Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's Edinburgh Comedy Fest Live. | 0:00:21 | 0:00:24 | |
Please welcome...Seann Walsh! | 0:00:24 | 0:00:28 | |
CHEERING AND APPLAUSE | 0:00:28 | 0:00:30 | |
Thank you very much. | 0:00:36 | 0:00:38 | |
Oh, wonderful, thank you. | 0:00:38 | 0:00:40 | |
Hello, Edinburgh! | 0:00:40 | 0:00:42 | |
AUDIENCE CHEER | 0:00:42 | 0:00:43 | |
Hello, welcome to Edinburgh Comedy Fest Live! | 0:00:43 | 0:00:46 | |
AUDIENCE CHEER | 0:00:46 | 0:00:48 | |
It's been a year since I've been here in Edinburgh. | 0:00:48 | 0:00:50 | |
But a year I... A lot has happened to me, | 0:00:50 | 0:00:53 | |
it's been a big year for me since I was last here. | 0:00:53 | 0:00:56 | |
I have met and moved in with my girlfriend. | 0:00:56 | 0:01:00 | |
-AUDIENCE: -Woo! | 0:01:00 | 0:01:01 | |
Thank you, yes! Do you know what it's like? | 0:01:01 | 0:01:03 | |
You have to change, you have to adapt, | 0:01:03 | 0:01:06 | |
different ways of looking at life. | 0:01:06 | 0:01:08 | |
She thinks that when the dishwasher has finished the dishes, | 0:01:08 | 0:01:12 | |
you put them in the cupboard. | 0:01:12 | 0:01:14 | |
HE GIGGLES | 0:01:14 | 0:01:16 | |
Whereas if you're me, the dishwasher is now the cupboard. | 0:01:18 | 0:01:22 | |
Why would you take something out of a box that cleans them | 0:01:25 | 0:01:27 | |
and put them in one that doesn't, it makes no sense. | 0:01:27 | 0:01:30 | |
Now the flat has to be spotless, at all times, | 0:01:30 | 0:01:34 | |
in case we have guests. Guests! | 0:01:34 | 0:01:36 | |
I used to have friends. | 0:01:36 | 0:01:38 | |
I remember friends would come round, we'd talk nonsense then go out. | 0:01:41 | 0:01:44 | |
What are these guests doing? | 0:01:44 | 0:01:45 | |
Coming round and then leaving comments on Trip Advisor? | 0:01:45 | 0:01:48 | |
"I was having a great time until I saw a DVD out of its case, | 0:01:50 | 0:01:53 | |
"two stars." What?! | 0:01:53 | 0:01:54 | |
I've had to cut down on the drinking. | 0:02:00 | 0:02:02 | |
I'm still allowed to go out, but I'm not allowed to come home drunk. | 0:02:02 | 0:02:05 | |
Sorry, what, whu, how...? How does that work? | 0:02:05 | 0:02:09 | |
What do you want me to do? Meet them in the front garden? | 0:02:09 | 0:02:12 | |
I have to go out sober, with my friends, whilst they're drunk. | 0:02:14 | 0:02:18 | |
Do you know what you learn doing that? | 0:02:18 | 0:02:20 | |
Your friends are twats. | 0:02:20 | 0:02:22 | |
I have to talk to them whilst they've got drunk eyes. Drunk eyes! | 0:02:23 | 0:02:28 | |
Do you know drunk eyes? I've paid attention. | 0:02:28 | 0:02:32 | |
Drunk eyes are when you have to keep your eyes closed | 0:02:32 | 0:02:35 | |
for the entire duration that you turn your head to talk to someone else. | 0:02:35 | 0:02:40 | |
Do you know this? | 0:02:42 | 0:02:44 | |
I'll be at the pub, there'll be a few of us. | 0:02:44 | 0:02:46 | |
My friend, Drunk Tom, starts talking. | 0:02:46 | 0:02:48 | |
SLURRING: "Have...have...have you seen, have you seen Godzilla? | 0:02:48 | 0:02:52 | |
"You have? Did you like it? | 0:02:52 | 0:02:56 | |
"You did?" | 0:02:56 | 0:02:57 | |
"What's your opinion?" | 0:02:59 | 0:03:00 | |
APPLAUSE | 0:03:04 | 0:03:06 | |
I, um... I love living with my girlfriend. | 0:03:08 | 0:03:12 | |
But... And I do, | 0:03:12 | 0:03:13 | |
but there are some things that it's very difficult to adjust to. | 0:03:13 | 0:03:19 | |
For example, she is one of these... | 0:03:19 | 0:03:22 | |
..morning people. | 0:03:24 | 0:03:25 | |
Do you know the morning people? | 0:03:28 | 0:03:29 | |
It might not shock you to know I am not one of these morning people. | 0:03:31 | 0:03:37 | |
I hate waking up. | 0:03:37 | 0:03:40 | |
I mean, I can't stand it, even if I've got to wake up | 0:03:40 | 0:03:42 | |
for something good, like going on holiday. | 0:03:42 | 0:03:44 | |
I mean, oh, my God, the alarm goes off. | 0:03:44 | 0:03:46 | |
It can't just be me that thinks, "I could just not go." | 0:03:46 | 0:03:50 | |
I can lock myself in for a week, tell everyone I went, | 0:03:52 | 0:03:55 | |
it was brilliant, that'll do. | 0:03:55 | 0:03:58 | |
But she's not like that, she's up straight away. Boing! | 0:03:58 | 0:04:00 | |
Saying things. | 0:04:00 | 0:04:02 | |
Talking. What is there to talk about? Nothing's happened yet! | 0:04:04 | 0:04:08 | |
She's up straight away. "Come on, darling, | 0:04:10 | 0:04:12 | |
"otherwise you'll miss the day." | 0:04:12 | 0:04:14 | |
I am trying to miss the day. | 0:04:14 | 0:04:17 | |
I hate the day. | 0:04:17 | 0:04:18 | |
The day is where you've got to do all the stuff you don't want to do. | 0:04:18 | 0:04:21 | |
Go to work, talk to people at the bank, reply to emails, | 0:04:21 | 0:04:24 | |
put lids back on things. | 0:04:24 | 0:04:26 | |
Put your shoes on, take your shoes off, wash yourself, | 0:04:27 | 0:04:30 | |
even worse, dry yourself! | 0:04:30 | 0:04:32 | |
How dull is that? Oh, my God. | 0:04:32 | 0:04:34 | |
Every day just going, "When is this going to end? I'm so bored! | 0:04:34 | 0:04:39 | |
"My God! Isn't there an app for this? Come on!" | 0:04:39 | 0:04:42 | |
Why haven't they invented a Dyson body dryer yet? | 0:04:43 | 0:04:46 | |
Why has that not happened? | 0:04:46 | 0:04:48 | |
The Airblade body dryer. | 0:04:48 | 0:04:49 | |
You get out the bath, ten seconds of brrr... | 0:04:49 | 0:04:51 | |
and then you carry on with your day. | 0:04:51 | 0:04:53 | |
She's not into all this. | 0:04:55 | 0:04:57 | |
She's into waking up, she wakes me up. She wakes me up! | 0:04:57 | 0:05:01 | |
The other day she woke me up to tell me...she was going out. | 0:05:01 | 0:05:06 | |
HE SCREAMS | 0:05:06 | 0:05:09 | |
What?! Come on! | 0:05:09 | 0:05:13 | |
"Darling, darling...woo-oo... I'm going out." | 0:05:13 | 0:05:16 | |
STRAINED: Let's just assume that when I wake up | 0:05:16 | 0:05:19 | |
and you're not there, | 0:05:19 | 0:05:21 | |
I don't think we're playing hide and seek! | 0:05:21 | 0:05:25 | |
Sometimes she wakes me up, pretends that she's being nice. | 0:05:36 | 0:05:40 | |
So that I have no room to moan. | 0:05:42 | 0:05:44 | |
She'll wake me up, "Darling, darling, I made you a cup of tea." | 0:05:44 | 0:05:48 | |
How can I want a cup of tea?! | 0:05:50 | 0:05:52 | |
I'm asleep, I don't want anything! | 0:05:52 | 0:05:57 | |
And you've not made a cup of tea, have you? | 0:05:57 | 0:05:59 | |
You've not made a cup of tea, | 0:05:59 | 0:06:01 | |
you've made a plan that I have to get up and do. | 0:06:01 | 0:06:03 | |
She's got these things that she wakes me up with. | 0:06:06 | 0:06:09 | |
She's got a noise gun, do you know the noise gun? | 0:06:09 | 0:06:11 | |
She's got a noise gun, you must know the noise gun? | 0:06:11 | 0:06:14 | |
Come on, it's got that other function | 0:06:14 | 0:06:16 | |
where it dries your hair. That piece of shit! | 0:06:16 | 0:06:18 | |
Every morning. IMITATES NOISY HAIRDRYER | 0:06:23 | 0:06:26 | |
ROARS: Wake the hell up! | 0:06:28 | 0:06:30 | |
With special noise spray. IMITATES SPRAYING | 0:06:32 | 0:06:36 | |
Dee-doo-dee-doo. | 0:06:39 | 0:06:42 | |
Straighteners. | 0:06:42 | 0:06:44 | |
Me and my girlfriend live around the corner from my football team, | 0:06:51 | 0:06:54 | |
so I go to the games. She doesn't like the games. | 0:06:54 | 0:06:58 | |
She doesn't like the abuse the players get. | 0:06:58 | 0:07:01 | |
She thinks they get too much abuse. They do get quite a lot of abuse. | 0:07:01 | 0:07:05 | |
I mean, I know they get paid a lot of money, | 0:07:05 | 0:07:07 | |
but I have started to actually feel sorry for them. | 0:07:07 | 0:07:10 | |
My God, imagine being called a wanker by 20,000 people. | 0:07:10 | 0:07:16 | |
Only in football is that OK. | 0:07:16 | 0:07:18 | |
In no other job would you allow that. | 0:07:18 | 0:07:21 | |
Imagine Tesco's... | 0:07:21 | 0:07:22 | |
..working behind the counter. | 0:07:24 | 0:07:26 | |
Just... Beep! Beep! | 0:07:26 | 0:07:29 | |
"Oh, hang on, sorry." | 0:07:29 | 0:07:31 | |
Everyone in Tesco's turns round. "You wanker, wanker! Concentrate! | 0:07:31 | 0:07:36 | |
"Look at the bar code, would you? You wanker!" "Sorry, sorry, sorry, | 0:07:36 | 0:07:39 | |
"I do apologise, sorry, I'm so sorry." | 0:07:39 | 0:07:43 | |
Someone asks you for directions. "Excuse me. Hi, yeah. | 0:07:43 | 0:07:45 | |
"Can you tell me where the mushrooms are, please?" | 0:07:45 | 0:07:48 | |
"Yeah, if you just follow me this way, down this side... | 0:07:48 | 0:07:50 | |
"Oh, what am I talking about. Sorry! | 0:07:50 | 0:07:51 | |
"We have moved things about a little bit, I'm so sorry." "You bellend!" | 0:07:51 | 0:07:56 | |
"Why don't you concentrate which way you're going, you bell?! | 0:07:56 | 0:07:59 | |
"Huh? Piss off back to Sainsbury's, go on, piss off!" | 0:07:59 | 0:08:02 | |
Can't go to the corner of the supermarket | 0:08:05 | 0:08:07 | |
otherwise people start chucking 50ps at you. | 0:08:07 | 0:08:09 | |
And the abuse continues after the final whistle. | 0:08:15 | 0:08:19 | |
Imagine that at Tesco's? | 0:08:19 | 0:08:21 | |
You finish your shift... | 0:08:21 | 0:08:22 | |
Get home every Saturday, sit down, try and relax, | 0:08:26 | 0:08:31 | |
half ten, BBC One - | 0:08:31 | 0:08:34 | |
three former Tesco's employees... | 0:08:34 | 0:08:39 | |
..sit down and analyse how shit you were at work. | 0:08:41 | 0:08:46 | |
