Browse content similar to Civil War. Check below for episodes and series from the same categories and more!
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This programme contains very strong language. | 0:00:02 | 0:00:07 | |
-Please give me the job. -Since Sarah dumped him, | 0:00:07 | 0:00:10 | |
he's had a lot of time on his hands. | 0:00:10 | 0:00:11 | |
This would be my great-great-grandfather Charles | 0:00:11 | 0:00:16 | |
in his military garb during the Civil War. | 0:00:16 | 0:00:18 | |
But there's a button missing | 0:00:18 | 0:00:19 | |
'Look at me in California.' | 0:00:19 | 0:00:21 | |
You like cats? | 0:00:21 | 0:00:23 | |
-They're the devil's spawn. -CAT MEOWS | 0:00:23 | 0:00:26 | |
A couple of months ago, I didn't know that these people existed. | 0:00:26 | 0:00:29 | |
The weather is sunny with a 40% chance of a home run! | 0:00:29 | 0:00:33 | |
-Ow! -Oh, my gosh! | 0:00:33 | 0:00:34 | |
PHONE RINGS | 0:01:09 | 0:01:11 | |
Hello? | 0:01:13 | 0:01:14 | |
-Oh, hello. Is that Thomas Chadwick? -Yeah. | 0:01:14 | 0:01:18 | |
Hello. This is Brian. | 0:01:18 | 0:01:19 | |
Hi, Pete. | 0:01:19 | 0:01:21 | |
I'm calling... You did... | 0:01:21 | 0:01:23 | |
You know what gave it away | 0:01:23 | 0:01:24 | |
was that you just sounded like yourself. | 0:01:24 | 0:01:27 | |
'You didn't even put on a voice.' | 0:01:27 | 0:01:28 | |
I did. I was doing a voice. | 0:01:28 | 0:01:30 | |
I was doing my insurance-person voice. | 0:01:30 | 0:01:33 | |
'Anyway, how are you?' | 0:01:33 | 0:01:34 | |
-I'm really great! -Are you in America? | 0:01:34 | 0:01:36 | |
Is it hot and sunny? Are there girls in bikinis? | 0:01:36 | 0:01:38 | |
-'Have you got a suntan yet?' -Kind of. | 0:01:38 | 0:01:40 | |
Oh, lucky sod. | 0:01:40 | 0:01:42 | |
Anyway, I've got your mail here. | 0:01:42 | 0:01:44 | |
Oh, that's great. Thanks. | 0:01:44 | 0:01:45 | |
-'Do you want me to go through it' -Uh... | 0:01:45 | 0:01:48 | |
Crap, crap, | 0:01:48 | 0:01:49 | |
'fast food, crap,' | 0:01:49 | 0:01:51 | |
bollocks. | 0:01:51 | 0:01:53 | |
Oh, Clancy Lorimer Insurers? | 0:01:53 | 0:01:55 | |
Ooh. Open that one. | 0:01:55 | 0:01:57 | |
All right. | 0:01:57 | 0:01:59 | |
'Here we go.' | 0:01:59 | 0:02:01 | |
Here we go. Here we go. | 0:02:01 | 0:02:02 | |
"Dear Mr Chadwick..." Duh, duh, duh, duh. | 0:02:04 | 0:02:06 | |
"We are pleased to inform you | 0:02:06 | 0:02:08 | |
"that you have been selected to interview | 0:02:08 | 0:02:10 | |
"for the position of crash analyst | 0:02:10 | 0:02:12 | |
"in our crash investigation department." | 0:02:12 | 0:02:14 | |
Get in! | 0:02:14 | 0:02:16 | |
Get in, my beauty. | 0:02:16 | 0:02:17 | |
That's great! When is it? | 0:02:17 | 0:02:19 | |
Uh, it's a week after you get back. | 0:02:19 | 0:02:21 | |
Bring that letter when you get in. | 0:02:21 | 0:02:22 | |
-Yeah, all right. -When do you get in? | 0:02:22 | 0:02:25 | |
I'm flying into LA on the Thursday | 0:02:25 | 0:02:28 | |
and I'm getting in about 10. | 0:02:28 | 0:02:29 | |
OK, great. | 0:02:29 | 0:02:30 | |
'Flying into LA. All right, then?' | 0:02:30 | 0:02:33 | |
Are you there? | 0:02:35 | 0:02:36 | |
-'Tom?' -Let's do this. | 0:02:36 | 0:02:39 | |
'Tom? Are you there?' | 0:02:39 | 0:02:42 | |
Tom? | 0:02:44 | 0:02:45 | |
Hello. | 0:02:50 | 0:02:52 | |
-CAT MEOWS -Oh. | 0:02:54 | 0:02:58 | |
OK. | 0:02:58 | 0:03:00 | |
