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'Please, welcome your host - Seann Walsh.' | 0:00:26 | 0:00:30 | |
APPLAUSE AND CHEERING | 0:00:30 | 0:00:32 | |
Thank you! Thank you! | 0:00:37 | 0:00:39 | |
Hello, Edinburgh. | 0:00:39 | 0:00:41 | |
AUDIENCE: Hello! | 0:00:41 | 0:00:42 | |
Hello and welcome to Edinburgh Comedy Fest Live! | 0:00:42 | 0:00:46 | |
AUDIENCE: Whoo! | 0:00:46 | 0:00:48 | |
Fantastic. It's lovely to be here. | 0:00:48 | 0:00:50 | |
It's been a year since I've been here. | 0:00:50 | 0:00:52 | |
Not much has changed. My hair's longer. | 0:00:52 | 0:00:54 | |
I'm increasingly getting mistaken for a woman. | 0:00:54 | 0:00:57 | |
From behind, obviously. | 0:00:59 | 0:01:02 | |
I've been offered a drink. Stood at the bar, like that. | 0:01:05 | 0:01:09 | |
Can I trouble you for a drink? | 0:01:15 | 0:01:17 | |
I'll have a Kronenbourg, mate. Nice one. | 0:01:21 | 0:01:24 | |
They're friendly in here. We'll come back here. | 0:01:24 | 0:01:27 | |
I have to take it easy. I binge-drink. That's my problem. | 0:01:27 | 0:01:31 | |
I've ended up in some horrible states. | 0:01:31 | 0:01:34 | |
Being sick, sick in the toilet. | 0:01:34 | 0:01:37 | |
Can't make it to bed after being sick in the toilet. | 0:01:37 | 0:01:41 | |
You know that state? Hugging the toilet. | 0:01:41 | 0:01:43 | |
Thinking, "I am so comfortable. | 0:01:43 | 0:01:47 | |
"Why don't they advertise this on DFS adverts? | 0:01:47 | 0:01:51 | |
"I've never been so comfortable." Lying there... | 0:01:51 | 0:01:53 | |
HE BREATHES HEAVILY | 0:01:56 | 0:01:58 | |
HE SPITS | 0:01:58 | 0:02:00 | |
Bath mat as a duvet. | 0:02:03 | 0:02:06 | |
It's not covering the feet so you grab the toilet mat. | 0:02:11 | 0:02:14 | |
What's that mat for? | 0:02:14 | 0:02:16 | |
It's just there to absorb male urine. | 0:02:16 | 0:02:18 | |
You need to find where to put your head. That's important. | 0:02:21 | 0:02:23 | |
Normally, I can't sleep with less than three pillows. | 0:02:23 | 0:02:26 | |
I can't sleep on a train, I can't sleep on a plane. | 0:02:26 | 0:02:29 | |
Now I'm hugging a toilet, that dark bit behind the bowl | 0:02:29 | 0:02:31 | |
that's never properly been cleaned looks lovely. | 0:02:31 | 0:02:34 | |
Oh, I could lie here for ever. | 0:02:34 | 0:02:37 | |
Your friends try and look after you. It depends what gender you are. | 0:02:37 | 0:02:42 | |
Ladies, girls, you look after one another. | 0:02:42 | 0:02:45 | |
You are more caring, more considerate. | 0:02:45 | 0:02:48 | |
I have seen it at house parties. | 0:02:48 | 0:02:50 | |
A girl starts being sick, | 0:02:50 | 0:02:51 | |
you storm in there like it's a military operation. | 0:02:51 | 0:02:54 | |
Are you all right, babes? Are you all right, babes? | 0:02:54 | 0:02:57 | |
Get your hair out of your face. Get your hair out of your face. | 0:02:57 | 0:02:59 | |
You look gorgeous, babes. You look beautiful. You look beautiful. | 0:02:59 | 0:03:03 | |
You look stunning. We are going to get you some water. | 0:03:03 | 0:03:06 | |
Do you want some water? We'll get you some water. | 0:03:06 | 0:03:09 | |
Go and get her some water! Get some water. | 0:03:09 | 0:03:12 | |
She'll be all right once she's had some water. Where is your bag? | 0:03:12 | 0:03:18 | |
Don't worry. We'll find your bag. Where is her bag?! | 0:03:18 | 0:03:21 | |
Find her bag quickly! Go and find it. We've got your bag coming. | 0:03:22 | 0:03:27 | |
Very protective. Guys aren't allowed to see what's happening. | 0:03:27 | 0:03:30 | |
If a guy walks past, looks through the toilet door, | 0:03:30 | 0:03:33 | |
what's going on here? Nothing! Nothing to be seen here. Go on! | 0:03:33 | 0:03:37 | |
No-one's laughing at you, babes. No-one is laughing. | 0:03:37 | 0:03:41 | |
No-one's laughing at you. We've got your water coming. What's that?! | 0:03:41 | 0:03:45 | |
Egg cup? | 0:03:45 | 0:03:47 | |
It couldn't re-hydrate a mouse. | 0:03:47 | 0:03:51 | |
We've got a nice big egg cup of water. There you go. | 0:03:55 | 0:03:58 | |
Get that down you. Don't worry about him. He's an arsehole! | 0:03:58 | 0:04:01 | |
Don't worry about him. We are going to get you home and get you changed. | 0:04:01 | 0:04:06 | |
Changing each other in bed! | 0:04:06 | 0:04:07 | |
Have you seen this? | 0:04:07 | 0:04:08 | |
Men aren't as caring and considerate. | 0:04:19 | 0:04:22 | |
You see a bloke, a good friend of yours being sick in the toilet. | 0:04:22 | 0:04:26 | |
The most you will do is look at him and go, "Are you all right, mate?" | 0:04:26 | 0:04:30 | |
It doesn't matter what his reaction is. | 0:04:30 | 0:04:34 | |
You'll turn to your other friend and say, "Film it!" | 0:04:34 | 0:04:37 | |
Ladies and gentlemen, you have been a fantastic audience. | 0:04:41 | 0:04:44 | |
Are you ready for your first act? | 0:04:44 | 0:04:46 | |
AUDIENCE: Yeah. | 0:04:46 | 0:04:47 | |
We're going to start off with one of Australia's biggest comedians. | 0:04:47 | 0:04:50 | |
Please go wild for Adam Hills. | 0:04:50 | 0:04:52 | |
CHEERING AND APPLAUSE | 0:04:52 | 0:04:54 | |
Hello, Edinburgh. | 0:05:01 | 0:05:03 | |
This is my 15th time at the festival | 0:05:03 | 0:05:06 | |
and for the first time this year, I have felt like a local. | 0:05:06 | 0:05:08 | |
Because I found myself walking across North Bridge uttering the words, | 0:05:09 | 0:05:13 | |
"Bloody tourists!" | 0:05:13 | 0:05:15 | |
Thank you. | 0:05:18 | 0:05:20 | |
I love it here. I feel like this is my second home. | 0:05:21 | 0:05:24 | |
I was in Australia last year | 0:05:24 | 0:05:25 | |
and I wandered into a second-hand bookstore and I found this. | 0:05:25 | 0:05:28 | |
I found a book called Picturesque Notes On Edinburgh. | 0:05:28 | 0:05:31 | |
Written by Robert Louis Stevenson. | 0:05:31 | 0:05:34 | |
AUDIENCE MEMBER: Whoo! | 0:05:34 | 0:05:36 | |
Exactly. | 0:05:36 | 0:05:37 | |
I bought it. It's 35 Australian dollars so that's £2.60. | 0:05:37 | 0:05:40 | |
LAUGHTER | 0:05:40 | 0:05:43 | |
Ladies and gentlemen, this is Robert Louis Stevenson | 0:05:43 | 0:05:47 | |
Picturesque Notes On Edinburgh - introduction. | 0:05:47 | 0:05:51 | |
"The ancient and famous metropolis of the North sits overlooking | 0:05:51 | 0:05:55 | |
"a windy estuary from the slope and summit of three hills. | 0:05:55 | 0:05:59 | |
"No situation could be more commanding for the head city of a kingdom, | 0:05:59 | 0:06:03 | |
"none better chosen for noble prospects. | 0:06:03 | 0:06:07 | |
"But Edinburgh pays cruelly for her high seat in one of the vilest climates under heaven." | 0:06:07 | 0:06:12 | |
LAUGHTER AND APPLAUSE | 0:06:12 | 0:06:15 | |
Oh, there's more. | 0:06:21 | 0:06:22 | |
"The weather is raw and boisterous in winter, shifty and ungenial in summer | 0:06:22 | 0:06:28 | |
"and a downright meteorological purgatory in the spring." | 0:06:28 | 0:06:33 | |
"The delicate die early." | 0:06:38 | 0:06:41 | |
"And I, as a survivor, among bleak winds and plumping rain | 0:06:47 | 0:06:51 | |
"have been sometimes tempted to envy them their fate." | 0:06:51 | 0:06:55 | |
It goes on. I haven't even got off the second page yet. | 0:06:59 | 0:07:03 | |
It completely disses it. | 0:07:03 | 0:07:05 | |
It talks about how Venice, Venice is wonderful | 0:07:05 | 0:07:08 | |
because people that visit Venice view it as they would a lover. | 0:07:08 | 0:07:11 | |
"Indeed, even by her kindest friends, | 0:07:11 | 0:07:13 | |
"Edinburgh is not considered in a similar sense. | 0:07:13 | 0:07:15 | |
"People like Edinburgh for many reasons, | 0:07:15 | 0:07:19 | |
"not any one of which is satisfactory in itself." | 0:07:19 | 0:07:22 | |
"Her attraction is romantic in the narrowest meaning of the term. | 0:07:24 | 0:07:28 | |
"Beautiful as she is, she is not so much beautiful as interesting. | 0:07:28 | 0:07:34 | |
"And what is the deal with the freaking trams?!" | 0:07:35 | 0:07:41 | |
HE MOUTHS | 0:07:41 | 0:07:42 | |
OK, I'll be honest. I made that last bit up. | 0:07:45 | 0:07:47 | |
It goes on like this for an entire chapter. | 0:07:47 | 0:07:50 | |
The end of which there is a bit note which was written after it was published. | 0:07:50 | 0:07:54 | |
It says this - "These sentences have, | 0:07:54 | 0:07:57 | |
"I hear, given offence in my native town | 0:07:57 | 0:07:59 | |
"and a proportionable pleasure to our rivals of Glasgow." | 0:07:59 | 0:08:03 | |
"To the Glasgow people, I would say only one word, but that is of gold. | 0:08:05 | 0:08:11 | |
"I have not yet written a book about Glasgow." | 0:08:11 | 0:08:14 | |
