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It's Edinburgh Comedy Fest Live. | 0:00:21 | 0:00:24 | |
CHEERING AND APPLAUSE | 0:00:24 | 0:00:26 | |
Please welcome Kevin Bridges. | 0:00:26 | 0:00:29 | |
Thank you! | 0:00:33 | 0:00:34 | |
Ladies and gentleman, good evening! | 0:00:37 | 0:00:40 | |
Welcome along to Edinburgh Comedy Fest Live - there we are. | 0:00:40 | 0:00:43 | |
CHEERING | 0:00:43 | 0:00:45 | |
It's exciting. Edinburgh. | 0:00:45 | 0:00:46 | |
Edin... Edin... "Edimburgo," I discovered it's called | 0:00:46 | 0:00:49 | |
this summer in a Spanish airport. | 0:00:49 | 0:00:51 | |
Edimburgo. | 0:00:51 | 0:00:52 | |
I love watching the hysteria at the Edimburgo departure gate. | 0:00:52 | 0:00:57 | |
"Edimburgo? Where's that aboot, eh? | 0:00:57 | 0:01:00 | |
"David, let me see the boarding passes. David! | 0:01:00 | 0:01:03 | |
"Edimburgo? Is this the right terminal?" | 0:01:03 | 0:01:06 | |
HE LAUGHS | 0:01:06 | 0:01:07 | |
I don't even know if that's the accent. | 0:01:07 | 0:01:09 | |
We're here, anyway. We're making a show. | 0:01:09 | 0:01:11 | |
CHEERING | 0:01:11 | 0:01:12 | |
Yeah. Feel that excitement there. | 0:01:12 | 0:01:13 | |
I'm 27, I'm no longer a youth. | 0:01:13 | 0:01:15 | |
I've got mates who are getting married, having kids, | 0:01:15 | 0:01:17 | |
I'm thinking about it - you never know. | 0:01:17 | 0:01:19 | |
I live in a nice part of Glasgow these days, though, so if... | 0:01:19 | 0:01:22 | |
I live in a... I live in a leafy suburb | 0:01:22 | 0:01:24 | |
so, if I have children, they'll be pricks! | 0:01:24 | 0:01:26 | |
That's... I've came to terms... | 0:01:26 | 0:01:29 | |
That's what's gonnae happen - I'm gonnae raise pricks. | 0:01:29 | 0:01:32 | |
My own son, he'll be that wee guy | 0:01:32 | 0:01:34 | |
walking down with his purple blazer, carrying a violin case | 0:01:34 | 0:01:37 | |
just tuned to the moon. | 0:01:37 | 0:01:39 | |
He's gonnae grow up on a different planet from me. | 0:01:42 | 0:01:46 | |
I don't know how I'll handle that. | 0:01:46 | 0:01:47 | |
I think it'll be tough to take, my own son going, "Dad. | 0:01:47 | 0:01:50 | |
"Dad, this iPad isn't performing the software update. | 0:01:50 | 0:01:52 | |
"Er, can you...? | 0:01:52 | 0:01:55 | |
"Can you book an appointment with a Genius this Saturday | 0:01:55 | 0:01:57 | |
"and have this resolved once and for all?" | 0:01:57 | 0:02:00 | |
-"Shut the -BLEEP -up, ya wee tool!" | 0:02:00 | 0:02:02 | |
LAUGHTER AND APPLAUSE | 0:02:02 | 0:02:05 | |
That's the kind of father I'll be. | 0:02:09 | 0:02:10 | |
"You can go upstairs, find my golf club, | 0:02:10 | 0:02:12 | |
"go outside and chop some jaggy nettles. | 0:02:12 | 0:02:14 | |
"How's that sound? | 0:02:14 | 0:02:15 | |
"That's our Saturday afternoon, we're speaking to no Genius. | 0:02:18 | 0:02:21 | |
"You go out there, chop some jaggies, get to know yourself. | 0:02:21 | 0:02:24 | |
"Embrace the boredom, decapitate a few dandelions." | 0:02:26 | 0:02:29 | |
That's it - young people, they don't know how to be bored any more. | 0:02:31 | 0:02:34 | |
Boredom's dying, they're just too busy checking Facebook and just... | 0:02:34 | 0:02:37 | |
You know that-that hollow sadness that hits you | 0:02:37 | 0:02:40 | |
when you're spending too much time on Facebook, | 0:02:40 | 0:02:42 | |
just realising how much you hate your own aunties and stuff. | 0:02:42 | 0:02:45 | |
Like, "T-Mobile are actually so frustrating." | 0:02:47 | 0:02:49 | |
"Auntie Janice, I despise you." | 0:02:49 | 0:02:51 | |
I preferred the relationship pre-Facebook. | 0:02:54 | 0:02:56 | |
See, once... Birthday, Christmas - twice a year. | 0:02:56 | 0:02:58 | |
Great, Auntie - loved it. | 0:02:58 | 0:03:00 | |
Just don't like your opinions and stuff. | 0:03:00 | 0:03:02 | |
I used to get bored when I was young. | 0:03:02 | 0:03:04 | |
I used to sit and record myself singing on a cassette player, | 0:03:04 | 0:03:07 | |
remember the days? | 0:03:07 | 0:03:08 | |
Hitting play and record at the same time, | 0:03:08 | 0:03:10 | |
singing mid-'90s pop songs, that was me. | 0:03:10 | 0:03:12 | |
# Baby, if you've got to go away... # | 0:03:12 | 0:03:15 | |
HE LAUGHS | 0:03:16 | 0:03:18 | |
# Don't think I can take the pain | 0:03:19 | 0:03:22 | |
# Won't you stay another day? | 0:03:22 | 0:03:24 | |
# Stay now. # | 0:03:24 | 0:03:25 | |
That was boredom and it created something beautiful! | 0:03:26 | 0:03:30 | |
I tried to start a boy band based on that, | 0:03:31 | 0:03:34 | |
on that single that I released to myself, played it back. | 0:03:34 | 0:03:38 | |
That was Element Four, that's what we were called. | 0:03:38 | 0:03:40 | |
I gave me and my mates... I was bored! | 0:03:40 | 0:03:42 | |
I gave me and my mates aliases - | 0:03:42 | 0:03:43 | |
Earth, Wind, Rain, Fire, that was us. | 0:03:43 | 0:03:45 | |
I was Wind and they laughed at me. "That's it," I thought. | 0:03:45 | 0:03:48 | |
I thought, "I'm going solo - Big Wind." | 0:03:48 | 0:03:50 | |
APPLAUSE | 0:03:52 | 0:03:54 | |
Anyway, we're going to get the first guy on. | 0:03:54 | 0:03:56 | |
Ladies and gentlemen, please make some noise | 0:03:56 | 0:03:58 | |
for the wonderful Nish Kumar. | 0:03:58 | 0:03:59 | |
CHEERING AND APPLAUSE | 0:03:59 | 0:04:04 | |
Good evening, ladies and gentlemen. My name is Nish. How are you? | 0:04:09 | 0:04:13 | |
-AUDIENCE: -Whoo! | 0:04:13 | 0:04:14 | |
Good. I was born in London but my parents were not. | 0:04:14 | 0:04:17 | |
My parents come from India. | 0:04:17 | 0:04:18 | |
They come from a part of India called Kerala, | 0:04:18 | 0:04:20 | |
a very interesting place. | 0:04:20 | 0:04:21 | |
There's been a lot of immigration there in the last 600, 700 years. | 0:04:21 | 0:04:24 | |
Vasco da Gama led a Portuguese delegation there. | 0:04:24 | 0:04:27 | |
There's an indigenous Arab population, | 0:04:27 | 0:04:29 | |
there's an indigenous Jewish population | 0:04:29 | 0:04:31 | |
and what's happened is all that diversity | 0:04:31 | 0:04:34 | |
has crawled up and landed on my FACE because... | 0:04:34 | 0:04:38 | |
..this is an ethnically ambiguous situation, OK? | 0:04:40 | 0:04:43 | |
It looks like I've gone to a costume party dressed as EVERYONE. | 0:04:43 | 0:04:46 | |
And...here's a little trick I can play with my face. | 0:04:46 | 0:04:49 | |
It changes ethnicity depending on | 0:04:49 | 0:04:51 | |
the angle at which you are looking at it. | 0:04:51 | 0:04:52 | |
So watch this - it starts like this, going | 0:04:52 | 0:04:54 | |
"Arab, Arab, Arab, Arab, Arab, | 0:04:54 | 0:04:55 | |
"Jew, Brazilian!" It's that kind of face. | 0:04:55 | 0:04:58 | |
You might think, "Oh, that's nice - | 0:05:00 | 0:05:01 | |
"you embody the diversity of the global community, | 0:05:01 | 0:05:03 | |
"you're a citizen of the modern world." | 0:05:03 | 0:05:05 | |
Let me tell you, all that means is I get stopped at customs EVERYWHERE. | 0:05:05 | 0:05:08 | |
I am a person of interest to absolutely everyone | 0:05:08 | 0:05:12 | |
and it doesn't matter if they see the British passport, | 0:05:12 | 0:05:14 | |
cos I've got a face that looks like it comes | 0:05:14 | 0:05:16 | |
from the People's Arab Republic Of Jewishstan. | 0:05:16 | 0:05:18 | |
But I'm very proud of being both British and Asian. | 0:05:21 | 0:05:24 | |
It's very nice - I feel very proud of being a multicultural man. | 0:05:24 | 0:05:28 | |
But, very often, people don't like you to be both - | 0:05:28 | 0:05:30 | |
they like you to pick one and stick with it. | 0:05:30 | 0:05:32 | |
And this pressure comes from both sides. | 0:05:32 | 0:05:34 | |
Because Indian people who live in Britain | 0:05:34 | 0:05:36 | |
have a word for people that they don't think are being Indian enough | 0:05:36 | 0:05:40 | |
and that word is "coconut". | 0:05:40 | 0:05:41 | |
Coconut because you're brown on the outside, white on the inside. | 0:05:41 | 0:05:45 | |
Coconut because you're brown on the outside, | 0:05:45 | 0:05:47 | |
white on the inside. | 0:05:47 | 0:05:49 | |
Coconut because you're brown on the outside, white on the inside. | 0:05:49 | 0:05:51 | |
Now, biologically, this is a crock of shit. | 0:05:51 | 0:05:54 | |
Biologically, I'm brown on the outside | 0:05:54 | 0:05:57 | |
and then there's just a load of red-and-black crap. | 0:05:57 | 0:05:59 | |
So I'm less a coconut, | 0:05:59 | 0:06:01 | |
I'm more a Black Forest gateau. | 0:06:01 | 0:06:03 | |
Which, ironically, is exactly the sort of comment | 0:06:05 | 0:06:07 | |
that led to me being labelled as a coconut. | 0:06:07 | 0:06:09 | |
And, the thing is, I make light of it now | 0:06:11 | 0:06:13 | |
but it really used to affect me | 0:06:13 | 0:06:14 | |
until, one day, I was having a conversation | 0:06:14 | 0:06:16 | |
with one of the kids who called me a coconut | 0:06:16 | 0:06:18 | |
and he said, "What you doing over the Christmas holidays?" | 0:06:18 | 0:06:20 | |
I said, "I'm going to India to visit my grandmother." | 0:06:20 | 0:06:23 | |
And he said, "Urgh! Why you doing that?!" | 0:06:23 | 0:06:25 | |
I was like... | 0:06:25 | 0:06:27 | |
"She lives in India. | 0:06:27 | 0:06:28 | |
"She's my grandma. | 0:06:30 | 0:06:31 | |
"I have no idea." | 0:06:33 | 0:06:34 | |
I never thought I'd have to justify that sentence. | 0:06:34 | 0:06:37 | |
And he said, "I'm never going to India." | 0:06:37 | 0:06:39 | |
And I said, "Why not?" | 0:06:39 | 0:06:40 | |
He said, "Cos it's dirty and they don't have rap music." | 0:06:40 | 0:06:44 | |
"It's dirty and they don't have rap music." | 0:06:45 | 0:06:48 | |
This man, who thought he was an arbitrator | 0:06:48 | 0:06:49 | |
of what was and what was not Indianness, | 0:06:49 | 0:06:51 | |
would not visit the country of his parents' birth | 0:06:51 | 0:06:53 | |
because of the absence of MC Hammer. | 0:06:53 | 0:06:55 | |
And it's not even true - | 0:06:55 | 0:06:56 | |
they have loads of rap music and it's incredibly clean. | 0:06:56 | 0:06:59 | |
And, at that moment, I realised I'd been craving the approval | 0:06:59 | 0:07:02 | |
of a pack of braying morons and that, in fact, if I was a coconut | 0:07:02 | 0:07:05 | |
