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My job was risk assessment. | 0:00:03 | 0:00:05 | |
So, I got made redundant from that. | 0:00:05 | 0:00:08 | |
Victoria had two brothers. William and Brian. | 0:00:08 | 0:00:10 | |
One that could do no right and one that could do no wrong, | 0:00:10 | 0:00:13 | |
and that was William. | 0:00:13 | 0:00:14 | |
-You know who Brian is? -I never met him until my dad's funeral. | 0:00:14 | 0:00:17 | |
Never saw him again. | 0:00:17 | 0:00:18 | |
My great grandfather, Harry Chadwick? | 0:00:18 | 0:00:21 | |
He was the back end of a pantomime horse! | 0:00:21 | 0:00:24 | |
I think I can say he was the best. | 0:00:24 | 0:00:26 | |
And his partner, Sid Balducci, was the front end! | 0:00:26 | 0:00:30 | |
The real reason Harry and Sid fell out, was because Elsie, | 0:00:30 | 0:00:32 | |
Harry's wife, had an affair with Sid. | 0:00:32 | 0:00:35 | |
Contains some strong language. | 0:00:37 | 0:00:40 | |
GAMES CONSOLE BEEPS | 0:00:41 | 0:00:45 | |
Alistair Chadwick, Jr. | 0:00:56 | 0:00:58 | |
Glendale, California. | 0:00:58 | 0:01:01 | |
He's got a phone number on here. | 0:01:01 | 0:01:02 | |
His number's on here, Pete. | 0:01:02 | 0:01:04 | |
Good. | 0:01:04 | 0:01:06 | |
Do you know who I'm talking about? | 0:01:06 | 0:01:08 | |
Yeah, the, um... | 0:01:08 | 0:01:10 | |
the bloke you're always talking about. | 0:01:10 | 0:01:12 | |
-That's right. I thought you weren't listening. -No. God, no. | 0:01:12 | 0:01:15 | |
-Hello. -Hello. | 0:01:15 | 0:01:17 | |
-This is... -Oh. -..Thomas Chadwick. | 0:01:17 | 0:01:20 | |
I'm looking to speak to Alistair Chadwick Jr. | 0:01:20 | 0:01:24 | |
This is a voicemail. I just realised. | 0:01:24 | 0:01:27 | |
I am a... your relative in London, England. | 0:01:27 | 0:01:33 | |
And I have got your details from tracemypast.net. | 0:01:33 | 0:01:38 | |
We're spawned from the great Chadwick oak. | 0:01:38 | 0:01:43 | |
So let's chat about how great that is. Thank you very much. | 0:01:43 | 0:01:47 | |
-IN AMERICAN ACCENT: -Y'all have a nice... | 0:01:47 | 0:01:49 | |
come back and see us, now. You hear? | 0:01:49 | 0:01:51 | |
-They'll love that. -Yeah. -That was your out. | 0:01:51 | 0:01:53 | |
They probably thought I was an idiot until they heard that. | 0:01:53 | 0:01:56 | |
And then they're like, "Oh, he's just one of us." | 0:01:56 | 0:01:58 | |
One of the gang. | 0:01:58 | 0:01:59 | |
Oh, f... | 0:01:59 | 0:02:00 | |
You've made me crash. | 0:02:00 | 0:02:02 | |
-These are so old. -Oh, Tom, you'll never guess | 0:02:05 | 0:02:08 | |
what old muggins here has got to do this week. | 0:02:08 | 0:02:11 | |
-Uh, finishing primary school. -No. | 0:02:11 | 0:02:13 | |
-Um, you're going dogging in Kew Gardens. -No, you won't guess. | 0:02:13 | 0:02:17 | |
I have got to get alpaca spoo | 0:02:17 | 0:02:19 | |
to inseminate a hembra. | 0:02:19 | 0:02:22 | |
Typical me. | 0:02:22 | 0:02:25 | |
I... I mean, I didn't understand any of it. | 0:02:25 | 0:02:26 | |
I've got to get spoo from an alpaca... | 0:02:26 | 0:02:29 | |
Spoo? | 0:02:29 | 0:02:30 | |
Spoo. Spoo. | 0:02:30 | 0:02:33 | |
You know, spoo, spunk, jizz, | 0:02:33 | 0:02:36 | |
-cock snot, baby batter, nut butter. -Semen. -Semen. -Yep. | 0:02:36 | 0:02:39 | |
-That's another one. -I'm familiar with it. | 0:02:39 | 0:02:41 | |
Yeah, so I've got to get alpaca spoo | 0:02:41 | 0:02:43 | |
to inseminate a hembra, a female alpaca, | 0:02:43 | 0:02:46 | |
and have a baby. | 0:02:46 | 0:02:48 | |
And what's a baby alpaca called? | 0:02:48 | 0:02:50 | |
Oh, God! It's the new Sherlock Holmes. | 0:02:52 | 0:02:55 | |
That's an unusual name. | 0:02:55 | 0:02:57 | |
You seem a bit preoccupied, Holmes. | 0:02:57 | 0:02:59 | |
Do you notice anything unusual, Watson? | 0:02:59 | 0:03:01 | |
It does seem a bit hot in here. | 0:03:01 | 0:03:04 | |
Your capacity for gauging the subtle changes | 0:03:04 | 0:03:06 | |
in your own body temperature is admirable, Watson, | 0:03:06 | 0:03:09 | |
but the warmth you are feeling is the result of having | 0:03:09 | 0:03:11 | |
more Marmite than usual on your sandwich at lunch. | 0:03:11 | 0:03:14 | |
And as a doctor, you would know that yeast extract | 0:03:14 | 0:03:16 | |
contains a high amount of niacin, | 0:03:16 | 0:03:18 | |
which has caused you to experience a slight heat flash. | 0:03:18 | 0:03:20 | |
However, my concerns | 0:03:22 | 0:03:24 | |
