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Kim is at home with a bad migraine. | 0:00:02 | 0:00:03 | |
Migraines are very painful, particularly for me, | 0:00:03 | 0:00:05 | |
-because that means there'll be no hanky-panky tonight. -Oh. | 0:00:05 | 0:00:07 | |
Your cousins are sick, man. They've got a Jacuzzi. | 0:00:07 | 0:00:10 | |
-This is pleasant. -Aah! | 0:00:10 | 0:00:12 | |
-Wow! It's a "she", right? -I haven't looked under the hood. | 0:00:12 | 0:00:17 | |
As dates go, that was pretty good. | 0:00:17 | 0:00:19 | |
It can't go anywhere, I'm leaving in a couple of weeks. | 0:00:19 | 0:00:21 | |
This is my great-great-grandmother. | 0:00:21 | 0:00:23 | |
That's Rebecca, with her family - the Schmelffs. | 0:00:23 | 0:00:25 | |
-That sounds very Jewishy. -MONKEY: -I love Jesus. | 0:00:25 | 0:00:29 | |
A tremendous Jew - Jesus. | 0:00:29 | 0:00:31 | |
Your great-uncle Ezra Schmelff was a film star - Tumbleweed Tim. | 0:00:31 | 0:00:35 | |
This programme contains some strong language | 0:00:35 | 0:00:39 | |
This programme contains scenes of a sexual nature | 0:00:39 | 0:00:44 | |
-Ah, living the dream. -This is gorgeous. -Good, isn't it? | 0:00:44 | 0:00:47 | |
-MONKEY: -What is Tom doing with that genealogy crap? | 0:00:47 | 0:00:50 | |
I know, but he likes all that shit, doesn't he? | 0:00:50 | 0:00:52 | |
-I guess so. -And we can just chill out. | 0:00:52 | 0:00:54 | |
-We can get a nice tan, go a bit brown. -Oh, you're going red. | 0:00:54 | 0:00:56 | |
-I'm not...yes. MONKEY: -That's rouge. | 0:00:56 | 0:00:58 | |
I have to go red and peel before I go brown. It's a genetic thing. | 0:00:58 | 0:01:02 | |
-MONKEY: -What factor have you got on there? | 0:01:02 | 0:01:03 | |
Hell-hello. Excuse me. | 0:01:03 | 0:01:05 | |
Can I just say, that is a very eloquent bikini. | 0:01:05 | 0:01:09 | |
Have you got the time? | 0:01:09 | 0:01:10 | |
Because by my watch, | 0:01:10 | 0:01:12 | |
I make it feeding time at the you. | 0:01:12 | 0:01:15 | |
-MONKEY: -Oh, sweet Jesus. | 0:01:18 | 0:01:19 | |
Back at home I work in a zoo. | 0:01:19 | 0:01:21 | |
So I'll do it again. Have you got the time? | 0:01:21 | 0:01:23 | |
Because by my watch, it's feeding time at the you. | 0:01:23 | 0:01:26 | |
I hate to watch you...go. | 0:01:26 | 0:01:29 | |
But I love to look at that. | 0:01:29 | 0:01:31 | |
Oh, you can't talk to women like that. | 0:01:31 | 0:01:33 | |
It's something lost in translation. | 0:01:33 | 0:01:35 | |
-MONKEY: -She was a slut anyway. -Exactly. | 0:01:35 | 0:01:36 | |
-No, that's not relevant. -She led me on! She led me on! | 0:01:36 | 0:01:40 | |
-TOM: -How long have you worked here, Ally? -Three years. | 0:01:40 | 0:01:43 | |
Do you find that being around the books makes you more clever? | 0:01:43 | 0:01:46 | |
No, actually. I feel like all the ideas have been written already. | 0:01:46 | 0:01:49 | |
These are audio books. Good for you. | 0:01:49 | 0:01:52 | |
-CDs are the future. -Picture books. | 0:01:52 | 0:01:56 | |
You know, I just read this great novel. | 0:01:56 | 0:01:58 | |
It's like a romance thing, I suppose. | 0:01:58 | 0:02:00 | |
Um, it's about this...it's like a love triangle | 0:02:00 | 0:02:04 | |
between this girl and this guy, | 0:02:04 | 0:02:06 | |
but she likes this other guy. | 0:02:06 | 0:02:08 | |
So it never really works out. | 0:02:08 | 0:02:10 | |
Oh, and one of them is a vampire and the other one's a wolf. | 0:02:10 | 0:02:12 | |
BOTH LAUGH | 0:02:12 | 0:02:14 | |
Um, it's hard. | 0:02:14 | 0:02:15 | |
-It's Twilight, yeah. -Twilight, yeah. | 0:02:15 | 0:02:17 | |
-Yeah. -You've heard of it? | 0:02:17 | 0:02:18 | |
-Yes. -Yeah. It's really good. | 0:02:18 | 0:02:20 | |
So, we have the largest section | 0:02:20 | 0:02:22 | |
of Native American books in the city. | 0:02:22 | 0:02:25 | |
-Oh. -It's our claim to fame here. | 0:02:25 | 0:02:26 | |
I don't need to read the book, I've lived the life. | 0:02:28 | 0:02:32 | |
Let me ask you this, | 0:02:32 | 0:02:33 | |
do you have any interest in seeing some memorabilia | 0:02:33 | 0:02:36 | |
-from a Jewish cowboy in the '20s? -Yes. | 0:02:36 | 0:02:38 | |
HE LAUGHS | 0:02:38 | 0:02:39 | |
-That was quick. -I love Jews, I love cowboys. | 0:02:39 | 0:02:41 | |
Well, you are in for a treat | 0:02:41 | 0:02:43 | |
because I have to meet my cousin Melvin Schmelff. | 0:02:43 | 0:02:46 | |
-He's got a bunch of... -Schmelff? | 0:02:46 | 0:02:47 | |
That's right. I'd love you to tag along. | 0:02:47 | 0:02:50 | |
I would really love that. | 0:02:50 | 0:02:51 | |
I'm supposed to get off in, like, an hour. | 0:02:51 | 0:02:53 | |
But it's really slow, so I can... | 0:02:53 | 0:02:55 | |
-What if I buy a book? -OK. | 0:02:55 | 0:02:57 | |
-I can fill your quota. -Yeah. Yeah, actually... | 0:02:57 | 0:02:59 | |
I'll buy anything. Don't really have a... | 0:02:59 | 0:03:01 | |
I'll take that. | 0:03:01 | 0:03:03 | |
Oh, shoot. | 0:03:03 | 0:03:04 | |
You know what, that's good | 0:03:04 | 0:03:06 | |
-because I've only got the audio book of this. -Oh. | 0:03:06 | 0:03:09 | |
HE EXHALES | 0:03:10 | 0:03:13 | |
She has such lovely hair. | 0:03:13 | 0:03:15 | |
I'll take that for my friend Pete. | 0:03:16 | 0:03:18 | |
SHE LAUGHS | 0:03:18 | 0:03:19 | |