cos I was brown on the outside and white on the inside, | 0:07:05 | 0:07:07 | |
then they were Easter eggs | 0:07:07 | 0:07:08 | |
because they were brown on the outside and empty! | 0:07:08 | 0:07:11 | |
It's a good time to be a non-white person, 2014. | 0:07:14 | 0:07:17 | |
There's really nothing I can't do that a white person can do, | 0:07:17 | 0:07:19 | |
I really believe that, there's nothing I can't do. | 0:07:19 | 0:07:21 | |
Oh, apart from one thing I can't do that white people can do | 0:07:21 | 0:07:24 | |
and that's play pranks at international airports because... | 0:07:24 | 0:07:27 | |
..that is not open to you when you have the voice of Downton | 0:07:30 | 0:07:33 | |
but the face of Homeland. That is not... | 0:07:33 | 0:07:36 | |
My white friends are always like, | 0:07:36 | 0:07:37 | |
"Nish, let's have some banter with the customs officials." | 0:07:37 | 0:07:40 | |
I always say, "No, thank you. | 0:07:40 | 0:07:41 | |
"The only prank I'm playing is Let's Not Get Fingered. OK?" | 0:07:41 | 0:07:45 | |
I walk into airports with my belt in one hand, my shoes in the other, | 0:07:45 | 0:07:48 | |
I'm wearing T-shirts that say, "I heart the West." | 0:07:48 | 0:07:51 | |
Just roll up to random white people, | 0:07:51 | 0:07:52 | |
I'm like, "You know what sucks? Jihad!" | 0:07:52 | 0:07:55 | |
HE CHUCKLES | 0:07:55 | 0:07:57 | |
Still doesn't matter, though. | 0:07:57 | 0:07:58 | |
I got pulled out of an airport security queue in May of this year | 0:07:58 | 0:08:01 | |
and, normally, I don't mind | 0:08:01 | 0:08:03 | |
but, on this occasion, I was wearing a T-shirt | 0:08:03 | 0:08:06 | |
that had a picture of Mahatma Gandhi on it and said the word "Peace". | 0:08:06 | 0:08:09 | |
And when they pulled me out of the queue, I was like, "Really?! | 0:08:09 | 0:08:13 | |
"Is this the al-Qaeda uniform?" | 0:08:13 | 0:08:15 | |
Absolutely livid. I went back to my girlfriend, | 0:08:16 | 0:08:19 | |
who was waiting for me in the queue | 0:08:19 | 0:08:20 | |
and I said, "This is the opposite of what a terrorist would wear!" | 0:08:20 | 0:08:23 | |
And she said, "Is it, Nish? Or is it the perfect disguise?" So... | 0:08:23 | 0:08:27 | |
Ladies and gentlemen, you've been a delight. | 0:08:28 | 0:08:30 | |
My name's Nish. Good night! | 0:08:30 | 0:08:32 | |
CHEERING AND APPLAUSE | 0:08:32 | 0:08:33 | |
Nish Kumar. | 0:08:36 | 0:08:38 | |
Give it up for your next act, the wonderful Lucy Beaumont. | 0:08:38 | 0:08:41 | |
CHEERING AND APPLAUSE | 0:08:41 | 0:08:44 | |
Hello! | 0:08:51 | 0:08:53 | |
AUDIENCE: Hello! | 0:08:53 | 0:08:54 | |
Now, some people have described me as quite odd | 0:08:54 | 0:08:57 | |
but I always say, "I'm not odd, I'm from Hull." | 0:08:57 | 0:08:59 | |
-WOMAN IN AUDIENCE: -Yeah! | 0:08:59 | 0:09:00 | |
Ooh, got one in. | 0:09:00 | 0:09:02 | |
Well, just to tune your ears to the accent, | 0:09:02 | 0:09:05 | |
cos it is quite strong, if you can repeat after me. | 0:09:05 | 0:09:09 | |
"Erh, nerh, there's snerh on the rerhd." | 0:09:09 | 0:09:13 | |
ALL: "Erh, nerh, there's snerh on the rerhd." | 0:09:13 | 0:09:16 | |
And that's a severe weather warning. | 0:09:16 | 0:09:18 | |
And the other one is, um, "Mamma Mia." | 0:09:20 | 0:09:24 | |
ALL: Mamma Mia. | 0:09:25 | 0:09:27 | |
And that's telling your mother you've arrived. | 0:09:27 | 0:09:29 | |
APPLAUSE | 0:09:32 | 0:09:34 | |
You're a very intelligent audience. | 0:09:37 | 0:09:40 | |
Do you know, though, I don't know how much you know about Hull. | 0:09:40 | 0:09:43 | |
But it's a city on the up. | 0:09:43 | 0:09:44 | |
I know we got the City Of Culture in 2017. | 0:09:44 | 0:09:49 | |
Do you know, cos I used to say, | 0:09:49 | 0:09:51 | |
"Oh, if you don't know Hull, it's a lot different from other cities." | 0:09:51 | 0:09:54 | |
Like, you've got London, haven't you, that hosted the Olympics | 0:09:54 | 0:09:58 | |
and Hull that hosted Zumba classes you can smoke in. | 0:09:58 | 0:10:01 | |
And, er, but it's not like that any more. | 0:10:04 | 0:10:05 | |
I'm a bit put off going clubbing there, actually. | 0:10:05 | 0:10:08 | |
The last time I went clubbing in Hull was for a school reunion | 0:10:08 | 0:10:12 | |
and we ended up, like, in this real dodgy bar | 0:10:12 | 0:10:14 | |
and there was a woman here on the table with her top off | 0:10:14 | 0:10:17 | |
and all these men, like, stood leering around her. | 0:10:17 | 0:10:19 | |
And my friend went, "Don't look, Lucy," like that. | 0:10:19 | 0:10:23 | |
I went, "Why?" | 0:10:23 | 0:10:24 | |
And she went, "It's your mam." | 0:10:24 | 0:10:26 | |
She's not like that any more, though. | 0:10:31 | 0:10:33 | |
But, um, I've got something from my home town. | 0:10:33 | 0:10:36 | |
Would you like to see it? | 0:10:36 | 0:10:37 | |
AUDIENCE: Yes. | 0:10:37 | 0:10:39 | |
When I get a bit homesick, I have a look at it. | 0:10:39 | 0:10:42 | |
It's a pizza flyer. | 0:10:42 | 0:10:43 | |
Look at that. | 0:10:45 | 0:10:46 | |
Woo! | 0:10:46 | 0:10:47 | |
It's colourful, in't it? | 0:10:47 | 0:10:49 | |
And here, um, "Speciality Burger Bar." | 0:10:49 | 0:10:52 | |
"Gangbang Burger." | 0:10:52 | 0:10:53 | |
And this - can you believe this? | 0:10:56 | 0:10:58 | |
It's eight beef burgers, four chicken burgers, | 0:10:58 | 0:11:01 | |
topped with cheese, fried onion, mushroom and egg for £5.10. | 0:11:01 | 0:11:05 | |
I know. | 0:11:06 | 0:11:08 | |
And this, on the back... | 0:11:08 | 0:11:09 | |
This are useful telephone numbers - | 0:11:12 | 0:11:15 | |
Humberside Police non-emergency... | 0:11:15 | 0:11:17 | |
..and NHS Direct. | 0:11:19 | 0:11:21 | |
You can't write it, can you? | 0:11:24 | 0:11:25 | |
But, do you know, life don't always turn out | 0:11:27 | 0:11:30 | |
the way you expected, does it? | 0:11:30 | 0:11:32 | |
Do you know, I wanted to be a poet when I grew up. | 0:11:32 | 0:11:34 | |
I know, and I still write poetry. | 0:11:34 | 0:11:36 | |
I wrote one recently - my friend got married and she said, | 0:11:36 | 0:11:40 | |
"Lucy, will you write a poem and read it out at the ceremony?" | 0:11:40 | 0:11:43 | |
I said, "Yeah, I will." | 0:11:43 | 0:11:45 | |
And when I found out I weren't going to be bridesmaid... | 0:11:45 | 0:11:48 | |
..I changed it a bit. | 0:11:51 | 0:11:52 | |
And the end of it went, um... | 0:11:55 | 0:11:57 | |
There are people dying | 0:11:57 | 0:11:59 | |
Wars being fought | 0:11:59 | 0:12:01 | |
Families being torn apart | 0:12:01 | 0:12:03 | |
But you just enjoy yourselves. | 0:12:03 | 0:12:05 | |
APPLAUSE | 0:12:08 | 0:12:11 | |
But, do you know, in't it funny how, like, some people find love | 0:12:14 | 0:12:18 | |
and some people don't? Do you know, my friend, Jackie, | 0:12:18 | 0:12:21 | |
she's been single now for about ten years, | 0:12:21 | 0:12:23 | |
and the thing is she don't do herself any favours, do you know? | 0:12:23 | 0:12:27 | |
She was on an aeroplane, going on holiday, | 0:12:27 | 0:12:29 | |
and she said she went into the toilet | 0:12:29 | 0:12:31 | |
and she walked in and it was like... | 0:12:31 | 0:12:33 | |
-She said, "Mr Whippy..." -AUDIENCE GROANS | 0:12:33 | 0:12:36 | |
"..coming up." I know, she said it was horrific. | 0:12:36 | 0:12:38 | |
So she came back out and she pulled a face | 0:12:38 | 0:12:40 | |
and she sat back down and then this gorgeous guy got up | 0:12:40 | 0:12:44 | |
who she'd seen earlier and she really wanted to talk to | 0:12:44 | 0:12:46 | |
and he did the same thing - | 0:12:46 | 0:12:48 | |
he went in and he came back out and he pulled a face | 0:12:48 | 0:12:50 | |
and Jackie went to him, | 0:12:50 | 0:12:52 | |
-"I -just did that." | 0:12:52 | 0:12:53 | |
Thank you very much. Thanks. | 0:12:57 | 0:12:59 | |
CHEERING AND APPLAUSE | 0:12:59 | 0:13:02 | |
Lucy Beaumont. | 0:13:02 | 0:13:04 | |
This guy's a pal of mine, he's brilliant, you're going to love him. | 0:13:07 | 0:13:09 | |
Give it up, please, for Lloyd Langford. | 0:13:09 | 0:13:11 | |
CHEERING AND APPLAUSE | 0:13:11 | 0:13:14 | |
Hello, Edinburgh. It's, er, good to be back. | 0:13:20 | 0:13:23 | |
Nice to be here, you know? | 0:13:26 | 0:13:27 | |
You travel around a lot doing stand-up. | 0:13:27 | 0:13:29 | |
I was doing some gigs earlier on in the year, | 0:13:29 | 0:13:32 | |
I was in a place called Carmarthen, right? | 0:13:32 | 0:13:34 | |
And Carmarthen train station, they have platform one, right? | 0:13:34 | 0:13:39 | |
And platform two. | 0:13:39 | 0:13:41 | |
Don't worry, that's not the end of the story. | 0:13:43 | 0:13:46 | |
HE LAUGHS | 0:13:46 | 0:13:48 | |
Platform one, platform two. | 0:13:48 | 0:13:49 | |
The really odd thing was there's no discernible way | 0:13:49 | 0:13:52 | |
of getting from platform one to platform two. | 0:13:52 | 0:13:57 | |
There's no tunnel underneath the platforms | 0:13:57 | 0:14:00 | |
or bridge over the platforms, right? | 0:14:00 | 0:14:02 | |
I'm on platform one, I need to be on platform two. | 0:14:02 | 0:14:05 | |
I'm quite a shy person, | 0:14:05 | 0:14:06 | |
so I just awkwardly stood on platform one for, like, ten minutes. | 0:14:06 | 0:14:11 | |
Eventually, a guard came up to me, | 0:14:12 | 0:14:14 | |
he said, "Mate, I'm just checking - is everything all right? | 0:14:14 | 0:14:17 | |
"Because loads of trains have gone past... | 0:14:17 | 0:14:20 | |
..you haven't got on any of them." | 0:14:21 | 0:14:24 | |
I was like, "Well, I'm not suicidal, | 0:14:24 | 0:14:27 | |
"but, er... | 0:14:27 | 0:14:28 | |
"I'm not happy." | 0:14:28 | 0:14:29 | |
LAUGHTER | 0:14:29 | 0:14:31 | |
"I'm in-between, I guess." | 0:14:33 | 0:14:35 | |
He's like, "What's the matter?" | 0:14:35 | 0:14:37 | |
I said, "I'm just wondering, how do I get on to platform number two?" | 0:14:37 | 0:14:40 | |
He went, "Simple. | 0:14:40 | 0:14:42 | |
"You just walk across the tracks." | 0:14:42 | 0:14:44 | |
That's what he said - you just walk across the tracks. | 0:14:46 | 0:14:49 | |
I was like, "What if there's a train coming?" | 0:14:49 | 0:14:52 | |
He went, "Don't walk across the tracks." | 0:14:52 | 0:14:54 | |
LAUGHTER | 0:14:54 | 0:14:56 | |
That is the system they employ there in Carmarthen. | 0:14:58 | 0:15:01 | |
