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Here is to Pucks!' big premiere tomorrow night. Woo-hoo! | 0:00:03 | 0:00:06 | |
MEEKLY: Woo. | 0:00:06 | 0:00:08 | |
He's never screened a show at his house before. | 0:00:08 | 0:00:10 | |
That's how much he believes in this. | 0:00:10 | 0:00:12 | |
I'm not going out with a guy whose life centres round a hockey puck. | 0:00:12 | 0:00:15 | |
It's Matt. | 0:00:15 | 0:00:17 | |
I know. | 0:00:17 | 0:00:18 | |
Hmm. | 0:00:20 | 0:00:21 | |
Jamie Lapidus gave me a hand job during the show last night. | 0:00:21 | 0:00:25 | |
I had to tell you. | 0:00:25 | 0:00:26 | |
That woman is married to your boss! | 0:00:26 | 0:00:28 | |
Are there no other women who aren't the spouses of people you know? | 0:00:28 | 0:00:31 | |
It's... | 0:00:31 | 0:00:32 | |
..what? | 0:00:32 | 0:00:34 | |
I've missed this. | 0:00:34 | 0:00:35 | |
-What are you doing for the birthday? -Oh, birthdays are no big deal. | 0:00:35 | 0:00:38 | |
Fuck that! We're going to celebrate. | 0:00:38 | 0:00:40 | |
Well, I appreciate it, but I really... | 0:00:40 | 0:00:43 | |
(You're leaving?) | 0:01:37 | 0:01:39 | |
Ssh, go back to sleep. | 0:01:39 | 0:01:40 | |
You're welcome to stay. | 0:01:45 | 0:01:47 | |
Thanks, I'm good. | 0:01:47 | 0:01:48 | |
I should get up with you. | 0:01:51 | 0:01:52 | |
No, no, it's fine. Close your eyes. | 0:01:52 | 0:01:54 | |
-Would you like some juice? -No, thank you, really. | 0:02:02 | 0:02:05 | |
-You sure? -I'm sure, no juice. | 0:02:05 | 0:02:07 | |
-If you're hungry, I think there's some cheese. -It's OK. | 0:02:07 | 0:02:10 | |
Am I getting annoying? | 0:02:10 | 0:02:12 | |
-Little bit. -I sensed it. | 0:02:12 | 0:02:13 | |
Should we talk about what happened? | 0:02:18 | 0:02:19 | |
OK. | 0:02:19 | 0:02:21 | |
OK. | 0:02:21 | 0:02:22 | |
I had fun. | 0:02:22 | 0:02:23 | |
Me too. | 0:02:23 | 0:02:25 | |
SHE LAUGHS | 0:02:25 | 0:02:27 | |
-That's it? -Pretty much. | 0:02:29 | 0:02:31 | |
-OK. -OK, see you tomorrow. | 0:02:31 | 0:02:34 | |
Right, bye. | 0:02:34 | 0:02:36 | |
Good morning. | 0:02:43 | 0:02:45 | |
Good morning. | 0:02:45 | 0:02:47 | |
Pah-pah-pah! | 0:02:47 | 0:02:49 | |
-Hello all. -Morning. -Hey. -How you doing? | 0:02:52 | 0:02:54 | |
Oh, the last breakfast burrito! Anyone mind? | 0:02:54 | 0:02:56 | |
-You go for it, man. -I believe I will. | 0:02:56 | 0:03:00 | |
You're in a good mood. | 0:03:00 | 0:03:01 | |
Have... | 0:03:09 | 0:03:10 | |
..have any of you ever had... | 0:03:13 | 0:03:16 | |
..an experience that... | 0:03:17 | 0:03:20 | |
..you'd fantasized about, | 0:03:20 | 0:03:22 | |
but that you never believed in reality could ever happen? | 0:03:22 | 0:03:28 | |
And then, amazingly, that experience actually occurs. | 0:03:28 | 0:03:36 | |
And remarkably, it's almost exactly what you'd expected it would be. | 0:03:39 | 0:03:44 | |
But then, you discover that the experience meant absolutely nothing. | 0:03:46 | 0:03:53 | |
Nothing. | 0:03:56 | 0:03:57 | |
Which you'd assume would somehow diminish the experience, | 0:03:59 | 0:04:02 | |
but instead, the fact that it meant nothing makes it even better. | 0:04:02 | 0:04:08 | |
Do you know what I mean? | 0:04:13 | 0:04:15 | |
You got laid? | 0:04:16 | 0:04:17 | |
Cool. | 0:04:20 | 0:04:22 | |
Morning! > | 0:04:22 | 0:04:23 | |
-Where? -What? | 0:04:23 | 0:04:24 | |
-What? -What? | 0:04:24 | 0:04:27 | |
Last one. | 0:04:29 | 0:04:30 | |
PHONE RINGS | 0:04:38 | 0:04:42 | |
Hello? | 0:04:42 | 0:04:43 | |
Hey. Look out your window. | 0:04:43 | 0:04:46 | |
-What? -Just look out your window. | 0:04:46 | 0:04:47 | |
-Why? -You'll see. Just do it. -OK. | 0:04:47 | 0:04:50 | |
I'm looking. | 0:04:54 | 0:04:55 | |
