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It's Edinburgh Comedy Fest Live 2011. | 0:00:22 | 0:00:27 | |
Please welcome your host, Andi Osho! | 0:00:27 | 0:00:31 | |
CHEERING | 0:00:31 | 0:00:33 | |
-Hello, everyone. Are you well? -AUDIENCE: -Yeah! | 0:00:38 | 0:00:42 | |
Oh, dear, that's good, that's good. | 0:00:42 | 0:00:46 | |
Welcome to Edinburgh Comedy Fest Live. I've actually... | 0:00:46 | 0:00:51 | |
I've loved being in Edinburgh. | 0:00:51 | 0:00:52 | |
I've loved being anywhere that isn't kicking off. | 0:00:52 | 0:00:55 | |
LAUGHTER | 0:00:55 | 0:00:56 | |
My God! | 0:00:56 | 0:00:57 | |
What is going on? It's crazy. | 0:00:57 | 0:01:02 | |
But you know, there's one good thing that has come out of the rioting, OK? | 0:01:02 | 0:01:06 | |
It's Scotland's chance to have payback for that lame joke that people do about Andrew Murray. | 0:01:06 | 0:01:12 | |
You know, when he's winning, he's British. When he's not winning, he's Scottish. | 0:01:12 | 0:01:16 | |
Alex Salmond, First Minister of Scotland, went on the news, | 0:01:16 | 0:01:19 | |
went on the news, and he said, "These are not UK riots." | 0:01:19 | 0:01:25 | |
"Oh, no, no. | 0:01:27 | 0:01:30 | |
"These are not UK riots. | 0:01:31 | 0:01:36 | |
"They're English riots." | 0:01:36 | 0:01:38 | |
LAUGHTER | 0:01:38 | 0:01:39 | |
My man, my man! I loved that. But, yeah, what's amazing as well - | 0:01:39 | 0:01:44 | |
I can't believe how thick some of the looters are. | 0:01:44 | 0:01:48 | |
Some of them are tweeting pictures of themselves with stuff they've stolen. | 0:01:48 | 0:01:51 | |
There is a picture on the internet | 0:01:51 | 0:01:55 | |
of a boy with a two kilogram bag of Tesco's own brand basmati rice. | 0:01:55 | 0:02:00 | |
That's right. Sticking it to the man - one tasty dish at a time. | 0:02:02 | 0:02:07 | |
Oh, and it's crazy. But I genuinely do, | 0:02:07 | 0:02:10 | |
I think you'll agree that there was no chance the rioting was going to make it across the border. | 0:02:10 | 0:02:16 | |
Not in Edinburgh at this time, because if somebody'd heard "There's going to be a riot!", | 0:02:16 | 0:02:21 | |
you'd have said "Ooh, have you got a flyer for that? What time is it on?" | 0:02:21 | 0:02:25 | |
And there'd be people going "Yeah, I saw the riot. Three stars. Wasn't very good. | 0:02:25 | 0:02:29 | |
"Couldn't get anything out of Primark." | 0:02:29 | 0:02:31 | |
I think that basically, I think what the problem is, is that kids have gotten a little bit feral. | 0:02:31 | 0:02:37 | |
This is what happened on a bus near where I live. | 0:02:37 | 0:02:39 | |
Bus was crawling down the bus lane, going really slowly, | 0:02:39 | 0:02:42 | |
and this girl who was at the back of the bus, now I'm not judging, but she was white and chavvy. Now... | 0:02:42 | 0:02:48 | |
LAUGHTER | 0:02:48 | 0:02:50 | |
She shouts out from the back of the bus, she goes, "Oi, driver! | 0:02:50 | 0:02:54 | |
"Hurry up, mate, some of us have got to go to court." | 0:02:54 | 0:02:59 | |
And I'm guessing this girl's not the judge. | 0:02:59 | 0:03:02 | |
Another reason I like being in Edinburgh - I'm doing a show | 0:03:03 | 0:03:06 | |
about dating, and after every show I'm getting someone to come on a date with me, which is amazing. | 0:03:06 | 0:03:12 | |
It's not as easy as I thought it was going to be. | 0:03:12 | 0:03:15 | |
There's been days after the show when no-one has come forward. | 0:03:15 | 0:03:18 | |
One day, that happened and a guy came up to me afterwards. | 0:03:18 | 0:03:21 | |
He said "Andi, I was going to say that I'm single, but I was a bit shy." | 0:03:21 | 0:03:24 | |
And a woman came up and went "Dad, just because Mum's not here, it doesn't mean you're single." | 0:03:24 | 0:03:30 | |
The reason I'm doing this is, it's been three years since I've had a date. | 0:03:30 | 0:03:34 | |
-AUDIENCE: -Aw! -Don't patronise me. | 0:03:34 | 0:03:37 | |
But it is a long time, isn't it? | 0:03:37 | 0:03:39 | |
By the way, when I say three years and no dates, I'm not talking about, you know, getting drunk | 0:03:39 | 0:03:44 | |
with some guy and then staggering back to his, you know. | 0:03:44 | 0:03:46 | |
In which case, I have been dating. | 0:03:46 | 0:03:49 | |
Probably a little bit too much, to be perfectly honest. | 0:03:51 | 0:03:53 | |
But I'm worried it's going to heal up down there. Do you know what I mean? | 0:03:53 | 0:03:57 | |
I'll turn into a Sindy doll or something. "Oh, my God, where is it? Jesus!" | 0:03:57 | 0:04:01 | |
But I tried so many different ways to meet somebody. | 0:04:01 | 0:04:04 | |
I tried internet dating, everything. | 0:04:04 | 0:04:07 | |
And the problem I have with it is basically... | 0:04:07 | 0:04:09 | |
the men. | 0:04:09 | 0:04:10 | |
No, what it is, is what they write on their profiles. Like, they'll put reading down as a hobby. | 0:04:12 | 0:04:16 | |
To me, reading's not a hobby. That's just something you should be able to do. | 0:04:16 | 0:04:20 | |
You know, what are you going to put next? "I'm a big fan of eating and thinking, pick me!" | 0:04:20 | 0:04:25 | |
No, mate, put that you're a fan of putting up shelves and munching rug. Then I'll pick you. | 0:04:25 | 0:04:30 | |
Also, on the profiles, the guys want you to think that they work out and look after themselves, | 0:04:33 | 0:04:39 | |
so they'll put down that they like a sport, but then they'll pick a shit one like badminton. | 0:04:39 | 0:04:44 | |
What the hell is badminton? | 0:04:44 | 0:04:46 | |
It should be downgraded, right. | 0:04:46 | 0:04:48 | |
It is a board game at best. | 0:04:48 | 0:04:50 | |
I'm sorry. It is like watching two blokes trying to hit a dandelion with a sieve. | 0:04:50 | 0:04:55 | |
All I'm saying is, I think there'll be some tickets available for the badminton final come 2012. | 0:04:59 | 0:05:05 | |
Anyway, it's a perfect opportunity to get to know some of you guys. | 0:05:05 | 0:05:10 | |
That woman's looking away from me. | 0:05:10 | 0:05:12 | |
She just froze like I'm the T-Rex in Jurassic Park. | 0:05:12 | 0:05:17 | |
She's like "Don't move. Her vision's based on movement. | 0:05:17 | 0:05:20 | |
"Gosh, she's still looking. Christ!" | 0:05:23 | 0:05:25 | |
What's your name, darling? Louise. | 0:05:25 | 0:05:28 | |
All right, Louise. | 0:05:28 | 0:05:29 | |
What do you do, Louise? Giggle a lot. | 0:05:29 | 0:05:33 | |
Go on, what do you do for a living? You're a student. Any other students in? | 0:05:34 | 0:05:38 | |
-AUDIENCE: -Hey! -Oh, right. OK. Tickets aren't expensive enough. | 0:05:38 | 0:05:43 | |
Louise, what are you studying? Maths? You're doing a proper subject. | 0:05:45 | 0:05:49 | |
Great and is this your boyfriend? | 0:05:52 | 0:05:54 | |
-No. -He was like, "No!" | 0:05:54 | 0:05:56 | |
"I like letters, not numbers." | 0:05:59 | 0:06:01 | |
Do you guys even know each other? | 0:06:03 | 0:06:05 | |
You do. All right, so you're admitting that much. How do you know each other? | 0:06:05 | 0:06:09 | |
Just through uni. | 0:06:09 | 0:06:11 | |
All right. But Louise, he has thought about it, OK? | 0:06:11 | 0:06:15 | |
OK. All right, well, that's enough from me. Let's get on with the show. | 0:06:16 | 0:06:20 | |
Please welcome to the stage the first act of the evening, Dead Cat Bounce! | 0:06:20 | 0:06:24 | |
Edinburgh, how are you doing? | 0:06:31 | 0:06:34 | |
We are Dead Cat Bounce. | 0:06:34 | 0:06:35 | |
It's fantastic to be here. For many of you in the front couple of rows, | 0:06:35 | 0:06:39 | |
this probably is the closest you've ever sat to a rock band. | 0:06:39 | 0:06:42 | |
And that's OK. It can be quite an intense experience, though. | 0:06:42 | 0:06:45 | |
People do say they find it very exciting. Women in particular say sometimes they find it very sexy. | 0:06:45 | 0:06:51 | |
-But if it does get too much for any of you at any point, just look at the ginger. -That's what he's for. | 0:06:51 | 0:06:57 | |
I can do sexy, all right? | 0:06:57 | 0:07:00 | |
Well, switch on, everybody, because the next four minutes is going to be important. | 0:07:00 | 0:07:05 | |
# It's pretty clear They've no idea what they're doing | 0:07:17 | 0:07:23 | |
# But it's their wedding night | 0:07:27 | 0:07:29 | |
# And they're determined to get through it | 0:07:29 | 0:07:33 | |
# Christians in love! Rolling around like a couple of pigs in a barrel | 0:07:35 | 0:07:43 | |
# Christians in love! Flapping about like a couple of trout in a puddle | 0:07:46 | 0:07:52 | |
# Like a shithouse door in a force nine gale | 0:07:56 | 0:07:59 | |
# They're banging hard till their hinges fail | 0:07:59 | 0:08:01 | |
# With no real discernible sense of rhythm | 0:08:01 | 0:08:05 | |
# Like Keanu Reeves in the movie Speed | 0:08:07 | 0:08:09 | |
# They're scared that slowing down might lead | 0:08:09 | 0:08:13 | |
# To some sort of explosive cataclysm | 0:08:13 | 0:08:16 | |
# Taking Dennis Hopper with them | 0:08:18 | 0:08:21 | |
LAUGHTER | 0:08:21 | 0:08:23 | |
