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This programme contains some strong language. | 0:00:02 | 0:00:07 | |
WOMAN: Does it seem normal to you that we're going to lunch with Dad? | 0:00:21 | 0:00:24 | |
Yeah, I know. And it's a bit weird. | 0:00:24 | 0:00:26 | |
I haven't seen him in a few months. | 0:00:26 | 0:00:29 | |
Mmm, I mean, for no reason, just to go around there for lunch? | 0:00:29 | 0:00:34 | |
Yeah. | 0:00:34 | 0:00:36 | |
I hope there is no reason, but... | 0:00:36 | 0:00:38 | |
I'm sure he's fine. | 0:00:38 | 0:00:40 | |
-He eats a lot of sausages. -Yeah. | 0:00:40 | 0:00:43 | |
Do you think that we'll get there and he's just gonna say, | 0:00:43 | 0:00:46 | |
"I murdered her, she's in the bath"? | 0:00:46 | 0:00:49 | |
LAUGHING | 0:00:49 | 0:00:51 | |
"She's in the bath just stewing in her own cabbage." | 0:00:51 | 0:00:53 | |
LAUGHS: Oh, God. I've eaten before I came. | 0:00:53 | 0:00:57 | |
-Good call. -Yeah. | 0:00:57 | 0:00:59 | |
So, um... so, are you, uh...? | 0:00:59 | 0:01:02 | |
I don't know. You're fine? | 0:01:02 | 0:01:05 | |
-Yes, I'm fine. -Are you going out with anyone? | 0:01:07 | 0:01:09 | |
-No, I'm not going out with anyone. -Why not? -Because I don't want to. | 0:01:09 | 0:01:13 | |
-It's been about six months. -Yep. I know. | 0:01:15 | 0:01:18 | |
A woman would just get in the way of my wallowing. | 0:01:18 | 0:01:21 | |
-Right. -Which I've really grown quite attached to. | 0:01:21 | 0:01:24 | |
OK. Have you got a lot more to do of that? | 0:01:24 | 0:01:26 | |
-I've got, like, another six months of wallowing in me. -OK. | 0:01:26 | 0:01:30 | |
Would you mind checking on Monk for me? | 0:01:30 | 0:01:32 | |
-Because that seat is new to me... -Yeah. | 0:01:32 | 0:01:35 | |
..and I don't know if I've done it up right. | 0:01:35 | 0:01:37 | |
-I'm sure he's fine. -Well, he might not be. | 0:01:37 | 0:01:39 | |
Would you mind just having a look? | 0:01:39 | 0:01:41 | |
Would you mind, actually, with your own hands to check the strap? | 0:01:41 | 0:01:44 | |
-Check the strap on the thing? -Thank you. Yes. | 0:01:44 | 0:01:46 | |
-Thank you. -Oh, yeah. Actually, it was a little loose. | 0:01:50 | 0:01:53 | |
-Was it loose? -Mm-hm. It's fine now. | 0:01:53 | 0:01:55 | |
-Come on, Monk. MONKEY: -Are you crazy? -No. | 0:02:11 | 0:02:15 | |
DOORBELL CHIMING "COLONEL BOGEY MARCH" | 0:02:17 | 0:02:20 | |
What the...? | 0:02:22 | 0:02:23 | |
-There's 15 verses of this. -Yeah. | 0:02:23 | 0:02:26 | |
Buna ziua, Tom, Bea, and Monkey! Please, please, you come. | 0:02:26 | 0:02:31 | |
-Okey-doke. -Thanks, Luba. | 0:02:31 | 0:02:34 | |
SITAR PLAYING Vikram, do I look fat in this sari? | 0:02:34 | 0:02:38 | |
No, Chitra, | 0:02:38 | 0:02:40 | |
you ARE fat in that sari. | 0:02:40 | 0:02:42 | |
LAUGHING | 0:02:43 | 0:02:45 | |
< Hey, Dad. | 0:02:45 | 0:02:47 | |
-Hello, Tommy. How are you? -Good. | 0:02:47 | 0:02:50 | |
-Sit, sit, sit. Hello, sweetheart. -Hello, Dad. | 0:02:50 | 0:02:52 | |
Have a seat, have a seat. Remember this one? | 0:02:52 | 0:02:55 | |
You look like an elephant just dropped | 0:02:55 | 0:02:56 | |
a steamy heapy on the carpet. | 0:02:56 | 0:02:58 | |
VIKRAM: I am very much worried | 0:02:58 | 0:03:01 | |
about this new Sahib chappy who has moved in next door. | 0:03:01 | 0:03:04 | |
They don't make 'em like this any more. | 0:03:04 | 0:03:06 | |
LAUGHING | 0:03:06 | 0:03:08 | |
He may not even be any caste at all. | 0:03:08 | 0:03:12 | |
Of course he isn't. He's from Seven Oaks. | 0:03:12 | 0:03:16 | |
HE SIGHS | 0:03:16 | 0:03:18 | |
There goes the neighbourhood. | 0:03:18 | 0:03:21 | |
LAUGHING | 0:03:21 | 0:03:22 | |
Keith, Tom, Bea, dirty monkey puppet, it's time. Is food. | 0:03:22 | 0:03:27 | |
Very nice, love. | 0:03:29 | 0:03:30 | |
My own personal Nigella Lawson here. | 0:03:30 | 0:03:33 | |
HE CHUCKLES | 0:03:33 | 0:03:35 | |
-So you didn't have any trouble getting here or anything? -No. | 0:03:35 | 0:03:37 | |
It was good. Pretty quiet. | 0:03:37 | 0:03:39 | |