You like? | 0:04:56 | 0:04:57 | |
-Not really my type. -Bullshit! | 0:04:57 | 0:05:00 | |
-You don't think that's hot? -Are you drunk? | 0:05:00 | 0:05:03 | |
What window are you looking out? | 0:05:03 | 0:05:04 | |
The window that looks out. | 0:05:04 | 0:05:06 | |
-Wait, don't you face the front? -No. | 0:05:06 | 0:05:09 | |
Seriously? How do you not have a view? | 0:05:09 | 0:05:11 | |
It's not like the front faces the Parthenon and I've got... | 0:05:11 | 0:05:14 | |
..why are you calling? | 0:05:14 | 0:05:15 | |
Just come outside. | 0:05:15 | 0:05:17 | |
Huh? | 0:05:20 | 0:05:21 | |
-What's this? -I believe it's for you. | 0:05:26 | 0:05:29 | |
So, like no sports at all? | 0:05:31 | 0:05:33 | |
You're giving me a car? | 0:05:34 | 0:05:36 | |
-I believe I am. -You're GIVING me a car? | 0:05:36 | 0:05:40 | |
-Yup. -Why? | 0:05:40 | 0:05:42 | |
Because I like you. | 0:05:43 | 0:05:44 | |
You're insane! People don't give other people cars. | 0:05:44 | 0:05:47 | |
No one does that. | 0:05:47 | 0:05:48 | |
Which makes you VERY special. | 0:05:48 | 0:05:50 | |
Right, well, thank you, no. | 0:05:50 | 0:05:52 | |
I'm afraid my goodwill can't be bought this easily. | 0:05:52 | 0:05:56 | |
Oh, come on. | 0:05:56 | 0:05:57 | |
You want to keep driving that piece of shit rental, | 0:05:57 | 0:05:59 | |
when you could be in... SINGS: aaaah-aaah-aaah?! | 0:05:59 | 0:06:02 | |
You actually think you can just undo everything with this? | 0:06:02 | 0:06:05 | |
"Hi, here's a car. Now forget I screwed your wife." | 0:06:05 | 0:06:09 | |
No, no! I'm not saying forget what happened. | 0:06:09 | 0:06:12 | |
I'm just saying look at this. | 0:06:12 | 0:06:14 | |
HE SINGS: Aaah-aaah-aaah-aaah-aaah! | 0:06:15 | 0:06:18 | |
-Aah-aah! -Stop it! -I can't. | 0:06:18 | 0:06:21 | |
It does it automatically in under 24.8 seconds. | 0:06:21 | 0:06:24 | |
-Come on, you gotta take this car. -I do not! | 0:06:25 | 0:06:28 | |
It's a chick magnet. | 0:06:28 | 0:06:30 | |
I don't want a "chick magnet"! And who stills says "chick magnet"? | 0:06:30 | 0:06:34 | |
Really? No one says "chick magnet"? | 0:06:34 | 0:06:36 | |
-No. -I think we're still saying it over here. | 0:06:36 | 0:06:40 | |
Well, then, you should all stop. | 0:06:40 | 0:06:42 | |
OK, look, you have your integrity, I respect that. | 0:06:42 | 0:06:46 | |
You know what else I respect? | 0:06:46 | 0:06:47 | |
A 3.7 litre V6 with traction control | 0:06:47 | 0:06:50 | |
and an electronic stability programme. | 0:06:50 | 0:06:53 | |
Manual or automatic? | 0:06:59 | 0:07:01 | |
Seven speed automatic. | 0:07:01 | 0:07:03 | |
It does 0-60 in, like, six seconds. | 0:07:03 | 0:07:06 | |
Also, check out the sound system. | 0:07:06 | 0:07:08 | |
13 speakers, including two in the head rest. | 0:07:08 | 0:07:11 | |
Ha! | 0:07:11 | 0:07:12 | |
Well, I don't care. No, I'm sorry. | 0:07:17 | 0:07:20 | |
You can keep your bloody car! | 0:07:20 | 0:07:22 | |
You destroyed my marriage! | 0:07:23 | 0:07:26 | |
You betrayed our friendship, violated my trust! | 0:07:26 | 0:07:29 | |
You do NOT get to come back from that! | 0:07:29 | 0:07:32 | |
YOU-DO-NOT! | 0:07:32 | 0:07:34 | |
HE SIGHS | 0:07:41 | 0:07:43 | |
Is it cos it's white? HE SIGHS | 0:07:45 | 0:07:47 | |
I wanted black, but it was like a six-week wait! | 0:07:47 | 0:07:51 | |
HE SIGHS | 0:07:51 | 0:07:54 | |
What is THAT doing here?! | 0:08:03 | 0:08:05 | |
I wanted you to see it in the daylight. | 0:08:05 | 0:08:07 | |
Well, I've seen it, now could you please move it? You're in my space. | 0:08:07 | 0:08:10 | |
This is your space, this must be your car. | 0:08:10 | 0:08:12 | |
THIS is my car, | 0:08:12 | 0:08:14 | |
and I'd like to get it into my space. | 0:08:14 | 0:08:17 | |
