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-What are you doing? -Getting my DNA. -Could we be related? | 0:00:02 | 0:00:05 | |
-..Turn right on a red! -Be polite to the lady who you just rear-ended! | 0:00:07 | 0:00:11 | |
-I can't wait to see you. -I'm looking forward to seeing you, man! | 0:00:12 | 0:00:15 | |
I've decided to come out with Pete and visit you in LA. | 0:00:15 | 0:00:18 | |
I have this product called Flush, it's like an enema. | 0:00:18 | 0:00:22 | |
It's like an anal milkshake. | 0:00:22 | 0:00:23 | |
Charles lived in Washington DC | 0:00:23 | 0:00:25 | |
and he fell in love with Rebecca who was in Virginia. | 0:00:25 | 0:00:27 | |
-To get through enemy lines, they eloped. -That is so sweet. | 0:00:27 | 0:00:32 | |
Yeah, that's one explanation. | 0:00:32 | 0:00:34 | |
"To have said, 'She is of mixed blood and therefore outside the purview of our class,' | 0:00:37 | 0:00:42 | |
"stirs the most foul emotions within me. | 0:00:42 | 0:00:44 | |
"We must therefore leave this wretched place and marry in a new land..." | 0:00:44 | 0:00:49 | |
-He's talking about Britain. -Right. -"...which welcomes us. | 0:00:49 | 0:00:52 | |
"I will love you always..." | 0:00:52 | 0:00:54 | |
-Aw. -Aw. | 0:00:54 | 0:00:56 | |
"..for you are my sweet M... Mojave girl." | 0:00:56 | 0:01:00 | |
-Mojave girl? -Mojave, Mojave. | 0:01:00 | 0:01:02 | |
-Mojave? -Is that...? That means... | 0:01:02 | 0:01:04 | |
No, no, no. That's Mo-HAVE.. | 0:01:04 | 0:01:06 | |
The J is a "ha." | 0:01:06 | 0:01:07 | |
Mojave, that's...that's a desert up north. The Mojave Desert. | 0:01:07 | 0:01:10 | |
You know what? It's also a Native American tribe. | 0:01:10 | 0:01:13 | |
She's an Indian. | 0:01:14 | 0:01:16 | |
Look at that. | 0:01:16 | 0:01:18 | |
Wow. | 0:01:18 | 0:01:20 | |
She's so Indian. | 0:01:20 | 0:01:23 | |
On that horse and everything. | 0:01:23 | 0:01:25 | |
-Yeah. -You know what's weird? That makes so much sense. | 0:01:25 | 0:01:28 | |
I've always felt Indian. | 0:01:28 | 0:01:31 | |
I can see that. | 0:01:31 | 0:01:33 | |
I've got senses. | 0:01:33 | 0:01:35 | |
You know, I can feel vibrations. | 0:01:35 | 0:01:39 | |
-Like under the earth? -Yeah. I feel them all the time. | 0:01:39 | 0:01:42 | |
I live close to the Underground, so it might be that. | 0:01:42 | 0:01:45 | |
-But I feel even when... I feel stuff. -Wow. | 0:01:45 | 0:01:48 | |
How Indian is that? What's more Indian than that? | 0:01:48 | 0:01:51 | |
That's really cool. She's beautiful. DOORBELL RINGS | 0:01:51 | 0:01:54 | |
Oh, you know what? I've got to go. I have a client coming. | 0:01:54 | 0:01:56 | |
Hey, why don't you stay? I could use the help. | 0:01:56 | 0:01:59 | |
And I can teach you how to do it. | 0:01:59 | 0:02:00 | |
I'm gonna give her a tiny flush, not a big one. | 0:02:00 | 0:02:02 | |
-She's legally blind. She won't even know you're here. -Flippin' hell. | 0:02:02 | 0:02:05 | |
-That sounds... -Great! -..really fun. | 0:02:05 | 0:02:07 | |
-Yeah. -Um... -I'd love to show you. | 0:02:07 | 0:02:09 | |
But I'm so late to the thing that I have to do. | 0:02:09 | 0:02:11 | |
-Hey, buddy. -Hi there. -Mark Kelly. | 0:02:16 | 0:02:19 | |
-Tom Chadwick. -Hey, Tom. | 0:02:19 | 0:02:20 | |
Nice to meet you. | 0:02:20 | 0:02:22 | |
-Oh, she's a beauty. -So wide. | 0:02:22 | 0:02:24 | |
-I like it. -And beautiful. | 0:02:24 | 0:02:25 | |
-It's... -Uh-oh. | 0:02:25 | 0:02:27 | |
-A lot of damage there on the passenger seat. -Here in this area? | 0:02:29 | 0:02:32 | |
This general area where there's a spring coming out. | 0:02:32 | 0:02:35 | |
Don't let this hold you back from this. That's all I'm saying. | 0:02:35 | 0:02:38 | |
I'm just worried that it would come ap... Whoa! What's that smell? | 0:02:38 | 0:02:41 | |
-Rose water. -God, it gets stronger once you notice it, doesn't it? | 0:02:41 | 0:02:45 | |
When you're going 60 miles per hour down PCH with your beautiful blonde, | 0:02:45 | 0:02:49 | |
are you gonna be smelling the...? No. | 0:02:49 | 0:02:51 | |
Look at that one. Is that...? That's egg free, right? | 0:02:51 | 0:02:55 | |
Hoo hoo hoo. Now, that's a car. | 0:02:55 | 0:02:57 | |
-This is the one I was going to show you earlier. -Oh, wow! | 0:02:57 | 0:03:00 | |
-And then you got stuck on the... -So red. | 0:03:00 | 0:03:02 | |
TOM KNOCKS ON CAR | 0:03:02 | 0:03:03 | |
How about that? | 0:03:03 | 0:03:05 | |
