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This programme contains some strong language. | 0:00:00 | 0:00:03 | |
GUNSHOT | 0:00:35 | 0:00:37 | |
What are you doing? | 0:00:52 | 0:00:54 | |
Bev, what are you doing? | 0:00:54 | 0:00:55 | |
-Stop. -No. -Please. | 0:00:55 | 0:00:57 | |
No! I'm going home. You stay. You're obviously flourishing here. | 0:00:57 | 0:01:02 | |
Is this because I went surfing today? | 0:01:02 | 0:01:04 | |
OK, obviously it's not cos I went surfing. | 0:01:04 | 0:01:06 | |
Bev, come on, talk to me. | 0:01:06 | 0:01:08 | |
Bev. Bev! | 0:01:08 | 0:01:10 | |
-Look, I realize LA hasn't exactly been your favourite... -This isn't...about...LA. | 0:01:10 | 0:01:15 | |
-RECORDED FEMALE -VOICE: 'Front door ajar.' | 0:01:15 | 0:01:17 | |
Wait! Is it about the show? It's one more day of shooting. A week in Post. | 0:01:17 | 0:01:21 | |
Move. | 0:01:21 | 0:01:22 | |
'Front door ajar.' | 0:01:22 | 0:01:24 | |
One week. Then the work'll be done and we can leave together with our heads held high. | 0:01:24 | 0:01:28 | |
Heads held high?! Have you not seen our heads? | 0:01:28 | 0:01:31 | |
It's all we can do to not kick them when we walk! | 0:01:31 | 0:01:34 | |
-All right, look, we've made some compromises... -This isn't about the fucking show. | 0:01:34 | 0:01:38 | |
-'Front door ajar.' -Well, then what is it about? | 0:01:38 | 0:01:41 | |
-'Front door ajar.' -Does this bitch ever shut up?! | 0:01:42 | 0:01:45 | |
You know what this is about! | 0:01:45 | 0:01:47 | |
What? | 0:01:47 | 0:01:48 | |
Morning? | 0:01:48 | 0:01:50 | |
Oh, my god, look I'm telling you, I have no interest in her at all. | 0:01:50 | 0:01:54 | |
I saw you wanking to her the other night! | 0:01:54 | 0:01:57 | |
What... I... | 0:01:58 | 0:02:00 | |
-No... I-I-I... How did... -"What? How did? Who did?" | 0:02:00 | 0:02:03 | |
HE STUTTERS | 0:02:03 | 0:02:05 | |
'Front door ajar.' | 0:02:05 | 0:02:06 | |
All right, there may have been a little wanking! | 0:02:06 | 0:02:10 | |
But there is nothing between us! | 0:02:10 | 0:02:12 | |
-I just saw you with her! -What?! | 0:02:12 | 0:02:14 | |
I saw you with her just now! | 0:02:14 | 0:02:15 | |
I saw you hugging her in front of our house! | 0:02:15 | 0:02:18 | |
She wasn't here to... She... There was... She wanted... Ernesto! | 0:02:18 | 0:02:24 | |
ERNESTO! | 0:02:24 | 0:02:26 | |
-What?! -Please turn that off! | 0:02:26 | 0:02:28 | |
I'm sorry, did you want me? | 0:02:30 | 0:02:32 | |
-I wanted you to turn off the leaf blower! -I did. | 0:02:32 | 0:02:34 | |
Yeah, now. But before... | 0:02:34 | 0:02:37 | |
Hey, Bev. No, Bev, wait! | 0:02:37 | 0:02:41 | |
Bev! Stop! You're on the wrong side! | 0:02:41 | 0:02:45 | |
No, Sean, you're on the wrong side! | 0:02:45 | 0:02:48 | |
That's not what I meant! | 0:02:48 | 0:02:50 | |
-RECORDED FEMALE VOICE: -'Automated Dialling.' | 0:02:59 | 0:03:01 | |
-Call Bob. -'Command.' | 0:03:01 | 0:03:03 | |
Call Bob! | 0:03:03 | 0:03:05 | |
'Dialling... | 0:03:05 | 0:03:06 | |
-'Mom.' -No, not Mom - Bob! | 0:03:06 | 0:03:09 | |
NUMBER DIALS | 0:03:09 | 0:03:10 | |
Cancel. | 0:03:10 | 0:03:11 | |
PHONE RINGS Cancel! Stop! | 0:03:11 | 0:03:13 | |
'Hello?' | 0:03:13 | 0:03:14 | |
Hey, Ma, it's Matt. | 0:03:14 | 0:03:16 | |
Nothing, just calling to say hi. | 0:03:19 | 0:03:21 | |
TYRES SCREECH | 0:03:23 | 0:03:25 | |
And the BAFTA award goes to... | 0:03:34 | 0:03:37 | |
Sean and Beverly Lincoln, for Lyman's Boys. | 0:03:37 | 0:03:40 | |
APPLAUSE | 0:03:40 | 0:03:43 | |
There you are! | 0:03:50 | 0:03:51 | |
Oh, you bloody bastards - you've done it again. | 0:03:51 | 0:03:54 | |
And again. | 0:03:54 | 0:03:56 | |
Stop doing it! | 0:03:56 | 0:03:58 | |
