaign | 0:29:24 | 0:29:27 | |
# Be any more evil? | 0:29:27 | 0:29:29 | |
Ladies, it's the summer. Better stop eating and paint yourselves orange. | 0:29:29 | 0:29:34 | |
Soon Boots are going to run out of ways of making ladies feel insecure. | 0:29:34 | 0:29:39 | |
They're going to have to make up new ones. | 0:29:39 | 0:29:41 | |
"Ladies, when you do that, is your wrist slightly wrinkly there?" | 0:29:41 | 0:29:44 | |
"Urrgh!" | 0:29:44 | 0:29:46 | |
"Men hate that. We asked them, and they said they hate it." | 0:29:46 | 0:29:50 | |
"Luckily we are launching Boots' new wrist-emulsifying cream." | 0:29:50 | 0:29:55 | |
Get lost! LAUGHTER | 0:29:55 | 0:29:57 | |
Travelodge hotels! | 0:29:57 | 0:29:59 | |
If Travelodge were to have a corporate logo, | 0:29:59 | 0:30:02 | |
it should be a lonely businessman crying as he wanks. | 0:30:02 | 0:30:05 | |
AUDIENCE LAUGHS It's just the fact that you go in, | 0:30:05 | 0:30:08 | |
and on your bed there's just a towel and a teabag and a Bible. | 0:30:08 | 0:30:13 | |
MacGyver could not create joy from those three elements! | 0:30:13 | 0:30:16 | |
If you read the Travelodge Bible, at the end of it, | 0:30:16 | 0:30:19 | |
Jesus wouldn't even come back. He'd be, like, "Forget this. I'm going to the Holiday Inn." | 0:30:19 | 0:30:24 | |
"You sometimes get a pool there." | 0:30:24 | 0:30:27 | |
I am not Chris O'Dowd! Chris O'Dowd is an Irish actor | 0:30:27 | 0:30:32 | |
who's in the film Bridesmaids and The IT Crowd. | 0:30:32 | 0:30:35 | |
At this point in my life, three times a day people come up to me | 0:30:35 | 0:30:38 | |
and go, "Oh, I saw you in..." No, you didn't! | 0:30:38 | 0:30:40 | |
The only similarity is, I am O'Doherty, | 0:30:40 | 0:30:43 | |
and he's O'... It's like an O, apostrophe, and a D, | 0:30:43 | 0:30:46 | |
and a vague Irishness. That does not make us the same person! | 0:30:46 | 0:30:50 | |
I am not Daniel O'Donnell either! LAUGHTER | 0:30:50 | 0:30:54 | |
Finally - my friends, actual grown-ups - | 0:30:54 | 0:30:58 | |
stop taking computer games so seriously. | 0:30:58 | 0:31:02 | |
I have a friend who plays Guitar Hero, the game. | 0:31:04 | 0:31:07 | |
It's not the fact that he plays it and he is an adult. | 0:31:07 | 0:31:10 | |
It's the fact that he sometimes answers the front door in just his underpants and a T-shirt | 0:31:10 | 0:31:16 | |
with a tiny, stupid, plastic children's guitar around his neck, | 0:31:16 | 0:31:20 | |
and he goes, "Do you want to come in? I'm just jammin'." | 0:31:20 | 0:31:23 | |
You're not jamming! Bob Marley did jamming. | 0:31:23 | 0:31:27 | |
It just makes me so sad. I think, looking at him, | 0:31:27 | 0:31:30 | |
just the idea of dedicating that much of your life | 0:31:30 | 0:31:34 | |
to attaining this pointless expertise | 0:31:34 | 0:31:37 | |
in what amounts to a stupid, plastic, children's toy musical instrument... | 0:31:37 | 0:31:43 | |
HE CONTINUES TO PLAY | 0:31:43 | 0:31:46 | |
Sort it out, world! If you don't, then you risk | 0:31:47 | 0:31:50 | |
being part of My Beefs 2011. | 0:31:50 | 0:31:53 | |
HE PLAYS FRENETIC EXTRO | 0:31:53 | 0:31:55 | |
AUDIENCE CHEERS | 0:31:56 | 0:31:59 | |
That's Mr David O'Doherty! | 0:32:04 | 0:32:07 | |
Next up, one of the most unique comedy brains on the circuit, for my money. | 0:32:10 | 0:32:14 | |
Please give it up for the wonderful Andrew Lawrence! | 0:32:14 | 0:32:17 | |
AUDIENCE CHEERS | 0:32:17 | 0:32:20 | |
Ah, thank you very much! Lovely warm welcome. | 0:32:22 | 0:32:26 | |
Nice to be here. Well done to you people for sitting down the front. | 0:32:26 | 0:32:30 | |
That takes a certain sort of bravery. I don't know what I'm going to say to you. | 0:32:30 | 0:32:34 | |
You don't know what you're going to say to me. It's difficult, talking. | 0:32:34 | 0:32:38 | |
When I was growing up, my parents used to say, "Don't talk to any creepy-looking men." | 0:32:38 | 0:32:42 | |
The irony now, of course, is I'm a creepy-looking man, | 0:32:42 | 0:32:46 | |