Six different angles, zooming in, highlighting you. | 0:08:47 | 0:08:51 | |
AS ALAN HANSEN: "You cannot afford to drop the change at this level, | 0:08:51 | 0:08:54 | |
"that is just not good enough." | 0:08:54 | 0:08:56 | |
"If you're going to put six pints of milk in a bag, | 0:08:59 | 0:09:02 | |
"you'd need to double bag." | 0:09:02 | 0:09:03 | |
APPLAUSE | 0:09:06 | 0:09:09 | |
Ladies and gentlemen, are you ready for the first act of the evening? | 0:09:13 | 0:09:17 | |
CHEERING Yes. | 0:09:17 | 0:09:19 | |
It's a pleasure, a pleasure for me to introduce this man. | 0:09:19 | 0:09:21 | |
He's a great friend of mine. I know you're going to love him. | 0:09:21 | 0:09:24 | |
Please welcome, Romesh Ranganathan! | 0:09:24 | 0:09:27 | |
CHEERING AND APPLAUSE | 0:09:27 | 0:09:29 | |
Hello. | 0:09:38 | 0:09:39 | |
Very excited to be here. | 0:09:40 | 0:09:41 | |
It is, it's great to be in Edinburgh. | 0:09:42 | 0:09:45 | |
I sort of worry about coming to Edinburgh every year | 0:09:45 | 0:09:48 | |
because I'm a vegan, I'm a vegan. | 0:09:48 | 0:09:49 | |
-Are there any vegans in? -Woo! | 0:09:49 | 0:09:51 | |
One of you. The rest of you enjoy life. | 0:09:51 | 0:09:55 | |
I am hungry all of the time. | 0:09:57 | 0:09:59 | |
I was vegetarian up until about a year ago. | 0:09:59 | 0:10:01 | |
I said to my wife, "I'm thinking about being vegan." | 0:10:01 | 0:10:03 | |
She said to me, "You can't become vegan, dickhead. | 0:10:03 | 0:10:06 | |
"Nobody's going to invite us around for dinner | 0:10:06 | 0:10:09 | |
"if you're going to be so bloody awkward." | 0:10:09 | 0:10:11 | |
And I thought what better reason to become a vegan... | 0:10:11 | 0:10:15 | |
..than to not go to people's houses for dinner, I hate it. | 0:10:17 | 0:10:20 | |
And I understand why you don't want to be vegan, | 0:10:20 | 0:10:22 | |
apart from that one person. | 0:10:22 | 0:10:24 | |
I get it because vegetarian food is rubbish. It is, isn't it? | 0:10:24 | 0:10:27 | |
I mean, it is, it's not my opinion, it's a fact. | 0:10:28 | 0:10:31 | |
I tell you why it's a fact. | 0:10:31 | 0:10:32 | |
The vegetarian food industry, they admit it. | 0:10:32 | 0:10:35 | |
They admit it because they make vegetarian food | 0:10:35 | 0:10:38 | |
that looks and tastes like meat. | 0:10:38 | 0:10:40 | |
That's the biggest admission going. | 0:10:40 | 0:10:42 | |
I've never seen it happening the other way. | 0:10:42 | 0:10:44 | |
I've never seen a pork chop masquerading as a nut loaf, | 0:10:44 | 0:10:47 | |
it doesn't happen. | 0:10:47 | 0:10:49 | |
I don't understand the logic behind it. | 0:10:49 | 0:10:51 | |
I don't want to eat meat, but I want my vegetarian food | 0:10:51 | 0:10:53 | |
to look and taste as much like meat as possible. Why is that ok? | 0:10:53 | 0:10:58 | |
It's like saying, I don't like racism but I find it quite exciting | 0:10:58 | 0:11:01 | |
to sometimes get my friends to black up and I shout abuse at them. | 0:11:01 | 0:11:04 | |
I mean, I realise that's quite a leap. | 0:11:10 | 0:11:12 | |
I was at a wedding a while ago, | 0:11:12 | 0:11:14 | |
and I don't know if they do this at weddings you go to. | 0:11:14 | 0:11:16 | |
But weddings that I go to, what they always do part way through | 0:11:16 | 0:11:19 | |
the proceedings, bring out an Indian buffet, yeah? To soak up the booze. | 0:11:19 | 0:11:24 | |
Somebody's dancing like a twat, | 0:11:24 | 0:11:26 | |
throw a bhaji at them. That's the strategy. | 0:11:26 | 0:11:28 | |
So anyway, I'm eating this bhaji... | 0:11:28 | 0:11:31 | |
..and I'm thinking to myself, | 0:11:36 | 0:11:38 | |
I can't believe that anyone would want to eat food with animals in it | 0:11:38 | 0:11:41 | |
when there's wonderful food like this that doesn't have animals in it. | 0:11:41 | 0:11:44 | |
I said to my mate, "Aren't these onion bhajis amazing?" | 0:11:44 | 0:11:46 | |
He said, "Yes, mate. Yes, they are. But they're lamb pakoras." | 0:11:46 | 0:11:50 | |
I keep finding out, though, about stuff that I can't eat as a vegan. | 0:11:53 | 0:11:57 | |
Like, for example, you know you can't have honey as a vegan, | 0:11:57 | 0:12:00 | |
did you know that? | 0:12:00 | 0:12:02 | |
Can't have honey. Do you know why? Bee slavery. | 0:12:02 | 0:12:05 | |
It's bee slavery, mate. | 0:12:10 | 0:12:11 | |
Think about it, you put them in a little prison, | 0:12:11 | 0:12:14 | |
then every so often you come over, pump some smoke in, get them stoned | 0:12:14 | 0:12:18 | |
and then burgle them. | 0:12:18 | 0:12:20 | |
How harsh is that? And if you're the bee, | 0:12:23 | 0:12:25 | |
that is just when you want some honey. When you're on a comedown. | 0:12:25 | 0:12:28 | |
And you can't have it because we've nicked it. | 0:12:28 | 0:12:31 | |
Can you imagine how you'd feel as a bee? | 0:12:31 | 0:12:33 | |
Like, "Dude, I am mash up. What happened last night, bruv?" | 0:12:33 | 0:12:37 | |
"Dude, I've got no idea, I just need some honey to get over this, mate. | 0:12:38 | 0:12:42 | |
"Oh, my God! What happened there, what happened? | 0:12:42 | 0:12:46 | |
"Dude, I told you you shouldn't have trusted that astronaut." | 0:12:46 | 0:12:49 | |
I like going out in Edinburgh to eat, but I have problems. | 0:12:51 | 0:12:55 | |
I love going out for Indian, absolutely love it. | 0:12:55 | 0:12:57 | |
I took my wife out for Indian a while ago. | 0:12:57 | 0:13:00 | |
She... Well, we got into an argument | 0:13:00 | 0:13:02 | |
because she didn't think it was funny that I asked | 0:13:02 | 0:13:04 | |
if we could get a discount if I sat in the window. | 0:13:04 | 0:13:07 | |
But I think that's a deal. | 0:13:12 | 0:13:14 | |
If you see me in there, you're going to eat in there, mate. | 0:13:14 | 0:13:18 | |
I mean, come on, man, THEY'RE eating in there. | 0:13:18 | 0:13:20 | |
It's so good he's managed to convince a white woman to join him. | 0:13:20 | 0:13:23 | |
I don't understand why we wouldn't eat in here. | 0:13:23 | 0:13:27 | |
I love Indian food but the problem is... | 0:13:27 | 0:13:29 | |
I don't know if there are any Asians in here, | 0:13:29 | 0:13:31 | |
but the problem I find is whenever I go to an Indian with my friends, | 0:13:31 | 0:13:35 | |
my friends all assume that I'm some sort of curry Jedi. | 0:13:35 | 0:13:39 | |
AS YODA: Mmm, hot the jalfrezi is! | 0:13:42 | 0:13:44 | |
It's unbelievable, we're sitting down for a meal | 0:13:47 | 0:13:50 | |
and one of my friends will say to me, | 0:13:50 | 0:13:52 | |
"Um, Romesh, tell me. | 0:13:52 | 0:13:54 | |
"What's in this, um..." HE LAUGHS | 0:13:55 | 0:13:59 | |
"What's in this saag aloo? What's in that?" | 0:13:59 | 0:14:03 | |
HE CHUCKLES SMUGLY | 0:14:03 | 0:14:05 | |
Oh, I'll tell you what's in this saag aloo, my friend. | 0:14:06 | 0:14:10 | |
This is an Indian. I'm Sri Lankan. | 0:14:10 | 0:14:12 | |
Why don't you tell me what you know about tortellini, you prick? | 0:14:15 | 0:14:18 | |
I've been Romesh Ranganathan. Thank you very much. | 0:14:18 | 0:14:21 | |
CHEERING AND APPLAUSE | 0:14:21 | 0:14:23 | |
Fantastic stuff. | 0:14:27 | 0:14:29 | |
Ladies and gentlemen, this next act, I love her, | 0:14:31 | 0:14:33 | |
I know you're going to love her. Please welcome Shappi Khorsandi! | 0:14:33 | 0:14:36 | |
CHEERING AND APPLAUSE | 0:14:36 | 0:14:39 | |
-Hello! -Hello! | 0:14:45 | 0:14:47 | |
Oh, it's brilliant to be back in Edinburgh. | 0:14:47 | 0:14:49 | |
I missed the festival last year because I had a baby | 0:14:49 | 0:14:52 | |
and I brought her with me this year. She's 13 months old now, | 0:14:52 | 0:14:54 | |
so we've got to get on because she's in the car. | 0:14:54 | 0:14:57 | |
I have two of them now. | 0:14:59 | 0:15:00 | |
I have two of the children, and my boy is, he's six. | 0:15:00 | 0:15:03 | |
What a glorious age six is. | 0:15:03 | 0:15:06 | |
That lovely age where he'll say to me, | 0:15:06 | 0:15:08 | |
"Mummy, Mummy, can we play Harry Potter?" | 0:15:08 | 0:15:11 | |
"Of course we can, my darling." | 0:15:11 | 0:15:12 | |
And I'll lock him in the cupboard under the stairs, | 0:15:12 | 0:15:15 | |
for the summer. | 0:15:15 | 0:15:16 | |
I'm a single mum, ladies and gentlemen. | 0:15:18 | 0:15:21 | |
My children are with two different fathers | 0:15:21 | 0:15:23 | |
and I'm not with either father | 0:15:23 | 0:15:25 | |
and I've never even seen a whole episode of Jeremy Kyle before. | 0:15:25 | 0:15:29 | |
And I've been thinking, why did I end up in this situation? | 0:15:29 | 0:15:32 | |
It's not what I planned. | 0:15:32 | 0:15:33 | |
And I think it's because I'm not very good at ending relationships. | 0:15:33 | 0:15:40 | |
I find having a baby just sort of neatly, cleanly draws a line, | 0:15:40 | 0:15:47 | |
without any awkward conversation. | 0:15:47 | 0:15:50 | |
When you are a single mum giving birth in an NHS hospital, | 0:15:51 | 0:15:55 | |
all the staff, all the health workers | 0:15:55 | 0:15:57 | |
automatically assume that you're a lesbian, | 0:15:57 | 0:15:59 | |
and they are so cool about this that you know they've been on a course. | 0:15:59 | 0:16:04 | |
They have been on a Don't Bat An Eyelash course, | 0:16:04 | 0:16:07 | |
Don't Ask Any Questions. | 0:16:07 | 0:16:08 | |
They were extra hospitable to me on the ward. | 0:16:08 | 0:16:11 | |
They put a rainbow bedspread on the bed, | 0:16:11 | 0:16:15 | |
and a pair of very comfortable shoes. | 0:16:15 | 0:16:17 | |
And...it was delightful to see actually, | 0:16:17 | 0:16:20 | |