are somewhat more cosmic in nature. | 0:03:24 | 0:03:27 | |
I don't understand. | 0:03:27 | 0:03:29 | |
-What are you doing? -Getting my DNA | 0:03:29 | 0:03:32 | |
to speed up the whole family tree thing. | 0:03:32 | 0:03:34 | |
Yeah? Give us a go. | 0:03:34 | 0:03:36 | |
It kind of defeats the purpose if you use the same... | 0:03:38 | 0:03:40 | |
I want to do it. Why can't I do it? | 0:03:40 | 0:03:44 | |
All right. | 0:03:45 | 0:03:46 | |
Yeah, OK. | 0:03:50 | 0:03:51 | |
-Could we be related? -I don't think so. -I hope not. | 0:03:53 | 0:03:58 | |
I'm no button expert. I've never claimed to be one. | 0:03:58 | 0:04:02 | |
But I think these are American. It's got an eagle on it | 0:04:02 | 0:04:06 | |
and it says "quality" on the back. | 0:04:06 | 0:04:09 | |
So it can't be made in England. | 0:04:09 | 0:04:12 | |
These people are American... Charles and Rebecca Chadwick. | 0:04:12 | 0:04:15 | |
But they left America. | 0:04:15 | 0:04:17 | |
When everybody else from England and Ireland were on ships | 0:04:17 | 0:04:20 | |
heading over to the East Coast, Charles and Rebecca Chadwick | 0:04:20 | 0:04:24 | |
came from America on their own | 0:04:24 | 0:04:26 | |
to spawn Harry Chadwick, my great-granddad, | 0:04:26 | 0:04:28 | |
and later me and all of these guys | 0:04:28 | 0:04:31 | |
and this guy, Brian, my great-uncle. | 0:04:31 | 0:04:34 | |
And later his sons Graham Chadwick | 0:04:34 | 0:04:38 | |
and Ronnie Chadwick, who I've tracked down. | 0:04:38 | 0:04:40 | |
And they run a farm in Derbyshire. | 0:04:40 | 0:04:43 | |
I'm going to go and see them, cos I want answers. | 0:04:43 | 0:04:47 | |
-Think this is good? -Yeah, I'm not sure, Tommy. | 0:04:48 | 0:04:51 | |
I think this might be more Warwickshire | 0:04:51 | 0:04:53 | |
or Leicestershire than Derbyshire. | 0:04:53 | 0:04:55 | |
I just want to make sure that I fit in. This is nice. | 0:04:55 | 0:04:57 | |
Did I tell you that I met Sarah at Sainsbury's? | 0:04:57 | 0:05:00 | |
It was good. Really nice. | 0:05:00 | 0:05:02 | |
The first time since...? | 0:05:02 | 0:05:03 | |
Yeah, first time since we broke up. | 0:05:03 | 0:05:05 | |
So it was good. She was looking well. She was looking... | 0:05:05 | 0:05:07 | |
Um, she was with someone. | 0:05:07 | 0:05:09 | |
-Some guy called Clint. -Clint? | 0:05:09 | 0:05:12 | |
It was closure, actually. It felt nice. | 0:05:12 | 0:05:14 | |
Although she did do this thing where she'd... | 0:05:14 | 0:05:16 | |
that kind of, you know... "Hey, Tom," you know? | 0:05:16 | 0:05:18 | |
She'd kind of drop her head to one side. | 0:05:18 | 0:05:20 | |
I'm like, "I'm not having that." | 0:05:20 | 0:05:22 | |
So then I was like, "Oh, I'm fine. How are you?" | 0:05:22 | 0:05:24 | |
She was wearing red lipstick. | 0:05:24 | 0:05:25 | |
I used to love when she would wear red lipstick. | 0:05:25 | 0:05:28 | |
She would never wear it for me | 0:05:28 | 0:05:30 | |
because she thought it looked too slutty. | 0:05:30 | 0:05:32 | |
She would wear this pale pink shit. | 0:05:32 | 0:05:34 | |
But, no, Clint likes red lipstick, so she's all over it. | 0:05:34 | 0:05:36 | |
She looks like a big sexy clown mouth. I think this is good. | 0:05:36 | 0:05:39 | |
I like the hat. Just top it off. What do you reckon? | 0:05:39 | 0:05:44 | |
-You want my honest opinion? -Yeah. | 0:05:45 | 0:05:47 | |
-You look like a grade-A cock, man. -That's great. | 0:05:47 | 0:05:50 | |
-Thanks for coming in, Mr Chadwick. -Sure. Sure, no problem. | 0:05:51 | 0:05:54 | |
Are you familiar with the new software? | 0:05:54 | 0:05:58 | |
The new software... | 0:05:59 | 0:06:01 | |
Which... which one would be the new software? | 0:06:01 | 0:06:03 | |
The industry standard software that we all have to use now. | 0:06:03 | 0:06:09 | |
We were more hands-on. We would use models and... | 0:06:09 | 0:06:15 | |
So you don't know how to use the software? | 0:06:15 | 0:06:18 | |
No. | 0:06:22 | 0:06:24 | |
All right. Um... | 0:06:26 | 0:06:28 | |
Please give me the job. | 0:06:28 | 0:06:30 | |
Right, come on in, Taurus. | 0:06:38 | 0:06:39 | |
Step one. Impregnation. | 0:06:39 | 0:06:41 | |
Getting you in the mood... | 0:06:41 | 0:06:43 | |
for lovemaking. | 0:06:43 | 0:06:46 | |
Oh, look at her. Eh? | 0:06:46 | 0:06:48 | |
You know she's got a really long neck | 0:06:48 | 0:06:51 | |
and little, short, stubby legs and a great big arse. | 0:06:51 | 0:06:56 | |
