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There's been a death in the family. | 0:00:02 | 0:00:03 | |
The good news is she's left us all a little something. | 0:00:03 | 0:00:05 | |
-That's great! -Exciting. | 0:00:05 | 0:00:07 | |
I mean, sad that she's dead, but that's great. | 0:00:07 | 0:00:09 | |
-Well, yeah. Yeah. -Yeah, yeah, yeah. | 0:00:09 | 0:00:11 | |
And this is all yours. | 0:00:11 | 0:00:12 | |
Well, hello, General Harry Chadwick. | 0:00:12 | 0:00:15 | |
I've always had kind of a military air about me. | 0:00:15 | 0:00:17 | |
-HE LAUGHS -What? | 0:00:17 | 0:00:18 | |
I see the family resemblance. | 0:00:18 | 0:00:20 | |
There's a fellow who deals with this stuff. | 0:00:20 | 0:00:23 | |
Your great-grandfather Harry Chadwick took the photograph. | 0:00:23 | 0:00:26 | |
There he is - your great-grandfather. | 0:00:26 | 0:00:29 | |
He's Chinese, man. | 0:00:29 | 0:00:30 | |
This programme contains some strong language | 0:00:30 | 0:00:33 | |
FOOTSTEPS | 0:00:33 | 0:00:35 | |
DOOR OPENING AND CLOSING | 0:00:36 | 0:00:38 | |
Look at the state of you lot. | 0:00:42 | 0:00:44 | |
Like a bed of limp geraniums. | 0:00:44 | 0:00:48 | |
'No wonder we've been getting complaints | 0:00:48 | 0:00:50 | |
'from the public at large.' | 0:00:50 | 0:00:51 | |
Do you want us to arrest them, Sergeant? | 0:00:51 | 0:00:53 | |
-What? -The public? | 0:00:53 | 0:00:55 | |
If they're still at large. | 0:00:55 | 0:00:59 | |
HE LAUGHS | 0:00:59 | 0:01:00 | |
'WPC Bullivant,' | 0:01:00 | 0:01:01 | |
how many times have I told you to do up all your buttons? | 0:01:01 | 0:01:05 | |
But I can't, Sergeant. | 0:01:05 | 0:01:08 | |
You said you wanted us to make a big BUST this week, Sarge. | 0:01:08 | 0:01:12 | |
'Nice to see you've got plenty of lead | 0:01:12 | 0:01:14 | |
'in your pencil, PC Dawson.' | 0:01:14 | 0:01:16 | |
You should see the size of my rubber. | 0:01:16 | 0:01:20 | |
Watch this. | 0:01:20 | 0:01:22 | |
It's the Breen burn. | 0:01:22 | 0:01:24 | |
No-one did a slow burn like Richard Breen. | 0:01:24 | 0:01:27 | |
-That's probably true. -He was fabulous. | 0:01:27 | 0:01:29 | |
Oh, you know which one you'd really like? | 0:01:29 | 0:01:30 | |
You know what, Dad, just before you play another one... | 0:01:30 | 0:01:32 | |
-No, it's called The Stakeout. -I just want to show you... | 0:01:32 | 0:01:34 | |
-Stakeout's my favourite. You know that. -Yeah, yeah. | 0:01:34 | 0:01:36 | |
Can I show you something first? | 0:01:36 | 0:01:37 | |
Remember I was telling you | 0:01:37 | 0:01:40 | |
that I had that photo that I thought was Harry? | 0:01:40 | 0:01:42 | |
-Oh, yeah, yeah. -Turns out it wasn't Harry. | 0:01:42 | 0:01:44 | |
But I did manage to procure a photograph of Harry. | 0:01:44 | 0:01:47 | |
This is going to be a little bit of a shock. | 0:01:47 | 0:01:50 | |
This is your grandfather. | 0:01:50 | 0:01:52 | |
That's a Chinaman. | 0:01:55 | 0:01:57 | |
-A Chinese person, yes. -That's what I said. | 0:01:57 | 0:01:59 | |
-Ah-so. -Don't do that. | 0:01:59 | 0:02:01 | |
-HE ATTEMPTS CHINESE ACCENT: -You want firework? £5! -Oh... | 0:02:01 | 0:02:04 | |
This explains my aptitude with laundry, doesn't it? | 0:02:04 | 0:02:06 | |
-Yeah. -No, this doesn't make sense. | 0:02:06 | 0:02:09 | |
Look, my father was no Chinaman. | 0:02:09 | 0:02:12 | |
Yeah, have a look. | 0:02:16 | 0:02:18 | |
Absurd. | 0:02:18 | 0:02:20 | |
Do you think there's any chance | 0:02:20 | 0:02:21 | |
that the Chinese gene can skip a generation? | 0:02:21 | 0:02:25 | |
You know, like baldness or blue eyes? | 0:02:25 | 0:02:27 | |
Well, blue eyes... | 0:02:27 | 0:02:30 | |
I mean, that's one thing. | 0:02:30 | 0:02:32 | |
But Chinesity? | 0:02:32 | 0:02:34 | |
No. | 0:02:34 | 0:02:36 | |
Strange, Tom's obsession with family all of a sudden. | 0:02:36 | 0:02:40 | |
Hmm. It's probably just a passing phase. | 0:02:40 | 0:02:44 | |
I mean, since Sarah dumped him, | 0:02:44 | 0:02:46 | |
he's had a lot of time on his hands. | 0:02:46 | 0:02:49 | |
One hand in particular. | 0:02:49 | 0:02:51 | |
But, you know, genealogy is like any other ology - | 0:02:51 | 0:02:55 | |
best left to the scientists. | 0:02:55 | 0:02:57 | |
-No. -No. -No, no. | 0:02:57 | 0:02:59 | |
You don't always see your ancestors' characteristics | 0:02:59 | 0:03:02 | |
showing up in the present, in you. | 0:03:02 | 0:03:04 | |
My great-grandfather was German, | 0:03:04 | 0:03:06 | |
but you don't see me annexing countries. | 0:03:06 | 0:03:08 | |
I'm six foot four. | 0:03:08 | 0:03:09 | |
These... It just doesn't seem to make sense. | 0:03:09 | 0:03:12 | |
Nah. | 0:03:12 | 0:03:14 | |
HE SNIFFS | 0:03:14 | 0:03:16 | |
"To the best..." | 0:03:16 | 0:03:17 | |
"To the best..." what? | 0:03:17 | 0:03:19 | |
I think it says, "To the best Nancy Doo in Love." | 0:03:19 | 0:03:23 | |