-We're so sorry. -We promise, never again. | 0:03:58 | 0:04:01 | |
Yeah, you fuckers, that's what you said last year. | 0:04:01 | 0:04:04 | |
No, no, honestly, I'm really pleased for you. | 0:04:04 | 0:04:07 | |
-That's sweet. -Thank you. | 0:04:07 | 0:04:10 | |
Oh, he's so not pleased. | 0:04:10 | 0:04:12 | |
No, he's not. | 0:04:12 | 0:04:14 | |
-Well, I'm happy for us. -I'm just happy. | 0:04:14 | 0:04:16 | |
-How soon can we leave? -Don't know. | 0:04:21 | 0:04:24 | |
Have we made enough people feel bad about themselves? | 0:04:24 | 0:04:27 | |
-Oh, my god! -What? Who's that? | 0:04:27 | 0:04:30 | |
-It's Merc Lapidus. -Who? -Merc Lapidus. | 0:04:30 | 0:04:32 | |
-Repeating it doesn't help me! -From America. He's president of... | 0:04:32 | 0:04:36 | |
Winners! | 0:04:36 | 0:04:37 | |
Forgive me, don't wanna interrupt. Merc Lapidus. I'm the president... | 0:04:37 | 0:04:40 | |
-Please, we know who you are. -Hi, Sean and Beverly... | 0:04:40 | 0:04:44 | |
Ahh! | 0:04:44 | 0:04:47 | |
And you! With the funny speech! | 0:04:48 | 0:04:50 | |
Oh, that's not necesse... Oh, all right. | 0:04:50 | 0:04:53 | |
You know what my fantasy is? | 0:04:53 | 0:04:55 | |
I'm going to guess - either shoes or nuns. | 0:04:55 | 0:04:57 | |
My fantasy is I wake up tomorrow and I've got your show on my network. | 0:04:58 | 0:05:04 | |
Well, that's very flattering. | 0:05:04 | 0:05:05 | |
No, no, I'm not just blowing smoke here. I...love...your...show. | 0:05:05 | 0:05:10 | |
I LOVE it. Seriously, | 0:05:10 | 0:05:11 | |
I want to have sex with your show. | 0:05:11 | 0:05:14 | |
I'm telling you, an American version would be huge. | 0:05:14 | 0:05:17 | |
It could be like The Office meets... | 0:05:17 | 0:05:20 | |
-Our show? -Yes! | 0:05:20 | 0:05:22 | |
But... But, we'd have to do it right. | 0:05:22 | 0:05:25 | |
No farming this one out to some shitty American writers. | 0:05:25 | 0:05:28 | |
I want what's in these amazing, British-y heads. | 0:05:28 | 0:05:31 | |
What, us come to LA? | 0:05:31 | 0:05:34 | |
-That's interesting. -Is it? | 0:05:34 | 0:05:36 | |
Uh-oh, she's giving you the "wife" look. | 0:05:36 | 0:05:39 | |
Whoa, now she's giving me the "wife" look! Oh, hello! | 0:05:39 | 0:05:43 | |
Have you guys tried these? | 0:05:43 | 0:05:45 | |
What are these little berries? They're genius. They're like... | 0:05:45 | 0:05:49 | |
-Magic berries. -They're actually loganberries. | 0:05:49 | 0:05:52 | |
-IN ENGLISH ACCENT: -Loganberries! Now I want to have sex with your show and these berries. | 0:05:52 | 0:05:57 | |
When I was a little girl, my grandmother lived in Yorkshire and had loganberries in her garden. | 0:05:57 | 0:06:02 | |
Every summer we'd pick the berries and she'd make jam. | 0:06:02 | 0:06:05 | |
Fuck. | 0:06:05 | 0:06:06 | |
My grandmother lives in Morristown, New Jersey, and hates black people. | 0:06:06 | 0:06:11 | |
So what do you say? Come play with us! | 0:06:11 | 0:06:15 | |
I need Lyman's Boys. We've got four places on my schedule I could put it right now. | 0:06:15 | 0:06:20 | |
This is very flattering, and we've all had a bit to drink... | 0:06:20 | 0:06:23 | |
No, not me, not in seven years. I'm an alcoholic. | 0:06:23 | 0:06:26 | |
But evidently not anonymous. | 0:06:26 | 0:06:30 | |
Come on! We'll get you a house, a car - name it! | 0:06:30 | 0:06:35 | |
How hard could it be? | 0:06:35 | 0:06:36 | |
You've already written the scripts, they're PERFECT the way it is. | 0:06:36 | 0:06:39 | |
You work 20 minutes a day, the rest of the time you can screw in the pool. | 0:06:39 | 0:06:43 | |
Ooh, you hear that? We'd get a pool! | 0:06:43 | 0:06:45 | |