# Right now, I guess | 0:08:30 | 0:08:32 | |
# I guess I know what you're all thinking | 0:08:32 | 0:08:34 | |
# Why am I watching them? And how have they not heard me singing? | 0:08:38 | 0:08:45 | |
# Christians in love | 0:08:45 | 0:08:49 | |
# Possibly deaf or else so impressively focused | 0:08:50 | 0:08:53 | |
# On the task in hand that there's a four-piece band they haven't noticed | 0:08:55 | 0:09:00 | |
# In the en suite watching them get laid and wondering when we'll be paid | 0:09:00 | 0:09:05 | |
# For a wedding that's been over several hours | 0:09:05 | 0:09:08 | |
# But we'll stick it out as long as it takes | 0:09:11 | 0:09:13 | |
# Till either our resolve or the headboard breaks | 0:09:13 | 0:09:17 | |
# At least we've got a toilet and a shower | 0:09:17 | 0:09:19 | |
-Right, guys? -Yeah! | 0:09:19 | 0:09:21 | |
# Yes, we'll just keep singing louder | 0:09:21 | 0:09:24 | |
# Hey you, where's our money? | 0:09:24 | 0:09:26 | |
# Hey you, where's our money? | 0:09:26 | 0:09:28 | |
-# Hey you, where's our money? Hey you... -Christians in love | 0:09:28 | 0:09:32 | |
# Hey you, where's our money? | 0:09:32 | 0:09:34 | |
# Hey you, where's our money? | 0:09:34 | 0:09:36 | |
-# Christians in love -Hey you, where's our money? Hey you... | 0:09:36 | 0:09:40 | |
# Christians in love. # | 0:09:40 | 0:09:42 | |
Thank you. Good night! | 0:09:46 | 0:09:48 | |
Ladies and gentlemen, that was Dead Cat Bounce! | 0:09:55 | 0:09:59 | |
You like? | 0:10:03 | 0:10:06 | |
Next up in tonight's amazing show, | 0:10:06 | 0:10:08 | |
keep the love in the room, and welcome Jason Byrne! | 0:10:08 | 0:10:12 | |
Ah, yes. Scotland, Edinburgh. Fantastic! | 0:10:21 | 0:10:27 | |
You're brilliant. You're similar to Irish people. That's great. | 0:10:27 | 0:10:30 | |
And it's our job as Scottish and Irish people... | 0:10:30 | 0:10:33 | |
Because I travel around the whole world doing gigs, and I notice | 0:10:33 | 0:10:37 | |
Scottish and Irish people travel around the whole world | 0:10:37 | 0:10:40 | |
and it's our job to inject misery into other people's cultures. That's what we do. | 0:10:40 | 0:10:44 | |
You know, the world would be happy if they kept us in our country | 0:10:44 | 0:10:48 | |
and didn't let us leave with these miserable pasty faces injecting into other cultures. | 0:10:48 | 0:10:54 | |
I was in Australia, on Bondi, the most beautiful place ever, | 0:10:54 | 0:10:59 | |
watching these Irish fellows arrive | 0:10:59 | 0:11:01 | |
and they'd never been to Australia in their life. Everybody smiled on the beach. | 0:11:01 | 0:11:05 | |
These big Paddy potato heads come out, big faces, like, "Oh, what's this crap all about, eh?" | 0:11:05 | 0:11:11 | |
"We'll soon ruin this culture, lads. | 0:11:11 | 0:11:14 | |
"Spread it about, spread it about." | 0:11:14 | 0:11:16 | |
And I was in this hotel in Bondi and I checked in, right, I checked in. | 0:11:16 | 0:11:20 | |
And I checked in and then I went to have a look around the hotel | 0:11:20 | 0:11:23 | |
because that's what, you know, Scottish and Irish people do. | 0:11:23 | 0:11:26 | |
Cos, you know, we're not like Americans. | 0:11:26 | 0:11:28 | |
Americans will go straight to the room and freshen up. | 0:11:28 | 0:11:31 | |
But not us. We want to have a look around the hotel because you paid your money, yes? | 0:11:31 | 0:11:36 | |
And you want to make sure the pictures match it on the internet at the hotel. | 0:11:36 | 0:11:41 | |
Yeah? Walking around with the family, just opening random doors. | 0:11:41 | 0:11:45 | |
"Come on, have a look. Have a look in here". Conference rooms. | 0:11:45 | 0:11:48 | |
Just open it up when there's a conference on. | 0:11:48 | 0:11:52 | |
"Yeah, keep going. We're just having a look. Keep going. Yeah. Good. Yeah. | 0:11:52 | 0:11:57 | |
"Fantastic! Amazing". There's another thing we can't do. | 0:11:57 | 0:12:00 | |
Scottish and Irish people cannot do this. This is brilliant. | 0:12:00 | 0:12:03 | |
We cannot walk by a room that's being cleaned without looking into it. | 0:12:03 | 0:12:07 | |
Yeah? Because we're nosy bastards. | 0:12:07 | 0:12:10 | |
That's what we are. Australians, Americans just walk by. | 0:12:10 | 0:12:14 | |
Just mind their own business. Not us. We walk by a room that's being cleaned... | 0:12:14 | 0:12:18 | |
LAUGHTER | 0:12:18 | 0:12:20 | |
"I think that room is better than ours. Is that room better than ours?" | 0:12:22 | 0:12:26 | |
"Get back, do another pass, do another pass! | 0:12:26 | 0:12:30 | |
"That bed is bigger, that bed is bigger. Get back and check it again. | 0:12:34 | 0:12:38 | |
"Our room is shit, right?" | 0:12:38 | 0:12:41 | |
And I was in this hotel, and there was a lot of Americans | 0:12:41 | 0:12:45 | |
in the breakfast room because it was a castle, and whenever there's a castle, there's Americans, right? | 0:12:45 | 0:12:51 | |
They were loving it. And they're really polite, Americans. At the breakfast table, you know. | 0:12:51 | 0:12:55 | |
"I'll just have one sausage and one bit of bacon, thank you, and a yoghurt, thank you." | 0:12:55 | 0:13:00 | |
"Ming, ming, ming." And they're all very polite, right? | 0:13:00 | 0:13:02 | |
But over on the side, you know, where you wait to be seated, there was a Scottish family, OK? | 0:13:02 | 0:13:08 | |
And it was a buffet, and their eyes were like saucers. | 0:13:08 | 0:13:13 | |
You've never seen the like of it. | 0:13:13 | 0:13:15 | |
They were warming up on the edge of the breakfast bit. | 0:13:15 | 0:13:19 | |
"It's a buffet, kids. It's a buffet. | 0:13:26 | 0:13:28 | |
"Eat everything. Eat everything. Stuff your faces. | 0:13:32 | 0:13:37 | |
"You will not eat till 9 o'clock." | 0:13:37 | 0:13:41 | |
And the best image I've seen ever in my life - and only in Scotland would you see this - | 0:13:44 | 0:13:48 | |
When the family left the breakfast room, the dad had a croissant in his top pocket. | 0:13:48 | 0:13:53 | |
LAUGHTER | 0:13:53 | 0:13:55 | |
Ladies and gentlemen, I've been Jason Byrne. | 0:13:55 | 0:13:57 | |
Thanks for supporting the whole comedy night! Keep it going. | 0:13:57 | 0:14:01 | |
Jason Byrne! | 0:14:08 | 0:14:09 | |
Keep it going, keep it going now as we bring to the stage the magician Pete Firman! | 0:14:13 | 0:14:19 | |
Thank you. I am a magician. You wouldn't know it | 0:14:26 | 0:14:29 | |
to look at me, but you can tell a lot about a person by how they use their hands. | 0:14:29 | 0:14:32 | |
For example, if a fellow does this, maybe he's a soldier. | 0:14:32 | 0:14:36 | |
If he does this, maybe he works with computers or something like that. But if he does this... | 0:14:36 | 0:14:42 | |
AUDIENCE: Ooh! | 0:14:42 | 0:14:43 | |
APPLAUSE | 0:14:43 | 0:14:46 | |
Must be a tosser. | 0:14:46 | 0:14:48 | |
LAUGHTER | 0:14:48 | 0:14:50 | |
It's difficult to surprise an audience with magic. | 0:14:50 | 0:14:52 | |
If a fellow saws a lady in half, you know what he'll do. | 0:14:52 | 0:14:55 | |
He'll put her back together. Well, you hope he's going to put her back together. | 0:14:55 | 0:14:59 | |
To be honest, any knobhead can do the first half of that trick. | 0:14:59 | 0:15:02 | |
It's the second half that's the difference between Vegas and Broadmoor. | 0:15:02 | 0:15:06 | |
I need to pick somebody from the audience. The fairest way to select someone is to turn around, | 0:15:06 | 0:15:13 | |
throw something over my shoulder, whoever catches it is the person that comes. | 0:15:13 | 0:15:16 | |
It's a random way to pick someone. So...just brace yourselves. | 0:15:16 | 0:15:20 | |
I'm going to whip this hard. See if I can get it upstairs. | 0:15:20 | 0:15:24 | |
No, I'll do it on my tod. | 0:15:24 | 0:15:27 | |
I'll carry on by pounding this four and a half inch nail into my face. | 0:15:27 | 0:15:32 | |
It's the nail in the face trick. You know this one, right? | 0:15:32 | 0:15:35 | |
It's fun for you and your hole...family. | 0:15:35 | 0:15:38 | |
It's the nail in the face. | 0:15:38 | 0:15:40 | |
Now, in France, they call this the "nail dans la face." | 0:15:40 | 0:15:46 | |
That's a titbit for any non-French speakers in tonight. Here we go. | 0:15:46 | 0:15:49 | |
Nail in the face. Edinburgh, here it comes. | 0:15:49 | 0:15:51 | |
Nail in the face. Don't try and stop me. | 0:15:51 | 0:15:53 | |
I'm a mad bugger. I'll do this. | 0:15:53 | 0:15:55 | |
I really will. Here we go. | 0:15:55 | 0:15:58 | |
AUDIENCE: Ooh! | 0:15:58 | 0:16:00 | |
Hey, man up. All right? | 0:16:00 | 0:16:02 | |
LAUGHTER | 0:16:02 | 0:16:04 | |
Grow a pair, because it's my face. | 0:16:04 | 0:16:06 | |
OK? I'll be honest, I've never tried this before. So... | 0:16:06 | 0:16:11 | |