-What is that? Is that iron? -It's a metal, sure. | 0:03:05 | 0:03:07 | |
-Whoo, and fancy. -Eldorado. -What does that mean? -The whole thing, golden. | 0:03:07 | 0:03:10 | |
-This is bigger than my flat. -Flat. | 0:03:10 | 0:03:12 | |
You know, if I was to drive this... | 0:03:12 | 0:03:15 | |
-Oh! -Whoo. People would be like, "That guy..." | 0:03:15 | 0:03:17 | |
-Women. -What kind of price are we talking about here? | 0:03:17 | 0:03:20 | |
-How long were you planning on renting it? -Couple of weeks. | 0:03:20 | 0:03:22 | |
-Couple of weeks? -Couple of weeks. Good driver. -OK. | 0:03:22 | 0:03:26 | |
-How's that? -Oh! | 0:03:26 | 0:03:27 | |
-That's expensive. That seems... I don't want to buy it. -Well, we're... | 0:03:27 | 0:03:31 | |
-Right, no. We're negotiating. That's fine. -Will you be the only driver? | 0:03:31 | 0:03:34 | |
-Yeah. Yeah, it'll probably just be me. -How's that? | 0:03:34 | 0:03:37 | |
-That's more expensive than the first number. -OK. | 0:03:37 | 0:03:40 | |
That was just... | 0:03:40 | 0:03:41 | |
We're gonna make this work. | 0:03:41 | 0:03:43 | |
This is a very good price. | 0:03:43 | 0:03:44 | |
Uh... I can live with that. | 0:03:44 | 0:03:47 | |
-Yes? -I shouldn't, but that's OK. | 0:03:47 | 0:03:48 | |
-Ay-yi-yi. -Good deal! Oh, but look! Look at the red! | 0:03:48 | 0:03:51 | |
-I know! -Look at the red. | 0:03:51 | 0:03:52 | |
So Bea and Pete get in tomorrow | 0:03:52 | 0:03:55 | |
and I think they are gonna be blown away | 0:03:55 | 0:03:58 | |
by my automobile of choice. | 0:03:58 | 0:04:01 | |
I spent a little bit more on it than I probably would have wanted to, | 0:04:01 | 0:04:04 | |
but I want them to have a good time. | 0:04:04 | 0:04:06 | |
You know? And an impressive car is part of that. | 0:04:06 | 0:04:09 | |
Also, Ally called and we're going for lunch today... | 0:04:11 | 0:04:14 | |
which is nice. | 0:04:14 | 0:04:16 | |
I imagine that it's not a date. | 0:04:17 | 0:04:20 | |
It's not like a... | 0:04:20 | 0:04:22 | |
I'd say she just wants to thank me | 0:04:22 | 0:04:24 | |
for standing up for her in the accident. | 0:04:24 | 0:04:27 | |
-Hey, there. -Wow. | 0:04:31 | 0:04:33 | |
She's a beauty, huh? | 0:04:35 | 0:04:36 | |
Yeah. | 0:04:36 | 0:04:38 | |
-It's a she, right? -You know what? I haven't looked under the hood. | 0:04:38 | 0:04:41 | |
But it's stubborn, so... | 0:04:41 | 0:04:43 | |
I'm kidding. You look nice. | 0:04:43 | 0:04:45 | |
Thank you. It's a new outfit. | 0:04:45 | 0:04:50 | |
-It's new? -Yeah. -It suits you. -Thanks. | 0:04:50 | 0:04:52 | |
I mean, I haven't seen it on anyone else, but it does suit... | 0:04:52 | 0:04:55 | |
-Do you wanna have some lunch? -Yeah. | 0:04:55 | 0:04:57 | |
I wanted to make you comfortable, | 0:04:57 | 0:04:59 | |
so I was thinking we could hit that place right over there. | 0:04:59 | 0:05:02 | |
-Oh, come on. -Maybe you know somebody in there. | 0:05:02 | 0:05:05 | |
You know what's weird is I was conceived in a place just like that. | 0:05:05 | 0:05:08 | |
-Really? -Yeah. | 0:05:08 | 0:05:09 | |
Let's do it. | 0:05:09 | 0:05:11 | |
I mean, I should have known | 0:05:11 | 0:05:13 | |
when I asked him how good the corned beef was. | 0:05:13 | 0:05:15 | |
When he said, "It's corned beef?" | 0:05:15 | 0:05:18 | |
That should have been my clue. | 0:05:18 | 0:05:20 | |
So how long have you been in LA? | 0:05:21 | 0:05:24 | |
-Three years. -Oh. | 0:05:24 | 0:05:25 | |
Yeah. I moved from Connecticut. | 0:05:25 | 0:05:27 | |
-Right. -With my boyfriend. -Right. | 0:05:27 | 0:05:30 | |
And then... Well, I just moved out of our place. | 0:05:32 | 0:05:36 | |
-Oh. -We're going our separate ways. | 0:05:36 | 0:05:39 | |
-Oh. -Yeah. | 0:05:39 | 0:05:40 | |
I moved out thinking that I would be inspired out here. | 0:05:40 | 0:05:44 | |
I write. I'm a writer. | 0:05:44 | 0:05:46 | |
-Oh, wow. -Well, I don't make my living as a writer. | 0:05:46 | 0:05:49 | |
I work at a bookstore. | 0:05:49 | 0:05:51 | |
That's the same, isn't it? | 0:05:51 | 0:05:53 | |
No, it's really not the same. | 0:05:53 | 0:05:55 | |
Well, you know, it's not like you're a writer and working in SeaWorld. | 0:05:55 | 0:05:59 | |
And you do what? | 0:05:59 | 0:06:01 | |
Well, actually, I'm tracing my family tree. | 0:06:01 | 0:06:04 | |
-Oh. -Which is really fun. | 0:06:04 | 0:06:06 | |
I kind of got dragged into it, | 0:06:06 | 0:06:09 | |