Be so much easier if THIS was your car, | 0:08:17 | 0:08:19 | |
cos it's already IN your space. | 0:08:19 | 0:08:20 | |
OK, I realise you're enjoying this verbal jousting... | 0:08:20 | 0:08:23 | |
LOUD DANCE MUSIC PLAYS | 0:08:23 | 0:08:26 | |
Morning! | 0:08:33 | 0:08:35 | |
Are you fucking kidding me?! | 0:08:35 | 0:08:38 | |
-What? -"What?!" You! | 0:08:38 | 0:08:40 | |
In that car! | 0:08:40 | 0:08:42 | |
I know! SHE LAUGHS It's so not me! | 0:08:42 | 0:08:45 | |
Aah, yours is white. Lovely! | 0:08:46 | 0:08:49 | |
Well, if you'd like, you can have that one too. | 0:08:50 | 0:08:52 | |
-What? -That's not my car. | 0:08:52 | 0:08:54 | |
-Not yet. -Not ever. | 0:08:54 | 0:08:55 | |
-We'll see. -We will not see. | 0:08:55 | 0:08:57 | |
I can't believe you let him give you a car! | 0:08:58 | 0:09:02 | |
-He told me he was giving you one too. -I didn't take it! -No? | 0:09:02 | 0:09:06 | |
The man destroyed our lives! | 0:09:06 | 0:09:08 | |
I know...but at least we're getting cars out of it. | 0:09:08 | 0:09:11 | |
You know, a little revenge. | 0:09:11 | 0:09:13 | |
Screw him, I'll take your bloody car! | 0:09:13 | 0:09:16 | |
She's right, screw me, take the car! | 0:09:16 | 0:09:19 | |
It's not revenge if he's giving them to us! | 0:09:19 | 0:09:21 | |
-He still has to pay for them. -Money means nothing to him! | 0:09:21 | 0:09:24 | |
Well, that's a bit of an exaggeration. | 0:09:24 | 0:09:26 | |
The man has his own jet! | 0:09:26 | 0:09:28 | |
I'm very comfortable. | 0:09:28 | 0:09:29 | |
SHE SIGHS | 0:09:29 | 0:09:31 | |
-Fine. I'll give it back. -Too late. | 0:09:31 | 0:09:33 | |
Paperwork's already processed. | 0:09:33 | 0:09:35 | |
-What does that mean? -I don't know. | 0:09:35 | 0:09:37 | |
I'm just saying, you're the car person, | 0:09:40 | 0:09:42 | |
-you're only hurting yourself. -So you're really going to keep it? | 0:09:42 | 0:09:45 | |
I'm sorry. It's so cute! | 0:09:45 | 0:09:47 | |
Unbelievable. Remember when you had principles? | 0:09:47 | 0:09:49 | |
-Is it cos it's white? -No! | 0:09:49 | 0:09:51 | |
Morning. | 0:09:51 | 0:09:53 | |
Hi. Is it OK if I leave a little early? | 0:09:53 | 0:09:55 | |
I have an audition. | 0:09:55 | 0:09:57 | |
Er...I suppose. | 0:09:57 | 0:10:00 | |
It's for a movie. | 0:10:00 | 0:10:01 | |
Ah. | 0:10:01 | 0:10:02 | |
UNENTHUSIASTICALLY: "Oh, God. It ate Paul." | 0:10:03 | 0:10:06 | |
What? | 0:10:08 | 0:10:09 | |
That's the whole part. | 0:10:09 | 0:10:11 | |
"Oh, God. It ate Paul." That one line. | 0:10:11 | 0:10:14 | |
-Well, it sounds like a good one. -Not for Paul. | 0:10:14 | 0:10:16 | |
Oh, have we got last night's ratings? | 0:10:16 | 0:10:18 | |
Maybe. | 0:10:18 | 0:10:19 | |
Maybe? | 0:10:19 | 0:10:20 | |
I put something on your desk. | 0:10:20 | 0:10:22 | |
Ah. | 0:10:22 | 0:10:24 | |
Yep, those were the ratings! > | 0:10:28 | 0:10:30 | |
What were the ratings? | 0:10:30 | 0:10:32 | |
Nothing. > | 0:10:32 | 0:10:33 | |
Am I totally confused, or are these ratings not good? | 0:10:39 | 0:10:42 | |
No, you're not confused at all. | 0:10:42 | 0:10:45 | |
Well, at least I'm learning how to read them. | 0:10:45 | 0:10:47 | |
-PHONE RINGS -Should we be concerned? | 0:10:47 | 0:10:51 | |
< Carol Rance on two. | 0:10:51 | 0:10:53 | |
Apparently, yes. | 0:10:53 | 0:10:54 | |
BOTH: Hi, Carol. | 0:10:54 | 0:10:56 | |
SWITCHBOARD: Hold for Carol, please. | 0:10:56 | 0:10:58 | |
-Hi, guys! -BOTH: Hi, Carol. | 0:10:59 | 0:11:01 | |
Listen, I'm sure you've seen the numbers. | 0:11:01 | 0:11:03 | |
I'm just calling to say not to worry. | 0:11:03 | 0:11:06 | |
Really? | 0:11:06 | 0:11:07 | |
Absolutely. We always expected them to go down in week two. | 0:11:07 | 0:11:11 | |