Although there was a bit of a march in Walthamstow. | 0:03:39 | 0:03:42 | |
-Yeah. -Psychos with... -Hmm? -..with placards. | 0:03:42 | 0:03:45 | |
It was quite dangerous-looking. | 0:03:45 | 0:03:47 | |
It was just a little diversion we had to make. | 0:03:47 | 0:03:49 | |
-What kind of a march? -Paedophiles. | 0:03:49 | 0:03:51 | |
-Really? They let them march? -Anti...anti-paedophiles. | 0:03:51 | 0:03:54 | |
-Anti-paedophiles? -Yeah. -BEA: Oh, right, yeah. | 0:03:54 | 0:03:57 | |
So, my parents got divorced when I was nine, | 0:03:57 | 0:03:59 | |
which was an adventure, um... | 0:03:59 | 0:04:02 | |
My mom went back to Ireland, which is where she's from, | 0:04:02 | 0:04:06 | |
and I went with her, because I love to travel. | 0:04:06 | 0:04:12 | |
HE LAUGHS | 0:04:12 | 0:04:13 | |
And, um, Bea stayed here with Dad. | 0:04:13 | 0:04:16 | |
I don't know why that decision was made or... | 0:04:16 | 0:04:19 | |
But I'm happy with the way things worked out. | 0:04:20 | 0:04:23 | |
I stayed there for around nine years, then I came back to London | 0:04:23 | 0:04:27 | |
'and I got a job at the Central London Accident Investigation Management.' | 0:04:27 | 0:04:31 | |
C-L-A-I-M. | 0:04:31 | 0:04:34 | |
Spells CLAIM. | 0:04:34 | 0:04:36 | |
Like in an accident. | 0:04:36 | 0:04:38 | |
My job was to assess each specific accident | 0:04:38 | 0:04:42 | |
and to attribute responsibility | 0:04:42 | 0:04:44 | |
to one of the parties, which was pretty sexy. | 0:04:44 | 0:04:48 | |
So I got made redundant from that. | 0:04:50 | 0:04:53 | |
-How's the job quest going? -Oh, good. Yeah. | 0:04:53 | 0:04:57 | |
I had an interview the other day for something kind of in my area. | 0:04:57 | 0:05:01 | |
Risk assessment, but for a new bouncy castle company. | 0:05:01 | 0:05:05 | |
-What's that? -Like bouncy castles, like the one kids jump on. | 0:05:05 | 0:05:08 | |
-Kids jump up and down on them. -Oh, yeah, I've seen them. | 0:05:08 | 0:05:10 | |
-They look dangerous. -LUBA: Very fun. Bouncy castle. | 0:05:10 | 0:05:14 | |
-Ooh, I like that. -Luba knows it. | 0:05:14 | 0:05:16 | |
-Like bed. -OK. | 0:05:16 | 0:05:18 | |
-It's inflatable. -Yeah. | 0:05:18 | 0:05:20 | |
-Like your wife. -Monkey! | 0:05:20 | 0:05:22 | |
'I did serve Her Majesty. Served her well.' | 0:05:22 | 0:05:25 | |
20 years in the army and then... | 0:05:25 | 0:05:28 | |
Ho, ho, some wonderful years as a Yeoman Warder. | 0:05:28 | 0:05:31 | |
But I wound up taking early retirement to pursue my other dream. | 0:05:31 | 0:05:36 | |
I wanted to invent something that would change the world, | 0:05:36 | 0:05:39 | |
make life better for people. | 0:05:39 | 0:05:41 | |
This is one I'm working on now. | 0:05:41 | 0:05:42 | |
I haven't quite got the bugs worked out of it yet. | 0:05:42 | 0:05:44 | |
You know when your feet are hot? | 0:05:44 | 0:05:46 | |
You don't want to put on a hot shoe, do you? | 0:05:46 | 0:05:48 | |
You want a nice, cool shoe. | 0:05:48 | 0:05:50 | |
So this is a shoe tree. | 0:05:50 | 0:05:52 | |
You insert this into the shoe | 0:05:52 | 0:05:54 | |
-and flip on this little fan. -WHIRRING | 0:05:54 | 0:05:57 | |
You see? | 0:05:57 | 0:05:59 | |
And what it does... it cools the actual shoe | 0:05:59 | 0:06:02 | |
before you put it on. | 0:06:02 | 0:06:03 | |
Conversely, if your feet are cold, | 0:06:03 | 0:06:06 | |
you don't want to be stepping into some cold and clammy shoe. | 0:06:06 | 0:06:08 | |
But you turn this on, and these heating el... | 0:06:08 | 0:06:11 | |
-ZAPS -Ah, fuck me! | 0:06:11 | 0:06:12 | |
These heating elements here, | 0:06:12 | 0:06:15 | |
they heat up and they warm the shoe. | 0:06:15 | 0:06:19 | |
LUBA: You like? | 0:06:19 | 0:06:21 | |
Um, yeah, it's really syrupy, | 0:06:21 | 0:06:24 | |
-which is what I like in a Sunday roast. -You want more? | 0:06:24 | 0:06:28 | |
-Um, I think... -Yeah. -All right. | 0:06:28 | 0:06:30 | |
Brilliant. Right in there with her fingers. It's terrific. | 0:06:30 | 0:06:34 | |
-Still erect. -Yeah. Sausagis erectus. | 0:06:34 | 0:06:37 | |