and children aren't allowed to talk to me! | 0:32:46 | 0:32:48 | |
This afternoon I saw a small boy bouncing a ball in his front garden. | 0:32:48 | 0:32:53 | |
He looked up at me. He smiled. He said, | 0:32:53 | 0:32:55 | |
"Hello!" Part of me was touched. | 0:32:55 | 0:32:57 | |
Another part of me thought, "How impertinent, | 0:32:57 | 0:33:00 | |
for a small boy to address an adult in that way." | 0:33:00 | 0:33:03 | |
I said, "Throw me the ball!" He did. I kicked it as high as I could | 0:33:03 | 0:33:06 | |
across the road, into a skip. He said, "My ball! Why did you do that?" | 0:33:06 | 0:33:11 | |
I said, "Because life is hard, my little friend." | 0:33:11 | 0:33:14 | |
"Consider that lesson number one." | 0:33:14 | 0:33:16 | |
And his mother came running out the house screaming, | 0:33:16 | 0:33:19 | |
"What the hell are you doing here? You're only supposed to see him on weekends." | 0:33:19 | 0:33:23 | |
AUDIENCE LAUGHS | 0:33:23 | 0:33:26 | |
It's nice to be in Scotland. All the Scottish people, give me a cheer. | 0:33:30 | 0:33:33 | |
AUDIENCE CHEERS | 0:33:33 | 0:33:35 | |
I like it, especially compared to some other Third World countries. | 0:33:35 | 0:33:39 | |
LAUGHTER I think it compares very favourably. | 0:33:39 | 0:33:42 | |
I got the train up. I love the trains. | 0:33:42 | 0:33:44 | |
When I was a kid I used to have a model train set. | 0:33:44 | 0:33:47 | |
I used to pretend I was a train driver, making those smug, sarcastic announcements, | 0:33:47 | 0:33:52 | |
like, "Please move right down inside the carriage." | 0:33:52 | 0:33:55 | |
"Please move right down inside the carriage, to allow other people to invade your personal space." | 0:33:55 | 0:34:01 | |
"Please line up against all the windows and doors | 0:34:01 | 0:34:04 | |
to allow your physical boundaries to be encroached upon | 0:34:04 | 0:34:08 | |
till you're inadvertently dry-humping a stranger." | 0:34:08 | 0:34:11 | |
"Please do eat some stinky, disgusting food with your mouth open, | 0:34:11 | 0:34:15 | |
drop half of it on the floor to sit there rotting for the rest of the week." | 0:34:15 | 0:34:19 | |
"Please do swing a large, bulky bag over your shoulder, | 0:34:19 | 0:34:22 | |
smack everyone in the face with it as you leave the train." | 0:34:22 | 0:34:25 | |
"Please do block the aisle with pushchairs full of screaming, ugly, dirty children | 0:34:25 | 0:34:29 | |
who should've been abandoned at birth." | 0:34:29 | 0:34:32 | |
"Please do be entirely unable to operate our automated toilet door | 0:34:32 | 0:34:36 | |
and have it swing back as a parade of schoolchildren walk past | 0:34:36 | 0:34:39 | |
to reveal you hideously mid-crap with all your bits and pieces hanging out | 0:34:39 | 0:34:43 | |
like a farmyard animal. Welcome to ScotRail. We'll, er..." | 0:34:43 | 0:34:48 | |
"We'll take you where you need to go." | 0:34:48 | 0:34:50 | |
APPLAUSE | 0:34:50 | 0:34:52 | |
I got a train. I got a train up this year, | 0:34:55 | 0:34:58 | |
and it's packed. And a lady got on. I thought she was pregnant. | 0:34:58 | 0:35:02 | |
There were no free seats. I got up. I said, "Would you like my seat?" | 0:35:02 | 0:35:06 | |
She said, "I'm not pregnant, actually." | 0:35:06 | 0:35:08 | |
Awkward, isn't it? I said, "What difference does that make?" | 0:35:08 | 0:35:11 | |
"I know lots of people who aren't pregnant and they like a nice sit-down, especially the fat ones." | 0:35:11 | 0:35:16 | |
LAUGHTER | 0:35:16 | 0:35:18 | |
It's easily done. It's so easy to say the wrong thing. | 0:35:20 | 0:35:23 | |
I was at a late-night gig on Saturday, | 0:35:23 | 0:35:25 | |
one of these late-night Edinburgh Festival gigs. I was on first, | 0:35:25 | 0:35:29 | |
and then I went to the back to watch other comedians. | 0:35:29 | 0:35:31 | |
I was walking back to the green room. A lady from the crowd grabbed me, | 0:35:31 | 0:35:35 | |
asked me to get one of the comedians for her. | 0:35:35 | 0:35:38 | |