Less public transport, more sort of natural selection. | 0:15:02 | 0:15:05 | |
I always seem to attract the nutter on the train, right? | 0:15:08 | 0:15:11 | |
Like, I was on the train the other day, right? | 0:15:11 | 0:15:13 | |
It went, like, one stop, | 0:15:13 | 0:15:15 | |
this guy got on the train and he sat opposite me, right? | 0:15:15 | 0:15:18 | |
I need to describe to you what he was wearing. | 0:15:18 | 0:15:20 | |
He had a full pinstripe suit on, | 0:15:20 | 0:15:22 | |
but the jacket was open at the front. | 0:15:22 | 0:15:25 | |
He had a shirt on underneath, right, | 0:15:25 | 0:15:27 | |
that was also open at the front, | 0:15:27 | 0:15:29 | |
you could see his belly. | 0:15:29 | 0:15:31 | |
On top of this, right, he was wearing a denim jacket | 0:15:32 | 0:15:35 | |
that had been unbuttoned at the front. | 0:15:35 | 0:15:38 | |
On top of the denim jacket, he was wearing a leather jacket | 0:15:38 | 0:15:41 | |
that had been unzipped. | 0:15:41 | 0:15:44 | |
The piece de resistance, right? | 0:15:44 | 0:15:46 | |
He had full wool-knit balaclava | 0:15:46 | 0:15:50 | |
that had been rolled all the way down. | 0:15:50 | 0:15:52 | |
He got on the train and sat opposite me. | 0:15:55 | 0:15:57 | |
Now, if you're ever in that situation, | 0:15:57 | 0:16:00 | |
my advice to you would be get off the train. | 0:16:00 | 0:16:03 | |
I don't even care if you're not at a stop, | 0:16:06 | 0:16:08 | |
just use the emergency hammer | 0:16:08 | 0:16:10 | |
and smash your way to freedom. | 0:16:10 | 0:16:12 | |
I was feeling unusually confident, | 0:16:15 | 0:16:17 | |
I was feeling bold, right? | 0:16:17 | 0:16:18 | |
What I thought I would do | 0:16:18 | 0:16:20 | |
is I'd take a photograph... | 0:16:20 | 0:16:22 | |
of this man, right? | 0:16:22 | 0:16:25 | |
I thought if I tell my friends this story | 0:16:25 | 0:16:27 | |
they're not going to believe me, | 0:16:27 | 0:16:28 | |
so I need some kind of evidence. | 0:16:28 | 0:16:30 | |
Now, if you're trying to take a photograph | 0:16:30 | 0:16:31 | |
of someone on public transport, | 0:16:31 | 0:16:33 | |
obviously you don't want them to know, right? | 0:16:33 | 0:16:35 | |
So get your phone out, hold it up like this. | 0:16:35 | 0:16:38 | |
This is a really important thing to remember - | 0:16:38 | 0:16:41 | |
wiggle your thumb like this. | 0:16:41 | 0:16:43 | |
Anyone sat opposite you, | 0:16:46 | 0:16:48 | |
it looks as if you're just sending a text message | 0:16:48 | 0:16:51 | |
when, in fact, you're about to take a sneaky photograph. | 0:16:51 | 0:16:54 | |
Got him in the middle of the frame, | 0:16:55 | 0:16:57 | |
exactly where I wanted him, | 0:16:57 | 0:16:59 | |
hit the button to take the photo... | 0:16:59 | 0:17:02 | |
LAUGHTER | 0:17:02 | 0:17:04 | |
Very last minute realised | 0:17:06 | 0:17:08 | |
I'd accidently left the flash on my camera. | 0:17:08 | 0:17:10 | |
So what I'd done is | 0:17:12 | 0:17:13 | |
I'd sat opposite a proper psychopath... | 0:17:13 | 0:17:15 | |
LAUGHTER | 0:17:15 | 0:17:17 | |
..and then blatantly taken a photograph of him. | 0:17:17 | 0:17:20 | |
Then I realised the scale of his outfit. | 0:17:22 | 0:17:24 | |
I'm like, "He kicks the shit out of me, I go to the police." | 0:17:24 | 0:17:27 | |
They're like, "Well, what was he wearing?" | 0:17:27 | 0:17:30 | |
I'm like, "I hope you've recently sharpened your pencil." | 0:17:32 | 0:17:35 | |
This guy was like a ninja onion. | 0:17:37 | 0:17:40 | |
Thank you very much for listening to me. | 0:17:42 | 0:17:44 | |
I've been Lloyd Langford, take it easy. Thank you. | 0:17:44 | 0:17:47 | |
APPLAUSE AND CHEERING | 0:17:47 | 0:17:50 | |
Give it up for Lloyd Langford! | 0:17:50 | 0:17:51 | |
CHEERING | 0:17:51 | 0:17:53 | |
Next guy's an old pal of mine, you're going to love him as well. | 0:17:53 | 0:17:56 | |
Make some noise for Des Clarke! | 0:17:56 | 0:17:58 | |
APPLAUSE AND CHEERING | 0:17:58 | 0:18:02 | |
Hello, everybody, how we doing, are we well? | 0:18:06 | 0:18:09 | |
ALL: Yes! | 0:18:09 | 0:18:10 | |
Oh, you can tell it's post-Commonwealth Games. | 0:18:10 | 0:18:12 | |
I was actually at that Opening Ceremony, | 0:18:12 | 0:18:14 | |
I had the most Scottish experience of my life. | 0:18:14 | 0:18:16 | |
I was delayed for half an hour getting into the stadium | 0:18:16 | 0:18:19 | |
cos I was caught behind a bus full of 50 Scottie dogs. | 0:18:19 | 0:18:21 | |
They were getting searched for drugs and weapons. | 0:18:22 | 0:18:25 | |
How mental do you think the dogs are in Scotland? | 0:18:25 | 0:18:28 | |
"Got that heroin?" | 0:18:28 | 0:18:30 | |
"Aye, just put it up the dug's arse, it'll be fine." | 0:18:30 | 0:18:32 | |
I had a weird vision of watching big dugs sniffing wee dugs - that's odd. | 0:18:32 | 0:18:36 | |
Only ever seen that on specialist internet sites. | 0:18:36 | 0:18:39 | |
Then I was trying to get through security | 0:18:40 | 0:18:42 | |
at the same time as 50 Scottie dogs, Susan Boyle and John Barrowman. | 0:18:42 | 0:18:46 | |
I thought this has got all the recipe | 0:18:46 | 0:18:48 | |
for the perfect Scottish sex party. | 0:18:48 | 0:18:49 | |
What we need is a set of car keys and the Krankies | 0:18:49 | 0:18:52 | |
and we are ready to rumble. | 0:18:52 | 0:18:53 | |
LAUGHTER | 0:18:53 | 0:18:56 | |
It was amazing, | 0:18:56 | 0:18:57 | |
it was a great moment for Scotland, I love being from here. | 0:18:57 | 0:18:59 | |
I'm from Glasgow, and growing up with the name Desmond in Glasgow, | 0:18:59 | 0:19:02 | |
that's no' easy. | 0:19:02 | 0:19:04 | |
I just bullied myself, it saved time. | 0:19:04 | 0:19:06 | |
I grew up in the high-rise flats, | 0:19:09 | 0:19:11 | |
my nickname at school was lemonade because I lived seven up - | 0:19:11 | 0:19:13 | |
that's not a lie. | 0:19:13 | 0:19:15 | |
LAUGHTER | 0:19:15 | 0:19:17 | |
The Glaswegian banter - there you go. | 0:19:17 | 0:19:20 | |
They call us the Weegies, that's our nickname fae Glasgow. | 0:19:20 | 0:19:23 | |
How do you make a "Weegie bored"? | 0:19:23 | 0:19:24 | |
Take away his heroin - social problems. | 0:19:24 | 0:19:27 | |
But people are so literal in this country as well, | 0:19:31 | 0:19:33 | |
and it's nice that people don't give you any time of the day | 0:19:33 | 0:19:36 | |
or believe that you're famous. | 0:19:36 | 0:19:37 | |
I had a guy saddle up to me in a toilet, when I'm at a urinal, | 0:19:37 | 0:19:40 | |
looked down and go, "I recognise you fae the radio." | 0:19:40 | 0:19:43 | |
LAUGHTER | 0:19:43 | 0:19:45 | |
That's some wireless you've got, big man. Is that DAB? | 0:19:45 | 0:19:49 | |
But I'm not a lad, I'm not a man's man, I can't do it. | 0:19:50 | 0:19:53 | |
Trying to chat up girls - for me there's a problem, | 0:19:53 | 0:19:55 | |
and this has been the same since I was a kid. | 0:19:55 | 0:19:57 | |
I'm chatting up a girl | 0:19:57 | 0:19:59 | |
and there's one conversation going on in my head, | 0:19:59 | 0:20:01 | |
but there are several different words coming out of my mouth. | 0:20:01 | 0:20:03 | |
So I'll chat up a girl and I think I'm in there - | 0:20:03 | 0:20:05 | |
"Why, you look wonderful tonight, you and I should be together, | 0:20:05 | 0:20:08 | |
"and maybe I could meet your family?" | 0:20:08 | 0:20:10 | |
I was 12, but you've got to start somewhere. | 0:20:10 | 0:20:12 | |
That's what I'm thinking I'm saying. | 0:20:12 | 0:20:14 | |
In reality I'm going, "I've got a stone in my pocket, "do you want to touch it?' | 0:20:14 | 0:20:18 | |
LAUGHTER | 0:20:18 | 0:20:20 | |
It's a shiny wan fae the beach! | 0:20:20 | 0:20:23 | |
You can see why girls ran a mile. | 0:20:26 | 0:20:28 | |
It was the same when I started work in a supermarket. | 0:20:28 | 0:20:30 | |
People come up and ask me an innocent question, | 0:20:30 | 0:20:32 | |
"Do you know where the beans are?" "They're inside my head. Touch it." | 0:20:32 | 0:20:36 | |
"Can I live in your house?" | 0:20:36 | 0:20:38 | |
Erm... | 0:20:38 | 0:20:39 | |
This has always happened to me, | 0:20:39 | 0:20:41 | |
never the greatest in social situations. | 0:20:41 | 0:20:43 | |
I remember going to Amsterdam, | 0:20:43 | 0:20:45 | |
that was on my one and only ever stag do. | 0:20:45 | 0:20:48 | |
Yeah, Amsterdam, me and seven computer-programmer friends of mine. | 0:20:48 | 0:20:52 | |
Basically should've just called it Geeks On Tour. | 0:20:52 | 0:20:55 | |
We actually went there, | 0:20:55 | 0:20:56 | |
and I have real laddish mates that were so excited about me going, | 0:20:56 | 0:21:00 | |
couldnae wait to tell me, and were trying to express this, | 0:21:00 | 0:21:02 | |
couldn't physically control themselves. | 0:21:02 | 0:21:04 | |
I had one pal that was like, "Oh, Amsterdam, it's amazing, | 0:21:04 | 0:21:07 | |
"it's amazing, it's definitely amazing. | 0:21:07 | 0:21:08 | |
"There's women, there's women, women in windows." | 0:21:08 | 0:21:12 | |
Now, it's hard to try and explain what he was talking about. | 0:21:12 | 0:21:15 | |
"There's, there's women, there's dirty women, dirty women. There's ping-pong balls." | 0:21:15 | 0:21:19 | |
I thought, "Why are you in fast-forward?" | 0:21:19 | 0:21:22 | |
It took me a week to figure out what he meant. | 0:21:22 | 0:21:25 | |
There are women who work in the sexual industry | 0:21:25 | 0:21:27 | |
that parade themselves in windows in certain parts of Amsterdam. | 0:21:27 | 0:21:30 | |
I didn't know what parts, | 0:21:30 | 0:21:31 | |
I was going up to council estates looking in windows and going, | 0:21:31 | 0:21:34 | |
"Wow, I can see her shoulder, she's amazing. | 0:21:34 | 0:21:37 | |
"She's doing the ironing, this is kinky." Right? | 0:21:37 | 0:21:39 | |
And I swear, it shows that we weren't sex people at all. | 0:21:39 | 0:21:42 | |
We got to the first window, | 0:21:42 | 0:21:43 | |
this woman's giving it laldy with the ping-pong balls, | 0:21:43 | 0:21:46 | |
it was like a bingo machine, it was tremendous. | 0:21:46 | 0:21:49 | |
And right at the moment where she's giving it her best shot, | 0:21:49 | 0:21:51 | |
a guy looks behind her to a building next to her and goes, | 0:21:51 | 0:21:54 | |