It happens every time. Sophomore slump. | 0:11:11 | 0:11:14 | |
We're not bothered by it, so don't you be. | 0:11:14 | 0:11:16 | |
-'Just seems like it's a precipitous drop.' -You think?! | 0:11:16 | 0:11:20 | |
Hey, you never like to see them go in that direction, | 0:11:20 | 0:11:24 | |
but it's completely normal. Viewers sample a show, | 0:11:24 | 0:11:27 | |
you lose a few, it finds its level. | 0:11:27 | 0:11:30 | |
-Don't let it get to you. -< HE GROANS | 0:11:30 | 0:11:33 | |
You guys just keep doing what you're doing. | 0:11:33 | 0:11:36 | |
Keep making with the funny. We're all good. | 0:11:36 | 0:11:39 | |
All right. | 0:11:39 | 0:11:41 | |
We are so fucked! | 0:11:43 | 0:11:45 | |
-I know. -What are we going to do? | 0:11:45 | 0:11:47 | |
I don't know. | 0:11:47 | 0:11:48 | |
-Do we pull it? -And replace it with what? | 0:11:48 | 0:11:51 | |
I can actually feel the acid eating my stomach. | 0:11:51 | 0:11:54 | |
And by the way, I spoke to research, | 0:11:54 | 0:11:56 | |
it's not just that people don't like Pucks! | 0:11:56 | 0:11:59 | |
The dog show is killing us. | 0:11:59 | 0:12:01 | |
That fucking talking dog! | 0:12:01 | 0:12:03 | |
We had that cock-sucking dog! How did we let it go?! | 0:12:03 | 0:12:06 | |
You said, "If anyone wants to pay for that piece of shit, | 0:12:06 | 0:12:09 | |
"let them have it." | 0:12:09 | 0:12:10 | |
I said that? | 0:12:10 | 0:12:12 | |
Oh. Sounds like me. | 0:12:12 | 0:12:16 | |
-Wait. One more piece of good news. -Oh, come on! | 0:12:18 | 0:12:21 | |
Andy Button is suing you and the network for wrongful termination. | 0:12:21 | 0:12:25 | |
-Who's Andy Button? -Andy Button, your head of casting for five years? | 0:12:25 | 0:12:29 | |
-His last name was Button? -Button. | 0:12:29 | 0:12:31 | |
And he's suing us, why? | 0:12:31 | 0:12:33 | |
He's claiming you fired him because of his sexual orientation. | 0:12:33 | 0:12:37 | |
I fired him cos he's an idiot. | 0:12:37 | 0:12:38 | |
But, I gotta say, Button... | 0:12:38 | 0:12:41 | |
..that IS really gay. | 0:12:41 | 0:12:43 | |
If you remember, you fired him | 0:12:43 | 0:12:46 | |
because he was the one who liked the talking dog. | 0:12:46 | 0:12:48 | |
-Again with the fucking dog?! -Fine! | 0:12:48 | 0:12:51 | |
Legal wants to sit down with you next week. | 0:12:51 | 0:12:54 | |
-My ball hurts. -Maybe cos you're always touching it. | 0:12:54 | 0:12:57 | |
When you've only got one, you make sure it's still there. | 0:12:57 | 0:12:59 | |
So, this thing with Andy... | 0:12:59 | 0:13:02 | |
"Button?" | 0:13:02 | 0:13:03 | |
Right. | 0:13:03 | 0:13:04 | |
Maybe I can talk to him and make it go away. | 0:13:04 | 0:13:07 | |
-Can you? -I'll give it a shot. | 0:13:07 | 0:13:09 | |
Was it always Button? | 0:13:09 | 0:13:10 | |
Yes. Button. | 0:13:10 | 0:13:13 | |
HE LAUGHS | 0:13:13 | 0:13:15 | |
Button! | 0:13:15 | 0:13:16 | |
OK... | 0:13:18 | 0:13:20 | |
-What? -Is that a tan? | 0:13:26 | 0:13:28 | |
-Is it? -That bloody convertible! | 0:13:28 | 0:13:31 | |
-You could be this colour too. -Thank you, no. | 0:13:31 | 0:13:33 | |
I choose to wear my ashen pallor as a badge of honour. | 0:13:33 | 0:13:35 | |
PHONE RINGS | 0:13:35 | 0:13:38 | |
Hello? | 0:13:41 | 0:13:42 | |
Hey! I just wanted to let you guys know | 0:13:42 | 0:13:45 | |
I can't be at the table read today, but Myra's covering. | 0:13:45 | 0:13:49 | |
So you're in good hands. | 0:13:49 | 0:13:51 | |
Myra!? Isn't there anyone... | 0:13:51 | 0:13:54 | |
Gotta go. Talk to you later. | 0:13:54 | 0:13:56 | |
Hey, you! | 0:13:58 | 0:14:00 | |
-Skinny! -Please! | 0:14:00 | 0:14:02 | |
I've been living on buttercream frosting and tears. | 0:14:02 | 0:14:05 | |