All right look, if you don't want to do it, it's fine. | 0:06:45 | 0:06:48 | |
Hey, maybe you don't like money. | 0:06:48 | 0:06:50 | |
But I had to ask. When I had cancer... | 0:06:51 | 0:06:54 | |
That's right... | 0:06:54 | 0:06:56 | |
I realized two things. | 0:06:56 | 0:06:58 | |
If you want something, go for it. | 0:06:58 | 0:07:00 | |
God doesn't wait for you. | 0:07:00 | 0:07:02 | |
And also... | 0:07:02 | 0:07:05 | |
you do not want cancer. | 0:07:05 | 0:07:07 | |
You're already there, aren't you? | 0:07:19 | 0:07:21 | |
-No! -Yes, you are. You're having brunch with Angelina Jolie. | 0:07:21 | 0:07:24 | |
My God, you're already starting to tan. | 0:07:24 | 0:07:27 | |
-Aren't you? -No. | 0:07:29 | 0:07:31 | |
Thank you, goodnight. | 0:07:39 | 0:07:42 | |
Ooh! | 0:07:42 | 0:07:44 | |
Jesus. | 0:07:46 | 0:07:47 | |
Come taste our berries. Your biggest fan, Merc Lapidus. | 0:07:50 | 0:07:55 | |
How did he do this? We left him less than an hour ago. | 0:07:55 | 0:07:58 | |
I can't believe he even remembered that stupid loganberry story. | 0:07:58 | 0:08:01 | |
I can't believe he knows where we live. | 0:08:01 | 0:08:03 | |
You really want to move to LA? | 0:08:08 | 0:08:11 | |
You're always taking the piss out of it. | 0:08:11 | 0:08:13 | |
Only because it's never wanted me. I'm very petty that way. | 0:08:13 | 0:08:16 | |
But why do it? Our lives are here, our friends are here. | 0:08:16 | 0:08:21 | |
Who would you miss? | 0:08:21 | 0:08:22 | |
We need better friends. | 0:08:26 | 0:08:28 | |
All I'm saying is, if we do this and we're a hit... | 0:08:29 | 0:08:32 | |
A hit show in the States, a big stonking hit... | 0:08:32 | 0:08:35 | |
It's like winning the lottery. We'd never have to work again. | 0:08:35 | 0:08:39 | |
-What would we do instead? -All right, we need friends and we need hobbies. | 0:08:39 | 0:08:43 | |
I don't know. LA? It's just so... | 0:08:43 | 0:08:46 | |
-LA. -Oh, come on. It's an adventure! | 0:08:47 | 0:08:51 | |
I'd have to drive. | 0:08:51 | 0:08:53 | |
There's that pioneer spirit! | 0:08:53 | 0:08:55 | |
You really want this? | 0:09:01 | 0:09:03 | |
I think I do. | 0:09:03 | 0:09:05 | |
Hooray! | 0:09:09 | 0:09:10 | |
Wait, wait, wait. I get to do the bra too. | 0:09:13 | 0:09:16 | |
SHE LAUGHS | 0:09:16 | 0:09:17 | |
You're still 14, aren't you? | 0:09:17 | 0:09:19 | |
I WISH I got to do this at 14. | 0:09:19 | 0:09:22 | |
Wait, did you weld this? | 0:09:22 | 0:09:24 | |
Now, you have to admit... | 0:09:33 | 0:09:36 | |
It is fairly glorious. | 0:09:36 | 0:09:39 | |
Feel that sunshine! | 0:09:40 | 0:09:43 | |
-Of course... -Don't say skin cancer! | 0:09:43 | 0:09:46 | |
Just glorious. | 0:09:47 | 0:09:50 | |
-# Oh, say can you see... # -No, no, don't, don't. | 0:09:50 | 0:09:54 | |
Oh, my! Fancy! | 0:09:58 | 0:10:02 | |
Welcome home, darling. | 0:10:02 | 0:10:04 | |
Hello. We're the new people moving in to... | 0:10:08 | 0:10:11 | |
-1675 Bel Vista Drive. -Sean and Beverly Lincoln. | 0:10:11 | 0:10:15 | |
-No. -No? Well, we should be there. | 0:10:22 | 0:10:25 | |
-Are they expecting you? -No, there's no-one expecting us. | 0:10:25 | 0:10:27 | |
It's a house we're renting. Well, it's been rented for us. | 0:10:27 | 0:10:30 | |
-Oh, wait, there's the housekeeper, she might be there. -Yes. | 0:10:30 | 0:10:33 | |
One moment. | 0:10:33 | 0:10:34 | |
-(This is fun.) -I have, er... | 0:10:35 | 0:10:38 | |
Sean and Beverly Lincoln. | 0:10:38 | 0:10:40 | |
Sean and Beverly Lincoln here. | 0:10:40 | 0:10:42 | |
She says they're not home right now. | 0:10:46 | 0:10:48 | |
-SHE CHUCKLES -Of course they're not home, | 0:10:48 | 0:10:50 | |
because they're us and we're stuck here with you! | 0:10:50 | 0:10:53 | |