I said to the comedian, "There's a lady out there wants to talk to you." | 0:35:38 | 0:35:42 | |
He said, "Oh, yeah? Scale of one to ten, how attractive is she?" | 0:35:42 | 0:35:45 | |
I said, "I don't want to put a number on it. That's a bit crass, | 0:35:45 | 0:35:48 | |
but if I had to, I'd probably say no more than a three." | 0:35:48 | 0:35:51 | |
He said, "Oh, all right, then." He went out to talk to her - | 0:35:51 | 0:35:54 | |
turns out it's his wife. That's embarrassing, isn't it? | 0:35:54 | 0:35:58 | |
Ladies and gentlemen, it's been a privilege. Thank you very much. Good night. | 0:35:58 | 0:36:02 | |
CHEERING | 0:36:02 | 0:36:04 | |
Mr Andrew Lawrence, ladies and gentlemen! | 0:36:08 | 0:36:11 | |
Welcome to the stage the next act, the wonderful Mr Ron Vaudry! | 0:36:12 | 0:36:16 | |
Thank you very much. Good evening. How are you? | 0:36:25 | 0:36:28 | |
AUDIENCE CHEERS This is pleasant. | 0:36:28 | 0:36:30 | |
Can we get this light a little brighter, if it's at all possible? | 0:36:30 | 0:36:34 | |
I can almost see my dead parents beckoning me in this one. | 0:36:34 | 0:36:37 | |
AUDIENCE LAUGHS | 0:36:37 | 0:36:39 | |
That's a light for if you're late for school. That's an angry light. | 0:36:39 | 0:36:42 | |
Some of you weren't laughing. Let me explain for you briefly. | 0:36:44 | 0:36:48 | |
Laughter is a good thing, OK? That's my only message. | 0:36:48 | 0:36:51 | |
It's my only intent. It's a very powerful thing, laughter, | 0:36:51 | 0:36:54 | |
a very physical thing. Every time you laugh, | 0:36:54 | 0:36:56 | |
your brain emits chemicals - positive chemicals, | 0:36:56 | 0:36:59 | |
dopamines, endorphins that stimulate your immune system | 0:36:59 | 0:37:02 | |
and possibly can kill a cancer cell. Yeah! | 0:37:02 | 0:37:07 | |
So my way of looking at it's got to be, if you'd rather have cancer | 0:37:07 | 0:37:11 | |
than laugh at my silly jokes at my dead parents, | 0:37:11 | 0:37:14 | |
what kind of miserable bastard are you? | 0:37:14 | 0:37:17 | |
THEY LAUGH | 0:37:17 | 0:37:19 | |
I like living here amongst you people. | 0:37:19 | 0:37:21 | |
I've been living here in Britain for a little over seven years now, | 0:37:21 | 0:37:25 | |
which means I've experienced seven British summers. | 0:37:25 | 0:37:28 | |
And, Christ, they are special. LAUGHTER | 0:37:28 | 0:37:30 | |
You should be very proud of these little Kodak moments you call summer over here. | 0:37:31 | 0:37:35 | |
You guys are a much hardier lot than you let on. | 0:37:35 | 0:37:38 | |
I have so much respect for you people. Ten months in a row | 0:37:38 | 0:37:41 | |
of grey and drizzle every goddamn day - | 0:37:41 | 0:37:43 | |
I'd wanna stick a gun in my mouth. | 0:37:43 | 0:37:45 | |
There's not a drop of vitamin D on this entire island, is there? | 0:37:45 | 0:37:49 | |
How'd the Germans even find you freaks in the first place? That's my question. | 0:37:49 | 0:37:53 | |
They are some lucky-guessing Nazis, they are. | 0:37:53 | 0:37:56 | |
I like everything about you guys. I love your TV. | 0:37:58 | 0:38:00 | |
Your TV is awesome here. It cracks me up every day. | 0:38:00 | 0:38:03 | |
ITV news in the morning - they read you the newspapers, | 0:38:03 | 0:38:06 | |
the lazy bastards. What the hell is that? | 0:38:06 | 0:38:09 | |
It's supposed to be TV. And why do you make your deaf people stay up so late just to watch TV? | 0:38:09 | 0:38:15 | |
What's that all about? | 0:38:15 | 0:38:17 | |
LAUGHTER | 0:38:17 | 0:38:20 | |
Kind of rude, when you think about it, isn't it? | 0:38:20 | 0:38:23 | |
Anybody else miss the Richard And Judy Show? | 0:38:24 | 0:38:26 | |
Those were lovely afternoons, pondering, | 0:38:26 | 0:38:29 | |
"What kind of bizarre Dorian Gray deal with the devil did this bastard make, huh?" | 0:38:29 | 0:38:33 | |
He was on the show with his lovely wife, then his grandmother. | 0:38:33 | 0:38:36 | |
How the hell did that happen? | 0:38:36 | 0:38:38 | |
LAUGHTER | 0:38:38 | 0:38:40 | |