Shut up! You look great! | 0:14:05 | 0:14:07 | |
< Sir? | 0:14:09 | 0:14:10 | |
My lawyer told me not to have this lunch. | 0:14:10 | 0:14:12 | |
Screw him. I'm glad you did. | 0:14:12 | 0:14:15 | |
I miss you. | 0:14:15 | 0:14:16 | |
I should warn you, I'm ordering everything expensive | 0:14:16 | 0:14:19 | |
on this menu and taking most of it home. | 0:14:19 | 0:14:21 | |
Go for it. | 0:14:21 | 0:14:22 | |
And I'm not dropping the suit. | 0:14:22 | 0:14:24 | |
OK. So much for chit-chat. | 0:14:26 | 0:14:28 | |
Can I ask, do you really think he fired you because you're gay? | 0:14:30 | 0:14:35 | |
I'll just say this, one person was fired that day | 0:14:35 | 0:14:39 | |
and that one person remembers what everyone in the room was wearing. | 0:14:39 | 0:14:42 | |
And your lawyer thinks that's enough to build a case on? | 0:14:42 | 0:14:45 | |
I have a record of four instances | 0:14:45 | 0:14:47 | |
where Merc called me a cocksucker in front of witnesses. | 0:14:47 | 0:14:51 | |
That's just Merc! Come on! He calls everyone a cocksucker. | 0:14:51 | 0:14:55 | |
-He calls ME a cocksucker! -SHE LAUGHS | 0:14:55 | 0:14:58 | |
I'm...I'm just saying, the man is not homophobic. | 0:15:00 | 0:15:04 | |
I wouldn't work for him if he were. | 0:15:04 | 0:15:06 | |
My brother is gay! | 0:15:06 | 0:15:07 | |
You're brother's gay? He's hot. | 0:15:07 | 0:15:10 | |
-The other one. -Oh. | 0:15:10 | 0:15:13 | |
Look, can I say something? | 0:15:13 | 0:15:15 | |
As your friend, don't do this. | 0:15:15 | 0:15:17 | |
You'll get a reputation for being litigious. | 0:15:17 | 0:15:21 | |
No one will ever hire you. | 0:15:21 | 0:15:23 | |
No one will hire me now. | 0:15:23 | 0:15:25 | |
There's nothing out there. It's really depressing. | 0:15:25 | 0:15:28 | |
Let me ask you something. | 0:15:28 | 0:15:30 | |
If I can get Merc to say yes... | 0:15:30 | 0:15:34 | |
..would you come back? | 0:15:34 | 0:15:36 | |
Like he ever would! | 0:15:36 | 0:15:37 | |
I don't know, but we need you there. | 0:15:37 | 0:15:41 | |
Who believed in the talking dog when none of us did? | 0:15:41 | 0:15:44 | |
And look where it got me! | 0:15:44 | 0:15:45 | |
I'm not making any promises, but if I can get him on board, | 0:15:45 | 0:15:50 | |
would you be willing to drop this | 0:15:50 | 0:15:52 | |
and come home? | 0:15:52 | 0:15:55 | |
He'd have to apologise. | 0:15:57 | 0:15:59 | |
We'll see. | 0:15:59 | 0:16:00 | |
And blow me. | 0:16:00 | 0:16:02 | |
-SHE LAUGHS WEAKLY -One step at a time. | 0:16:02 | 0:16:05 | |
I was kidding about the apologising. | 0:16:05 | 0:16:07 | |
That's it for today, everybody. Thank you. | 0:16:11 | 0:16:15 | |
-Really funny script. -Thank you. | 0:16:15 | 0:16:17 | |
I just have a few quick notes. | 0:16:17 | 0:16:19 | |
On page one... | 0:16:22 | 0:16:24 | |
..do we need the joke about the iPads and the maxipads? | 0:16:24 | 0:16:28 | |
-Yes. -We do? | 0:16:28 | 0:16:30 | |
-Yes. -Is it funny? | 0:16:30 | 0:16:31 | |
People laughed. | 0:16:31 | 0:16:32 | |
Did they? | 0:16:32 | 0:16:33 | |
Mmm-kay. | 0:16:35 | 0:16:37 | |
-Why? What is it about the joke...? -She said, "Mmm-kay"! | 0:16:39 | 0:16:41 | |
Right, moving on. | 0:16:41 | 0:16:42 | |
Hmm... | 0:16:42 | 0:16:44 | |
-Hey, Matt, you're wrapped for the day. -Sweet. | 0:16:44 | 0:16:47 | |
Also, Merc Lapidus's wife is here to see you. | 0:16:47 | 0:16:49 | |
They've put her in your dressing room. | 0:16:49 | 0:16:51 | |
-Hey. -I hope this is OK. | 0:17:01 | 0:17:02 | |
I was just on the lot dropping something off at Merc's. | 0:17:02 | 0:17:05 | |
Absolutely. Er... | 0:17:05 | 0:17:06 | |
-Actually, I kind of have a favour to ask. -Oh, shoot. | 0:17:09 | 0:17:12 | |