That's a bit funny. | 0:03:23 | 0:03:24 | |
I think it's a homosexual thing. | 0:03:24 | 0:03:27 | |
But I don't... It might be code. Gay code. | 0:03:27 | 0:03:30 | |
"To the best..." | 0:03:30 | 0:03:32 | |
Nancy Doo. | 0:03:32 | 0:03:33 | |
It's not... No, that's Nanki-Poo. | 0:03:33 | 0:03:35 | |
Nanki-Poo is a character in The Mikado. | 0:03:35 | 0:03:38 | |
So this isn't a Chinese person. | 0:03:38 | 0:03:41 | |
It's a Japanese person. Well, it's not a Japanese person. | 0:03:41 | 0:03:44 | |
It's an English person playing a Japanese person. | 0:03:44 | 0:03:47 | |
He's an actor. | 0:03:47 | 0:03:48 | |
-You know The Mikado? -I don't. | 0:03:48 | 0:03:50 | |
-It's by Gilbert and Sullivan. -A musical or something? | 0:03:50 | 0:03:52 | |
Well, it's kind of an operettary thing, I think they call them. | 0:03:52 | 0:03:55 | |
It's Nanki-Poo. | 0:03:55 | 0:03:57 | |
He's just a tea bag. | 0:03:57 | 0:03:59 | |
And he's in love with Yum-Yum. | 0:03:59 | 0:04:02 | |
Yum-Yum is with somebody else... Ko-Ko, I think. | 0:04:02 | 0:04:05 | |
Are you drunk right now? | 0:04:05 | 0:04:06 | |
Oh, it's absolutely bonkers. You couldn't follow it. | 0:04:06 | 0:04:08 | |
It's like a foreign Teletubbies. | 0:04:08 | 0:04:10 | |
HE SNIFFS | 0:04:10 | 0:04:11 | |
My fingers smell of chicken tikka masala. | 0:04:11 | 0:04:15 | |
-TOM: -Be gone, random old man. | 0:04:15 | 0:04:18 | |
-DEEP VOICE: -Step forward, The real Harry Chadwick. | 0:04:18 | 0:04:21 | |
Who later actually gave up photography and became an actor, | 0:04:21 | 0:04:24 | |
which is interesting to me. | 0:04:24 | 0:04:27 | |
Ta-da! What do you reckon of that? | 0:04:29 | 0:04:31 | |
-What you done there, Pete? -Good? | 0:04:31 | 0:04:33 | |
I've moved your old tat out of the way | 0:04:33 | 0:04:35 | |
and put your lager bottles. | 0:04:35 | 0:04:36 | |
Also, I've got... You'll note, | 0:04:36 | 0:04:38 | |
I've got the tall ones at the end | 0:04:38 | 0:04:41 | |
and then the small one is in the middle. | 0:04:41 | 0:04:43 | |
Thank God. I couldn't... | 0:04:43 | 0:04:45 | |
It was really... It was wrecking my head, that. | 0:04:45 | 0:04:47 | |
Well, it's better than that old stuff. | 0:04:47 | 0:04:49 | |
-You know Nigel, who I work with at the zoo? -Yeah. | 0:04:49 | 0:04:52 | |
Believe it or not, he's got 150 of these | 0:04:52 | 0:04:56 | |
and they go right the way around the top of his picture frame, | 0:04:56 | 0:04:59 | |
and they're all different and they're all dirty names. | 0:04:59 | 0:05:02 | |
-So he's got, like, Hair Of The Pussy lager. -Nice. | 0:05:02 | 0:05:06 | |
Old Bummer's Dirty Gob. | 0:05:06 | 0:05:07 | |
-That's good. -Bishop's Finger Brown. | 0:05:07 | 0:05:10 | |
-Mmm. -Thames Brown Trout. | 0:05:10 | 0:05:12 | |
There's a lot of brown ones. | 0:05:12 | 0:05:13 | |
Randy Goat, Fanny's Old Spot, | 0:05:13 | 0:05:16 | |
Old Gobbler's Bum Hole. | 0:05:16 | 0:05:19 | |
This is Nigel who's the manager of the zoo? | 0:05:19 | 0:05:22 | |
No, harelip Nigel. | 0:05:22 | 0:05:23 | |
That makes more sense. | 0:05:23 | 0:05:25 | |
That guy is living the dream. | 0:05:25 | 0:05:27 | |
Well, not... Apart from the harelip. | 0:05:27 | 0:05:29 | |
-Is he a married man? -He's not married. -That's a shocker. | 0:05:29 | 0:05:32 | |
-Doesn't want to be. -No. | 0:05:32 | 0:05:33 | |
Eh, oh. Ah, right. Talking of marriage... | 0:05:33 | 0:05:35 | |
Not marriage. Don't worry. | 0:05:35 | 0:05:38 | |
I'm setting a lucky boy up on another date. | 0:05:38 | 0:05:41 | |
-Fuck, no. -Fuck, yes. | 0:05:41 | 0:05:42 | |
-Don't do it. -I can do it. I've done it. | 0:05:42 | 0:05:44 | |
-She's called Tracey. -Oh. | 0:05:44 | 0:05:46 | |
And she is fit...as flip. | 0:05:46 | 0:05:50 | |
Wait a second. Wait, wait... Hold on one... | 0:05:50 | 0:05:52 | |
Harry died in Hove. Did you know that? | 0:05:55 | 0:05:57 | |
I didn't know that. | 0:05:57 | 0:05:59 | |
No. I've been busy doing something productive. | 0:05:59 | 0:06:02 | |
"To the best Nanki-Poo in Hove." | 0:06:02 | 0:06:06 | |
In HOVE. | 0:06:06 | 0:06:08 | |
-He died in Hove! -He died in Hove. | 0:06:08 | 0:06:11 | |
Not "in love." | 0:06:11 | 0:06:12 | |
That's... OK. | 0:06:12 | 0:06:15 | |
-We're going to Hove. -Hove! | 0:06:15 | 0:06:17 | |
Lads' road trip. Boys up north on tour. | 0:06:17 | 0:06:21 | |
Yeah, I'll drive. | 0:06:22 | 0:06:23 | |
-PETE: The ticket inspector's come along. TOM: -Yeah. | 0:06:28 | 0:06:30 | |
So we've had to go and stay in the toilet | 0:06:30 | 0:06:32 | |
all the way from Margate to Paddington. | 0:06:32 | 0:06:34 | |
And we'd only been eating fried potato sandwiches all week. | 0:06:34 | 0:06:37 | |
So the smell was... Ow! | 0:06:37 | 0:06:40 | |
Well, this is it. | 0:06:41 | 0:06:43 | |
This is the house that my great-grandad lived in. | 0:06:43 | 0:06:46 | |
-Isn't that weird? -Cool. | 0:06:46 | 0:06:49 | |