Ma'am, there's no need to raise your voice. | 0:10:53 | 0:10:55 | |
Oh, really? Get in the car, I'll be you, and we'll see if that's true. | 0:10:55 | 0:10:59 | |
Look, erm... Wallace... | 0:10:59 | 0:11:00 | |
I'm sure, once we've moved in, the three of us will have a really good laugh about this. | 0:11:00 | 0:11:04 | |
But right now we've been travelling for 14 hours and we'd really love to get into the house. | 0:11:04 | 0:11:09 | |
Isn't there any way you could let us do that? | 0:11:09 | 0:11:11 | |
Not if you're not on the list. How do I know who you are? | 0:11:11 | 0:11:14 | |
Oh, has it not come up? We're Sean and Beverly Lincoln! | 0:11:14 | 0:11:18 | |
-Really not helping. -Really don't care! | 0:11:18 | 0:11:20 | |
I'm sure we're on the list. May I see it? | 0:11:23 | 0:11:25 | |
-No-one sees the list. -No-one sees the list!? | 0:11:25 | 0:11:28 | |
We have very high calibre celebrities living here. We have to protect their privacy. | 0:11:28 | 0:11:32 | |
Oh, for god's sake. Wallace. I appreciate the seriousness with which you do your job. I do. | 0:11:32 | 0:11:37 | |
But, I just want to find our names. | 0:11:37 | 0:11:39 | |
Now, I promise you, I won't reveal any information | 0:11:39 | 0:11:42 | |
about your precious gated community | 0:11:42 | 0:11:44 | |
or the secret identities of the gated citizens. | 0:11:44 | 0:11:46 | |
Now, give me the list. | 0:11:46 | 0:11:49 | |
-Oooh, Renee Zellweger lives here. -Does she?! -Yeah! | 0:11:54 | 0:11:58 | |
This is just for the two of us? | 0:12:16 | 0:12:18 | |
Apparently so. | 0:12:18 | 0:12:20 | |
Our show's not this good. | 0:12:20 | 0:12:23 | |
'Front door ajar.' | 0:12:27 | 0:12:29 | |
'Front door ajar.' | 0:12:33 | 0:12:36 | |
She's fun. | 0:12:36 | 0:12:38 | |
'Front door ajar.' | 0:12:38 | 0:12:41 | |
Bloody hell. | 0:12:41 | 0:12:44 | |
It's even bigger inside. | 0:12:44 | 0:12:46 | |
And you were afraid we weren't going to have enough staircases. | 0:12:46 | 0:12:49 | |
This is mad. | 0:12:49 | 0:12:51 | |
Waaay, oh, ha-ha-ha. Look at this. | 0:12:54 | 0:12:56 | |
It's very Hollywood. | 0:12:56 | 0:12:58 | |
Yeah, and construction-wise a little disturbing. | 0:12:58 | 0:13:03 | |
Oh...my...god. I am never leaving this room. | 0:13:05 | 0:13:13 | |
Yeah, I like a bath you can dock a barge in. | 0:13:13 | 0:13:15 | |
Big enough for two. | 0:13:16 | 0:13:19 | |
-What, now? -Well, I'm feeling a bit dirty. | 0:13:19 | 0:13:22 | |
-You? -Filthy. | 0:13:22 | 0:13:25 | |
So...you want to dock that barge? | 0:13:27 | 0:13:29 | |
Oh, always a lady. | 0:13:29 | 0:13:31 | |
Let's do this. | 0:13:33 | 0:13:35 | |
-Well, maybe some other time. -Yeah. | 0:14:09 | 0:14:11 | |
Oh, and don't forget to get your parking validated before you leave. | 0:14:31 | 0:14:35 | |
Merc really wanted to be here, but he had to be in New York. | 0:14:35 | 0:14:39 | |
Sean and Beverly, this is Andy Button, our head of Casting. | 0:14:42 | 0:14:46 | |
Huge fan. Oh, my god. I've just been watching tapes of your show. | 0:14:46 | 0:14:51 | |
Beyond hysterical. Beyond. | 0:14:51 | 0:14:53 | |
And Myra Licht, head of comedy. | 0:14:53 | 0:14:55 | |
It's really funny. | 0:14:55 | 0:14:58 | |
There you go. Sit, sit, sit. | 0:14:58 | 0:15:01 | |
So, are you settling in? | 0:15:01 | 0:15:04 | |
-Some house, huh? -It's insane. The only thing it's missing is a moat. | 0:15:04 | 0:15:08 | |
-Oh, well, get a big rating, Merc'll dig you a moat. -She's not kidding! | 0:15:08 | 0:15:13 | |
So do all your writers get houses like that? | 0:15:13 | 0:15:15 | |
Oh, no! No, no, no. | 0:15:15 | 0:15:17 | |
We just finished shooting a reality show there | 0:15:17 | 0:15:20 | |