-Morning, Tom. -Hey. | 0:03:02 | 0:03:03 | |
-How'd you sleep? -Great. I slept great. | 0:03:03 | 0:03:06 | |
Good. | 0:03:06 | 0:03:08 | |
I was doing a little rummaging around the attic | 0:03:08 | 0:03:10 | |
and look what I found. | 0:03:10 | 0:03:12 | |
Oh, it's Charles. | 0:03:12 | 0:03:14 | |
Yeah, your great-great-grandfather. | 0:03:14 | 0:03:16 | |
-That's so great. -In a different uniform. | 0:03:16 | 0:03:18 | |
-It is? -Yeah. | 0:03:18 | 0:03:20 | |
Oh, yeah. It's a little lighter. | 0:03:20 | 0:03:21 | |
He's wearing the Confederacy uniform. | 0:03:21 | 0:03:25 | |
That's the uniform for the other side. | 0:03:25 | 0:03:27 | |
-Oh, that's not the same uniform? -No. No, no, no. | 0:03:27 | 0:03:29 | |
-Oh, that's interesting. -Yeah, isn't it? | 0:03:29 | 0:03:31 | |
You're sure it's not...? Maybe they just had different uniforms. | 0:03:31 | 0:03:34 | |
No, no, no. Rebel cap, Rebel uniform. | 0:03:34 | 0:03:37 | |
That's what it is. | 0:03:37 | 0:03:38 | |
-Button missing, too, here. -Yeah. | 0:03:38 | 0:03:41 | |
He's bad at needlework. | 0:03:41 | 0:03:43 | |
Maybe. Maybe. | 0:03:43 | 0:03:46 | |
-Fascinating. -It's a mystery, is what it is. | 0:03:51 | 0:03:54 | |
Somebody here thinks it's a coincidence | 0:03:54 | 0:03:56 | |
that he lost one button from each jacket? | 0:03:56 | 0:03:58 | |
-That part is interesting. -And then found them later? | 0:03:58 | 0:04:00 | |
Are these the actual buttons? | 0:04:00 | 0:04:03 | |
-Those are the buttons. -Oh, my God, those are so pretty. | 0:04:03 | 0:04:06 | |
Well, that's why they're not on there, cos you guys have them. | 0:04:06 | 0:04:09 | |
I've got another theory. | 0:04:09 | 0:04:10 | |
He left two days after Lincoln was shot. | 0:04:10 | 0:04:14 | |
How nice would it be to have | 0:04:14 | 0:04:16 | |
two different uniforms to pass freely? | 0:04:16 | 0:04:19 | |
-You think he's a double agent? -Maybe triple. | 0:04:19 | 0:04:22 | |
David, why don't you have a look at this? | 0:04:22 | 0:04:24 | |
Well, I don't know much about the historical part of the war itself, | 0:04:26 | 0:04:31 | |
but I do know that obviously he's a man in the Confederacy. | 0:04:31 | 0:04:36 | |
And the thing I see | 0:04:36 | 0:04:37 | |
more than anything else that I noticed, | 0:04:37 | 0:04:39 | |
cos I'm not a uniform expert, is I look at his hands. | 0:04:39 | 0:04:42 | |
We used to call this "gnarly hands". | 0:04:42 | 0:04:45 | |
-Gnarly hands. -Gnarly hands, yeah. | 0:04:45 | 0:04:47 | |
This is from fear... From fear of being in battle. | 0:04:47 | 0:04:50 | |
When you're fighting, | 0:04:50 | 0:04:52 | |
your hands get all kind of rigor-mortised like that. | 0:04:52 | 0:04:55 | |
And, you know, in the old days, they'd say, "Hey, gnarly hands!" | 0:04:55 | 0:04:59 | |
Across the street they'd yell at him. | 0:04:59 | 0:05:00 | |
And he... That was embarrassing. | 0:05:00 | 0:05:02 | |
But it's for a good cause, | 0:05:02 | 0:05:04 | |
because, look, he has no ill will. | 0:05:04 | 0:05:05 | |
He's a nice-looking boy. He's our relative. | 0:05:05 | 0:05:08 | |
I have heard the term "gnarly hands" before. | 0:05:08 | 0:05:10 | |
I actually have a friend that is... | 0:05:10 | 0:05:12 | |
Well, I'm into this a little bit. | 0:05:12 | 0:05:13 | |
A bit of a passion of mine is Civil War re-enactment. | 0:05:13 | 0:05:16 | |