Probably tied up his horse here. | 0:06:49 | 0:06:52 | |
-His whores? -His... Don't ruin it. | 0:06:52 | 0:06:54 | |
He would have opened this gate. | 0:06:59 | 0:07:01 | |
He would have walked up these steps. | 0:07:03 | 0:07:05 | |
DOOR BELL RINGS | 0:07:08 | 0:07:12 | |
Excuse me. Can I help you? | 0:07:12 | 0:07:13 | |
Oh, yeah. Um... | 0:07:13 | 0:07:16 | |
my great-grandfather Harry Chadwick | 0:07:16 | 0:07:19 | |
used to live in this house years ago, | 0:07:19 | 0:07:22 | |
so I was checking it out. | 0:07:22 | 0:07:23 | |
There are no Chadwicks here now. | 0:07:23 | 0:07:25 | |
Oh. | 0:07:25 | 0:07:27 | |
Chadwick... | 0:07:27 | 0:07:29 | |
I think I remember my mother talking about the Chadwicks. | 0:07:31 | 0:07:34 | |
She's lived here since she was a child. | 0:07:34 | 0:07:36 | |
Oh, do you think it would be possible | 0:07:36 | 0:07:38 | |
for me to ask her a couple of questions? | 0:07:38 | 0:07:39 | |
Yes, of course. I'll see if I can get her to come to. | 0:07:39 | 0:07:41 | |
-Oh, great. -Would you like to come in for a cup of tea? | 0:07:41 | 0:07:44 | |
How lovely. Thank you. | 0:07:44 | 0:07:46 | |
-Do you like Jaffa Cakes? -Do I? -I do. -I do, yeah. | 0:07:46 | 0:07:49 | |
Oh, have you got Garibaldis? | 0:07:49 | 0:07:51 | |
-Jaffa Cakes would be great. -I pref... I like Jaffa Cakes. | 0:07:51 | 0:07:53 | |
-WOMAN: -So, Mum, this is Tom. | 0:07:53 | 0:07:56 | |
And he's got one or two questions | 0:07:56 | 0:07:59 | |
about his great-grandfather, Harry Chadwick. | 0:07:59 | 0:08:03 | |
Do you remember? | 0:08:03 | 0:08:04 | |
The Chadwicks that used to live next door? | 0:08:04 | 0:08:07 | |
I think he was some kind of a performer. | 0:08:07 | 0:08:09 | |
I think he was an actor maybe. | 0:08:09 | 0:08:11 | |
I... Yes. | 0:08:17 | 0:08:20 | |
He was. | 0:08:20 | 0:08:22 | |
And did you ever see him in the theatre? | 0:08:22 | 0:08:25 | |
Oh, yes, yes. | 0:08:25 | 0:08:28 | |
When I was a little girl, | 0:08:28 | 0:08:31 | |
they took me to the... | 0:08:31 | 0:08:34 | |
..the... | 0:08:36 | 0:08:37 | |
..Regent's Theatre | 0:08:39 | 0:08:42 | |
to see him in a play. | 0:08:42 | 0:08:44 | |
Oh. | 0:08:44 | 0:08:45 | |
Oh, what was it? | 0:08:45 | 0:08:47 | |
The Duchess Of Malfi. | 0:08:49 | 0:08:51 | |
Ooh. | 0:08:51 | 0:08:52 | |
No, no. No. | 0:08:53 | 0:08:57 | |
Uh... | 0:08:57 | 0:08:59 | |
Sh... | 0:08:59 | 0:09:04 | |
What was it? | 0:09:04 | 0:09:05 | |
SHE EXHALES | 0:09:12 | 0:09:13 | |
No. | 0:09:13 | 0:09:15 | |
-What... -Sorry? | 0:09:15 | 0:09:16 | |
What is that thing around her neck? | 0:09:16 | 0:09:18 | |
I invented that. I'm rather proud of it. | 0:09:18 | 0:09:21 | |
So she breathes, I can see she's still breathing. | 0:09:21 | 0:09:24 | |
I saw him in a play with David Garrick. | 0:09:24 | 0:09:28 | |
Ooh. Um, Mum, I don't think | 0:09:28 | 0:09:31 | |
it could have been David Garrick, | 0:09:31 | 0:09:32 | |
because David Garrick, I think, was work... | 0:09:32 | 0:09:35 | |
He was working in the 1700s, | 0:09:35 | 0:09:37 | |
so I don't think it could have been David Garrick. | 0:09:37 | 0:09:39 | |
Sometimes she's as bright as a tack, | 0:09:39 | 0:09:41 | |
others she's completely doolally. | 0:09:41 | 0:09:44 | |
Yeah, he's the same. | 0:09:44 | 0:09:45 | |
I remember. | 0:09:45 | 0:09:47 | |
It was Sir Donald Wolfit... | 0:09:47 | 0:09:51 | |
-Ah. -..not Garrick. | 0:09:51 | 0:09:54 | |
SHE CHUCKLES | 0:09:54 | 0:09:55 | |
I look upon the theatre as like a temple | 0:09:58 | 0:10:00 | |
or a mosque or a church. | 0:10:00 | 0:10:03 | |
-The chairs are a bit like pews and... -Right. | 0:10:03 | 0:10:06 | |
..the stage is a bit like an altar. | 0:10:06 | 0:10:07 | |
-I'm not religious myself. -Yeah. | 0:10:07 | 0:10:10 | |
But, you know, I've been coming for years, | 0:10:10 | 0:10:12 | |
and it's very much like we come to worship. | 0:10:12 | 0:10:15 | |
And do you know what these seats have seen? | 0:10:15 | 0:10:17 | |
-Mmm. -Hmm? | 0:10:17 | 0:10:19 | |
Let alone the star dressing rooms. | 0:10:19 | 0:10:21 | |
-This is something else. -It's beautiful. | 0:10:21 | 0:10:24 | |
"I have always relied on the kindness of strangers." | 0:10:27 | 0:10:30 | |
-Tennessee Williams. -Yeah. I love that film. | 0:10:32 | 0:10:34 | |
-Really? -Yeah. | 0:10:34 | 0:10:36 | |
-Marlon Brando. -Yeah, he's great, isn't he? | 0:10:36 | 0:10:38 | |
Yes. Yes, he's... | 0:10:38 | 0:10:39 | |
Have you seen Superman? | 0:10:39 | 0:10:41 | |
-Um... -He played the dad in Superman. | 0:10:41 | 0:10:43 | |
No. I just remember his ripped T-shirt in...in... | 0:10:43 | 0:10:48 | |
in Streetcar... | 0:10:48 | 0:10:50 | |
So weird that Harry stood here. | 0:10:50 | 0:10:53 | |
-Isn't it? -Yes! | 0:10:53 | 0:10:55 | |
And now I'm standing here. | 0:10:55 | 0:10:56 | |