I don't know what's up with Taurus. | 0:06:56 | 0:06:59 | |
He might not be ready to be a dad. | 0:06:59 | 0:07:01 | |
Do you know what? If someone was... | 0:07:01 | 0:07:03 | |
Cos I was there watching him, telling him to get hard. | 0:07:03 | 0:07:06 | |
And that's... that's an added level | 0:07:06 | 0:07:08 | |
of pressure and anxiety | 0:07:08 | 0:07:12 | |
that no bloke needs, and no-one wants that to happen. | 0:07:12 | 0:07:15 | |
But I imagine being a dad. | 0:07:15 | 0:07:17 | |
How cool would that be? | 0:07:17 | 0:07:19 | |
I'd love to be a dad. | 0:07:19 | 0:07:22 | |
I mean, I've got to find the right girl first. | 0:07:22 | 0:07:25 | |
None of the girls I'm seeing at the moment are... | 0:07:25 | 0:07:27 | |
they're not mother material. Well, one of them is a mother. | 0:07:27 | 0:07:33 | |
But the hers are like 16 and 18. | 0:07:33 | 0:07:36 | |
I met her at an over-40s night in Catford. | 0:07:36 | 0:07:40 | |
And she's a terrible mom, actually. | 0:07:40 | 0:07:42 | |
I mean, so I wouldn't... none of the ones I'm seeing would be... | 0:07:42 | 0:07:46 | |
but if I meet the right girl, I'm happy to have a baby. | 0:07:46 | 0:07:48 | |
It'd be a little babe... and I'd wear it on a papoose | 0:07:48 | 0:07:53 | |
and then I'd push him on the swings and the roundabouts. | 0:07:53 | 0:07:56 | |
Then I'd have a go, cos I still love playgrounds, | 0:07:56 | 0:08:00 | |
especially when drunk. | 0:08:00 | 0:08:02 | |
I get a bit nervous once we get out of town, you know? | 0:08:09 | 0:08:12 | |
I don't trust nature. It's anarchy. | 0:08:12 | 0:08:13 | |
I wonder why Brian and William fell out. | 0:08:19 | 0:08:22 | |
Could be a million things. | 0:08:23 | 0:08:25 | |
-MONKEY: -Maybe he was locked in an attic. | 0:08:25 | 0:08:28 | |
Didn't get out much. Ate cat food. | 0:08:28 | 0:08:31 | |
Mildred said that one of them could do no good | 0:08:31 | 0:08:33 | |
and one of them could do no bad. | 0:08:33 | 0:08:35 | |
-What does that mean? -I don't know. | 0:08:35 | 0:08:37 | |
It's probably something very mundane. | 0:08:37 | 0:08:39 | |
-Has someone farted? -Monkey! | 0:08:42 | 0:08:44 | |
-I farted. -No, that's her lunch. | 0:08:44 | 0:08:46 | |
PHONE RINGS Ooh. | 0:08:49 | 0:08:51 | |
Sorry. | 0:08:51 | 0:08:52 | |
Oh. | 0:08:52 | 0:08:54 | |
-What's up? -Al. | 0:08:54 | 0:08:56 | |
-Remember I was telling you about Al in California? -Yeah. | 0:08:56 | 0:08:58 | |
He just text... he's going to... | 0:08:58 | 0:09:00 | |
he's going to call me later. | 0:09:00 | 0:09:02 | |
-What's his relation to us? -Oh, God. | 0:09:02 | 0:09:04 | |
He's...he'd be your... | 0:09:04 | 0:09:07 | |
a third cousin of yours. | 0:09:07 | 0:09:09 | |
-Aye. -Yeah. He seems really nice. -Uh-oh. | 0:09:09 | 0:09:14 | |
-Bea, stop car, please. -Uh-oh, that's her number two face. | 0:09:14 | 0:09:16 | |
-I think you'd better pull over. -Stop car. | 0:09:16 | 0:09:18 | |
Sausage need to leave me. Stop car! | 0:09:18 | 0:09:22 | |
I'm going to. I'm going to. | 0:09:22 | 0:09:23 | |
-Look for a place to pull over, Bea. -Hurry, hurry! -All right! Calm down! | 0:09:23 | 0:09:26 | |
-Jesus Christ! -I need to go! -Shut up! | 0:09:26 | 0:09:30 | |
God, that is a primitive woman. | 0:09:46 | 0:09:50 | |
Oh. | 0:09:50 | 0:09:52 | |
"I think that I shall never see | 0:09:53 | 0:09:56 | |
"A poem as lovely as a tree. | 0:09:56 | 0:09:59 | |
"Poems are made by fools like me, | 0:09:59 | 0:10:01 | |
"But only God can make a tree." | 0:10:01 | 0:10:04 | |
I didn't write that. | 0:10:04 | 0:10:06 | |
It's just... that was written by... | 0:10:06 | 0:10:08 | |
LUBA SHOUTS OUT IN MOLDOVAN | 0:10:08 | 0:10:13 | |
Trees are great. | 0:10:14 | 0:10:16 | |
-All good? -Yes. | 0:10:20 | 0:10:23 | |
I think you're missing something. | 0:10:23 | 0:10:25 | |
Didn't you have the complete set? | 0:10:25 | 0:10:28 | |
Yeah? | 0:10:28 | 0:10:30 | |
Christ. | 0:10:30 | 0:10:32 | |
Good-bye Kitty. | 0:10:35 | 0:10:38 | |
"Preparing the AV device. | 0:10:38 | 0:10:39 | |
"Semen can be collected in several ways. | 0:10:39 | 0:10:42 | |
"There's the use of an artificial vagina..." | 0:10:42 | 0:10:45 | |
"Which is what AV stand... artificial vagina. | 0:10:45 | 0:10:48 | |
"...electro ejaculator, or by massaging by hand." | 0:10:48 | 0:10:51 | |
Mm-mm. I'll go with the artificial vagina. | 0:10:51 | 0:10:54 | |
Right. | 0:10:56 | 0:10:58 | |