Ladies and gentlemen, it's been a pleasure talking to you. | 0:08:14 | 0:08:17 | |
Enjoy your night. | 0:08:17 | 0:08:18 | |
Good night, Edinburgh! | 0:08:18 | 0:08:20 | |
Adam Hills! | 0:08:23 | 0:08:26 | |
Give it up for the most charming man in comedy - Charlie Baker! | 0:08:31 | 0:08:34 | |
APPLAUSE | 0:08:34 | 0:08:37 | |
Good evening. Everyone all right? | 0:08:37 | 0:08:40 | |
CHEERING | 0:08:40 | 0:08:42 | |
Let's get one thing out of the way. What a lovely looking man! | 0:08:42 | 0:08:45 | |
What a smashing looking man! | 0:08:45 | 0:08:46 | |
Some of you thinking... HE RETCHES | 0:08:46 | 0:08:50 | |
I've not always been so robust. | 0:08:50 | 0:08:53 | |
When I was born, a very sad story, when I was born, | 0:08:53 | 0:08:57 | |
they told my mum and dad I might not live until the morning. | 0:08:57 | 0:09:01 | |
Nothing wrong with me, just really annoying. | 0:09:01 | 0:09:05 | |
Came out jazz hands, high kicks, the lot! | 0:09:05 | 0:09:07 | |
It's a sad start. | 0:09:07 | 0:09:09 | |
What my parents set about doing was filling me with love, confidence. | 0:09:09 | 0:09:13 | |
Any confident people in? | 0:09:13 | 0:09:16 | |
There never are. It's a not a good thing. | 0:09:16 | 0:09:18 | |
If you have low self esteem, you think everybody hates you. | 0:09:18 | 0:09:23 | |
If you have high self esteem, everybody hates you. | 0:09:23 | 0:09:27 | |
It's not a good thing to have. They set about filling me with food. | 0:09:27 | 0:09:31 | |
I don't know if you know this about Devonshire women - | 0:09:31 | 0:09:35 | |
they can lactate clotted cream at any point. | 0:09:35 | 0:09:38 | |
There's jam in the other. | 0:09:39 | 0:09:41 | |
They can bring up a pasty. HE CHOKES | 0:09:44 | 0:09:46 | |
Like a penguin with fish. | 0:09:46 | 0:09:47 | |
It's very good. They filled me with love. | 0:09:47 | 0:09:51 | |
A lovely Devonshire upbringing. | 0:09:51 | 0:09:54 | |
I had to find my danger wherever I could. | 0:09:54 | 0:09:55 | |
I used to find it in the play parks. I've got a five-year-old son. | 0:09:55 | 0:09:58 | |
I take him to the play park now. There's no danger there! | 0:09:58 | 0:10:02 | |
When I was growing up, the slide would be like 40 foot high, | 0:10:02 | 0:10:06 | |
made of rust and razor blades. | 0:10:06 | 0:10:08 | |
You'd slide off the bottom for 40 foot on your arse. | 0:10:08 | 0:10:13 | |
The roundabout would be made of daggers. | 0:10:13 | 0:10:16 | |
Glass all over the floor and you'd ring the council and go, | 0:10:16 | 0:10:18 | |
"There's glass all over the floor", and they'd go, "That ain't glass. | 0:10:18 | 0:10:22 | |
"That's just big sand." | 0:10:22 | 0:10:24 | |
It's rubber all over the floor now. | 0:10:26 | 0:10:28 | |
Any rubber on the floor | 0:10:28 | 0:10:29 | |
when I was growing up had a knot in the end of it. | 0:10:29 | 0:10:32 | |
It's no good... There's no danger. | 0:10:32 | 0:10:34 | |
It wasn't a good day at the park | 0:10:34 | 0:10:36 | |
unless you came home with a bit of bone showing. | 0:10:36 | 0:10:38 | |
You can see my elbow. Look at it! | 0:10:38 | 0:10:41 | |
If you have a bone showing in a park now, you get put on a register. | 0:10:41 | 0:10:45 | |
There's no danger any more. He's never picked a scab. | 0:10:47 | 0:10:49 | |
He's never had scabs on his elbows and knees. | 0:10:49 | 0:10:51 | |
He's never picked a scab and ate it. It's a dying craft. | 0:10:51 | 0:10:55 | |
You've all done it. | 0:10:55 | 0:10:57 | |
I was a weird child. I was a middle child. | 0:10:57 | 0:11:00 | |
I like to say I was a middle child | 0:11:00 | 0:11:01 | |
but with the social skills of an only. | 0:11:01 | 0:11:04 | |
Not a good combination. | 0:11:04 | 0:11:06 | |
Apparently, when I was five... I had a very pushy, stage-y mum. | 0:11:06 | 0:11:09 | |
I don't know if you've seen Black Swan. | 0:11:09 | 0:11:11 | |
I'm more force-fed foie-gras goose. | 0:11:11 | 0:11:14 | |
When I was five, I apparently asked to do tap-dancing. | 0:11:14 | 0:11:18 | |
This isn't a good thing for a man to do. Don't learn tap-dancing. | 0:11:18 | 0:11:20 | |
If you see a man salsa-dancing, you think, "Hey! I bet he's good in bed." | 0:11:20 | 0:11:26 | |
If you see a man tap-dancing, you think, "Hey! | 0:11:28 | 0:11:31 | |
"I bet he lives with his mum." | 0:11:31 | 0:11:33 | |
It's not a good thing. There are two sorts of tap-dancing. | 0:11:33 | 0:11:36 | |
I'll show you the two. This is American rhythm tap. | 0:11:36 | 0:11:40 | |
There it is, American tap. | 0:11:43 | 0:11:45 | |
Look at me. Full of oppression. Stamping it out. | 0:11:45 | 0:11:48 | |
Arrogant, from the balls, oh, sexy. | 0:11:48 | 0:11:52 | |
Then, British tap, all it's done is cross the Atlantic. | 0:11:52 | 0:11:58 | |
And somehow become this. | 0:12:00 | 0:12:02 | |
APPLAUSE | 0:12:07 | 0:12:10 | |
Don't clap. That's how it starts. My nan going, "Very good. Do it again." | 0:12:14 | 0:12:17 | |
Thanks for coming. I'm Charlie Baker. Good night. | 0:12:17 | 0:12:20 | |
APPLAUSE | 0:12:20 | 0:12:22 | |
Charlie Baker! | 0:12:24 | 0:12:26 | |
Next up, please welcome Russell Kane. | 0:12:29 | 0:12:31 | |
CHEERING | 0:12:31 | 0:12:33 | |
Hello. Lovely Edinburgh. This is my family. | 0:12:37 | 0:12:41 | |
This is my girlfriend. I'm here for the first time ever with no girlfriend, | 0:12:41 | 0:12:46 | |
no partner, living on my own in Edinburgh. | 0:12:46 | 0:12:49 | |
Hey! So who have I been hanging out with? My mum for the whole festival. | 0:12:49 | 0:12:53 | |
I can't explain the exquisite pleasure of seeing my mum | 0:12:53 | 0:12:57 | |
do her first Jager Bomb. It blew my freaking mind. | 0:12:57 | 0:12:59 | |
But something amazing has happened. My dad pegged it years ago. | 0:12:59 | 0:13:04 | |
I just kept him alive for comedy purposes to add some artificial | 0:13:04 | 0:13:07 | |
pathos to my middle-brow meanderings. | 0:13:07 | 0:13:09 | |
"He's self-deprecating." | 0:13:09 | 0:13:11 | |
What I did was... You know, there are two types of women. | 0:13:11 | 0:13:15 | |
There are some women who go, "My husband's dead. | 0:13:15 | 0:13:17 | |
"I'll stay indoors and go grey." | 0:13:17 | 0:13:19 | |
Then there is the survivor. My mum's like me with a perm. | 0:13:19 | 0:13:21 | |
She's like a Pepperami with a perm. | 0:13:21 | 0:13:24 | |
Full of energy. "Let's make lists till were miserable. | 0:13:24 | 0:13:28 | |
"Let's overanalyse everything until we cry." We are the same. | 0:13:28 | 0:13:32 | |
She survived. My dad's been dead nearly eight years. She's moved on. | 0:13:33 | 0:13:37 | |
Those of you of my sort of age will know what it's like | 0:13:37 | 0:13:40 | |
if your mum is 50 and she gets a... I can't even say it. | 0:13:40 | 0:13:42 | |
I've told this story before and I say, "My mum's got boyf... | 0:13:42 | 0:13:45 | |
"She's got a boyfriend." Stop putting your willy in my mum, please! | 0:13:45 | 0:13:50 | |
Anyway... HE RETCHES | 0:13:51 | 0:13:55 | |
It should just fall off after a certain age. | 0:13:55 | 0:13:57 | |
There should be a Ken hump. | 0:13:57 | 0:13:59 | |
That's all there should be there. | 0:13:59 | 0:14:01 | |
She's happy and Danny from Woodford is lovely. He's the opposite of my dad. | 0:14:03 | 0:14:07 | |
He used to smash up the house if he could not find his car keys. | 0:14:07 | 0:14:09 | |
Danny goes, "Oh, well. It's only car keys. Let's get a taxi." | 0:14:09 | 0:14:12 | |
He's one of those men. | 0:14:12 | 0:14:14 | |
We went out clubbing recently, the three of us. Orcs or what! | 0:14:15 | 0:14:19 | |
More Orcs than the Lord Of The Rings Trilogy. | 0:14:19 | 0:14:22 | |
"Oh, my God. He's using our language. Random!" | 0:14:22 | 0:14:26 | |
IN SCOTTISH ACCENT: I don't know what you're talkin' aboot! | 0:14:26 | 0:14:29 | |
Get on with the story! | 0:14:29 | 0:14:30 | |
My mum has got a brilliant use of language. Water is never spilt. | 0:14:33 | 0:14:36 | |
It's drenched, it's a deluge. | 0:14:36 | 0:14:38 | |
When her phone fell into the canal, she described it as, | 0:14:38 | 0:14:40 | |
"slipping into the black abyss." | 0:14:40 | 0:14:42 | |
Even her mistakes are elegant. Watching The Voice. | 0:14:42 | 0:14:46 | |
"My favourite - Will-one-am, love him." | 0:14:46 | 0:14:50 | |
Love her. But she came out with her all-time classic mixed with her worrying jealousy. | 0:14:52 | 0:14:56 | |
We were out clubbing and we were all dancing | 0:14:56 | 0:14:59 | |
and there were girls everywhere. | 0:14:59 | 0:15:02 | |