You're standing... He stood here. | 0:10:56 | 0:10:58 | |
I just get goose bumps. | 0:10:58 | 0:11:00 | |
Yes, it's very moving, I think. | 0:11:00 | 0:11:02 | |
I was told that he performed here with Donald Wolfit. | 0:11:02 | 0:11:06 | |
No, no. | 0:11:06 | 0:11:08 | |
He did perform here with Laurence Olivier. | 0:11:08 | 0:11:11 | |
-No! -Yes. Sir Laurence. | 0:11:11 | 0:11:14 | |
-Oh, my God. -No, I know. | 0:11:14 | 0:11:15 | |
And earlier today we were going through the records | 0:11:15 | 0:11:19 | |
and we actually found a programme. | 0:11:19 | 0:11:22 | |
There you go. | 0:11:22 | 0:11:23 | |
He acted opposite Laurence Olivier? | 0:11:23 | 0:11:26 | |
-Yes, he did. -That's crazy. | 0:11:26 | 0:11:28 | |
It's amazing. | 0:11:28 | 0:11:29 | |
-Laurence Olivier. -Yes, there he is. | 0:11:29 | 0:11:32 | |
Sir Laurence, aw. | 0:11:32 | 0:11:34 | |
-Harry Chadwick! -Harry Chadwick. | 0:11:40 | 0:11:42 | |
"Greek Soldiers." | 0:11:42 | 0:11:44 | |
Yes, but on the same stage as Laurence Olivier, | 0:11:44 | 0:11:47 | |
so that's...you know, that's wonderful. | 0:11:47 | 0:11:49 | |
And you know what, it was probably just the start of his career. | 0:11:49 | 0:11:52 | |
Uh, no. | 0:11:52 | 0:11:54 | |
No, I think it was sort of towards the end, the peak of his career. | 0:11:54 | 0:11:58 | |
But that's because, actually, Harry was mainly known | 0:11:58 | 0:12:01 | |
for his light entertainment work, | 0:12:01 | 0:12:02 | |
his comedic work, you see. | 0:12:02 | 0:12:04 | |
-Ah, I see. He was more of a... -Yes. | 0:12:04 | 0:12:06 | |
Yeah, that makes a lot of sense. | 0:12:06 | 0:12:07 | |
Yeah. HE SCREAMS | 0:12:07 | 0:12:09 | |
Oh, my God! What...what are you doing? | 0:12:09 | 0:12:10 | |
-I'm... -Just don't touch anything! | 0:12:10 | 0:12:12 | |
-Leave it! Leave it! -It's come off. | 0:12:12 | 0:12:14 | |
It's very dangerous here. Just back away. | 0:12:14 | 0:12:16 | |
-No, no, please. -That's not even attached on that side. | 0:12:16 | 0:12:19 | |
I'm sorry. This theatre is something of a labyrinth. | 0:12:19 | 0:12:22 | |
Ah, here we are. Ta-da! | 0:12:22 | 0:12:24 | |
-Oh, wow. -Guess. | 0:12:24 | 0:12:26 | |
Oh. | 0:12:26 | 0:12:28 | |
Um... | 0:12:30 | 0:12:33 | |
-There? -No. | 0:12:33 | 0:12:36 | |
-The guy in the hat? -No. | 0:12:37 | 0:12:39 | |
Here he is. | 0:12:39 | 0:12:41 | |
And, more specifically, here he is. | 0:12:41 | 0:12:45 | |
He was the back end of a pantomime horse. | 0:12:45 | 0:12:47 | |
-Shut up. -Yes. | 0:12:47 | 0:12:49 | |
And in theatrical parlance, that's known as the tail end. | 0:12:49 | 0:12:51 | |
-Right. -And his partner, Sid Balducci, | 0:12:51 | 0:12:54 | |
was the front end, the gob-ender. | 0:12:54 | 0:12:56 | |
-The gob-ender. -Yes, and they were together for about 20 years. | 0:12:56 | 0:12:59 | |
-He did this for 20 years? -20 years. | 0:12:59 | 0:13:01 | |
-Wow. -And they were very, very, very well respected. | 0:13:01 | 0:13:04 | |
Yeah, I'm getting a lot of respect from the photo. | 0:13:04 | 0:13:07 | |
This is a production of Hamlet? | 0:13:07 | 0:13:09 | |
I...I don't think so. | 0:13:09 | 0:13:11 | |
I don't think so either. I was really joking. | 0:13:11 | 0:13:13 | |
No, but I know someone who does know. | 0:13:13 | 0:13:14 | |
-Yeah. -Mitch! | 0:13:14 | 0:13:17 | |
Mitch! HE LAUGHS | 0:13:17 | 0:13:18 | |
Shut up. Don't. | 0:13:18 | 0:13:19 | |
We need your help. | 0:13:19 | 0:13:21 | |
This is Pete and this is Tom Chadwick, | 0:13:21 | 0:13:25 | |
great-grandson of Harry Chadwick. | 0:13:25 | 0:13:28 | |
It's an honour to meet you. | 0:13:29 | 0:13:30 | |
Oh, thank you. | 0:13:30 | 0:13:31 | |
-Hello, Pete. -Hello. I'm Pete. | 0:13:31 | 0:13:33 | |
Oh, isn't Harry on this? | 0:13:33 | 0:13:35 | |
Do you know, he is. | 0:13:35 | 0:13:37 | |
This is our centenary DVD. We're very proud of it. | 0:13:37 | 0:13:40 | |
-Harry made the best of? -Yes. | 0:13:40 | 0:13:42 | |
-Oh. -Harry is indeed on there. | 0:13:42 | 0:13:45 | |
As you can see, there are some other acts to go through. | 0:13:45 | 0:13:47 | |
This is a dog act. | 0:13:47 | 0:13:49 | |
Nobody liked to follow animal acts. | 0:13:49 | 0:13:51 | |
-Oh, the mess. -Impossible to lift the audience afterwards. | 0:13:51 | 0:13:54 | |
BeastEnders. | 0:13:54 | 0:13:56 | |
Beast... like EastEnders. | 0:13:56 | 0:13:58 | |
Yeah, I think they got it. I think they got it. | 0:13:58 | 0:14:00 | |
Ah, now this is Little Tich | 0:14:00 | 0:14:02 | |
who was famous for dancing on stilts. | 0:14:02 | 0:14:06 | |
-Up he goes. -Wow. | 0:14:06 | 0:14:08 | |
Indeed. Seems to be pretty much all he did. | 0:14:08 | 0:14:10 | |
Ah, yes, and the famous regurgitator, Hadji Ali. | 0:14:10 | 0:14:14 | |
You'd have thought "regurgitator" would put the audience off, | 0:14:14 | 0:14:16 | |
-but they seemed to... -Ho! -..enjoy it. | 0:14:16 | 0:14:19 | |