Well, this must be it. | 0:11:16 | 0:11:18 | |
-MONKEY: -Oh, hallelujah. | 0:11:18 | 0:11:20 | |
-Ey up. You all right? -You must be Graham. | 0:11:25 | 0:11:27 | |
-I'm Graham, yeah. -I'm your cousin Keith. -Keith. -I'm the city mouse. | 0:11:27 | 0:11:30 | |
-My wife Luba. -Luba. -Do what, love? | 0:11:30 | 0:11:32 | |
-Luba. -Oh, right. | 0:11:32 | 0:11:34 | |
-Yeah. -Orange head. | 0:11:34 | 0:11:35 | |
-Here's Bea. -Hello. How are you? | 0:11:35 | 0:11:37 | |
-And this is Tom. -Hello. | 0:11:37 | 0:11:38 | |
-Hiya. -Bloody hell, you're a size, ain't you? | 0:11:38 | 0:11:40 | |
-I'm a big fella. -Ey up. I'm Emma. | 0:11:40 | 0:11:43 | |
-Hello. -What's all this, then? -Hello, everybody. | 0:11:43 | 0:11:46 | |
Emma, Carol, Henry, down there's Sweet Pea. | 0:11:46 | 0:11:49 | |
-Aw. -Remember that cos there'll be a test later. | 0:11:49 | 0:11:51 | |
-THEY LAUGH -Yeah. | 0:11:51 | 0:11:53 | |
Right, well, you guys better... are you all right to take them? | 0:11:53 | 0:11:57 | |
-Where are they going? -Cinema. | 0:11:57 | 0:11:59 | |
-Cinema's fun, isn't it? -Do you want to come inside? | 0:11:59 | 0:12:01 | |
-That'd be great. -Why don't you come and meet... | 0:12:01 | 0:12:03 | |
Ronnie's in the barn, so you might as well come and... | 0:12:03 | 0:12:05 | |
-I'll say hi to Ronnie. -We'll see you in a bit. | 0:12:05 | 0:12:07 | |
Will you put the kettle on, Graham, for... | 0:12:07 | 0:12:10 | |
-Oh, right, yeah. -Where is pig? | 0:12:10 | 0:12:12 | |
She wants to meet your pig. She's mad for pigs. | 0:12:12 | 0:12:14 | |
So you've been up in Derbyshire before, then? | 0:12:14 | 0:12:17 | |
I don't believe so. I don't believe so. | 0:12:17 | 0:12:19 | |
The air is very distinctive. | 0:12:19 | 0:12:21 | |
Yeah, it's the manure, I'm afraid. | 0:12:21 | 0:12:24 | |
-Ronnie? -Yeah? | 0:12:27 | 0:12:30 | |
-Tom's here. -Oh, Tom! You made it. | 0:12:30 | 0:12:33 | |
-I did. Look at all these. -How lovely to meet you. | 0:12:33 | 0:12:36 | |
Is there a problem? Why don't you...? | 0:12:37 | 0:12:40 | |
I'm joking. It's just one of the old... | 0:12:40 | 0:12:43 | |
-Oh. -He does that every time. | 0:12:43 | 0:12:45 | |
-Yeah. -Every time. | 0:12:45 | 0:12:46 | |
I left your dad making tea, so it's going to be a disaster. | 0:12:46 | 0:12:48 | |
-See you later. -OK, thank you. | 0:12:48 | 0:12:50 | |
-Well, welcome. -Look at all those lovely ladies. | 0:12:50 | 0:12:53 | |
Lovely ladies, yeah. And they're all pregnant, actually. | 0:12:53 | 0:12:55 | |
-How can you tell? -Ah, well, there you go. You see? | 0:12:55 | 0:12:58 | |
-Oh, you put your hand up them, don't you? -Put your hand up. | 0:12:58 | 0:13:00 | |
That's what we've been doing for the last two days. | 0:13:00 | 0:13:02 | |
Do they have funny eating habits when they're pregnant? | 0:13:02 | 0:13:05 | |
No. Like, are they like, "I don't want straw, | 0:13:05 | 0:13:07 | |
"I want avocado mousse and vanilla yogurt"? | 0:13:07 | 0:13:10 | |
No. | 0:13:10 | 0:13:12 | |
Do you keep any of that close by in case? | 0:13:12 | 0:13:14 | |
No. No. | 0:13:14 | 0:13:16 | |
No, they just stay with the hay. | 0:13:16 | 0:13:18 | |
That's... yeah. | 0:13:18 | 0:13:20 | |
Oh, that's a handsome woman, that is. | 0:13:20 | 0:13:22 | |
Yeah. Yeah. | 0:13:22 | 0:13:24 | |
Sorry. Very sorry. | 0:13:24 | 0:13:27 | |
Well, you know what they say... | 0:13:27 | 0:13:28 | |
"rooster today, feather duster tomorrow." | 0:13:28 | 0:13:31 | |
-More truth in poetry there. A shame. -Yeah. | 0:13:31 | 0:13:35 | |
-How'd she go, then? -Lung cancer. | 0:13:35 | 0:13:37 | |
-Was she a smoker? -Like a fucking chimney. | 0:13:37 | 0:13:39 | |
Yeah, I gave them up myself. Yeah. | 0:13:39 | 0:13:42 | |
Well, it's... | 0:13:42 | 0:13:44 | |
Is that "Move Along, Please!"? | 0:13:49 | 0:13:52 | |
-Yeah. -That's my favourite programme. | 0:13:52 | 0:13:54 | |
-Go on. -Yeah. Richard Breen. | 0:13:54 | 0:13:57 | |
Oh, there's a funny man. | 0:13:57 | 0:13:59 | |
-Richard...? -Richard Breen. | 0:13:59 | 0:14:01 | |
-Richard Breen, yeah. -You know, Sergeant Biggins. | 0:14:01 | 0:14:03 | |
-I do, yeah. Keith. Eh. -What? | 0:14:03 | 0:14:06 | |
-You don't... get out of here. -THEY LAUGH | 0:14:11 | 0:14:13 | |
-May I? -Yeah. Easy, easy. | 0:14:13 | 0:14:14 | |
There he is. There's Sergeant Biggins. | 0:14:14 | 0:14:18 | |
-Rare as rocking horse shit, that. -I'll bet. | 0:14:18 | 0:14:20 | |