If it screws up, just remember three things, 999. 999! Come on. Jokes and tricks. | 0:16:11 | 0:16:15 | |
Now, that's a deal, right? Don't have to charge for that. | 0:16:15 | 0:16:18 | |
That's all included. | 0:16:18 | 0:16:20 | |
Here we go. Nail in the face. | 0:16:20 | 0:16:22 | |
AUDIENCE: Oh! | 0:16:23 | 0:16:24 | |
Oh, that really hurts. | 0:16:24 | 0:16:26 | |
I can't see. Oh, it stings. But then again, it's a nail in my face, | 0:16:26 | 0:16:31 | |
so it might. Those of you towards the front, actually, you might be able to see the teeth marks in that. | 0:16:31 | 0:16:36 | |
That's because I bite my nails, ha ha! And tricks. | 0:16:36 | 0:16:39 | |
Oh, you people are in luck. | 0:16:40 | 0:16:43 | |
Here we go! To begin with, little taps. | 0:16:43 | 0:16:45 | |
To start with, just little taps, and I'll build up to the harder whacks. | 0:16:45 | 0:16:50 | |
It's the nail in the face. Come on, be fair. | 0:16:53 | 0:16:56 | |
Oh, yeah. | 0:17:00 | 0:17:01 | |
I should join the circus. And, of course, second to the nail in the face is the nail out of the face. | 0:17:01 | 0:17:06 | |
Now, in France, they call this the "nail sortie le face". | 0:17:06 | 0:17:09 | |
So I'm just going to use some purchase. | 0:17:09 | 0:17:11 | |
I'm going to get the claw section of the hammer and just get this like this. Agh! Agh! | 0:17:11 | 0:17:18 | |
I should mention my parents are cousins. Is that weird? Agh! | 0:17:18 | 0:17:22 | |
There it is. Nail out of the face. Come on! | 0:17:22 | 0:17:25 | |
You guys are awesome. Have a great fringe festival. | 0:17:25 | 0:17:29 | |
I'm Pete Firman, good night! | 0:17:29 | 0:17:31 | |
Mr Pete Firman there! | 0:17:35 | 0:17:37 | |
Looked like it stung. | 0:17:39 | 0:17:41 | |
-Ladies and gentlemen, shall we welcome another act to the stage? -Yeah! -I think so. | 0:17:41 | 0:17:46 | |
Let's hear a round of applause, please. | 0:17:46 | 0:17:49 | |
And let's welcome all the way from Canada, Phil Nichol! | 0:17:49 | 0:17:52 | |
-Hello. Hello, Scotland! -Hello! | 0:17:55 | 0:18:00 | |
Oh, are you proud to be Scottish? | 0:18:00 | 0:18:03 | |
-Yes! -Are you proud to be Scottish? -Yeah! -Just the women there. | 0:18:03 | 0:18:07 | |
I'm Scottish. I know I sound Canadian, but I was born in Scotland. | 0:18:07 | 0:18:13 | |
I was born in a lovely little village called Cumbernauld. Yeah. | 0:18:13 | 0:18:16 | |
-What's it called? -Cumbernauld! | 0:18:16 | 0:18:18 | |
Look at the confused English people, "How did they know that?" | 0:18:18 | 0:18:22 | |
I moved to Canada when I was about four and a half years old, and I took my parents with me. They begged. | 0:18:22 | 0:18:28 | |
"Please don't leave us here, Phil, please!" | 0:18:28 | 0:18:31 | |
I was lucky to grow up in Canada, because had I grown up in Cumbernauld, | 0:18:31 | 0:18:34 | |
I'd be a very different comedian. I'd be a skinny wee bastard, by the way. | 0:18:34 | 0:18:38 | |
"Better laugh or I'll stab you in the eye, you numpty, eh?" | 0:18:38 | 0:18:43 | |
I live in London now. Yes, that's right. | 0:18:45 | 0:18:48 | |
I live in Tottenham, so I'm very pleased to be here. | 0:18:48 | 0:18:52 | |
Thank you very much. Actually, I live in Crouch End on the Broadway Parade. | 0:18:52 | 0:18:56 | |
My two favourite words, aaah! | 0:18:56 | 0:18:58 | |
Broadway? Parade? Never mind. | 0:18:58 | 0:19:00 | |
I'm really good at that, aren't I? OH! OOH! | 0:19:00 | 0:19:03 | |
I'm always going for castings. | 0:19:03 | 0:19:05 | |
I'm always being cast as a really loud American guy | 0:19:05 | 0:19:07 | |
or an extraordinarily gay man and I'm starting to think, | 0:19:07 | 0:19:10 | |
"Is it me? Is it me? Hello?" | 0:19:10 | 0:19:14 | |
# There's a place for us...# | 0:19:14 | 0:19:16 | |
Prison. | 0:19:18 | 0:19:19 | |
No, it's a joke. | 0:19:19 | 0:19:21 | |
That's what I love about the Brits. You laugh at each other. It's fantastic. | 0:19:21 | 0:19:24 | |
Moving to London, it's a very aggressive place but people don't actually complain to each other. | 0:19:24 | 0:19:29 | |
They get annoyed but keep it inside. You see a friend, "How are you?" | 0:19:29 | 0:19:32 | |
They go, "I'M FINE, I'M FINE! HOW ARE YOU?" | 0:19:32 | 0:19:36 | |
I find it happening to myself. | 0:19:36 | 0:19:37 | |
Recently I was caught behind these dawdling old-aged pensioners | 0:19:37 | 0:19:41 | |
and I was behind them going, "COME ON! COME ON!" | 0:19:41 | 0:19:44 | |
I thought to myself, "Surely people with the least time left should be moving the quickest?" | 0:19:44 | 0:19:49 | |
Know what I mean? | 0:19:49 | 0:19:50 | |
If they knew anything about Einstein's theory of relativity, | 0:19:50 | 0:19:54 | |
they'd know the closer you get to light speed, time slows down. | 0:19:54 | 0:19:57 | |
So stop complaining about how old you are and speed the frig up! | 0:19:57 | 0:20:01 | |
Yeah, sure, you're 95. | 0:20:01 | 0:20:02 | |
We'll get you down to 74 if you move quick enough, Grandma. | 0:20:02 | 0:20:05 | |
I blame the Queen. I blame her cos when you turn 100 in this country, | 0:20:05 | 0:20:09 | |
you get a little card saying, "Congratulations!" | 0:20:09 | 0:20:11 | |
That's the wrong approach. You should get a rocket backpack and some roller blades. "COME ON! SPEED UP!" | 0:20:11 | 0:20:17 | |
I do find myself getting annoyed in London. | 0:20:19 | 0:20:21 | |
It's hard not to take on the tendencies of London. | 0:20:21 | 0:20:24 | |
I was on a bus recently and it was full of people, | 0:20:24 | 0:20:26 | |
and there was a couple sitting here and they got up and left | 0:20:26 | 0:20:29 | |
and the guy sitting next to me got up and moved to that chair, | 0:20:29 | 0:20:32 | |
without leaving a note, without explaining why. | 0:20:32 | 0:20:34 | |
We could have made this work. We could have gone for counselling! | 0:20:34 | 0:20:38 | |
Know what I did? | 0:20:38 | 0:20:39 | |
I got up, moved and sat beside him. That's what I did. | 0:20:39 | 0:20:43 | |
See how he likes it. Oh, yeah. | 0:20:43 | 0:20:45 | |
But I didn't say anything cos I'm British | 0:20:45 | 0:20:48 | |
and I wouldn't want to be rude. | 0:20:48 | 0:20:50 | |
I flew up here. It was great. I love coming to Edinburgh. | 0:20:52 | 0:20:55 | |
When you've been on a plane, this is amazing, | 0:20:55 | 0:20:57 | |
when you leave the plane the stewardesses are so nice, | 0:20:57 | 0:21:00 | |
like, "Bye-bye, see you later. Bye, goodbye, see you later. | 0:21:00 | 0:21:02 | |
"Thank you so much. Bye, bye, see you later. | 0:21:02 | 0:21:05 | |
"Thank you so much. Bye, bye. Bye, bye, see you later. Oh, bye, bye. | 0:21:05 | 0:21:08 | |
"Bye now. Bye, bye, bye, bye. See you. See you later. Bye. Bye, bye. | 0:21:08 | 0:21:11 | |
"See you later. Bye, bye. Oh, bye, bye. See you later. | 0:21:11 | 0:21:15 | |
"Have a great day. Bye, bye. See you later. Bye, bye. Bye, bye. | 0:21:15 | 0:21:18 | |
"See you later." | 0:21:18 | 0:21:20 | |
I don't think they mean it. | 0:21:20 | 0:21:22 | |
You've been great. I'm Phil Nichol. | 0:21:22 | 0:21:24 | |
Thank you very much and enjoy your evening. | 0:21:24 | 0:21:26 | |
CHEERING AND APPLAUSE | 0:21:26 | 0:21:28 | |
Ladies and gentlemen, Phil Nichol. | 0:21:31 | 0:21:33 | |
CHEERING AND APPLAUSE | 0:21:33 | 0:21:36 | |
Time now for our next act. Please welcome to the stage Terry Alderton. | 0:21:38 | 0:21:44 | |
CHEERING AND APPLAUSE | 0:21:44 | 0:21:46 | |
-Hi. -ALL: -Hi. | 0:21:52 | 0:21:53 | |
People say to me, "What do you do in your spare time in Edinburgh?" | 0:21:55 | 0:21:58 | |
I say, "Of course, I go into hairdressers and say, | 0:21:58 | 0:22:01 | |
'What can you do with this?' " | 0:22:01 | 0:22:03 | |
And also, ladies and gentlemen, I love a live auction. | 0:22:04 | 0:22:07 | |
A livestock auction is one of my favourite things. | 0:22:07 | 0:22:10 | |
So I can watch the auctioneer and imagine a bit of drum and bass behind him. | 0:22:10 | 0:22:13 | |
HE IMITATES THE SPEECH OF AN AUCTIONEER | 0:22:13 | 0:22:17 | |
Sold lot 37. Right. | 0:22:26 | 0:22:27 | |
APPLAUSE | 0:22:29 | 0:22:31 | |
I can imagine boys at the back of the auction going, "Yeah, that is a bad sheep, though, innit? | 0:22:31 | 0:22:36 | |
"Check that out." | 0:22:36 | 0:22:38 | |
Recently, ladies and gentlemen, recently I... | 0:22:43 | 0:22:47 | |
HE MAKES A HISSING SOUND | 0:22:47 | 0:22:50 | |
APPLAUSE | 0:23:30 | 0:23:33 | |
..let myself down. | 0:23:39 | 0:23:41 | |
Ladies and gentlemen, behold the shoes. | 0:23:43 | 0:23:46 | |
CHEERS AND WHISTLES | 0:23:47 | 0:23:49 | |
AUDIENCE MEMBER WOLF WHISTLES | 0:23:51 | 0:23:53 | |
"Got wolf whistled." | 0:23:54 | 0:23:56 | |
"Just been heckled as well." | 0:23:56 | 0:23:58 | |
"What's wrong with you, eh? | 0:24:08 | 0:24:10 | |
"I said, what's wrong with you?" | 0:24:12 | 0:24:13 | |
"I'm sick and tired of being the left foot. All I do is prop you up all the time. | 0:24:13 | 0:24:17 | |