It's amazing that anyone realises I'm straight, | 0:15:02 | 0:15:05 | |
let alone any female would find me attractive. | 0:15:05 | 0:15:06 | |
I'm happy to absorb their misguided attention | 0:15:06 | 0:15:10 | |
if they want to lavish it upon me. The girls were trying to get my attention by doing | 0:15:10 | 0:15:13 | |
that dance that I call mild stroke. | 0:15:13 | 0:15:15 | |
Just call it vitamin D deficiency. It doesn't make me want to bone you. | 0:15:19 | 0:15:23 | |
I want to help you by giving you Wellwoman vitamins or something. | 0:15:23 | 0:15:26 | |
We are all looking at the girl and I say, | 0:15:26 | 0:15:28 | |
"Look at all those girls, Danny." | 0:15:28 | 0:15:30 | |
And he comes out with this... It was like a well-trained dog that had forgotten itself. | 0:15:30 | 0:15:33 | |
When a dog that's well-trained goes, "I'm having a great game indoors. | 0:15:33 | 0:15:36 | |
"I just pissed up the telly. I don't know why I did that." | 0:15:36 | 0:15:39 | |
I went, "Look at all those girls," | 0:15:39 | 0:15:40 | |
and Danny said, "Yeah, let me know if you need a hand with that." | 0:15:40 | 0:15:44 | |
Just as the dance music dropped out, my mum has heard it. | 0:15:44 | 0:15:47 | |
My mum, she might be five feet three, | 0:15:47 | 0:15:48 | |
but she's like a crystal of anger. | 0:15:48 | 0:15:50 | |
She's turned on Danny. You've got to think of your favourite villain. | 0:15:50 | 0:15:54 | |
Your favourite gangster Joe Pesci, Robert De Niro, whoever. | 0:15:54 | 0:15:57 | |
Mine is Ben Kingsley as Don Logan in Sexy Beast. | 0:15:57 | 0:16:00 | |
My mum has done a full slow head turn on him like this. | 0:16:00 | 0:16:03 | |
She came out with one of the best things I've ever heard. | 0:16:04 | 0:16:08 | |
Danny has gone, "Let me know if you need a hand with that." | 0:16:08 | 0:16:10 | |
And she said, "How are you going to do that, Dan, with no eyes and stumps?" | 0:16:10 | 0:16:14 | |
Thank you very much. Good night. | 0:16:17 | 0:16:20 | |
Russell Kane! | 0:16:23 | 0:16:24 | |
I've worked with this next woman loads of times. I love her. | 0:16:27 | 0:16:30 | |
I know you're going to love her. Please welcome Sara Pascoe! | 0:16:30 | 0:16:33 | |
Hello. Good evening. | 0:16:39 | 0:16:42 | |
It's so nice to be here in Edinburgh and it's so nice doing comedy at all. | 0:16:42 | 0:16:47 | |
Stand-up has completely changed my life for the better. | 0:16:47 | 0:16:51 | |
I used to be a regular drunk woman and now, | 0:16:51 | 0:16:55 | |
I don't need to shout at strangers any more. | 0:16:55 | 0:16:57 | |
I've got amplification. | 0:16:57 | 0:16:59 | |
I don't piss in the street any more. | 0:16:59 | 0:17:02 | |
I can wait until I'm in the privacy of my own taxi. | 0:17:02 | 0:17:05 | |
If I want to hate myself in the morning, | 0:17:07 | 0:17:08 | |
I don't need to go to bed with one of you. | 0:17:08 | 0:17:11 | |
I can just end this bit without a punchline. | 0:17:11 | 0:17:14 | |
That'll do it. | 0:17:17 | 0:17:19 | |
The drinking thing is quite interesting. | 0:17:19 | 0:17:22 | |
I read the study that Boston University did about happiness. | 0:17:22 | 0:17:25 | |
They said that the happiest people drank no more | 0:17:25 | 0:17:28 | |
than three glasses of wine a day. | 0:17:28 | 0:17:30 | |
What? | 0:17:32 | 0:17:33 | |
I spill more wine than that a day. | 0:17:33 | 0:17:35 | |
Who are these underdrinkers and why do they have nothing to forget? | 0:17:35 | 0:17:38 | |
I don't think it's a fair study because I think that | 0:17:38 | 0:17:42 | |
alcohol reacts differently with different people. | 0:17:42 | 0:17:45 | |
For some people, wine makes them giggly, some people, | 0:17:45 | 0:17:48 | |
it makes you sleepy. | 0:17:48 | 0:17:49 | |
It makes me do shots. | 0:17:49 | 0:17:52 | |
That's genetics. | 0:17:53 | 0:17:54 | |
Because I don't want to have to change my behaviour, instead, | 0:17:54 | 0:17:57 | |
I've decided to feel sorry for these happy people | 0:17:57 | 0:18:00 | |
because they are not going to get any of the adventures. | 0:18:00 | 0:18:03 | |
They'll never go night swimming, | 0:18:03 | 0:18:05 | |
they'll never be sick on themselves without noticing. | 0:18:05 | 0:18:09 | |
They'll never do the walk of shame, going home in last night's clothes. | 0:18:09 | 0:18:14 | |
They'll never do the queue of shame, waiting for Greggs to open. | 0:18:14 | 0:18:17 | |
They'll never do the look of shame, A double-take in the mirror | 0:18:18 | 0:18:22 | |
when I THOUGHT I saw my mother. | 0:18:22 | 0:18:24 | |
I try not to look in the mirror very often | 0:18:24 | 0:18:27 | |
because I do not want to care what I look like. | 0:18:27 | 0:18:29 | |
It's so impossible because there is all this focus | 0:18:29 | 0:18:32 | |
on women's appearances especially in Essex where I come from. | 0:18:32 | 0:18:35 | |
Grooming has gone too far. | 0:18:35 | 0:18:37 | |
Jodie Marsh has crossed the line from fake tanning into blacking-up. | 0:18:37 | 0:18:40 | |
That is now offensive. | 0:18:43 | 0:18:46 | |
I don't understand the false eyelashes thing. | 0:18:46 | 0:18:50 | |
If I want my face to be hairier, I just don't pluck my chin. | 0:18:50 | 0:18:54 | |
I believe that men and women, we're the same. | 0:18:56 | 0:18:58 | |
We are remembered for our achievements, | 0:18:58 | 0:19:01 | |
not what we looked like while we were doing stuff. | 0:19:01 | 0:19:03 | |
Florence Nightingale, she invented nursing. | 0:19:03 | 0:19:05 | |
Who cares if she had a muffin top? | 0:19:05 | 0:19:08 | |
Marie Curie, she discovered radium and polonium. | 0:19:08 | 0:19:12 | |
Who cares if she glowed in the dark? | 0:19:12 | 0:19:15 | |
Ladies, we can waste all this energy hating ourselves | 0:19:15 | 0:19:19 | |
when we should just be concentrating on our work like men do. | 0:19:19 | 0:19:22 | |
They are not worrying about cellulite. | 0:19:22 | 0:19:25 | |
They're too busy getting paid more | 0:19:25 | 0:19:26 | |
in every single career where you don't have to take your clothes off. | 0:19:26 | 0:19:30 | |
APPLAUSE | 0:19:30 | 0:19:31 | |
Thanks! | 0:19:31 | 0:19:33 | |
It's been so lovely to see you. My name's Sara. Good night. | 0:19:34 | 0:19:37 | |
APPLAUSE | 0:19:37 | 0:19:40 | |
Sara Pascoe! | 0:19:41 | 0:19:43 | |
And next, a very funny man, I know you're going to love him. | 0:19:45 | 0:19:48 | |
Please welcome James Acaster. | 0:19:48 | 0:19:50 | |
Thank you. | 0:19:59 | 0:20:00 | |
LAUGHTER | 0:20:00 | 0:20:02 | |
Cheers. Good to see you all. | 0:20:02 | 0:20:03 | |
So, I drove past a field full of cows recently. | 0:20:03 | 0:20:06 | |
And all the cows were lying down, | 0:20:08 | 0:20:10 | |
apart from one cow which was standing up. | 0:20:10 | 0:20:12 | |
Later on that day... | 0:20:16 | 0:20:19 | |
It did rain. | 0:20:19 | 0:20:20 | |
LAUGHTER | 0:20:20 | 0:20:23 | |
I bet they never let her forget it. | 0:20:23 | 0:20:25 | |
LAUGHTER | 0:20:25 | 0:20:27 | |
Hopefully you all know the thing about the cows. | 0:20:30 | 0:20:33 | |
LAUGHTER | 0:20:33 | 0:20:35 | |
If you don't, I'll explain it. | 0:20:35 | 0:20:37 | |
Basically, there's a rumour going round... | 0:20:37 | 0:20:39 | |
That the cows can predict the weather. | 0:20:41 | 0:20:43 | |
If it's going to be sunny, they stand-up. | 0:20:43 | 0:20:45 | |
If it's going to rain, they lie down. | 0:20:45 | 0:20:47 | |
Granted, beyond those two types of weather, | 0:20:47 | 0:20:49 | |
cows appear to have very little idea what's going on. | 0:20:49 | 0:20:53 | |
It doesn't mean they can't predict other types of weather, just, that if you are a cow, | 0:20:53 | 0:20:56 | |
there's limited ways you can express yourself. | 0:20:56 | 0:20:59 | |
You've got two settings if you're a cow - you're standing up or you're lying down. | 0:21:00 | 0:21:04 | |
You can't throw a lot of shapes. | 0:21:04 | 0:21:06 | |
LAUGHTER | 0:21:06 | 0:21:07 | |
And, it's only British cows that can do this. | 0:21:07 | 0:21:10 | |
I was talking to my friend Peter, from Denmark, I told him | 0:21:10 | 0:21:12 | |
about the cows in Britain. | 0:21:12 | 0:21:14 | |
He said it was stupid. | 0:21:14 | 0:21:17 | |
Laughed in my face. | 0:21:17 | 0:21:19 | |
He said in Denmark, people believe cows can let us | 0:21:19 | 0:21:22 | |
know what way the wind's blowing. | 0:21:22 | 0:21:24 | |
If a cow faces this way. Then the wind is also blowing this way. | 0:21:24 | 0:21:29 | |
I said, "Maybe you're right, Peter. | 0:21:31 | 0:21:34 | |
Maybe it is pretty stupid of us British | 0:21:34 | 0:21:36 | |