"God, look, there's a C&A!" | 0:21:54 | 0:21:55 | |
Now... | 0:21:55 | 0:21:56 | |
LAUGHTER | 0:21:56 | 0:21:58 | |
I can't explain why he was so excited | 0:21:58 | 0:22:00 | |
about a shop that we haven't seen for about eight years. | 0:22:00 | 0:22:03 | |
But the next thing I know, somebody's saying, | 0:22:03 | 0:22:05 | |
"Go on, let's buy a jumper." | 0:22:05 | 0:22:06 | |
We are...now leaving the sex district of Amsterdam, | 0:22:06 | 0:22:10 | |
going to buy matching jumpers from C&A. | 0:22:10 | 0:22:13 | |
We all came back wearing them, | 0:22:13 | 0:22:15 | |
and it's the scratchiest jumper you've ever felt in your life. | 0:22:15 | 0:22:18 | |
I'm like, I'm coming back from Amsterdam with an itch | 0:22:18 | 0:22:20 | |
and no-one will believe how I got it. | 0:22:20 | 0:22:23 | |
LAUGHTER | 0:22:23 | 0:22:25 | |
And we kept getting told, | 0:22:26 | 0:22:27 | |
oh, the windows get more and more extreme as you walk up. | 0:22:27 | 0:22:30 | |
So we're like that, "Oh, my God, this is amazing. | 0:22:30 | 0:22:32 | |
"Oh, what's she doing? Oh, there might be a Woolworths at the end of it." "I know, I know!" | 0:22:32 | 0:22:37 | |
"Who's up for a pick 'n' mix?" Right? | 0:22:37 | 0:22:39 | |
And a big mate of mine called Fat Pat, | 0:22:39 | 0:22:41 | |
I've never seen him move the length of himself, | 0:22:41 | 0:22:43 | |
he ran all the way up to the last window in the canal area, | 0:22:43 | 0:22:46 | |
the sex district of Amsterdam, got level with that window, | 0:22:46 | 0:22:48 | |
he was salivating, he was so excited. | 0:22:48 | 0:22:50 | |
Looked around to us, he was saying, "Come on, boys, this is amazing!" | 0:22:50 | 0:22:53 | |
We thought, "Wow, what can be up there?" Got level with him - | 0:22:53 | 0:22:55 | |
kebab shop. Couldnae make it up. | 0:22:55 | 0:22:57 | |
Folks, you've been absolutely gorgeous. | 0:22:57 | 0:23:00 | |
It's great to play this gig and be at the festival! | 0:23:00 | 0:23:02 | |
Thank you very much. Good night! | 0:23:02 | 0:23:03 | |
APPLAUSE AND CHEERING | 0:23:03 | 0:23:06 | |
Des Clarke, yes! | 0:23:08 | 0:23:10 | |
CHEERING | 0:23:10 | 0:23:11 | |
Make some noise this time for the wonderful Andrew Ryan! | 0:23:11 | 0:23:14 | |
APPLAUSE AND CHEERING | 0:23:16 | 0:23:20 | |
Good evening, how we doing? Are you all right? | 0:23:22 | 0:23:24 | |
AUDIENCE: Yeah! | 0:23:24 | 0:23:25 | |
Very nice to be here, ladies and gentlemen, very nice. | 0:23:25 | 0:23:28 | |
I got a train up to Scotland, | 0:23:28 | 0:23:29 | |
and sometimes when I get a train I fall asleep | 0:23:29 | 0:23:32 | |
and I wake up with pins and needles in one of me legs. | 0:23:32 | 0:23:34 | |
Have you ever tried to walk with pins and needles in one of your legs? | 0:23:34 | 0:23:38 | |
You always have to drag your leg, | 0:23:38 | 0:23:39 | |
you're always like, "Oh, Jesus, Mary, Mother of God, what's going on?" | 0:23:39 | 0:23:43 | |
Right, you're like Keyser Soze, right, it's ridiculous. | 0:23:43 | 0:23:45 | |
Walking around like that. | 0:23:45 | 0:23:47 | |
Every time I see gangsters down in London, where I live, they're going like this, | 0:23:47 | 0:23:50 | |
"Yeah, blood, yeah. I see you, blood, yeah. | 0:23:50 | 0:23:52 | |
"Give me your Oyster card, yeah? | 0:23:52 | 0:23:54 | |
"What's your mother's maiden name, yeah?" | 0:23:54 | 0:23:56 | |
I'm thinking those lads just got pins and needles, right? | 0:23:56 | 0:23:58 | |
That's all that's wrong with them. | 0:23:58 | 0:24:00 | |
I got a train into Edinburgh Waverley, | 0:24:00 | 0:24:03 | |
and I woke up on the train with pins and needles in both me legs. | 0:24:03 | 0:24:07 | |
Have you ever tried to walk with pins and needles in both your legs? | 0:24:07 | 0:24:10 | |
It's impossible. | 0:24:10 | 0:24:12 | |
I got off the train, I was like this, going, "Oh, God... | 0:24:12 | 0:24:14 | |
"What is going on here? This is ridiculous." Right? | 0:24:14 | 0:24:17 | |
There's people walking past me on the platform going, | 0:24:17 | 0:24:20 | |
"Oh, my God, is that guy hiding an erection? What's he doing?" | 0:24:20 | 0:24:23 | |
The train manager saw me | 0:24:23 | 0:24:24 | |
and he thought that I was a passenger that needed some form of assistance, | 0:24:24 | 0:24:28 | |
so he started walking over towards me. | 0:24:28 | 0:24:31 | |
But we all know that once the blood starts circulating around the legs, | 0:24:31 | 0:24:35 | |
after a few seconds, the pins and needles just goes away. | 0:24:35 | 0:24:38 | |
And all the train manager saw was me doing this, just going, | 0:24:38 | 0:24:41 | |
"Oh, God, this is ridiculous. | 0:24:41 | 0:24:42 | |
"What is going on? Oh, God, I feel OK now. Oh, God. | 0:24:42 | 0:24:45 | |
"I feel... I feel fine now. That's great." | 0:24:45 | 0:24:47 | |
And then I just walked off like that. | 0:24:47 | 0:24:50 | |
LAUGHTER | 0:24:50 | 0:24:52 | |
It looked like The Evolution Of Man. | 0:24:52 | 0:24:55 | |
I'm getting a bit older now as well, you know, | 0:24:55 | 0:24:57 | |
there's a few things that happens when you get a bit older, | 0:24:57 | 0:25:00 | |
that you know that you're getting a bit old. | 0:25:00 | 0:25:02 | |
For example, you know you're getting old | 0:25:02 | 0:25:04 | |
when you come in from a night out at one o'clock in the morning | 0:25:04 | 0:25:07 | |
and you take the mince out of the freezer | 0:25:07 | 0:25:09 | |
for the following night's dinner. | 0:25:09 | 0:25:11 | |
LAUGHTER | 0:25:11 | 0:25:13 | |
Oh, we've got a few mince-takers-out here tonight! | 0:25:13 | 0:25:16 | |
"Are you coming to bed?" "No, no, no. | 0:25:16 | 0:25:18 | |
"I've got spag bol tomorrow, honestly..." | 0:25:18 | 0:25:21 | |
Because that's what it's like when you get to your 30s, | 0:25:21 | 0:25:23 | |
like, it's all about planning for tomorrow, you know? | 0:25:23 | 0:25:26 | |
When you're in your 20s, you're going out after work, | 0:25:26 | 0:25:28 | |
you can turn up for work with a traffic cone on your head, | 0:25:28 | 0:25:31 | |
kebab down the front. | 0:25:31 | 0:25:32 | |
You're like, "I was Dangerous Dave out last night." | 0:25:32 | 0:25:34 | |
When you get to your 30s, people are like, | 0:25:34 | 0:25:36 | |
"Would you like to go for a drink?" You're like, "Oh, God, no, | 0:25:36 | 0:25:39 | |
"I've got a busy day next week - | 0:25:39 | 0:25:40 | |
"I need to stay in and prepare for that." | 0:25:40 | 0:25:42 | |
I am trying to be a bit of a better adult, you know, | 0:25:45 | 0:25:47 | |
like I went to the bank recently and I said to them, | 0:25:47 | 0:25:49 | |
"I want to buy a house", you know? | 0:25:49 | 0:25:51 | |
And they gave me, you know, an amount of money | 0:25:51 | 0:25:53 | |
that they said that they would lend me. | 0:25:53 | 0:25:54 | |
So what I did was I Googled around Britain | 0:25:54 | 0:25:57 | |
to see how far my money will go | 0:25:57 | 0:25:59 | |
based on the area, if I choose to live in the area. | 0:25:59 | 0:26:01 | |
So in Edinburgh I can afford to buy a two-bedroomed apartment | 0:26:01 | 0:26:05 | |
on the outskirts of Edinburgh. | 0:26:05 | 0:26:07 | |
Then I went down into England, | 0:26:07 | 0:26:09 | |
into Manchester, I can buy a two-bedroomed house in Manchester. | 0:26:09 | 0:26:12 | |
Then I went to Stoke in England, | 0:26:12 | 0:26:15 | |
I can buy all of Stoke. | 0:26:15 | 0:26:16 | |
LAUGHTER | 0:26:16 | 0:26:18 | |
Every last inch. | 0:26:21 | 0:26:23 | |
They'll even make me mayor, | 0:26:23 | 0:26:25 | |
that's how much investment they need in the area. | 0:26:25 | 0:26:27 | |
Then I went to Milton Keynes. | 0:26:27 | 0:26:29 | |
I can buy a two-bedroomed terraced house | 0:26:29 | 0:26:30 | |
on the outskirts of Milton Keynes. | 0:26:30 | 0:26:32 | |
And then I went into London, | 0:26:32 | 0:26:33 | |
I can buy a small cappuccino. | 0:26:33 | 0:26:35 | |
LAUGHTER | 0:26:35 | 0:26:38 | |
Ladies and gentlemen, you've been absolutely fantastic. | 0:26:38 | 0:26:40 | |
Thank you very much, good night! | 0:26:40 | 0:26:42 | |
APPLAUSE AND CHEERING | 0:26:42 | 0:26:44 | |
Give it up for Andrew Ryan! | 0:26:47 | 0:26:48 | |
APPLAUSE AND CHEERING | 0:26:48 | 0:26:51 | |
It's exciting times in Scotland, everything's happening. Innit? | 0:26:51 | 0:26:54 | |
AUDIENCE: Whoo! | 0:26:54 | 0:26:55 | |
I'd imagine that's just something people say, innit? | 0:26:55 | 0:26:58 | |
"A real feel-good factor about Scotland right now", | 0:26:58 | 0:27:00 | |
because we had the Commonwealth Games, | 0:27:00 | 0:27:02 | |
and we're hosting the European Music Awards in Glasgow. | 0:27:02 | 0:27:05 | |
That'll be good, music fans. | 0:27:05 | 0:27:07 | |
Guy in the front row, what you in to? | 0:27:07 | 0:27:09 | |
Jethro Tull. | 0:27:09 | 0:27:11 | |
-What... Who? -LAUGHTER | 0:27:11 | 0:27:13 | |
Jethro Tull? That's the genre of music you like? | 0:27:13 | 0:27:16 | |
LAUGHTER | 0:27:16 | 0:27:17 | |
Get a camera right on it. Expose that man. Get in there. | 0:27:17 | 0:27:20 | |
LAUGHTER | 0:27:20 | 0:27:22 | |
What's Jethro Tull's biggest hit? | 0:27:28 | 0:27:29 | |
Living In The Past. | 0:27:29 | 0:27:31 | |
Living In The Past. | 0:27:31 | 0:27:33 | |
APPLAUSE AND CHEERING | 0:27:33 | 0:27:36 | |
I take it that's a song that speaks to you, sir? | 0:27:36 | 0:27:39 | |
You need to get into Element Four, into the new bands. | 0:27:39 | 0:27:43 | |
One Direction, boy bands. | 0:27:43 | 0:27:44 | |
Have we any Directioners in, any 1D fans? | 0:27:44 | 0:27:46 | |
-AUDIENCE: Whoo! -Yeah, everybody loves them. | 0:27:46 | 0:27:49 | |
# Danced all night to the best song ever... # | 0:27:49 | 0:27:51 | |
# Crazy, crazy, crazy Till we see the sun... # | 0:27:53 | 0:27:56 | |
Every pop song these days is singing about that - | 0:27:56 | 0:27:58 | |
until we see the sun. | 0:27:58 | 0:27:59 | |
# Until six in the morning We're gonna party on down | 0:27:59 | 0:28:01 | |
# Until six in the morning... # | 0:28:01 | 0:28:04 | |
Singing about parties that have got scheduled end times. | 0:28:04 | 0:28:07 | |
LAUGHTER | 0:28:07 | 0:28:09 | |
Ever tried to get a bunch of your pals | 0:28:10 | 0:28:12 | |
to leave your house at six in the morning? | 0:28:12 | 0:28:15 | |