-How did you score this? -Swapped it for Julie Andrews. | 0:14:20 | 0:14:23 | |
-Well, you came out ahead, didn't you? -Yeah, no contest. | 0:14:23 | 0:14:26 | |
-Small world, eh? -Yeah. -Isn't that funny? | 0:14:26 | 0:14:29 | |
The two of us have something like this? | 0:14:29 | 0:14:31 | |
I know. It's amazing, ain't it? | 0:14:31 | 0:14:32 | |
When you came up from London, I thought, "Oh, fuckin' hell." | 0:14:32 | 0:14:35 | |
Knee deep in cow shit. I didn't know what to expect. | 0:14:35 | 0:14:38 | |
Why don't you fire one up? Just put one in. | 0:14:39 | 0:14:42 | |
-You want to see one? -Why not? | 0:14:42 | 0:14:43 | |
They'll be busy in there for hours. | 0:14:43 | 0:14:45 | |
-I were watching it only last night. -Were you? | 0:14:45 | 0:14:47 | |
You gotta guess which episode. | 0:14:47 | 0:14:49 | |
All right. I'm fairly confident. | 0:14:49 | 0:14:50 | |
How many seconds? | 0:14:50 | 0:14:52 | |
Give me five. | 0:14:52 | 0:14:53 | |
-I'll give you three. -All right. Here we go. All right? | 0:14:53 | 0:14:57 | |
How do these look? | 0:14:57 | 0:14:58 | |
-"Stakeout." -Oh! What?! -Series two. -That's a record! | 0:14:58 | 0:15:02 | |
THEY LAUGH I'm on two seconds. | 0:15:02 | 0:15:05 | |
I love this one. | 0:15:05 | 0:15:06 | |
Does he wear orange well or what? THEY LAUGH | 0:15:06 | 0:15:09 | |
-I love this bit. I love this bit. -Yeah. | 0:15:09 | 0:15:12 | |
Excuse me, miss. | 0:15:12 | 0:15:14 | |
Can you direct me to the nearest muffler shop? | 0:15:14 | 0:15:18 | |
No, but I can help you clean your exhaust pipe. | 0:15:18 | 0:15:23 | |
-PC Dawson? -PC Dawson?! | 0:15:23 | 0:15:26 | |
-Sergeant Biggins? -Sergeant Biggins?! | 0:15:26 | 0:15:28 | |
You idiot. | 0:15:28 | 0:15:31 | |
Tonight is the prossy sting. | 0:15:31 | 0:15:33 | |
Ah, Keith, mate! | 0:15:35 | 0:15:37 | |
All right. | 0:15:41 | 0:15:42 | |
Why your cabbage so small? | 0:15:42 | 0:15:45 | |
It's a Brussels sprout. | 0:15:45 | 0:15:47 | |
-It's a Brussels sprout. -Witch put curse on cabbage. | 0:15:48 | 0:15:52 | |
Oh, no, they're lovely. They're lovely. You should try them. | 0:15:52 | 0:15:54 | |
-No. -Don't worry, she's hard to please. | 0:15:54 | 0:15:57 | |
What are you doing with this? What is it? | 0:15:57 | 0:15:59 | |
-It's my dress. -You steal from gypsy? | 0:15:59 | 0:16:02 | |
No, it's... I'm being a maid in it. | 0:16:02 | 0:16:04 | |
It's for the feast of St Krakowitz. | 0:16:04 | 0:16:07 | |
-Oh, right. -You know, in the village? | 0:16:07 | 0:16:09 | |
What's that... the feast? | 0:16:09 | 0:16:11 | |
We've done it for, like, centuries. | 0:16:11 | 0:16:12 | |
It's, like, we've got loads of fun for all the fam. | 0:16:12 | 0:16:16 | |
They've got coconut shies. | 0:16:16 | 0:16:18 | |
They've got the stocks, you know, where we throw tomatoes. | 0:16:18 | 0:16:22 | |
You must have heard of the Riddle Stomp Flap, yeah? | 0:16:22 | 0:16:26 | |
-No. -No? Oh, it's ever so funny. | 0:16:26 | 0:16:28 | |
It's from, like, the 13th century or something. | 0:16:28 | 0:16:30 | |
But they do the dan... like, | 0:16:30 | 0:16:31 | |
"One, two, three, huh! One, two, three, huh!" | 0:16:31 | 0:16:34 | |
And then on the third "huh," you kicks someone else up the bum. | 0:16:34 | 0:16:38 | |
-This your festival? -Yeah, yeah. -Not very good. | 0:16:38 | 0:16:41 | |
In Moldova we have Festival of Life... | 0:16:41 | 0:16:44 | |
Targul de Fete. It very, very good. | 0:16:44 | 0:16:46 | |
All the virgin, they go up to mountain | 0:16:46 | 0:16:49 | |
to see magic chicken | 0:16:49 | 0:16:51 | |
who give magic egg to virgin. | 0:16:51 | 0:16:54 | |
Then all men come and they sing | 0:16:54 | 0:16:56 | |
and dance and drink and eat all night. | 0:16:56 | 0:17:01 | |
At miezul noptii... is midnight... | 0:17:01 | 0:17:04 | |
virgin put egg in mouth. | 0:17:04 | 0:17:06 | |
In morning, sun come up, take egg from mouth. | 0:17:06 | 0:17:10 | |
If egg no broke, she virgin. They love for ever and marry. | 0:17:10 | 0:17:15 | |
If egg broke, she not a virgin. She prostituta. | 0:17:15 | 0:17:20 | |
He throw big cabbage at her head. | 0:17:20 | 0:17:22 | |
And baby dragon, he come out of egg and eat dirty lady face. | 0:17:22 | 0:17:27 | |
-Well, sounds lovely. -It very fun. You must come. | 0:17:29 | 0:17:34 | |
Let's take this one up here. | 0:17:34 | 0:17:35 | |
-If you'd just grab him... -I get to hold him? | 0:17:35 | 0:17:37 | |