because it's taken us so long | 0:16:20 | 0:16:22 | |
to get that kind of equality for gay people. | 0:16:22 | 0:16:25 | |
It was only this year that the same-sex marriage bill was passed, | 0:16:25 | 0:16:29 | |
and the night it was passed, my mother rang me. | 0:16:29 | 0:16:31 | |
She was all jubilant cos she was out in Soho celebrating | 0:16:31 | 0:16:34 | |
with my brother, cos my brother's going to be gay. | 0:16:34 | 0:16:37 | |
When my dad dies. | 0:16:40 | 0:16:42 | |
You know, being a female comedian at the festival | 0:16:46 | 0:16:48 | |
you get interviewed and journalists always say to me, | 0:16:48 | 0:16:51 | |
"Is it harder being a female comedian than a male comedian, is it harder?" | 0:16:51 | 0:16:54 | |
I don't know, I've never been a male comedian. | 0:16:54 | 0:16:57 | |
I don't wake up in the morning and go, "Look, I'm a woman again!" | 0:16:57 | 0:17:00 | |
Right? But this job, stand-up comedy, right? | 0:17:00 | 0:17:03 | |
We put our egos on the line for rejection, all the time. | 0:17:03 | 0:17:07 | |
We get live rejection, and I think more men stick at this job | 0:17:07 | 0:17:10 | |
because, come here...I think men are more used to rejection. | 0:17:10 | 0:17:14 | |
You know, you are the ones that have to put yourselves out there | 0:17:15 | 0:17:19 | |
and you're not allowed to cry. | 0:17:19 | 0:17:20 | |
I asked a guy out once, he said no, | 0:17:20 | 0:17:22 | |
I didn't talk to a man again for seven years. | 0:17:22 | 0:17:25 | |
But you men, I've seen you. | 0:17:25 | 0:17:27 | |
You've got to steel yourself from very young ages, aged 15, 16, 25. | 0:17:27 | 0:17:31 | |
You go out to a club, you have a few beers, you go up to some girl | 0:17:31 | 0:17:33 | |
and go, "Oh, would you, will you, er, have a drink with me? | 0:17:33 | 0:17:36 | |
"Oh, no, you laughed at me, clearly you're out of my league. | 0:17:36 | 0:17:38 | |
"What about you, would you? | 0:17:38 | 0:17:40 | |
"Oh, my friends are watching, pop my collar. | 0:17:40 | 0:17:42 | |
"Oh, no, you all laughed at me too | 0:17:42 | 0:17:43 | |
"and did that to imply that I had a little cock." | 0:17:43 | 0:17:46 | |
"Will you go out with me? Not you, darling, I'm not that desperate." | 0:17:47 | 0:17:50 | |
That's why when a young, promising female comedian, | 0:17:51 | 0:17:54 | |
she gets rejected by the audience, they don't laugh, | 0:17:54 | 0:17:57 | |
she is more likely to walk off going, "OK, plan B, I'll be a teacher." | 0:17:57 | 0:18:00 | |
But a young promising male comedian, | 0:18:01 | 0:18:04 | |
if he dies on stage and no-one laughs, | 0:18:04 | 0:18:06 | |
he is more likely to walk off and go, "Phew, that audience. Lesbians!" | 0:18:06 | 0:18:12 | |
We don't give men enough credit for what your egos have to put up with. | 0:18:13 | 0:18:18 | |
Right, when I was 18, I was in a nightclub | 0:18:18 | 0:18:20 | |
and these lads were laughing at my legs. | 0:18:20 | 0:18:22 | |
"You've got fat legs, hur-hur." | 0:18:22 | 0:18:24 | |
Now, I don't care. Look, this is what my legs are for, right? | 0:18:24 | 0:18:27 | |
Age 18, I cried, I ran in the loo and cried. | 0:18:27 | 0:18:29 | |
Other people, women, came in, not even my friends, to console me. | 0:18:29 | 0:18:33 | |
They're like, "Babe, do you know why he said that? | 0:18:33 | 0:18:35 | |
"Cos you've got beautiful skin. | 0:18:35 | 0:18:37 | |
"You've got beautiful skin and he knows he can't have you. | 0:18:37 | 0:18:39 | |
"Ain't she got beautiful skin?" That's what you say to fat girls. | 0:18:39 | 0:18:43 | |
I came out of that loo feeling like a million dollars, right? | 0:18:43 | 0:18:46 | |
In the history of mankind, it has never been socially acceptable | 0:18:46 | 0:18:50 | |
for a man to stand in a pub or nightclub toilet going... | 0:18:50 | 0:18:53 | |
SHE SOBS | 0:18:53 | 0:18:56 | |
"She said I've got a little willy." | 0:18:56 | 0:18:58 | |
And if he did, other men would not come in to console him | 0:19:01 | 0:19:04 | |
going, "Mate, come here, what's she said to you? | 0:19:04 | 0:19:06 | |
"Oh, she's talking rubbish. You've got a lovely willy." | 0:19:06 | 0:19:09 | |
"Get in here, lads, tell him." | 0:19:10 | 0:19:12 | |
"What? What? Who wants a fight? | 0:19:12 | 0:19:15 | |
"Oh, mate. It's bigger than mine." | 0:19:15 | 0:19:17 | |
You have been delightful. Thank you very much. | 0:19:17 | 0:19:20 | |
CHEERING AND APPLAUSE | 0:19:20 | 0:19:23 | |
Brilliant. | 0:19:25 | 0:19:27 | |
Ladies and gentlemen, this next act, I gigged with him | 0:19:27 | 0:19:30 | |
all around the country, he's brilliant, you're going to love him. | 0:19:30 | 0:19:33 | |
Give it up for Andrew Lawrence! | 0:19:33 | 0:19:35 | |
CHEERING AND APPLAUSE | 0:19:35 | 0:19:37 | |
Oh, thank you very much. | 0:19:43 | 0:19:45 | |
You seem lovely, you're just a good-looking, attractive, | 0:19:45 | 0:19:47 | |
glamorous audience. I say that, it's dark in here, obviously. | 0:19:47 | 0:19:51 | |
I haven't got great eyesight either. | 0:19:51 | 0:19:54 | |
I've got... I sat on my glasses last week and broke them | 0:19:54 | 0:19:57 | |
and I had to take them into the opticians | 0:19:57 | 0:19:59 | |
and he said, "Have you thought about laser eye surgery?" | 0:19:59 | 0:20:02 | |
"I've had nightmares about it, mate. | 0:20:02 | 0:20:03 | |
"I've had nightmares about the smell of my own burning eyeball." | 0:20:03 | 0:20:07 | |
"If you had laser eye surgery, | 0:20:07 | 0:20:08 | |
"you'd never need to wear corrective lenses again." | 0:20:08 | 0:20:11 | |
"Isn't there some risk involved?" "Yeah, some risk." | 0:20:11 | 0:20:14 | |
"What if it all goes wrong?" | 0:20:14 | 0:20:15 | |
"If it goes wrong, you get a complimentary guide dog." | 0:20:15 | 0:20:18 | |
You seem lovely, you seem lovely. | 0:20:26 | 0:20:28 | |
I'm in a bad mood tonight, and I'm trying to snap out of it. | 0:20:28 | 0:20:30 | |
I got a disturbing text message about five minutes before | 0:20:30 | 0:20:33 | |
I came on stage, threw me out of sorts, which I want to read for you. | 0:20:33 | 0:20:36 | |
Just see what you think. | 0:20:36 | 0:20:38 | |
Let me see, I'll just find it. | 0:20:38 | 0:20:40 | |
All right, here we go. | 0:20:40 | 0:20:42 | |
"You're entitled to compensation for your accident three years ago, | 0:20:42 | 0:20:48 | |
"even if you didn't claim medical attention at the time. | 0:20:48 | 0:20:52 | |
"Reply yes." That's disturbing, isn't it? | 0:20:52 | 0:20:54 | |
Apparently I've been involved in an accident three years ago | 0:20:54 | 0:20:57 | |
so bad, I don't even remember it. | 0:20:57 | 0:20:59 | |
Either it's so horrific I've blocked it out my mind entirely, | 0:21:02 | 0:21:05 | |
or I've sustained a head injury so bad it's caused me permanent amnesia. | 0:21:05 | 0:21:10 | |
The most disturbing aspect of the whole thing is I've got | 0:21:10 | 0:21:13 | |
absolutely no recollection of having contacted a personal injury lawyer | 0:21:13 | 0:21:16 | |
and said, "Listen, I've just been involved in a horrific accident. | 0:21:16 | 0:21:20 | |
"Don't want to do anything about it now. | 0:21:20 | 0:21:23 | |
"Text message me in three years to remind me, yeah?" | 0:21:25 | 0:21:28 | |
I'm miserable all the time. I'm a miserable man, | 0:21:35 | 0:21:37 | |
and people don't know what to say to you when you're miserable, do they? | 0:21:37 | 0:21:40 | |
"Turn that frown upside down, Andrew." | 0:21:40 | 0:21:42 | |
"Oh, thanks, still miserable and now my face is broken. Any other useful tips?" | 0:21:42 | 0:21:46 | |
I don't know what to say to other people when they're in a bad mood. | 0:21:46 | 0:21:49 | |
It's really difficult. | 0:21:49 | 0:21:51 | |
"I feel like I'm taking one step forwards, | 0:21:51 | 0:21:53 | |
"two steps backwards in life, Andrew." | 0:21:53 | 0:21:55 | |
"What's wrong with that? Sounds like you're dancing. | 0:21:55 | 0:21:58 | |
"Carry on, enjoy yourself and have a good time." | 0:21:58 | 0:22:01 | |
"I'm struggling with depression." | 0:22:01 | 0:22:03 | |
"I think that's what you're supposed to be doing with it. | 0:22:03 | 0:22:06 | |
"Congratulations. | 0:22:06 | 0:22:08 | |
"At least there's something in life you haven't failed at." | 0:22:08 | 0:22:12 | |
I'm a negative man. | 0:22:13 | 0:22:14 | |
I don't like overly positive people, | 0:22:14 | 0:22:16 | |
people who are positive in a fake way, that annoys me. | 0:22:16 | 0:22:19 | |
Queasy platitudes like, "Tomorrow's another day, Andrew!" | 0:22:19 | 0:22:22 | |
"Not if I push you in front of a bus before midnight." | 0:22:22 | 0:22:26 | |
I'm just a despicable human being. Awful person, I think. | 0:22:28 | 0:22:32 | |
I don't make an effort to ingratiate myself with people. | 0:22:32 | 0:22:34 | |
Someone said, "Are you a glass half full | 0:22:34 | 0:22:36 | |
"or a glass half empty person, Andrew?" | 0:22:36 | 0:22:38 | |
I think I'm more of a glass in the face chap, I think that's who I am. | 0:22:38 | 0:22:41 | |
And thank goodness, thank goodness for comedy | 0:22:42 | 0:22:44 | |
cos I'm practically unemployable. | 0:22:44 | 0:22:46 | |
A lot of different jobs when I was younger, | 0:22:46 | 0:22:48 | |
I find I don't mix well with other people. | 0:22:48 | 0:22:50 | |
A cramped office, too many people working there. | 0:22:50 | 0:22:52 | |
The same chitchat, small talk every Monday morning. | 0:22:52 | 0:22:55 | |
"What did you do at the weekend, Andrew? | 0:22:55 | 0:22:58 | |