Truly disgusting. | 0:06:37 | 0:06:39 | |
He's only joking. It's amazing! | 0:06:39 | 0:06:42 | |
Yeah, I was on holiday in Wales. | 0:06:42 | 0:06:46 | |
Which was bad enough in itself. | 0:06:46 | 0:06:48 | |
And I came across, um, a puffin. | 0:06:48 | 0:06:51 | |
And this puffin was, um... | 0:06:53 | 0:06:56 | |
-Masturbating. -He was touching himself, | 0:06:56 | 0:06:58 | |
-you know, in an inappropriate way. -Looking directly at her. | 0:06:58 | 0:07:02 | |
And I found that... took it as a personal affront. | 0:07:02 | 0:07:06 | |
-She took it very hard. -I was just very young, you know? | 0:07:06 | 0:07:09 | |
I didn't know how to process that sort of thing emotionally, | 0:07:09 | 0:07:12 | |
so it was suggested that I went to a child therapist. | 0:07:12 | 0:07:16 | |
She hadn't spoken in weeks. | 0:07:16 | 0:07:18 | |
And this therapist told me that I might be able | 0:07:18 | 0:07:21 | |
to let out my inner voice with the use of a hand puppet. | 0:07:21 | 0:07:25 | |
So the rest is history. | 0:07:25 | 0:07:26 | |
We've been together ever since, you know? | 0:07:26 | 0:07:28 | |
And I find it wonderful, because I have his companionship. | 0:07:28 | 0:07:32 | |
I...I take a lot of the heat, it has to be said. | 0:07:32 | 0:07:35 | |
You know, it's not all laughs with Monkey, | 0:07:35 | 0:07:38 | |
because holding down a job, finding a job where | 0:07:38 | 0:07:40 | |
they will put up with him, you know, that really is a challenge. | 0:07:40 | 0:07:43 | |
'Currently I'm working in a bank. I bring Monkey in two days a week. | 0:07:43 | 0:07:47 | |
'But you're really hopeless at counting out the money.' | 0:07:47 | 0:07:50 | |
I find it difficult. | 0:07:50 | 0:07:52 | |
I don't have the manual skills. | 0:07:52 | 0:07:54 | |
Yeah, but the inaccuracy. | 0:07:54 | 0:07:55 | |
Er, you asked us to come over, Dad. What was... What's going on? | 0:07:55 | 0:08:00 | |
-BEA: Oh, right. -Well, a bit of sad news. | 0:08:00 | 0:08:03 | |
There's been a death in the family. | 0:08:03 | 0:08:05 | |
-Oh, no. -Really? -It's your great-aunt Victoria. | 0:08:05 | 0:08:08 | |
My aunt, my father's sister Victoria has passed on. | 0:08:08 | 0:08:13 | |
-Oh, no. -She was in her 80s. | 0:08:13 | 0:08:14 | |
She was in her 80s. She had a good, long life. | 0:08:14 | 0:08:16 | |
She was a good sort. I didn't know her terribly well myself. | 0:08:16 | 0:08:19 | |
But, um... | 0:08:19 | 0:08:21 | |
you know, the good news is she's left us all a little something. | 0:08:21 | 0:08:25 | |
-That's great! -Yeah. | 0:08:25 | 0:08:26 | |
-Exciting. -Um... -I mean, sad that she's dead, | 0:08:26 | 0:08:29 | |
-but that's great. -Well, yeah. -Yeah, yeah, yeah. | 0:08:29 | 0:08:32 | |
-That's your lot, Bea. -Ugh, it's stained. | 0:08:32 | 0:08:35 | |
I don't think that's coffee. | 0:08:35 | 0:08:38 | |
And this is all yours. | 0:08:38 | 0:08:40 | |
Impressive. | 0:08:44 | 0:08:46 | |
-Um... -KEITH CHUCKLES | 0:08:46 | 0:08:49 | |
Ah. | 0:08:49 | 0:08:51 | |
-Oh, that's nice. -Well, I've needed a new pincushion. | 0:08:51 | 0:08:54 | |
-No, you haven't. -No, I haven't. | 0:08:54 | 0:08:57 | |
ANNOUNCER: Next on The Plantagenets... | 0:08:57 | 0:09:01 | |
-MAN: -Your treachery and cruelty will end on this very night | 0:09:01 | 0:09:05 | |
unless you release my brother, the Duke of Grimsby, | 0:09:05 | 0:09:08 | |
before the sun rises. | 0:09:08 | 0:09:09 | |
KING: Never! | 0:09:09 | 0:09:11 | |
DOOR OPENS | 0:09:11 | 0:09:13 | |
Don't kill her. She's the only reason I watch. | 0:09:15 | 0:09:17 | |
Please, Father, don't let them hurt me again. | 0:09:17 | 0:09:20 | |
Again? | 0:09:20 | 0:09:22 | |
ANNOUNCER: The Plantagenets on BBC Two. | 0:09:23 | 0:09:26 | |
-DEEP VOICE: -Well, hello. | 0:09:46 | 0:09:48 | |
Who the hell are you? | 0:10:01 | 0:10:03 | |
RINGING | 0:10:03 | 0:10:05 | |
Hello? | 0:10:08 | 0:10:09 | |
Hey, Dad. It's Tom. | 0:10:09 | 0:10:10 | |
-Hello, Tommy. How are you? -I'm good. | 0:10:10 | 0:10:12 | |
Listen, I was just looking through that old chest | 0:10:12 | 0:10:16 | |