and now I'm meeting all these interesting... | 0:06:09 | 0:06:13 | |
and fairly close to mentally unstable relatives. | 0:06:13 | 0:06:17 | |
But I'm really enjoying it. | 0:06:17 | 0:06:19 | |
And you know what? I hate to be a buzzkill, | 0:06:19 | 0:06:21 | |
but I've actually got a meeting, a genealogical meeting. | 0:06:21 | 0:06:25 | |
Oh, I'm sorry. I'm keeping you. | 0:06:25 | 0:06:26 | |
No, no, no. That's OK. It's just time crept up on us. | 0:06:26 | 0:06:29 | |
Hey, listen, you can finish this. | 0:06:29 | 0:06:31 | |
Uh, yeah. Maybe it's better as leftovers. | 0:06:31 | 0:06:34 | |
-But I have your number now. -Yeah. So call... Oh. | 0:06:34 | 0:06:37 | |
-Sorry. European. -Didn't expect that. | 0:06:37 | 0:06:40 | |
Um, next time, I'll bring you to the Irish yogurt place. | 0:06:41 | 0:06:45 | |
OK, bye-bye. | 0:06:46 | 0:06:48 | |
As dates go, that was pretty good. | 0:06:50 | 0:06:53 | |
We chatted and laughed a bit. | 0:06:53 | 0:06:55 | |
I mean, it can't go anywhere. | 0:06:55 | 0:06:57 | |
I'm leaving in a couple of weeks, but it's... | 0:06:57 | 0:06:59 | |
it's good to get back on the horse, you know? | 0:06:59 | 0:07:02 | |
Not that she's a horse. | 0:07:02 | 0:07:04 | |
I mean... | 0:07:04 | 0:07:06 | |
If anything, she's like a little pony. | 0:07:06 | 0:07:09 | |
And I'm the stable boy | 0:07:09 | 0:07:12 | |
offering her some of my carrot. | 0:07:12 | 0:07:14 | |
I'd better go into this now. We're running pretty late. | 0:07:14 | 0:07:17 | |
-Here you go, Mr Chadwick. -Oh, great. | 0:07:17 | 0:07:19 | |
-There. -So this is the marriage certificate? | 0:07:19 | 0:07:22 | |
-Yes. -Lovely stuff. | 0:07:22 | 0:07:24 | |
Ah, Charles Chadwick and Rebecca. | 0:07:24 | 0:07:28 | |
She doesn't have a last name. | 0:07:28 | 0:07:30 | |
Uh, let's see. This is 1865. | 0:07:30 | 0:07:33 | |
A lot of times, they would just omit the last name | 0:07:33 | 0:07:35 | |
if it was a difficult last name to spell. | 0:07:35 | 0:07:37 | |
-They would leave it out if they couldn't spell it? -Yeah. | 0:07:37 | 0:07:40 | |
Native Americans, that was a tradition. | 0:07:40 | 0:07:42 | |
-They would just leave it out. -Right. | 0:07:42 | 0:07:44 | |
-Sacagawea. -That makes sense, actually. | 0:07:44 | 0:07:47 | |
Yeah, I'm getting a lot of Indian in what I'm finding out. | 0:07:47 | 0:07:51 | |
Oh, yeah? | 0:07:51 | 0:07:53 | |
They were married in Barstow. | 0:07:53 | 0:07:55 | |
Where is that? | 0:07:55 | 0:07:56 | |
That's about halfway to Las Vegas. | 0:07:56 | 0:07:59 | |
-Ooh. -Right next to the Mojave Desert. | 0:07:59 | 0:08:02 | |
Right. "My sweet Mojave girl." | 0:08:02 | 0:08:06 | |
-Are you talking to me? -No, sorry. | 0:08:06 | 0:08:07 | |
I read... There's a letter between them. | 0:08:07 | 0:08:09 | |
He calls her his sweet Mojave girl. | 0:08:09 | 0:08:12 | |
Oh, OK. | 0:08:12 | 0:08:13 | |
You know, there probably is a Mojave Indian reservation out there. | 0:08:13 | 0:08:16 | |
-Might be the connection... -Yeah, it's all coming together. | 0:08:16 | 0:08:19 | |
-Yeah. -This is so helpful. | 0:08:19 | 0:08:20 | |
-Thank you. -And very exciting, huh? | 0:08:20 | 0:08:22 | |
Yeah, it's... I don't know where this is gonna lead. | 0:08:22 | 0:08:25 | |
-Oh, probably something really special. -Yeah. | 0:08:25 | 0:08:28 | |
With some turquoise. | 0:08:28 | 0:08:31 | |
-What? -Traditional stone... | 0:08:31 | 0:08:33 | |
-Oh! -..of Native Americans. | 0:08:33 | 0:08:35 | |
You are a mine of information. | 0:08:35 | 0:08:37 | |
You are welcome, Mr Chadwick. | 0:08:37 | 0:08:39 | |
How do you feel after that Jacuzzi? | 0:08:48 | 0:08:50 | |
That was amazing. I've never seen a Jacuzzi in someone's house before. | 0:08:50 | 0:08:53 | |
You don't have one in your flat? | 0:08:53 | 0:08:54 | |
No. We've got baths, but they're not... That's impressive. | 0:08:54 | 0:08:57 | |
-Hey! -Hello! | 0:08:57 | 0:08:58 | |
Whoa! | 0:08:58 | 0:09:00 | |
Here he comes. All right? | 0:09:00 | 0:09:01 | |
-Hi, guys. Hiya, Bea. -Hey, Tom. We made it. | 0:09:01 | 0:09:03 | |
-I missed ya. Hiya, Monk. -Me, too. | 0:09:03 | 0:09:05 | |
-Oi, oi, saveloy. -All right? -How are you? -I'm good. | 0:09:05 | 0:09:08 | |
-Your cousins are sick, man. They've got a Jacuzzi. -Yeah. | 0:09:08 | 0:09:11 | |
I've already been in it. | 0:09:11 | 0:09:12 | |
-Yeah, I can see your shorts are wet... -Straightaway. | 0:09:12 | 0:09:15 | |