"What did you do at the weekend?" | 0:22:58 | 0:23:00 | |
HE REPEATS IN INCREASINGLY MORONIC VOICE | 0:23:00 | 0:23:02 | |
Have to make something up to preserve my own sanity, you know. | 0:23:08 | 0:23:11 | |
"I went freefall skydiving with some friends | 0:23:11 | 0:23:13 | |
"I met during a cage fighting tournament. | 0:23:13 | 0:23:15 | |
"One of them was a Saudi Arabian prince, | 0:23:15 | 0:23:17 | |
"he lived in a 13th century castle. | 0:23:17 | 0:23:19 | |
"We all went back on his diamond-encrusted private jet full of naked women and champagne. | 0:23:19 | 0:23:23 | |
"There was an enormous masquerade ball. | 0:23:23 | 0:23:25 | |
"David Bowie was there in his original costume from the Labyrinth film. | 0:23:25 | 0:23:28 | |
"We all went down the garden, | 0:23:28 | 0:23:30 | |
"jumped in the river naked, started howling at the moon. | 0:23:30 | 0:23:32 | |
"There was an enormous bonfire on the lawn with some small children | 0:23:32 | 0:23:35 | |
"trapped in it and everyone had violent sex on the grass | 0:23:35 | 0:23:38 | |
"intoxicated by the sound of the children's burning, tortured screams, | 0:23:38 | 0:23:41 | |
"and then it was dwarf-tossing in the north wing | 0:23:41 | 0:23:44 | |
"and one of them cracked their head off the ceiling and died, | 0:23:44 | 0:23:47 | |
"and on the way home we were each given a party bag full of heroin. | 0:23:47 | 0:23:50 | |
"So I got in, put some washing on, | 0:23:50 | 0:23:52 | |
"just jacked up in front of the television. | 0:23:52 | 0:23:54 | |
"Apart from that, it was a quiet one. what about you?" | 0:23:54 | 0:23:58 | |
Ladies and gentlemen, thank you very much. | 0:24:00 | 0:24:02 | |
Goodnight, thank you, thank you. | 0:24:02 | 0:24:04 | |
CHEERING AND APPLAUSE | 0:24:04 | 0:24:07 | |
Ladies and gentlemen, up next, a personal favourite of mine. | 0:24:09 | 0:24:12 | |
Go crazy, go wild for Henry Paker! | 0:24:12 | 0:24:15 | |
CHEERING AND APPLAUSE | 0:24:15 | 0:24:17 | |
Hello! | 0:24:20 | 0:24:21 | |
Hello. | 0:24:21 | 0:24:24 | |
Hello, hello, hi. Thank you very much. | 0:24:24 | 0:24:27 | |
Hello, my name is Henry. | 0:24:27 | 0:24:30 | |
I am a balding man, yep. | 0:24:30 | 0:24:34 | |
I've done what we all do eventually which is shave it close, | 0:24:34 | 0:24:38 | |
make it look like a decision. | 0:24:38 | 0:24:40 | |
Yes. I'm also growing the compensatory facial hair. | 0:24:44 | 0:24:47 | |
What this is saying is, I can make hair. | 0:24:48 | 0:24:52 | |
I've got no problem with the manufacturing, | 0:24:54 | 0:24:57 | |
just the distribution. | 0:24:57 | 0:24:59 | |
Yep. I'm also developing this, the middle-aged fat band. | 0:25:01 | 0:25:06 | |
It's starting to emerge here, it's getting bigger every day. | 0:25:06 | 0:25:09 | |
It's quite depressing, it's the first thing I see when I wake up. | 0:25:09 | 0:25:13 | |
The only good thing about it is that because of its positioning, | 0:25:13 | 0:25:18 | |
it doesn't affect my trouser size, | 0:25:18 | 0:25:21 | |
which is quite a nice boost. | 0:25:21 | 0:25:23 | |
It means that I'm still living a trouser lie. | 0:25:23 | 0:25:26 | |
I still get to wear 34 inch trousers. | 0:25:27 | 0:25:30 | |
The same trousers I bought when I was 16. | 0:25:30 | 0:25:32 | |
I can still proudly go to the shop. | 0:25:32 | 0:25:34 | |
"Yes, thank you very much, I'll have another little pair | 0:25:34 | 0:25:37 | |
"of 34 trousers, thank you, yes. | 0:25:37 | 0:25:38 | |
"I'll just slip on those little 34 trousers, | 0:25:38 | 0:25:41 | |
"thank you very much, lovely. | 0:25:41 | 0:25:42 | |
"Fold this over the top..." | 0:25:42 | 0:25:44 | |
"..and I'll be on my way in my skimpy little 34 trousers. | 0:25:47 | 0:25:51 | |
"Thank you." | 0:25:51 | 0:25:53 | |
Yeah, so I'm becoming middle-aged. | 0:25:53 | 0:25:55 | |
My friends are becoming middle-aged | 0:25:55 | 0:25:56 | |
and they're starting to do things that middle-aged people do. | 0:25:56 | 0:25:59 | |
For example, a friend of mine recently moved to the country. | 0:25:59 | 0:26:02 | |
And I went to visit him in the country | 0:26:02 | 0:26:05 | |
and as far as I can tell the country has driven my friend completely mad. | 0:26:05 | 0:26:08 | |
I know he's gone mad, | 0:26:08 | 0:26:09 | |
because on the first day I was sitting in his cottage, | 0:26:09 | 0:26:12 | |
having a lovely time watching television, right? | 0:26:12 | 0:26:15 | |
And my friend walked in | 0:26:15 | 0:26:16 | |
and he said something which made absolutely no sense. | 0:26:16 | 0:26:19 | |
He said, "Henry, I hope you've brought your walking shoes." | 0:26:19 | 0:26:25 | |
I thought, | 0:26:28 | 0:26:29 | |
I mean, is there any other kind? | 0:26:29 | 0:26:32 | |
I would argue that if your shoes aren't walking shoes, | 0:26:34 | 0:26:38 | |
they're socks. | 0:26:38 | 0:26:39 | |
Anyway, I went for a walk with my friend, right, | 0:26:41 | 0:26:43 | |
he took me for a walk, | 0:26:43 | 0:26:44 | |
and the walk was the most fabulously dull thing | 0:26:44 | 0:26:48 | |
that has ever happened to me. | 0:26:48 | 0:26:50 | |
The walk was so dull that my friend had to keep offering me these shit incentives. | 0:26:50 | 0:26:54 | |
He'd say things like, "It's all right, Henry, in 45 minutes | 0:26:54 | 0:26:58 | |
"when we get to the top of that hill, | 0:26:58 | 0:27:00 | |
"I'm going to crack open the thermos." | 0:27:00 | 0:27:02 | |
"Yeah, we can have a cup of tea!" | 0:27:05 | 0:27:07 | |
Now, a lot of the time, I can't be bothered | 0:27:10 | 0:27:12 | |
to walk to the kitchen for a cup of tea. | 0:27:12 | 0:27:17 | |
I've got to walk up a mountain, | 0:27:17 | 0:27:20 | |
for tea from a lid. | 0:27:20 | 0:27:22 | |
This is the lid of thermos tea that you end up handing round | 0:27:25 | 0:27:28 | |
like a sort of depressing middle-aged spliff. | 0:27:28 | 0:27:32 | |
"Yeah, yeah, yeah. Try that, yeah, yeah, yeah. | 0:27:33 | 0:27:36 | |
"It's good shit, yeah, yeah, yeah. | 0:27:36 | 0:27:38 | |
"Yeah, it's 100% uncut Tetleys, yeah." | 0:27:38 | 0:27:40 | |
"Yeah, I get it from this man I know hangs around in Sainsbury's, yeah." | 0:27:41 | 0:27:46 | |
Anyway, we reached the pinnacle of the walk, right, which was the view. | 0:27:48 | 0:27:52 | |
My friend was standing proudly surveying this view. | 0:27:52 | 0:27:56 | |
He said, "Henry, isn't it fantastic?" | 0:27:56 | 0:27:58 | |
And we looked out over the view, and I thought "Yeah...well, I mean, | 0:27:58 | 0:28:02 | |
"there is quite a lot of this sort of stuff available online." | 0:28:02 | 0:28:05 | |
He said, "Henry, no, no, no, it's fantastic, Henry. | 0:28:06 | 0:28:09 | |
"Check this out. If you look really hard in the distance, | 0:28:09 | 0:28:12 | |
"you're going to love this. Look really hard in the distance. | 0:28:12 | 0:28:14 | |
"You can just see...the cottage!" | 0:28:14 | 0:28:18 | |
Yeah, I had an excellent view of the cottage three hours ago. | 0:28:21 | 0:28:25 | |
I was inside the cottage. | 0:28:25 | 0:28:27 | |
I could see it in detail, I could interact with it. | 0:28:27 | 0:28:29 | |
They've also got tea there, in a mug. | 0:28:29 | 0:28:32 | |
Thank you very much, I was Henry Paker. | 0:28:33 | 0:28:36 | |
Thank you for listening. Goodbye. | 0:28:36 | 0:28:38 | |
CHEERING AND APPLAUSE | 0:28:39 | 0:28:41 | |
Brilliant stuff! | 0:28:43 | 0:28:44 | |
Up next, this guy is an Edinburgh veteran, | 0:28:48 | 0:28:50 | |
he's up here every year smashing it. | 0:28:50 | 0:28:51 | |
Give it up for Mark Watson! | 0:28:51 | 0:28:53 | |
CHEERING AND APPLAUSE | 0:28:53 | 0:28:55 | |
Thank you! | 0:28:59 | 0:29:00 | |
So there you go, that is middle-aged, Fringe veteran. | 0:29:03 | 0:29:05 | |
That does make me feel... Veteran, Christ! I'm 34! | 0:29:05 | 0:29:08 | |
But it's true, it's ten years since I did my first Edinburgh show, ten years. | 0:29:08 | 0:29:12 | |
Ten years ago I did a show with a comedian called Rhod Gilbert | 0:29:12 | 0:29:15 | |
who, as some of you probably know, | 0:29:15 | 0:29:17 | |
very sadly went on to have a better career than me. | 0:29:17 | 0:29:20 | |
Those days, this is to put it in context how old I feel in Edinburgh. | 0:29:21 | 0:29:25 | |
My venue was a pub and I would be scared of being ID'd. | 0:29:25 | 0:29:28 | |
I used to take a passport with me because I wasn't always allowed in. | 0:29:28 | 0:29:32 | |
So it's very rare that that happens now. | 0:29:32 | 0:29:34 | |
If I go to a pub now and I don't get in, I've gone in the morning. | 0:29:34 | 0:29:37 | |
Sorry, cos in Scotland that joke doesn't resonate at all. | 0:29:37 | 0:29:40 | |
No time of day or night. | 0:29:40 | 0:29:42 | |
I've been asked one time for ID in the past year, | 0:29:42 | 0:29:45 | |
and even then it wasn't like some sort of pub raid. | 0:29:45 | 0:29:48 | |
It was trying to buy wine in Marks & Spencer | 0:29:48 | 0:29:51 | |
and the guy himself was clearly ten years younger than me. | 0:29:51 | 0:29:53 | |
That was the... He couldn't have been 20. | 0:29:53 | 0:29:55 | |
He said, "Have you got any proof that you're over 18?" | 0:29:55 | 0:29:58 | |
I said, "Well, yeah, I'm in Marks & Spencer, mate." | 0:29:58 | 0:30:00 | |
How much clearer do you want my situation in life to be? So, I start | 0:30:02 | 0:30:05 | |
looking through cardigans - "That's good value. | 0:30:05 | 0:30:08 | |
"It'll be good quality, as well, if I know my Marks and Sparks." | 0:30:08 | 0:30:11 | |