"If someone's a bad dancer they've got two of me haven't they, eh? | 0:24:21 | 0:24:24 | |
"You've got a film named after you." | 0:24:26 | 0:24:28 | |
"Where do you think this ad lib's going to go?" | 0:24:32 | 0:24:34 | |
"I don't know. | 0:24:34 | 0:24:36 | |
"I know one thing, he's trying to hold in his stomach." | 0:24:36 | 0:24:39 | |
APPLAUSE | 0:24:41 | 0:24:44 | |
"There's only one way off the stage. You know that, don't you?" | 0:24:44 | 0:24:47 | |
"He's going to have roll off." | 0:24:47 | 0:24:49 | |
"Well, ladies and gentlemen, on behalf of Terry Alderton... | 0:24:53 | 0:24:55 | |
"..we're pleased to be a part of this. | 0:24:55 | 0:24:58 | |
"So thank you very much for having us on." | 0:24:58 | 0:25:00 | |
"We wish you a very good night." | 0:25:00 | 0:25:02 | |
APPLAUSE | 0:25:02 | 0:25:05 | |
Ladies and gentlemen... | 0:25:14 | 0:25:17 | |
Terry Alderton. | 0:25:17 | 0:25:18 | |
OK, put your hands together, welcome Charlie Baker. | 0:25:22 | 0:25:26 | |
CHEERING AND APPLAUSE | 0:25:28 | 0:25:31 | |
Hello, everyone! All right? | 0:25:31 | 0:25:33 | |
-Having a nice time? -AUDIENCE: -Yeah! | 0:25:33 | 0:25:37 | |
Hello, I'm Charlie Baker. I'm waiting for Jack Black to die. | 0:25:37 | 0:25:41 | |
"He looks like him don't he?" "He looks like him." | 0:25:46 | 0:25:49 | |
"Thinking he looks like someone then he said Jack Black | 0:25:49 | 0:25:52 | |
"and I thought that's it, that's who he looks like." | 0:25:52 | 0:25:55 | |
It's lovely to be here in Scotland. I love being in Scotland. | 0:25:55 | 0:25:58 | |
I love the festival times when all the festivals are on. | 0:25:58 | 0:26:01 | |
Not just the comedy one. I love the jazz festival. I love jazz. | 0:26:01 | 0:26:04 | |
I do a bit of jazz myself. But what I hate about the jazz is this. | 0:26:04 | 0:26:07 | |
They'll be playing their dah, dah, buh, buh, buh. | 0:26:07 | 0:26:11 | |
IMITATES A SAX PLAYER | 0:26:11 | 0:26:14 | |
And they'll go, "On the saxophone, Jonnie Jones." Right? | 0:26:14 | 0:26:18 | |
-And Jonnie will stand there and get a round of applause... -APPLAUSE | 0:26:18 | 0:26:22 | |
Points to the microphone like he's done it himself. You know. | 0:26:23 | 0:26:27 | |
And then the next song they'll be there you know, but, but, vabe, vabe, vd, vd, vd. | 0:26:27 | 0:26:33 | |
"On the saxophone, Jonnie Jones." We know! We know that's Jonnie. | 0:26:33 | 0:26:37 | |
We're fully aware that's Jonnie Jones. | 0:26:37 | 0:26:40 | |
You just said that two minutes ago. But also he's only at work. | 0:26:40 | 0:26:43 | |
The man is only at work. Why should we give him a round of applause? | 0:26:43 | 0:26:47 | |
No-one else gets a round of applause just for going to work. | 0:26:47 | 0:26:50 | |
You don't get, brr, brr, brr, brr. Hello, Johnson and Johnson. | 0:26:50 | 0:26:55 | |
Mr Johnson? I'll just put you through. On reception, Sarah Todd. | 0:26:55 | 0:26:58 | |
There she is! | 0:26:58 | 0:27:00 | |
I love the theatre festival, because I love theatre. | 0:27:02 | 0:27:05 | |
My favourite sort of theatre is amateur dramatics. | 0:27:05 | 0:27:08 | |
-The old amateur dramatics. Any am drams in? -Yeah! | 0:27:08 | 0:27:11 | |
Just you, well done. | 0:27:11 | 0:27:13 | |
And this is what I love, if you want to get into show business join your local am dram, right? | 0:27:13 | 0:27:18 | |
But turn up and tell them you're a professional dancer. | 0:27:18 | 0:27:21 | |
Turn up and say, "I'm a professional dancer, yeah, professional dancer." | 0:27:21 | 0:27:25 | |
Cos, right, you won't have to stand at the back for 20 years | 0:27:25 | 0:27:28 | |
but also they might let you choreograph the show. | 0:27:28 | 0:27:30 | |
They might let you do the moves for the show. | 0:27:30 | 0:27:33 | |
And all you need to know to do the moves for an amateur dramatic show | 0:27:33 | 0:27:37 | |
is three moves. All you've got to know is three moves. | 0:27:37 | 0:27:40 | |
And I'll teach you those three moves here, now, tonight. | 0:27:40 | 0:27:42 | |
Woo! | 0:27:42 | 0:27:44 | |
Here's the first move you require. Here it is, the side sway. | 0:27:44 | 0:27:48 | |
Here's the next one. A little bit more difficult. Here it comes. | 0:27:54 | 0:27:57 | |
The box step. | 0:27:57 | 0:27:58 | |
And the third one, my own personal favourite. Here it is - | 0:28:04 | 0:28:07 | |
the knee bounce. | 0:28:07 | 0:28:09 | |
You see? | 0:28:12 | 0:28:14 | |
Now the reason they use these moves they work for any show tune, | 0:28:14 | 0:28:17 | |
any show tune at all. What about Luck Be A Lady? All right a bit of Guys And Dolls. Here we go. | 0:28:17 | 0:28:21 | |
# Luck be a lady tonight | 0:28:21 | 0:28:24 | |
# Luck be a lady tonight | 0:28:24 | 0:28:27 | |
# Luck if you've ever been a lady to begin with | 0:28:27 | 0:28:30 | |
# Luck be a lady tonight. # | 0:28:30 | 0:28:32 | |
See? Anything. Anything! | 0:28:32 | 0:28:34 | |
Oklahoma. Here we go. Here we go. | 0:28:36 | 0:28:38 | |
# Oh, what a beautiful morning | 0:28:38 | 0:28:41 | |
# Oh, what a beautiful day | 0:28:41 | 0:28:44 | |
# I've got a beautiful feeling | 0:28:44 | 0:28:47 | |
# Everything's going my way. # | 0:28:47 | 0:28:49 | |
Lovely, isn't it? | 0:28:49 | 0:28:50 | |
If they try them with anything but show tunes, it doesn't work. | 0:28:50 | 0:28:53 | |
# Bass how low can you go? | 0:28:53 | 0:28:55 | |
# Death row, what a brother knows | 0:28:55 | 0:28:57 | |
# Once again, black is the incredible | 0:28:57 | 0:28:59 | |
# The rhyme animal, the incredible. # | 0:28:59 | 0:29:01 | |
It doesn't work. | 0:29:01 | 0:29:02 | |
# If you like to gamble I'll tell you I'm your man | 0:29:02 | 0:29:04 | |
# You win some, lose some | 0:29:04 | 0:29:06 | |
# All the same to me | 0:29:06 | 0:29:07 | |
# The ace of spades... # | 0:29:07 | 0:29:08 | |
It doesn't work, ladies and gentlemen. It doesn't work. | 0:29:08 | 0:29:11 | |
Thank you very much. I'm Charlie Baker. Good night. | 0:29:11 | 0:29:14 | |
CHEERING AND APPLAUSE | 0:29:14 | 0:29:16 | |
Charlie Baker! | 0:29:18 | 0:29:20 | |
That was good, wasn't it? | 0:29:20 | 0:29:22 | |
It was all right. | 0:29:22 | 0:29:24 | |
OK. | 0:29:25 | 0:29:27 | |
Next up on tonight's amazing show, | 0:29:27 | 0:29:29 | |
please welcome the fantastic Mr Dave Fulton! | 0:29:29 | 0:29:32 | |
CHEERING AND APPLAUSE | 0:29:32 | 0:29:35 | |
I'm from America, a little place called Idaho, | 0:29:40 | 0:29:43 | |
which doesn't sound like a real place. | 0:29:43 | 0:29:45 | |
It's like a woman introducing herself as a prostitute. | 0:29:45 | 0:29:47 | |
"Who are you?" "I-da-ho." | 0:29:49 | 0:29:52 | |
I like to ride motorcycles on your island here. | 0:29:53 | 0:29:56 | |
I appreciate it very much. I get hassled a lot. | 0:29:56 | 0:29:59 | |
I've this big bike I built, hardtail, American V-Twin engine. | 0:29:59 | 0:30:02 | |
I was riding into London one day, a sunny day, | 0:30:02 | 0:30:04 | |
come across Westminster Bridge in the shadow of Big Ben. | 0:30:04 | 0:30:07 | |
I'm digging it cos I'm a Yankee boy from Idaho in London on a bike. | 0:30:07 | 0:30:11 | |
I make the right onto Embankment, and suddenly there's Met Police everywhere. | 0:30:11 | 0:30:15 | |
Cops everywhere, stopping people. | 0:30:15 | 0:30:16 | |
As an American, I can't take your Police seriously, | 0:30:16 | 0:30:19 | |
cos you don't have any guns. | 0:30:19 | 0:30:22 | |
I get closer and two men cops jump out in front of me like, "You, to the side." | 0:30:22 | 0:30:26 | |
"All right, I'm a guest." I pull over. Shut the bike down. Take my helmet off. | 0:30:26 | 0:30:29 | |
Biggest cop walks up to me and the first thing he says to me, | 0:30:29 | 0:30:32 | |
"We are detaining you under the UK Terrorist Act." | 0:30:32 | 0:30:35 | |
And I'm thinking, "Wow, this beard's coming a lot then I thought it was." | 0:30:35 | 0:30:39 | |
I said, "How can I be a threat to your country? I'm American! | 0:30:39 | 0:30:42 | |
"How is this bike a threat to your country? | 0:30:42 | 0:30:44 | |
"Unless it's so loud it's disturbing an MP behind me in his office | 0:30:44 | 0:30:47 | |
"as he's trying to cook the books and keep his white ass out of jail." | 0:30:47 | 0:30:52 | |
He said, "No, sir, the problem is your registration plate. | 0:30:56 | 0:30:59 | |
Cos I had a licence plate on there from Idaho. | 0:30:59 | 0:31:01 | |
I went, "What's the problem with that?" | 0:31:01 | 0:31:03 | |
He goes, "Across the river we have a secret camera and we couldn't read the plate." | 0:31:03 | 0:31:07 | |
I went, "Oh, secret camera?" He goes, "Yes." | 0:31:07 | 0:31:09 | |
As a JOKE, I said, "Where's your secret camera?" | 0:31:09 | 0:31:11 | |
And I swear to God, he goes, "You see that tree right across the river? | 0:31:11 | 0:31:16 | |
"It's mounted on a pole next to it." | 0:31:16 | 0:31:18 | |
I'm like, "Good luck with the war on terror, my friend." | 0:31:18 | 0:31:22 | |