-that Great-aunt Victoria gave me. -Oh, yes. | 0:10:16 | 0:10:18 | |
Yeah, and I just came across a photograph of an old fella. | 0:10:18 | 0:10:22 | |
He's a stout-looking man | 0:10:22 | 0:10:25 | |
and he's got some interesting facial hair going on. | 0:10:25 | 0:10:29 | |
-Oh, and he's in full military garb. -You know who that might be? | 0:10:29 | 0:10:33 | |
I think that's probably your great-granddad, | 0:10:33 | 0:10:35 | |
my grandfather Harry. | 0:10:35 | 0:10:36 | |
-Harry? -Yeah, he was supposedly some sort of military hero. | 0:10:36 | 0:10:40 | |
Oh, wow, a military... I didn't know that. That's cool. | 0:10:40 | 0:10:44 | |
-Is there anything else you can tell me about him? -No, not really. No. | 0:10:44 | 0:10:47 | |
He died long before I was on the earth. | 0:10:47 | 0:10:50 | |
-OK, well, cheerio, Dad. -Bye, now. | 0:10:50 | 0:10:52 | |
-DEEP VOICE: -General Harry Chadwick, leader of men, | 0:10:55 | 0:10:59 | |
grower of beard. | 0:10:59 | 0:11:02 | |
-Mr P. -Hello, Tom Tom. | 0:11:14 | 0:11:16 | |
-How are you doing, mate? -Good. | 0:11:16 | 0:11:18 | |
You know, crying myself to sleep. | 0:11:18 | 0:11:20 | |
-What you got there? -This is, um... | 0:11:20 | 0:11:23 | |
My great-aunt died and she left a box of bits and bobs, | 0:11:23 | 0:11:28 | |
and I thought, "I know a man who enjoys his bits and bobs." | 0:11:28 | 0:11:31 | |
-That's my field - bits and bobs. -And this was in it. | 0:11:31 | 0:11:34 | |
I think it is my great-grandfather Harry. | 0:11:34 | 0:11:38 | |
-Oh, look at that. -Yeah. -Blimey, he's a stout fella, isn't he? | 0:11:38 | 0:11:41 | |
-Yeah. -I see the family resemblance. | 0:11:41 | 0:11:44 | |
Puff your cheeks out a bit. | 0:11:44 | 0:11:45 | |
Yeah. Narrow your eyes. | 0:11:47 | 0:11:48 | |
-Yeah. No, not really. No. -No? OK. | 0:11:52 | 0:11:55 | |
Well, I can tell you this much. | 0:11:55 | 0:11:57 | |
-It's turn-of-the-century, I'd say. -Right. | 0:11:57 | 0:11:59 | |
Anywhere in the early 1900s. | 0:11:59 | 0:12:02 | |
Uh, Tommy, I wouldn't do that. That's not a musical instrument. | 0:12:02 | 0:12:05 | |
It's a Victorian dildo. Early prototype. | 0:12:05 | 0:12:07 | |
I'd like to be able to say you don't know where it's been, | 0:12:07 | 0:12:10 | |
but I think we know exactly where it's been, man. | 0:12:10 | 0:12:12 | |
Listen, I'll tell you what. | 0:12:12 | 0:12:14 | |
There's a fellow who deals with this stuff. | 0:12:14 | 0:12:16 | |
He's an antiques photo fellow. | 0:12:16 | 0:12:18 | |
-OK, cool. -He lives just outside of London. | 0:12:18 | 0:12:21 | |
Here is his card. Neville St Aubrey. | 0:12:21 | 0:12:23 | |
-Ooh, hello. -Yes, well, never judge a book by its cover, Tom. | 0:12:23 | 0:12:27 | |
I wouldn't like to see him in a care home. | 0:12:27 | 0:12:29 | |
Well, in his case, actually, you CAN judge it by the cover. | 0:12:29 | 0:12:31 | |
-He's mad as a box of frogs. -Oh, good to know. | 0:12:31 | 0:12:33 | |
'The one good thing about' | 0:12:33 | 0:12:35 | |
being in your own place and living the life you want to lead | 0:12:35 | 0:12:39 | |
is you have time for hobbies and pastimes. I've got a couple. | 0:12:39 | 0:12:44 | |
Got into something called "landmarks in a bottle." | 0:12:44 | 0:12:47 | |
'It's putting things in bottles, but it's not ships. | 0:12:47 | 0:12:51 | |
'So it's like the Taj Mahal, | 0:12:51 | 0:12:53 | |
'Big Ben, the Eiffel Tower, whatever, Mount Rushmore, | 0:12:53 | 0:12:56 | |
'and you stick it in the bottle. And I think that it's more original. | 0:12:56 | 0:12:59 | |
'It's fiddly. I'm not very good with these sausage hands.' | 0:12:59 | 0:13:02 | |
But I think I'll get there in the end, | 0:13:02 | 0:13:05 | |
create some fine works of art. | 0:13:05 | 0:13:08 | |
ANNOUNCEMENT OVER PA | 0:13:08 | 0:13:11 | |
-Hello. I'm Pete. -Uh, best mate. | 0:13:15 | 0:13:19 | |
His best mate. HE LAUGHS | 0:13:19 | 0:13:21 | |
First time I met Pete was the first day of primary school. | 0:13:21 | 0:13:23 | |
Oakeshott Primary. | 0:13:23 | 0:13:25 | |