-He's into pictures. -Right. | 0:03:19 | 0:03:21 | |
BOTH LAUGH | 0:03:23 | 0:03:26 | |
-Can we eat? I'm starving. -Yes. | 0:03:26 | 0:03:28 | |
-Do you reckon they do kebabs? MONKEY: -I want a lager. | 0:03:28 | 0:03:31 | |
But I just want to go and try some clothes on first. | 0:03:31 | 0:03:33 | |
-Is that all right? Do you mind? -Yeah. | 0:03:33 | 0:03:35 | |
-MONKEY: -I'm not clothes shopping. | 0:03:35 | 0:03:36 | |
Excuse me. Do I have to book to eat here, or is it...? | 0:03:36 | 0:03:40 | |
Oh, no, no. Sit anywhere you like. | 0:03:40 | 0:03:41 | |
-Great. Can I sit there? -Yep. | 0:03:41 | 0:03:43 | |
-What about in the shade? -Yeah, yeah. | 0:03:43 | 0:03:46 | |
-Or inside? -Yeah, anywhere. | 0:03:46 | 0:03:50 | |
Well, what about the one right at the end? | 0:03:50 | 0:03:52 | |
-What are you doing? -Anywhere? | 0:03:52 | 0:03:54 | |
-I can sit anywhere? -Yeah. | 0:03:54 | 0:03:57 | |
Brilliant. Do you do doner kebabs? | 0:03:57 | 0:03:59 | |
I don't think so. | 0:03:59 | 0:04:01 | |
Do you do scampi and chips? | 0:04:01 | 0:04:02 | |
We have a menu. I'll just show that to you. | 0:04:02 | 0:04:04 | |
Do you do steak and ale pie with mash? | 0:04:04 | 0:04:07 | |
-Well, I have a menu. -But you serve tea, right? | 0:04:07 | 0:04:09 | |
Proper builder's tea. | 0:04:09 | 0:04:10 | |
Do you do ham and cheese toasties? | 0:04:10 | 0:04:12 | |
I love ham and I love cheese. | 0:04:12 | 0:04:14 | |
Chips, right? | 0:04:14 | 0:04:16 | |
He's gone. | 0:04:16 | 0:04:18 | |
I don't know where to sit now. | 0:04:18 | 0:04:19 | |
MUSIC BLARES | 0:04:19 | 0:04:20 | |
-MONKEY: -I hate clothes shopping. -BEA: -Ooh, and look at these hats. | 0:04:20 | 0:04:23 | |
Do you reckon I could pull off that hat? | 0:04:23 | 0:04:25 | |
-MONKEY: -Is that a euphemism? | 0:04:25 | 0:04:28 | |
DOORBELL RINGS | 0:04:28 | 0:04:29 | |
-MAN: -Coming. | 0:04:29 | 0:04:31 | |
Hi, I'm Tom. | 0:04:31 | 0:04:32 | |
This is my good friend Ally. | 0:04:32 | 0:04:34 | |
-Hi, nice to meet you. -Hi. Come on in. | 0:04:34 | 0:04:35 | |
-Thank you, Mr Schmelff. -Relax a little bit. | 0:04:35 | 0:04:37 | |
Awfully sorry my wife can't be here. | 0:04:37 | 0:04:38 | |
She's with her mom and she came home from surgery. | 0:04:38 | 0:04:41 | |
-Oh, wow. -Oh, I'm sorry. | 0:04:41 | 0:04:42 | |
She had a tummy tuck, an eye job, and a butt reduction. She's OK. | 0:04:42 | 0:04:45 | |
-And here we are. -Oh, look at this. | 0:04:45 | 0:04:47 | |
-Wow! -That's him. | 0:04:47 | 0:04:48 | |
-Tumbleweed Tim. -ALLY: I can see the resemblance. | 0:04:48 | 0:04:50 | |
-You see something there? -Yeah. | 0:04:50 | 0:04:52 | |
That's his great-great-uncle and that is my grandfather. | 0:04:52 | 0:04:54 | |
-Wow. -He looks so manly. -Handsome. | 0:04:54 | 0:04:57 | |
Well, he was very thoughtful. | 0:04:57 | 0:04:59 | |
-Oh. -He was a very pensive cowboy. | 0:04:59 | 0:05:01 | |
He's got his gun, he's got his chaps, | 0:05:01 | 0:05:03 | |
and he's staring out over at his things. | 0:05:03 | 0:05:06 | |
-Oh. -I'd love to show you them. | 0:05:06 | 0:05:08 | |
-It's the hat. -Yeah, that's the hat. | 0:05:08 | 0:05:09 | |
-Yeah? It's good. -Now that's hot. | 0:05:09 | 0:05:11 | |
-You were cute before, but this is... -Right? | 0:05:11 | 0:05:13 | |
-I'm joining the family. -Be very careful, if you don't mind. | 0:05:13 | 0:05:15 | |
You can wear the gloves. Be very gentle. | 0:05:15 | 0:05:17 | |
-OK. -OK? | 0:05:17 | 0:05:19 | |
-Look at these. -These are spurs. | 0:05:19 | 0:05:20 | |
-Made specially. -And what's the squiggles? | 0:05:20 | 0:05:22 | |
The little squiggles is Hebrew and it says "Mazel tov". | 0:05:22 | 0:05:25 | |
-Mazel tov. -You know what that means? | 0:05:25 | 0:05:27 | |
-Good luck. -Good luck. Well, that makes sense. | 0:05:27 | 0:05:29 | |
-Good luck to you. -Did he wear these in the films? | 0:05:29 | 0:05:31 | |
-He never wore them in movies. -Why is that? | 0:05:31 | 0:05:33 | |
Well, you know, it was the '20s | 0:05:33 | 0:05:34 | |
and you couldn't really be a Jewish cowboy. | 0:05:34 | 0:05:36 | |
But he wasn't ashamed of being Jewish. He did wear them at home all the time. | 0:05:36 | 0:05:39 | |
Oh, his wife, that was a big bone of contention. | 0:05:39 | 0:05:41 | |
-Can we put them back? -Yeah, sure. -Thank you. | 0:05:41 | 0:05:43 | |
These were the boots that he wore in every... | 0:05:43 | 0:05:46 | |
-Yes, we'll put the... -I'm good. | 0:05:46 | 0:05:49 | |
You know what, I've got such a big cranium. | 0:05:49 | 0:05:51 | |
It's not a bad thing to put it down. | 0:05:51 | 0:05:52 | |
-I'll put it down. Why not? -I'm sorry. | 0:05:52 | 0:05:54 | |
These are the boots that he wore basically in every movie. | 0:05:54 | 0:05:57 | |
-Wow. -And they're quite amazing. | 0:05:57 | 0:05:58 | |
-There's a little of an odour in there. -Jesus Christ! | 0:05:58 | 0:06:01 | |
-But smell. Get a whiff. -Whew. -Prepare. | 0:06:01 | 0:06:03 | |
-Wow. -Oh, God. | 0:06:03 | 0:06:04 | |
I'm going to try it once. | 0:06:04 | 0:06:05 | |
Oh, my God! It's worse than I remember. | 0:06:05 | 0:06:07 | |
They smell like 50 years of work. | 0:06:07 | 0:06:08 | |
That was 50 years... | 0:06:08 | 0:06:09 | |
Well, it would have been 50 years of work. | 0:06:09 | 0:06:11 | |