Mayhem would ensue. "Yous want to call it a night?" | 0:28:15 | 0:28:18 | |
"Hear that?" "Look, man, the shop's opening, we'll get cans." | 0:28:18 | 0:28:20 | |
"It's only six in the morning." | 0:28:22 | 0:28:23 | |
Some guy walking about your living room, steaming, | 0:28:25 | 0:28:28 | |
looking for a Nokia charger - | 0:28:28 | 0:28:29 | |
that's what happens at six in the morning. | 0:28:29 | 0:28:31 | |
Just so he can continue an argument with his missus - | 0:28:33 | 0:28:36 | |
"I told you I was having a mad wan." | 0:28:36 | 0:28:38 | |
That's the only justification for having a mad one, | 0:28:40 | 0:28:43 | |
he TOLD her he was having a mad one. | 0:28:43 | 0:28:45 | |
That's it. | 0:28:48 | 0:28:49 | |
"I thought you were going to your maw's to watch Strictly, anyway?" | 0:28:49 | 0:28:53 | |
"It's six o'clock in the morning, Ryan." | 0:28:53 | 0:28:54 | |
"How do I know what time Strictly finishes?" | 0:28:54 | 0:28:57 | |
Highlights of the game, a game of Fifa that was played | 0:29:00 | 0:29:03 | |
about three hours ago still playing on the telly, | 0:29:03 | 0:29:06 | |
he's looking up thinking it's Sky Sports, eh? | 0:29:06 | 0:29:10 | |
"When did Auxerre beat Brazil?" | 0:29:10 | 0:29:13 | |
"I'll be home after the game, fuck's sake." | 0:29:13 | 0:29:16 | |
-What's your name, sir? -Iain. -Where are you from, Iain? | 0:29:16 | 0:29:19 | |
-Erm, I live in Edinburgh now. -You live in Edinburgh now. | 0:29:19 | 0:29:22 | |
-So, where are you from, Iain? -Belfast. | 0:29:22 | 0:29:24 | |
You're from Belfast. I love the accent, though. | 0:29:26 | 0:29:29 | |
You make me sound like Michael Buble over there. | 0:29:29 | 0:29:31 | |
-NORTHERN IRISH ACCENT: -"There's a bomb in the biscuit tin." | 0:29:35 | 0:29:39 | |
That's...that's the way they sound. | 0:29:39 | 0:29:41 | |
No, it's calmed a wee bit, innit? It was the Troubles, it's calmed. | 0:29:41 | 0:29:44 | |
Golf, that's the thing, innit? | 0:29:44 | 0:29:45 | |
Rory McIlroy, Darren Clarke, Graeme McDowell. | 0:29:45 | 0:29:48 | |
They've ditched the guns and bought golf clubs, it's good to see. | 0:29:48 | 0:29:50 | |
They're still chucking the odd petrol bomb, | 0:29:50 | 0:29:53 | |
but they're shouting "fore". | 0:29:53 | 0:29:55 | |
And, erm, giving each other a bit of feedback on their swing, | 0:30:02 | 0:30:05 | |
-NORTHERN IRISH ACCENT: -"Just bend your knees. | 0:30:05 | 0:30:08 | |
"Shoulders square on, visualise the... | 0:30:08 | 0:30:09 | |
"Get the police station in your sights there just now." | 0:30:09 | 0:30:12 | |
No, we're excited. | 0:30:15 | 0:30:17 | |
We're having an independence referendum up here that's... | 0:30:17 | 0:30:20 | |
Everybody...everybody's talking about it. | 0:30:20 | 0:30:22 | |
Whatever happens in September, | 0:30:22 | 0:30:23 | |
I reckon the whole... the whole country could go and resit | 0:30:23 | 0:30:26 | |
their Higher Modern Studies, there's people who are clued up. | 0:30:26 | 0:30:29 | |
We should have it every four years, just keep having referendums, | 0:30:29 | 0:30:32 | |
that's what will get Scottish people through a World Cup, | 0:30:32 | 0:30:35 | |
just a referendum, something to talk about. | 0:30:35 | 0:30:37 | |
And then the year England win it, that's when we go independent. | 0:30:37 | 0:30:40 | |
That's the way, that's the feeling. | 0:30:40 | 0:30:42 | |
Now that's when you see debates, six in the morning in house parties. | 0:30:44 | 0:30:47 | |
I don't want to see Alastair Darling | 0:30:47 | 0:30:49 | |
and Alex Salmond on a podium on the telly. | 0:30:49 | 0:30:51 | |
A house party, that's where you get guys | 0:30:51 | 0:30:54 | |
lighting a fag off a toaster giving their tuppence worth. | 0:30:54 | 0:30:56 | |
"See if we vote no, mate, we're like... | 0:31:01 | 0:31:03 | |
"we're like Rhianna getting back with Chris Brown, mate, that's us.' | 0:31:03 | 0:31:06 | |
That's the kind of stuff Alex Salmond needs to say | 0:31:08 | 0:31:11 | |
to really capture the mood in the nation on that leadership debate, | 0:31:11 | 0:31:14 | |
just start calling him a shite bag and stuff. | 0:31:14 | 0:31:17 | |
"What about the economic risks?" | 0:31:17 | 0:31:19 | |
"What about them, buck-awk, shite bag?" | 0:31:19 | 0:31:22 | |
That's what he needs... | 0:31:25 | 0:31:26 | |
He'll win the people's hearts if he done that, just, "Buck-awk! | 0:31:31 | 0:31:34 | |
"Buck, buck, buck, buck! | 0:31:34 | 0:31:36 | |
Maybe throw him a wee dummy punch | 0:31:36 | 0:31:38 | |
just to make him flinch on the telly. | 0:31:38 | 0:31:39 | |
"Nae currency union, ya bam!" | 0:31:41 | 0:31:43 | |
Anyway. Make some noise for the fantastic Angela Barnes. | 0:31:48 | 0:31:52 | |
APPLAUSE | 0:31:52 | 0:31:55 | |
Hello. | 0:31:55 | 0:31:56 | |
How are you doing, are you all right? Good, good. | 0:31:56 | 0:32:00 | |
I should start with a little bit of a disclaimer. | 0:32:00 | 0:32:02 | |
I'm ever so sorry, I've got a very croaky voice at the moment, | 0:32:02 | 0:32:05 | |
it's reached that part of the Fringe. | 0:32:05 | 0:32:07 | |
I know it's bad, right, cos I got a cold call this morning | 0:32:07 | 0:32:09 | |
and people who cold call you, | 0:32:09 | 0:32:11 | |
they'll use a croaky voice to try and get you on side. | 0:32:11 | 0:32:13 | |
She said, "Hello, is that Miss Barnes?" I said, "Yes, speaking." | 0:32:13 | 0:32:16 | |
She said, "Oh, you sound like you've got a terrible cold." | 0:32:16 | 0:32:19 | |
I said, "You sound like you got a third in Media Studies from Luton. | 0:32:19 | 0:32:21 | |
"What do you want?" | 0:32:21 | 0:32:23 | |
We'll crack on. I knew I was looking rough this morning when I was | 0:32:24 | 0:32:27 | |
walking down the Royal Mile and nobody handed me a flier for a show. | 0:32:27 | 0:32:31 | |
Nobody, but somebody did hand me a leaflet called | 0:32:31 | 0:32:34 | |
"The Truth About Drugs." | 0:32:34 | 0:32:36 | |
Charming. Ain't it, charming? | 0:32:36 | 0:32:37 | |
I don't do drugs, ladies and gentlemen, I don't... | 0:32:37 | 0:32:40 | |
but I do worry that I might be missing out a little bit. | 0:32:40 | 0:32:42 | |
All right? So I've got a plan | 0:32:42 | 0:32:44 | |
and that is that I'm going to start doing class A drugs | 0:32:44 | 0:32:47 | |
when I'm in my eighties because why wouldn't you, right? | 0:32:47 | 0:32:50 | |
You haven't got to get up in the morning, have you, right? | 0:32:50 | 0:32:53 | |
You'll never have trouble finding a vein. | 0:32:53 | 0:32:56 | |
And I tell you what? | 0:32:57 | 0:32:58 | |
You might not be able to afford to heat a bungalow | 0:32:58 | 0:33:01 | |
but I bet you could afford to heat a teaspoon, | 0:33:01 | 0:33:03 | |
then you won't give a shit how cold you are. | 0:33:03 | 0:33:05 | |
I can't believe the amount of sports people that do drugs - | 0:33:08 | 0:33:11 | |
that blows my mind. | 0:33:11 | 0:33:12 | |
We had Lance Armstrong, didn't we? | 0:33:12 | 0:33:14 | |
Last year Frankie Dettori the jockey got a six month ban | 0:33:14 | 0:33:17 | |
from horse racing for using cocaine. | 0:33:17 | 0:33:19 | |
Now call me naive, but in horse racing... | 0:33:19 | 0:33:22 | |
..wouldn't it make more sense to drug the horse? | 0:33:25 | 0:33:28 | |
Unless you're planning on carrying that thing | 0:33:28 | 0:33:30 | |
to the finishing line, I don't know. | 0:33:30 | 0:33:32 | |
But apparently they do, they do drug their horses. | 0:33:32 | 0:33:35 | |
A couple of trainers got done recently for drugging their horses. | 0:33:35 | 0:33:37 | |
I mean, presumably not with cocaine, right? | 0:33:37 | 0:33:40 | |
I don't know if you've ever tried to get a horse into a toilet cubicle? | 0:33:40 | 0:33:43 | |
If you have, your stag do's gone horribly wrong, innit? | 0:33:45 | 0:33:48 | |
Think of the mess it would make - you'd be like that. | 0:33:48 | 0:33:50 | |
I tell you what, though, if you are planning on drugging your horses, | 0:33:53 | 0:33:57 | |
you want to make damn sure that the rider's not on drugs as well | 0:33:57 | 0:33:59 | |
cos you know what happens, don't you? | 0:33:59 | 0:34:01 | |
If you've got a horse that's on drugs and a rider on drugs - | 0:34:01 | 0:34:05 | |
dressage. | 0:34:05 | 0:34:06 | |
So I am, er, I am a single woman. | 0:34:08 | 0:34:11 | |
I've been doing a lot of online dating recently. | 0:34:11 | 0:34:13 | |
-Have we got any online daters in? -SOME CHEERING | 0:34:13 | 0:34:16 | |
We've got more than that, you liars. I've seen loads of faces I recognise | 0:34:16 | 0:34:19 | |
so far from OK Cupid, don't you give me that. | 0:34:19 | 0:34:22 | |
I love it, I treat it like a hobby. | 0:34:22 | 0:34:24 | |
Right, I've got a spreadsheet. It's brilliant, I love it. | 0:34:24 | 0:34:26 | |
I went on a few dates with this guy recently, | 0:34:26 | 0:34:29 | |
see what you think, went on a few dates with this guy | 0:34:29 | 0:34:31 | |
and we were getting on, so I thought I'd invite him round to my house | 0:34:31 | 0:34:34 | |
for dinner, which I did. | 0:34:34 | 0:34:35 | |
And, erm, we went to bed together because I'm a bit of a slag | 0:34:35 | 0:34:38 | |
and, erm...and we were about to get down to it and he said | 0:34:38 | 0:34:40 | |
something to me that no-one's ever said to me before, he said, | 0:34:40 | 0:34:43 | |
"Angela, I'd really like it if you'd let me cover you in toothpaste?" | 0:34:43 | 0:34:46 | |
You don't seem shocked by that at all, is that a thing? | 0:34:48 | 0:34:50 | |
Because, for a start, it's got a certain deep heat quality to it, | 0:34:50 | 0:34:53 | |
if you know what I'm saying? | 0:34:53 | 0:34:55 | |
So if you're going to cover me in a toiletry, at least make it Immac | 0:34:55 | 0:34:58 | |
and save me a job later. | 0:34:58 | 0:34:59 | |
Toothpaste. Oh, and he brought his own toothpaste with him. | 0:34:59 | 0:35:04 | |
Yeah, and it wasn't the cheap stuff either, it was Oral B, which, | 0:35:04 | 0:35:07 | |
incidentally, is also what I've graded him on my spreadsheet. | 0:35:07 | 0:35:11 | |
I've been...I've been, erm, I've been swimming a lot. | 0:35:16 | 0:35:19 | |
I learned to swim this year, I know, 37 and just learnt to swim. | 0:35:19 | 0:35:21 | |