"Holy Christ, she got older during the advert!" | 0:38:40 | 0:38:43 | |
There'll just be a pile of dust in the chair as the credits roll by in the end. | 0:38:44 | 0:38:48 | |
"Judy's got to go now." HE BLOWS | 0:38:48 | 0:38:51 | |
LAUGHTER | 0:38:51 | 0:38:54 | |
You guys have been awesome. Thank you very much. Enjoy the rest of your evening. | 0:38:56 | 0:39:01 | |
AUDIENCE APPLAUDS | 0:39:01 | 0:39:03 | |
Mr Ron Vaudry! | 0:39:04 | 0:39:07 | |
We're about to introduce a man, when I first came to Edinburgh, | 0:39:11 | 0:39:15 | |
his was one of the first shows I saw. It's still one of the best. | 0:39:15 | 0:39:18 | |
It's an honour to introduce Mr Jimeoin! | 0:39:18 | 0:39:20 | |
AUDIENCE CHEERS | 0:39:20 | 0:39:23 | |
HE PLAYS MONOTONOUS ROCK RIFF | 0:39:34 | 0:39:36 | |
HE CONTINUES TO PLAY Thank you. | 0:39:45 | 0:39:48 | |
AUDIENCE LAUGHS | 0:39:48 | 0:39:49 | |
That was called That's That One. | 0:39:49 | 0:39:52 | |
This one's called This Is This One. | 0:39:54 | 0:39:56 | |
HE PLAYS SAME MONOTONOUS RIFF | 0:39:58 | 0:40:01 | |
No, I'm joking. That's That One again. | 0:40:02 | 0:40:05 | |
THEY LAUGH | 0:40:05 | 0:40:08 | |
This is this one. | 0:40:09 | 0:40:11 | |
This one's called That's Not It, Is It? | 0:40:11 | 0:40:14 | |
LAUGHTER | 0:40:14 | 0:40:16 | |
# There is... That's not it. | 0:40:17 | 0:40:20 | |
Is it? | 0:40:21 | 0:40:23 | |
That is it. | 0:40:27 | 0:40:29 | |
AUDIENCE LAUGHS | 0:40:30 | 0:40:32 | |
There are no songs. | 0:40:32 | 0:40:34 | |
I just strum a bit, and people feel like they've had a song. | 0:40:34 | 0:40:38 | |
HE LAUGHS | 0:40:38 | 0:40:40 | |
HE PLAYS MELODIC INTRO | 0:40:40 | 0:40:43 | |
This song's about my kitchen. | 0:40:43 | 0:40:45 | |
# In my kitchen, there's a drawer at the top | 0:40:52 | 0:40:56 | |
# It's got cutlery, knives, forks | 0:40:59 | 0:41:01 | |
# Spoons, the lot | 0:41:01 | 0:41:03 | |
# Second drawer down's got a big knife and an egg whip | 0:41:05 | 0:41:08 | |
# And things that should go in the first drawer | 0:41:11 | 0:41:14 | |
# They just don't fit | 0:41:15 | 0:41:17 | |
LAUGHTER | 0:41:17 | 0:41:19 | |
# And the third drawer from the top | 0:41:19 | 0:41:21 | |
# It's just | 0:41:21 | 0:41:23 | |
# Full of shit | 0:41:23 | 0:41:26 | |
THEY LAUGH | 0:41:26 | 0:41:28 | |
HE PLAYS MELODY | 0:41:28 | 0:41:30 | |
# There's elastic bands and cigarette papers | 0:41:36 | 0:41:39 | |
# That won't stick | 0:41:39 | 0:41:41 | |
# Dried-up glue, false teeth | 0:41:42 | 0:41:45 | |
# Something stolen from a hotel | 0:41:46 | 0:41:49 | |
# Things that are broken | 0:41:49 | 0:41:51 | |
# That you know you'll never fix | 0:41:51 | 0:41:54 | |
# But you put them in the third drawer | 0:41:55 | 0:41:57 | |
# Cos you just ain't got the heart | 0:41:57 | 0:42:00 | |
# To throw them away | 0:42:00 | 0:42:01 | |
# It's the third drawer from the top | 0:42:03 | 0:42:05 | |
# It's full of shit | 0:42:06 | 0:42:09 | |
# And there's tons of it | 0:42:12 | 0:42:14 | |
# And it rhymes with "shit" | 0:42:15 | 0:42:18 | |
AUDIENCE LAUGHS | 0:42:18 | 0:42:20 | |
# There's Blu-Tack and sellotape | 0:42:20 | 0:42:24 | |
# That's been hit by a truck | 0:42:24 | 0:42:26 | |
# One chopstick | 0:42:28 | 0:42:30 | |
# An ashtray from Canada | 0:42:31 | 0:42:33 | |
# Paid bills and envelopes | 0:42:34 | 0:42:37 | |
# Things that you think will come in handy | 0:42:39 | 0:42:42 | |
# They just never do | 0:42:44 | 0:42:46 | |
# It's the third drawer from the top | 0:42:48 | 0:42:50 | |
# It's full of shit | 0:42:51 | 0:42:54 | |
# And the fourth drawer | 0:43:04 | 0:43:06 | |
# From the top | 0:43:07 | 0:43:09 | |
# It's got plastic bags in it | 0:43:09 | 0:43:12 | |
AUDIENCE LAUGHS | 0:43:12 | 0:43:15 | |
# And that's it # | 0:43:22 | 0:43:24 | |
LAUGHTER Thank you very much. Thank you! | 0:43:24 | 0:43:27 | |
I'm Jimeoin. Thank you. Good night. | 0:43:27 | 0:43:30 | |
AUDIENCE APPLAUDS | 0:43:30 | 0:43:32 | |
Mr Jimeoin! | 0:43:33 | 0:43:36 | |
Welcome to the stage the next act, an amazing comic, | 0:43:38 | 0:43:41 | |