And I got a little overexcited. | 0:13:25 | 0:13:27 | |
Couldn't handle his fizzy pop. | 0:13:27 | 0:13:29 | |
-I went on to soil myself. -He wet himself. | 0:13:29 | 0:13:32 | |
-Got ridiculed by everybody. -Everyone. And the teachers. -Yeah. | 0:13:32 | 0:13:35 | |
-Everybody took the piss except for one person. -Except... | 0:13:35 | 0:13:39 | |
this guy, here. | 0:13:39 | 0:13:42 | |
He waddled over and he said... | 0:13:42 | 0:13:44 | |
I said, "Don't you worry, son. I do it all the time. | 0:13:44 | 0:13:47 | |
And sometimes on purpose | 0:13:47 | 0:13:48 | |
Cos I enjoy... BOTH: "The sensation." | 0:13:48 | 0:13:51 | |
-Which was very sweet. -And with that, a bond was formed... | 0:13:51 | 0:13:55 | |
-Can't break that. -..that could never be undone. | 0:13:55 | 0:13:57 | |
Except I went off. | 0:13:57 | 0:13:58 | |
Except you went to Ireland and got your silly accent. | 0:13:58 | 0:14:01 | |
But we kept in touch, didn't we? | 0:14:01 | 0:14:03 | |
-Yeah, I would write letters and... -I wouldn't write letters. | 0:14:03 | 0:14:06 | |
I ph... mine was mainly phone calls. | 0:14:06 | 0:14:09 | |
I get... my hand gets tired of writing. | 0:14:09 | 0:14:11 | |
-Never perfected joined-up writing. -I can do j... I just... It bores me. | 0:14:11 | 0:14:15 | |
-While I was away, you started at a zoo. -Yes, I started | 0:14:15 | 0:14:17 | |
at a Saturday job as a 16-year-old in a zoo, | 0:14:17 | 0:14:20 | |
and look at me now... | 0:14:20 | 0:14:22 | |
Zoological Cage Management Associate | 0:14:22 | 0:14:25 | |
in one of the top children's zoos in London. | 0:14:25 | 0:14:27 | |
-You shovel shit. -Yeah, I shovel shit. | 0:14:27 | 0:14:29 | |
It's one of my many jobs at the zoo. | 0:14:29 | 0:14:32 | |
At least animals have got roughage in their diet. | 0:14:32 | 0:14:34 | |
So I came back after about 10 years, | 0:14:34 | 0:14:36 | |
and it was like nothing had changed. | 0:14:36 | 0:14:38 | |
-Cos it hadn't. -But we've always had three things in common, haven't we? | 0:14:38 | 0:14:42 | |
Booze, birds, and the Spurs. | 0:14:42 | 0:14:44 | |
-And the Spurs. -And the Spurs. -And the Spurs. -Football chants. | 0:14:44 | 0:14:47 | |
TOM LAUGHS They love that, don't they? | 0:14:47 | 0:14:49 | |
-Yeah. -Obviously, I get a little more action | 0:14:49 | 0:14:52 | |
in the lady department than him. You just have to look at this | 0:14:52 | 0:14:56 | |
and listen to this, and you'll understand why. | 0:14:56 | 0:15:00 | |
Tommy's had a bit of a rough patch recently. Haven't you? | 0:15:00 | 0:15:04 | |
-Oh, you know Natalie? -Uh, no. -I'm seeing her at work. | 0:15:04 | 0:15:08 | |
She wears the Larry the Ring-tailed Lemur outfit. | 0:15:08 | 0:15:11 | |
-Right. -And she likes to keep it on. | 0:15:11 | 0:15:12 | |
And me. And she likes me to dress up as well. | 0:15:12 | 0:15:14 | |
-Anyway. -Anyway, she's got a mate, Ellie... | 0:15:14 | 0:15:17 | |
-No, no. -She's fit and we're setting you up. | 0:15:17 | 0:15:19 | |
-No. -Trust me, she's model pretty. -What kind of model? | 0:15:19 | 0:15:21 | |
Cos the last time you did this, she was a model for garden furniture. | 0:15:21 | 0:15:24 | |
No, no. She's cat... | 0:15:24 | 0:15:26 | |
-not supermodel, catalogue-model fit. -Like in a magazine. | 0:15:26 | 0:15:29 | |
Like in a free-leaflet- through-the-door-model fit. | 0:15:29 | 0:15:32 | |
-She's a junk mail model? -Y...yeah. | 0:15:32 | 0:15:35 | |
-Forget it. -I can't forget it. | 0:15:35 | 0:15:38 | |
I've already said yes. | 0:15:38 | 0:15:40 | |
LAUGHS: Ah! | 0:15:40 | 0:15:42 | |
-Where are we going? -Platform 4. | 0:15:42 | 0:15:44 | |
Oh, yeah. Mm. | 0:15:44 | 0:15:47 | |
Tom and Sarah. | 0:15:47 | 0:15:48 | |
What... I don't know... She broke him. | 0:15:48 | 0:15:52 | |
And it's sad. | 0:15:52 | 0:15:54 | |
He's still... I know it's tough on him | 0:15:54 | 0:15:56 | |
and he's still not over her, but he needs to get over her. | 0:15:56 | 0:15:59 | |
I never liked her, to be honest. | 0:15:59 | 0:16:01 | |
I never thought she was right for him. | 0:16:01 | 0:16:02 | |