Well, I'm on the board of the LA Civic Opera. | 0:17:12 | 0:17:15 | |
-Oh, I love opera. -Really? | 0:17:15 | 0:17:17 | |
Oh, shit! I was making a face. | 0:17:19 | 0:17:21 | |
I figured. | 0:17:21 | 0:17:22 | |
-So what's your opera favour? -We've got this big benefit coming up | 0:17:22 | 0:17:25 | |
and Merc's going to be honoured as our Man of the Year. | 0:17:25 | 0:17:29 | |
Oh. Good for him. | 0:17:29 | 0:17:31 | |
Any chance you could present him with the award? | 0:17:31 | 0:17:33 | |
Oh. Sure, absolutely. | 0:17:33 | 0:17:35 | |
Oh, great. Well, that's really great. | 0:17:35 | 0:17:39 | |
Thank you. | 0:17:39 | 0:17:40 | |
OK. Great. | 0:17:40 | 0:17:43 | |
So we're not going to talk about what happened? | 0:17:44 | 0:17:47 | |
-You're right, we definitely should. -SHE LAUGHS | 0:17:47 | 0:17:50 | |
Believe it or not, I've never done anything like that before. | 0:17:50 | 0:17:54 | |
Really? Then I'm very impressed. | 0:17:54 | 0:17:56 | |
I don't know what came over me, I guess I was just feeling... | 0:17:56 | 0:17:59 | |
..if he could do it... | 0:17:59 | 0:18:01 | |
-Uh, what are you saying? -Oh, come on. | 0:18:01 | 0:18:03 | |
Everyone knows about Merc and Carol. | 0:18:03 | 0:18:05 | |
Seriously, Merc and Carol?! | 0:18:05 | 0:18:07 | |
By the way, I have a very shocked expression on my face. | 0:18:07 | 0:18:10 | |
-Please! You know. -Yeah. But I didn't know you knew. | 0:18:10 | 0:18:14 | |
Well, I may be blind, but I'm not BLIND. | 0:18:14 | 0:18:16 | |
HE LAUGHS | 0:18:16 | 0:18:19 | |
OK. | 0:18:19 | 0:18:21 | |
Well, if there's anything else I could do... | 0:18:21 | 0:18:24 | |
You're sweet. | 0:18:24 | 0:18:26 | |
Seriously, whatever you need. | 0:18:26 | 0:18:29 | |
Are we still talking about the award? | 0:18:29 | 0:18:32 | |
I wasn't. | 0:18:33 | 0:18:35 | |
SHE MOANS | 0:18:35 | 0:18:39 | |
Page 18. | 0:18:45 | 0:18:48 | |
Will anyone know who Rudyard Kipling is? | 0:18:50 | 0:18:54 | |
Yes. | 0:18:54 | 0:18:56 | |
They will? | 0:18:56 | 0:18:57 | |
-Yes. -Do you know who he is? | 0:18:57 | 0:18:59 | |
The writer guy? | 0:18:59 | 0:19:01 | |
There we go. People aren't so stupid after all. | 0:19:01 | 0:19:03 | |
Mmm-kay. | 0:19:04 | 0:19:06 | |
Hmm... | 0:19:06 | 0:19:08 | |
..page 21. Do we need the bats? | 0:19:08 | 0:19:11 | |
-The what? -The bats. | 0:19:13 | 0:19:15 | |
I'm going to go out on a limb here | 0:19:15 | 0:19:16 | |
and say we do not need the bats, | 0:19:16 | 0:19:20 | |
as there are no bats on page 21. | 0:19:20 | 0:19:23 | |
I wrote "bats". | 0:19:23 | 0:19:24 | |
Well, that does look like "bats". | 0:19:24 | 0:19:26 | |
Sorry, are you looking to see if there are suddenly bats on page 21? | 0:19:26 | 0:19:31 | |
Could you mean beats? | 0:19:31 | 0:19:32 | |
What? | 0:19:32 | 0:19:34 | |
Where we've written the stage directions the actors should take... | 0:19:34 | 0:19:37 | |
-A beat? -Yes. | 0:19:38 | 0:19:40 | |
So, the pauses. You're asking if we need the pauses? | 0:19:43 | 0:19:46 | |
Yes. | 0:19:46 | 0:19:47 | |
Right, well, we like the pauses. | 0:19:49 | 0:19:50 | |
So why don't we shoot the pauses | 0:19:50 | 0:19:53 | |
and then if you still don't like them, | 0:19:53 | 0:19:55 | |
we can always have them cut in post. | 0:19:55 | 0:19:57 | |
Mmm-kay. | 0:20:09 | 0:20:11 | |
In the scene at the ice rink, | 0:20:12 | 0:20:14 | |
can we establish that Lyman's a good coach? | 0:20:14 | 0:20:17 | |
-Why? -We need to know he's good at his job. | 0:20:19 | 0:20:21 | |
Why? | 0:20:21 | 0:20:22 | |
We need to like him. | 0:20:22 | 0:20:23 | |
-If he's good at his job we'll like him? -No, she's right. | 0:20:23 | 0:20:26 | |
We don't like people who aren't good at their jobs. | 0:20:26 | 0:20:29 | |