easily one of the coolest as well. Please give everything you can. | 0:43:41 | 0:43:45 | |
It's the wonderful Mr Tom Stade! | 0:43:45 | 0:43:47 | |
APPLAUSE | 0:43:50 | 0:43:52 | |
Well! | 0:43:52 | 0:43:54 | |
Well, good evening! All right. | 0:43:56 | 0:43:59 | |
I was just, er... I was just over in Afghanistan. | 0:43:59 | 0:44:02 | |
Are any of my Afghani brothers here? | 0:44:02 | 0:44:05 | |
No! | 0:44:05 | 0:44:07 | |
Cos they're not allowed to come over here! | 0:44:07 | 0:44:10 | |
You got to join the army to go to Afghanistan. | 0:44:10 | 0:44:14 | |
You can't take an easyJet flight over there. | 0:44:14 | 0:44:17 | |
I want to see Afghanistan on one of them holiday programmes | 0:44:17 | 0:44:21 | |
like A Place In The Sun. | 0:44:21 | 0:44:24 | |
I want to see... I want to see little Amanda sitting there, going, | 0:44:24 | 0:44:28 | |
"Hi! I'm Amanda, and we're here in sunny, war-torn Afghanistan | 0:44:28 | 0:44:32 | |
with Bob and Margaret, who are thinking about relocating." | 0:44:32 | 0:44:35 | |
LAUGHTER | 0:44:35 | 0:44:37 | |
"And they have £5 to spend"... | 0:44:38 | 0:44:41 | |
LAUGHTER | 0:44:41 | 0:44:43 | |
.."on a beautiful mud hut." | 0:44:43 | 0:44:46 | |
"This next hut I'm going to show you, it's a little out of your budget." | 0:44:47 | 0:44:51 | |
"It's £9." | 0:44:51 | 0:44:53 | |
"But it does come with an opium field." | 0:44:54 | 0:44:57 | |
"Is that something you'd be interested in, Bob? Gardening?" "Ooh, I love gardening." | 0:44:58 | 0:45:03 | |
LAUGHTER We're out there fighting terrorism. | 0:45:03 | 0:45:07 | |
I can't believe it. Terrorism! | 0:45:07 | 0:45:10 | |
Why? Terrorism is winning! | 0:45:10 | 0:45:13 | |
Not out there, but in here, | 0:45:13 | 0:45:15 | |
because we are scared of stuff we were never scared of before. | 0:45:15 | 0:45:20 | |
Stuff like unattended luggage! | 0:45:20 | 0:45:23 | |
LAUGHTER | 0:45:23 | 0:45:25 | |
15 years ago, if you saw unattended luggage, | 0:45:26 | 0:45:29 | |
you'd be excited! | 0:45:29 | 0:45:32 | |
LAUGHTER You'd take it! | 0:45:32 | 0:45:35 | |
15 years ago, didn't even matter who left their luggage. | 0:45:36 | 0:45:40 | |
15 years ago, you would've been, like, "Oh, my God!" | 0:45:40 | 0:45:43 | |
"That woman... | 0:45:43 | 0:45:46 | |
in a burqa... | 0:45:46 | 0:45:48 | |
..and a beard... | 0:45:49 | 0:45:51 | |
LAUGHTER | 0:45:51 | 0:45:53 | |
..just left her luggage." | 0:45:53 | 0:45:56 | |
"Well, all right!" | 0:45:56 | 0:45:58 | |
"I got some luggage... | 0:46:00 | 0:46:02 | |
from Northern Pakistan!" | 0:46:02 | 0:46:05 | |
15 years ago, you wouldn't think there was a bomb in there. | 0:46:05 | 0:46:09 | |
15 years ago, you would've went, "Pakistan?" | 0:46:09 | 0:46:12 | |
"Maybe it's got spices!" | 0:46:12 | 0:46:14 | |
LAUGHTER | 0:46:14 | 0:46:16 | |
There'd be a guy on the train going, | 0:46:16 | 0:46:19 | |
"Goddamn, I left my spice bag behind!" | 0:46:19 | 0:46:21 | |
"Now my food's going to be bland." | 0:46:22 | 0:46:25 | |
LAUGHTER | 0:46:25 | 0:46:27 | |
"How am I going to get my rice yellow?" | 0:46:29 | 0:46:31 | |
LAUGHTER | 0:46:31 | 0:46:33 | |
HE LAUGHS Kids'll be all disappointed. | 0:46:33 | 0:46:37 | |
"Dad, did you bring the spice bag home?" | 0:46:37 | 0:46:39 | |
"No, son. I left the spice bag at Paddington." | 0:46:39 | 0:46:42 | |
"So I guess we're not having fajitas, then?" | 0:46:42 | 0:46:45 | |
LAUGHTER | 0:46:45 | 0:46:47 | |
See, everybody thought it'd be curry, but it was actually Mexican night. | 0:46:47 | 0:46:52 | |
Unattended luggage, though - I am using that fear to my advantage. | 0:46:53 | 0:46:58 | |
Now when I fly, | 0:46:58 | 0:47:00 | |
I don't care how many kilograms I put in my luggage. | 0:47:00 | 0:47:04 | |
I don't care. If that piece of paper says 20 kilograms, | 0:47:04 | 0:47:07 | |
I'm putting 28. And I will bring that luggage, | 0:47:07 | 0:47:11 | |
and I will bring it to the airport, and I will put it on the scale | 0:47:11 | 0:47:14 | |