And it turns out I was correct. | 0:16:02 | 0:16:04 | |
Do you know what's sad? | 0:16:04 | 0:16:06 | |
What's sad is seeing a man of that size crying like a little baby. | 0:16:06 | 0:16:11 | |
I'd come back from the zoo | 0:16:11 | 0:16:12 | |
and he'd be sat there in my flat in his pants, | 0:16:12 | 0:16:15 | |
playing PlayStation day after day. | 0:16:15 | 0:16:18 | |
And I'm a bloke who enjoys playing PlayStation in his pants, | 0:16:18 | 0:16:21 | |
but five days is like two days too long. | 0:16:21 | 0:16:25 | |
PETE: Right, so you get to have a right old fondle | 0:16:25 | 0:16:29 | |
-of a supermodel's fun bags. -Lovely. | 0:16:29 | 0:16:31 | |
-And she's got big ones. -Right. | 0:16:31 | 0:16:33 | |
But...but you've got to get off with your dad | 0:16:33 | 0:16:36 | |
for two minutes... tongues and groping. | 0:16:36 | 0:16:39 | |
Well, that's tricky. He's such a handsome man. This is us. | 0:16:39 | 0:16:42 | |
-6. -6. | 0:16:42 | 0:16:44 | |
-I thought it would look more like a shop. -Yeah, a bit more. | 0:16:44 | 0:16:47 | |
-All right, into the abyss. -All right, I've got your back. | 0:16:47 | 0:16:52 | |
-Sort of. -Don't touch it. -In a way. | 0:16:52 | 0:16:54 | |
HE KNOCKS "SHAVE AND A HAIRCUT", PETE CLAPS "TWO BITS" | 0:16:57 | 0:17:00 | |
-Old classic. -PETE LAUGHS | 0:17:00 | 0:17:03 | |
-Ah, gentlemen! -Mr St Aubrey. -How do you do? | 0:17:03 | 0:17:06 | |
-Mr Chadwick. -Hello. Mr Pete. -How do you do? | 0:17:06 | 0:17:08 | |
-Please, come in. Come in. -Thank you very much. | 0:17:08 | 0:17:11 | |
MUSIC PLAYING | 0:17:11 | 0:17:13 | |
Wow. | 0:17:15 | 0:17:17 | |
-There they are. -PETE LAUGHS | 0:17:17 | 0:17:19 | |
-Call off the search. We found 'em. -No. -The entire Chadwick clan. | 0:17:19 | 0:17:23 | |
-Still got it. -Thank God 3-D is new. | 0:17:23 | 0:17:26 | |
-Gentlemen. -Hey. -We're in here. | 0:17:26 | 0:17:29 | |
Lovely. Thanks. | 0:17:29 | 0:17:31 | |
Could I interest you in a little lunch? | 0:17:31 | 0:17:33 | |
You know what? I just had an Egg McMuffin on the tube. | 0:17:33 | 0:17:36 | |
I'm gonna say no. I'm sure Pete will tuck in willingly. | 0:17:36 | 0:17:39 | |
-When in Rome... -Well, if you change your mind, please feel free. | 0:17:39 | 0:17:42 | |
-Thank you very much. -Shall we get down to business? -Yes, indeed. | 0:17:42 | 0:17:45 | |
This, I believe, is my great-grandpapa. | 0:17:45 | 0:17:49 | |
My goodness me! | 0:17:49 | 0:17:50 | |
Your great-grandpapa would appear to be a full field marshal. | 0:17:50 | 0:17:54 | |
-I did not know that. -Didn't you? -No. -Yes, indeed. | 0:17:54 | 0:17:57 | |
But the real source of interest for me has to be hopefully contained | 0:17:57 | 0:18:03 | |
on the back of the photograph. | 0:18:03 | 0:18:05 | |
As I thought... Graysons of Brighton, | 0:18:05 | 0:18:07 | |
an extremely popular studio in the southeast of England. | 0:18:07 | 0:18:10 | |
-Oh, I see. -Graysons of... They're the best. | 0:18:10 | 0:18:12 | |
And with a little aid, we can establish the photograph was taken | 0:18:12 | 0:18:19 | |
in 19...02! | 0:18:19 | 0:18:23 | |
Excellent. | 0:18:23 | 0:18:25 | |
-Now, what I need to do is just... -HE GRUNTS | 0:18:25 | 0:18:28 | |
..take hold of this. | 0:18:28 | 0:18:31 | |
That's not a real book. | 0:18:31 | 0:18:34 | |
19... Ah, 1902. Here we start. | 0:18:34 | 0:18:37 | |
The name again, please. | 0:18:37 | 0:18:39 | |
-Chadwick. -Chadwick. | 0:18:39 | 0:18:41 | |
Chadwick, Chadwick, Chadwick, Chadwick. | 0:18:41 | 0:18:43 | |
No. No such luck. Let's hope that 1902 extends. | 0:18:43 | 0:18:47 | |
No, I'm afraid to say that there is no Chadwick. | 0:18:47 | 0:18:50 | |
But all is not lost. | 0:18:50 | 0:18:52 | |
Because the studio itself was so popular, | 0:18:52 | 0:18:55 | |
they had a habit of subcontracting... | 0:18:55 | 0:18:57 | |
-Right. -..those out to other studios. | 0:18:57 | 0:19:00 | |
So with a little more research, | 0:19:00 | 0:19:03 | |
I'm sure I can come up with further information. | 0:19:03 | 0:19:06 | |