He was the best riding cowboy in the business. | 0:06:11 | 0:06:15 | |
He was one of the few Western stars | 0:06:15 | 0:06:17 | |
who could do a horseback ride | 0:06:17 | 0:06:19 | |
and a shoot-out at the same time. | 0:06:19 | 0:06:21 | |
It was very, very difficult. | 0:06:21 | 0:06:22 | |
He was galloping and galloping and galloping | 0:06:22 | 0:06:24 | |
and shooting and shooting and shooting. | 0:06:24 | 0:06:26 | |
He survived the horse riding and shooting, but he couldn't survive the scandal. | 0:06:26 | 0:06:29 | |
-What scandal? -I'll tell you about it. | 0:06:29 | 0:06:31 | |
See this name? Madge Dubois. | 0:06:31 | 0:06:33 | |
Oh, my God, she was gorgeous. She was so beautiful. | 0:06:33 | 0:06:35 | |
I think she was in three of his pictures. | 0:06:35 | 0:06:37 | |
Oh, he was so devoted to Madge Dubois. | 0:06:37 | 0:06:39 | |
He got into a love scandal. | 0:06:39 | 0:06:41 | |
TOM EXHALES Wow. | 0:06:41 | 0:06:42 | |
It was actually a love triangle. | 0:06:42 | 0:06:44 | |
Really more of a quadrangle. | 0:06:44 | 0:06:47 | |
It was Tumbleweed Tim, an unidentified party, | 0:06:47 | 0:06:49 | |
Sagebrush Sam, also known as Backdoor Billy. | 0:06:49 | 0:06:51 | |
-TOM: -Oh, is he...? -We won't go into that. | 0:06:51 | 0:06:53 | |
-Yeah. -She's discovered dead in the alley. | 0:06:53 | 0:06:56 | |
ALLY: No. | 0:06:56 | 0:06:57 | |
She's been poisoned, strangled, suffocated, and shot, | 0:06:57 | 0:07:00 | |
and they can't figure out how she died. | 0:07:00 | 0:07:02 | |
-It was probably one of those things. -It may have been. | 0:07:02 | 0:07:05 | |
-But they never pinned it on anybody. -Right. | 0:07:05 | 0:07:07 | |
-Tumbleweed was innocent. -Do you know that? | 0:07:07 | 0:07:09 | |
Let's just say he didn't do it and move on. | 0:07:09 | 0:07:10 | |
-Nobody was blamed for it. -The scandal killed him. | 0:07:10 | 0:07:12 | |
Yes, the scandal killed him. | 0:07:12 | 0:07:14 | |
And that's it. Kaput. | 0:07:14 | 0:07:15 | |
So he never made it to the talkies? | 0:07:15 | 0:07:17 | |
Well, he actually... he did a screen test | 0:07:17 | 0:07:20 | |
for a television series in the '50s called Saloon. | 0:07:20 | 0:07:23 | |
Wait a minute, here. I'm going to pull it up for you. | 0:07:23 | 0:07:27 | |
BEEPS | 0:07:27 | 0:07:28 | |
-HEBREW ACCENT: -Let me tell you something, Mr Big Shot, | 0:07:28 | 0:07:31 | |
if you're not out of this town by the last stage, | 0:07:31 | 0:07:34 | |
I will personally organise a necktie party for you myself. | 0:07:34 | 0:07:37 | |
Such a shame that scandal stopped him having a career in the talkies. | 0:07:37 | 0:07:41 | |
You think I'm bluffing? Oh, look who's being... | 0:07:41 | 0:07:43 | |
Think we can turn it off now? | 0:07:43 | 0:07:45 | |
-Yes. -You're going to be in Boot Hill so fast, | 0:07:45 | 0:07:46 | |
your head will be spinning. | 0:07:46 | 0:07:48 | |
-BEA: -How much did you tip that guy? -6. | 0:07:50 | 0:07:53 | |
-He looked really annoyed. -I gave him 6. | 0:07:53 | 0:07:56 | |
You're supposed to tip 15% here. | 0:07:56 | 0:07:57 | |
If anything, I overtipped him. | 0:07:57 | 0:07:59 | |
-Yeah, right. -Yes, I gave him a little brown one and the little silver one. | 0:07:59 | 0:08:03 | |
-That's like 5p. -I thought the little brown one was a dollar. | 0:08:03 | 0:08:06 | |
Where's Monkey? Have you got Monkey? | 0:08:06 | 0:08:08 | |
No. Why would I have Monkey? | 0:08:08 | 0:08:09 | |
-Where's Monkey? -I've no idea where Monkey... | 0:08:09 | 0:08:11 | |
-Where's Monkey? -Oh, God, I thought we were having fun. | 0:08:11 | 0:08:14 | |
-BEA: -Monk? -PETE: Excuse me. | 0:08:14 | 0:08:16 | |
Have you seen a monkey puppet? | 0:08:16 | 0:08:18 | |
Do you remember I was here with my friend | 0:08:18 | 0:08:19 | |
and she had a little hand puppet? | 0:08:19 | 0:08:21 | |
-Six cents? -I don't... | 0:08:21 | 0:08:23 | |
No, I thought the little brown one was a dollar. | 0:08:23 | 0:08:25 | |
-He's not in there. -No. He's not in here. | 0:08:25 | 0:08:26 | |
-Of course he is. -He's not. I asked the bloke. | 0:08:26 | 0:08:28 | |
-He said he's not in here. -You haven't looked properly. | 0:08:28 | 0:08:30 | |
-How is it my fault? -Bloody idiot! Where is he?! | 0:08:30 | 0:08:34 | |
-MELVIN: -This little chunk of what you see here | 0:08:34 | 0:08:35 | |
-went on for miles and miles and miles. -TOM: -Really? | 0:08:35 | 0:08:38 | |
And this is where my grandfather worked. | 0:08:38 | 0:08:40 | |
This is Cottonwood Studios. | 0:08:40 | 0:08:42 | |
And there's a placard that they made. | 0:08:42 | 0:08:45 | |
I think 233 Westerns were filmed here. | 0:08:45 | 0:08:48 | |
And, you know, it says... | 0:08:48 | 0:08:50 | |
look, King of the Prairie was here. | 0:08:50 | 0:08:51 | |
That was fantastic. | 0:08:51 | 0:08:53 | |
-And my grandfather... -Tumbleweed Tim. | 0:08:53 | 0:08:54 | |
He was there. He was in... | 0:08:54 | 0:08:57 | |
er, Bad Man Wind. | 0:08:57 | 0:08:59 | |
I heard it was a fantastic movie. | 0:08:59 | 0:09:02 | |
And the fort is over there. They had an entire fort. | 0:09:02 | 0:09:05 | |
They had like a PX and you could buy blankets. | 0:09:05 | 0:09:08 | |
It was fantastic. | 0:09:08 | 0:09:10 | |
CAMERA CLICKS | 0:09:10 | 0:09:12 | |