in front of that easyJet whore... | 0:47:14 | 0:47:16 | |
LAUGHTER She's going to look at me in disgust. | 0:47:16 | 0:47:19 | |
She's going to go, "You knew it was only 20 kilograms, | 0:47:19 | 0:47:23 | |
and you put 28 kilograms in there." | 0:47:23 | 0:47:25 | |
"That'll be 17 hundred thousand extra pounds." | 0:47:25 | 0:47:28 | |
And I will go, "Screw you!" And I will take my luggage, | 0:47:29 | 0:47:32 | |
and I will walk over here, and I will leave it there, | 0:47:32 | 0:47:35 | |
unattended! Then I'm going to walk back to her and go, | 0:47:35 | 0:47:39 | |
"How much is that going to cost you, | 0:47:39 | 0:47:42 | |
to shut down this goddamn airport?" | 0:47:42 | 0:47:45 | |
"Screw you!" | 0:47:45 | 0:47:47 | |
Thank you very much, ladies and gentlemen. | 0:47:47 | 0:47:50 | |
It's been a real pleasure joining the show. | 0:47:50 | 0:47:53 | |
Have a happy night. HE LAUGHS | 0:47:53 | 0:47:56 | |
-Thanks, Jon. -Mr Tom Stade! | 0:47:56 | 0:48:00 | |
THEY CHEER | 0:48:00 | 0:48:02 | |
It's time to welcome to the stage an absolute comedy superstar. | 0:48:03 | 0:48:07 | |
I don't need to say anything other than, please give all your love for the wonderful Mr Ed Byrne! | 0:48:07 | 0:48:12 | |
AUDIENCE CHEERS | 0:48:12 | 0:48:14 | |
Ladies and gentlemen, there's a thing I've been noticing lately, | 0:48:21 | 0:48:24 | |
which is children in age-inappropriate clothing. | 0:48:24 | 0:48:27 | |
I don't mean like a four year old in a pinstriped suit and a bowler hat, | 0:48:27 | 0:48:31 | |
because that would be adorable. | 0:48:31 | 0:48:34 | |
Last time I was here, I told you I saw this little girl at an airport. | 0:48:34 | 0:48:38 | |
She was about 12, 11 years old, wearing a tracksuit | 0:48:38 | 0:48:41 | |
with the word "gorgeous" written across the arse of it, | 0:48:41 | 0:48:44 | |
and I thought that was inappropriate because she was a minger. | 0:48:44 | 0:48:47 | |
And since then there was that documentary, | 0:48:47 | 0:48:50 | |
Stop Pimping Our Kids, and there was this whole thing about it. | 0:48:50 | 0:48:53 | |
But it's not just little girls dressing like sluts | 0:48:53 | 0:48:56 | |
that are the issue, or the Fisher-Pricetitutes, as I like to call them. | 0:48:56 | 0:49:00 | |
It's not just them. I saw a little boy recently - | 0:49:00 | 0:49:03 | |
let's say he was 13 - wearing a T-shirt with a quote, | 0:49:03 | 0:49:06 | |
I believe from 50 Cent... One of the hippity-hoppity fellas, anyway. | 0:49:06 | 0:49:10 | |
And this T-shirt that this 13-year-old boy was wearing in public | 0:49:10 | 0:49:14 | |
said "I love pussy like a fat girl love cake." | 0:49:14 | 0:49:19 | |
LAUGHTER | 0:49:19 | 0:49:21 | |
Now, this offends me in so many ways | 0:49:21 | 0:49:25 | |
that I would like to tell you about all of them. | 0:49:25 | 0:49:29 | |
Now, point one. | 0:49:29 | 0:49:31 | |
Point one, it's quite bad grammar. | 0:49:31 | 0:49:34 | |
LAUGHTER | 0:49:34 | 0:49:36 | |
It's "like a fat girl LOVES cake", or "like fat GIRLS love cake". | 0:49:37 | 0:49:41 | |
It's not "like a fat girl love cake". Get it right. Come on. | 0:49:41 | 0:49:44 | |
That's a minor point. It really should have been spotted | 0:49:44 | 0:49:47 | |
at the screen-printing process. | 0:49:47 | 0:49:49 | |
Point number two, I don't like the implication that fat girls are greedy, | 0:49:49 | 0:49:53 | |
that fat people love cake. I think it's an unfair thing to say, | 0:49:53 | 0:49:56 | |
just an assumption. I know I'm quite a skinny guy, | 0:49:56 | 0:49:59 | |
but I grew up around fat people. I come from quite a large family. | 0:49:59 | 0:50:02 | |
There's only five of them, but they're fat as anything you've ever seen. | 0:50:02 | 0:50:06 | |
So that's point two. That's a minor thing. | 0:50:06 | 0:50:09 | |
But point three - let's just say, for the sake of argument, | 0:50:09 | 0:50:12 | |
that fat girls DO love cake. Right? You're a 13-year-old boy | 0:50:12 | 0:50:15 | |