-..on the chair. -I thought you were coming tomorrow. | 0:09:15 | 0:09:17 | |
-What's...? -He got it wrong. | 0:09:17 | 0:09:19 | |
He thought with the time difference that we'd lose a day. Idiot. | 0:09:19 | 0:09:22 | |
Well, yeah, cos when you come from... | 0:09:22 | 0:09:23 | |
Yeah, when you come from England to America, you... | 0:09:23 | 0:09:27 | |
-Is it you miss a day? -Other way. Other way. | 0:09:27 | 0:09:29 | |
-No, you take away a day. You take a day back. -No. | 0:09:29 | 0:09:31 | |
Not a day. Eight hours is not... | 0:09:31 | 0:09:33 | |
It's time travel. | 0:09:33 | 0:09:35 | |
My favourite saying is, "What's crazier than a time zone?" | 0:09:35 | 0:09:38 | |
Nothing. | 0:09:38 | 0:09:40 | |
-No idea what it means. -Yeah. | 0:09:40 | 0:09:42 | |
Hey, well, we've been having a great time, finding out a lot of stuff. | 0:09:42 | 0:09:45 | |
Today I found out... How exciting is this? | 0:09:45 | 0:09:47 | |
..we are Native American. | 0:09:47 | 0:09:51 | |
-No way. -Yeah. -Is that Indians? -That is kind of Indians, yeah. | 0:09:51 | 0:09:54 | |
-For real? We are? -Yeah. | 0:09:54 | 0:09:56 | |
That explains my hair. | 0:09:56 | 0:09:58 | |
That's the first thing that I thought of, too. | 0:09:58 | 0:10:00 | |
-Pocahontas. -Yeah. -Yeah. | 0:10:00 | 0:10:03 | |
And so I'm gonna go up to the Mojave Desert. You should come. | 0:10:03 | 0:10:06 | |
And we could just see what we can snuff out. | 0:10:06 | 0:10:10 | |
I have a patient lives in Barstow. | 0:10:10 | 0:10:11 | |
Isn't that the Mojave Desert? Yes, right. | 0:10:11 | 0:10:14 | |
Doris. She's a Native American | 0:10:14 | 0:10:16 | |
and she can put you in touch with the Native American elders | 0:10:16 | 0:10:19 | |
and trace your family line there. | 0:10:19 | 0:10:21 | |
-That would be terrific. -Yeah. | 0:10:21 | 0:10:24 | |
She's a patient of yours? | 0:10:24 | 0:10:25 | |
Oh, yeah. She's got very bad feet. | 0:10:25 | 0:10:27 | |
For years. I shouldn't talk about a patient. | 0:10:27 | 0:10:29 | |
-Go on. -But she does. | 0:10:29 | 0:10:31 | |
Her feet have more problems... More problems. | 0:10:31 | 0:10:34 | |
Oh, my God. Hammertoes. It's from the moccasins. | 0:10:34 | 0:10:36 | |
And all the hopping they do. The dancing and all that. | 0:10:36 | 0:10:39 | |
A dance injury. | 0:10:39 | 0:10:41 | |
And they don't breathe and you can get... You get athlete's foot. | 0:10:41 | 0:10:43 | |
-Oh, you had that. -That was herpes. | 0:10:43 | 0:10:45 | |
That was a very long flight. | 0:10:47 | 0:10:49 | |
'Yeah, I'm a little worried I've got deep vein thrombosis.' | 0:10:49 | 0:10:52 | |
Why would you have that? | 0:10:52 | 0:10:54 | |
'Well, I wasn't wearing surgical stockings.' | 0:10:54 | 0:10:56 | |
Well, yeah, but they don't make them in your size. | 0:10:56 | 0:10:59 | |
But it was just very difficult to be with Pete for that long. | 0:10:59 | 0:11:02 | |
'Such close quarters.' | 0:11:02 | 0:11:04 | |
With him hitting on the stewardesses. | 0:11:04 | 0:11:06 | |
'Yes, he's obnoxious. | 0:11:06 | 0:11:07 | |
'You must regret the night you spent with him.' | 0:11:07 | 0:11:10 | |
I don't know what you're talking about. | 0:11:10 | 0:11:12 | |
I didn't spend a night with Pete. What a thought. | 0:11:12 | 0:11:15 | |
'And she still likes him.' | 0:11:15 | 0:11:16 | |
'You do.' | 0:11:18 | 0:11:20 | |
Do I? | 0:11:21 | 0:11:23 | |
'Yeah.' | 0:11:23 | 0:11:25 | |
I didn't know that. | 0:11:25 | 0:11:27 | |
Whoa, look. | 0:11:41 | 0:11:43 | |
-Yes. -Wow, look. | 0:11:43 | 0:11:45 | |
-A tepee. -Souvenirs. | 0:11:45 | 0:11:47 | |
Whoa. | 0:11:49 | 0:11:50 | |
-Hey. -Ya'at'eeh. | 0:11:50 | 0:11:53 | |
-Ya... -Ya'at'eeh. | 0:11:53 | 0:11:54 | |
-Ya'at'eeh. -That's "hello" in Navajo. | 0:11:54 | 0:11:56 | |
-Is that? -Ya'at'eeh. Hello there. | 0:11:56 | 0:11:58 | |
-How do you do? -Hi. | 0:11:58 | 0:11:59 | |
-Wow! -This is all authentic. | 0:11:59 | 0:12:01 | |
-Tomahawk. -Great choice. | 0:12:01 | 0:12:02 | |
Me Big Chief Crouching Tiger Hidden Bull. | 0:12:02 | 0:12:06 | |
Yeah? Sure, you are. | 0:12:06 | 0:12:07 | |
-Arigato. -De nada. | 0:12:07 | 0:12:10 | |
Yeah, this is great. | 0:12:10 | 0:12:12 | |
-That is great. -So this is an actual tomahawk? | 0:12:12 | 0:12:15 | |
-This was used in the Fourth Battle of Tucson. -Sod off. | 0:12:15 | 0:12:18 | |
-Furry cup. -Ah! | 0:12:18 | 0:12:19 | |
Ah, furry cup. Drink from the furry cup. | 0:12:19 | 0:12:22 | |