-Yeah, you get to hold him. -Oh, my God! Wow! -There you go. | 0:17:37 | 0:17:40 | |
-Oh, hello. Hello, little fella. -Very good. | 0:17:40 | 0:17:43 | |
Now hold him tight, and with your other hand we just want you to... | 0:17:43 | 0:17:46 | |
with... with these. | 0:17:46 | 0:17:48 | |
What are those for? | 0:17:48 | 0:17:50 | |
For castrating the... castrating the lambs. | 0:17:50 | 0:17:53 | |
-Shut the fuck up. -No, it's what we've gotta do. | 0:17:55 | 0:17:57 | |
Because we're rearing these for meat. | 0:17:57 | 0:18:01 | |
-That seems... that seems really intense. -Oh, I know. | 0:18:01 | 0:18:04 | |
Well, it's really a lot more civilised | 0:18:04 | 0:18:06 | |
than what we used to do... bricking. | 0:18:06 | 0:18:07 | |
-What's bricking? -You just get two bricks, | 0:18:07 | 0:18:09 | |
any kind of bricks, household bricks, and... | 0:18:09 | 0:18:11 | |
-really give them a... -Got it. -Yeah? -Yeah. | 0:18:11 | 0:18:14 | |
"Smash, crackle, and pop" we used to call it. | 0:18:14 | 0:18:16 | |
-That's cute. -Yeah, you like that? | 0:18:16 | 0:18:18 | |
So get a good hold of that and, like I say, clamp on, | 0:18:18 | 0:18:20 | |
twist and pull in a clean motion, | 0:18:20 | 0:18:22 | |
so you get them... you pop them both off. | 0:18:22 | 0:18:24 | |
-Got it? -It's farming, isn't it? -That's it. This is it. | 0:18:24 | 0:18:27 | |
"Be bold, bloody, and resolute," | 0:18:27 | 0:18:29 | |
Shakespeare, I think, said... | 0:18:29 | 0:18:30 | |
So, yeah. No time like the present. | 0:18:30 | 0:18:33 | |
-I can feel its heart beat. -Yeah, I bet you can. | 0:18:33 | 0:18:35 | |
-I need toilet. -Sorry? | 0:18:39 | 0:18:42 | |
Is there a loo out here or anything? | 0:18:42 | 0:18:43 | |
-Sure, yeah. There's one in the barn. -I'm just going to do that first. | 0:18:43 | 0:18:46 | |
-You don't want to do...? -No, I can... I need to toilet. | 0:18:46 | 0:18:48 | |
-I need to do it. Sorry. -Hand him back. There we go. | 0:18:48 | 0:18:51 | |
But these will be waiting for you on your return. | 0:18:51 | 0:18:53 | |
-He's saying, "You've gotta nip these off." -Yeah. -"My little nuts." | 0:18:53 | 0:18:57 | |
Ugh! Don't look at me. | 0:18:57 | 0:18:59 | |
Don't look at me! | 0:18:59 | 0:19:01 | |
Ugh! | 0:19:01 | 0:19:02 | |
-MOBILE RINGS -Oh, God. Why now? Why...? | 0:19:02 | 0:19:06 | |
-Hello? -Hey, Pete. It's Tom. | 0:19:06 | 0:19:09 | |
Tommy! Ha-ha. You all right, mate? | 0:19:09 | 0:19:11 | |
Yeah. Um, quick question. | 0:19:11 | 0:19:14 | |
-I'm at the farm in Derbyshire. -Mm-hmm. | 0:19:14 | 0:19:16 | |
And the farmer wants me to castrate a lamb. | 0:19:16 | 0:19:19 | |
We've all got problems, mate. | 0:19:19 | 0:19:21 | |
-I'm trying to bring off an alpaca into a tube. -ALPACA GROANS | 0:19:21 | 0:19:24 | |
I wish I couldn't see what I can see now. | 0:19:24 | 0:19:25 | |
-OK, I don't want to... -I've been doing it for 40 minutes. | 0:19:25 | 0:19:28 | |
-Feels like my arm's going to fall off. -OK... PHONE RINGS | 0:19:28 | 0:19:30 | |
Oh, hey, wait... wait a sec... | 0:19:30 | 0:19:33 | |
You know what, Pete? I'm going to have to call you back. | 0:19:33 | 0:19:36 | |
I've got another call coming through. | 0:19:36 | 0:19:38 | |
Oh, yeah. No, go. | 0:19:38 | 0:19:40 | |
Hello! | 0:19:42 | 0:19:43 | |
Hello there. | 0:19:46 | 0:19:48 | |
-Tom, hi. It's Al. -And it's your cousin Kitty. -From California. | 0:19:48 | 0:19:51 | |
-Hi! -Hello! | 0:19:51 | 0:19:55 | |
Great to finally meet you via satellite. | 0:19:55 | 0:19:57 | |
I know. This is exciting. | 0:19:57 | 0:19:59 | |
It's nice and clear. | 0:20:00 | 0:20:02 | |
I didn't think we'd see you so good | 0:20:02 | 0:20:03 | |
-through all that pea soup fog in Old Blighty there. -Yeah! HE LAUGHS | 0:20:03 | 0:20:07 | |
It looks so... it looks so bright there. | 0:20:07 | 0:20:10 | |
Well, we're in California, so it's very, very sunny. | 0:20:10 | 0:20:12 | |
It's morning and it's sunny | 0:20:12 | 0:20:14 | |
and we just picked some fruit and ate it. | 0:20:14 | 0:20:16 | |
Oh, I love fruit. I love fruit, Al. | 0:20:16 | 0:20:18 | |
Yeah. We pick it in the yard cos we've got orange trees and... | 0:20:18 | 0:20:21 | |
-We've got lots of trees. -You've got fruit in your yard? | 0:20:21 | 0:20:24 | |
-You should come see it. -Don't say that, Al, cos I will come. | 0:20:24 | 0:20:27 | |