-Look at that. -I can do that. -My favourite act of all - | 0:14:19 | 0:14:22 | |
the women throwing the handkerchief. | 0:14:22 | 0:14:24 | |
-Aw. -A friend of mine told me they rehearsed for eight years to get this act right. | 0:14:24 | 0:14:28 | |
She just dropped it. | 0:14:28 | 0:14:29 | |
I think you can see the result, yes. | 0:14:29 | 0:14:31 | |
She might have needed nine years. | 0:14:31 | 0:14:33 | |
And that's what... the three of them... | 0:14:33 | 0:14:35 | |
-Yeah. -They throw the hand... And then... | 0:14:35 | 0:14:38 | |
Yes. | 0:14:38 | 0:14:39 | |
Ah, now, this is Wilson and Keppel | 0:14:39 | 0:14:42 | |
without Betty, with whom they often appeared. | 0:14:42 | 0:14:45 | |
As you see, they were very close. | 0:14:45 | 0:14:48 | |
We could do that. | 0:14:48 | 0:14:49 | |
And now the piece de resistance. | 0:14:49 | 0:14:52 | |
-Hey! -Yes. | 0:14:52 | 0:14:54 | |
Here they are, Chadwick and Balducci. | 0:14:54 | 0:14:57 | |
Note the billing order, please. | 0:14:57 | 0:14:59 | |
-Oh. -Alphabetical. | 0:14:59 | 0:15:01 | |
No, no, no, no. | 0:15:01 | 0:15:02 | |
Oh, no, B before C except... No, B before C. | 0:15:02 | 0:15:05 | |
-You got it, didn't you? -Got it. | 0:15:05 | 0:15:06 | |
And this, as you see, is their signature curtain call | 0:15:06 | 0:15:09 | |
where they came downstage with Harry waving | 0:15:09 | 0:15:13 | |
the horse's tail at the audience. | 0:15:13 | 0:15:14 | |
-HE LAUGHS -He's walking backwards. | 0:15:14 | 0:15:16 | |
And waving his tail. | 0:15:16 | 0:15:17 | |
-Oh. -Yeah. Very fetching. | 0:15:17 | 0:15:19 | |
Brilliant. | 0:15:19 | 0:15:21 | |
Would you say that out of all the rear-enders | 0:15:21 | 0:15:24 | |
he would have been one of the better ones? | 0:15:24 | 0:15:26 | |
Do you know, I think I can say he was the best. | 0:15:28 | 0:15:31 | |
-Ooh. -Aw. | 0:15:31 | 0:15:33 | |
Oh! | 0:15:33 | 0:15:34 | |
(Why don't we show them the costume?) | 0:15:34 | 0:15:37 | |
-Why not? -We've got such a treat for you. | 0:15:37 | 0:15:39 | |
-Why don't you follow us? Come on. -Follow us. | 0:15:39 | 0:15:41 | |
It's just like an Aladdin's cave for me. | 0:15:43 | 0:15:45 | |
Wow. All this stuff. | 0:15:45 | 0:15:47 | |
Haven't worn this for years. | 0:15:47 | 0:15:49 | |
PETE GRUNTS | 0:15:49 | 0:15:51 | |
Here it is. | 0:15:51 | 0:15:53 | |
-Oh, my God. -Ooh! | 0:15:53 | 0:15:55 | |
And every year they used to enter the annual pantomime horse race. | 0:15:55 | 0:15:59 | |
Really quite historic. | 0:15:59 | 0:16:00 | |
-It's been run for nearly 100 years. -Wow. | 0:16:00 | 0:16:02 | |
And they won nine years in a row. | 0:16:02 | 0:16:04 | |
So, were they as close offstage as they were on? | 0:16:04 | 0:16:06 | |
Uh-oh. | 0:16:08 | 0:16:09 | |
Actually, they did have a terrible falling out. | 0:16:09 | 0:16:14 | |
It had been brewing for some time. | 0:16:14 | 0:16:17 | |
And the word is that on this particular day, | 0:16:17 | 0:16:20 | |
Sid ate a very strong curry before the show. | 0:16:20 | 0:16:23 | |
You see, and Harry being the legs | 0:16:23 | 0:16:25 | |
and then Sid was the front and he was... | 0:16:25 | 0:16:27 | |
He would have gotten it right in the... Yeah. | 0:16:27 | 0:16:29 | |
-Not pleasant. -Personal hygiene wasn't good then. | 0:16:29 | 0:16:31 | |
-Got it. -I don't think they worked together again after that. | 0:16:31 | 0:16:34 | |
-He farted. -Yeah, I know. We got that, Pete. | 0:16:34 | 0:16:36 | |
-Yes, thank you. -The one in the front to the one in the back. | 0:16:36 | 0:16:39 | |
Yes, we worked it out. | 0:16:39 | 0:16:42 | |
I guess that's a real faux pas in the horse world. | 0:16:42 | 0:16:45 | |
Well, yes. It's a sort of strike against you. | 0:16:45 | 0:16:48 | |
Is this something that I could buy off you? | 0:16:48 | 0:16:49 | |
Well, we don't normally sell costumes, but... | 0:16:49 | 0:16:53 | |
I think under the circumstances, | 0:16:53 | 0:16:55 | |
as it's a rich piece of your family history, | 0:16:55 | 0:16:57 | |
-in exchange perhaps for a donation to the theatre? -Yeah. | 0:16:57 | 0:17:01 | |
Thanks so much for these. | 0:17:01 | 0:17:03 | |
Oh, no, it's been lovely. | 0:17:03 | 0:17:04 | |
-It's quite exciting for us. -Yeah, yeah. | 0:17:04 | 0:17:06 | |
-Thanks again. -Thank you. | 0:17:06 | 0:17:08 | |
This is a bit difficult and strictly entre nous, | 0:17:08 | 0:17:10 | |
but apparently the real reason Harry and Sid fell out | 0:17:10 | 0:17:13 | |
was because Elsie, Harry's wife, had an affair with Sid. | 0:17:13 | 0:17:16 | |
-No. -Yes. | 0:17:16 | 0:17:17 | |
-Oh, my God. -I know. And apparently, after Harry died, | 0:17:17 | 0:17:20 | |
Sid and Elsie got married and then left the area. | 0:17:20 | 0:17:23 | |
I know. | 0:17:25 | 0:17:26 | |
That's so sad. | 0:17:26 | 0:17:28 | |
-But I thought you should know. -Yeah. | 0:17:28 | 0:17:30 | |