Cos that's what the lesbians... | 0:12:22 | 0:12:24 | |
What I like about it is that they've used all of the animal. | 0:12:24 | 0:12:27 | |
All of it, yeah. Most of it's in the handle. | 0:12:27 | 0:12:30 | |
Right, you're holding its foot | 0:12:30 | 0:12:32 | |
-and drinking from its leg. -Yeah. | 0:12:32 | 0:12:34 | |
-Well, this looks amazing. -Oh, look at that. | 0:12:34 | 0:12:37 | |
-Look at that. -That looks terrific. | 0:12:37 | 0:12:39 | |
'Check it out.' | 0:12:39 | 0:12:40 | |
Hey there, pal. That looks terrific. | 0:12:40 | 0:12:42 | |
'It does? I don't look like a lady?' | 0:12:42 | 0:12:44 | |
I'll tell you something interesting about this piece here. | 0:12:44 | 0:12:47 | |
This was found outside of Hogan near Canyon de Chelly. | 0:12:47 | 0:12:49 | |
-Right. -A very, very important part of Navajo culture | 0:12:49 | 0:12:52 | |
-and apparently owned by the grandmother of Pocahontas. -Wow. -Yeah. | 0:12:52 | 0:12:55 | |
'The genuine article... | 0:12:55 | 0:12:57 | |
'in your shop and not a museum.' | 0:12:57 | 0:12:59 | |
-Ooh, matching shoes. -Ah, yes. | 0:12:59 | 0:13:02 | |
-What about those? Huh? -Perfect choice. | 0:13:02 | 0:13:04 | |
-This is what my ancestors would have worn. -That's right. That's right. | 0:13:04 | 0:13:07 | |
-This is actual yak hide. -Yak hide? | 0:13:07 | 0:13:10 | |
You put those on, you're gonna want to go on a walkabout. | 0:13:10 | 0:13:13 | |
-Oh, great. I love to walk. -Yeah. | 0:13:13 | 0:13:14 | |
Yee-haw! | 0:13:21 | 0:13:23 | |
Yeah, boy. | 0:13:23 | 0:13:26 | |
This is it? Hey. | 0:13:28 | 0:13:31 | |
-You made it. -Yeah, sorry for keeping you. | 0:13:31 | 0:13:34 | |
-No worries. John Smith. -Tom Chadwick. | 0:13:34 | 0:13:36 | |
-Dr Al's cousin? -That's right, yeah. | 0:13:36 | 0:13:38 | |
Is he doing a good job on your granny's fallen arches? | 0:13:38 | 0:13:41 | |
Yeah, yeah. They're doing a lot better. Thanks for asking, though. | 0:13:41 | 0:13:44 | |
This is my friend Pete. | 0:13:44 | 0:13:45 | |
-Pete. -Hiya. Hey. | 0:13:45 | 0:13:47 | |
I was expecting more feathers up the back or a grass skirt or a tomahawk. | 0:13:47 | 0:13:51 | |
-This is my sister Bea. -Whoo-whoo! | 0:13:51 | 0:13:53 | |
-Hello. How are you? -Hi, Bea. It's a pleasure. -'What a fine man you are.' | 0:13:53 | 0:13:58 | |
All right, let...let's head up to the reservation. | 0:13:58 | 0:14:00 | |
The reservation. Ring, ring. | 0:14:00 | 0:14:02 | |
Is that my local Indian? | 0:14:02 | 0:14:04 | |
-Reservation for four, please. -Let's go. | 0:14:04 | 0:14:06 | |
'Watson, what do you make of this? | 0:14:12 | 0:14:15 | |
'It looks rather like blood, Holmes. | 0:14:16 | 0:14:18 | |
'Yes, but the blood of what, Watson? | 0:14:18 | 0:14:21 | |
-'Do you remember our encounter with the Plaxians?' -Hello? > | 0:14:21 | 0:14:24 | |
Ah-ha-ha. | 0:14:24 | 0:14:25 | |
-Hello there. -Shh. | 0:14:25 | 0:14:28 | |
'This, I believe, is Plaxian blood. | 0:14:28 | 0:14:31 | |
'I thought you said they were bloodless, Holmes. | 0:14:31 | 0:14:34 | |
'Indeed. That is what I thought at the time.' | 0:14:34 | 0:14:36 | |
This one's brilliant. Watson gets killed by the Plaxians and dies. | 0:14:36 | 0:14:40 | |
But he's not really dead. He comes back for... | 0:14:40 | 0:14:43 | |
This is the last in the series. The season finale. | 0:14:43 | 0:14:46 | |
SWITCHES TV OFF | 0:14:46 | 0:14:47 | |
This is old. I thought they had seen this. | 0:14:47 | 0:14:50 | |
-Thanks a pantload. -Sorry. | 0:14:50 | 0:14:53 | |
Tom, Bea, Pete, | 0:14:53 | 0:14:55 | |
this is Chief Running Bull and White Feather, our tribal shaman. | 0:14:55 | 0:14:59 | |
-How are you doing? -Hello, Chief Running Bull. | 0:14:59 | 0:15:01 | |
-Hi. Tom. -Hi. | 0:15:01 | 0:15:03 | |
-Hello. -Mr Feather. | 0:15:03 | 0:15:04 | |
-Hi, White Feather. -Hello. | 0:15:04 | 0:15:06 | |
I gotta take off. I'm gonna leave you guys to it. | 0:15:06 | 0:15:09 | |
-Thanks, John. -Have a good time. -Thanks. | 0:15:09 | 0:15:11 | |
Well, what...what can we do for you, Tom? | 0:15:11 | 0:15:15 | |
So, you don't live in the, um... | 0:15:15 | 0:15:18 | |
Wigwams. | 0:15:19 | 0:15:21 | |
No, we don't. I have a condo in town. | 0:15:22 | 0:15:24 | |
He's got a house out in the valley there. | 0:15:24 | 0:15:27 | |
'And why not? You deserve it.' | 0:15:27 | 0:15:29 | |
You think there's any chance we can have a look around the reservation? | 0:15:29 | 0:15:32 | |