-You should! Come stay with us. -We'd love it. | 0:20:27 | 0:20:29 | |
You're a saviour. That would be terrific. | 0:20:29 | 0:20:30 | |
I'll e-mail you some dates and you pick. We're serious. Come on down. | 0:20:30 | 0:20:33 | |
Come "across the pond," as they say. | 0:20:33 | 0:20:35 | |
Hop on over. | 0:20:35 | 0:20:36 | |
Give us a tinkle first and let us know when. | 0:20:36 | 0:20:39 | |
OK. | 0:20:39 | 0:20:41 | |
-It's funny. England is funny. -It is. -Listen, we'll e-mail. | 0:20:41 | 0:20:46 | |
THEY LAUGH | 0:20:46 | 0:20:49 | |
All right. Sorry, you're breaking up a tiny bit. Thank you so much. | 0:20:49 | 0:20:53 | |
-OK. Cheers! OK. -Cheers! -Cheerio! | 0:20:53 | 0:20:56 | |
-Bye... -He's nice. | 0:20:56 | 0:20:59 | |
He IS nice. | 0:20:59 | 0:21:00 | |
Ah, here he is. Man of the hour. | 0:21:06 | 0:21:08 | |
All right. Here we go. | 0:21:08 | 0:21:11 | |
-Remember what I said? Good purchase, twist and pull. -Yeah. | 0:21:11 | 0:21:15 | |
-All right. -All right. LAMB BLEATS | 0:21:15 | 0:21:18 | |
OK. | 0:21:18 | 0:21:20 | |
Yeah, I don't think I can castrate a lamb today, Ronnie. | 0:21:20 | 0:21:23 | |
HE LAUGHS | 0:21:23 | 0:21:26 | |
-What? -Tom, I wasn't going to make you do it. | 0:21:26 | 0:21:29 | |
They don't even do it like this any more. | 0:21:29 | 0:21:31 | |
-You were just messing with me? -Yes. | 0:21:31 | 0:21:33 | |
-Oh. -That's not funny. -Well, it's quite funny. | 0:21:33 | 0:21:36 | |
-A bit of farmyard humour. Gets us through the day. -HE LAUGHS | 0:21:36 | 0:21:41 | |
If I could walk like that, I wouldn't need talcum powder. | 0:21:41 | 0:21:43 | |
Did you bring your truncheon with you? | 0:21:46 | 0:21:49 | |
No. | 0:21:49 | 0:21:51 | |
-Laughter's the best medicine, isn't it? -I wet myself sometimes. Yeah. | 0:21:53 | 0:21:57 | |
-The older you get, the easier it is to wet yourself. -Yeah. | 0:21:57 | 0:22:01 | |
-Oh, God. -He's a genius, he is, this man. | 0:22:01 | 0:22:03 | |
-That's funny stuff. -If only coppers were like that today | 0:22:03 | 0:22:07 | |
-like they was then. -What, dressed up in frocks? | 0:22:07 | 0:22:11 | |
-You don't mean that. -No, no. I mean, you know, real coppers. | 0:22:11 | 0:22:14 | |
They were different then. | 0:22:14 | 0:22:16 | |
That's the greatest bunch in the world, police. | 0:22:16 | 0:22:18 | |
Oh, they're a bunch of wazzocks now. | 0:22:18 | 0:22:19 | |
Listen, that's the toughest job in the world | 0:22:19 | 0:22:21 | |
and that's the toughest bunch, and they do a great job. | 0:22:21 | 0:22:24 | |
Mm. I think we might disagree on this, Keith. | 0:22:24 | 0:22:27 | |
I think we might. | 0:22:27 | 0:22:29 | |
We beseech Thee, Lord, send us less rain | 0:22:32 | 0:22:36 | |
and protect us from BVD, bluetongue | 0:22:36 | 0:22:40 | |
and trypanosomiasis. | 0:22:40 | 0:22:41 | |
Thank You. | 0:22:41 | 0:22:43 | |
Amen. | 0:22:43 | 0:22:45 | |
Please, help yourselves. Get the... | 0:22:46 | 0:22:48 | |
Speaking of grace, do you know why God made farts smell? | 0:22:48 | 0:22:51 | |
-For the deaf. -Ahem. | 0:22:53 | 0:22:54 | |
HE LAUGHS | 0:22:54 | 0:22:55 | |
-Aw, Dad. -It was a joke. | 0:22:55 | 0:22:58 | |
-So, um, Luba, is it? -Yes. | 0:23:02 | 0:23:04 | |
I've just finished reading Salman Rushdie's latest... | 0:23:04 | 0:23:10 | |
-I'm allergic to fish. -Right. | 0:23:10 | 0:23:14 | |
So, you remember I said I was looking into | 0:23:14 | 0:23:16 | |
my family past or our family past? | 0:23:16 | 0:23:19 | |
-Uh-huh. -Well, turns out that William and Brian, | 0:23:19 | 0:23:23 | |
our grandfathers, had a bit of a falling out. | 0:23:23 | 0:23:27 | |
And I don't really know what it was about. Do you have any idea? | 0:23:27 | 0:23:31 | |
You want to hear about the dark side of Derbyshire Chadwicks, don't you? | 0:23:31 | 0:23:34 | |
-That'd be great. -Right, you'll like this, Keith. | 0:23:34 | 0:23:36 | |
-Will I? -Keith's dad William | 0:23:36 | 0:23:38 | |
and my dad Brian, they were brothers, right? Right. | 0:23:38 | 0:23:41 | |
And one day, William decided to tell Brian something | 0:23:41 | 0:23:44 | |
which he should have kept to hisself. | 0:23:44 | 0:23:47 | |
And it was who was Brian's real dad. | 0:23:47 | 0:23:51 | |
-It wasn't...? Sorry, wasn't Harry his dad? -No, it weren't. | 0:23:51 | 0:23:55 | |
-Shut up. -No, no, no, no. | 0:23:55 | 0:23:57 | |
Now, you see, Harry and Sid Balducci | 0:23:57 | 0:24:00 | |