Anywhere else in the world would let you go. "Have a nice day. | 0:31:22 | 0:31:25 | |
"You don't fit the profile." | 0:31:25 | 0:31:26 | |
No, only in Britain - cos you love paperwork - | 0:31:26 | 0:31:28 | |
he wrote me a receipt for not being a terrorist. | 0:31:28 | 0:31:31 | |
because I bring it with me wherever I go in case I'm pulled over. | 0:31:31 | 0:31:35 | |
I can go, "I have my receipt. I'm not a terrorist." | 0:31:35 | 0:31:38 | |
I look at it. I go, "What do I do? Is there a fine, do I go to court?" | 0:31:38 | 0:31:41 | |
He goes, "No, look at the outcome code - you'll see what to do. | 0:31:41 | 0:31:44 | |
I'm go, "What outcome code?" | 0:31:44 | 0:31:45 | |
Then he gives me a second sheet of paper that has all these codes and numbers and letters on it. | 0:31:45 | 0:31:50 | |
I'm like, "All right, fine. Look it up. And I go, "Yeah, outcome code number one... | 0:31:50 | 0:31:54 | |
Look on here, outcome code number one. | 0:31:54 | 0:31:56 | |
And it reads, "No further action." | 0:31:56 | 0:31:57 | |
You couldn't just tell me that?! | 0:31:57 | 0:32:01 | |
Are you so busy? | 0:32:01 | 0:32:02 | |
And then I look at the other outcomes. | 0:32:02 | 0:32:04 | |
I see the next one is "Advised". I can always like advice. | 0:32:04 | 0:32:07 | |
That's fine an outcome. Yeah, fair enough. | 0:32:07 | 0:32:09 | |
Third one - verbal warning, | 0:32:09 | 0:32:11 | |
which probably involved a bit of this - "I mean it." | 0:32:11 | 0:32:14 | |
I'm sure that really intimidated the rioters. | 0:32:14 | 0:32:16 | |
"Hey stop it. I mean it". The fourth one says "Arrested". | 0:32:16 | 0:32:21 | |
Like you'd have to put that down as an outcome. | 0:32:21 | 0:32:23 | |
"Why am I being handcuffed? What's going on?" | 0:32:23 | 0:32:25 | |
"If you read up your outcome code..." "OK. I'm being arrested. Thank you." | 0:32:25 | 0:32:29 | |
He's writing this up, I'm standing there, they're pulling loads of people over. | 0:32:30 | 0:32:34 | |
A woman cop walks up and she goes, "Is this your motorbike?" | 0:32:34 | 0:32:38 | |
Don't call motorcycles "motorbikes", | 0:32:38 | 0:32:40 | |
cos it sounds like there's a bell and I've got a paper route. | 0:32:40 | 0:32:43 | |
I go, "Yeah, that's my motorcycle." | 0:32:43 | 0:32:45 | |
"It shouldn't be on the road." "What are you talking about? "Look. | 0:32:45 | 0:32:48 | |
"Registration plate is on the axle. It should be on the rear mudguard. | 0:32:48 | 0:32:51 | |
"There's no indicators on the back or front, there's no suspension and these pipes are too loud." | 0:32:51 | 0:32:56 | |
She looks at me goes, "This bike shouldn't be on the road. What do you have to say?" | 0:32:56 | 0:33:00 | |
Now, I'm a comedian. | 0:33:00 | 0:33:01 | |
And that sounded like I was being heckled and a comic's job | 0:33:03 | 0:33:06 | |
when they're being heckled is to come back as quickly, no matter the outcome. | 0:33:06 | 0:33:10 | |
Just get that phrase out there and just get the upper hand. And before I could think, I looked at her | 0:33:10 | 0:33:14 | |
and I went, "You're a woman and I don't think you should be a cop. What do you think of that?" | 0:33:14 | 0:33:19 | |
As soon as I said that, a little voice in my head went, "Oh, crap." | 0:33:21 | 0:33:24 | |
If I was in, America they just would have pulled the guns out and shot me | 0:33:24 | 0:33:29 | |
repeatedly and then went, "Stop or I'll shoot." Bang, bang. | 0:33:29 | 0:33:32 | |
But I'm in Britain and the time stood still. Everybody went, "Huh!" | 0:33:32 | 0:33:35 | |
Even guys getting arrested for terrorism, | 0:33:35 | 0:33:38 | |
being handcuffed into vans are looking at me going, "I'm sure glad I'm not that guy." | 0:33:38 | 0:33:42 | |
Before I could say anything like, "I'm just messing around. I'm an idiot, you know? | 0:33:42 | 0:33:47 | |
"I don't mean that. I was making anything up." | 0:33:47 | 0:33:49 | |
The guy writing the receipt next to me, I don't see him, I just hear this... | 0:33:49 | 0:33:52 | |
"Pfff." | 0:33:52 | 0:33:54 | |
I turn to look at him to go, "Are we cool?" He won't even look at me. | 0:33:55 | 0:33:59 | |
He was like, "Oh, mate, you got her good there." | 0:33:59 | 0:34:01 | |
And I was like, "Hey I'm just messing around, man. I'm an idiot." | 0:34:01 | 0:34:04 | |
Then I hear this, "Mate!" | 0:34:04 | 0:34:06 | |
I turn to see these big Met cops coming at me. | 0:34:06 | 0:34:08 | |
They start high-fiving me in the road. | 0:34:08 | 0:34:10 | |
They go, "That's hilarious." | 0:34:10 | 0:34:12 | |
She's going, "Stop!" They're like, "Susan, that was funny. Let it go." | 0:34:12 | 0:34:16 | |
He gives me my receipt and goes, "You better go." I go, "You think?!" | 0:34:16 | 0:34:20 | |
I get on the back, fire it up, I go down the road. | 0:34:20 | 0:34:22 | |
The last thing I see in the mirror as I pull away | 0:34:22 | 0:34:24 | |
is this woman still pointing at me, really angry, talking to the two big guys I high-fived. | 0:34:24 | 0:34:29 | |
They're trying to keep a straight face. | 0:34:29 | 0:34:31 | |
Because the guy who wrote me the receipt is standing behind her doing this, "Nah nah nah!" | 0:34:31 | 0:34:36 | |
And that's why I like living here. Enjoy the rest of your night, people. Thank you. | 0:34:36 | 0:34:40 | |
CHEERING AND APPLAUSE | 0:34:40 | 0:34:42 | |
Oh, there we go! | 0:34:42 | 0:34:45 | |
That was Dave Fulton, ladies and gentlemen. | 0:34:46 | 0:34:49 | |
All right, let's keep the love in the room | 0:34:49 | 0:34:52 | |
and welcome the next act, it's Miss Holly Walsh! | 0:34:52 | 0:34:55 | |
CHEERING AND APPLAUSE | 0:34:55 | 0:34:58 | |
Hi! | 0:34:58 | 0:34:59 | |
Hello! | 0:35:01 | 0:35:03 | |
Wow, I am so pleased to be at the Edinburgh Festival. | 0:35:03 | 0:35:06 | |
I've had a pretty eventful year. I can tell you this. | 0:35:06 | 0:35:09 | |
I bought a flat. It's good news. | 0:35:09 | 0:35:12 | |
I live in one of those areas that's sort of, like, | 0:35:12 | 0:35:15 | |
quite posh in some bits and quite scuzzy the next street. | 0:35:15 | 0:35:18 | |
I think a lot of Britain's like this. Quite integrated. | 0:35:18 | 0:35:21 | |
It's the sort of place where if you see a white tent by the road, | 0:35:21 | 0:35:24 | |
you're not quite sure if it's a crime scene or a farmer's market. | 0:35:24 | 0:35:28 | |
But I bought this flat. | 0:35:29 | 0:35:31 | |
And my estate agent used the best sales technique anyone has ever used on me. | 0:35:31 | 0:35:36 | |
We went round loads of different properties. Some nice, some not so nice. | 0:35:36 | 0:35:40 | |
We went to this one place. It absolutely stunk of piss. | 0:35:40 | 0:35:44 | |
And there was an iron mark in the middle of the carpet. | 0:35:44 | 0:35:47 | |
And I turned to my estate agent and I said, "Wow, this place is a shithole." | 0:35:47 | 0:35:53 | |
And without missing a beat, he said, | 0:35:53 | 0:35:55 | |
"Yeah, but it could be YOUR shithole." | 0:35:55 | 0:35:57 | |
And I bought it. | 0:35:59 | 0:36:00 | |
I love it how people have an amazing attitude to life where I live. | 0:36:01 | 0:36:05 | |
I was on the bus the other day, this really old woman got on. | 0:36:05 | 0:36:08 | |
It was completely packed. | 0:36:08 | 0:36:10 | |
And she went straight up to this guy who was sitting down and said, "How old are you?" | 0:36:10 | 0:36:14 | |
And this guy was like, "Er...37." | 0:36:14 | 0:36:16 | |
She said, "I'm 84. Get up." | 0:36:16 | 0:36:19 | |
I was like, "Holy shit! she just invented human top trumps!" | 0:36:20 | 0:36:25 | |
He should have played about with a trump he knew he could win. | 0:36:28 | 0:36:31 | |
Something like, "Yeah, grandma how many of your close friends are still alive? | 0:36:31 | 0:36:35 | |
"This seat's mine." | 0:36:36 | 0:36:38 | |
So I've had an eventful year. As I said, I bought my flat. I broke my arm. I smashed my arm to bits. | 0:36:38 | 0:36:44 | |
I've got a metal elbow. Check that out. Look at that. | 0:36:44 | 0:36:47 | |
Come on, come closer. Come closer. Look at that. Look at that. | 0:36:47 | 0:36:52 | |
Touch it. Go on. Touch it. Lick it. | 0:36:52 | 0:36:54 | |
It squeaks! | 0:36:56 | 0:36:57 | |
I broke my arm and I couldn't do loads of stuff | 0:37:00 | 0:37:04 | |
cos I only had one arm for six weeks. | 0:37:04 | 0:37:06 | |
It turns out there's loads of stuff you rely on having two arms, obviously. | 0:37:06 | 0:37:10 | |
My brother used to come round and check on me every day | 0:37:10 | 0:37:12 | |
to see if I was OK when I was recovering. | 0:37:12 | 0:37:14 | |
One day he came round and said, "Is there anything I can do for you?" | 0:37:14 | 0:37:17 | |
I went, "Yeah, this is a bit embarrassing, | 0:37:17 | 0:37:20 | |
"but I'm finding it really hard to tear off loo roll." | 0:37:20 | 0:37:23 | |