-I can do that for you, yeah. -Terrific. | 0:15:32 | 0:15:34 | |
Try and find out something about my roots. | 0:15:34 | 0:15:36 | |
-Roots? -I have Indian roots... uh, Native American roots. | 0:15:36 | 0:15:40 | |
Well, I could... I could show you around, yeah. | 0:15:40 | 0:15:43 | |
That would be terrific. | 0:15:43 | 0:15:45 | |
Beautiful, isn't it? | 0:15:47 | 0:15:48 | |
Oh, my goodness gracious. | 0:15:48 | 0:15:50 | |
You know, Mr Bull, do you think it would be possible | 0:15:50 | 0:15:53 | |
for us to get Indian names? | 0:15:53 | 0:15:56 | |
-Yes. -Yeah. | 0:15:56 | 0:15:57 | |
Well, uh, we don't normally do that. | 0:15:58 | 0:16:01 | |
You have to earn a name or... | 0:16:01 | 0:16:04 | |
Just for fun. You know, while we're here in the place. | 0:16:04 | 0:16:08 | |
I don't see any harm in it, I guess, yeah. | 0:16:08 | 0:16:11 | |
You shall be known as... | 0:16:11 | 0:16:13 | |
..the Tall Man. | 0:16:15 | 0:16:16 | |
Huh. | 0:16:16 | 0:16:18 | |
And you shall be known as... | 0:16:18 | 0:16:21 | |
Boy With A Hat. | 0:16:21 | 0:16:22 | |
-I do have a lot of hats. -Yeah. | 0:16:22 | 0:16:24 | |
And you shall be known as the Monkey Woman. | 0:16:24 | 0:16:28 | |
'Correct.' | 0:16:28 | 0:16:29 | |
Nice. | 0:16:29 | 0:16:31 | |
It's fairly literal, really, isn't it? The names. | 0:16:31 | 0:16:33 | |
-That's what it says on the tin. -Yeah. -It doesn't matter, you see. | 0:16:33 | 0:16:36 | |
We're all connected in one way or another... | 0:16:36 | 0:16:40 | |
every molecule, every piece of dirt, | 0:16:40 | 0:16:42 | |
every bush, every rock. | 0:16:42 | 0:16:45 | |
We're all one. | 0:16:45 | 0:16:46 | |
The universe wastes nothing. | 0:16:46 | 0:16:49 | |
Wow... | 0:16:49 | 0:16:50 | |
-PHONE RINGS -Shit. Sorry. That's... | 0:16:50 | 0:16:52 | |
It's me. | 0:16:52 | 0:16:54 | |
What's that? | 0:16:54 | 0:16:56 | |
Nothing. Sorry. Go on. | 0:16:56 | 0:16:58 | |
The universe. | 0:16:58 | 0:17:00 | |
Could I go horse riding here? | 0:17:00 | 0:17:01 | |
I can arrange that. | 0:17:01 | 0:17:03 | |
Follow me. | 0:17:03 | 0:17:05 | |
Oh, I just never want it to end. | 0:17:05 | 0:17:07 | |
-I'm glad you're enjoying yourself. -It's fantastic. | 0:17:07 | 0:17:11 | |
'Are there snakes in these bushes?' | 0:17:11 | 0:17:13 | |
No, Monkey, there's no snakes here. | 0:17:13 | 0:17:15 | |
-There's not much of anything around here. -Well, that's good. | 0:17:15 | 0:17:19 | |
Aw, she's having fun. | 0:17:19 | 0:17:22 | |
'All the way to Bethlehem, eh?' | 0:17:22 | 0:17:24 | |
Chief Feather, I've got a question. | 0:17:24 | 0:17:26 | |
You know, like back in the day | 0:17:26 | 0:17:28 | |
when there was all the problems with you... | 0:17:28 | 0:17:31 | |
the Indians and the cowboys... | 0:17:31 | 0:17:33 | |
is that cos like, when you initially immigrated over from India, | 0:17:33 | 0:17:37 | |
they thought you were, like, coming over here, taking all their horses | 0:17:37 | 0:17:41 | |
and touching up their women and taking their jobs? | 0:17:41 | 0:17:43 | |
I have no idea what you're talking about. | 0:17:43 | 0:17:46 | |
-Hey. -That was so much fun! -Did you have fun? | 0:17:46 | 0:17:49 | |
Yeah. 'We've done it all now.' | 0:17:49 | 0:17:51 | |
That was amazing. | 0:17:51 | 0:17:53 | |
'That was some white-knuckle shit. | 0:17:53 | 0:17:54 | |
'Touch and go.' It was great. | 0:17:54 | 0:17:57 | |
So do we all sit around | 0:17:57 | 0:17:58 | |
and have a little toke on the old peace pipe now? | 0:17:58 | 0:18:02 | |
No, we...we don't do that any more. | 0:18:03 | 0:18:06 | |
Oh, you just stick to the drinking? | 0:18:06 | 0:18:08 | |
We don't do that either. | 0:18:08 | 0:18:09 | |
Really? | 0:18:09 | 0:18:11 | |
So, you guys about ready? You all about set? | 0:18:11 | 0:18:14 | |
Oh, before I go, I just wanted to show you... | 0:18:14 | 0:18:17 | |
this photograph of my great-great-grandmother Rebecca. | 0:18:17 | 0:18:21 | |
I was hoping you might be able to shed some light on it. | 0:18:21 | 0:18:24 | |
-She's on a horse. -Remember her? | 0:18:25 | 0:18:27 | |
Maybe Mr Feather might recognise her dress. | 0:18:27 | 0:18:29 | |
No, but she's a beautiful woman. Yeah. | 0:18:29 | 0:18:32 | |
She's a handsome lady, isn't she? | 0:18:32 | 0:18:34 | |
You might try the... The records office in Barstow might help you out. | 0:18:34 | 0:18:37 | |
I'll do that. Thank you. | 0:18:37 | 0:18:40 | |