-And over there... -Wow. | 0:09:12 | 0:09:13 | |
..that actual building, the low, grey building, that was the office | 0:09:13 | 0:09:16 | |
and they had a little script room and they wrote there. | 0:09:16 | 0:09:18 | |
And they still use that as a... | 0:09:18 | 0:09:21 | |
CELLPHONE RINGS | 0:09:21 | 0:09:22 | |
-It's for migrant workers. -Really? -Sorry. Just one sec. Hello? | 0:09:22 | 0:09:25 | |
-BEA: -Oh, my God! | 0:09:25 | 0:09:26 | |
BEA SHRIEKS | 0:09:26 | 0:09:27 | |
Bea? You all right? | 0:09:27 | 0:09:29 | |
-SOBBING: -I can't feel my hand! -What? | 0:09:29 | 0:09:31 | |
-What's going on? Has Pete touched someone? -No! | 0:09:31 | 0:09:34 | |
Monkey's gone missing! | 0:09:34 | 0:09:35 | |
Monk has gone... OK, where are you? | 0:09:35 | 0:09:37 | |
I'm in Venice Beach. | 0:09:37 | 0:09:39 | |
OK, all right. I'll be right there. | 0:09:39 | 0:09:40 | |
-Help. -OK, bye. | 0:09:40 | 0:09:43 | |
Guys, I'm really sorry. | 0:09:44 | 0:09:46 | |
-We need to go. -Really? | 0:09:46 | 0:09:48 | |
Yeah. I'm so sorry. | 0:09:48 | 0:09:50 | |
-Is everything OK? -My sister has lost Monk. | 0:09:50 | 0:09:52 | |
She's lost her little fella. | 0:09:52 | 0:09:53 | |
-Oh, my God. -Seriously? | 0:09:53 | 0:09:54 | |
-Yeah, in Venice. -Oh, my God. Don't talk. -I'm so sorry. -Let's go. | 0:09:54 | 0:09:57 | |
Under Megan's Law, we can check | 0:10:00 | 0:10:02 | |
for sex offenders in the area. | 0:10:02 | 0:10:03 | |
-I'll go call immediately. -Yeah, um, the thing is, Monk's a puppet. | 0:10:03 | 0:10:07 | |
-There she is. -A puppet? | 0:10:07 | 0:10:09 | |
-CRYING: -He's just a little monkey puppet. | 0:10:09 | 0:10:11 | |
-Bea, he hasn't seen it. -You can't miss him! | 0:10:11 | 0:10:13 | |
-He must have come by here! -Bea, Bea, Bea. | 0:10:13 | 0:10:15 | |
-Tom. -OK. All right, OK. | 0:10:15 | 0:10:17 | |
It's a living hell. | 0:10:17 | 0:10:19 | |
-I can't find him anywhere. -I know. | 0:10:19 | 0:10:21 | |
-Where have you looked? -I've looked everywhere. | 0:10:21 | 0:10:23 | |
OK, this is what we're going to do. I've got a great plan. | 0:10:23 | 0:10:26 | |
I love you and I'm here and I'm going to help. | 0:10:26 | 0:10:27 | |
We're going to go back to London and get you a lovely new puppet. | 0:10:27 | 0:10:30 | |
SHE SCREAMS | 0:10:30 | 0:10:31 | |
OK. No, sorry! No, no! | 0:10:31 | 0:10:32 | |
-How can you say that? -OK, we won't do that. Why did you say that, Pete? | 0:10:32 | 0:10:36 | |
You can't replace him! My hand is clamping up. | 0:10:36 | 0:10:39 | |
-My God! -OK, well, we can't have that. | 0:10:39 | 0:10:41 | |
-Help me! -Yeah. We're going to find him. We're going to find him. | 0:10:41 | 0:10:44 | |
-Look for him! -PETE: We've been looking already. | 0:10:44 | 0:10:46 | |
Have you seen a little monkey puppet? | 0:10:46 | 0:10:48 | |
No puppet? | 0:10:48 | 0:10:49 | |
Have you seen a little toy monkey that talks? | 0:10:49 | 0:10:51 | |
-Excuse me, sir. Have you seen a little monkey puppet? -Mm-mm. | 0:10:51 | 0:10:53 | |
Have you seen a little puppet monkey? | 0:10:53 | 0:10:55 | |
He's like a little puppet and he talks. | 0:10:55 | 0:10:57 | |
Monkey, try to tell me where you are. | 0:10:57 | 0:10:59 | |
Monkey? | 0:10:59 | 0:11:01 | |
MONKEY'S VOICE: I don't know where I am. | 0:11:01 | 0:11:02 | |
Just try and see where you are, Monkey. | 0:11:02 | 0:11:05 | |
Tell me where you are. | 0:11:05 | 0:11:07 | |
MONKEY'S VOICE: I don't know. | 0:11:07 | 0:11:08 | |
This is a nightmare. | 0:11:08 | 0:11:09 | |
ALLY: Have you seen a puppet? | 0:11:11 | 0:11:12 | |
-TOM: -There he is! -Oh, God! | 0:11:12 | 0:11:15 | |
Look! Here. | 0:11:15 | 0:11:16 | |
-TOM: -Hi. | 0:11:16 | 0:11:17 | |
HE LAUGHS | 0:11:17 | 0:11:18 | |
-WOMAN: Hi. -Hi. | 0:11:18 | 0:11:19 | |
Oh, my God. Thank God. | 0:11:19 | 0:11:22 | |
-This is my sister's puppet. -Oh, my goodness. | 0:11:22 | 0:11:25 | |
-Yeah. -And you're going to donate it to us to make another child very happy. | 0:11:25 | 0:11:28 | |
-That's so sweet. -No, that isn't... | 0:11:28 | 0:11:30 | |
that would be sweet, but that's not what's happening. | 0:11:30 | 0:11:32 | |
I think somebody must have thrown it | 0:11:32 | 0:11:34 | |
into one of these cans, thinking it was garbage. | 0:11:34 | 0:11:36 | |
Gee whiz, I just got here. Let me check the receipts. | 0:11:36 | 0:11:38 | |
-We take a receipt for everything that we have. -Oh, sure. | 0:11:38 | 0:11:40 | |
Well, there won't be a receipt | 0:11:40 | 0:11:42 | |
unless it was stolen by a charitable thief. | 0:11:42 | 0:11:44 | |
And look it, here. There is a stuffed monkey... | 0:11:44 | 0:11:46 | |
-Shut up. -..to a Mr Creutz. | 0:11:46 | 0:11:48 | |
-So that's...this is a charitable donation. -Oh, you're a charity? | 0:11:48 | 0:11:50 | |
I'll give you 30. | 0:11:50 | 0:11:51 | |
No, we cannot accept any money. | 0:11:51 | 0:11:53 | |
We're a not-for-profit, so it's a tax issue. | 0:11:53 | 0:11:55 | |
There's absolutely no tax issue involved. | 0:11:55 | 0:11:57 | |
You can receive all the money that you want | 0:11:57 | 0:11:59 | |
as long as you give it back to the charity. | 0:11:59 | 0:12:01 | |
I'm a professional tax attorney and I know. | 0:12:01 | 0:12:03 | |