to look to cows to let us know what's happening in the future. | 0:21:36 | 0:21:39 | |
But I would argue it's a little bit more stupid to look to cows | 0:21:39 | 0:21:42 | |
to let you know what's happening in the present. | 0:21:42 | 0:21:45 | |
LAUGHTER | 0:21:45 | 0:21:48 | |
APPLAUSE | 0:21:48 | 0:21:53 | |
I think it's great we still believe in that kind of stuff. | 0:21:53 | 0:21:56 | |
But my favourite one's the Loch Ness Monster. | 0:21:56 | 0:21:58 | |
Love it. | 0:21:58 | 0:21:59 | |
Yeah, most people who've seen the Loch Ness Monster, | 0:21:59 | 0:22:02 | |
they describe it as looking like an up-turned boat. | 0:22:02 | 0:22:05 | |
LAUGHTER | 0:22:05 | 0:22:07 | |
It does sound like they might have seen... | 0:22:07 | 0:22:11 | |
one of them up-turned boats. | 0:22:11 | 0:22:12 | |
LAUGHTER | 0:22:12 | 0:22:14 | |
If you want to convince me you saw the Loch Ness Monster, | 0:22:14 | 0:22:16 | |
probably best not to describe it as something else commonly found in a loch. | 0:22:16 | 0:22:19 | |
LAUGHTER | 0:22:19 | 0:22:20 | |
My favourite Loch Ness Monster sighting was by a couple | 0:22:20 | 0:22:23 | |
called Mr and Mrs Spicer. | 0:22:23 | 0:22:24 | |
They claim they were driving home late at night and they had to | 0:22:24 | 0:22:27 | |
stop their car to allow the Loch Ness Monster to cross the road. | 0:22:27 | 0:22:30 | |
LAUGHTER | 0:22:30 | 0:22:32 | |
That's their story. | 0:22:32 | 0:22:33 | |
Could have seen two people carrying a boat, we don't know. | 0:22:33 | 0:22:36 | |
LAUGHTER | 0:22:36 | 0:22:39 | |
I'm aware they made that up, I know it's a lie. | 0:22:39 | 0:22:41 | |
That easily makes them my favourite couple that have ever existed. | 0:22:41 | 0:22:44 | |
Looking around tonight, there's loads of couples in, | 0:22:44 | 0:22:47 | |
I'm sure you're very much in love, but in my opinion, | 0:22:47 | 0:22:50 | |
you're never fully in love until one of you can turn to the other and go, | 0:22:50 | 0:22:54 | |
"Do you want to do a Loch Ness Monster hoax?" | 0:22:54 | 0:22:56 | |
LAUGHTER | 0:22:56 | 0:22:58 | |
"I was just about to ask you the same thing." | 0:22:58 | 0:23:01 | |
"What do you want to go with, up-turned boat?" | 0:23:01 | 0:23:03 | |
"Screw that - crossing the road." | 0:23:03 | 0:23:06 | |
"I love you." | 0:23:06 | 0:23:07 | |
"I love you, too." | 0:23:17 | 0:23:18 | |
"I love you so much." | 0:23:28 | 0:23:30 | |
"Do you want to go and do it right now?" | 0:23:41 | 0:23:42 | |
"Or do you want to wait until we finish these crop circles?" | 0:23:48 | 0:23:51 | |
LAUGHTER | 0:23:51 | 0:23:52 | |
APPLAUSE | 0:23:52 | 0:23:55 | |
You've been a lot of fun. I'll see you later, bye. Thank you. | 0:23:55 | 0:23:59 | |
CHEERING AND APPLAUSE | 0:23:59 | 0:24:02 | |
James Acaster. | 0:24:02 | 0:24:06 | |
Now, he's huge in Ireland, please go mad for Des Bishop. | 0:24:06 | 0:24:10 | |
APPLAUSE | 0:24:10 | 0:24:13 | |
Thank you. | 0:24:13 | 0:24:15 | |
Thank you very much. Thank you. | 0:24:15 | 0:24:17 | |
I am, uh, I'm struggling with getting older. | 0:24:17 | 0:24:20 | |
I'm 36. | 0:24:20 | 0:24:21 | |
I'm not married, I've no kids. But here's the real evidence. | 0:24:21 | 0:24:24 | |
I'm going to rat myself out. | 0:24:24 | 0:24:26 | |
This is how I know I'm struggling with getting old. | 0:24:26 | 0:24:28 | |
I've dyed my hair. | 0:24:28 | 0:24:30 | |
Yes, women hate that. | 0:24:31 | 0:24:33 | |
They're like, "What are you doing dying your hair? Going grey is sexy. | 0:24:33 | 0:24:36 | |
"Silver Fox. Look at George Clooney." | 0:24:36 | 0:24:38 | |
They're always mentioning George Clooney. | 0:24:38 | 0:24:40 | |
They never mention Alistair Darling. Do you notice that? | 0:24:40 | 0:24:42 | |
LAUGHTER | 0:24:42 | 0:24:44 | |
White hair on top, but his eyebrows are on a protest. | 0:24:44 | 0:24:47 | |
"Hell, no, we won't go." | 0:24:47 | 0:24:48 | |
His eyebrows, it's like he saw a ghost with sunglasses on. | 0:24:48 | 0:24:51 | |
I don't know what's going on with that guy's hair. | 0:24:51 | 0:24:54 | |
Either that or he's so Scottish, he's like, "I'll just do the eyebrows | 0:24:54 | 0:24:57 | |
"and wear a hat, I'll save loads of money, it'll be fine". | 0:24:57 | 0:24:59 | |
LAUGHTER | 0:24:59 | 0:25:00 | |
Oh, God forgive me, in your own country, oh! | 0:25:00 | 0:25:02 | |
LAUGHTER | 0:25:02 | 0:25:03 | |
Yeah. I, I dyed it. | 0:25:03 | 0:25:06 | |
Women can't identify with the stress of dying your hair as a man | 0:25:06 | 0:25:09 | |
because you can dye your hair. You don't have to hide it. | 0:25:09 | 0:25:12 | |
You even dye your hair like that auburn-purple colour. | 0:25:12 | 0:25:15 | |
Which, I think looks great, but no human has ever produced it naturally | 0:25:15 | 0:25:19 | |
so we know you're dying it and you don't care that we know, | 0:25:19 | 0:25:22 | |
that's why your hair colour products have positive names | 0:25:22 | 0:25:25 | |
like Clairol Nice 'N' Easy. | 0:25:25 | 0:25:27 | |
L'Oreal Preference. You walk into the chemist, they're in your face. | 0:25:27 | 0:25:31 | |
Men's hair colour, shhhhh. | 0:25:31 | 0:25:34 | |
(Just For Men). | 0:25:34 | 0:25:35 | |
LAUGHTER | 0:25:35 | 0:25:36 | |
Don't tell anyone. It's a big secret. It's like a gay sauna. | 0:25:36 | 0:25:39 | |
Go round the back, lads. | 0:25:39 | 0:25:40 | |
Nothing wrong in what you're doing but don't let anyone know you're doing it. | 0:25:40 | 0:25:44 | |
LAUGHTER | 0:25:44 | 0:25:47 | |
You have to hide it. I had a one night stand recently. | 0:25:47 | 0:25:50 | |
I felt terrible. I had this moral dilemma. | 0:25:50 | 0:25:53 | |
I was with this girl, we had a nice time, | 0:25:53 | 0:25:56 | |
but then after the fact I felt guilty, I thought, "Oh my God, | 0:25:56 | 0:25:58 | |
"I haven't told her the information". | 0:25:58 | 0:26:01 | |
That's not fair, she might have got involved under false pretences | 0:26:01 | 0:26:04 | |
and I think you owe that to a 20-year-old. | 0:26:04 | 0:26:06 | |
They need to know. | 0:26:06 | 0:26:08 | |
I said, "Listen, I've used Just For Men". | 0:26:08 | 0:26:10 | |
She attacked me. She was like, "I can't believe, how... | 0:26:10 | 0:26:13 | |
"How can you use Just For Men?" I thought, "How can I use Just For Men?" | 0:26:13 | 0:26:16 | |
I had to push her to the side | 0:26:16 | 0:26:18 | |
and say, "How could you leave this fake tan all over my freshly white sheets?" | 0:26:18 | 0:26:21 | |
LAUGHTER | 0:26:21 | 0:26:23 | |
"Like the Shroud Of Turin, how could you do it? | 0:26:23 | 0:26:25 | |
"I knew you weren't orange, but you look amazing. You look amazing." | 0:26:25 | 0:26:28 | |
LAUGHTER | 0:26:28 | 0:26:29 | |
It's horrible. | 0:26:29 | 0:26:31 | |
Do you know that when they killed Osama Bin Laden, they found | 0:26:31 | 0:26:35 | |
Just For Men in his lair? | 0:26:35 | 0:26:37 | |
And this is a fact. I haven't made it up for a joke. | 0:26:37 | 0:26:39 | |
I read it in the New York Times. | 0:26:39 | 0:26:40 | |
And this will tell you how negative people's attitude | 0:26:40 | 0:26:43 | |
to Just For Men is. | 0:26:43 | 0:26:45 | |
They wrote that story as if to say, | 0:26:45 | 0:26:46 | |
"Oh, you think Osama Bin Laden's a bad man for killing 3,000 people? | 0:26:46 | 0:26:50 | |
"Check this out!" | 0:26:50 | 0:26:51 | |
LAUGHTER | 0:26:51 | 0:26:53 | |
"He used Just For Men." | 0:26:53 | 0:26:54 | |
And then I thought about | 0:26:54 | 0:26:56 | |
the young Al-Qaeda operative. "I have a meeting with Osama, | 0:26:56 | 0:26:59 | |
"what will be my mission?" | 0:26:59 | 0:27:01 | |
And Osama's like, "Mohammed, go to Abbottabad and get me | 0:27:01 | 0:27:05 | |
"two boxes of Natural Black Just For Men." | 0:27:05 | 0:27:07 | |
LAUGHTER | 0:27:07 | 0:27:08 | |
"One for my beard, one for my head." | 0:27:08 | 0:27:10 | |
At what stage of that | 0:27:10 | 0:27:11 | |
journey do you not question your commitment to the jihad? | 0:27:11 | 0:27:15 | |
LAUGHTER | 0:27:15 | 0:27:16 | |
How can you follow that guy? | 0:27:16 | 0:27:17 | |
It's important to know, in the Arab world it's not called | 0:27:17 | 0:27:20 | |
Just For Men, it's called Unjust For Women. | 0:27:20 | 0:27:22 | |
Just so you know. LAUGHTER | 0:27:22 | 0:27:24 | |
And for all those men, | 0:27:24 | 0:27:26 | |
terrorists and me in Dublin, buying Just For Men for myself, | 0:27:26 | 0:27:30 | |
there are five shades. Five shades for everybody. | 0:27:30 | 0:27:33 | |
There are seven shades of red alone in female hair colour products. | 0:27:33 | 0:27:38 | |