I thought next year I might join the Brownies, we'll see how that goes. | 0:35:21 | 0:35:25 | |
Did you know in the Brownies they've now got a self-esteem badge. | 0:35:25 | 0:35:28 | |
How shitty are you going to feel if you don't get it? | 0:35:28 | 0:35:31 | |
I recently, I recently did a sponsored swim | 0:35:33 | 0:35:36 | |
and it was 1,500 metres and I'd only just learned to swim | 0:35:36 | 0:35:38 | |
and one of the people that was there cheering me on was Duncan Goodhew. | 0:35:38 | 0:35:42 | |
And he was there cheering me on and because I was the slowest, | 0:35:42 | 0:35:46 | |
I was the last one left in the pool at the end of this sponsored swim | 0:35:46 | 0:35:50 | |
and he jumped in and he joined me for my last length. | 0:35:50 | 0:35:52 | |
How cool is that? Right, I had no idea he was going to do it. | 0:35:52 | 0:35:55 | |
I looked behind me, I thought | 0:35:55 | 0:35:56 | |
one of my tits had fallen out of my swimming costume. | 0:35:56 | 0:35:59 | |
I think he quite enjoyed it when I tried to put it back in again. | 0:36:00 | 0:36:03 | |
Enjoy the rest of your night. | 0:36:03 | 0:36:05 | |
I've been Angela Barnes, thank you very much. | 0:36:05 | 0:36:07 | |
CHEERING | 0:36:07 | 0:36:09 | |
Angela Barnes. | 0:36:11 | 0:36:14 | |
Give it up please for Marlon Davis. | 0:36:14 | 0:36:16 | |
CHEERING | 0:36:22 | 0:36:24 | |
-Yes! Hello! -ALL: Hello! | 0:36:25 | 0:36:28 | |
Every time I'm on stage, I always get women throwing | 0:36:28 | 0:36:30 | |
themselves at me. | 0:36:30 | 0:36:32 | |
All right, maybe not tonight. I used to, you know. | 0:36:35 | 0:36:39 | |
I've been with my girlfriend for seven years, | 0:36:39 | 0:36:41 | |
I've been doing stand-up for eight, | 0:36:41 | 0:36:43 | |
but in that first year it used to happen all of the time. | 0:36:43 | 0:36:46 | |
Now I'm looking at everyone's faces in this room, | 0:36:46 | 0:36:49 | |
they're, like, "No, you're shaped like an avocado, right?" | 0:36:49 | 0:36:54 | |
How can this even be true? | 0:36:54 | 0:36:55 | |
But it did, I remember coming off stage once and a girl came up to me | 0:36:55 | 0:36:58 | |
after the show and she said, "Do you want to hang out?" | 0:36:58 | 0:37:01 | |
I said, "Yeah, let's hang out." And she brought me round to her place | 0:37:01 | 0:37:04 | |
and when I got into her place, do you know what she said? | 0:37:04 | 0:37:06 | |
"I can't sleep with you but I can give you head?" | 0:37:06 | 0:37:09 | |
And I said, "Do you know what? that's more than what I expected. | 0:37:11 | 0:37:14 | |
"If that's what you want to do, I am not going to stop you, right?" | 0:37:14 | 0:37:18 | |
And as soon as she said that, she left the room, | 0:37:18 | 0:37:21 | |
she left me in her living room. | 0:37:21 | 0:37:22 | |
Now I don't know this girl from nowhere | 0:37:22 | 0:37:25 | |
so I'm trying to work out who she is just from her furnishings. | 0:37:25 | 0:37:29 | |
And she had an Elton John wig there and I saw some tassels as well | 0:37:29 | 0:37:33 | |
and I saw a whip and I thought, "OK, this girl's a freak." | 0:37:33 | 0:37:37 | |
But she was gone for a little bit too long for my liking, | 0:37:37 | 0:37:40 | |
like, five minutes had gone past, | 0:37:40 | 0:37:42 | |
seven minutes, she still hasn't returned and at the back of my mind, | 0:37:42 | 0:37:46 | |
this council estate mind, I started to think, "You know what? | 0:37:46 | 0:37:51 | |
"This could be a honey trap," | 0:37:51 | 0:37:53 | |
cos she just saw me getting paid cash from this gig. | 0:37:53 | 0:37:57 | |
Maybe...maybe she's after my £17.50, right? | 0:37:57 | 0:38:02 | |
Maybe this is what's going on? | 0:38:02 | 0:38:04 | |
But she's gone for ages now so I don't see her. | 0:38:04 | 0:38:07 | |
So what I done was, I opened up the door that she disappeared from. | 0:38:07 | 0:38:10 | |
Now I'm in a hallway with three more doors in it | 0:38:10 | 0:38:13 | |
so it's like Alice In Wonderland, right? | 0:38:13 | 0:38:14 | |
And I went to the first door and I opened it up and I said, "Hello?" | 0:38:14 | 0:38:18 | |
And I got no answer, so I walked down to the end of the corridor, | 0:38:18 | 0:38:23 | |
opened up the second door and there was a man handcuffed to a bed. | 0:38:23 | 0:38:27 | |
A skinny little white man handcuffed to a bed and he saw me | 0:38:27 | 0:38:33 | |
and he was like, "Arrgh! Arrgh! Arrgh!" | 0:38:33 | 0:38:35 | |
And I saw that, so I started panicking. | 0:38:35 | 0:38:38 | |
I was like, "What the hell is going on in here?!" | 0:38:38 | 0:38:41 | |
And the man's like, "Arrgh! Arrgh! Arrgh!" | 0:38:41 | 0:38:44 | |
Cos I'm a big black man and this could be Pulp Fiction! | 0:38:44 | 0:38:47 | |
And the girl came running from the third room, | 0:38:49 | 0:38:52 | |
she goes, "Oh, my God, what's going on? | 0:38:52 | 0:38:54 | |
"You've upset my slave!" | 0:38:54 | 0:38:55 | |
And me and the guy's looking at each other, like, which one's the slave? | 0:38:55 | 0:38:59 | |
And she said, "Go back to where you came from?" | 0:39:02 | 0:39:04 | |
I was, like, "What, the living room or culturally?" I don't understand. | 0:39:04 | 0:39:09 | |
Erm, well, that's what happened | 0:39:09 | 0:39:11 | |
and, sir, it's very nice to see you got out the room. | 0:39:11 | 0:39:14 | |
So it is. But I don't do anything of this any more, like I said, | 0:39:16 | 0:39:19 | |
cos I'm, erm, I'm in a relationship now to an amazing girl, amazing! | 0:39:19 | 0:39:23 | |
You know, sometimes I think she's so...too good for me, cos I look | 0:39:23 | 0:39:27 | |
at myself and I think to myself, "Oh, my God, she's beautiful | 0:39:27 | 0:39:31 | |
"and she's intelligent, like, how did I end up with a girl like that?" | 0:39:31 | 0:39:34 | |
And sometimes I see her looking at me | 0:39:34 | 0:39:36 | |
thinking the exact same thing. | 0:39:36 | 0:39:39 | |
Like, "Why am I with this man?" Right? | 0:39:39 | 0:39:41 | |
Especially when she sees me lying down in a bed all day, | 0:39:41 | 0:39:44 | |
that's what I love to do, just lie down in a bed. | 0:39:44 | 0:39:47 | |
And I lie there and I'm there and I've got, er, I've got Wotsits. | 0:39:47 | 0:39:52 | |
And there's never enough Wotsits, is there? | 0:39:52 | 0:39:54 | |
So I have to buy multipack Wotsits. | 0:39:54 | 0:39:56 | |
And I don't even sit down and eat them, I lie down, in my bed, | 0:39:56 | 0:40:00 | |
and eat these Wotsits and I've got Football Manager | 0:40:00 | 0:40:02 | |
open on my laptop and I'm the happiest I ever am. | 0:40:02 | 0:40:06 | |
Until she comes home and she's upset with me because the place is | 0:40:08 | 0:40:12 | |
a mess, there's clothes everywhere, there's dishes all piled up. | 0:40:12 | 0:40:15 | |
She comes marching up the stairs, she kicks the door open, | 0:40:15 | 0:40:18 | |
and she sees this big fat walrus lying down in a bed with a sea | 0:40:18 | 0:40:22 | |
of empty Wotsit packets and she goes, "What's going on in here? | 0:40:22 | 0:40:26 | |
"You've done nothing all day, what have you done?" | 0:40:26 | 0:40:29 | |
But she doesn't know I've won the Champions League! | 0:40:29 | 0:40:32 | |
Ladies and gentlemen, I've been Marlon Davis, thank you very much. | 0:40:38 | 0:40:42 | |
Good night! | 0:40:42 | 0:40:44 | |
CHEERING | 0:40:44 | 0:40:45 | |
Give it up for Marlon Davis. | 0:40:49 | 0:40:51 | |
CHEERING | 0:40:52 | 0:40:53 | |
This guy's all the way from New York via Dublin. | 0:40:54 | 0:40:56 | |
He used to put me up, let me stay on his couch in Dublin, | 0:40:56 | 0:41:00 | |
a big mate of mine. | 0:41:00 | 0:41:02 | |
Welcome to the stage - Des Bishop! | 0:41:02 | 0:41:03 | |
APPLAUSE | 0:41:03 | 0:41:04 | |
Ah, thank you so much. Thank you. | 0:41:10 | 0:41:13 | |
It's...it's so nice to be here. | 0:41:13 | 0:41:16 | |
Now, I'm from America but I live in Ireland a long time | 0:41:16 | 0:41:18 | |
but, actually, for the last year and a half, I've been living in China. | 0:41:18 | 0:41:22 | |
I tried to learn enough Chinese | 0:41:22 | 0:41:24 | |
in a year to do stand-up comedy in Chinese. | 0:41:24 | 0:41:27 | |
Right? Er, there are many reasons why. | 0:41:27 | 0:41:29 | |
Before I learned how to speak the Irish language, which opened me up | 0:41:29 | 0:41:32 | |
to a market of 60,000 people, so I said, "The next time I learn | 0:41:32 | 0:41:37 | |
"a language, I'm going all out." | 0:41:37 | 0:41:38 | |
1.3 billion of those people, right? | 0:41:38 | 0:41:41 | |
Soon I won't be needing you white folks, I have a whole new market. | 0:41:41 | 0:41:45 | |
But the main reason I went | 0:41:45 | 0:41:46 | |
is because I used to have a really, really good Chinese friend, | 0:41:46 | 0:41:50 | |
he used to live in Ireland, he moved back to China, Seamus. | 0:41:50 | 0:41:53 | |
Now...Seamus wasn't the name his mother gave him. | 0:41:53 | 0:41:57 | |
Obviously, I don't know if you know this | 0:41:57 | 0:41:59 | |
but years ago in Ireland we had an economy and people went to Ireland | 0:41:59 | 0:42:03 | |
to work, so these guys would stay in host families, right? | 0:42:03 | 0:42:07 | |
The host family would go to the airport to greet them, | 0:42:07 | 0:42:10 | |
they'd be like, "Welcome to Ireland. What is your name?" | 0:42:10 | 0:42:12 | |
And the Chinese guys would be like, "Shun Chi Yu." | 0:42:12 | 0:42:14 | |
And the family would be like, "Seamus! | 0:42:14 | 0:42:16 | |
"Welcome to Ireland, Seamus. | 0:42:16 | 0:42:18 | |
"There'll be no Shun Chi Yu in this house unless we're eating it, OK? | 0:42:18 | 0:42:22 | |
"In fact, I'll tell you what, we'll all go for a Chinese, will we? | 0:42:22 | 0:42:25 | |
"You can order. | 0:42:25 | 0:42:26 | |
"I've been eating number 63 my whole life, | 0:42:26 | 0:42:29 | |
"chicken curry, half rice, half chips, | 0:42:29 | 0:42:31 | |
"Do you have that in China, do you?" | 0:42:31 | 0:42:33 | |
That's Ireland's favourite Chinese dish - | 0:42:33 | 0:42:36 | |
chicken curry, half rice, half chips, | 0:42:36 | 0:42:38 | |
cos it's not dinner unless there's potatoes in it. | 0:42:38 | 0:42:41 | |
"We have to have half potatoes but I'll have half rice as well, | 0:42:41 | 0:42:44 | |