Here's the thing, my sister is a 38-year-old woman | 0:12:03 | 0:12:05 | |
who talks to a fucking monkey. | 0:12:05 | 0:12:07 | |
The underprivileged kids can get privileged. | 0:12:07 | 0:12:10 | |
She's beyond help. | 0:12:10 | 0:12:11 | |
I'm an underprivileged kid. | 0:12:11 | 0:12:13 | |
I never knew who my dad was. Can I have it? | 0:12:13 | 0:12:15 | |
WOMAN: I'm sorry you don't know who your dad is, | 0:12:15 | 0:12:17 | |
but these are...a lot of children are in need of these wonderful... | 0:12:17 | 0:12:19 | |
-It's a piece of polyester. -Tom, stop shaking him! | 0:12:19 | 0:12:21 | |
I'll give you 100 for it. | 0:12:21 | 0:12:23 | |
Listen, I'm not going to take 100! | 0:12:23 | 0:12:25 | |
You're really creeping me out, all right?! | 0:12:25 | 0:12:27 | |
Now you and you and you and you and you can just get out of here! | 0:12:27 | 0:12:31 | |
-All right. -Leave the monk... Oh! | 0:12:31 | 0:12:32 | |
You get the fuck back here, man! | 0:12:32 | 0:12:33 | |
Aw, sh... I can't leave the toys. | 0:12:33 | 0:12:36 | |
Follow me! Up here, up here. | 0:12:36 | 0:12:39 | |
THEY ALL LAUGH | 0:12:40 | 0:12:43 | |
-Thank you! -Oh, you're welcome. | 0:12:43 | 0:12:45 | |
-Thank you, Tom. -Everything's all right. | 0:12:45 | 0:12:48 | |
Oh, my God. | 0:12:48 | 0:12:49 | |
That was such a horrible day. | 0:12:49 | 0:12:51 | |
-That was nuts. -MONKEY: -Oh, I'm sorry she's so weird. | 0:12:51 | 0:12:54 | |
Aw, it's all right. | 0:12:54 | 0:12:55 | |
No, thank you, cos I don't know. | 0:12:55 | 0:12:58 | |
-MONKEY: -She wouldn't have survived. | 0:12:58 | 0:13:00 | |
He's part of the family. | 0:13:00 | 0:13:02 | |
-PETE: That was really good. -Hey, this is Ally. | 0:13:04 | 0:13:06 | |
-BEA: -Hello. -And Melvin. | 0:13:06 | 0:13:08 | |
-I'm so sorry. -This is my sister Bea. -I'm embarrassed about my behaviour. | 0:13:08 | 0:13:11 | |
-Is that the monkey? -This is Monk. | 0:13:11 | 0:13:12 | |
-Yes. -MONKEY: -Yeah, yeah. | 0:13:12 | 0:13:13 | |
-He's such a sweet monkey. -MONKEY: -So she really freaked out. | 0:13:13 | 0:13:16 | |
-He talks. -MONKEY: -Yes, I talk again. Now I do. | 0:13:16 | 0:13:18 | |
THEY ALL LAUGH | 0:13:18 | 0:13:20 | |
-MONKEY: -Now that I found you. | 0:13:20 | 0:13:21 | |
AL: I should probably say something, shouldn't I? | 0:13:21 | 0:13:23 | |
-KITTY: -Sure. That'd be nice. | 0:13:23 | 0:13:24 | |
CLINKING | 0:13:24 | 0:13:25 | |
AL CLEARS HIS THROAT | 0:13:25 | 0:13:27 | |
Welcome, one and all, to our happy home. | 0:13:27 | 0:13:29 | |
Kitty and I would like to welcome you. | 0:13:29 | 0:13:31 | |
To our many friends - old friends and new friends, | 0:13:31 | 0:13:34 | |
family who've come a short distance | 0:13:34 | 0:13:37 | |
and people who travelled from very far away, welcome. | 0:13:37 | 0:13:39 | |
We're just elated to have you here with us all. | 0:13:39 | 0:13:42 | |
Um, you work your whole life | 0:13:42 | 0:13:46 | |
and suddenly you realise, what do you have for it? | 0:13:46 | 0:13:49 | |
You have a bunch of stuff. | 0:13:49 | 0:13:51 | |
There was even a bumper sticker years ago that said | 0:13:51 | 0:13:53 | |
"He who dies with the most toys wins". | 0:13:53 | 0:13:55 | |
Well, I've never seen a hearse with a luggage rack on top. | 0:13:55 | 0:13:59 | |
I would propose that he who dies | 0:13:59 | 0:14:01 | |
with the most friends and family wins. | 0:14:01 | 0:14:05 | |
And I toast you now as a winner. | 0:14:05 | 0:14:08 | |
To family and friends. | 0:14:08 | 0:14:10 | |
ALL: Cheers. | 0:14:10 | 0:14:12 | |
-KITTY: -Are we doing everybody? | 0:14:12 | 0:14:14 | |
-Friends and family. -Friends and family. | 0:14:14 | 0:14:17 | |
Thank you, Al. That was beautiful. | 0:14:17 | 0:14:18 | |
Thank you. Thank you for... Loved having you here. | 0:14:18 | 0:14:21 | |
PETE: Listen, what's the deal with football over here? | 0:14:21 | 0:14:24 | |
You've got American football and you call football soccer. | 0:14:24 | 0:14:27 | |
No, no. | 0:14:29 | 0:14:30 | |
We call football football. | 0:14:30 | 0:14:32 | |
That shouldn't be football cos you rarely use your foot. | 0:14:32 | 0:14:35 | |
There is a guy that actually... | 0:14:35 | 0:14:37 | |
You only use your foot for the conversions. | 0:14:37 | 0:14:38 | |
But the foot's in play at that point. | 0:14:38 | 0:14:40 | |
Yeah, but you throw it. | 0:14:40 | 0:14:41 | |
We don't touch the ball, so we should have football. | 0:14:41 | 0:14:44 | |
Yeah, OK, so then why is it better that you don't touch it? | 0:14:44 | 0:14:46 | |
Cos you can't just pick a ball up and run with it. | 0:14:46 | 0:14:50 | |
That's rugby. | 0:14:50 | 0:14:51 | |
Why don't you call American football rugby? | 0:14:51 | 0:14:54 | |
I'm just saying, we invented football. | 0:14:54 | 0:14:57 | |
I call it...what? | 0:14:57 | 0:14:59 | |
-TOM: -Is that Victoria? -AL: Your great-aunt. | 0:14:59 | 0:15:01 | |
-I didn't know that you met. -She came here to the States. | 0:15:01 | 0:15:03 | |
She was on some kind of a quest about her family tree. | 0:15:03 | 0:15:06 | |
-No. -Oh. When was that taken? | 0:15:06 | 0:15:08 | |
A couple years ago. | 0:15:08 | 0:15:10 | |
That's... | 0:15:11 | 0:15:12 | |
Don't you find it weird that she came so far | 0:15:12 | 0:15:14 | |