Oh, there it is. There it is. | 0:18:42 | 0:18:44 | |
OK. | 0:18:44 | 0:18:47 | |
That's it. | 0:18:47 | 0:18:49 | |
All right, I shouldn't be too long. Don't touch the car. | 0:18:49 | 0:18:52 | |
All right, let's go and find out | 0:18:52 | 0:18:54 | |
-if this hot Indian bird's your real -mom. That's not... Ugh. -Ugh. | 0:18:54 | 0:18:58 | |
-Get us some fizzy pop. -'Don't leave me alone with him.' | 0:18:58 | 0:19:01 | |
-Or some sweeties. -'Some cashew nuts.' | 0:19:01 | 0:19:03 | |
Not cashew nuts. | 0:19:03 | 0:19:04 | |
'Not for you, dick splat.' | 0:19:04 | 0:19:07 | |
Come on, spunk. | 0:19:07 | 0:19:09 | |
Hello. | 0:19:10 | 0:19:12 | |
-Hi. -Hi. | 0:19:12 | 0:19:14 | |
Um... | 0:19:14 | 0:19:15 | |
Hi, my name is Tom Chadwick. | 0:19:15 | 0:19:18 | |
I'm looking for some information... | 0:19:18 | 0:19:20 | |
about this swarthy young lady. | 0:19:20 | 0:19:23 | |
Uh, her name is Rebecca Chadwick. | 0:19:23 | 0:19:27 | |
She's from Barstow and she's my great-great-grandmother. | 0:19:27 | 0:19:32 | |
-This is all you have, just this picture? -And her name. | 0:19:32 | 0:19:37 | |
-She looks Native American. -She is, actually. | 0:19:37 | 0:19:39 | |
She's an Indian. We all are. | 0:19:39 | 0:19:41 | |
I Tall Man. | 0:19:41 | 0:19:43 | |
Um, well, we don't really have pictures and records like this here. | 0:19:46 | 0:19:52 | |
In the record office, there's no... Right. | 0:19:52 | 0:19:54 | |
You should probably go and talk to Marty. | 0:19:54 | 0:19:57 | |
Marty Schmelff. Marty knows everything. | 0:19:57 | 0:19:59 | |
Sorry, you said Marty Schmelff? | 0:19:59 | 0:20:01 | |
Yeah, the Schmelff family. They've been in Barstow over 100 years... | 0:20:01 | 0:20:05 | |
Whoo. | 0:20:05 | 0:20:06 | |
..and I have always suspected that his family used to own my family. | 0:20:06 | 0:20:10 | |
But they don't any more? | 0:20:11 | 0:20:13 | |
No. | 0:20:13 | 0:20:15 | |
Good for you. | 0:20:15 | 0:20:17 | |
Schmelff, Marty Schmelff. Owns a store just down the way. | 0:20:18 | 0:20:21 | |
-Brilliant. -Just about a mile on down. | 0:20:21 | 0:20:23 | |
Hey, thank you so much. That's reasonably helpful. | 0:20:23 | 0:20:26 | |
-Thank you. OK, bye-bye. -Bye-bye. | 0:20:26 | 0:20:30 | |
You're an unevolved idiot and I could crush your head like that. | 0:20:34 | 0:20:37 | |
'Like a testicle talking to me. | 0:20:37 | 0:20:39 | |
'Vagina face.' What did they say? | 0:20:39 | 0:20:41 | |
Uh... | 0:20:42 | 0:20:44 | |
Who do you keep texting? | 0:20:44 | 0:20:46 | |
Uh, nobody. No, they didn't know anything. | 0:20:46 | 0:20:48 | |
We need to go somewhere else. | 0:20:48 | 0:20:51 | |
All right. This must be us. | 0:20:54 | 0:20:57 | |
Yee-haw! Ride 'em, cowboy. | 0:20:57 | 0:21:01 | |
'This search gets less and less promising.' | 0:21:01 | 0:21:04 | |
Welcome! Hello! Hi there. | 0:21:07 | 0:21:09 | |
I'm looking for Marty Schmelff. | 0:21:09 | 0:21:11 | |
That's me. I'm Marty Schmelff. Welcome. | 0:21:11 | 0:21:13 | |
How do you do? I'm Tom Chadwick. This is my sister Bea. | 0:21:13 | 0:21:16 | |
-Hi, Bea. How are you? -Hello. How are you? | 0:21:16 | 0:21:18 | |
-Pete. -Hi, I'm Pete. I'm his mate. -Hi, Pete. | 0:21:18 | 0:21:20 | |
Welcome to Schmelff's Dry Goods. What can I do for you? | 0:21:20 | 0:21:23 | |
We were sent here by the Barstow records woman. | 0:21:23 | 0:21:26 | |
Sure. Louisa, mm-hmm. | 0:21:26 | 0:21:28 | |
And she told us that you're quite the authority on all things Barstow. | 0:21:28 | 0:21:31 | |
-Did she? -Yeah. -Isn't that lovely? | 0:21:31 | 0:21:34 | |
We're hoping that you might be able to shed some light on this. | 0:21:34 | 0:21:37 | |
This is my great-great-grandmother. | 0:21:37 | 0:21:39 | |
I don't know whether you recognise that... | 0:21:39 | 0:21:41 | |
This... | 0:21:43 | 0:21:44 | |
I mean... | 0:21:44 | 0:21:46 | |
Really? Your great-great-grandmother? | 0:21:46 | 0:21:48 | |
That's right. | 0:21:48 | 0:21:49 | |
You should come with me. | 0:21:49 | 0:21:51 | |
This is astounding. | 0:21:51 | 0:21:53 | |
You say this is your great-great-grandmother? | 0:21:53 | 0:21:55 | |
-Yeah. -How about this? | 0:21:55 | 0:21:57 | |
-Oh! -Oh, my God! | 0:21:57 | 0:21:59 | |
-That's Rebecca... -Same woman. -That's her. | 0:21:59 | 0:22:01 | |
..with her family - younger brother David Schmelff, | 0:22:01 | 0:22:04 | |
father Eli, Naomi... originally Naomi Flubb... | 0:22:04 | 0:22:08 | |