and we had six weeks left on the lease, and we needed a place for you guys, so... | 0:15:20 | 0:15:24 | |
If you get bored, you can vote each other off! | 0:15:24 | 0:15:26 | |
Ah well, that would explain the columns. | 0:15:26 | 0:15:29 | |
Several of them are made of polystyrene. | 0:15:29 | 0:15:31 | |
They're probably left over from some set. | 0:15:31 | 0:15:34 | |
They use that house for a lot of reality shows. They shot a season of The Bachelor there. | 0:15:34 | 0:15:37 | |
And I think The Apprentice LA. | 0:15:37 | 0:15:39 | |
We just had 12 girls living there competing to become a supermodel. | 0:15:39 | 0:15:43 | |
Right. The bathroom did have a vague vomit-y smell. | 0:15:43 | 0:15:45 | |
That would be why! | 0:15:45 | 0:15:47 | |
So. Lyman's Boys. | 0:15:47 | 0:15:51 | |
Let's talk about casting. | 0:15:52 | 0:15:54 | |
Well, we already have Julian committed to recreate the role of Lyman. | 0:15:54 | 0:15:58 | |
-So that's half the battle right there. -We love Julian. | 0:15:58 | 0:16:02 | |
-Comic god. -He's hilarious. | 0:16:02 | 0:16:05 | |
We just need to find a time when he can fly over and audition for Merc. | 0:16:06 | 0:16:10 | |
Audition? | 0:16:10 | 0:16:11 | |
No-one gets cast in anything without Merc seeing them first. | 0:16:11 | 0:16:15 | |
But that's mad. Merc loves the show. Julian is the show. | 0:16:15 | 0:16:19 | |
Why should he have to audition? | 0:16:19 | 0:16:22 | |
Yeah. Um... | 0:16:24 | 0:16:26 | |
There is a chance Merc may not have actually seen your show. | 0:16:28 | 0:16:33 | |
-What? -What? | 0:16:33 | 0:16:35 | |
I'm not saying he hasn't seen it. | 0:16:35 | 0:16:37 | |
-Has he seen it? -No. | 0:16:37 | 0:16:39 | |
Hang on. He told us he loved it. He said he wanted to have sex with it. | 0:16:39 | 0:16:45 | |
THEY LAUGH | 0:16:45 | 0:16:46 | |
Well, if I had a nickel | 0:16:46 | 0:16:47 | |
for everything Merc would have sex with, sight-unseen... | 0:16:47 | 0:16:51 | |
-She'd have a lot of nickels. -I'd be rich! | 0:16:51 | 0:16:54 | |
Then what about it did he love? | 0:16:54 | 0:16:56 | |
Uh, hello. It's a hit? | 0:16:56 | 0:16:58 | |
It wins awards? It ran for four years? | 0:16:58 | 0:17:01 | |
(Unbelievable.) | 0:17:02 | 0:17:04 | |
WE have all seen it. | 0:17:04 | 0:17:05 | |
And we do LOVE it. | 0:17:05 | 0:17:08 | |
-Major love. -Mm-hmm. | 0:17:08 | 0:17:10 | |
Merc's never seen the show? | 0:17:12 | 0:17:15 | |
I can't... | 0:17:16 | 0:17:18 | |
I mean, that's... | 0:17:18 | 0:17:20 | |
-Help me. -You're articulating it perfectly. | 0:17:21 | 0:17:24 | |
Which is why he really needs to see Julian read. | 0:17:24 | 0:17:28 | |
But we've already offered him the part. | 0:17:28 | 0:17:30 | |
He gave up a play in the West End to do this. | 0:17:30 | 0:17:33 | |
I hear you. I do. | 0:17:33 | 0:17:35 | |
And I am sure Merc'll just flip over him. I mean, my god, it's Julian... | 0:17:35 | 0:17:41 | |
-Bullard. -Bullard. | 0:17:41 | 0:17:43 | |
Can't Merc just watch some tapes of the show? | 0:17:43 | 0:17:46 | |
It's better if we do it in person. | 0:17:46 | 0:17:49 | |
He's not a big TV watcher. | 0:17:49 | 0:17:52 | |
And if we say no? | 0:17:54 | 0:17:56 | |
You don't want to say no to Merc. | 0:17:59 | 0:18:02 | |
Mmm. | 0:18:02 | 0:18:03 | |
You really want him on your team. | 0:18:03 | 0:18:07 | |
I thought he WAS on our team. | 0:18:07 | 0:18:09 | |
Totally! | 0:18:09 | 0:18:11 | |
But if he likes Julian - and yeah, he will - | 0:18:11 | 0:18:15 | |
you're pretty much guaranteed you're on the air. | 0:18:15 | 0:18:18 | |
-He already guaranteed we were on the air. -Absolutely! | 0:18:18 | 0:18:21 | |
SHE CHUCKLES | 0:18:21 | 0:18:22 | |