Oh, that made me shiver, even saying that as a joke. | 0:30:11 | 0:30:14 | |
That's one rule I live my life by - if you say Marks and Sparks, | 0:30:14 | 0:30:17 | |
time to shoot yourself in the face. | 0:30:17 | 0:30:18 | |
I am. I'm a dad. I've got, not just a dad. | 0:30:21 | 0:30:24 | |
I've got a four-year-old kid now. | 0:30:24 | 0:30:25 | |
I'm old enough to start saying things like Marks and Sparks. | 0:30:25 | 0:30:28 | |
My boy is old enough to have formed an idea of what I do for a living, | 0:30:28 | 0:30:32 | |
which is worrying, when you think what it is. | 0:30:32 | 0:30:34 | |
He's got a thing where, when I leave the house for a gig, | 0:30:34 | 0:30:36 | |
he says, "Be funny, Daddy". | 0:30:36 | 0:30:39 | |
It's really cute. Also, absolutely chilling, of course. | 0:30:39 | 0:30:43 | |
"Be funny, Daddy. Have a sustainable income, Daddy, | 0:30:44 | 0:30:47 | |
"in these uncertain times." | 0:30:47 | 0:30:49 | |
Might as well wave a little flag, saying, | 0:30:49 | 0:30:51 | |
"Will there be Christmas this year or is it one of those leap years | 0:30:51 | 0:30:55 | |
"you talked about last year?" | 0:30:55 | 0:30:56 | |
It's old enough to be setting a better example. | 0:30:58 | 0:31:00 | |
I should be setting a better example. | 0:31:00 | 0:31:03 | |
Last year, I started to drink too much, | 0:31:03 | 0:31:05 | |
cos its nerve-racking, of course, doing stand up. | 0:31:05 | 0:31:08 | |
So, you find ways around it. My cunning solution | 0:31:08 | 0:31:10 | |
was to drink heavily and so I started. | 0:31:10 | 0:31:13 | |
I know, it's not ideal, really. It was definitely... It WAS a problem. | 0:31:13 | 0:31:16 | |
There was a period last year - this time last year - where I'd become, | 0:31:16 | 0:31:20 | |
there's not really a word for it, but like a shopaholic with booze. | 0:31:20 | 0:31:23 | |
It's nice when some people laugh at that joke. | 0:31:25 | 0:31:27 | |
It cost me a year of my life, really. | 0:31:27 | 0:31:29 | |
I started having a little bit of wine before a gig, which is fine. | 0:31:30 | 0:31:33 | |
But then, it would be a half a bottle. | 0:31:33 | 0:31:35 | |
Nearly a bottle of wine, at one point, before a gig | 0:31:35 | 0:31:37 | |
and I would do that religiously. By religiously, I mean, | 0:31:37 | 0:31:40 | |
without really thinking it through in detail and so... | 0:31:40 | 0:31:43 | |
Of course, drinking too much makes you twitchy and paranoid. | 0:31:45 | 0:31:49 | |
You start to feel that you're not like other people and, which again | 0:31:49 | 0:31:52 | |
may be true, but you don't want to feel like that in everyday life. | 0:31:52 | 0:31:56 | |
I've had a lot of failed attempts to interact with my fellow humans. | 0:31:56 | 0:31:59 | |
This kind of thing is fine. It's just outside of the comfort of a theatre. | 0:31:59 | 0:32:03 | |
I was on the Underground in London. Got off, there was an escalator. | 0:32:03 | 0:32:06 | |
As I got on it, without meaning to, I got between these two mates. | 0:32:06 | 0:32:09 | |
One was walking very fast and one was dawdling. | 0:32:09 | 0:32:12 | |
So, I'm suddenly between these two guys. | 0:32:12 | 0:32:14 | |
The guy in front continued talking over his shoulder, | 0:32:14 | 0:32:17 | |
as if he was still talking to his mate. But he wasn't. | 0:32:17 | 0:32:19 | |
It was now me and, in fact, his mate was miles back. | 0:32:19 | 0:32:22 | |
And it was quite personal information. He was going on about | 0:32:22 | 0:32:25 | |
his girlfriend, Debs, or it could have been a wife. | 0:32:25 | 0:32:27 | |
It seemed like a girlfriend. "Tell you what annoys me about Debs. | 0:32:27 | 0:32:30 | |
"Something else Debs does. Oh, I tell you what," and so on. | 0:32:30 | 0:32:33 | |
I felt like I had to start going, "Yeah, yeah". | 0:32:33 | 0:32:35 | |
Basically, filling in for the friend that he believed was really there. | 0:32:35 | 0:32:40 | |
And for about a minute, I got away with it and it was going really well. | 0:32:40 | 0:32:43 | |
He didn't look round once. There was a bit where I got so cocky, | 0:32:43 | 0:32:46 | |
I even went, "Ha-ha! Debs!" | 0:32:46 | 0:32:48 | |
Yeah, it was. "Oh, Debs!" Not bad, considering I'd never met | 0:32:48 | 0:32:52 | |
any of the people in this equation before. | 0:32:52 | 0:32:54 | |
Of course, the moment was coming where the guy was going to find out | 0:32:54 | 0:32:57 | |
and I didn't know how to dig myself out of this situation. | 0:32:57 | 0:33:00 | |
So, of course, the moment did come. We got to the top of the escalator, | 0:33:00 | 0:33:03 | |
The guy said, "Shall we go for a pint?" | 0:33:03 | 0:33:05 | |
Swung round and, for the first time... You can imagine the scene. | 0:33:05 | 0:33:08 | |
Instead of his mate, down the escalator, | 0:33:08 | 0:33:10 | |
it was me and so I had five seconds to get myself out of the situation | 0:33:10 | 0:33:14 | |
with dignity. Didn't really work out. | 0:33:14 | 0:33:15 | |
We just looked at each other in silence and I said, | 0:33:15 | 0:33:18 | |
"WE'RE friends now." | 0:33:18 | 0:33:20 | |
But in the guy's opinion, we weren't. It was obviously a joke. | 0:33:22 | 0:33:26 | |
He was terrified - "No, we are not!" And he actually ran away with | 0:33:26 | 0:33:29 | |
his real friend, as if I was going to come after them - | 0:33:29 | 0:33:31 | |
"Come on what about our friendship? Let's get a DVD. Seen Marley & Me? | 0:33:31 | 0:33:34 | |
"There's ever such a nice dog in it." Right, I'm off in a minute. | 0:33:34 | 0:33:38 | |
Always leave them wanting more. That was the advice my uncle gave me. | 0:33:38 | 0:33:41 | |
"Leave them wanting more!" That's how he lost his job in Disaster Relief. | 0:33:41 | 0:33:44 | |
I save that one for last. My name's Mark Watson. Thanks very much! | 0:33:46 | 0:33:49 | |
CHEERING AND APPLAUSE | 0:33:49 | 0:33:54 | |
Brilliant. Are you ready for your next act? | 0:33:54 | 0:33:57 | |
-ALL: -Yes! | 0:33:57 | 0:33:59 | |
He's new to the scene. He's absolutely fantastic. I love him. | 0:33:59 | 0:34:02 | |
I gigged with him all over the country. | 0:34:02 | 0:34:04 | |
Give it up for Pierre Novellie! | 0:34:04 | 0:34:07 | |
CHEERING AND APPLAUSE | 0:34:07 | 0:34:10 | |
Hello! | 0:34:16 | 0:34:17 | |
-ALL: -Hello! | 0:34:17 | 0:34:18 | |
My name is Pierre Novellie, which I will explain. | 0:34:18 | 0:34:22 | |
I know, it is silly, it needs to be explained, I am aware. | 0:34:22 | 0:34:24 | |
I've had it my whole life. Pierre is French, Novellie is Italian. | 0:34:24 | 0:34:28 | |
I am neither. | 0:34:28 | 0:34:29 | |
Nor is any member of my family. Nor have I ever lived in those places, | 0:34:29 | 0:34:34 | |
nor do I speak those languages. My name is fully irrelevant to me | 0:34:34 | 0:34:38 | |
and everything I've ever done in life. | 0:34:38 | 0:34:40 | |
And it's hard to spell over the phone. | 0:34:40 | 0:34:43 | |
That's a bonus, isn't it? That's fun. | 0:34:43 | 0:34:45 | |
My name means I get to have the same conversation with everybody | 0:34:45 | 0:34:48 | |
I meet all the time. I'm really good at it now. | 0:34:48 | 0:34:51 | |
It goes like this... "Hi, my name's Pierre." | 0:34:51 | 0:34:54 | |
"Are you French?" "No." | 0:34:54 | 0:34:56 | |
"Oh, but your name's French." "What did I just say?" | 0:34:57 | 0:35:01 | |
"Just then, what did I say?" | 0:35:01 | 0:35:03 | |
I feel bad. I don't know what people want from me in that scenario. | 0:35:03 | 0:35:06 | |
Maybe they want it to be more exciting. | 0:35:06 | 0:35:08 | |
"Hi, my name's Pierre." "Are you French?" | 0:35:08 | 0:35:10 | |
"No." "Oh, but your name's French." | 0:35:10 | 0:35:12 | |
"Ho-ho-ho-ho! I was trying to trick you, monsieur." | 0:35:12 | 0:35:15 | |
"But I am France's worst-ever spy." | 0:35:18 | 0:35:20 | |
But, no, the reason for the silly name is I'm originally from | 0:35:22 | 0:35:26 | |
Johannesburg in South Africa. It's quite fun being South African. | 0:35:26 | 0:35:29 | |
Its especially fun being a white South African, | 0:35:29 | 0:35:31 | |
because it means everyone assumes that you are a racist. | 0:35:31 | 0:35:36 | |
Which means people assume that I am a racist, | 0:35:36 | 0:35:38 | |
purely on the basis of the colour of my skin... | 0:35:38 | 0:35:42 | |
LAUGHTER | 0:35:42 | 0:35:43 | |
..and where I was born. Ah, let the irony fill the room. | 0:35:43 | 0:35:48 | |
Rub it on your gums. It's pure. You won't get better irony this week. | 0:35:54 | 0:35:58 | |
Now, that creates a paradox whereby, as an immigrant, | 0:35:58 | 0:36:02 | |
the welcome I have received in this country from racists has been | 0:36:02 | 0:36:05 | |
overwhelmingly positive. | 0:36:05 | 0:36:07 | |
They're very happy to see me. I think they think of me | 0:36:09 | 0:36:12 | |
as "outside expertise". You know, like, I'm a consulting racist. | 0:36:12 | 0:36:17 | |
"We'll let him move here. We'll see if he has any hints | 0:36:20 | 0:36:22 | |
"and if he doesn't, just deport him. It's fine." | 0:36:22 | 0:36:26 | |
When people find out you're from Africa, they ask stupid questions. | 0:36:26 | 0:36:29 | |
The questions aren't wrong. They're accurate, but in the wrong context, | 0:36:29 | 0:36:33 | |
like Leonardo Di Caprio's accent in Blood Diamond. | 0:36:33 | 0:36:36 | |
Very good accent - completely wrong. | 0:36:36 | 0:36:38 | |
His character's from Zimbabwe, his accent's from South Africa, | 0:36:38 | 0:36:41 | |