close to the end of her life? | 0:15:14 | 0:15:17 | |
-I wonder what she found out. -Yeah. | 0:15:17 | 0:15:19 | |
And I wonder why she gave that box to you. | 0:15:19 | 0:15:22 | |
Coincidence? | 0:15:23 | 0:15:24 | |
HE CHUCKLES | 0:15:24 | 0:15:25 | |
I'm not sure. | 0:15:25 | 0:15:27 | |
Did she leave you anything? | 0:15:27 | 0:15:29 | |
No. | 0:15:29 | 0:15:30 | |
Maybe she just liked me. | 0:15:30 | 0:15:33 | |
I know the spotted pup song, | 0:15:33 | 0:15:34 | |
cos that was handed down from my grandfather. | 0:15:34 | 0:15:36 | |
-I can't hear what you're saying. Spotted pop? -Spotted pup. | 0:15:36 | 0:15:39 | |
-A dog, you know? -Oh, right. | 0:15:39 | 0:15:41 | |
When they're small, we call them pups. | 0:15:41 | 0:15:43 | |
-Oh, right. -Yeah. | 0:15:43 | 0:15:44 | |
-MONKEY: -I'd like to see you naked. -Sorry about that. | 0:15:46 | 0:15:48 | |
-MONKEY: -I would, yeah. | 0:15:48 | 0:15:50 | |
I think you'd be disappointed. | 0:15:50 | 0:15:51 | |
Well, I wouldn't be there, obviously. | 0:15:51 | 0:15:53 | |
-MONKEY: -Just me and you. | 0:15:53 | 0:15:54 | |
I-I don't think that's going to happen. | 0:15:54 | 0:15:57 | |
-I'll be totally honest with you. -Fine. | 0:15:57 | 0:15:59 | |
I've kind of made a commitment this evening to keep my clothes on... | 0:15:59 | 0:16:01 | |
-OK. -..until I go into my camper, | 0:16:01 | 0:16:03 | |
-which is parked... MONKEY: -That's a shame. | 0:16:03 | 0:16:05 | |
-Yeah, yeah. -Yeah. | 0:16:05 | 0:16:07 | |
-But, er... -So, are you married? | 0:16:07 | 0:16:10 | |
Um, I am married, yes. | 0:16:12 | 0:16:14 | |
-You are? -I am. | 0:16:14 | 0:16:15 | |
-MONKEY: -She here? | 0:16:15 | 0:16:17 | |
No. My wife is missing. | 0:16:17 | 0:16:19 | |
Oh. | 0:16:19 | 0:16:20 | |
Yeah, she's been missing for several years now. | 0:16:20 | 0:16:23 | |
-Oh, that's awful. -Yeah. | 0:16:23 | 0:16:25 | |
-MONKEY: -Sorry. You killed her? | 0:16:25 | 0:16:27 | |
Well, I've been doing magic for years. | 0:16:28 | 0:16:29 | |
I wish I had my props here. | 0:16:29 | 0:16:32 | |
I usually have a little stool and a table. | 0:16:32 | 0:16:35 | |
Incidentally, how do you fit four gay men on one bar stool? | 0:16:35 | 0:16:38 | |
-Turn it upside down. -Ooh. | 0:16:38 | 0:16:40 | |
Now, pay-pay attention over here. | 0:16:40 | 0:16:42 | |
All right, I like to keep a record of all the jobs I do, of course. | 0:16:42 | 0:16:46 | |
So I have a little diary, you see? | 0:16:46 | 0:16:47 | |
-TOM: -Fancy. -Yeah, of course. | 0:16:47 | 0:16:49 | |
But at the end of the month I look, and what have I been doing? | 0:16:49 | 0:16:51 | |
-I've been doodling. TOM: -Oh, no! | 0:16:51 | 0:16:53 | |
For heaven's sakes. Who's going to believe that? | 0:16:53 | 0:16:55 | |
So I can't find any of the records of the jobs I did. | 0:16:55 | 0:16:58 | |
-Oh, shit. -I look again, and it's even worse because now it's | 0:16:58 | 0:17:00 | |
-TOM: -Hey! | 0:17:00 | 0:17:01 | |
You're a witch. | 0:17:01 | 0:17:04 | |
Tom, I think you should have one of these. | 0:17:04 | 0:17:06 | |
Not so much for the doodle part. | 0:17:06 | 0:17:08 | |
You can fill in where you've been in the States, | 0:17:08 | 0:17:10 | |
if you've met anyone interesting, any unusual incidents. | 0:17:10 | 0:17:13 | |
-MAN: -Hi. -Is that...? | 0:17:13 | 0:17:15 | |
-Michael. -Speak of the devil. | 0:17:15 | 0:17:16 | |
-Kim, come on in. -Magical Mike. | 0:17:16 | 0:17:18 | |
-KIM: -What are you doing in here, Mike? | 0:17:18 | 0:17:19 | |
MIKE: Just visiting with some friends from over the pond. | 0:17:19 | 0:17:22 | |
-This is Pete. -Hello. | 0:17:22 | 0:17:23 | |
MIKE: This is my partner Kim. | 0:17:23 | 0:17:24 | |
-Hello. -Kim? | 0:17:24 | 0:17:26 | |
-This is Tom. -Tom, hello. | 0:17:26 | 0:17:27 | |
-Hey. -And this is lovely Ally. | 0:17:27 | 0:17:29 | |
-Hi. -Oh, lovely indeed. Hi, Ally. | 0:17:29 | 0:17:31 | |
-Kim, sit, sit. -Can I join the party? | 0:17:31 | 0:17:32 | |
I was afraid you wouldn't make it again. | 0:17:32 | 0:17:33 | |
-Another no-show. -No, no, no. I show. | 0:17:33 | 0:17:36 | |
This is your better half Kim? | 0:17:36 | 0:17:37 | |
Indeed he is, yeah. | 0:17:37 | 0:17:39 | |
Say, what does a gay man have in common with an ambulance? | 0:17:39 | 0:17:42 | |
-What? -They're both rear loaded and they go... -Whoo, whoo! | 0:17:42 | 0:17:46 | |
THEY ALL LAUGH | 0:17:46 | 0:17:48 | |
Who told us that? Was that Clark? | 0:17:48 | 0:17:49 | |
Sweetie, could you get me some more containers for the leftovers? | 0:17:51 | 0:17:54 | |
Yeah. | 0:17:54 | 0:17:55 | |
GLASS SHATTERS | 0:17:55 | 0:17:57 | |
-Is that my mother's glass? -Yeah. | 0:17:58 | 0:18:00 | |
Let me see if I can find someone | 0:18:00 | 0:18:01 | |
to help me in the kitchen, not work against me. | 0:18:01 | 0:18:03 | |
Don't blame and leave. | 0:18:03 | 0:18:05 | |
I am a terrible cook, but... | 0:18:05 | 0:18:07 | |
-You are? -Yeah. | 0:18:07 | 0:18:08 | |
But I'm a great eater. If that's... | 0:18:08 | 0:18:10 | |
That's great. This will work out well. | 0:18:10 | 0:18:12 | |
Oh, I know this show. | 0:18:12 | 0:18:13 | |
Oh, yes. I love this show. | 0:18:13 | 0:18:16 | |
-TV: -Is this what you desire... | 0:18:16 | 0:18:18 | |
ALLY: I watch this with my mom. | 0:18:18 | 0:18:20 | |