But, you know, nothing's in stone. | 0:18:22 | 0:18:24 | |
-Actually, Merc said this was in stone. -And it is! But, you know. | 0:18:24 | 0:18:28 | |
Clearly, we don't know. | 0:18:28 | 0:18:30 | |
It's in stone. | 0:18:30 | 0:18:32 | |
But...stone. | 0:18:32 | 0:18:35 | |
There's things stronger than stone. | 0:18:35 | 0:18:37 | |
Like what? | 0:18:37 | 0:18:39 | |
-Like Merc. -Yeah, Merc. -Merc is stronger than stone. | 0:18:39 | 0:18:44 | |
-It's outrageous! -No, I know! | 0:18:47 | 0:18:50 | |
-He has to audition?! The man has played the part for four years! -It's insane! What are you eating? | 0:18:50 | 0:18:54 | |
Nuts from the plane. They're awful. Do you want some? | 0:18:54 | 0:18:57 | |
Sure. | 0:18:57 | 0:18:58 | |
Hello, Wallace. | 0:19:04 | 0:19:05 | |
And you're here to see...? | 0:19:06 | 0:19:08 | |
Mm...hm. | 0:19:13 | 0:19:15 | |
Oh, I remember this scene. It's rather good. | 0:19:16 | 0:19:19 | |
Julian, thank you again for doing this. | 0:19:19 | 0:19:22 | |
We're horrified you even need to go through it. | 0:19:22 | 0:19:24 | |
Oh, Peaches, don't give it a second thought. | 0:19:24 | 0:19:27 | |
I understand. I'm not new. | 0:19:27 | 0:19:30 | |
The king won't let us play until he shows everybody how big his dick is. | 0:19:30 | 0:19:34 | |
Though you'd think they'd have wives and boyfriends for that, but no! | 0:19:34 | 0:19:38 | |
Merc's here. We can start. | 0:19:38 | 0:19:40 | |
'Ello, guv'nah! | 0:19:44 | 0:19:45 | |
Come here. | 0:19:45 | 0:19:48 | |
Oh... So it's every time. | 0:19:48 | 0:19:50 | |
-So, shall I bring in Julian? -Yeah, yeah, yeah. | 0:19:50 | 0:19:55 | |
Everyone, may I introduce Julian Bullard. | 0:19:56 | 0:20:01 | |
-Welcome, Julian, thanks for coming in. -Not at all. | 0:20:01 | 0:20:05 | |
You know the last time I had to audition was '87. | 0:20:05 | 0:20:09 | |
It was to do Private Lives with Dame Judi at the National. So this is a bit of a treat. | 0:20:09 | 0:20:15 | |
-Well, we all appreciate it. -And, and with whom will I be reading? | 0:20:15 | 0:20:19 | |
Me. Career highlight! | 0:20:19 | 0:20:22 | |
For those who haven't seen this episode, in this scene, | 0:20:22 | 0:20:25 | |
Julian has to tell one of the boys he's been asked to leave St Abban's. | 0:20:25 | 0:20:28 | |
-Oh, this is a good one. -Wow. | 0:20:28 | 0:20:32 | |
(Whenever you're ready.) | 0:20:32 | 0:20:34 | |
Robbie. | 0:20:35 | 0:20:37 | |
I'm afraid your time at St Abban's has come to an end. | 0:20:37 | 0:20:41 | |
-What? Why? -Well, | 0:20:41 | 0:20:43 | |
the teachers and I think you would do better at a school with a less academically demanding curriculum. | 0:20:43 | 0:20:50 | |
MURMUR OF CHUCKLING | 0:20:50 | 0:20:51 | |
-Why? -We feel that you need a more... | 0:20:51 | 0:20:55 | |
intellectually diminished environment. | 0:20:55 | 0:20:58 | |
CHUCKLING | 0:20:58 | 0:20:59 | |
I don't understand. | 0:20:59 | 0:21:01 | |
Urgh... Er... How to put this... | 0:21:01 | 0:21:05 | |
You're not bright. | 0:21:05 | 0:21:06 | |
LAUGHTER | 0:21:06 | 0:21:07 | |
-I'm bright. -No. -I'm not stupid. | 0:21:07 | 0:21:10 | |
You are not not stupid. | 0:21:10 | 0:21:12 | |
LAUGHTER | 0:21:12 | 0:21:14 | |
-Too many "nots"? -Maybe I'm just not working up to my full potential. | 0:21:14 | 0:21:17 | |
No, this is you firing on all cylinders. | 0:21:17 | 0:21:20 | |
LAUGHTER | 0:21:20 | 0:21:21 | |
But all is not bleak. | 0:21:21 | 0:21:23 | |
For, you young man, have something far more important than intelligence. | 0:21:23 | 0:21:29 | |
You are...attractive. | 0:21:29 | 0:21:33 | |
LAUGHTER | 0:21:33 | 0:21:34 | |
There isn't a Nobel laureate that wouldn't happily give 20 IQ points | 0:21:34 | 0:21:39 | |