all the slang he uses is from a very specific racial group in Cape Town, | 0:36:41 | 0:36:45 | |
to which he does not belong. That's like an American actor | 0:36:45 | 0:36:49 | |
playing a character who's supposed to be from Glasgow, | 0:36:49 | 0:36:52 | |
but they have a Welsh accent! | 0:36:52 | 0:36:54 | |
And they insist on using exclusively Cockney rhyming slang. | 0:36:54 | 0:37:00 | |
WELSH ACCENT: "Oh, terrible up in Glasgow, isn't it?! | 0:37:01 | 0:37:06 | |
"Oh, I was nearly brown bread a few times up there, you know." | 0:37:06 | 0:37:10 | |
Where is this man from? Definitely Britain. | 0:37:10 | 0:37:16 | |
Oh, yeah! The stupidest question I ever got asked was, | 0:37:16 | 0:37:18 | |
"Hey, Pierre, you know that song at the start of The Lion King?" | 0:37:18 | 0:37:22 | |
I said, "Yeah." Wherever he's going with that question, | 0:37:22 | 0:37:25 | |
it's not going to be good, is it? Not going to be a smart question. | 0:37:25 | 0:37:29 | |
"Is that your national anthem?" | 0:37:29 | 0:37:31 | |
"No, I don't think Elton John was available at the time, to be honest." | 0:37:33 | 0:37:40 | |
Now, a fun piece of trivia I'd like to leave you guys on is | 0:37:41 | 0:37:44 | |
that song, that first bit, if you don't know it, it goes... | 0:37:44 | 0:37:47 | |
# Nam zin gonya ma gi bi de ba ba. # | 0:37:47 | 0:37:49 | |
Like that. Now, that's Zulu and I've known that song my whole life. | 0:37:49 | 0:37:53 | |
I never knew what it meant, but I got it translated. | 0:37:53 | 0:37:56 | |
My uncle's fluent in Zulu, he translated it for me. | 0:37:56 | 0:37:58 | |
I thought he was playing a prank. | 0:37:58 | 0:37:59 | |
I had to look it up on four other websites, just to be sure | 0:37:59 | 0:38:02 | |
he wasn't taking the piss. Stupidest thing I've ever seen in my life. | 0:38:02 | 0:38:05 | |
# Nam zin gonya ma gi bi de ba ba # | 0:38:05 | 0:38:07 | |
translates loosely from Zulu into English as... | 0:38:07 | 0:38:10 | |
# Look, there's a lion coming Oh, yes, it's a lion. # | 0:38:10 | 0:38:14 | |
CHEERING AND APPLAUSE | 0:38:14 | 0:38:17 | |
That's it. | 0:38:17 | 0:38:18 | |
That's it. Yeah. | 0:38:22 | 0:38:25 | |
It's very much the plot of the film, guys. | 0:38:25 | 0:38:29 | |
Every Zulu person in the cinema was sitting there, going, | 0:38:29 | 0:38:32 | |
"Mm-hm. We know. We were expecting this." | 0:38:32 | 0:38:37 | |
And the rest of us had to sit there, like idiots - | 0:38:37 | 0:38:40 | |
"Oh, it's such noble gibberish, isn't it?" | 0:38:40 | 0:38:43 | |
If that's ruined The Lion King for you - good. | 0:38:44 | 0:38:46 | |
It's a child's film. Move on. I've been Pierre Novellie. | 0:38:46 | 0:38:50 | |
Thanks very much. Good night. | 0:38:50 | 0:38:52 | |
CHEERING AND APPLAUSE | 0:38:52 | 0:38:54 | |
Brilliant stuff! | 0:38:54 | 0:38:57 | |
# Ah, there's a lion coming... # | 0:38:57 | 0:39:00 | |
I thought that was my intro. | 0:39:00 | 0:39:02 | |
# There's a lion coming. # | 0:39:02 | 0:39:04 | |
The Lion King or Justin Lee Collins or the girl from Outnumbered. | 0:39:07 | 0:39:10 | |
Well... | 0:39:10 | 0:39:11 | |
Up next, we've got a real treat. This guy is smashing it, | 0:39:16 | 0:39:19 | |
up here at the Festival. Go wild for Ed Gamble! | 0:39:19 | 0:39:23 | |
CHEERING AND APPLAUSE | 0:39:23 | 0:39:27 | |
Hello. | 0:39:30 | 0:39:31 | |
Hello. How are we all doing? Are we good? | 0:39:31 | 0:39:33 | |
-ALL: -Yes! | 0:39:33 | 0:39:34 | |
I'm going to tell you a few things about myself. | 0:39:34 | 0:39:37 | |
-AUDIENCE MEMBER: -Whoo! | 0:39:37 | 0:39:38 | |
Oh, thank you. Good. Already excited. In the last two years, I've lost | 0:39:38 | 0:39:42 | |
-six stone in weight. ALL: -Whoo! | 0:39:42 | 0:39:45 | |
Thank you. That was about half of you whooping. | 0:39:45 | 0:39:47 | |
That's fine. That a nice reaction. | 0:39:47 | 0:39:49 | |
A lot just went with, "Couldn't give a shit, mate, quite frankly. | 0:39:49 | 0:39:52 | |
"You'd better make with the funny pretty sharpish on that topic, | 0:39:52 | 0:39:56 | |
"cos at the moment, it sounds an awful lot like you are showing off. | 0:39:56 | 0:39:59 | |
"That is not what we are here for." That's fine - the perfect UK reaction | 0:39:59 | 0:40:02 | |
to that information. | 0:40:02 | 0:40:03 | |
If I stood up at a comedy night in America | 0:40:03 | 0:40:05 | |
and announced that, the reaction would be very different. | 0:40:05 | 0:40:08 | |
If I stood up at a bus stop in America and announced that, | 0:40:08 | 0:40:12 | |
that I'd lost six stone in weight, | 0:40:12 | 0:40:13 | |
once we'd converted those stone to pounds and everyone | 0:40:13 | 0:40:15 | |
was on the same page... | 0:40:15 | 0:40:18 | |
those people would be on their feet, wouldn't they? | 0:40:18 | 0:40:21 | |
"Whoo! You go, sir! You take control of your life. | 0:40:21 | 0:40:25 | |
"We're proud of you, we want to hear your story." | 0:40:25 | 0:40:27 | |
In the UK it's, "Bet you were funnier | 0:40:27 | 0:40:28 | |
when you were fat, you prick." | 0:40:28 | 0:40:31 | |
When I lost that amount of weight in that short amount of time, | 0:40:31 | 0:40:34 | |
obviously all my clothes far too big for me, | 0:40:34 | 0:40:36 | |
quite exciting, thought, "Create a whole new personality for myself." | 0:40:36 | 0:40:39 | |
Where did I go to create this whole new personality? | 0:40:39 | 0:40:42 | |
Went where everyone goes to create a whole new personality. | 0:40:42 | 0:40:44 | |
I went to River Island. | 0:40:44 | 0:40:46 | |
And the moment I lost that last millimetre that got me | 0:40:46 | 0:40:49 | |
into the top size that they did, I practically kicked their doors in. | 0:40:49 | 0:40:52 | |
Turns out this particular branch were automatic doors, | 0:40:53 | 0:40:55 | |
so I just sort of went straight through. | 0:40:55 | 0:40:57 | |
I'll tell you what I bought, right, it was a belt. | 0:40:59 | 0:41:01 | |
I'm not wearing it for reasons that will become very clear. | 0:41:01 | 0:41:04 | |
But I've brought the buckle to show you. | 0:41:04 | 0:41:05 | |
I thought, "Hey, I've lost all this weight, | 0:41:05 | 0:41:07 | |
"what sort of guy have I become? | 0:41:07 | 0:41:09 | |
"I think I might be the sort of guy that wears an eagle belt!" | 0:41:09 | 0:41:12 | |
There it is, the eagle belt. | 0:41:12 | 0:41:14 | |
What sort of guy have I become? | 0:41:14 | 0:41:16 | |
It's a prick, I've become a prick! | 0:41:16 | 0:41:18 | |
The eagle very much the prick identity badge. | 0:41:18 | 0:41:21 | |
Everyone on the floor, there's a prick in the house. | 0:41:21 | 0:41:24 | |
Now, the thing you'll notice about this particular eagle - | 0:41:24 | 0:41:27 | |
very sharp wing tips. | 0:41:27 | 0:41:28 | |
This was absolutely fine when I tried it on in the shop standing up. | 0:41:31 | 0:41:35 | |
LAUGHTER | 0:41:36 | 0:41:37 | |
As soon as I got that belt home and tried it on sitting down, | 0:41:37 | 0:41:40 | |
I got a sharp, painful and physical reminder that apparently, | 0:41:40 | 0:41:43 | |
I AM still too fat to shop in River Island. | 0:41:43 | 0:41:45 | |
As those wings dug so far into my stomach, it was horrific, | 0:41:47 | 0:41:50 | |
and they've actually started to leave permanent purple marks | 0:41:50 | 0:41:53 | |
on my stomach, which has given the odd effect of my | 0:41:53 | 0:41:56 | |
genital area being in inverted commas. | 0:41:56 | 0:41:59 | |
LAUGHTER AND APPLAUSE | 0:41:59 | 0:42:01 | |
So I've done all this hard work down the gym | 0:42:07 | 0:42:10 | |
and I've ended up with a "cock". | 0:42:10 | 0:42:11 | |
And no-one wants a sarcastic crotch! | 0:42:13 | 0:42:16 | |
No-one wants to pull their trousers and pants down and for a girl | 0:42:16 | 0:42:19 | |
to go, "Actually, that's the lowest form of wit, I think you'll find." | 0:42:19 | 0:42:22 | |
Plus, I hang slightly to the right | 0:42:22 | 0:42:24 | |
so it already looked like I was in italics. | 0:42:24 | 0:42:26 | |
Now my whole nether region looks like a whispered quote, it's awful. | 0:42:29 | 0:42:32 | |
Like my body's talking about me in hushed tones. | 0:42:33 | 0:42:35 | |
"Don't ever go down there, it's terrible, all right!" | 0:42:35 | 0:42:38 | |
Something else, I'd decided to get a bit healthier | 0:42:38 | 0:42:40 | |
because I am a type 1 diabetic, which basically means | 0:42:40 | 0:42:44 | |
that my pancreas has gone, "Bye!" | 0:42:44 | 0:42:46 | |
No longer produces insulin, | 0:42:46 | 0:42:48 | |
so I have to inject insulin to maintain my own blood sugar levels. | 0:42:48 | 0:42:51 | |
Or, as one of my friends once succinctly put it, | 0:42:51 | 0:42:54 | |
"Don't give Ed a mini Snickers, he'll go ape shit." | 0:42:54 | 0:42:58 | |
Not the sexiest condition on the disease smorgasbord. | 0:43:01 | 0:43:05 | |
In fact, it's the only condition where I have had | 0:43:06 | 0:43:08 | |
to stop halfway through sex to have a Kit Kat. | 0:43:08 | 0:43:10 | |
LAUGHTER AND APPLAUSE | 0:43:14 | 0:43:17 | |
I've been telling that joke night after night at the Fringe, | 0:43:19 | 0:43:22 | |
and the other night a woman shouted out, "Ooh, how lovely, a break." | 0:43:22 | 0:43:25 | |
LAUGHTER | 0:43:25 | 0:43:27 | |
Thank you very much, I've been Ed Gamble, good night! | 0:43:27 | 0:43:30 | |
CHEERING | 0:43:30 | 0:43:31 | |
Ed Gamble! | 0:43:33 | 0:43:35 | |
Go crazy for this next act, she's a great friend of mine. | 0:43:37 | 0:43:39 | |