OK, OK. Great. | 0:19:06 | 0:19:08 | |
So please leave me, like a dog, to snuffle around. | 0:19:08 | 0:19:12 | |
-All right. -Oh, right. -Thank you. | 0:19:12 | 0:19:14 | |
It totally makes sense to me. | 0:19:14 | 0:19:16 | |
I've always had kind of a military air about me. | 0:19:16 | 0:19:18 | |
-PETE LAUGHS -What? | 0:19:18 | 0:19:20 | |
How? How have you had a military air about you? | 0:19:20 | 0:19:22 | |
-Well, my bravery, my kind of innate courage. -Bravery? | 0:19:22 | 0:19:24 | |
What courage and innate bravery? | 0:19:24 | 0:19:26 | |
-I was the first out of our group to wear skinny jeans. -You might... | 0:19:26 | 0:19:29 | |
Let me paint you a picture, tough guy. | 0:19:29 | 0:19:31 | |
1992, we were both young men of 12 years of age, | 0:19:31 | 0:19:34 | |
we've just seen Spurs beat Arsenal at White Hart Lane. | 0:19:34 | 0:19:38 | |
You're giving it all to Billy Big Bollocks. | 0:19:38 | 0:19:40 | |
Cut to you getting chased down Seven Sisters Road | 0:19:40 | 0:19:43 | |
-pursued by a bunch of gooners. -Yeah, there was, like, 10 of them. | 0:19:43 | 0:19:46 | |
There were THREE of them and they were eight years old, bruv. | 0:19:46 | 0:19:49 | |
PHONE HONKING Oh, text alert. | 0:19:49 | 0:19:52 | |
-They were behind enemy lines. I didn't... -It's Natalie. | 0:19:52 | 0:19:55 | |
Oh! Ellie would love to go on a date with you. | 0:19:55 | 0:19:58 | |
It's on. It's on like Donkey Kong. | 0:19:58 | 0:20:00 | |
Come on, you're going on a date, big boy. | 0:20:00 | 0:20:03 | |
TOM GROANS You might get some "actione." | 0:20:03 | 0:20:05 | |
ELLIE: So how far do you go back? | 0:20:05 | 0:20:08 | |
-Like, into the...? -I'm really sorry. Into the past. | 0:20:08 | 0:20:10 | |
How many ancestors away do you go? | 0:20:10 | 0:20:12 | |
Oh. That's a good question, Ellie. | 0:20:12 | 0:20:14 | |
I'm not sure how far back the records and stuff go... | 0:20:14 | 0:20:17 | |
I mean how far back is it recorded? | 0:20:17 | 0:20:19 | |
Back to sort of dinosaur times or...? | 0:20:19 | 0:20:21 | |
-I mean, that sounds really stupid, doesn't it? -No, no. | 0:20:21 | 0:20:25 | |
-No, no, really, it sounded really stupid. -A slip of the tongue. | 0:20:25 | 0:20:28 | |
I didn't mean that anyway. Cos dinosaurs... Obviously, | 0:20:28 | 0:20:31 | |
Some dinosaurs still exist, so that would only be going back, | 0:20:31 | 0:20:34 | |
like, 10 years or whatever. You know what I mean. | 0:20:34 | 0:20:37 | |
Sorry, what? | 0:20:37 | 0:20:39 | |
-Sorry? -Dinosaurs still exist? -Mm, yeah. | 0:20:40 | 0:20:43 | |
I know some people still think they don't exist, right? | 0:20:43 | 0:20:46 | |
-Some people don't think...? -Some people don't. | 0:20:46 | 0:20:48 | |
-Right. -But most people do, I think. | 0:20:48 | 0:20:51 | |
Because, I mean... obviously, they do, | 0:20:51 | 0:20:53 | |
because birds are a type of dinosaur, so... | 0:20:53 | 0:20:55 | |
-Mm-hm. -And, um...and, you know, they still exist in Africa, | 0:20:55 | 0:20:59 | |
because there's been loads of sightings of dinosaurs in Africa. | 0:20:59 | 0:21:02 | |
HE COUGHS | 0:21:02 | 0:21:03 | |
-There are, like, big birds. -Mm-hm. | 0:21:03 | 0:21:05 | |
Apart from all of that, apart from Africa | 0:21:05 | 0:21:07 | |
-and everything like that, there's the, um... -Yeah. | 0:21:07 | 0:21:11 | |
The Loch Ness Monster. | 0:21:11 | 0:21:12 | |
And that's actually... That isn't a lie, is it? | 0:21:12 | 0:21:16 | |
Because obviously people have photos of the Loch Ness Monster. | 0:21:16 | 0:21:19 | |
-That's right. -And the 1930s... they didn't have Photoshop. | 0:21:19 | 0:21:21 | |
-Not really. -They didn't even have iPads or anything. | 0:21:21 | 0:21:24 | |
-No, they didn't have any of that stuff. -So they couldn't actually... | 0:21:24 | 0:21:27 | |
you know, they couldn't Photoshop it, | 0:21:27 | 0:21:29 | |
-so it's obviously actual photos. -Yeah. | 0:21:29 | 0:21:31 | |
And that's not... I mean, that's not a fish, is it? | 0:21:31 | 0:21:33 | |
-It's a dinosaur. -It's not a fish, certainly. | 0:21:33 | 0:21:35 | |