In fact, sometimes we HATE people who aren't good at their jobs. | 0:20:29 | 0:20:32 | |
Exactly. | 0:20:32 | 0:20:35 | |
PHONE RINGS | 0:20:36 | 0:20:39 | |
Hello. | 0:20:39 | 0:20:40 | |
-BEV: Never again. -OK. | 0:20:40 | 0:20:42 | |
Forget it. | 0:20:48 | 0:20:49 | |
I'm not going to rehire some cocksucker who's trying to sue me. | 0:20:49 | 0:20:53 | |
OK, you need a new word. | 0:20:53 | 0:20:55 | |
I can't believe we're even having this conversation! | 0:20:55 | 0:20:58 | |
Look, he's smart. He's got great instincts. | 0:20:58 | 0:21:00 | |
I think he's a big plus. | 0:21:00 | 0:21:02 | |
Yeah? And what about the new casting guy, Arnold? | 0:21:02 | 0:21:04 | |
Ronald? | 0:21:04 | 0:21:05 | |
Kip. | 0:21:05 | 0:21:07 | |
Kip?! Are you sure? | 0:21:07 | 0:21:08 | |
Kip. | 0:21:08 | 0:21:09 | |
Huh! | 0:21:09 | 0:21:10 | |
So we're just getting rid of Kip? | 0:21:12 | 0:21:13 | |
No, we can keep Kip. He'll still run casting. | 0:21:13 | 0:21:17 | |
I'll put Andy on my team. It's a lot easier than a law suit. | 0:21:17 | 0:21:21 | |
No. I don't care. Let him take me to court. | 0:21:21 | 0:21:24 | |
It's bullshit, and I am not going to be blackmailed. | 0:21:24 | 0:21:27 | |
There's a matter of principle here. | 0:21:27 | 0:21:29 | |
All right. One question. | 0:21:29 | 0:21:30 | |
Do you really want New York finding out | 0:21:30 | 0:21:32 | |
you fired the one guy who said | 0:21:32 | 0:21:34 | |
we should go with the talking dog? | 0:21:34 | 0:21:37 | |
HE SIGHS | 0:21:39 | 0:21:41 | |
What else? | 0:21:43 | 0:21:45 | |
Golub and Meyers pitched a show | 0:21:45 | 0:21:47 | |
about a guy who gets downsized and moves back to his home town. | 0:21:47 | 0:21:51 | |
-No. -OK. Harry Zimm has a cute pilot | 0:21:51 | 0:21:56 | |
about a woman who gets divorced | 0:21:56 | 0:21:58 | |
and has to move back with her mother. | 0:21:58 | 0:22:00 | |
-It's called Not If I Kill You First. -LAUGHTER | 0:22:00 | 0:22:04 | |
No! No! No one moving back to their home town. | 0:22:04 | 0:22:07 | |
No relatives moving in with other relatives. | 0:22:07 | 0:22:10 | |
Do you think it's possible we could actually find something | 0:22:10 | 0:22:13 | |
different from the same crap that's killing us now? | 0:22:13 | 0:22:15 | |
Is that asking too much? | 0:22:15 | 0:22:17 | |
I've got something about an alien. | 0:22:17 | 0:22:19 | |
Fine. As long as he doesn't go back to his planet | 0:22:19 | 0:22:22 | |
and move in with his parents. | 0:22:22 | 0:22:23 | |
-Oh... -Oh, my God! | 0:22:23 | 0:22:26 | |
It's called Beam Me Home. | 0:22:26 | 0:22:28 | |
Fine. | 0:22:28 | 0:22:29 | |
Let's try this again. Maybe I wasn't clear. | 0:22:29 | 0:22:33 | |
I want one goddamn fresh idea. | 0:22:33 | 0:22:36 | |
Just one! | 0:22:36 | 0:22:37 | |
Yes, Andy... | 0:22:37 | 0:22:39 | |
..Button. | 0:22:39 | 0:22:41 | |
Go. | 0:22:41 | 0:22:42 | |
What other animals can talk? | 0:22:43 | 0:22:47 | |
Hey. | 0:23:14 | 0:23:16 | |
So she's delivering the hand jobs now? Very convenient. | 0:23:16 | 0:23:19 | |
No. She came here to ask me | 0:23:19 | 0:23:20 | |
to present an award at one of her charity things. | 0:23:20 | 0:23:23 | |
Right! | 0:23:23 | 0:23:25 | |
I swear, she did not give me a hand job. | 0:23:25 | 0:23:27 | |
All right, it did get a little blowy and fucky, but totally hands free. | 0:23:33 | 0:23:36 | |
-Unbelievable. -Aw, come on! | 0:23:36 | 0:23:38 | |
There's nothing left to say. The woman's husband is our boss. | 0:23:38 | 0:23:42 | |
The fate of our show is in his hands. | 0:23:42 | 0:23:44 | |
She threw herself at me! | 0:23:44 | 0:23:46 | |
Oh, and you couldn't fend off the brutal blind woman? | 0:23:46 | 0:23:48 | |
Hey, it's hard to say no. | 0:23:48 | 0:23:50 | |