claiming to love pussy just as much. Cos here's the thing! | 0:50:15 | 0:50:19 | |
You put cake in front of a fat girl, | 0:50:19 | 0:50:21 | |
she's at least going to know what to do with it. | 0:50:21 | 0:50:24 | |
THEY APPLAUD | 0:50:24 | 0:50:27 | |
So that's point number three. | 0:50:28 | 0:50:30 | |
Point number four - again, for the sake of argument, | 0:50:30 | 0:50:33 | |
let's just say you do love pussy that much - | 0:50:33 | 0:50:36 | |
you, who 18 months ago had a favourite Power Ranger. | 0:50:36 | 0:50:40 | |
But let's just go with the notion! | 0:50:40 | 0:50:42 | |
Let's just go with the idea that you really are all about the pussy. | 0:50:42 | 0:50:47 | |
Why, then, for the love of Pete, would you choose to wear a T-shirt | 0:50:47 | 0:50:51 | |
that virtually guarantees you'll never get any? Please! | 0:50:51 | 0:50:54 | |
THEY LAUGH | 0:50:54 | 0:50:56 | |
That's... That's point number four. | 0:50:56 | 0:50:58 | |
But point number five is my main point, ladies and gentlemen, | 0:50:58 | 0:51:02 | |
and it goes back to what I was saying in point number two. | 0:51:02 | 0:51:05 | |
And that is that a fat girl's relationship with cake, | 0:51:05 | 0:51:08 | |
indeed, a fat person's relationship with food, | 0:51:08 | 0:51:11 | |
it's not as simple as pure love. There's a lot more going on there. | 0:51:11 | 0:51:15 | |
It's a far more complicated, fraught, nuanced relationship | 0:51:15 | 0:51:19 | |
than simple love. And if that's a relationship you, | 0:51:19 | 0:51:22 | |
as a 13-year-old boy, have with pussy, | 0:51:22 | 0:51:25 | |
you have issues you have not addressed, my young friend. | 0:51:25 | 0:51:28 | |
Like, sometimes you'll want pussy but you'll deny yourself pussy, | 0:51:28 | 0:51:33 | |
or now and then you'll have pussy and then feel really bad about yourself afterwards, | 0:51:33 | 0:51:37 | |
or occasionally you'll deliberately have too much pussy | 0:51:37 | 0:51:41 | |
in order to punish yourself because of complex issues | 0:51:41 | 0:51:44 | |
to do with your self-esteem! If that's how you, | 0:51:44 | 0:51:47 | |
as a 13-year-old boy, feel about pussy, | 0:51:47 | 0:51:49 | |
you're obviously gay! | 0:51:49 | 0:51:51 | |
LAUGHTER | 0:51:51 | 0:51:53 | |
You've been lovely. Thank you very much. | 0:51:55 | 0:51:58 | |
Good night. CHEERING | 0:51:58 | 0:52:01 | |
Mr Ed Byrne! | 0:52:03 | 0:52:05 | |
Well, how do you end a night where there's been so many comics | 0:52:07 | 0:52:10 | |
except with one of the best there is? | 0:52:10 | 0:52:13 | |
She's an amazing person. She's a wonderful comic. | 0:52:13 | 0:52:15 | |
Please welcome to the stage Shappi Khorsandi! | 0:52:15 | 0:52:18 | |
AUDIENCE CHEERS | 0:52:18 | 0:52:21 | |
Hello! CHEERING / APPLAUSE | 0:52:22 | 0:52:24 | |
Are you well, Edinburgh? AUDIENCE CHEERS | 0:52:24 | 0:52:27 | |
Brilliant! You're all here. I'm from London. | 0:52:27 | 0:52:29 | |
I feel I can't go on without mentioning the riots as well. | 0:52:29 | 0:52:33 | |
It's been very strange, watching them from Edinburgh. | 0:52:33 | 0:52:36 | |
But on the plus side, I felt that that would never happen | 0:52:36 | 0:52:39 | |
in Edinburgh, those riots. No-one can set fire to anything in this rain. | 0:52:39 | 0:52:44 | |
LAUGHTER | 0:52:44 | 0:52:47 | |
"Everything's damp! Sod it, I don't want a plasma TV that much." | 0:52:48 | 0:52:52 | |
I'm from a place called Ealing, in West London. | 0:52:53 | 0:52:56 | |
And like a lot of people, I was watching the riots, | 0:52:56 | 0:52:59 | |
and I was thinking, "We have to not vilify these young people, | 0:52:59 | 0:53:03 | |
and understand what it is that has made them disengage so much | 0:53:03 | 0:53:07 | |
from society to carry out these acts." | 0:53:07 | 0:53:10 | |
And then they attacked my home suburb of Ealing, | 0:53:10 | 0:53:14 | |
-and I was, like, "Tear gas! Get out the tear gas, you -BLEEPs!" | 0:53:14 | 0:53:19 | |
It wasn't a proud moment for me. | 0:53:21 | 0:53:23 | |