It's really difficult to tear off loo roll with one arm. | 0:37:23 | 0:37:26 | |
Because you don't realise it but you use that arm to lock, | 0:37:26 | 0:37:28 | |
otherwise you're just like "rrrrrrr". | 0:37:28 | 0:37:32 | |
Honestly, my bathroom floor was like an unravelled mummy. | 0:37:32 | 0:37:36 | |
I said to my brother, "Could you tear me off some loo roll? | 0:37:36 | 0:37:39 | |
"That'd be really helpful." My brother said, "Sure, no problem. | 0:37:39 | 0:37:43 | |
"How much do you need?" | 0:37:43 | 0:37:45 | |
And I suddenly panicked. | 0:37:45 | 0:37:47 | |
I realised, I've never spoken out loud with anyone else | 0:37:48 | 0:37:51 | |
about how much loo roll I use. | 0:37:51 | 0:37:54 | |
I'd bet my bottom dollar that no-one here has ever spoken to anyone else. | 0:37:54 | 0:37:58 | |
Like, I honestly don't know if what I do is normal. | 0:37:58 | 0:38:01 | |
It's not like on the side of loo rolls there are serving suggestions. | 0:38:01 | 0:38:05 | |
LAUGHTER | 0:38:05 | 0:38:07 | |
So, I didn't know what to do. I absolutely panicked. | 0:38:07 | 0:38:10 | |
And I thought, "I've got to stay calm." | 0:38:10 | 0:38:12 | |
So I turned to my brother and I said, "I don't know. Just... | 0:38:12 | 0:38:15 | |
"tear me off however much you think I need. | 0:38:15 | 0:38:19 | |
And I saw my brother go through exactly the same thought processes. | 0:38:19 | 0:38:24 | |
And we both stood there for what felt like ages, in complete silence. | 0:38:24 | 0:38:28 | |
My brother broke the silence, saying the only thing he could think of which was, | 0:38:28 | 0:38:33 | |
"Well, what have you eaten today?" | 0:38:33 | 0:38:35 | |
LAUGHTER | 0:38:36 | 0:38:38 | |
The next day he came back with a box of Kleenex | 0:38:38 | 0:38:41 | |
and we never spoke of it again. | 0:38:41 | 0:38:44 | |
Anyway, I've been Holly Walsh. Thank you so much. Goodnight. | 0:38:44 | 0:38:47 | |
CHEERING AND APPLAUSE | 0:38:47 | 0:38:50 | |
The fantastic Holly Walsh. | 0:38:50 | 0:38:53 | |
Let's keep that love in the room, let's keep that energy going. | 0:38:55 | 0:38:59 | |
Get the next act on stage. Please make some noise for the fantastic | 0:38:59 | 0:39:02 | |
Mr Mick Ferry. | 0:39:02 | 0:39:04 | |
CHEERING AND APPLAUSE | 0:39:04 | 0:39:07 | |
-Good evening. -Hello! | 0:39:12 | 0:39:14 | |
All right? Just got here. | 0:39:14 | 0:39:15 | |
Just got out the magistrates, this morning. | 0:39:15 | 0:39:18 | |
Yeah, window shopping's a crime now. | 0:39:18 | 0:39:21 | |
I've realised now I'm coming up here | 0:39:23 | 0:39:25 | |
because...it's a break from the family. Erm... | 0:39:25 | 0:39:29 | |
A month off, it's good actually. | 0:39:29 | 0:39:31 | |
I miss the missus. You know, I do. | 0:39:31 | 0:39:33 | |
I mean, I've been with her for like, 23 years now. Not married. | 0:39:33 | 0:39:36 | |
Being engaged 21. So, I'm a bit of a legend, boys. | 0:39:36 | 0:39:40 | |
I imagine we've got loads of couples in here, | 0:39:40 | 0:39:43 | |
and we live in, what we call a comfortable hatred. | 0:39:43 | 0:39:46 | |
It doesn't mean we don't love each other. | 0:39:47 | 0:39:50 | |
It just means we're comfortable with hurtful feelings for each other. | 0:39:50 | 0:39:54 | |
We realised years ago it's not all roses, is it? Sometimes you wake up | 0:39:54 | 0:39:57 | |
and there's things about your partner that annoy you. | 0:39:57 | 0:40:00 | |
Like their face. | 0:40:00 | 0:40:02 | |
You do. You wake up some mornings | 0:40:04 | 0:40:06 | |
and you look at that face that you've loved for years, | 0:40:06 | 0:40:09 | |
and some mornings you just think, "I'm going to put a brick in that." | 0:40:09 | 0:40:12 | |
LAUGHTER | 0:40:12 | 0:40:16 | |
Don't do that obviously, you know. | 0:40:16 | 0:40:18 | |
If you're doing that you need counselling. You've got problems. | 0:40:18 | 0:40:21 | |
We've been at a stage, for ages - I don't know if any other couples | 0:40:21 | 0:40:25 | |
can do this, but can you have a row without actually saying anything? | 0:40:25 | 0:40:29 | |
Yeah. You know what I mean. You go to bed angry. | 0:40:29 | 0:40:31 | |
You've had words, but you've not actually said anything. | 0:40:31 | 0:40:34 | |
You've had a row, but nothing's been said. | 0:40:34 | 0:40:37 | |
Normally, it's that corner of the eye argument. | 0:40:37 | 0:40:40 | |
When you're both watching TV. | 0:40:40 | 0:40:42 | |
One of you is sat on the sofa and one on a chair. And it's quiet. | 0:40:42 | 0:40:45 | |
And then all of a sudden, this'll start... | 0:40:45 | 0:40:48 | |
LAUGHTER | 0:40:50 | 0:40:52 | |
"What the bleeding hell is she looking at? | 0:40:53 | 0:40:57 | |
"I don't even watch CSI." | 0:40:57 | 0:40:58 | |
"Look at the fat git, just sat there. | 0:41:01 | 0:41:05 | |
"And got the face on him, look at him." | 0:41:05 | 0:41:07 | |
"I know what this is about. | 0:41:09 | 0:41:11 | |
"I've not moved that cup. | 0:41:11 | 0:41:13 | |
LAUGHTER | 0:41:13 | 0:41:15 | |
"I'm going to really piss her off in a minute. | 0:41:18 | 0:41:21 | |
"I'm going to put this empty crisp packet in it." | 0:41:21 | 0:41:24 | |
"If he puts that crisp packet in that bleeding cup..." | 0:41:29 | 0:41:33 | |
That's it. | 0:41:33 | 0:41:34 | |
You go to bed, you've had a row. Don't even know why. It's fantastic. | 0:41:34 | 0:41:38 | |
What gets easy though - long term relationship - | 0:41:38 | 0:41:40 | |
quickie sex gets easy, doesn't it? | 0:41:40 | 0:41:43 | |
At the start of a relationship, quickie sex is the bloke begging. | 0:41:43 | 0:41:46 | |
Let's be honest. That's all it is. | 0:41:46 | 0:41:48 | |
"Taxi will be here in 10 minutes, can we, can we? | 0:41:48 | 0:41:50 | |
"Just touch it, just touch it. Please?" | 0:41:50 | 0:41:53 | |
Well, when you've been with somebody for a while, | 0:41:54 | 0:41:57 | |
you don't even plan quickie sex. You just know it is. | 0:41:57 | 0:41:59 | |
It's not been said. | 0:41:59 | 0:42:01 | |
You've not said, "Let's have a quickie." | 0:42:01 | 0:42:03 | |
You've gone to bed at a reasonable hour, cos you both know | 0:42:03 | 0:42:05 | |
you've got an early start. This hasn't been spoken about. | 0:42:05 | 0:42:08 | |
You both know it's going to be a quickie. | 0:42:08 | 0:42:11 | |
The reason you know is because something universal happens. | 0:42:11 | 0:42:14 | |
One pyjama leg comes off and one boobie comes out. And that's it. | 0:42:14 | 0:42:18 | |
That's when every couple goes, "We know what's happening here. | 0:42:20 | 0:42:23 | |
"Let's get this shit over and done with." | 0:42:23 | 0:42:27 | |
Folks, you've been lovely as always. Love doing this gig. | 0:42:27 | 0:42:30 | |
I've been Mick Ferry. | 0:42:30 | 0:42:32 | |
CHEERING AND APPLAUSE | 0:42:32 | 0:42:37 | |
Ladies and gentlemen, Mick Ferry. | 0:42:37 | 0:42:40 | |
CHEERING | 0:42:40 | 0:42:42 | |
Keep the love in the room and make some noise for Imran Yusuf! | 0:42:42 | 0:42:47 | |
CHEERING AND APPLAUSE | 0:42:47 | 0:42:50 | |
-Good evening, Edinburgh. -Hello! | 0:42:55 | 0:42:57 | |
Fantastic to be back, guys. | 0:42:57 | 0:43:00 | |
-I've got something to share with you. I'm in love. -Woo! | 0:43:00 | 0:43:03 | |
Maybe just in a little bit of love. Perhaps just a little bit smitten. | 0:43:03 | 0:43:06 | |
But it's a bit of a challenge being a man in love, right? | 0:43:06 | 0:43:10 | |
There's dangers out there. You might get rejected. | 0:43:10 | 0:43:12 | |
Rejection hurts a man like you don't understand. | 0:43:12 | 0:43:15 | |
Because men, we are tough! Right? | 0:43:15 | 0:43:17 | |
We'll get in a fight, get punched in the face and take it, | 0:43:17 | 0:43:19 | |
because we are men. | 0:43:19 | 0:43:21 | |
We'll go out to war, lose a limb. | 0:43:21 | 0:43:23 | |
But we will take it because we are men. | 0:43:23 | 0:43:25 | |
But when a woman rejects a man, | 0:43:25 | 0:43:26 | |
you've no idea the pain that does to our soul. | 0:43:26 | 0:43:28 | |
I go home and I cry that one out. | 0:43:28 | 0:43:30 | |
You have no idea of that power of rejection, ladies. | 0:43:30 | 0:43:33 | |
You must be careful with the power of rejection, ladies. | 0:43:33 | 0:43:36 | |
You must remember, with great power comes great responsibility. | 0:43:36 | 0:43:39 | |
I've seen it in that film, Spiderman. | 0:43:41 | 0:43:43 | |
He's the only bloke who could get away, running around town | 0:43:43 | 0:43:46 | |
in red and blue spandex, shooting women in the face | 0:43:46 | 0:43:48 | |
with white sticky stuff from his hands, and they love it. | 0:43:48 | 0:43:53 | |
But when I did it...! | 0:43:54 | 0:43:56 | |
You must be careful with the power of rejection, ladies. | 0:43:58 | 0:44:01 | |
Guys, you've got to be ready. A woman will walk into your life | 0:44:01 | 0:44:04 | |
and your heart will skip a beat. | 0:44:04 | 0:44:06 | |
Time will stop and you will think, "Wow, this is the woman | 0:44:06 | 0:44:09 | |