But I don't have to tell you that. | 0:23:50 | 0:23:52 | |
Meaning what? | 0:23:53 | 0:23:54 | |
Al the camera guy... | 0:23:54 | 0:23:57 | |
..saw you making out with Morning in the parking lot last week. | 0:23:57 | 0:24:01 | |
That, I... | 0:24:01 | 0:24:02 | |
Hmm? Yes? | 0:24:02 | 0:24:05 | |
That..I...that is completely different! | 0:24:05 | 0:24:07 | |
What I may or may not have done with Morning | 0:24:07 | 0:24:09 | |
does not put our show in jeopardy! | 0:24:09 | 0:24:11 | |
Right, cos you boning one of your stars is good for the show! | 0:24:11 | 0:24:14 | |
That always works out well. | 0:24:14 | 0:24:16 | |
-First of all, I never said that we "boned". -Did you? | 0:24:16 | 0:24:19 | |
Woo-hoo-hoo! Finally! England scores! | 0:24:22 | 0:24:26 | |
I'd say that deserves a car. | 0:24:26 | 0:24:27 | |
Have you been walking around with those just waiting to do that? | 0:24:29 | 0:24:32 | |
Maybe. | 0:24:32 | 0:24:34 | |
Well, for the last time, keep your bloody car! | 0:24:34 | 0:24:36 | |
Oh, come on! | 0:24:36 | 0:24:38 | |
This is the only time in your life | 0:24:38 | 0:24:40 | |
when someone's going to actually give you a car. | 0:24:40 | 0:24:43 | |
A car! Take the goddamn car! | 0:24:43 | 0:24:45 | |
Don't be an asshole! | 0:24:45 | 0:24:47 | |
Have you been practising? | 0:24:47 | 0:24:48 | |
Listen to me. | 0:24:49 | 0:24:51 | |
No car. Forget it. | 0:24:51 | 0:24:54 | |
You don't get to win this time. | 0:24:54 | 0:24:56 | |
You think this is about winning? | 0:25:00 | 0:25:02 | |
I don't care if you take the fucking car. | 0:25:04 | 0:25:07 | |
Maybe you haven't noticed, | 0:25:07 | 0:25:08 | |
I don't like a lot of people, | 0:25:08 | 0:25:10 | |
I don't trust a lot of people, | 0:25:10 | 0:25:12 | |
so when I meet someone that I actually want to hang out with, | 0:25:12 | 0:25:14 | |
it really pisses me off when I screw it up. | 0:25:14 | 0:25:17 | |
I hate what happened with us. | 0:25:19 | 0:25:22 | |
So I'm trying to do what I can to make it right. | 0:25:22 | 0:25:24 | |
This is the best I got. | 0:25:24 | 0:25:26 | |
-An Infinity? -What do you want, a Bentley? | 0:25:26 | 0:25:28 | |
It's not like I fucking killed your wife! | 0:25:28 | 0:25:31 | |
-I'm never going to forgive you. -OK. | 0:25:36 | 0:25:39 | |
-I will never get past what happened. -I get that. | 0:25:39 | 0:25:42 | |
I just want you to know how sorry I am. | 0:25:44 | 0:25:46 | |
And that I have learned my lesson. | 0:25:46 | 0:25:48 | |
And the fact that you're screwing someone else's wife now? | 0:25:48 | 0:25:52 | |
But I'm not screwing yours. That was the lesson. | 0:25:52 | 0:25:56 | |
God! | 0:25:56 | 0:25:58 | |
What's the likelihood of this ending in a hug? | 0:26:03 | 0:26:05 | |
Very, very slim. | 0:26:05 | 0:26:07 | |
How about I hug you and you just stand there? | 0:26:07 | 0:26:09 | |
MATT CHUCKLES | 0:26:17 | 0:26:19 | |
Oh, God! | 0:26:22 | 0:26:23 | |
HE SIGHS | 0:26:25 | 0:26:28 | |
-LAUGHTER ON TV -'You're a dog! | 0:26:58 | 0:27:00 | |
'Why are you even talking to my accountant?' | 0:27:00 | 0:27:03 | |
'Yeah, well, see if you're still saying that | 0:27:03 | 0:27:06 | |
'after you get your refund.' | 0:27:06 | 0:27:08 | |
'No offence, but I'm not that comfortable | 0:27:08 | 0:27:10 | |
'taking financial advice from someone | 0:27:10 | 0:27:13 | |
'who licks other dogs' asses.' | 0:27:13 | 0:27:14 | |
'I can't help it. They're delicious!' | 0:27:14 | 0:27:17 | |
-LAUGHTER -'Here, try one.' | 0:27:17 | 0:27:19 | |
-LAUGHTER -'Get that out of my face. | 0:27:19 | 0:27:20 | |
-'Get it out of my face!' -RAUCOUS LAUGHTER | 0:27:20 | 0:27:24 | |
Subtitles by Red Bee Media Ltd | 0:27:45 | 0:27:52 |