and then Schmuel Schmelff, my great-great-granddad, | 0:22:08 | 0:22:11 | |
who started the dry goods business here in Barstow. The Schmelffs. | 0:22:11 | 0:22:14 | |
-Schmelffs? -Your family. -That sounds very Jewishy. | 0:22:14 | 0:22:18 | |
-Well, it's completely Jewish. -Oh, it is? -Oh, yeah. Schmelffs. | 0:22:18 | 0:22:21 | |
I mean, that's Jewish. | 0:22:21 | 0:22:24 | |
Holy shit. | 0:22:24 | 0:22:25 | |
-You're a Jew. -'I love Jesus.' | 0:22:25 | 0:22:27 | |
-A tremendous Jew, Jesus. -Yeah. | 0:22:27 | 0:22:30 | |
-So we're related? -We're related! Mishpucha! -Oh, mishpucha to you. | 0:22:30 | 0:22:33 | |
-Yes. -Yeah. I have a wonderful surprise. | 0:22:33 | 0:22:36 | |
There's a celebrity in the family, a movie star from the 1920s. | 0:22:36 | 0:22:39 | |
Your great-uncle Ezra Schmelff was a film star. | 0:22:39 | 0:22:43 | |
-Tumbleweed Tim. -Oh, a better name. -How about that? | 0:22:43 | 0:22:46 | |
I think there's a resemblance. Hold up your left hand. Show your friends. | 0:22:46 | 0:22:50 | |
-No. -Hold the hand up and smile. | 0:22:50 | 0:22:52 | |
-Oh, more teeth. -That's uncanny. -Spooky. | 0:22:52 | 0:22:55 | |
I don't see the resemblance now that I'm holding it up. | 0:22:55 | 0:22:57 | |
Your great-uncle Ezra. | 0:22:57 | 0:22:59 | |
The Schmelff. | 0:22:59 | 0:23:01 | |
Howdy. | 0:23:09 | 0:23:12 | |
PHONE RINGS | 0:23:12 | 0:23:13 | |
Hello? | 0:23:17 | 0:23:18 | |
-Hello, Tommy? -Aw, hey. | 0:23:18 | 0:23:20 | |
There's a sound for sore ears. | 0:23:20 | 0:23:23 | |
I'm sorry to call you so late. I just got in. | 0:23:23 | 0:23:25 | |
But I picked up your mail and I think you've got your DNA results. | 0:23:25 | 0:23:28 | |
-You want me to open it? -Oh, that's great. | 0:23:28 | 0:23:31 | |
-Will you have a little look? -I will. | 0:23:31 | 0:23:33 | |
Here we go. | 0:23:33 | 0:23:34 | |
Got it. | 0:23:34 | 0:23:36 | |
Did you just sniff it? | 0:23:36 | 0:23:38 | |
How did you know? | 0:23:38 | 0:23:39 | |
I could hear you sniffing it. | 0:23:39 | 0:23:41 | |
Smells of haddock. | 0:23:41 | 0:23:43 | |
OK, well, it's very long. You want me to read you the whole thing? | 0:23:43 | 0:23:47 | |
No, no, no. Hey, will you just have a look | 0:23:47 | 0:23:49 | |
and see if it says I have Native American blood? | 0:23:49 | 0:23:52 | |
Uh, here we go. | 0:23:52 | 0:23:54 | |
"Regional affiliation: French, English, Irish, | 0:23:54 | 0:23:57 | |
"German, North American, | 0:23:57 | 0:23:59 | |
"Scottish, Hungarian." | 0:23:59 | 0:24:00 | |
Nope. Nothing there about Native American. | 0:24:00 | 0:24:03 | |
Not even a little bit? | 0:24:03 | 0:24:05 | |
Not even a tiny little incy pincy wincy bit that I can see. | 0:24:05 | 0:24:09 | |
-Oh, OK. -Absolutely. | 0:24:09 | 0:24:12 | |
Now you keep well, man. All right? | 0:24:12 | 0:24:13 | |
Yeah, you, too, buddy. Thank you. Talk soon. | 0:24:13 | 0:24:16 | |
All right. Bye now. | 0:24:16 | 0:24:18 | |
Ah, shit. | 0:24:18 | 0:24:20 | |
So I'm not an Indian, but it turns out that I do have Jewish blood, | 0:24:29 | 0:24:34 | |
which makes total sense. | 0:24:34 | 0:24:37 | |
Think about it... a bunch of people | 0:24:37 | 0:24:40 | |
who travelled thousands of miles | 0:24:40 | 0:24:44 | |
escaping persecution to secure their identity. | 0:24:44 | 0:24:48 | |
Hello. Remind you of anyone? | 0:24:49 | 0:24:52 | |
Me. | 0:24:53 | 0:24:54 | |
I mean, persecution's a big word. | 0:24:54 | 0:24:58 | |
But the rush hour commute and the London Underground? | 0:24:58 | 0:25:02 | |
Whew. Oy vey. | 0:25:02 | 0:25:04 | |
I do still feel a little bit Indian. | 0:25:05 | 0:25:08 | |
Mazel tov. | 0:25:08 | 0:25:12 | |
# When I found you, I found myself | 0:25:12 | 0:25:16 | |
# I was going to love you like nobody else | 0:25:16 | 0:25:22 | |
# But I never really had a clue | 0:25:22 | 0:25:26 | |
# How to love a girl like you | 0:25:26 | 0:25:29 | |
# Two true believers | 0:25:29 | 0:25:32 | |
# We devised | 0:25:32 | 0:25:35 | |
# A temporary paradise | 0:25:35 | 0:25:39 | |
# Now our future is in the past | 0:25:39 | 0:25:43 | |
# I should have known | 0:25:43 | 0:25:47 | |
# It wouldn't last | 0:25:47 | 0:25:50 | |
# I should have been a better man | 0:25:50 | 0:25:54 | |
# You could have been a better friend | 0:25:54 | 0:25:59 | |
# I'm alone, but that's OK | 0:25:59 | 0:26:02 | |
# I guess the dice | 0:26:02 | 0:26:04 | |
# Just rolled that way. # | 0:26:04 | 0:26:09 |