-TV: -..my lord? | 0:18:20 | 0:18:22 | |
MUSIC PLAYS | 0:18:22 | 0:18:24 | |
MUSIC SWELLS | 0:18:27 | 0:18:28 | |
BREATHING HEAVILY | 0:18:31 | 0:18:35 | |
It's lit so beautifully. | 0:18:35 | 0:18:36 | |
Mm, it's really well written, too. | 0:18:36 | 0:18:39 | |
Tommy, we're going old-school raving. | 0:18:39 | 0:18:41 | |
Back to '92, Caesar's Palace. | 0:18:41 | 0:18:43 | |
POPPING | 0:18:43 | 0:18:44 | |
HE GULPS | 0:18:44 | 0:18:45 | |
Not drugs, just booze. | 0:18:45 | 0:18:48 | |
-Up for it? Fancy it? -Um, no. | 0:18:48 | 0:18:50 | |
Everything you just said sounds terrible. | 0:18:50 | 0:18:52 | |
So I think I'm all set. I was at a rave this morning. | 0:18:52 | 0:18:55 | |
-You want to...? -No. | 0:18:55 | 0:18:56 | |
You sure? You sure? I'm going to kick it - this town's back doors in. | 0:18:56 | 0:18:59 | |
Are you going dressed like that? | 0:18:59 | 0:19:00 | |
-Of course I am. -I think we'll stay here. | 0:19:00 | 0:19:01 | |
We're all right. Are you guys going? | 0:19:01 | 0:19:03 | |
-Yeah. -All right, you crazy kids. | 0:19:03 | 0:19:05 | |
-Have a good one, guys. -All right, have fun. | 0:19:05 | 0:19:07 | |
-Are you going, Bea? -I'm off to bed. See you soon. | 0:19:07 | 0:19:09 | |
-OK. -MONKEY: We're emotional. | 0:19:09 | 0:19:10 | |
-Night. -Nighty-night. | 0:19:10 | 0:19:12 | |
Tommy, Tommy, don't do anything I wouldn't do. | 0:19:12 | 0:19:14 | |
-Oh. -No, I'm jok...I would. | 0:19:14 | 0:19:15 | |
AL: Tom, could you give me a hand in the kitchen? | 0:19:15 | 0:19:17 | |
My genius wife just broke a glass. | 0:19:17 | 0:19:19 | |
There's a broom in the hall closet. | 0:19:19 | 0:19:20 | |
Yeah, of course. | 0:19:20 | 0:19:22 | |
OK, I'm just going to go cleaning. | 0:19:22 | 0:19:25 | |
-I'll be back in a minute. -OK. | 0:19:25 | 0:19:27 | |
WOMAN GASPS ON TV | 0:19:27 | 0:19:31 | |
Wow. | 0:19:58 | 0:19:59 | |
HE MIMICS CAR ENGINE | 0:19:59 | 0:20:02 | |
HE MIMICS CRASH | 0:20:02 | 0:20:03 | |
Oh. | 0:20:03 | 0:20:04 | |
I see you've found my special room. | 0:20:08 | 0:20:10 | |
Hey. Yeah. | 0:20:10 | 0:20:13 | |
This is great. | 0:20:13 | 0:20:15 | |
I mean, this is very similar to what I used to do at work. | 0:20:15 | 0:20:17 | |
And the detail is so good. | 0:20:17 | 0:20:19 | |
Do you know what you're looking at here? | 0:20:19 | 0:20:21 | |
Uh, no. | 0:20:21 | 0:20:23 | |
This is Dealey Plaza where JFK was shot in 1963. | 0:20:23 | 0:20:26 | |
-Exact replica. -Oh. Wow. | 0:20:26 | 0:20:27 | |
Yeah. Grassy knoll, book depository. | 0:20:27 | 0:20:30 | |
With this model I was able to prove | 0:20:30 | 0:20:32 | |
that not only did Oswald not act alone, | 0:20:32 | 0:20:34 | |
but I proved how they were able to cover their tracks | 0:20:34 | 0:20:36 | |
with all the evidence they left behind. | 0:20:36 | 0:20:37 | |
The grassy knoll and the book depository. | 0:20:37 | 0:20:39 | |
They moved it in the middle of the night. | 0:20:39 | 0:20:41 | |
Cut it into pieces, took it all down, moved it to Area 51. | 0:20:41 | 0:20:44 | |
-They moved the grassy knoll? -Oh, yeah, to Area 51. | 0:20:47 | 0:20:49 | |
It's sitting there right now. I have friends who've seen it. | 0:20:49 | 0:20:51 | |
Too much evidence in there. They couldn't let it sit. | 0:20:51 | 0:20:56 | |
Is that the moon? | 0:20:56 | 0:20:57 | |
That's the moon, all right, | 0:20:57 | 0:20:59 | |
where the supposed lunar landing | 0:20:59 | 0:21:01 | |
took place in 1969. | 0:21:01 | 0:21:03 | |
The supposed lunar landing? | 0:21:03 | 0:21:04 | |
Do you really think we had the technology in 1969 | 0:21:04 | 0:21:07 | |
to get men on the moon and bring them home? | 0:21:07 | 0:21:09 | |
-Kind of. -238,000 miles average... | 0:21:09 | 0:21:12 | |
221 at perigee, 252 at apogee. | 0:21:12 | 0:21:15 | |
-I do. -A moving target. You think they landed on the moon? | 0:21:15 | 0:21:18 | |
-Yeah. -No, they were orbiting around the Earth | 0:21:18 | 0:21:20 | |
while they did this all on a soundstage. | 0:21:20 | 0:21:22 | |
Where? Area 51. | 0:21:22 | 0:21:24 | |
Uh-huh. Behind the grassy knoll, probably. | 0:21:24 | 0:21:26 | |
You ever see the footage of the men on the moon? | 0:21:26 | 0:21:28 | |
-Yeah. -There's an American flag blowing in the wind. | 0:21:28 | 0:21:31 | |
Oh, wait, there's no wind on the moon, | 0:21:31 | 0:21:33 | |
cos there's no atmosphere. | 0:21:33 | 0:21:34 | |
There should be a crater under the LEM. There's no crater. | 0:21:34 | 0:21:36 | |
There should be a crater for when they're landing. | 0:21:36 | 0:21:38 | |
What about the star field? There's no stars in the background. | 0:21:38 | 0:21:40 | |
Why? They're in a soundstage. | 0:21:40 | 0:21:42 | |
It didn't happen? | 0:21:42 | 0:21:43 | |
We got taken for a ride, is what happened. | 0:21:43 | 0:21:46 | |
-Is that a city on the moon? -Well, that's on the dark side of the moon. | 0:21:46 | 0:21:49 | |
There are people there. They've been there for thousands of years. | 0:21:49 | 0:21:51 | |
-Of course. -There's a whole alien race living there. | 0:21:51 | 0:21:53 | |
Yeah, that makes a lot of sense. | 0:21:53 | 0:21:55 | |
That's a good album. | 0:21:55 | 0:21:56 | |
Oh, my hero. Neil Diamond. | 0:21:56 | 0:21:58 | |
Great singer and a man who knows it all. | 0:21:58 | 0:22:02 | |