Yes. Mmm. | 0:17:30 | 0:17:31 | |
-Poor Harry. -Poor Harry, yes. | 0:17:31 | 0:17:34 | |
-Well, thanks for letting me know. -No, no, no. | 0:17:34 | 0:17:36 | |
-It's actually really useful. -It's a pleasure, you know. | 0:17:36 | 0:17:38 | |
Travel safe and, you know, pop in if you're in the environs. | 0:17:38 | 0:17:42 | |
There's tea all the time, caramel slices, everything. | 0:17:42 | 0:17:44 | |
-Exciting for us. Yeah. -Yeah, yeah. | 0:17:44 | 0:17:46 | |
-Thank you. -Bye. | 0:17:46 | 0:17:48 | |
-Bye. -Bye. | 0:17:48 | 0:17:50 | |
Aw. | 0:17:50 | 0:17:52 | |
ALL SHOUT | 0:17:52 | 0:17:54 | |
-Chip in! -Go on, there! | 0:17:54 | 0:17:55 | |
I mean, the news about Harry | 0:17:55 | 0:17:57 | |
really just hit me for four, you know. | 0:17:57 | 0:17:59 | |
It's weird. | 0:17:59 | 0:18:01 | |
I kind of felt very connected to him in that moment. | 0:18:01 | 0:18:06 | |
And I've decided, as a legacy, | 0:18:06 | 0:18:10 | |
as a tribute to Harry, | 0:18:10 | 0:18:11 | |
that we are going to run the Costume Horse Derby. | 0:18:11 | 0:18:15 | |
And we're going to take it seriously. | 0:18:18 | 0:18:19 | |
You know, we want to win, | 0:18:19 | 0:18:21 | |
because we are stepping... running in the footstep... | 0:18:21 | 0:18:26 | |
the hoof-steps of a legend. | 0:18:26 | 0:18:30 | |
I can't hear anything and I have very limited vision. | 0:18:30 | 0:18:33 | |
Let's do this thing! | 0:18:33 | 0:18:35 | |
It's me. | 0:18:38 | 0:18:39 | |
-Did they know? -Yeah. | 0:18:41 | 0:18:43 | |
They look a bit vulnerable out there, don't they? | 0:18:45 | 0:18:48 | |
Doing something so outlandish in public. | 0:18:48 | 0:18:51 | |
Hello? Hello? | 0:18:51 | 0:18:54 | |
Yeah, but this is less conspicuous. | 0:18:54 | 0:18:57 | |
-Don't stop too suddenly, because I'll go right up you. -I won't. | 0:18:57 | 0:19:00 | |
Three, two, one. | 0:19:00 | 0:19:01 | |
-BOTH: Run. -Ow! | 0:19:01 | 0:19:03 | |
They haven't quite got the movement of the horse down. | 0:19:03 | 0:19:06 | |
-Are they going to go crawl? -I'm not sure. | 0:19:06 | 0:19:09 | |
-Right! -Left! | 0:19:09 | 0:19:10 | |
Right. Why are you saying...? | 0:19:10 | 0:19:12 | |
I just find it interesting that my grandfather was... | 0:19:12 | 0:19:15 | |
my great-grandfather... | 0:19:15 | 0:19:17 | |
-Harry. -Harry. ..was in the theatre. | 0:19:17 | 0:19:21 | |
-Is it giving you ideas? -Monkey's been telling me | 0:19:21 | 0:19:23 | |
we should start to tread the boards ourselves. | 0:19:23 | 0:19:26 | |
Well, I think I've got it in my blood. | 0:19:26 | 0:19:27 | |
-Well, it's my blood. -My blood. | 0:19:27 | 0:19:29 | |
-My blood. -She's so weird. | 0:19:29 | 0:19:32 | |
But I think... I'm not sure if I'm ready | 0:19:32 | 0:19:35 | |
to share him with the world. | 0:19:35 | 0:19:37 | |
-She wants to keep me locked up to herself. -Well... | 0:19:37 | 0:19:40 | |
MAN: Come on. | 0:19:40 | 0:19:43 | |
Hey, look! It's Tony Evans! | 0:19:43 | 0:19:45 | |
Eeyore! Eeyore! | 0:19:45 | 0:19:47 | |
Give him the ball. Yeah! | 0:19:47 | 0:19:49 | |
-MAN: Let him have a shot. -Ow! What the fuck was that?! | 0:19:50 | 0:19:53 | |
It's funny, because this weekend | 0:19:54 | 0:19:56 | |
I'm going... I'm going trekking with some friends. | 0:19:56 | 0:19:59 | |
-Oh. -We go to the countryside, | 0:19:59 | 0:20:01 | |
because I've got this thing where I really like bones. | 0:20:01 | 0:20:05 | |
And so do my friends. | 0:20:05 | 0:20:07 | |
We go to the countryside at the weekend | 0:20:07 | 0:20:11 | |
and we find little patches and we dig them up. | 0:20:11 | 0:20:16 | |
It's different, isn't it? It's different. | 0:20:16 | 0:20:18 | |
Some girls are into shoes. | 0:20:18 | 0:20:20 | |
-Yeah. -Or, "I really like scarves," or something. | 0:20:20 | 0:20:24 | |
And I just... I'm just really into bones. | 0:20:24 | 0:20:26 | |
-That's interesting. -Yeah. | 0:20:26 | 0:20:27 | |
Once you say you like bones, | 0:20:27 | 0:20:29 | |
you will see them everywhere. | 0:20:29 | 0:20:32 | |
-I hadn't thought about that. -Yeah. Roadkill. | 0:20:32 | 0:20:34 | |
There's roadkill. For sure they've got bones in those, don't they? | 0:20:34 | 0:20:37 | |
Yeah, plenty, and that's just like free bones. | 0:20:37 | 0:20:39 | |
It's like they're just on the side. | 0:20:39 | 0:20:41 | |
-Do you buy bones? -Well, not directly, | 0:20:41 | 0:20:43 | |
but sometimes you get them as a by-product. | 0:20:43 | 0:20:46 | |
Like, if I were to offer you a bucket, | 0:20:46 | 0:20:48 | |
what would you take out of it? | 0:20:48 | 0:20:49 | |
-What bit of meat? -Breast. | 0:20:49 | 0:20:51 | |
-It's the breast, isn't it? -Yeah, it's the tastiest. | 0:20:51 | 0:20:53 | |
Straight to the breast. Straight, always. | 0:20:53 | 0:20:54 | |
-Right in there. -You're wrong, though. | 0:20:54 | 0:20:56 | |