"that I want to make the centre of my entire world." | 0:44:09 | 0:44:12 | |
You never know when she's going to turn up. You never know. | 0:44:12 | 0:44:15 | |
There's no early warning system. | 0:44:15 | 0:44:17 | |
Nobody text's you. Nobody's going to poke you on Facebook to tell you | 0:44:17 | 0:44:20 | |
that woman's about to walk into your life and change everything. | 0:44:20 | 0:44:24 | |
You've must be ready, guys. You just might be chilling out. | 0:44:24 | 0:44:27 | |
On holiday, in Thailand. You meet a Swedish girl and things go well. | 0:44:27 | 0:44:30 | |
You're having fun on the beach and you say to her, | 0:44:30 | 0:44:33 | |
"Look, I've got to go back to London. | 0:44:33 | 0:44:35 | |
"When you come over, give me a shout, I'll show you a good time. | 0:44:35 | 0:44:38 | |
You go back to London. | 0:44:38 | 0:44:39 | |
A few months later, she's in London, unexpectedly. | 0:44:39 | 0:44:42 | |
You've got to change your plans to entertain her. | 0:44:42 | 0:44:45 | |
You take her out to the Natural History Museum, | 0:44:45 | 0:44:47 | |
cos they've got a good dinosaur exhibition. | 0:44:47 | 0:44:50 | |
Not cos it was free. | 0:44:50 | 0:44:52 | |
Later that evening, you take her to a gig. | 0:44:54 | 0:44:56 | |
She doesn't know you're a stand-up comedian. | 0:44:56 | 0:44:58 | |
You get up on stage, she's totally surprised. | 0:44:58 | 0:45:00 | |
You have a fantastic gig. | 0:45:00 | 0:45:02 | |
She is totally surprised and impressed. | 0:45:02 | 0:45:04 | |
You spend the train journey home holding hands and whispering | 0:45:04 | 0:45:07 | |
sweet nothings into each other's ears as you snuggle up. | 0:45:07 | 0:45:10 | |
That night, you say, "Stay in London, I'll take care of you." | 0:45:10 | 0:45:13 | |
She can't stay, she has to go home to Sweden. | 0:45:13 | 0:45:15 | |
Hasn't seen her family in six months. You stay in touch via email. | 0:45:15 | 0:45:19 | |
But that's not enough, so you write her poetry, in Swedish. | 0:45:19 | 0:45:22 | |
D'you know how hard it is to write poetry, in Swedish?! | 0:45:22 | 0:45:25 | |
How the hell do you get those two dots above the letter O?! | 0:45:25 | 0:45:28 | |
There isn't a button on my British keyboard | 0:45:28 | 0:45:31 | |
for the two dots above the letter O. | 0:45:31 | 0:45:33 | |
Where will I get my two dots above the letter O from? | 0:45:33 | 0:45:36 | |
So, I've got cut and paste it off the internet. | 0:45:36 | 0:45:39 | |
I cut and paste it off the internet and I paste it into my email. | 0:45:39 | 0:45:43 | |
When you paste it into your email, it ruins the font formatting of the entire email. | 0:45:43 | 0:45:47 | |
Now half my email is in Arial, black 10. | 0:45:47 | 0:45:50 | |
The other half's in Times New Roman, size 12, in bright blue. | 0:45:50 | 0:45:52 | |
It ruins the entire gesture and is the reason she says, | 0:45:52 | 0:45:55 | |
"Sorry, I don't feel the same. Can we still be friends? | 0:45:55 | 0:45:58 | |
Sarah Larson, you broke my heart. Rejection is a BITCH! | 0:45:58 | 0:46:01 | |
LAUGHTER AND APPLAUSE | 0:46:01 | 0:46:03 | |
Sorry about that. | 0:46:08 | 0:46:10 | |
Had to get it off my chest. | 0:46:10 | 0:46:11 | |
But I can share with you, guys, five days ago, she sent me an email | 0:46:11 | 0:46:14 | |
and she says that she misses me. | 0:46:14 | 0:46:16 | |
So you've got to be careful with that power of rejection, ladies. | 0:46:16 | 0:46:20 | |
You must be careful with it. You must understand this. OK? | 0:46:20 | 0:46:23 | |
If you abuse the power of rejection, | 0:46:23 | 0:46:26 | |
if you overuse the power of rejection, ladies, | 0:46:26 | 0:46:29 | |
you are the guys who end up living in a house, all alone, full of cats. | 0:46:29 | 0:46:33 | |
And the moral of that story is, ladies, | 0:46:34 | 0:46:37 | |
what you deny us | 0:46:37 | 0:46:38 | |
is what you'll end up living with. | 0:46:38 | 0:46:40 | |
LAUGHTER AND APPLAUSE | 0:46:41 | 0:46:43 | |
IMRAN LAUGHS | 0:46:45 | 0:46:47 | |
Oh, yes, it's very vulgar, | 0:46:50 | 0:46:51 | |
oh, but it's very clever. | 0:46:51 | 0:46:53 | |
My name's Imran Yusuf. Peace out, God bless. | 0:46:53 | 0:46:56 | |
CHEERING AND APPLAUSE | 0:46:56 | 0:46:59 | |
Imran Yusuf, ladies and gentlemen. | 0:47:00 | 0:47:02 | |
All right. | 0:47:04 | 0:47:05 | |
Put your hands together and welcome the fantastic Des Bishop. | 0:47:05 | 0:47:10 | |
CHEERING AND APPLAUSE | 0:47:10 | 0:47:14 | |
Thank you, thank you. | 0:47:14 | 0:47:17 | |
Ah, this is the largest crowd I've ever played to in the UK. | 0:47:17 | 0:47:21 | |
Very exciting for me. | 0:47:21 | 0:47:22 | |
I'm an Irish American, by the way. | 0:47:22 | 0:47:24 | |
Originally from New York, but I live in Ireland now. | 0:47:24 | 0:47:27 | |
But I was always Irish, really. Raised in New York. | 0:47:27 | 0:47:30 | |
Raised by Irish people. | 0:47:30 | 0:47:32 | |
Raised in the proper Irish way, | 0:47:32 | 0:47:33 | |
in that I was raised by ferocious alcoholics. | 0:47:33 | 0:47:36 | |
People always laugh there, especially in Scotland. | 0:47:39 | 0:47:41 | |
In America if you said that, | 0:47:41 | 0:47:43 | |
people wouldn't laugh, cos it's not funny. | 0:47:43 | 0:47:45 | |
An American crowd would be like, "My God, that's terrible. Must have been so hard for you. | 0:47:45 | 0:47:49 | |
"I hope you went to Al-Anon cos that can be quite wounding." | 0:47:49 | 0:47:52 | |
I have an American accent, I don't have to put one on. | 0:47:52 | 0:47:55 | |
But the point is, Scottish crowds think it's hilarious | 0:47:55 | 0:47:58 | |
cos half the crowd are thinking, "Is there any other way to be raised? | 0:47:58 | 0:48:02 | |
"I thought that was part of it. | 0:48:02 | 0:48:04 | |
"Mostly, your parents come home angry and every now and then they're happy | 0:48:04 | 0:48:07 | |
"and you begin to associate affection with the smell of chips! I thought that was part of it?" | 0:48:07 | 0:48:13 | |
So at 14, my parents sent me to boarding school in Ireland, | 0:48:13 | 0:48:19 | |
which I guess is an odd thing. Not that easy. | 0:48:19 | 0:48:21 | |
I guess you would think | 0:48:21 | 0:48:23 | |
a boarding school in Ireland, a lot of dangerous things. | 0:48:23 | 0:48:26 | |
Most of you'll be thinking, it would be the priests. | 0:48:26 | 0:48:30 | |
But no, for me, it was the things I didn't know about Irish society. | 0:48:30 | 0:48:33 | |
I didn't even know what nettles were. | 0:48:33 | 0:48:36 | |
And I remember the day that I found out. | 0:48:37 | 0:48:40 | |
I was playing football...badly, | 0:48:42 | 0:48:43 | |
in the tennis court, as you do, | 0:48:43 | 0:48:46 | |
trying to impress the lads and the ball went into the weeds | 0:48:46 | 0:48:49 | |
and I was like, "Guys, I'll get the ball, I'll get the ball. | 0:48:49 | 0:48:52 | |
And I thrust my hand to dislodge the ball | 0:48:52 | 0:48:55 | |
and I felt the sensation I had never felt before in my life. | 0:48:55 | 0:48:59 | |
I remember thinking, "Oh, my God, I am being electrocuted!" | 0:48:59 | 0:49:04 | |
LAUGHTER | 0:49:04 | 0:49:07 | |
And all the lads were like, "What, what?!" | 0:49:07 | 0:49:09 | |
And I was like, "I don't know!" | 0:49:09 | 0:49:11 | |
So one of them came over and said, | 0:49:13 | 0:49:15 | |
"It's only nettles." | 0:49:15 | 0:49:16 | |
You have to realise. At that stage of my life, | 0:49:16 | 0:49:19 | |
somebody saying to me, "It's only nettles," | 0:49:19 | 0:49:22 | |
would be the same as turning to me today and saying, | 0:49:22 | 0:49:25 | |
"Hung, fung, pwas, and dung pwas." | 0:49:25 | 0:49:28 | |
I hadn't a clue what he was saying. I said, "What the hell are nettles?" | 0:49:28 | 0:49:31 | |
And he said, "Those things!" And I was like, "What do I do?" | 0:49:31 | 0:49:34 | |
And he said, "Move your hand!" | 0:49:34 | 0:49:36 | |
And just in conclusion, although it's a sombre thing to say. | 0:49:38 | 0:49:42 | |
I lost my dad to lung cancer. That's a sombre thing, | 0:49:42 | 0:49:45 | |
but that's OK. We all deal with these things in life. | 0:49:45 | 0:49:47 | |
But I will tell you, there is only one thing worse | 0:49:47 | 0:49:50 | |
than finding out that your father has lung cancer | 0:49:50 | 0:49:53 | |
and that's facing people | 0:49:53 | 0:49:54 | |
who know your dad has lung cancer, who want to tell you | 0:49:54 | 0:49:57 | |
about herbal remedies | 0:49:57 | 0:49:59 | |
and homeopathy and bio healing. | 0:49:59 | 0:50:01 | |
They are the most annoying people on the planet. | 0:50:01 | 0:50:04 | |
Especially when you tell them to feck off and they tell you to keep an open mind. | 0:50:04 | 0:50:08 | |
Like you're trying to kill your father. | 0:50:08 | 0:50:10 | |
Like my uncle Jack, | 0:50:12 | 0:50:13 | |
who couldn't stop telling me about the American Indian herb | 0:50:13 | 0:50:16 | |
that cured the woman down the road of cancer. | 0:50:16 | 0:50:18 | |