for those chiselled cheekbones and that pert little bum. | 0:21:39 | 0:21:43 | |
LAUGHTER | 0:21:43 | 0:21:45 | |
Plus...your family is rich. | 0:21:45 | 0:21:48 | |
LAUGHTER | 0:21:48 | 0:21:49 | |
My god, you could be running this whole country one day! | 0:21:49 | 0:21:53 | |
And I assure you, intelligence would only get in your way. | 0:21:53 | 0:21:56 | |
LAUGHTER | 0:21:56 | 0:21:57 | |
Julian, could you just give us a minute? | 0:22:05 | 0:22:07 | |
Certainly. | 0:22:07 | 0:22:08 | |
Oh, wow. | 0:22:10 | 0:22:12 | |
That was a treat. | 0:22:12 | 0:22:14 | |
I gotta tell ya, he's the real deal, huh? | 0:22:14 | 0:22:17 | |
Yes, he is. | 0:22:17 | 0:22:19 | |
So we're all set? | 0:22:19 | 0:22:20 | |
Ahh... Mmm... | 0:22:20 | 0:22:24 | |
-Yes? -Well... | 0:22:24 | 0:22:27 | |
Is it me, or does, does anybody else... | 0:22:27 | 0:22:31 | |
feel like he comes off a bit too English? | 0:22:31 | 0:22:33 | |
Yeah, yeah, a little, a bit, yeah. | 0:22:33 | 0:22:36 | |
Hmm. Too English. | 0:22:36 | 0:22:39 | |
Possibly it's because... | 0:22:39 | 0:22:41 | |
he's English? | 0:22:41 | 0:22:42 | |
-CHUCKLING -Yeah! | 0:22:42 | 0:22:44 | |
No, no, no, he just, he sounds a little too...um... | 0:22:44 | 0:22:50 | |
butler-y. | 0:22:50 | 0:22:51 | |
I mean, if we're doing an American version of the show... | 0:22:51 | 0:22:54 | |
Yes, but he's playing the headmaster of an elite boarding school. | 0:22:54 | 0:22:58 | |
The boys will be American, the other teachers. Why can't he be British? | 0:22:58 | 0:23:02 | |
Oh, no, I hear you. | 0:23:02 | 0:23:05 | |
We need the audience to like him. | 0:23:05 | 0:23:08 | |
MURMURS OF AGREEMENT | 0:23:08 | 0:23:09 | |
He has got to be likeable. | 0:23:09 | 0:23:10 | |
I can't believe we're actually asking you this. | 0:23:13 | 0:23:16 | |
Truly, I'm having an out of body experience. I may be sick. | 0:23:16 | 0:23:19 | |
Julian. We'd understand completely if you said no. | 0:23:19 | 0:23:22 | |
But could you possibly do the scene again in an American accent? | 0:23:22 | 0:23:26 | |
-No problem. -Really? -Yeah. | 0:23:26 | 0:23:29 | |
Oh, dear ones, I was doing Eugene O'Neill | 0:23:29 | 0:23:32 | |
and Tennessee Williams before you were born. | 0:23:32 | 0:23:36 | |
-How old ARE you? -Piss off. | 0:23:36 | 0:23:39 | |
You all remember Julian Bullard. | 0:23:43 | 0:23:45 | |
Hi. Welcome back, Mr Bullard. | 0:23:45 | 0:23:49 | |
Shall we do this? | 0:23:49 | 0:23:51 | |
Um... | 0:23:51 | 0:23:53 | |
-AMERICAN ACCENT: -Robbie. I'm afraid your time at St Abban's has come to an end. | 0:23:53 | 0:23:59 | |
-What? Why? -Well, | 0:23:59 | 0:24:02 | |
the teachers and I think you would do better at a school with a less academically demanding curriculum. | 0:24:02 | 0:24:09 | |
-MILD CHUCKLING -Why? | 0:24:09 | 0:24:11 | |
Well, we feel you need a more intellectually... | 0:24:11 | 0:24:16 | |
diminished environment. | 0:24:16 | 0:24:18 | |
-I don't understand. -How to put this... | 0:24:18 | 0:24:22 | |
You're not bright. | 0:24:23 | 0:24:24 | |
-I'm bright. -No. | 0:24:27 | 0:24:29 | |
I'm not stupid. | 0:24:29 | 0:24:31 | |
You're not not stupid. | 0:24:31 | 0:24:33 | |
I'm sorry, could I just go back a little bit on that? | 0:24:33 | 0:24:36 | |
Yeah, yeah, yeah, absolutely. | 0:24:36 | 0:24:39 | |
So, err, err, erm... Well, how to put this... | 0:24:39 | 0:24:45 | |
You're not bright. | 0:24:45 | 0:24:47 | |
You... | 0:24:48 | 0:24:49 | |
You're not bright, erm... | 0:24:49 | 0:24:52 | |
You're not bright. | 0:24:52 | 0:24:53 | |
You're stupid. | 0:24:53 | 0:24:55 | |
I'm sorry, could I just try one more thing? | 0:24:56 | 0:24:59 | |
Yes, absolutely, anything, no problem. | 0:24:59 | 0:25:01 | |