You go for the leg, you get the free bone. | 0:20:56 | 0:20:58 | |
Free bone. | 0:20:58 | 0:21:00 | |
-So it's... -Sometimes you get a bone with the breast. | 0:21:00 | 0:21:03 | |
-No, because... -It's not as... | 0:21:05 | 0:21:07 | |
-It's not. If you've got... -Not in a pure breast. | 0:21:07 | 0:21:10 | |
No, that's why you have to go for the legs. | 0:21:10 | 0:21:12 | |
-Yeah, the legs are good. -Yeah. | 0:21:12 | 0:21:15 | |
They're quite sexy. | 0:21:15 | 0:21:16 | |
Oh, I hadn't thought of them in a sexual way. | 0:21:16 | 0:21:18 | |
-I feel a bit funny saying this on a first date. -Yeah. | 0:21:18 | 0:21:22 | |
I always think no-one really talks about | 0:21:22 | 0:21:24 | |
how quite sort of sensual a bone...like, to look at. | 0:21:24 | 0:21:27 | |
-Mm-hmm. -The curves of it are really quite lovely. | 0:21:27 | 0:21:31 | |
Like a vertebrae, for example. | 0:21:31 | 0:21:33 | |
-It's a great bone. -It's a great bone. | 0:21:33 | 0:21:35 | |
-Yeah. -No, but it really is. | 0:21:35 | 0:21:37 | |
-Mm-hmm. -One of my favourites, I'd say. | 0:21:37 | 0:21:40 | |
What's... What would be your favourite bone? | 0:21:40 | 0:21:43 | |
Oh...uh, femur? Like, a femur bone? | 0:21:43 | 0:21:45 | |
-That's a good one. -That's a bone, isn't it? | 0:21:45 | 0:21:47 | |
-Yeah, that's a really good one. -Yeah. | 0:21:47 | 0:21:49 | |
-I like a clavicle as well. -Yeah? | 0:21:49 | 0:21:52 | |
Mmm. I've got quite pronounced clavicles. | 0:21:52 | 0:21:55 | |
-You can see. If I do that... -Yeah. | 0:21:55 | 0:21:57 | |
If I do that, you can really... you really notice how the clavicles | 0:21:57 | 0:22:02 | |
-are quite... -They're massive, aren't they? | 0:22:02 | 0:22:03 | |
-..pronounced, aren't they? -Yeah, they are. Yeah. | 0:22:03 | 0:22:05 | |
-You can see, can't you? -Yeah, they're right... | 0:22:05 | 0:22:07 | |
You could probably... Like, you could put...you could put... | 0:22:07 | 0:22:10 | |
-What are you...? -If you could... | 0:22:10 | 0:22:11 | |
-Yeah? -Go on, put some. Put... Go on, have a... | 0:22:11 | 0:22:13 | |
-Put salt in there? -Yeah, see. | 0:22:13 | 0:22:15 | |
-Just put... -All right. | 0:22:15 | 0:22:18 | |
See? | 0:22:18 | 0:22:19 | |
-There we go. There we go. -Yeah, you see? | 0:22:19 | 0:22:21 | |
It's in there, yeah? | 0:22:21 | 0:22:23 | |
I just put salt in your clavicle. | 0:22:23 | 0:22:25 | |
Just kind of tumbling out there. | 0:22:25 | 0:22:29 | |
Ooh. | 0:22:29 | 0:22:30 | |
Fuckin' salt all over you. | 0:22:30 | 0:22:32 | |
-Still in there as well. -Yeah. | 0:22:32 | 0:22:33 | |
I'll just keep it. Put some on my dinner. | 0:22:33 | 0:22:36 | |
Have I gone too far with the...? | 0:22:36 | 0:22:38 | |
You seem a bit upset. | 0:22:38 | 0:22:40 | |
It's...it's fascinating. | 0:22:40 | 0:22:41 | |
It's fascinating, but it's... | 0:22:41 | 0:22:44 | |
-Overwhelming. -It's fucking so much bone. | 0:22:44 | 0:22:47 | |
Like, it's more bone than... | 0:22:47 | 0:22:48 | |
I don't know if I was ready for it. | 0:22:48 | 0:22:51 | |
Out in the real world just talking about bones | 0:22:51 | 0:22:54 | |
and pouring salt on each other. | 0:22:54 | 0:22:56 | |
I don't know if I'm able... | 0:22:56 | 0:22:58 | |
I just don't know if I'm able for it. | 0:22:58 | 0:23:01 | |
I don't just talk about bones. | 0:23:01 | 0:23:03 | |
That's all you've talked about tonight. | 0:23:03 | 0:23:05 | |
I can talk about other things like stones. | 0:23:05 | 0:23:07 | |
Well, there you go. | 0:23:07 | 0:23:09 | |
-TANNOY: -This year's first-time contender, | 0:23:09 | 0:23:11 | |
Harry's End, owned by Tom Chadwick, | 0:23:11 | 0:23:13 | |
is currently at eight to one. | 0:23:13 | 0:23:15 | |
Last year's runner-up, Panda Expression, | 0:23:15 | 0:23:18 | |
is at four to one. | 0:23:18 | 0:23:19 | |
And Jim the Giraffe, today's joint favourite, | 0:23:19 | 0:23:22 | |
is now at five to three. | 0:23:22 | 0:23:23 | |
MAN: The Pantomime Horse Race has been going nearly 100 years. | 0:23:23 | 0:23:26 | |
The first time it was held was 1919, | 0:23:26 | 0:23:29 | |
just after the Great War. | 0:23:29 | 0:23:30 | |
This was an amazing way of cheering everyone up | 0:23:30 | 0:23:33 | |
with a wonderful event of happiness | 0:23:33 | 0:23:36 | |
and sporting activity. | 0:23:36 | 0:23:38 | |
During the Second World War, there was a scarcity of horses | 0:23:38 | 0:23:41 | |
and we had to open the doors to other animals - | 0:23:41 | 0:23:45 | |
cows, the odd pig. | 0:23:45 | 0:23:48 | |
I drew the line a couple of years ago when a camel wanted to run. | 0:23:48 | 0:23:51 | |
I thought, "That's a little bit unfair." | 0:23:51 | 0:23:53 | |
The chap behind got to stand up, head in the hump. | 0:23:53 | 0:23:56 | |
And I thought, "No, that's an advantage too far." | 0:23:56 | 0:23:59 | |
-I'm feeling pretty confident. -I'm feeling strong. | 0:23:59 | 0:24:01 | |