I've toured all around the country with her, | 0:43:39 | 0:43:41 | |
she's having a great festival, give it up for Suzi Ruffell! | 0:43:41 | 0:43:45 | |
APPLAUSE | 0:43:48 | 0:43:50 | |
What a pleasure to be here! | 0:43:52 | 0:43:54 | |
Oh, it's a pleasure to be here, it really is. | 0:43:54 | 0:43:57 | |
I'm very excited at the moment, cos I'm in a new relationship. | 0:43:57 | 0:44:01 | |
-AUDIENCE: -Whoo! -Correct. | 0:44:01 | 0:44:02 | |
That exciting bit right at the beginning | 0:44:02 | 0:44:04 | |
when you go, "Oh, is it going to work out? | 0:44:04 | 0:44:06 | |
"The rest of them haven't." That bit, exciting, isn't it? | 0:44:06 | 0:44:08 | |
I did the first thing, the Facebook stalk. We've all done that, haven't we? | 0:44:08 | 0:44:12 | |
Go through the profile pictures, have a little look. | 0:44:12 | 0:44:14 | |
"Oh... | 0:44:14 | 0:44:16 | |
"Oh... | 0:44:16 | 0:44:18 | |
UNCERTAIN: "Oh..." | 0:44:18 | 0:44:19 | |
All of a sudden you're in 2008. | 0:44:20 | 0:44:23 | |
Thinking, "Oh, don't accidentally press like!" | 0:44:23 | 0:44:26 | |
Whatever you do, do not press like! | 0:44:28 | 0:44:30 | |
If you press like, you'll have to eat your computer | 0:44:30 | 0:44:33 | |
and jump out the window. Whatever you do - don't press like! | 0:44:33 | 0:44:36 | |
Didn't, it was fine. | 0:44:36 | 0:44:37 | |
Went through the profile pictures - | 0:44:37 | 0:44:39 | |
you need a bigger hit, don't you? Into the albums - boom! | 0:44:39 | 0:44:41 | |
First album I find is called "Me, You, Us, Paris." | 0:44:41 | 0:44:45 | |
We've never been to Paris. | 0:44:45 | 0:44:47 | |
Shouldn't be looking at that album, that would be | 0:44:47 | 0:44:49 | |
a massive invasion into the privacy. | 0:44:49 | 0:44:51 | |
But I'm looking at it, going through, becoming slowly jealous of the past. | 0:44:51 | 0:44:55 | |
Has this happened to anybody else? | 0:44:55 | 0:44:57 | |
Became jealous of relationships that | 0:44:57 | 0:44:58 | |
happened before she even knew I existed. | 0:44:58 | 0:45:00 | |
Looking through and going "Oh, look at you and your ex. | 0:45:00 | 0:45:04 | |
"Look at you and your ex - in Paris! | 0:45:05 | 0:45:09 | |
"Oh, look at you, look at you having a lovely time in Paris! | 0:45:09 | 0:45:12 | |
"Look at you, look at you at the Arc De Triomphe, | 0:45:12 | 0:45:14 | |
"look at you at the Eiffel Tower, look at you, look at you! | 0:45:14 | 0:45:17 | |
"Well, it didn't work out, it didn't bloody work out!" | 0:45:17 | 0:45:19 | |
And what I've found is if you put that | 0:45:19 | 0:45:21 | |
into the comments box underneath... | 0:45:21 | 0:45:23 | |
LAUGHTER | 0:45:23 | 0:45:25 | |
..the abuse you get is unbelievable, it really is. | 0:45:25 | 0:45:28 | |
It's with a girl, | 0:45:28 | 0:45:29 | |
my new relationship, I'm a gay, in case anyone's interested. | 0:45:29 | 0:45:31 | |
-AUDIENCE MEMBERS: -Whoo! Yeah! -Thanks very much. | 0:45:31 | 0:45:34 | |
LAUGHTER | 0:45:34 | 0:45:35 | |
You have to come out if you're gay. That's a weird thing to do, | 0:45:35 | 0:45:37 | |
tell your Mum and Dad. | 0:45:37 | 0:45:39 | |
I had to sit my dad down. My dad's a proper geezer, | 0:45:39 | 0:45:41 | |
he's a proper bloke, he's a proper man's man. | 0:45:41 | 0:45:44 | |
He's so much of a man's man, in fact, that he can only | 0:45:44 | 0:45:46 | |
write in capital letters. That's how much of a bloke he is. | 0:45:46 | 0:45:49 | |
He doesn't even know there's a lower case. | 0:45:49 | 0:45:51 | |
No matter what he writes, it looks aggressive. | 0:45:51 | 0:45:54 | |
Just like, "HAPPY BIRTHDAY, LOVE, DAD." | 0:45:54 | 0:45:57 | |
In crayon! | 0:45:57 | 0:45:59 | |
LAUGHTER | 0:45:59 | 0:46:01 | |
On the back of a Racing Post! | 0:46:01 | 0:46:03 | |
The only way it would be more sinister would be | 0:46:03 | 0:46:05 | |
if he cut it out from a newspaper. | 0:46:05 | 0:46:07 | |
He's got to a stage in his life where he sneezes | 0:46:07 | 0:46:09 | |
so loudly, the cat completely shits himself - that's him! | 0:46:09 | 0:46:13 | |
He deems it perfectly acceptable after an Indian meal to take | 0:46:13 | 0:46:16 | |
the hot lemony cloth and have a full bloody wash - that's him! | 0:46:16 | 0:46:19 | |
"Oh, your armpits as well, that's nice." | 0:46:19 | 0:46:21 | |
I had to sit him down to tell him. "Dad, I've got this thing to tell you | 0:46:22 | 0:46:25 | |
"and it's really, really stressing me out. | 0:46:25 | 0:46:27 | |
"Keeping me up at night, making me sick in the morning." | 0:46:27 | 0:46:29 | |
He said, "Don't tell me you're pregnant!" | 0:46:29 | 0:46:31 | |
I said, literally, "You wish!" | 0:46:31 | 0:46:33 | |
I just blurted it out, I went, "Dad, I'm gay!" | 0:46:34 | 0:46:37 | |
He went, "Oh, all right, love, fair enough." | 0:46:37 | 0:46:39 | |
That was it, no reaction at all! Everyone else had a reaction. | 0:46:39 | 0:46:41 | |
All of my female friends said, "Do you fancy me?" | 0:46:41 | 0:46:44 | |
All of my male friends said, "Do you want a threesome?" | 0:46:45 | 0:46:48 | |
And my brother said, "Well, you've ruined porn!" | 0:46:48 | 0:46:51 | |
So... | 0:46:51 | 0:46:52 | |
Everyone had A reaction. | 0:46:54 | 0:46:56 | |
Another thing, really annoying me, | 0:46:57 | 0:46:59 | |
something one of my cousins said actually. | 0:46:59 | 0:47:01 | |
One of my teenage cousins says the expression, "That's so gay." | 0:47:01 | 0:47:04 | |
Oh, I hate it, I hate it so much, cos it means, | 0:47:04 | 0:47:07 | |
-"That's so shit", doesn't it? AUDIENCE: -Yeah. | 0:47:07 | 0:47:09 | |
So I've decided the only time you can say, "That's so gay" | 0:47:09 | 0:47:12 | |
is if something SO GAY happens to you. | 0:47:12 | 0:47:14 | |
Like, if I came out here tonight and I went | 0:47:14 | 0:47:16 | |
"Guys, before I even begin, I have to tell you about my night last night! | 0:47:16 | 0:47:19 | |
"I went out, all of a sudden I was transported | 0:47:19 | 0:47:21 | |
"to a club in San Francisco. I looked down. | 0:47:21 | 0:47:24 | |
"I was wearing a dress made completely of a rainbow flag. | 0:47:24 | 0:47:26 | |
"I started dancing, as I did, 14 drag queens came and joined me - | 0:47:26 | 0:47:30 | |
"all dressed as Cher! | 0:47:30 | 0:47:32 | |
"As It's Raining Men came on, I go over to the bar. | 0:47:32 | 0:47:34 | |
"There is Alan Carr, Paul O'Grady, Stephen Fry and Graham Norton. | 0:47:34 | 0:47:37 | |
"A cushion of chat show hosts, if you like. | 0:47:37 | 0:47:39 | |
"They say to me, 'Suz, after these tequila slammers we're off to | 0:47:39 | 0:47:42 | |
"'Jodie Foster's house for a bit of karaoke, do you fancy it?' | 0:47:42 | 0:47:45 | |
"I said, 'Yes, I do.' | 0:47:45 | 0:47:46 | |
"So I went to the cloakroom, I got my Birkenstocks | 0:47:46 | 0:47:49 | |
"and the fleecy zip-up, nice to be prepared. | 0:47:49 | 0:47:51 | |
"When I get outside, there is a pink stretched limousine. | 0:47:51 | 0:47:53 | |
"I look in the driver seat - | 0:47:53 | 0:47:55 | |
"it's only Dolly bloody Parton, I think this is good! | 0:47:55 | 0:47:57 | |
"I give her my t.A.T.u CD, in we pop it, off we go. | 0:47:57 | 0:48:00 | |
"We stop to pick up two of those little yappy dogs, | 0:48:00 | 0:48:02 | |
"do a little interior design and pick up George Michael, | 0:48:02 | 0:48:04 | |
"because he's been banned again. | 0:48:04 | 0:48:06 | |
"When we get to Jodi Foster's house there's Clare Balding and | 0:48:06 | 0:48:09 | |
"Martina Navratilova doing a duet of 'I kissed a girl and I liked it.'" | 0:48:09 | 0:48:12 | |
Now, if that happens, you can say, "That's so gay", | 0:48:12 | 0:48:15 | |
you can say it till the cows come home! | 0:48:15 | 0:48:17 | |
APPLAUSE | 0:48:18 | 0:48:20 | |
My name's Suzi Ruffell. You've been delightful. | 0:48:20 | 0:48:22 | |
Thank you very much, good night! | 0:48:22 | 0:48:24 | |
CHEERING AND WHISTLING | 0:48:24 | 0:48:26 | |
Suzi Ruffell, yes! Whoo! | 0:48:26 | 0:48:29 | |
Ladies and gentlemen, you are going to love our next act. | 0:48:31 | 0:48:34 | |
One of the top double acts in the country. | 0:48:34 | 0:48:36 | |
Go crazy for Cardinal Burns! | 0:48:36 | 0:48:38 | |
All right? LAUGHTER | 0:48:50 | 0:48:52 | |
How we doing? Are we all right, everybody all right? | 0:48:52 | 0:48:55 | |
-Good, all right. -I'll sit here, Terry. | 0:48:55 | 0:48:57 | |
-I'm going to sit here. -Yeah, that's all right. | 0:48:57 | 0:48:59 | |
Ah, that's better. | 0:49:03 | 0:49:05 | |
Oh, dear, how are you, you all right? | 0:49:05 | 0:49:08 | |
-Yeah, I'm not bad, yeah. -Yeah? -Yeah. | 0:49:08 | 0:49:10 | |
-It's good to hear, ain't it? -Yeah. | 0:49:10 | 0:49:12 | |
-How was your weekend, all right? -Yeah, it was all right. | 0:49:12 | 0:49:15 | |
My mum turned 100 in the week. | 0:49:15 | 0:49:17 | |
-Oh, that's lovely, ain't it? -Yeah. | 0:49:17 | 0:49:19 | |
Get a letter from the Queen, did she? | 0:49:19 | 0:49:20 | |
Yeah, she got a letter from the Queen with | 0:49:20 | 0:49:22 | |
-an invite at Buckingham Palace. -Right. -And a plus one. | 0:49:22 | 0:49:26 | |
-So I went along with her. -Oh, splendid, fine. | 0:49:26 | 0:49:28 | |
We got there about midday. | 0:49:28 | 0:49:30 | |
-They had this lovely spread laid out. -Right. | 0:49:30 | 0:49:32 | |
And tarpaulin, cos there was a threat of rain. | 0:49:32 | 0:49:35 | |
Oh, that's sensible, ain't it? | 0:49:35 | 0:49:36 | |
M&S spread, you know, it was classy stuff. | 0:49:36 | 0:49:38 | |
-The works, yeah. -That's it. | 0:49:38 | 0:49:40 | |