That's why they wanted to shut him up. Look at this. | 0:22:02 | 0:22:05 | |
"Neil Diamond concert cancelled. Throat problem." | 0:22:05 | 0:22:08 | |
"Neil Diamond Concert Cancelled. | 0:22:08 | 0:22:10 | |
-"Singing Legend Cites Throat Problem." -Yeah. | 0:22:10 | 0:22:13 | |
Couldn't talk or they didn't want him to talk? | 0:22:13 | 0:22:15 | |
-Probably couldn't talk. -Oh, no, they didn't want him to talk. | 0:22:15 | 0:22:17 | |
-Right. -He knows where all the bodies are buried, | 0:22:17 | 0:22:19 | |
about the New World Order, enslavement of the masses, health care for all. | 0:22:19 | 0:22:22 | |
-He knows about it. -Neil Diamond does? | 0:22:22 | 0:22:24 | |
Oh, yeah. And he was ready to sing. | 0:22:24 | 0:22:26 | |
I like that song Sweet Caroline. | 0:22:26 | 0:22:28 | |
He knows how it all comes together. | 0:22:28 | 0:22:30 | |
-He's a good guitar player as well. -Yes, he is. | 0:22:30 | 0:22:34 | |
-Titanic? -Yeah. | 0:22:34 | 0:22:35 | |
No iceberg there. | 0:22:35 | 0:22:37 | |
Exactly. | 0:22:37 | 0:22:38 | |
You didn't run away. | 0:22:40 | 0:22:42 | |
-I was thinking about it. -Sure. | 0:22:42 | 0:22:44 | |
-But you thought there was a chance I might bring wine. -Exactly. | 0:22:44 | 0:22:47 | |
Thanks. | 0:22:53 | 0:22:55 | |
So you're leaving tomorrow. | 0:22:55 | 0:22:57 | |
Yeah. | 0:22:57 | 0:22:58 | |
-We should stay in touch. -Mm. | 0:23:00 | 0:23:02 | |
Yeah. | 0:23:02 | 0:23:04 | |
-Do you have an e-mail account? -Yes. | 0:23:04 | 0:23:06 | |
BOTH LAUGH | 0:23:06 | 0:23:07 | |
Isn't it the best? | 0:23:07 | 0:23:09 | |
Are you going to miss your American family? | 0:23:12 | 0:23:14 | |
Yeah, yeah, I will. | 0:23:14 | 0:23:17 | |
They're great. | 0:23:17 | 0:23:18 | |
-You should stay in touch with them. -I would love that. | 0:23:18 | 0:23:20 | |
-They were just saying the same thing about you. -Really? -Yeah. | 0:23:20 | 0:23:23 | |
Yeah, I'll miss them. | 0:23:27 | 0:23:29 | |
Ally is lovely. You know? | 0:23:35 | 0:23:38 | |
And she smells so good. | 0:23:38 | 0:23:40 | |
HE EXHALES | 0:23:40 | 0:23:41 | |
Like lemons. | 0:23:41 | 0:23:44 | |
And babies. | 0:23:44 | 0:23:46 | |
Like they're fresh. | 0:23:46 | 0:23:47 | |
If things were different, you know, if the situation... | 0:23:47 | 0:23:51 | |
if I was here for longer, | 0:23:51 | 0:23:54 | |
then maybe something... | 0:23:54 | 0:23:56 | |
It's hard to know, you know? | 0:23:59 | 0:24:01 | |
Maybe...the thing is I'm leaving, | 0:24:01 | 0:24:04 | |
so it's probably for the best. | 0:24:04 | 0:24:08 | |
We're really relaxed around each other | 0:24:08 | 0:24:09 | |
and I-I think he's really funny | 0:24:09 | 0:24:12 | |
and he's...he's very cute. | 0:24:12 | 0:24:15 | |
He's very handsome. | 0:24:15 | 0:24:18 | |
But we're...I mean, it's just...it's nothing. | 0:24:19 | 0:24:21 | |
We're just hanging out and... | 0:24:21 | 0:24:23 | |
and taking things real slow. | 0:24:23 | 0:24:28 | |
BOTH MOANING | 0:24:28 | 0:24:30 | |
Oh, wow! Wow! Wow! | 0:24:30 | 0:24:33 | |
Wow! Wow! | 0:24:33 | 0:24:36 | |
BIRDS CHIRPING | 0:24:36 | 0:24:39 | |
Maybe we should have gotten some sleep. | 0:24:39 | 0:24:41 | |
Just like a half an hour or something. | 0:24:41 | 0:24:44 | |
BOTH LAUGH | 0:24:47 | 0:24:49 | |
CAT PURRS | 0:24:49 | 0:24:51 | |
-Feeling rough? -Yeah. I feel rough as old dogs. | 0:25:00 | 0:25:04 | |
I think Rick and Julie might have slipped something in my drink last night. | 0:25:04 | 0:25:07 | |
-Really? -Kinky buggers. | 0:25:07 | 0:25:08 | |
-MONKEY: -Bea slipped something in her own drink. | 0:25:08 | 0:25:10 | |
Oh, yes. Yes. | 0:25:10 | 0:25:13 | |
So, er, I'd better go fly this plane. | 0:25:13 | 0:25:16 | |
-Oh, you fly an airplane, too. -I do. | 0:25:16 | 0:25:18 | |
I never mentioned I'm a commercial airline pilot? | 0:25:18 | 0:25:20 | |
I always forget that. | 0:25:20 | 0:25:22 | |
You'd better go and get in your uniform. | 0:25:22 | 0:25:25 | |
It's casual Friday, so... | 0:25:25 | 0:25:28 | |
I'm going to miss you. | 0:25:28 | 0:25:30 | |
Bea, they're getting off. | 0:25:35 | 0:25:37 | |
Tommy. | 0:25:37 | 0:25:38 | |
-Plane to catch. -Yeah. | 0:25:38 | 0:25:41 | |
Check in. Bye, Ally. | 0:25:41 | 0:25:42 | |
I really don't want you to go. | 0:25:45 | 0:25:47 | |
I don't want to go. | 0:25:47 | 0:25:49 | |
MUSIC: "I'm Alone But That's Okay" by Ron Sexsmith | 0:26:05 | 0:26:07 | |
# When I found you I found myself | 0:26:07 | 0:26:12 | |
# I was going to love you like nobody else | 0:26:12 | 0:26:16 | |
# But I never really had a clue | 0:26:16 | 0:26:20 | |
# How to love a girl like you | 0:26:20 | 0:26:24 | |
# Two true believers | 0:26:24 | 0:26:27 | |
# We devised | 0:26:27 | 0:26:30 | |
# A temporary paradise | 0:26:30 | 0:26:34 | |
# Now our future is in the past | 0:26:34 | 0:26:38 | |
# I should have known | 0:26:38 | 0:26:41 | |
# It wouldn't last | 0:26:41 | 0:26:45 | |
# I should have been a better man | 0:26:45 | 0:26:48 | |
# You could have been a better friend | 0:26:48 | 0:26:53 | |
# I'm alone, but that's okay | 0:26:53 | 0:26:57 | |
# I guess the dice | 0:26:57 | 0:26:59 | |
# Just rolled that way. # | 0:26:59 | 0:27:04 | |
Subtitles by Red Bee Media Ltd | 0:27:04 | 0:27:07 |