Seven shades of red. | 0:27:38 | 0:27:40 | |
Why do you need seven shades of a colour most people pray | 0:27:40 | 0:27:44 | |
their children will not be born with? | 0:27:44 | 0:27:47 | |
LAUGHTER AND APPLAUSE | 0:27:47 | 0:27:48 | |
So I can looking like an idiot for too long in the wrong aisle. | 0:27:48 | 0:27:50 | |
Thank you very much, I've been Des Bishop. Have a good night, thank you. | 0:27:50 | 0:27:54 | |
CHEERING AND APPLAUSE | 0:27:54 | 0:27:57 | |
Des Bishop! | 0:27:57 | 0:27:59 | |
I do like a drink. I've been good this week. | 0:28:01 | 0:28:03 | |
I behaved. | 0:28:03 | 0:28:05 | |
Wanted to sort my life out. You have that? | 0:28:05 | 0:28:06 | |
You have a good week. "This week I'm going to sort my life out." | 0:28:06 | 0:28:09 | |
"This week I'm going to stay in, sort out my life." | 0:28:10 | 0:28:13 | |
All this really means is, "I'm going to clean my bedroom." | 0:28:13 | 0:28:16 | |
LAUGHTER | 0:28:16 | 0:28:19 | |
I know what I do. I get back, | 0:28:19 | 0:28:21 | |
sometimes I get back late at night, drunk. | 0:28:21 | 0:28:23 | |
I think this time, this time I'm going to get up. You know that? | 0:28:23 | 0:28:27 | |
This time I'm going to escape the hangover. | 0:28:27 | 0:28:30 | |
Going to set the alarm on my phone. | 0:28:30 | 0:28:33 | |
-SLURRED: -I've been working today, I've been working today. | 0:28:35 | 0:28:38 | |
So I'm going to sort it. It's all right. | 0:28:38 | 0:28:41 | |
I know last time I didn't get up. | 0:28:41 | 0:28:43 | |
Last time I didn't have a glass of water, did I? | 0:28:43 | 0:28:45 | |
LAUGHTER | 0:28:45 | 0:28:47 | |
This time I'm going to set the alarm on my phone and I'm not, | 0:28:47 | 0:28:52 | |
I'm not, I'm not going to get into bed with it. | 0:28:52 | 0:28:54 | |
No, no, no. This is the clever bit... | 0:28:54 | 0:28:57 | |
I'm going to put the phone the other side of the room. | 0:28:57 | 0:29:02 | |
HE LAUGHS | 0:29:02 | 0:29:05 | |
Deal with that, morning me! | 0:29:05 | 0:29:07 | |
Because then when I wake up, I'll have to get out of bed. | 0:29:09 | 0:29:13 | |
And I'll have two walk all of two and a half metres. | 0:29:13 | 0:29:17 | |
And by that time I'm going to be so awake. | 0:29:17 | 0:29:21 | |
This has never happened, has it? | 0:29:21 | 0:29:23 | |
No one's got out of bed, gone, "Oh, God... Ready for the day. | 0:29:23 | 0:29:27 | |
"Let's go... | 0:29:27 | 0:29:29 | |
"Coffees and croissants for everyone!" | 0:29:29 | 0:29:31 | |
LAUGHTER | 0:29:31 | 0:29:32 | |
I press the snooze button. First thing I do, snooze button, straight away. Nine minutes. | 0:29:32 | 0:29:36 | |
Who came up with nine minutes? | 0:29:36 | 0:29:38 | |
Who thought this was the perfect snooze? | 0:29:38 | 0:29:40 | |
"Ten minutes? No, that's a lie in!" | 0:29:40 | 0:29:43 | |
LAUGHTER | 0:29:43 | 0:29:44 | |
"Eight? That's not enough. Nine? The perfect snooze." Why do we do this? | 0:29:44 | 0:29:48 | |
This nine minutes. Has anyone ever felt better after the nine minutes? | 0:29:48 | 0:29:52 | |
Someone going into work. "Hey, guys, I'm in a good mood today. | 0:29:52 | 0:29:55 | |
"I've had an extra nine minutes sleep. Wooooh!" | 0:29:55 | 0:29:58 | |
All I do after the nine minutes is press it again. | 0:29:59 | 0:30:02 | |
The longest I've pressed the snooze button is four hours. | 0:30:02 | 0:30:05 | |
LAUGHTER | 0:30:05 | 0:30:07 | |
It's not proper sleep, is it? | 0:30:07 | 0:30:09 | |
You don't go back to sleep in that nine minutes. | 0:30:09 | 0:30:12 | |
No, you basically just lie in your own bed having a panic attack. | 0:30:12 | 0:30:16 | |
"It's going to go off any second now. I feel it, It's going to go off, it's going to... | 0:30:16 | 0:30:19 | |
"Any second now, it's going to go off." Sometimes you even check. | 0:30:19 | 0:30:22 | |
"Two minutes left. Two minutes left. I know it's going to go off." | 0:30:22 | 0:30:25 | |
APPLAUSE | 0:30:25 | 0:30:29 | |
These alarms don't work, do they? The smoke alarm. | 0:30:29 | 0:30:31 | |
The smoke alarm overdoes it, doesn't it? EEEEEHHHH. | 0:30:31 | 0:30:35 | |
For some toast, really? | 0:30:35 | 0:30:36 | |
LAUGHTER | 0:30:36 | 0:30:38 | |
The panic that ensues after the smoke alarm's gone off. Too much! | 0:30:38 | 0:30:41 | |
People lose their minds. Open a window, open a window. Quickly! | 0:30:41 | 0:30:46 | |
Open the door, open the door. Start trying to physically push out smoke. | 0:30:46 | 0:30:49 | |
You look insane. Come on, come on. Quickly. Quicker. Tea towel. | 0:30:49 | 0:30:55 | |
Where's the tea towel. Have you got a tea towel? | 0:30:55 | 0:30:57 | |
Where's the tea towel? What is it with the tea towel? | 0:30:57 | 0:31:00 | |
Who's ever seen the Fire Brigade turn up. "We've got this." | 0:31:00 | 0:31:03 | |
LAUGHTER AND APPLAUSE | 0:31:03 | 0:31:06 | |
Well, this next guy I've worked with many times. I love him. | 0:31:12 | 0:31:16 | |
He makes me laugh more than anyone. Please welcome, Paul Chowdhry. | 0:31:16 | 0:31:19 | |
APPLAUSE | 0:31:19 | 0:31:23 | |
What's happening, white people? | 0:31:27 | 0:31:29 | |
CHEERING | 0:31:29 | 0:31:30 | |
Any Scottish people in tonight? | 0:31:30 | 0:31:32 | |
CHEERING | 0:31:32 | 0:31:33 | |
I love Scottish people. | 0:31:33 | 0:31:35 | |
Very close family community. Very community driven society in Scotland. | 0:31:35 | 0:31:38 | |
It's like Indian people. | 0:31:38 | 0:31:39 | |
I went to India recently to get some Scottish whisky for my dad. | 0:31:39 | 0:31:43 | |
LAUGHTER | 0:31:43 | 0:31:44 | |
And they don't import the whisky from Scotland. They imitate it. | 0:31:45 | 0:31:49 | |
So I said to this guy, "Is this Scottish whisky? | 0:31:49 | 0:31:51 | |
He said, "It is Scot-ish." | 0:31:51 | 0:31:53 | |
LAUGHTER | 0:31:53 | 0:31:56 | |
"Scot-ish." | 0:31:56 | 0:31:57 | |
LAUGHTER | 0:31:57 | 0:31:59 | |
Meat has become so cheap now. | 0:31:59 | 0:32:02 | |
Kebabs, so cheap. | 0:32:02 | 0:32:03 | |
You think kebabs are so cheap, no-one's going to want to steal it. | 0:32:03 | 0:32:06 | |
But in Glasgow... | 0:32:08 | 0:32:10 | |
Thieves stole £70 worth of kebab meat. | 0:32:10 | 0:32:14 | |
That's an entire doner kebab... | 0:32:14 | 0:32:17 | |
was dragged through the streets, covered in shit. | 0:32:17 | 0:32:20 | |
And then they stole it. | 0:32:20 | 0:32:22 | |
LAUGHTER | 0:32:22 | 0:32:26 | |
But they didn't touch the salad. | 0:32:26 | 0:32:28 | |
LAUGHTER | 0:32:28 | 0:32:29 | |
"Paul, get the salad." "I'm not freakin' gay!" | 0:32:29 | 0:32:32 | |
LAUGHTER | 0:32:32 | 0:32:34 | |
So, we had the Olympics. 29 gold medals. | 0:32:34 | 0:32:37 | |
29 gold medals. | 0:32:38 | 0:32:40 | |
The Kenyan's, they won... A lot of them weren't even taking part. | 0:32:40 | 0:32:44 | |
Some woman went out to get a pint of milk. | 0:32:44 | 0:32:46 | |
LAUGHTER | 0:32:46 | 0:32:49 | |
"Every time I go and buy a pint of milk somebody gives me a gold medal." | 0:32:49 | 0:32:52 | |
LAUGHTER | 0:32:52 | 0:32:55 | |
"I went to see my friend, I got a silver and a bronze." | 0:32:57 | 0:33:01 | |
LAUGHTER | 0:33:01 | 0:33:03 | |
Now we've got the Paralympics. | 0:33:03 | 0:33:06 | |
I was chosen to perform for Paralympic GB. | 0:33:06 | 0:33:10 | |
I was very nervous cos I wasn't sure whether I'd get | 0:33:10 | 0:33:14 | |
a good parking space. | 0:33:14 | 0:33:15 | |
LAUGHTER | 0:33:15 | 0:33:18 | |
I got one. | 0:33:21 | 0:33:22 | |
LAUGHTER | 0:33:22 | 0:33:25 | |
So they finally caught Saif Gaddafi, | 0:33:25 | 0:33:27 | |
Colonel Gaddafi's son. | 0:33:27 | 0:33:30 | |
Because they found him, they cut his hand off. | 0:33:30 | 0:33:32 | |
Bin Laden's right-hand man, they cut his leg off. | 0:33:32 | 0:33:35 | |
In the Middle East all these terrorists have parts of their body missing. | 0:33:35 | 0:33:38 | |
I want to play the Middle Eastern version of Guess Who? | 0:33:38 | 0:33:40 | |
LAUGHTER | 0:33:40 | 0:33:42 | |
Has he got legs? No. | 0:33:42 | 0:33:44 | |
LAUGHTER | 0:33:44 | 0:33:48 | |
Has he got arms? Yes. | 0:33:48 | 0:33:50 | |
LAUGHTER | 0:33:50 | 0:33:51 | |
Has he got eyes? No. Is it Fatima? | 0:33:51 | 0:33:53 | |
Yeah, that's the bitch. | 0:33:53 | 0:33:55 | |
LAUGHTER AND APPLAUSE | 0:33:55 | 0:33:57 | |
Thank you. | 0:33:57 | 0:33:58 | |
Thanks for being a great crowd. | 0:34:00 | 0:34:02 | |
APPLAUSE | 0:34:02 | 0:34:06 | |
Paul Chowdhry! | 0:34:06 | 0:34:08 | |
It is an honour for me to bring out the next guy. | 0:34:11 | 0:34:13 | |
He's a gentleman, he's brilliant. Please welcome Simon Evans. | 0:34:13 | 0:34:18 | |