"I'm not racist." | 0:42:44 | 0:42:46 | |
So, while I was in China, I learned Chinese. | 0:42:47 | 0:42:50 | |
And during the summer last year, I actually worked for a month | 0:42:50 | 0:42:54 | |
in a real Chinese restaurant, right on the border of Russia for a month, | 0:42:54 | 0:42:58 | |
full Chinese as a welcomer, a greeter, who welcomes people in. | 0:42:58 | 0:43:02 | |
And I had a very interesting experience. | 0:43:02 | 0:43:04 | |
My job was very simple, customers would arrive and I would say | 0:43:04 | 0:43:07 | |
"huanying guanglin," which means you are very welcome | 0:43:07 | 0:43:10 | |
and then customers would leave and I would say... | 0:43:10 | 0:43:12 | |
HE SPEAKS MANDARIN | 0:43:12 | 0:43:14 | |
Right, very simple job every day welcome and leave | 0:43:14 | 0:43:16 | |
but three weeks into the job, three Chinese guys arrive. | 0:43:16 | 0:43:20 | |
I say, "huanying guanglin," and then one of them really loudly, | 0:43:20 | 0:43:23 | |
in front of everybody in the restaurant, | 0:43:23 | 0:43:26 | |
says "huanying guanglin" and does a shit version of my shit Chinese. | 0:43:26 | 0:43:30 | |
And I said, "Hold on a minute, buddy. | 0:43:32 | 0:43:34 | |
"You can't do a bad version of my bad Chinese, that's racist. | 0:43:34 | 0:43:39 | |
"I am the only white guy in the village." | 0:43:40 | 0:43:42 | |
I was the only white guy in this small Chinese city of | 0:43:42 | 0:43:44 | |
950,000 people. | 0:43:44 | 0:43:46 | |
I was the only white guy in the town. | 0:43:46 | 0:43:49 | |
So I said to him, "At least have the decency, mate. | 0:43:49 | 0:43:51 | |
"We've all been out with the buddies, we all like a bit of un-PC | 0:43:51 | 0:43:54 | |
"humour, wait till you get to the table then you can make fun of me. | 0:43:54 | 0:43:57 | |
"Nobody can hear you, no problem." | 0:43:57 | 0:43:59 | |
You know, "Hey, look at the white guy with his huanying guanglin. | 0:43:59 | 0:44:02 | |
"How bad was his Chinese? | 0:44:02 | 0:44:03 | |
"Huanying guanglin, huanying guanglin, huanying guanglin!" | 0:44:03 | 0:44:07 | |
Fine, I can take that if I can't hear it | 0:44:07 | 0:44:10 | |
but you can't huanying guanglin me, cos I'll tell you right now, buddy, | 0:44:10 | 0:44:14 | |
if we were in Dublin or New York or Edinburgh | 0:44:14 | 0:44:16 | |
and I walked into the Chinese restaurant and the welcomer was | 0:44:16 | 0:44:19 | |
like, "Oh, you are very welcome" and I went, "Oh, you are very welcome. | 0:44:19 | 0:44:25 | |
"Welcome to our restaurant. You want fried rice?" | 0:44:25 | 0:44:29 | |
Well, I'd be arrested, so don't huanying guanglin me, asshole! | 0:44:31 | 0:44:36 | |
And I'll tell you right now you are lucky. You are lucky, buddy, | 0:44:36 | 0:44:39 | |
that I am a comedian because I would've been upset. I would've been | 0:44:39 | 0:44:42 | |
upset except the minute that you said it I couldn't help but think | 0:44:42 | 0:44:45 | |
this is going to rip it when I take this back to Edinburgh next year. | 0:44:45 | 0:44:48 | |
Anyway, thanks very much. I've been Des Bishop. | 0:44:48 | 0:44:51 | |
Thank you, have a good night. Thank you. | 0:44:51 | 0:44:53 | |
APPLAUSE AND CHEERING | 0:44:53 | 0:44:55 | |
Des Bishop. | 0:44:55 | 0:44:57 | |
Everybody give it up please for Ivo Graham. | 0:44:58 | 0:45:01 | |
APPLAUSE AND CHEERING | 0:45:03 | 0:45:04 | |
Good evening. | 0:45:12 | 0:45:13 | |
This is very exciting, | 0:45:14 | 0:45:15 | |
this is one of those moments where doing comedy feels really cool. | 0:45:15 | 0:45:19 | |
It doesn't always feel cool. I'll tell you about the least cool moment of my comedy career. | 0:45:19 | 0:45:22 | |
It was a few months ago on the way back from a gig on a train. | 0:45:22 | 0:45:25 | |
It's one of these trains where there are no plug | 0:45:25 | 0:45:27 | |
sockets in standard class but you can't move for them in first class. | 0:45:27 | 0:45:30 | |
I needed to charge my phone to make an urgent phone call | 0:45:30 | 0:45:33 | |
so I crept into first class, not for a permanent upgrade, | 0:45:33 | 0:45:36 | |
just for long enough to get me some of that sweet, sweet juice. | 0:45:36 | 0:45:39 | |
Stopped by the ticket inspector, asked me to leave, | 0:45:39 | 0:45:42 | |
I said, "I need to make this call, it's important." | 0:45:42 | 0:45:44 | |
We came to a compromise in the end and the compromise was | 0:45:44 | 0:45:46 | |
that my phone could stay in first class but I could not. | 0:45:46 | 0:45:49 | |
Let me tell you that is a grim, grim 35 minutes | 0:45:50 | 0:45:52 | |
from Walton-on-Thames to Waterloo | 0:45:52 | 0:45:54 | |
standing in the nether zone, peering through the glass at your | 0:45:54 | 0:45:57 | |
iPhone enjoying a better quality of life than you can currently afford. | 0:45:57 | 0:46:02 | |
Not a very cool person. | 0:46:05 | 0:46:07 | |
I went to parties as a teenager, about one a year to keep my hand in. | 0:46:07 | 0:46:11 | |
I was a big hit with the parents, parents loved me. | 0:46:12 | 0:46:15 | |
They knew what they were getting from the other | 0:46:15 | 0:46:17 | |
boys at their daughter's parties, they were getting red wine stains on the carpet and hormones. | 0:46:17 | 0:46:21 | |
They knew what they were getting from me, | 0:46:21 | 0:46:23 | |
a box of Roses at the start of the night, a hand with the washing up | 0:46:23 | 0:46:26 | |
and a thank you letter in the first class post the following day. | 0:46:26 | 0:46:29 | |
I don't like to boast much in my comedy | 0:46:30 | 0:46:32 | |
but I'm not ashamed to say that I write a good thank you letter. | 0:46:32 | 0:46:36 | |
Beautiful paper, beautiful handwriting, minimum two sides. | 0:46:36 | 0:46:40 | |
I would always write my address in the top right hand corner | 0:46:40 | 0:46:43 | |
just in case any of the mums wanted to write back - | 0:46:43 | 0:46:45 | |
they never did but it's good to give them the option. | 0:46:45 | 0:46:49 | |
The date underneath, the classic six figure date formation - | 0:46:49 | 0:46:51 | |
day, month, year. | 0:46:51 | 0:46:53 | |
Unless it was an American family obviously in which case it | 0:46:53 | 0:46:55 | |
was day, month, year, because they've got to learn. | 0:46:55 | 0:46:58 | |
Changing the world one letter at a time. It's very exciting. | 0:47:00 | 0:47:04 | |
My life's got more exciting recently | 0:47:05 | 0:47:09 | |
because I've started seeing a woman, it's very exciting. | 0:47:09 | 0:47:13 | |
And she's been seeing me obviously that's crucial. | 0:47:13 | 0:47:15 | |
Two directional seeing on a regular basis, who'd have thought it, finally! | 0:47:16 | 0:47:20 | |
It's taken me a long time in my life but I've got there. | 0:47:20 | 0:47:22 | |
It's very, very exciting. Is she my girlfriend? Yes and no. | 0:47:22 | 0:47:27 | |
That's my response and her response respectively. | 0:47:27 | 0:47:29 | |
It's very exciting. | 0:47:32 | 0:47:33 | |
I'm not going to talk about the sex itself, I think | 0:47:33 | 0:47:35 | |
that's a bit crude. It's quite difficult. | 0:47:35 | 0:47:39 | |
It's just a serious of things that can go wrong, really. | 0:47:39 | 0:47:41 | |
On a good day you'll pull a muscle, | 0:47:41 | 0:47:43 | |
on a bad day, you'll create a life. No, thank you. | 0:47:43 | 0:47:45 | |
If I wanted to pull muscles while creating lives, | 0:47:47 | 0:47:49 | |
I'd play the Sims on a treadmill. | 0:47:49 | 0:47:51 | |
I tell you what's exciting is the reaction from other men. | 0:47:52 | 0:47:55 | |
I'll tell you about the first night I went back to hers. | 0:47:55 | 0:47:57 | |
We kissed at a party, we then shared a taxi from the party, | 0:47:57 | 0:48:00 | |
it was a taxi of purely geographical logic. | 0:48:00 | 0:48:02 | |
I can't stress that enough. | 0:48:02 | 0:48:04 | |
Her flat was halfway between the party and my flat, it made sense. | 0:48:04 | 0:48:08 | |
But we never got to my flat. | 0:48:08 | 0:48:10 | |
A bit of kissing in the back of the cab, | 0:48:10 | 0:48:12 | |
we pull up outside her flat, she says, | 0:48:12 | 0:48:14 | |
"Oh, you can, you can just come and stay the night here if you want?" | 0:48:14 | 0:48:17 | |
That's not the exciting bit of the story, | 0:48:17 | 0:48:19 | |
the exciting bit of the story is getting to say to the taxi driver, | 0:48:19 | 0:48:22 | |
"Actually, mate, we'll both be getting off here if that's all right?" | 0:48:22 | 0:48:27 | |
Whoo. | 0:48:27 | 0:48:28 | |
You don't understand, you don't understand because you weren't there. | 0:48:30 | 0:48:33 | |
It's like Vietnam, you'd have understood if you'd been there. | 0:48:33 | 0:48:35 | |
If you'd seen the taxi driver's face, | 0:48:35 | 0:48:37 | |
the most amazing mixture of emotions on his face. | 0:48:37 | 0:48:40 | |
I think obvious anger at being referred to as mate by a posh child, | 0:48:40 | 0:48:45 | |
but also a paternal pride in my achievement. | 0:48:45 | 0:48:48 | |
I say paternal metaphorically, he wasn't my actual father. | 0:48:48 | 0:48:51 | |
My father was not there. | 0:48:51 | 0:48:52 | |
My father plays no part in this story apart from denying it | 0:48:52 | 0:48:55 | |
had happened the following morning. | 0:48:55 | 0:48:57 | |
But I put him in his place. | 0:48:58 | 0:49:00 | |
If it didn't happen, Dad, | 0:49:00 | 0:49:01 | |
then who am I writing this thank you letter to? | 0:49:01 | 0:49:04 | |
Thanks so much for having me, guys, it's been very exciting. Goodbye! | 0:49:04 | 0:49:08 | |
APPLAUSE AND CHEERING | 0:49:08 | 0:49:09 | |
Give it up for Ivo Graham. | 0:49:11 | 0:49:13 | |
Please welcome to the stage James Acaster. | 0:49:15 | 0:49:17 | |
APPLAUSE AND CHEERING | 0:49:19 | 0:49:20 | |
Thank you. Cheers. Good to see you. Nice to be here, Edinburgh. | 0:49:28 | 0:49:33 | |
Er, I'm feeling a bit home sick. | 0:49:33 | 0:49:36 | |
AUDIENCE: Aww. | 0:49:36 | 0:49:37 | |
I miss Pret a Manger. I love Pret a Manger. | 0:49:37 | 0:49:40 | |
If you don't know Pret a Manger, it's an authentic French restaurant. | 0:49:40 | 0:49:43 | |
So much in there, so much to manger. | 0:49:45 | 0:49:47 | |
Just so much, I love manger in there so much. | 0:49:49 | 0:49:52 | |