Southern maybe? | 0:25:01 | 0:25:03 | |
Um... | 0:25:04 | 0:25:05 | |
Oh... Um... | 0:25:05 | 0:25:08 | |
Er, you're not bright. | 0:25:08 | 0:25:10 | |
-I'm bright. -No. -I'm not stupid. | 0:25:10 | 0:25:14 | |
You're not not stupid. | 0:25:14 | 0:25:16 | |
That too many "nots" there...pardner? | 0:25:18 | 0:25:22 | |
I suppose that would be if I was the headmaster of a cowboy school. | 0:25:24 | 0:25:29 | |
All right, I believe we have seen enough. | 0:25:30 | 0:25:35 | |
I know the way out. | 0:25:35 | 0:25:37 | |
I have been here before. | 0:25:37 | 0:25:39 | |
Thank me very much for coming in today. | 0:25:39 | 0:25:42 | |
And let's hope to heaven there's a bar in the hotel. | 0:25:42 | 0:25:47 | |
Is it me, or was he just not funny? | 0:25:52 | 0:25:55 | |
What just happened? | 0:26:00 | 0:26:02 | |
I don't know. And in case you're wondering, I'll be wanting at least that much. | 0:26:02 | 0:26:06 | |
Bloody pillar. | 0:26:10 | 0:26:12 | |
All right. All right. | 0:26:12 | 0:26:16 | |
Let's look on the positive side. | 0:26:16 | 0:26:18 | |
-Positive side? -Well... -No! | 0:26:18 | 0:26:20 | |
Just once, please, do not try and find a positive side, | 0:26:20 | 0:26:24 | |
because even if you can, which I very much doubt, | 0:26:24 | 0:26:26 | |
my negative is so much, much bigger than your positive, | 0:26:26 | 0:26:30 | |
my negative openly mocks your positive. | 0:26:30 | 0:26:32 | |
My negative slaps your positive around, my negative | 0:26:32 | 0:26:36 | |
grabs your positive, bends it over the sofa and buggers it from behind! | 0:26:36 | 0:26:40 | |
My positive did not enjoy that. | 0:26:41 | 0:26:44 | |
PHONE RINGS | 0:26:44 | 0:26:48 | |
Hello. | 0:26:49 | 0:26:51 | |
Hi, Carol. (It's Carol.) | 0:26:51 | 0:26:54 | |
Put her on that speaker thing. | 0:26:54 | 0:26:56 | |
'Hi, kids!' | 0:26:56 | 0:26:57 | |
Tough day. | 0:26:57 | 0:26:58 | |
'Yes. Yes, it was.' | 0:26:58 | 0:27:00 | |
We all feel terrible. | 0:27:00 | 0:27:02 | |
Merc is sending you a basket of loganberries. | 0:27:02 | 0:27:05 | |
Aw, lovely. | 0:27:05 | 0:27:07 | |
So how are you two doing? | 0:27:07 | 0:27:08 | |
Well, we're not feeling positive, I can tell you that. | 0:27:08 | 0:27:13 | |
'I'm sure.' | 0:27:13 | 0:27:14 | |
Anyway. We should all try and look forward. | 0:27:14 | 0:27:17 | |
We still LOVE Lyman's Boys. | 0:27:17 | 0:27:20 | |
We do! | 0:27:20 | 0:27:21 | |
We just find it hard to imagine doing it without Julian. | 0:27:21 | 0:27:25 | |
'I understand. But,' | 0:27:25 | 0:27:27 | |
before we go there, we wanted to share an idea with you. | 0:27:27 | 0:27:31 | |
It's a different way to go, so keep your minds open. | 0:27:31 | 0:27:36 | |
'We just found out that there's an actor available.' | 0:27:36 | 0:27:39 | |
Huge star, hysterically funny, | 0:27:39 | 0:27:43 | |
'the audience just loves him, | 0:27:43 | 0:27:45 | |
'and he's ready to come back to TV. | 0:27:45 | 0:27:47 | |
'Merc thinks that he would be perfect for this.' | 0:27:47 | 0:27:50 | |
Really? Who? | 0:27:50 | 0:27:51 | |
Matt LeBlanc. | 0:27:52 | 0:27:55 | |
What you want me for the old fat guy's part? Thanks(!) | 0:28:12 | 0:28:14 | |
-We don't want you. -Again...thanks(!) | 0:28:14 | 0:28:17 | |
-They loved you. -Well, I don't know that I love them. | 0:28:17 | 0:28:20 | |
Don't let them force you to cast anyone you don't want. | 0:28:20 | 0:28:23 | |
-I'm totally wrong for it, aren't I? -Spectacularly wrong. | 0:28:23 | 0:28:27 | |
We got Matt LeBlanc! | 0:28:27 | 0:28:28 | |
What?! | 0:28:28 | 0:28:30 | |
Subtitles by Red Bee Media Ltd | 0:28:56 | 0:28:58 | |
E-mail [email protected] | 0:28:58 | 0:29:00 |