-were part of the horse. -Yeah. | 0:24:00 | 0:24:02 | |
-Yeah. Harry were back end. -Right. | 0:24:02 | 0:24:04 | |
Sid were front end. | 0:24:04 | 0:24:06 | |
Harry were married to Elsie. | 0:24:06 | 0:24:08 | |
-But they all went around together, you know. -Yeah. | 0:24:08 | 0:24:11 | |
Well, one day, Sid and Elsie... how shall I put it? | 0:24:11 | 0:24:15 | |
-She got front-ended, yeah. -She got front-ended | 0:24:15 | 0:24:17 | |
and result was a lot of little redheads. | 0:24:17 | 0:24:20 | |
-Are you sure about this? -Am I sure? | 0:24:20 | 0:24:23 | |
I'll show you something, shall I? | 0:24:23 | 0:24:25 | |
See this? | 0:24:25 | 0:24:27 | |
-Sid Balducci. -Sid Balducci. | 0:24:27 | 0:24:30 | |
We don't come from the arse end of the horse. | 0:24:30 | 0:24:33 | |
We come from front end, don't we, lad? | 0:24:33 | 0:24:35 | |
So not to put too fine a point on it... | 0:24:35 | 0:24:38 | |
the redheads are bastards. | 0:24:38 | 0:24:40 | |
Food was shit. | 0:24:44 | 0:24:46 | |
Yes. Come away, Bea. | 0:24:46 | 0:24:48 | |
Say goodbye. Yeah, yeah. | 0:24:48 | 0:24:50 | |
-Thank you so much. -No, not at all. Thank you. | 0:24:50 | 0:24:52 | |
And, you know, feel free to... | 0:24:52 | 0:24:54 | |
if you want to get your hands dirty again on the farm, | 0:24:54 | 0:24:57 | |
-you know where to come. -Sure. -We should hit the road. -Yeah. | 0:24:57 | 0:24:58 | |
Very interesting meeting you all. Safe journey. | 0:24:58 | 0:25:01 | |
Do you think we need to tell them...? | 0:25:01 | 0:25:03 | |
-No, I think they... -But if they go... | 0:25:03 | 0:25:04 | |
No, they found their way here. | 0:25:04 | 0:25:06 | |
I'm sure they can find their way back. | 0:25:06 | 0:25:08 | |
If I had to be somewhere for eternity, | 0:25:10 | 0:25:13 | |
-this would be all right, eh? -Yeah. | 0:25:13 | 0:25:15 | |
There they are. The ginger Chadwicks. | 0:25:16 | 0:25:19 | |
That's my grandmother on the end. | 0:25:19 | 0:25:22 | |
-How do you say that? -Bunica. | 0:25:22 | 0:25:24 | |
-My bunica there. -Hello. | 0:25:24 | 0:25:27 | |
And there's Uncle Brian, mysterious Uncle Brian, | 0:25:27 | 0:25:30 | |
and a woman named Sophia on top of him. | 0:25:30 | 0:25:33 | |
You're next, Keith. | 0:25:33 | 0:25:35 | |
You're not wrong. Hardly worth the trip home. | 0:25:35 | 0:25:38 | |
I don't think I want to be a farmer now, actually. | 0:25:41 | 0:25:44 | |
They seem to be either too posh | 0:25:44 | 0:25:47 | |
or... or too angry. | 0:25:47 | 0:25:50 | |
At this stage I'm more interested in | 0:25:50 | 0:25:52 | |
taking up Al on his offer | 0:25:52 | 0:25:54 | |
of checking out California. | 0:25:54 | 0:25:58 | |
You know? A bit of sun, sea... | 0:25:58 | 0:26:01 | |
And their other stuff. | 0:26:03 | 0:26:05 | |
I might be able to find out why Charles moved | 0:26:06 | 0:26:10 | |
from America to England. | 0:26:10 | 0:26:12 | |
Idiot. | 0:26:14 | 0:26:15 | |
# When I found you, I found myself | 0:26:17 | 0:26:22 | |
# I was going to love you like nobody else | 0:26:22 | 0:26:26 | |
# But I never really had a clue | 0:26:26 | 0:26:30 | |
# How to love a girl like you | 0:26:30 | 0:26:34 | |
# Two true believers, we devised | 0:26:34 | 0:26:39 | |
# A temporary paradise | 0:26:39 | 0:26:43 | |
# Now our future is in the past | 0:26:43 | 0:26:47 | |
# I should have known | 0:26:47 | 0:26:51 | |
# It wouldn't last | 0:26:51 | 0:26:53 | |
# I should have been a better man | 0:26:55 | 0:26:59 | |
# You could have been a better friend | 0:26:59 | 0:27:03 | |
# I'm alone, but that's OK | 0:27:03 | 0:27:07 | |
# I guess the dice | 0:27:07 | 0:27:09 | |
# Just rolled that way. # | 0:27:09 | 0:27:13 | |
-How are you? -I'm in America! -Hey! In America! | 0:27:23 | 0:27:26 | |
So the school you went to, was it like Hogwarts? | 0:27:26 | 0:27:29 | |
You, sir, deliver a juicy sausage! | 0:27:29 | 0:27:30 | |
You can see the marks on the side of the meat | 0:27:30 | 0:27:32 | |
from when the jockey was whipping it. | 0:27:32 | 0:27:34 | |
-Can I talk to Bea? -Oh, she's sleeping. | 0:27:34 | 0:27:37 | |
Do you have a special lady in your life? | 0:27:37 | 0:27:38 | |
I'm Stan Laurel. She's Hardy. | 0:27:38 | 0:27:41 | |
I can start a fire with a garlic press and some bear scat. | 0:27:41 | 0:27:44 | |
Tom! Bend over and put your hands on your knees! | 0:27:44 | 0:27:47 | |
-Not the first time you've heard that, huh?! -HE LAUGHS | 0:27:47 | 0:27:50 |