I could've worked at Pret a Manger, man, I could've been the supervisor. | 0:49:54 | 0:49:57 | |
I turned it down. | 0:49:57 | 0:49:59 | |
Too much pressure. | 0:49:59 | 0:50:00 | |
Too much pressure, man. | 0:50:02 | 0:50:04 | |
Leadership looks fun, it's stressful. | 0:50:04 | 0:50:07 | |
It's like if you ever see anyone leading a conga. | 0:50:07 | 0:50:09 | |
Oh, on the outside they're loving it sure. The whole time just... | 0:50:11 | 0:50:16 | |
LAUGHTER | 0:50:16 | 0:50:17 | |
In their heads, "I don't know where I'm going. | 0:50:27 | 0:50:30 | |
"I didn't plan a route. | 0:50:30 | 0:50:32 | |
"I never asked for any of this. | 0:50:33 | 0:50:35 | |
"Oh, God, I miss my family." | 0:50:37 | 0:50:39 | |
Everyone's trapped...in the conga. | 0:50:42 | 0:50:46 | |
You think you can leave, you can't leave. | 0:50:48 | 0:50:50 | |
The person at the back, maybe. They can let go, make a run for it. | 0:50:52 | 0:50:56 | |
Everyone else, you let go, you're not out of the conga. | 0:50:56 | 0:50:59 | |
Now you're the leader of a rival conga. | 0:50:59 | 0:51:01 | |
LAUGHTER | 0:51:01 | 0:51:04 | |
Now you've got turf wars to worry about. | 0:51:04 | 0:51:07 | |
Worst case scenario, you're second from the back, you let go, | 0:51:07 | 0:51:10 | |
the person behind you loves congas, isn't giving up for anyone. | 0:51:10 | 0:51:13 | |
Now you've got to try and mingle with a maniac on your hips. | 0:51:14 | 0:51:17 | |
Going to have a serious discussion about Twelve Years a Slave, | 0:51:18 | 0:51:21 | |
they're still going hell for leather. | 0:51:21 | 0:51:23 | |
You'd have to go swimming just to get rid of them. | 0:51:23 | 0:51:26 | |
Trying to better myself. | 0:51:31 | 0:51:33 | |
Trying to learn how to play pool lately. | 0:51:34 | 0:51:37 | |
That's hard though before you even start. | 0:51:37 | 0:51:39 | |
Got to set the balls up in that triangle. | 0:51:39 | 0:51:41 | |
I don't know what order they're meant to go in. | 0:51:44 | 0:51:46 | |
It's like seven yellows, seven reds, one black, | 0:51:46 | 0:51:49 | |
they're not in an easy to memorise pretty pattern. | 0:51:49 | 0:51:52 | |
If you want to remember the order of the colours | 0:51:52 | 0:51:54 | |
of the rainbow just remember Richard of York Gave Battle In Vain, right? | 0:51:54 | 0:51:58 | |
Easy. | 0:51:58 | 0:52:00 | |
It's nothing like that when it comes to the pool balls... | 0:52:00 | 0:52:03 | |
..until now. | 0:52:06 | 0:52:07 | |
I had a night out off, I got a pen and paper out. | 0:52:08 | 0:52:12 | |
Now, if I ever need to set those pool balls up | 0:52:12 | 0:52:15 | |
I just remember Renovating Your Rock'n'roll Bungalow Yielded | 0:52:15 | 0:52:18 | |
Yesterday's Ritalin Yet Raspberry Ripple Ying Yangs Repel Yoghurt. | 0:52:18 | 0:52:22 | |
APPLAUSE AND CHEERING | 0:52:23 | 0:52:24 | |
Or Systematically Sellotaping Steven Spielberg's Broken See Saws | 0:52:30 | 0:52:34 | |
In Satellite Signals Southbound So Sushi Seems Suspicious, | 0:52:34 | 0:52:37 | |
if you're playing spots and stripes. | 0:52:37 | 0:52:39 | |
Goodbye! | 0:52:41 | 0:52:42 | |
APPLAUSE AND CHEERING | 0:52:43 | 0:52:45 | |
Give it up for James Acaster. | 0:52:48 | 0:52:49 | |
Finishing in style, make some noise please for Pete Firman. | 0:52:52 | 0:52:55 | |
APPLAUSE AND CHEERING | 0:52:57 | 0:52:58 | |
That's lovely. That's very nice. Good evening, hope you're all well. | 0:53:04 | 0:53:07 | |
My name's Peter Firman, I'm a magician. | 0:53:07 | 0:53:09 | |
I'm going to warm you up with a card trick. | 0:53:09 | 0:53:11 | |
-There's a lady here with a black top. What's your first name? -Trish. | 0:53:11 | 0:53:14 | |
Trish, Trish, Trish? | 0:53:14 | 0:53:15 | |
Trish, Trish, take this pack of cards, | 0:53:15 | 0:53:17 | |
I'm just going to toss it to you there, Trish. | 0:53:17 | 0:53:19 | |
Ensure that is a perfectly ordinary pack of cards and take your time | 0:53:19 | 0:53:23 | |
because we're going to do the trick with this deck. | 0:53:23 | 0:53:25 | |
Trish, are you familiar with a deck of cards? | 0:53:25 | 0:53:28 | |
All the faces are different, all the backs are the same, | 0:53:28 | 0:53:30 | |
nothing to do with me, that's how they make them. | 0:53:30 | 0:53:33 | |
Little bit of humour there. | 0:53:33 | 0:53:34 | |
Tiny, tiny bit of humour there, don't judge. | 0:53:34 | 0:53:36 | |
OK, Trish, I'm going to have you select a card in the fairest manner that I know. | 0:53:36 | 0:53:39 | |
I'm going to let the cards fall, | 0:53:39 | 0:53:41 | |
they're going to fall from hand to hand and you're going to say stop | 0:53:41 | 0:53:44 | |
and wherever you say stop, that'll be the card that you pick. | 0:53:44 | 0:53:47 | |
-Understood? All right, so just as they go from paw to paw. -Stop! | 0:53:47 | 0:53:49 | |
-Missed it that time Trish, that's fine now. -Stop! | 0:53:49 | 0:53:51 | |
Wait until I start, Trish, all right? | 0:53:51 | 0:53:53 | |
Starting to get on my tits. | 0:53:53 | 0:53:55 | |
3,000 people, could've picked anyone. | 0:53:56 | 0:53:58 | |
All right, so just as they go from hand to hand there, Trish. | 0:53:58 | 0:54:01 | |
Missed it again, Trish. | 0:54:01 | 0:54:02 | |
Trish, I'm not asking you to crack the Da Vinci code here, flower. | 0:54:02 | 0:54:05 | |
It's one word. That's all there is to this. | 0:54:05 | 0:54:08 | |
So just as they go...it's not easy, | 0:54:08 | 0:54:10 | |
there's 52 chances it's not easy. | 0:54:10 | 0:54:11 | |
-OK, so just, Trish, I'll go... -Stop! | 0:54:11 | 0:54:13 | |
Very good! Trish take the card that you've stopped me at. | 0:54:13 | 0:54:15 | |
Pop to the edge of the stage here. Have a little peeky-poos. | 0:54:15 | 0:54:18 | |
Very good. Take it off there. Very good, Trish. | 0:54:18 | 0:54:20 | |
Trish, I've got a pen inside my pocket | 0:54:20 | 0:54:22 | |
and what I'd like you do is I'll take that other deck from you, | 0:54:22 | 0:54:25 | |
if I grab that, Trish, there we go. | 0:54:25 | 0:54:27 | |
And if you can take the pen and write your name, nice and big | 0:54:27 | 0:54:29 | |
capital letters on the face of the card that you hold in your hands. | 0:54:29 | 0:54:32 | |
Nice and big. Gentleman friend here? Hello, mate, what's your name? | 0:54:32 | 0:54:35 | |
-Lee. -Lee! Having a good time there, Lee? -Not bad. -Good stuff. | 0:54:35 | 0:54:38 | |
Do me a favour, Lee, just blink every now and then, it's a bit creepy. | 0:54:38 | 0:54:41 | |
And...just try and keep your eyes above my crotch, it's off-putting. | 0:54:41 | 0:54:45 | |
Trish, how you doing? You done that? | 0:54:45 | 0:54:47 | |
There's not many letters, it's not, it's not tough. | 0:54:47 | 0:54:49 | |
All right, I'll take it back, I'll take it back. | 0:54:49 | 0:54:51 | |
Now, Trish, if I hold it like this, is that the right way round | 0:54:51 | 0:54:53 | |
-for your name, is it that way? -Yes. | 0:54:53 | 0:54:55 | |
OK, so I'll, I'm going to show this, you can return to your seat there, Trish. | 0:54:55 | 0:54:58 | |
Friends, this is Trish's card. I don't know the value, | 0:54:58 | 0:55:01 | |
I don't know the orientation of the signature, have a good look. | 0:55:01 | 0:55:04 | |
Trish has virtually bent it in half | 0:55:04 | 0:55:05 | |
so it should be a doddle to find. | 0:55:05 | 0:55:07 | |
I appreciate the help, Trish, | 0:55:08 | 0:55:10 | |
because I'm not as good as the other boys. | 0:55:10 | 0:55:12 | |
I'm going to mix up the card in the pack and I'm going to show you | 0:55:12 | 0:55:14 | |
a few slight of hand manoeuvres. If you're in a game of cards, these | 0:55:14 | 0:55:17 | |
are the moves to look for. First manoeuvre is called a riffle shuffle. | 0:55:17 | 0:55:20 | |
This is called a riffle shuffle, that's that one, that's a riffle. | 0:55:20 | 0:55:23 | |
Next one's called a Paris Hilton shuffle. | 0:55:23 | 0:55:25 | |
Paris Hilton shuffle. Looks good, does bugger all. | 0:55:25 | 0:55:27 | |
Oh, is she in, is she in? No, not here, all right. | 0:55:29 | 0:55:32 | |
Next is the rarely seen, quite difficult, | 0:55:32 | 0:55:34 | |
sometimes this gets a little pitter patter of applause, | 0:55:34 | 0:55:36 | |
this is the one handed riffle shuffle. | 0:55:36 | 0:55:38 | |
Let's see if this is achievable in Edinburgh. | 0:55:38 | 0:55:40 | |
Oh, the boy wonder is halfway there. Yikes. | 0:55:40 | 0:55:43 | |
APPLAUSE AND CHEERING | 0:55:43 | 0:55:45 | |
Ten years of my life. OK, I... | 0:55:48 | 0:55:51 | |
That's called springing the cards there...pardon me. | 0:55:51 | 0:55:54 | |
Now, Trish, do you remember about three | 0:55:54 | 0:55:55 | |
and a half weeks ago, you selected a card? | 0:55:55 | 0:55:57 | |
And I've shuffled up the pack, mixed them up, | 0:55:57 | 0:55:59 | |
I've shuffled them up. Inside of my pocket here, Trish, | 0:55:59 | 0:56:01 | |
I've got a little envelope which happens to be empty. | 0:56:01 | 0:56:04 | |
I'm going to drop the pack of cards inside of said stationary. | 0:56:04 | 0:56:06 | |
I'm going to give them a little mixy-moo like that. | 0:56:06 | 0:56:09 | |
I've got one more manoeuvre to show you, people. | 0:56:09 | 0:56:11 | |
This one is called the Glasgow shuffle, this is the Glasgow shuffle. | 0:56:11 | 0:56:14 | |
You mix them...pal. | 0:56:14 | 0:56:17 | |
OK, I'm going to skewer the envelope on the blade of the knife. | 0:56:17 | 0:56:20 | |
At the moment, Trish, you're thinking of one card and one card alone. | 0:56:20 | 0:56:23 | |
If it's got your name across it, we'll know it straight away. | 0:56:23 | 0:56:26 | |
One, two, buckle my shoe. | 0:56:26 | 0:56:27 | |
One card and one card alone, friends, it is the ten of diamonds. | 0:56:27 | 0:56:30 | |
Her name on it, give her a huge round of applause. Thank you, Trish. | 0:56:30 | 0:56:34 | |
eBay. You guys are nice, I'm Pete Firman, have a nice night. | 0:56:34 | 0:56:37 | |
Thank you very much, good night! | 0:56:37 | 0:56:39 | |
APPLAUSE AND CHEERING | 0:56:40 | 0:56:42 | |
Ladies and gentlemen, Pete Firman. | 0:56:44 | 0:56:46 | |
You have been watching Edinburgh Comedy Fest Live. | 0:56:47 | 0:56:50 | |
I'm Kevin Bridges, good night. Thank you! | 0:56:50 | 0:56:53 | |
APPLAUSE AND CHEERING | 0:56:54 | 0:56:55 |