APPLAUSE | 0:34:18 | 0:34:22 | |
Good evening. Folks. How are you, are you well? | 0:34:25 | 0:34:28 | |
-AUDIENCE: -Yes! | 0:34:28 | 0:34:29 | |
Marvellous. Olympic fortnight as Paul was referencing there | 0:34:29 | 0:34:32 | |
and I just want to take this opportunity addressing, | 0:34:32 | 0:34:34 | |
as I am, a large, and largely Scottish audience to say | 0:34:34 | 0:34:37 | |
thank you so much to the people of Scotland | 0:34:37 | 0:34:39 | |
for your huge contribution to the medal haul which Team GB achieved. | 0:34:39 | 0:34:42 | |
Apparently, I was reading one of these articles | 0:34:44 | 0:34:46 | |
they write in the paper, one of these sort of hypothetical scenarios. | 0:34:46 | 0:34:49 | |
They were saying that if Scotland were a country... | 0:34:49 | 0:34:53 | |
LAUGHTER | 0:34:53 | 0:34:56 | |
I know, bear with me. | 0:34:56 | 0:34:58 | |
Apparently your medal haul would have been somewhere between Germany | 0:34:58 | 0:35:01 | |
and Yorkshire, or something like that. | 0:35:01 | 0:35:03 | |
But, no, it was very impressive, it really was, marvellous. | 0:35:03 | 0:35:06 | |
And I realise of course, Scotland is an entirely independent country. | 0:35:06 | 0:35:10 | |
It's very much on the agenda now | 0:35:10 | 0:35:12 | |
and many high-profile supporters. Sean Connery for one | 0:35:12 | 0:35:15 | |
and he should know because he lives in the Bahamas. | 0:35:15 | 0:35:17 | |
LAUGHTER | 0:35:17 | 0:35:19 | |
Which has been independent from Britain for a long time now | 0:35:19 | 0:35:21 | |
and is lovely and warm and sunny as a result. | 0:35:21 | 0:35:23 | |
So... | 0:35:23 | 0:35:24 | |
I assure you, if you do achieve independence, | 0:35:26 | 0:35:28 | |
I shall be the first to toast your success with a fine Indian scotch. | 0:35:28 | 0:35:33 | |
But... | 0:35:33 | 0:35:34 | |
LAUGHTER | 0:35:34 | 0:35:36 | |
It did put sports events in a different light, the Olympics. | 0:35:36 | 0:35:38 | |
It cast a bad light on football. | 0:35:38 | 0:35:40 | |
On Premiership football in the UK, I think. I have always granted this. | 0:35:40 | 0:35:44 | |
I say football serves a valuable purpose. | 0:35:44 | 0:35:47 | |
Without doubt, it draws the poison from the High Street. | 0:35:47 | 0:35:50 | |
LAUGHTER | 0:35:50 | 0:35:52 | |
On a Saturday afternoon. | 0:35:52 | 0:35:54 | |
Honest, decent citizens are able to go about their business | 0:35:54 | 0:35:58 | |
knowing that the underclass have been lured into some vast keeping pen. | 0:35:58 | 0:36:04 | |
On the outskirts of town. | 0:36:05 | 0:36:08 | |
Where they are encouraged to focus their hatred and tribal aggression | 0:36:09 | 0:36:13 | |
on one another for a couple of hours and leave the rest of us in peace. | 0:36:13 | 0:36:17 | |
It's extraordinary. You put half of them in different coloured shirts | 0:36:17 | 0:36:21 | |
and they go at each other, like budgerigars and mirrors. Fantastic. APPLAUSE | 0:36:21 | 0:36:26 | |
I was taken to a match recently. | 0:36:26 | 0:36:29 | |
Chelsea FC in the south-west of London. | 0:36:29 | 0:36:32 | |
A huge stadium full of grown men, all dressed in replica kit, the names of their favourite players on the back. | 0:36:32 | 0:36:38 | |
Very much as my son will wear a Spiderman outfit when he goes to see a movie about him. | 0:36:38 | 0:36:43 | |
I went dressed as a grown-up. | 0:36:43 | 0:36:45 | |
In a nice three-piece Norfolk tweed. | 0:36:50 | 0:36:52 | |
Apparently I was the one in fancy dress, judging by the way they were pointing at me. | 0:36:52 | 0:36:56 | |
And they were led out by John Terry, of course. | 0:36:56 | 0:36:59 | |
He was standing trial at that time and was no longer England captain | 0:36:59 | 0:37:02 | |
because he was awaiting trial for allegedly calling another player on the field of play | 0:37:02 | 0:37:07 | |
in the BBC Three version and effing black C word. | 0:37:07 | 0:37:10 | |
The irony is out of that self-censored remark, the only word at issue was the word black. | 0:37:10 | 0:37:15 | |
The rest was fine, apparently. | 0:37:15 | 0:37:18 | |
I've never liked John Terry, | 0:37:18 | 0:37:20 | |
for many of the same reasons I don't like skiing. | 0:37:20 | 0:37:23 | |
Strikes me as vulgar, waste of money, likely to break your legs | 0:37:23 | 0:37:26 | |
and his eyes are too close together. | 0:37:26 | 0:37:29 | |
I'll leave you on that crossword clue. Thank you very much. | 0:37:29 | 0:37:32 | |
Have a wonderful festival. APPLAUSE | 0:37:32 | 0:37:36 | |
Simon Evans. Yes. | 0:37:39 | 0:37:42 | |
Brilliant. | 0:37:42 | 0:37:44 | |
Go crazy, go wild for the fantastic Rob Beckett. | 0:37:44 | 0:37:48 | |
APPLAUSE | 0:37:48 | 0:37:51 | |
-Hello. We all right? AUDIENCE: -Yes. | 0:37:51 | 0:37:54 | |
Good. I'm Rob. I'm working class. Any working class in? | 0:37:54 | 0:37:58 | |
-Yeah. -Middle-class? -Yeah. | 0:37:58 | 0:38:01 | |
It's confusing, class, if you're not sure you can do a little test to see if you're working class. | 0:38:01 | 0:38:05 | |
You're normally working class if your television is bigger than your bookcase. | 0:38:05 | 0:38:10 | |
That's how it works. So you have a 50 inch plasma on the wall | 0:38:11 | 0:38:16 | |
and then a bookcase from IKEA next to it, with DVDs on it normally. | 0:38:16 | 0:38:22 | |
Sometimes books. Books like, Oi, I Know The Kray Twins, You Mug. Stuff like that. | 0:38:24 | 0:38:29 | |
Or a copy of Da Vinci Code when your mum got a bit cocky. | 0:38:29 | 0:38:34 | |
"I will read it. All the girls have been talking about it." | 0:38:34 | 0:38:37 | |
"No, you won't." The girls are her mates. I don't know why she calls them the girls. | 0:38:37 | 0:38:41 | |
There's five of them, combined age of 298. | 0:38:41 | 0:38:43 | |
The first time I ever properly knew I was working class, I remember | 0:38:43 | 0:38:47 | |
reading an interview with this posh bloke, asked what his hobbies were. | 0:38:47 | 0:38:51 | |
He put down rowing. I read it as "rah-wing". | 0:38:51 | 0:38:54 | |
I was like, "He loves kicking off, this bloke, doesn't he? He's telling the paper, I like a tear-up." | 0:39:00 | 0:39:06 | |
Steve Redgrave as well, you wouldn't have thought it, would you? | 0:39:06 | 0:39:11 | |
My mum didn't have big expectations for me and my four brothers. Russ, Darren, Joe and Dan. | 0:39:11 | 0:39:16 | |
She gave us names she said that we could live up to. | 0:39:16 | 0:39:19 | |
You can't be called Sebastian and be a plumber. | 0:39:19 | 0:39:22 | |
It don't work. You wouldn't trust it. Imagine ringing up and going, "Can I have a plumber?" | 0:39:22 | 0:39:26 | |
"Sebastian will be with you in the morning." | 0:39:26 | 0:39:29 | |
"Sebastian?! I want a plumber, not the managing director. | 0:39:29 | 0:39:33 | |
"It's not Undercover Bosses, I've got a leak." | 0:39:33 | 0:39:37 | |
Sebastian's got to work all day with someone. | 0:39:37 | 0:39:40 | |
If he's in the van with Terry, they're not going to get on. | 0:39:40 | 0:39:45 | |
Terry is there. "Who's the U bend for? Who needs it?" | 0:39:45 | 0:39:49 | |
"It's whom, Terry." "Shut up, Sebastian." | 0:39:49 | 0:39:52 | |
"I'm sick of it, mate. Peppermint tea in the caff. What are you thinking?" | 0:39:54 | 0:39:58 | |
My girlfriend gets a bit embarrassed about me as well because I've got a very middle-class girlfriend. | 0:40:00 | 0:40:05 | |
She used to be upper-class but we're together now. | 0:40:05 | 0:40:09 | |
Her sister's got a boyfriend called Rupert. | 0:40:10 | 0:40:14 | |
Rupert. As in the name. | 0:40:14 | 0:40:16 | |
I'm not having a go, it's a decent name. I just never thought I'd meet one. | 0:40:19 | 0:40:25 | |
The thing is, the difference between my girlfriend's family and my family is so apparent. | 0:40:25 | 0:40:30 | |
In my house, on a Saturday night, we'll watch telly, | 0:40:30 | 0:40:32 | |
You've Been Framed, eating dinner off our laps. | 0:40:32 | 0:40:35 | |
Bit of a chavvy way to have your dinner. But we like it. | 0:40:35 | 0:40:38 | |
You go round my girlfriend's house, they sit in the conservatory, | 0:40:38 | 0:40:42 | |
there's a table big enough for everyone, they have wine, talk about politics | 0:40:42 | 0:40:47 | |
and I started thinking, "This is how we're supposed to do dinner. It's nice." | 0:40:47 | 0:40:50 | |
After ten minutes, I realise, I haven't got an opinion and I'd quite like to see a dog fall in a puddle. | 0:40:50 | 0:40:56 | |
I've been Rob Beckett. Be lucky. See you soon. Cheers. Bye. | 0:40:56 | 0:41:00 | |