There's a lot of good crews out there. | 0:24:01 | 0:24:03 | |
-There's no doubt about that. -Yeah. | 0:24:03 | 0:24:04 | |
I can see a little bit through the mouth. | 0:24:04 | 0:24:06 | |
And we did the circuit. | 0:24:06 | 0:24:08 | |
And there's a couple of crews that are looking strong. | 0:24:08 | 0:24:11 | |
Although there's a guy just in a giraffe... | 0:24:11 | 0:24:13 | |
-Jim the Giraffe. -He's just... | 0:24:13 | 0:24:15 | |
-That's just one guy. -He's just one guy. He's got two legs. | 0:24:15 | 0:24:17 | |
We haven't costume raced before, but you don't need to be an expert | 0:24:17 | 0:24:20 | |
-to see the difference between two and four. -There's a difference. | 0:24:20 | 0:24:22 | |
-TANNOY: -The going here today is soft to firm. | 0:24:22 | 0:24:25 | |
Jim the Giraffe looks like he could win by a neck. | 0:24:25 | 0:24:28 | |
Uncle Ned is primed to go. | 0:24:28 | 0:24:31 | |
Daisy Cow looks like an udder good contender. | 0:24:31 | 0:24:34 | |
And Harry's End seems eager to get under way. | 0:24:34 | 0:24:36 | |
I'm really excited, Keith. | 0:24:36 | 0:24:38 | |
-Remember that when they cross... -All right, Tom! | 0:24:38 | 0:24:40 | |
..the finish line, the front and the back end... | 0:24:40 | 0:24:41 | |
-KEITH: Showtime! -..of the horses must be attached. | 0:24:41 | 0:24:44 | |
-They're all in line now and... -GUNSHOT | 0:24:44 | 0:24:46 | |
-KEITH: Go, Tom! -..away they go! | 0:24:46 | 0:24:48 | |
Panda Expression is showing a good early pace | 0:24:48 | 0:24:51 | |
in the middle of the pack, | 0:24:51 | 0:24:53 | |
but Jim the Giraffe is taking the lead | 0:24:53 | 0:24:55 | |
with Kedgeree Breakfast and Uncle Ned bringing up the rear. | 0:24:55 | 0:24:58 | |
-Oh! Aw, and Harry's End has fallen badly. -Foul! Get up! | 0:24:58 | 0:25:02 | |
It's Jim the Giraffe followed by Panda Expression | 0:25:02 | 0:25:05 | |
-as Harry's End tries in vain to catch up. -Good recovery. | 0:25:05 | 0:25:08 | |
All right. Bloody hell. | 0:25:08 | 0:25:11 | |
This fucking cramp. | 0:25:11 | 0:25:13 | |
-This cramp just hit... -I told you... | 0:25:13 | 0:25:15 | |
-Yeah, I know. -..that giraffe would win. | 0:25:15 | 0:25:18 | |
Two legs. A biped versus...fourpeds. | 0:25:18 | 0:25:21 | |
How is that fair? | 0:25:21 | 0:25:23 | |
And that panda. It was miles away. | 0:25:25 | 0:25:27 | |
-I couldn't see him. -Tiny... | 0:25:27 | 0:25:29 | |
-He was like a dot. -I couldn't see him. I couldn't see anything. | 0:25:29 | 0:25:32 | |
He was only 55 when he died. | 0:25:46 | 0:25:48 | |
Sad. | 0:25:49 | 0:25:51 | |
He died so young with a broken heart | 0:25:51 | 0:25:53 | |
and lungs full of the flatulence of his betrayer. | 0:25:53 | 0:25:56 | |
It wasn't your fault, Harry. | 0:26:02 | 0:26:04 | |
You and me. | 0:26:08 | 0:26:10 | |
What a pair of cuckolds. | 0:26:10 | 0:26:12 | |
This is his...his mum and dad, | 0:26:20 | 0:26:24 | |
Charles and Rebecca Chadwick. | 0:26:24 | 0:26:26 | |
Died in the '20s. | 0:26:26 | 0:26:28 | |
Weirdly, there's no... | 0:26:28 | 0:26:30 | |
there's no date of birth on the tombstones. | 0:26:30 | 0:26:34 | |
I wonder what we'll find out about them. | 0:26:34 | 0:26:37 | |
The way things are going, we'll find out | 0:26:37 | 0:26:38 | |
that Rebecca was probably a stripper. | 0:26:38 | 0:26:40 | |
Rest well, Harry, | 0:26:44 | 0:26:46 | |
with your tail held high. | 0:26:46 | 0:26:47 | |
# When I found you I found myself | 0:26:55 | 0:27:00 | |
# I was going to love you like nobody else | 0:27:00 | 0:27:05 | |
# But I never really had a clue | 0:27:05 | 0:27:09 | |
# How to love a girl like you | 0:27:09 | 0:27:13 | |
# Two true believers We devised | 0:27:13 | 0:27:18 | |
# A temporary paradise | 0:27:18 | 0:27:22 | |
# Now our future is in the past | 0:27:22 | 0:27:26 | |
# I should have known it wouldn't last | 0:27:26 | 0:27:33 | |
# I should have been a better man | 0:27:33 | 0:27:37 | |
# You could have been a better friend | 0:27:37 | 0:27:42 | |
# I'm alone but that's OK | 0:27:42 | 0:27:46 | |
# I guess the dice just rolled that way. # | 0:27:46 | 0:27:52 | |
I have some thing here that I think Vic would have liked you to have. | 0:28:01 | 0:28:04 | |
Your grandfather's jock strap. | 0:28:04 | 0:28:06 | |
Do you think there's any way | 0:28:06 | 0:28:07 | |
I could find out if the person who wore this is related to me? | 0:28:07 | 0:28:10 | |
I suppose there's one quick way. | 0:28:10 | 0:28:12 | |
This is a Greek wedding and it's nice to see you here | 0:28:12 | 0:28:16 | |
despite the economic downfall. | 0:28:16 | 0:28:18 | |
Family is what disappears when you're not looking at it. | 0:28:18 | 0:28:21 | |
-I don't think that's a saying. -Well, it is now. | 0:28:21 | 0:28:23 | |
HE SPEAKS INDISTINCTLY ..Hot! Yeah! | 0:28:23 | 0:28:27 | |
Great. | 0:28:27 | 0:28:28 |