It's probably... like you said, it's probably... | 0:21:35 | 0:21:37 | |
-a bloody dinosaur, isn't it? -I don't know, actually, | 0:21:37 | 0:21:40 | |
where the Loch Ness Monster is, but it's somewhere in Scotland. | 0:21:40 | 0:21:43 | |
-Probably in Loch Ness, isn't it? -SHE LAUGHS | 0:21:43 | 0:21:45 | |
-I think that's where...where it is. -I think that Loch Ness is its name. | 0:21:45 | 0:21:48 | |
I think that it's in Edinburgh or Dublin. | 0:21:48 | 0:21:51 | |
You think that Loch Ness is the name of the actual creature? | 0:21:51 | 0:21:54 | |
Yeah, that's why it's called the Loch Ness Monster. | 0:21:54 | 0:21:56 | |
You're probably...probably right. I hadn't really thought about it. | 0:21:56 | 0:22:00 | |
-DEEP VOICE: -Harold Chadwick. | 0:22:07 | 0:22:11 | |
PHONE RINGS | 0:22:27 | 0:22:29 | |
-Hello? -Ah, you're there. | 0:22:31 | 0:22:33 | |
Neville St Aubrey here. | 0:22:33 | 0:22:35 | |
-Hey, Mr St Aubrey. -How are you? -I'm really great. How are you? | 0:22:35 | 0:22:39 | |
I'm extremely well. Um, I've made a discovery. | 0:22:39 | 0:22:43 | |
-Ooh. -Which I'm certain will be of the utmost interest to you. | 0:22:43 | 0:22:47 | |
I'm reluctant to go into any further detail over the phone. | 0:22:47 | 0:22:51 | |
-Sure. -But I'm in London and would love to meet you | 0:22:51 | 0:22:54 | |
at your earliest possible convenience. | 0:22:54 | 0:22:56 | |
Uh, I can meet you in a half an hour. | 0:22:56 | 0:22:58 | |
That will be excellent. | 0:22:58 | 0:23:00 | |
-I'm sorry I'm late. -Oh, not at all, not at all. -I had a little thing. | 0:23:02 | 0:23:06 | |
-This is so exciting. -Yes. | 0:23:06 | 0:23:07 | |
I'm so glad you could be here. | 0:23:07 | 0:23:09 | |
Just hold on one second. Can I just get a cup of tea? | 0:23:09 | 0:23:11 | |
-Yeah. -Any pastries? Actually, it doesn't matter. Go on. -Yes. | 0:23:11 | 0:23:14 | |
The discovery I've made is that the man in the photograph | 0:23:14 | 0:23:18 | |
that you showed me the other day was none other than Prince George, | 0:23:18 | 0:23:22 | |
-the Duke of Cambridge. -Shut the front door. | 0:23:22 | 0:23:25 | |
-Yes. -Harry was a royal. That makes a lot of sense. | 0:23:25 | 0:23:30 | |
Unfortunately, it is not your great-grandfather | 0:23:30 | 0:23:33 | |
Harry Chadwick. | 0:23:33 | 0:23:35 | |
-It's not? -No. | 0:23:35 | 0:23:37 | |
Aw, shit. | 0:23:37 | 0:23:38 | |
Why did...why did Victoria have the photo? | 0:23:40 | 0:23:42 | |
Because your great-grandfather Harry Chadwick TOOK the photograph. | 0:23:42 | 0:23:47 | |
-Harry was a photographer? -He was indeed. -Oh. | 0:23:47 | 0:23:50 | |
And he is in the catalogue of photographers | 0:23:50 | 0:23:53 | |
that worked from that studio at that time. | 0:23:53 | 0:23:56 | |
And I am pleased to be able to show you | 0:23:56 | 0:23:59 | |
-a picture of your great-grandfather... -Oh, great! | 0:23:59 | 0:24:02 | |
-Harry Chadwick. -Yes. | 0:24:02 | 0:24:04 | |
Oh, sorry. Wrong page. | 0:24:09 | 0:24:12 | |
-Oh. -HE LAUGHS | 0:24:12 | 0:24:14 | |
There he is... | 0:24:16 | 0:24:18 | |
your great-grandfather. | 0:24:18 | 0:24:21 | |
It's a Chinese man. | 0:24:21 | 0:24:23 | |
Yes. | 0:24:23 | 0:24:25 | |
Hence his name... Harry Chadwick. | 0:24:25 | 0:24:28 | |
I'll take that carrot cake, thanks. | 0:24:32 | 0:24:34 | |
# When I found you, I found myself | 0:24:34 | 0:24:39 | |
# I was gonna love you like nobody else | 0:24:39 | 0:24:43 | |
# But I never really had a clue | 0:24:43 | 0:24:47 | |
# How to love a girl like you | 0:24:47 | 0:24:52 | |
# Two true believers, we devised | 0:24:52 | 0:24:57 | |
# A temporary paradise | 0:24:57 | 0:25:01 | |
# Now our future's in the past | 0:25:01 | 0:25:05 | |
# I should have known | 0:25:05 | 0:25:08 | |
# It wouldn't last | 0:25:08 | 0:25:12 | |
# I should have been a better man | 0:25:12 | 0:25:16 | |
# You could have been a better friend | 0:25:16 | 0:25:20 | |
# I'm alone but that's OK | 0:25:20 | 0:25:25 | |
# I guess the dice just rolled that way. # | 0:25:25 | 0:25:31 |