When I asked him which cancer, he didn't even know which one. | 0:50:18 | 0:50:21 | |
Which was funny, cos I've had testicular cancer, my mother had breast cancer | 0:50:21 | 0:50:25 | |
and now my father had small cell lung cancer, stage 4, | 0:50:25 | 0:50:28 | |
and a woman down the road has been miraculously cured of a cancer - | 0:50:28 | 0:50:31 | |
pick whichever you like - by the American Indian herb. | 0:50:31 | 0:50:34 | |
It is a miracle, Uncle Jack! | 0:50:34 | 0:50:36 | |
Is this the same American Indian that we took everything from? | 0:50:36 | 0:50:39 | |
Their land, their culture, their way of life. I'm pretty sure we didn't accidentally leave them | 0:50:39 | 0:50:44 | |
with the cure for cancer, Uncle Jack. | 0:50:44 | 0:50:46 | |
Think the profits are a little bit too high on that one, | 0:50:46 | 0:50:49 | |
for big pharmaceuticals to have left Pocahontas | 0:50:49 | 0:50:52 | |
with the cure for flipping cancer! | 0:50:52 | 0:50:54 | |
Thank you very much, ladies and gentlemen. I've been Des Bishop. | 0:50:54 | 0:50:58 | |
CHEERING AND APPLAUSE | 0:50:58 | 0:51:00 | |
Des Bishop. | 0:51:00 | 0:51:02 | |
CHEERING AND APPLAUSE | 0:51:02 | 0:51:04 | |
There we go. Let's keep that going and welcome Rich Hall! | 0:51:04 | 0:51:09 | |
CHEERING AND APPLAUSE | 0:51:09 | 0:51:12 | |
Yeah. Yeah. | 0:51:15 | 0:51:18 | |
Look at 'em. Look at 'em. | 0:51:18 | 0:51:20 | |
You cheap bastards, coming here and seeing five minutes of comedy. | 0:51:20 | 0:51:24 | |
Yeah. You in particular. | 0:51:24 | 0:51:25 | |
You're not going to commit to any of these hour shows, are you? | 0:51:25 | 0:51:28 | |
You going to see any of these people? No, you don't want that. | 0:51:28 | 0:51:32 | |
You want the quick five minutes. | 0:51:32 | 0:51:33 | |
You're like plucking through a box of sample chocolates, | 0:51:33 | 0:51:36 | |
taking the creamy nougats and leaving everything else. I'm looking at you, fella, | 0:51:36 | 0:51:41 | |
you look like a comedy Viking. Plunderer, traitor, | 0:51:41 | 0:51:43 | |
pillager, looter. | 0:51:43 | 0:51:46 | |
Who's been your favourite act, so far? | 0:51:46 | 0:51:48 | |
You. | 0:51:48 | 0:51:49 | |
Me. | 0:51:49 | 0:51:50 | |
Why, because I pointed to you? | 0:51:52 | 0:51:54 | |
I made you feel like a human. | 0:51:54 | 0:51:55 | |
None of these - they don't give a shit about you. | 0:51:55 | 0:51:58 | |
I care about you, my friend. | 0:51:58 | 0:52:00 | |
I want to take you home under my wing like a chicken. | 0:52:00 | 0:52:04 | |
I want to raise you, as my own. | 0:52:04 | 0:52:06 | |
Do you have a dad? | 0:52:07 | 0:52:08 | |
Can I be your dad? | 0:52:08 | 0:52:10 | |
This is coming off a little weird isn't it? What's your name? | 0:52:10 | 0:52:15 | |
Dave? | 0:52:15 | 0:52:17 | |
Can I call you Son? | 0:52:17 | 0:52:19 | |
OK, Son. Where are you from, Son? | 0:52:20 | 0:52:23 | |
-Where? -Edinburgh. | 0:52:23 | 0:52:26 | |
You've really gone out of your way for this show, haven't you? | 0:52:26 | 0:52:31 | |
I love Scotland, ladies and gentlemen. | 0:52:31 | 0:52:33 | |
Best sense of humour in the world. I will stand by that phrase. | 0:52:33 | 0:52:36 | |
I will stand by that statement. A lot of people, "The Irish have the best sense of humour." | 0:52:36 | 0:52:41 | |
Yeah, they have a good sense of humour. Scots are better. | 0:52:41 | 0:52:44 | |
Better sense of humour. Do you know why? | 0:52:44 | 0:52:47 | |
Because somebody can die in Scotland and it's funny. | 0:52:47 | 0:52:49 | |
Someone in Ireland dies, that's not funny. | 0:52:49 | 0:52:52 | |
And everyone in Ireland knows everyone else. | 0:52:52 | 0:52:54 | |
It's like one giant village. | 0:52:54 | 0:52:56 | |
I was doing a four city tour of Ireland. | 0:52:56 | 0:52:59 | |
That's right, there are four cities in Ireland. And I was touring them. | 0:52:59 | 0:53:02 | |
Big collections of fairy forts you might call them, but still they were cities. | 0:53:02 | 0:53:07 | |
I had the Irish Times on the train. | 0:53:07 | 0:53:10 | |
The biggest paper in the world. The size of a tarpaulin, friend. | 0:53:10 | 0:53:13 | |
Many people in Ireland live under it, it's that massive. | 0:53:13 | 0:53:16 | |
It's basically a roof with printing on it. | 0:53:16 | 0:53:18 | |
I have it stretched out across the entire train | 0:53:18 | 0:53:21 | |
reading the Irish Times, and this is the headline - Cork Man Drowns. | 0:53:21 | 0:53:25 | |
LAUGHTER | 0:53:25 | 0:53:27 | |
And that is why about 18 people in the front row | 0:53:27 | 0:53:30 | |
have the best sense of humour of anyone in Scotland, | 0:53:30 | 0:53:33 | |
cos they got that right away. | 0:53:33 | 0:53:34 | |
The rest of you, I'll just let it trickle back. | 0:53:34 | 0:53:38 | |
SHOUTS: Cork Man Drowns! | 0:53:38 | 0:53:40 | |
How is that physically possible? | 0:53:40 | 0:53:43 | |
The more it rains outside, the funnier that is. | 0:53:43 | 0:53:46 | |
You have to read the article. What if the guy's name is Bob? It was. | 0:53:48 | 0:53:51 | |
The guy's name was Bob. | 0:53:51 | 0:53:53 | |
Like a comedy, gift-handed to me on a platter. | 0:53:53 | 0:53:57 | |
You don't get these very often. | 0:53:57 | 0:53:59 | |
So, I go on stage in Limerick and I went on, showed the headlines, | 0:53:59 | 0:54:03 | |
Cork Man Drowns. HE LAUGHS | 0:54:03 | 0:54:07 | |
The crowd - "That's not funny. | 0:54:07 | 0:54:09 | |
"He's talking about Bob. | 0:54:09 | 0:54:12 | |
"Bob drowned yesterday. | 0:54:12 | 0:54:13 | |
"You sick bastard, what is wrong with you?" | 0:54:14 | 0:54:17 | |
See, there is a difference between the ability to laugh | 0:54:19 | 0:54:23 | |
and a sense of humour. | 0:54:23 | 0:54:24 | |
You understand? Scots have a sense of humour. | 0:54:24 | 0:54:26 | |
Americans have the ability to laugh. | 0:54:26 | 0:54:29 | |
Not really sure what they're laughing at. | 0:54:29 | 0:54:31 | |
Then you say the wrong thing and then they turn like, "Hey pal -" | 0:54:31 | 0:54:34 | |
"Whoa, whoa, what did he just say? Did you hear what he just said? | 0:54:34 | 0:54:37 | |
"You are treading on my beliefs, fella! | 0:54:37 | 0:54:39 | |
"You do not talk about a self-loading rifle." | 0:54:39 | 0:54:42 | |
"That's a belief?" "That's right, pal." | 0:54:42 | 0:54:45 | |
Americans don't have opinions, they have bumper stickers. Understand? | 0:54:45 | 0:54:48 | |
Once you've committed your bumper sticker there's no going back. | 0:54:48 | 0:54:51 | |
You've got a bumper sticker. What's the point? A waste of words. | 0:54:51 | 0:54:54 | |
"You want to think about things, pal? Look at the back of my truck. | 0:54:54 | 0:54:58 | |
"That'll sum up everything you need to know about me." | 0:54:58 | 0:55:01 | |
"What?" | 0:55:01 | 0:55:03 | |
And then you're walking around the car park, | 0:55:03 | 0:55:05 | |
"Don't even know what his car looks like. | 0:55:05 | 0:55:08 | |
"Here's a truck. Is this it? | 0:55:08 | 0:55:09 | |
"Jesus is my airbag. Yip." | 0:55:09 | 0:55:12 | |
LAUGHTER | 0:55:12 | 0:55:14 | |
"Jesus is your airbag?" "That's right pal. Any more questions?" | 0:55:14 | 0:55:17 | |
"No, that settles everything. | 0:55:17 | 0:55:20 | |
"Is Moses your meat thermometer? | 0:55:20 | 0:55:22 | |
"I don't know what you're talking about." | 0:55:22 | 0:55:24 | |
Americans celebrate everything on the back of their cars. | 0:55:24 | 0:55:27 | |
I've seen a bumper sticker, often it says, "I'm proud of my gay son." | 0:55:27 | 0:55:32 | |
Yeah, kind of raises more questions than it answers doesn't it? | 0:55:32 | 0:55:36 | |
"Why, did he win a contest? I don't understand why..." | 0:55:36 | 0:55:39 | |
Obviously, if you're gay, be proud of it. Tell the world. | 0:55:39 | 0:55:42 | |
But when your dad is driving around going, "I'm proud of my gay son," | 0:55:42 | 0:55:45 | |
It sounds like he's taking credit for the whole thing. | 0:55:45 | 0:55:49 | |
"Taught that son of a bitch everything he knows about being gay. | 0:55:49 | 0:55:52 | |
"Yes, siree, couldn't afford piano lessons. | 0:55:52 | 0:55:54 | |
"I said, son, "You'll be good at something. You'll be good at being gay. | 0:55:54 | 0:55:58 | |
"He took to it like a duck to water." | 0:55:58 | 0:56:01 | |
Duck, of course, being my son and water being cock. | 0:56:01 | 0:56:05 | |
Thank you. | 0:56:07 | 0:56:09 | |
Thank you. Thank you. | 0:56:09 | 0:56:11 | |
CHEERING AND APPLAUSE | 0:56:11 | 0:56:13 | |
Ladies and gentlemen, Rich Hall! | 0:56:14 | 0:56:16 | |
CHEERING AND APPLAUSE | 0:56:18 | 0:56:20 | |
So ladies and gentlemen, that is the end of tonight's show. | 0:56:20 | 0:56:24 | |
Give it up for the acts you've seen tonight. I've been Andi Osho. | 0:56:24 | 0:56:28 | |
Goodnight! | 0:56:28 | 0:56:29 | |
Subtitles by Red Bee Media Ltd | 0:56:49 | 0:56:52 | |
Email [email protected] | 0:56:52 | 0:56:55 |