APPLAUSE | 0:41:00 | 0:41:03 | |
Rob Beckett. Yes. | 0:41:04 | 0:41:08 | |
Up next, a very good friend of mine. She's been smashing Edinburgh. | 0:41:08 | 0:41:11 | |
-I know you're going to love her. Please welcome Suzi Ruffell. -APPLAUSE | 0:41:11 | 0:41:17 | |
Good evening, Edinburgh. How are we doing? Are we well? | 0:41:17 | 0:41:21 | |
Give me a cheer if you're drinking tonight. CHEERS | 0:41:21 | 0:41:25 | |
I've been drinking too much at the festival. I've woken up too many times at this festival like this. | 0:41:25 | 0:41:30 | |
"Oh, God. Oh, God, this is it. This might be how I go. | 0:41:30 | 0:41:34 | |
"My tombstone might actually say Suzi Ruffell, Jagered to death." | 0:41:34 | 0:41:39 | |
My next thought when I'm that hungover, anxiety is off the charts | 0:41:39 | 0:41:43 | |
because I'm worried about what happened the night before. And do you know how I find out what happened? | 0:41:43 | 0:41:48 | |
Online banking. Let's find out what happened last night. | 0:41:48 | 0:41:52 | |
I've spent £106 in a Wetherspoon's. | 0:41:52 | 0:41:57 | |
How did I spend £106 in a Wetherspoon's? | 0:41:58 | 0:42:04 | |
Do I now own a Wetherspoon's? | 0:42:04 | 0:42:06 | |
We're drawing to the end of the festival now. I'm kind of ready to go home. I'm getting a bit homesick. | 0:42:06 | 0:42:12 | |
I'm looking forward to having a week at home with my mum and dad. I had to go home recently. | 0:42:12 | 0:42:17 | |
My dad rang me up in the middle of the night, he said, | 0:42:17 | 0:42:20 | |
"You've got to get home as quickly as you possibly can. Your nan has had a fall." I thought the worst. | 0:42:20 | 0:42:25 | |
I got down there as quickly as I could. When I got there, she was in the hospital. | 0:42:25 | 0:42:29 | |
I walked in, there she was. | 0:42:29 | 0:42:32 | |
She was blue, bruised, she looked horrendous. I walked in, she opened her eyes and she recognised me. | 0:42:32 | 0:42:37 | |
And then she beckoned me towards her. | 0:42:37 | 0:42:40 | |
I thought, "My nan is about to impart some sort of wisdom on me. | 0:42:40 | 0:42:43 | |
"She's about to tell me what 80 years on this Earth has taught her." | 0:42:43 | 0:42:47 | |
She took off her air mask and said, | 0:42:47 | 0:42:49 | |
"See that woman over there? | 0:42:49 | 0:42:54 | |
"See how she's got a really long neck? | 0:42:55 | 0:43:00 | |
"The whole of her family are like that." | 0:43:01 | 0:43:05 | |
And then she put her mask back on. It was like, "Nurse, she is gossiping. I think she's ready to go home." | 0:43:07 | 0:43:13 | |
She was in her 80s, that was all she was really living for. | 0:43:13 | 0:43:17 | |
Not long before she died, me and my cousins were around her bed and she was in and out of consciousness. | 0:43:17 | 0:43:23 | |
None of us knew what to do until my cousin Holly had the best idea. | 0:43:23 | 0:43:27 | |
She leant in and went, "Nan, Nan, guess who's got fat." | 0:43:27 | 0:43:31 | |
Boom. She stayed with us for another two weeks. | 0:43:31 | 0:43:34 | |
Incredible. Her last words were quite special. | 0:43:34 | 0:43:39 | |
She looked my dad square the eyes and said, "Tell that nurse she needs a bra." | 0:43:39 | 0:43:44 | |
If you need any more convincing that old people don't care any more, | 0:43:44 | 0:43:49 | |
go to your local leisure centre. | 0:43:49 | 0:43:51 | |
There will always be one old lady in there completely naked, no matter what time of the day it is. | 0:43:51 | 0:43:56 | |
I'm starting to think she lives inside a locker and waits for people. "Hello, here I am!" | 0:43:56 | 0:44:02 | |
She'll have a bush that rivals Kew Gardens, just massive. She'll keep things in there. | 0:44:02 | 0:44:07 | |
She'll have a pound for her locker, her swimming costume, she'll get out of it. | 0:44:07 | 0:44:11 | |
She was on her way to an aqua aerobics class. | 0:44:11 | 0:44:15 | |
I'd never been to an aqua aerobics class, | 0:44:15 | 0:44:18 | |
but if you haven't been, | 0:44:18 | 0:44:20 | |
what it is is old ladies slow motion dancing, immersed in water. | 0:44:20 | 0:44:24 | |
At my gym, they thought they would couple this | 0:44:24 | 0:44:26 | |
with hard house dance music. | 0:44:26 | 0:44:29 | |
The music they put on was something like, mm-tsh, mm-tsh, mm-tsh, mm-tsh, mm-tsh, mm-tsh. | 0:44:29 | 0:44:35 | |
And just old ladies doing this. | 0:44:35 | 0:44:38 | |
It was like a rave scene from Cocoon. They were moving so slowly, | 0:44:44 | 0:44:48 | |
if you had swapped water for formaldehyde, put it in the Tate, | 0:44:48 | 0:44:51 | |
everyone would have thought it was Damien Hirst. | 0:44:51 | 0:44:54 | |
It was a piece of art, a genuinely was. | 0:44:54 | 0:44:57 | |
You have been delightful. My name is Suzi Ruffell. Thank you. Good night. | 0:44:57 | 0:45:01 | |
APPLAUSE | 0:45:01 | 0:45:03 | |
Suzi Ruffell. | 0:45:03 | 0:45:06 | |
This next act is a very good friend of mine. | 0:45:06 | 0:45:10 | |
I've been touring the country with him. He makes me laugh so much. Give it up for Marlon Davis. | 0:45:10 | 0:45:15 | |
APPLAUSE | 0:45:15 | 0:45:18 | |
Hello. | 0:45:20 | 0:45:23 | |
-Hello, Edinburgh. You all well? AUDIENCE: -Yes. | 0:45:23 | 0:45:26 | |
I'm OK myself. I've been up here for the Fringe Festival. | 0:45:26 | 0:45:29 | |
I have to keep in contact with my mum back home. | 0:45:29 | 0:45:32 | |
I call home and I cross my fingers, | 0:45:32 | 0:45:34 | |
hoping that my stepfather doesn't answer the phone. | 0:45:34 | 0:45:37 | |
You guys don't know him, | 0:45:37 | 0:45:39 | |
but he's kind of like Trigger from Only Fools And Horses. | 0:45:39 | 0:45:43 | |
He's a nice guy but... I phone home, I'm like, "Hello." | 0:45:43 | 0:45:47 | |
"Hello. Who is it?" | 0:45:47 | 0:45:49 | |
"It's Marlon." "Marlon? Marlon is not here." | 0:45:49 | 0:45:53 | |
"Yeah, I know. It's me." "It's me? Who is it's me? | 0:45:56 | 0:46:00 | |
"Is this a prank call? | 0:46:00 | 0:46:02 | |
"Who is this?" I'm like, "Jesus, man!" "Jesus? | 0:46:02 | 0:46:06 | |
"On the phone? I didn't know it was going to be like this. | 0:46:06 | 0:46:12 | |
"What do you want?" "Is my mum there?" "Mary?" "No!" | 0:46:12 | 0:46:17 | |
Wrong telephone number. | 0:46:23 | 0:46:25 | |
All of us in this room right now, even in these credit crunchy times, | 0:46:25 | 0:46:29 | |
it's still great because this is the best time ever to be alive right now. | 0:46:29 | 0:46:33 | |
The best time ever. You've got all these things that's available to us. | 0:46:33 | 0:46:37 | |
You've got things like the iPhone. | 0:46:37 | 0:46:39 | |
And I say the iPhone, you're like, "Uh." It's the iPhone, synonymous with our culture right now. | 0:46:39 | 0:46:43 | |
That's how we live. But the iPhone is amazing. The way how it is. | 0:46:43 | 0:46:47 | |
It came out in 2007. | 0:46:47 | 0:46:50 | |
I don't know what my life was like before the iPhone. | 0:46:50 | 0:46:53 | |
I had to Google it. | 0:46:53 | 0:46:54 | |
Because we Google everything right now. | 0:46:56 | 0:46:59 | |
We don't think for ourselves whatsoever at all. | 0:46:59 | 0:47:01 | |
You have an argument with someone, I'm right, you're wrong, I'm right, you're wrong. We Google it. | 0:47:01 | 0:47:06 | |
Even if I'm sick, I go online now to the web doctor, | 0:47:06 | 0:47:10 | |
find out what's wrong with me instantly. | 0:47:10 | 0:47:12 | |
Something was wrong with me around this area, | 0:47:12 | 0:47:15 | |
didn't know what it was, typed it out into Google, | 0:47:15 | 0:47:17 | |
turns out I've got a bad knee. | 0:47:17 | 0:47:18 | |
I found out straight away. It's a bad knee. I don't actually have to think for myself. It's great. | 0:47:18 | 0:47:25 | |
It's fast, it's efficient. I hate going to the real doctors. | 0:47:25 | 0:47:29 | |
I've been filling out forms for my whole entire life saying this person is my doctor. | 0:47:29 | 0:47:34 | |
I ain't seen the shyster since I've been three years old. Who is this guy? | 0:47:34 | 0:47:39 | |
Every time I go to the doctors it's another person sat in his seat, | 0:47:39 | 0:47:43 | |
"How can I help you?" By finding my bloody doctor. | 0:47:43 | 0:47:47 | |
That's what I want to say, but I turn into a wimp. "No, the problem hurts me around this area." | 0:47:47 | 0:47:53 | |
He goes, "Let me have a look at it." I close my eyes and I'm wincing. | 0:47:53 | 0:47:57 | |
No-one's touched my leg for at least a minute. | 0:47:57 | 0:48:00 | |
I open my eyes and he's on Google. | 0:48:00 | 0:48:02 | |