You see, I watched the Queen open up | 0:53:23 | 0:53:26 | |
the Ealing Broadway shopping centre when I was about 11 years old, | 0:53:26 | 0:53:31 | |
so I've always felt a very special connection to the royal family. | 0:53:31 | 0:53:36 | |
I was a young girl, a little girl, when Diana got married, | 0:53:37 | 0:53:41 | |
and like a lot of mothers, my mum took me off | 0:53:41 | 0:53:44 | |
to the hairdresser's to get a Diana haircut. | 0:53:44 | 0:53:49 | |
It looked so cute on little blonde girls, | 0:53:49 | 0:53:51 | |
but on me, I just looked like a LEGO man. | 0:53:51 | 0:53:54 | |
LAUGHTER | 0:53:54 | 0:53:56 | |
My earliest memory of London was when I was four years old. | 0:53:56 | 0:54:01 | |
I was on the Underground with my mother and my five-year-old brother, | 0:54:01 | 0:54:05 | |
and a proper '70s punk was sat opposite us. | 0:54:05 | 0:54:10 | |
Shaved head, big red Mohican... We'd never seen one of them before. | 0:54:10 | 0:54:14 | |
And our mum went, "Ey vay!", which is Persian for "oy veh!" | 0:54:14 | 0:54:17 | |
LAUGHTER | 0:54:17 | 0:54:19 | |
Me and my brother were, like, "Oh, my God, can you see that man?" | 0:54:19 | 0:54:22 | |
"Can you see his hair?" And our mum went, "Shush, | 0:54:22 | 0:54:24 | |
because he'll hear you, and that's rude." | 0:54:24 | 0:54:28 | |
So I stopped talking about him, and I just stared at him. | 0:54:28 | 0:54:31 | |
My big brother went, "Cock-a-doodle-doooooo!" | 0:54:32 | 0:54:37 | |
LAUGHTER | 0:54:37 | 0:54:39 | |
This poor little punk! He was only 17, trying to express himself, | 0:54:39 | 0:54:42 | |
and he got well annoyed, right? So when he went to get off at his stop, | 0:54:42 | 0:54:47 | |
he roughly shouldered our mum and said, "Go home" - | 0:54:47 | 0:54:50 | |
to a young woman with two small children! | 0:54:50 | 0:54:53 | |
I'll never forget. It was so nice. Everyone on the carriage looked, | 0:54:53 | 0:54:56 | |
gave us little sympathetic glances and smiles, | 0:54:56 | 0:55:00 | |
and an old lady next to me, with such warmth and affection, | 0:55:00 | 0:55:04 | |
put her hand on my shoulder and said, | 0:55:04 | 0:55:07 | |
"Don't you ever take any notice of people like that, my darling." | 0:55:07 | 0:55:10 | |
"It ain't your fault you're a Paki." | 0:55:10 | 0:55:13 | |
Beautiful moment! | 0:55:13 | 0:55:15 | |
THEY LAUGH | 0:55:15 | 0:55:18 | |
I've got a little boy, and I'm a single mum, | 0:55:18 | 0:55:21 | |
and everyone kept telling me, "Look, don't have too many boyfriends." | 0:55:21 | 0:55:24 | |
I thought, "All right, don't judge me." | 0:55:24 | 0:55:27 | |
I've had one boyfriend since my husband and I split up, | 0:55:27 | 0:55:30 | |
at Christmas last year. Turns out some boyfriends really are just for Christmas. | 0:55:30 | 0:55:35 | |
And I was, like, "You will not meet my child | 0:55:35 | 0:55:38 | |
until we've been going out for a year," | 0:55:38 | 0:55:41 | |
and I arranged for him to come round when my kid was asleep, | 0:55:41 | 0:55:45 | |
and he was gone before my kid woke up. | 0:55:45 | 0:55:48 | |
But my luck being my luck, one day they met, for the first time, | 0:55:48 | 0:55:53 | |
at half past three in the morning on the landing in my house, | 0:55:53 | 0:55:56 | |
both needing the loo, both naked. | 0:55:56 | 0:55:59 | |
This poor chap, in a panic, said to my little boy, | 0:56:01 | 0:56:03 | |
"Hello, I'm Father Christmas!" | 0:56:03 | 0:56:07 | |
And my little boy looked at him and said, | 0:56:09 | 0:56:11 | |
"Oh, but he was here last night." | 0:56:11 | 0:56:14 | |
LAUGHTER | 0:56:14 | 0:56:16 | |
Thank you very much! Good night! | 0:56:16 | 0:56:19 | |
APPLAUSE | 0:56:19 | 0:56:22 | |
Shappi Khorsandi! | 0:56:24 | 0:56:27 | |
That's it for the Edinburgh Comedy Festival Live. Thank you for coming. | 0:56:29 | 0:56:33 | |
Please make some noise for all the acts you've seen. Good night! | 0:56:33 | 0:56:36 | |
Subtitles by Red Bee Media Ltd | 0:56:36 | 0:56:40 | |
E-mail [email protected] | 0:56:40 | 0:56:44 |