-The Queen comes down about midday. -Right, yeah, yeah, yeah. | 0:49:40 | 0:49:43 | |
-Then she comes... -What's she like, the Queen? | 0:49:43 | 0:49:46 | |
Well, she smells a bit, to be honest with you, Terry. | 0:49:46 | 0:49:50 | |
-What of? -She's very in your face when she talks to you | 0:49:50 | 0:49:52 | |
-and she does smell a bit. -What does she smell of? | 0:49:52 | 0:49:55 | |
-TCP. -Oh. | 0:49:55 | 0:49:57 | |
-Absolutely reeks of it. -Oh, that's not very nice, that's horrible. | 0:49:58 | 0:50:01 | |
Anyway, I'm making a little bit of small chat, right? | 0:50:01 | 0:50:04 | |
-Yeah, as you do. -And I make a little joke. | 0:50:04 | 0:50:06 | |
I said, "I wouldn't like to have your heating bill!" | 0:50:06 | 0:50:09 | |
She's cracked up. | 0:50:09 | 0:50:10 | |
She goes, "Right, get your old dear, | 0:50:10 | 0:50:12 | |
"I want to give you a tour of the house." | 0:50:12 | 0:50:14 | |
So we're walking down all these corridors, every room's got | 0:50:14 | 0:50:18 | |
a painting of someone she knows and whatever, I had no interest. | 0:50:18 | 0:50:21 | |
Then she takes us into this room that she'd done up like | 0:50:23 | 0:50:26 | |
a bar she'd been to in Dubai. | 0:50:26 | 0:50:27 | |
-Oh, she's been to Dubai, has she? -Oh, she's been everywhere. | 0:50:28 | 0:50:31 | |
She'd been to Spain, she'd been to France twice, she'd been | 0:50:31 | 0:50:35 | |
to Belgium... she'd even been to the Maldives. | 0:50:35 | 0:50:38 | |
Oh, lovely, has she been to the Canary Islands at all? | 0:50:38 | 0:50:41 | |
She's been to the Canary Islands, | 0:50:41 | 0:50:43 | |
but she didn't get off the boat. | 0:50:43 | 0:50:44 | |
-Why? -Cos she was too hung over. | 0:50:44 | 0:50:46 | |
She likes a drink then, does she? | 0:50:48 | 0:50:50 | |
-Oh, God, yeah! Yeah, yeah. -Sounds good. | 0:50:50 | 0:50:52 | |
But she's quite, she's quite sprightly. | 0:50:52 | 0:50:54 | |
-Right, right. -At one point we're walking down this fire exit, | 0:50:54 | 0:50:57 | |
she goes, "See that fire exit sign, you think I can touch it?" | 0:50:57 | 0:51:01 | |
-Nah. -She runs along, she leaps up, she goes, whack! | 0:51:01 | 0:51:05 | |
She goes, "You didn't think I could do that, did you?" | 0:51:05 | 0:51:07 | |
She sounds a right big-head, Phil. | 0:51:07 | 0:51:10 | |
I wouldn't say she's big-headed, | 0:51:10 | 0:51:11 | |
but she definitely lets you know who she is, do you know what I mean? | 0:51:11 | 0:51:14 | |
-Well, she's the Queen, ain't she? -Exactly, yeah. | 0:51:14 | 0:51:16 | |
I've always been fascinated to know where she sleeps. | 0:51:16 | 0:51:20 | |
Well, she said, wherever she falls! | 0:51:20 | 0:51:24 | |
LAUGHTER | 0:51:24 | 0:51:26 | |
She said she's got these two footmen, they come over, | 0:51:26 | 0:51:29 | |
they take her bra off and they put her in a long T-shirt. | 0:51:29 | 0:51:32 | |
She's the Queen, Terry! She can do what she wants! | 0:51:34 | 0:51:37 | |
She can do what she bloody wants. | 0:51:37 | 0:51:38 | |
She's the Queen, of course she can. So then what happened? | 0:51:38 | 0:51:41 | |
So then she takes us up on the roof, gets a fag out, sparks up. | 0:51:41 | 0:51:44 | |
She goes, "Right, you've got to do one." | 0:51:44 | 0:51:46 | |
-Just like that? -Yeah. So I took Mum to Bella Pasta, didn't I? | 0:51:46 | 0:51:50 | |
Oh, right then. | 0:51:50 | 0:51:51 | |
-Come on then. -See you later. -Come on, Terry. | 0:51:51 | 0:51:53 | |
-See you later, bye. -Bye-bye. | 0:51:53 | 0:51:55 | |
APPLAUSE | 0:51:55 | 0:51:57 | |
Now, ladies and gentlemen, it is time for the last act of the night. | 0:52:01 | 0:52:05 | |
I love these guys, you're going to love them too, | 0:52:05 | 0:52:07 | |
give it up for The Noise Next Door! | 0:52:07 | 0:52:09 | |
Good evening, good evening, good evening! | 0:52:18 | 0:52:20 | |
We are The Noise Next Door | 0:52:20 | 0:52:21 | |
and everything we do is made up on the spot. | 0:52:21 | 0:52:23 | |
What we'd like to do this evening is make up | 0:52:23 | 0:52:25 | |
a song for one of the ladies in the room tonight. | 0:52:25 | 0:52:28 | |
Can someone please point at a lady near the front, point to the lady. | 0:52:28 | 0:52:30 | |
Well, this lovely lady's been pointed at. Hello, what's your name? | 0:52:30 | 0:52:33 | |
-Pauline. -Ladies and gents, this is Pauline, she is our volunteer. | 0:52:33 | 0:52:36 | |
Here we go, OK. | 0:52:36 | 0:52:38 | |
-AUDIENCE: -Whoo! | 0:52:38 | 0:52:39 | |
Pauline, we're going to get to know her. | 0:52:39 | 0:52:41 | |
What do you do for a living, Pauline? | 0:52:41 | 0:52:43 | |
-I work as a PA. -Pauline works as a PA. | 0:52:43 | 0:52:46 | |
What sort of company do you work for? | 0:52:46 | 0:52:47 | |
-I actually work for the council. -You work for the council? Oh... | 0:52:47 | 0:52:51 | |
A murmur of worry - excellent! | 0:52:51 | 0:52:53 | |
LAUGHTER | 0:52:53 | 0:52:54 | |
OK, Pauline works for the council as a PA. | 0:52:54 | 0:52:56 | |
Do you have any hobbies outside of your work? | 0:52:56 | 0:52:58 | |
What do you do for fun, Pauline? | 0:52:58 | 0:53:00 | |
-Em...drink! -Drink? | 0:53:00 | 0:53:02 | |
What's your favourite type of drink? | 0:53:04 | 0:53:07 | |
-Wine. -Wine, she likes. She's classy, Pauline's classy, excellent. | 0:53:07 | 0:53:10 | |
Is there anything you don't like, maybe a fear of yours? | 0:53:10 | 0:53:12 | |
Em...heights. | 0:53:14 | 0:53:15 | |
Heights, a fear of heights, excellent. | 0:53:15 | 0:53:17 | |
One last question - | 0:53:17 | 0:53:18 | |
is there a country in the world you'd love to go to one day? | 0:53:18 | 0:53:21 | |
-Some country you'd like to visit. -India. | 0:53:21 | 0:53:23 | |
India, amazing. This is lovely Pauline, | 0:53:23 | 0:53:26 | |
she is a PA for the council, | 0:53:26 | 0:53:28 | |
she enjoys drinking wine, she does not enjoy heights | 0:53:28 | 0:53:32 | |
and one day she would like to go to India. | 0:53:32 | 0:53:34 | |
Ladies and gents, this is Pauline, and Pauline, | 0:53:34 | 0:53:37 | |
this is your very own... | 0:53:37 | 0:53:39 | |
THEATRICALLY: ..boy band love song! | 0:53:39 | 0:53:41 | |
# Hey, yeah, yeah, come on now, Pauline, | 0:53:41 | 0:53:47 | |
# Ooh, yeah, yeah... | 0:53:47 | 0:53:49 | |
# Well, you work for the council those are the facts | 0:53:49 | 0:53:53 | |
# Well, any time you want, Pauline, please lower the tax | 0:53:53 | 0:53:58 | |
# You are a PA, I don't want to sound negative | 0:53:58 | 0:54:01 | |
# Well, PA when it comes to you sounds like perfectly attractive. | 0:54:01 | 0:54:05 | |
-# Heights that make her frown -Ooh, yeah you know it's true! | 0:54:05 | 0:54:09 | |
-# So she's good at going down -My guy's in love with you | 0:54:09 | 0:54:13 | |
ALL: # Its heights that make her frown | 0:54:13 | 0:54:16 | |
# So she's really good at go-ing down... # | 0:54:16 | 0:54:18 | |
LAUGHTER | 0:54:18 | 0:54:20 | |
# Oh, Pauline, oh, yes, so you want more | 0:54:20 | 0:54:23 | |
# I know she's keen because we just did it on the floor | 0:54:23 | 0:54:27 | |
# Yes, you like drinking wine, oh, you just like a splash | 0:54:27 | 0:54:31 | |
# Maybe later tonight I'm going to taste your pink Grenache | 0:54:31 | 0:54:35 | |
# We could go, if you want to go far, so I'll take you to Indi-ya | 0:54:35 | 0:54:39 | |
# I've got a little tip that will come in handy | 0:54:39 | 0:54:41 | |
# I'll be your very own Mahatma Gandhi! | 0:54:41 | 0:54:43 | |
# Yeah, that's right, you know it's true | 0:54:43 | 0:54:45 | |
# Going to hang out in Delhi with you. | 0:54:45 | 0:54:47 | |
# Oh, Pauline, you drive me crazy | 0:54:47 | 0:54:49 | |
# Because you're hotter than a damn jalfrezi! | 0:54:49 | 0:54:52 | |
ALL: # Its heights that make her frown. | 0:54:52 | 0:54:54 | |
-# So she's good at going down -I just hope there's no diarrhoea | 0:54:54 | 0:54:59 | |
# Its heights that make her frown | 0:54:59 | 0:55:02 | |
-# So she's good at going down -Going down, going down... # | 0:55:02 | 0:55:05 | |
HE MOANS | 0:55:06 | 0:55:08 | |
# You're sat next to your boyfriend, it's true | 0:55:08 | 0:55:12 | |
# Well, don't worry, girl, we'll do him too | 0:55:12 | 0:55:15 | |
# When he's around | 0:55:16 | 0:55:17 | |
# Strap in for the key change, yeah | 0:55:17 | 0:55:20 | |
ALL: # The key change, yeahhhh | 0:55:20 | 0:55:23 | |
# Its heights that make her frown | 0:55:23 | 0:55:25 | |
# We'll drink some wine till you get squiffy | 0:55:25 | 0:55:28 | |
# So she's good at going down | 0:55:28 | 0:55:30 | |
-# Its heights that make her frown -You know that you improve with age | 0:55:31 | 0:55:35 | |
# So she's good at going down. | 0:55:35 | 0:55:37 | |
# We'll have a drink whilst we're on stage | 0:55:37 | 0:55:39 | |
# Its heights that make her... | 0:55:39 | 0:55:41 | |
# Frown | 0:55:41 | 0:55:43 | |
# So she's good at going... # | 0:55:43 | 0:55:46 | |
She's really, really good at it. | 0:55:46 | 0:55:48 | |
# Going down. # | 0:55:50 | 0:55:55 | |
CHEERING AND APPLAUSE | 0:55:55 | 0:55:57 | |
That was for Pauline, ladies and gentlemen! | 0:55:59 | 0:56:02 | |
Thank you so much, we've been The Noise Next Door! | 0:56:02 | 0:56:04 | |
Thank you. | 0:56:04 | 0:56:05 | |
-AUDIENCE: -Whoo! | 0:56:10 | 0:56:12 | |
The Noise Next Door! | 0:56:12 | 0:56:14 | |
This has been the Edinburgh Comedy Fest Live. | 0:56:17 | 0:56:20 | |
I've been Seann Walsh. Good night! | 0:56:20 | 0:56:22 | |
CHEERING | 0:56:23 | 0:56:25 |