"What are you doing?" "I don't know. It turns out you've got a bad knee." | 0:48:04 | 0:48:08 | |
Ladies and gentlemen, I've been Marlon Davis. Thank you very much. Good night. | 0:48:08 | 0:48:13 | |
APPLAUSE | 0:48:13 | 0:48:15 | |
Marlon Davis. | 0:48:18 | 0:48:20 | |
Yes. | 0:48:21 | 0:48:22 | |
Next up, please welcome a very funny man, a good friend of mine, | 0:48:22 | 0:48:26 | |
fantastic comedian, John Gordillo. | 0:48:26 | 0:48:28 | |
APPLAUSE | 0:48:28 | 0:48:30 | |
Hello. Good evening. Thank you very much. | 0:48:35 | 0:48:39 | |
I'm watching all of the different shows and posters. | 0:48:39 | 0:48:42 | |
Everything just has sensational reviews. Everything has five stars. | 0:48:42 | 0:48:46 | |
How can you decide what's good? It's not like the Fringe, | 0:48:46 | 0:48:50 | |
there's something for everyone. It's that there's someone for everything. | 0:48:50 | 0:48:54 | |
That's the reality of the situation. And anything can be reviewed. | 0:48:54 | 0:48:58 | |
There is nothing that cannot get a review. | 0:48:58 | 0:49:01 | |
If you buy a book off Amazon, you can review the book, | 0:49:01 | 0:49:04 | |
but it's more screwed up because you can leave reviews | 0:49:04 | 0:49:08 | |
for the person who put the book in the envelope. | 0:49:08 | 0:49:12 | |
And sent it. They get a review. People are reviewing that. | 0:49:12 | 0:49:16 | |
You go and you have a look at these reviews, | 0:49:16 | 0:49:19 | |
every review on there is five stars. | 0:49:19 | 0:49:22 | |
I'm sure not sure you understand the true abhorrence that I feel as a comedian right now. | 0:49:22 | 0:49:27 | |
Do you realise what it takes to take get a five star review in our game? | 0:49:27 | 0:49:30 | |
That's impossible. | 0:49:30 | 0:49:32 | |
You need jokes, delivery, structure, the X factor... | 0:49:32 | 0:49:36 | |
You can't give five stars to a man putting a book in an envelope. | 0:49:36 | 0:49:41 | |
There aren't five things to do in the whole... I'm just going to read... | 0:49:43 | 0:49:47 | |
I just copied some of the reviews down. Genuine reviews. | 0:49:47 | 0:49:52 | |
"Five stars, well sealed and correctly addressed." | 0:49:52 | 0:49:57 | |
"Five stars, item arrived as described." | 0:50:03 | 0:50:07 | |
How is having your most basic expectations met a five-star experience? | 0:50:09 | 0:50:13 | |
What do you have to get to get four stars? "Book did not arrive, four stars." | 0:50:13 | 0:50:18 | |
"Five stars, I don't know how they do it." | 0:50:20 | 0:50:24 | |
I've copied something out of the paper the other day. I'd like to read it to you. | 0:50:25 | 0:50:30 | |
"Mieczyslaw Weinberg wrote much impassioned music in Moscow during his lifetime. | 0:50:30 | 0:50:35 | |
"His 1967 Requiem had to wait 45 years for its UK premiere | 0:50:36 | 0:50:41 | |
"last Saturday in a meticulously delivered recital | 0:50:41 | 0:50:45 | |
"by the Royal Liverpool Philharmonic Orchestra, the choristers of Liverpool Cathedral | 0:50:45 | 0:50:51 | |
"and an outstanding Lithuanian soprano, Asmik Grigorian. | 0:50:51 | 0:50:56 | |
"Tolling bells underline dark passages | 0:50:57 | 0:51:02 | |
"and the overall mood is of numbed bleakness. | 0:51:02 | 0:51:06 | |
"This feels like a Requiem, not just for one's soul | 0:51:06 | 0:51:11 | |
"but for a self-destructive species. | 0:51:11 | 0:51:15 | |
"Three stars." | 0:51:15 | 0:51:17 | |
APPLAUSE | 0:51:20 | 0:51:22 | |
But a man puts a book in an envelope... | 0:51:32 | 0:51:35 | |
Thank you very much. Have a great festival. | 0:51:37 | 0:51:40 | |
APPLAUSE | 0:51:40 | 0:51:43 | |
John Gordillo. | 0:51:43 | 0:51:45 | |
Give it up for this next guy. He's been ripping Edinburgh. | 0:51:47 | 0:51:50 | |
You're going to love him. Hal Cruttenden. | 0:51:50 | 0:51:53 | |
APPLAUSE | 0:51:53 | 0:51:55 | |
Thank you very much. Lovely to be here. Lovely to be in Edinburgh. | 0:51:56 | 0:52:02 | |
It's not as rough as Glasgow, is it? | 0:52:02 | 0:52:05 | |
You think you are. "We've got a terrible heroin problem." | 0:52:06 | 0:52:09 | |
But you've also got the biggest arts festival in the world here. | 0:52:09 | 0:52:14 | |
You can't help but be a little bit Sheila Showbiz, can you? | 0:52:14 | 0:52:18 | |
It is lovely. I love Scotland. I love the Scottish accent. | 0:52:19 | 0:52:23 | |
A lot of English people are frightened of it. | 0:52:23 | 0:52:25 | |
I'm not. I'm married to a Northern Irish woman. | 0:52:25 | 0:52:28 | |
That is the most frightening accent in the world. | 0:52:28 | 0:52:31 | |
My wife scares me when she's being loving. "I LOVE YOU VERY MUCH!" | 0:52:31 | 0:52:35 | |
"OK, great, Cheers." | 0:52:35 | 0:52:38 | |
"I WANT TO SPEND THE REST OF MY LIFE WITH YOU!" | 0:52:38 | 0:52:41 | |
"OK, we'll do that." | 0:52:41 | 0:52:44 | |
"I FEEL SAFE WHEN I'M WITH YOU!" | 0:52:48 | 0:52:49 | |
"That's ironic. Erm..." | 0:52:51 | 0:52:53 | |
They've got a north-south divide in Ireland, we have a north-south divide in England actually. | 0:52:55 | 0:53:00 | |
Any northern English people here? Yeah? | 0:53:00 | 0:53:03 | |
Do you believe in the north-south divide in England? I do. | 0:53:03 | 0:53:07 | |
Let's build a wall, make it official. Yeah? | 0:53:07 | 0:53:09 | |
Obviously, you can build it. We'll pay for it. | 0:53:09 | 0:53:12 | |
It's based on stereotypes. All this is based on stereotypes. | 0:53:16 | 0:53:20 | |
I have relatives from Grimsby who come to London where I live | 0:53:20 | 0:53:23 | |
and they look for it to fulfil its stereotype. | 0:53:23 | 0:53:26 | |
They walk round London going, "It's so unfriendly. No-one chats to each other." | 0:53:26 | 0:53:32 | |
I say to them, "Why this constant need to chat in Grimsby? | 0:53:32 | 0:53:36 | |
"If there was a little less chat and a bit more reading... | 0:53:38 | 0:53:44 | |
"Grimsby could be a cultural and economic superpower, it really could." | 0:53:47 | 0:53:53 | |
But there's an assumption that London's unfriendly, London is rich. London has rich people. | 0:53:53 | 0:53:59 | |
It also has the biggest concentration of poverty in the UK. Not me, thank God. God, no. | 0:53:59 | 0:54:04 | |
No, no. This goes tits up, Mummy bails me out. | 0:54:06 | 0:54:11 | |
But we've had the Olympics, of course, in London. | 0:54:14 | 0:54:17 | |
Scotland got a quarter of Team GB's gold medals. | 0:54:17 | 0:54:22 | |
CHEERING | 0:54:22 | 0:54:24 | |
Aren't you sporty... | 0:54:24 | 0:54:26 | |
when you steer clear of football? | 0:54:26 | 0:54:28 | |
No, it does make... It was so exciting to see people in minority sports. They're so excited. | 0:54:32 | 0:54:38 | |
So many of our top sports people in the well-known sports are so dull. | 0:54:38 | 0:54:42 | |
Tennis players are such dull whingers. | 0:54:42 | 0:54:46 | |
Even Andy Murray, I know he's lovely. | 0:54:46 | 0:54:48 | |
He's shown emotion this year but most of the time he's just a dull whinger. | 0:54:48 | 0:54:52 | |
He is. | 0:54:52 | 0:54:54 | |
"My backhand wasn't going so well and I wasn't moving around the court | 0:54:54 | 0:54:57 | |
"and I tried to grow a beard. It's just bumfluff." | 0:54:57 | 0:55:00 | |
"I don't even like tennis. I'm just too scared to tell my mum." | 0:55:05 | 0:55:09 | |
She is frightening, isn't she? "Win for me, Andy! For me!" | 0:55:15 | 0:55:19 | |
Tennis players, they're boring. | 0:55:23 | 0:55:25 | |
Footballers are of course the biggest bastards. | 0:55:25 | 0:55:27 | |
As an Englishman, it's very hard to support the England football team. They're such a bunch of bastards. | 0:55:27 | 0:55:33 | |
You watch them walk out on the field before the game, they all walk out | 0:55:33 | 0:55:37 | |
with a small child, little mascot, to show that they're nice guys. | 0:55:37 | 0:55:40 | |
Those are children from extramarital affairs. You know that, don't you? | 0:55:40 | 0:55:46 | |
It's the only time they see them. They're walking out, "How was school? | 0:55:47 | 0:55:53 | |
"Is school going well" "Who are you?" They're bastards! | 0:55:53 | 0:55:55 | |
APPLAUSE | 0:55:55 | 0:55:58 | |
You've been lovely. Thank you very much. Thank you. | 0:55:58 | 0:56:01 | |
APPLAUSE | 0:56:01 | 0:56:06 | |
Hal Cruttenden. We love Hal. | 0:56:06 | 0:56:10 | |
Ladies and gentlemen, you've been brilliant, thanks for watching. | 0:56:10 | 0:56:14 | |
I've been Seann Walsh. This has been Edinburgh Comedy Fest Live. Good night. | 0:56:14 | 0:56:18 | |
CHEERING AND APPLAUSE | 0:56:18 | 0:56:21 | |
Subtitles by Red Bee Media Ltd | 0:56:24 | 0:56:27 |