-He's really good at it. -And really fun to do. | 0:05:16 | 0:05:18 | |
You're living, you know, history. | 0:05:18 | 0:05:20 | |
How does he have access to the opponent's uniform? | 0:05:20 | 0:05:23 | |
Let me talk to my buddy. | 0:05:23 | 0:05:25 | |
I've got to drop Julie off at her spinning class. | 0:05:25 | 0:05:28 | |
-If the hands comes up, great. -OK. | 0:05:28 | 0:05:31 | |
But it would be great to know | 0:05:31 | 0:05:34 | |
why he's wearing either of the things. | 0:05:34 | 0:05:36 | |
-Can I see that one, Dave? -I can promise you there's a reason. | 0:05:36 | 0:05:40 | |
-There they are. -Harvey, good to see you again. | 0:05:40 | 0:05:42 | |
-Good to see you, pal. This is Tom. Tom! -That's right. | 0:05:42 | 0:05:44 | |
Nice to meet you. Come on in. | 0:05:44 | 0:05:46 | |
Thanks very much. I love the cannon. | 0:05:46 | 0:05:47 | |
Thanks. I just got it. It's an 1861 Napoleon. | 0:05:47 | 0:05:50 | |
Come on in, guys. Have a seat. | 0:05:50 | 0:05:53 | |
I tell you, that cannon looks brand new. | 0:05:53 | 0:05:54 | |
-Is that a new coat of paint? -It is. Doesn't it look good? -It looks great. | 0:05:54 | 0:05:57 | |
And I got new 12-pounders for it, too. | 0:05:57 | 0:05:59 | |
Those 12-pounders fire off! | 0:05:59 | 0:06:01 | |
-When's the last time you fired it? -Once a weekend. | 0:06:01 | 0:06:03 | |
-Yeah. -In the morning, early. Annoy the neighbours! | 0:06:03 | 0:06:06 | |
-Yeah. -That's great. | 0:06:06 | 0:06:07 | |
Neighbours are the worst. | 0:06:07 | 0:06:09 | |
You are not going to believe the stuff that Tom has to show you. | 0:06:09 | 0:06:11 | |
-This stuff's incredible. -So this is a picture | 0:06:11 | 0:06:15 | |
of my great-great-grandfather Charles Chadwick. | 0:06:15 | 0:06:17 | |
All right, this is Charles Chadwick. | 0:06:17 | 0:06:19 | |
OK. I see. A Union man. Good. | 0:06:19 | 0:06:21 | |
But here is also a picture | 0:06:21 | 0:06:23 | |
of my great-great-grandfather Charles Chadwick. | 0:06:23 | 0:06:26 | |
Well, that's very interesting. | 0:06:26 | 0:06:28 | |
OK. Wow. | 0:06:28 | 0:06:30 | |
And some buttons. | 0:06:30 | 0:06:31 | |
Really? | 0:06:31 | 0:06:33 | |
Now, I see he's missing a button on each uniform. | 0:06:33 | 0:06:36 | |
Yeah. | 0:06:36 | 0:06:37 | |
Yeah, there we go. Confederate and Union. | 0:06:37 | 0:06:39 | |
I want to look something up. | 0:06:39 | 0:06:41 | |
I'm privy to an online site | 0:06:41 | 0:06:43 | |
-that a lot of people don't get to see. -Oh, cool. | 0:06:43 | 0:06:45 | |
-They're almost like official war documents. -Do they look normal...? | 0:06:45 | 0:06:49 | |
No, they don't look like anything you'd see, | 0:06:49 | 0:06:50 | |
so it's kind of a waste of time. | 0:06:50 | 0:06:52 | |
Even taking a peek, it'd be spaghetti and mushrooms to you. | 0:06:52 | 0:06:54 | |
Let me do the grunt work here. | 0:06:54 | 0:06:56 | |
Charles Chadwick, there it is. | 0:06:56 | 0:06:58 | |
Union. Union soldier. Unlisted, yep. | 0:06:58 | 0:07:01 | |
And there, sure enough, Confederate. | 0:07:01 | 0:07:03 | |
-Charles Chadwick. -Whoa. | 0:07:03 | 0:07:06 | |
Yeah, both sides. | 0:07:06 | 0:07:07 | |
Oh, wow, wow. | 0:07:07 | 0:07:09 | |
Oh. Look at this. | 0:07:09 | 0:07:11 | |
OK, so, he fought for the Union side | 0:07:11 | 0:07:13 | |
and the Confederate side, | 0:07:13 | 0:07:15 | |
both in the same battle - | 0:07:15 | 0:07:17 | |
the Battle of Huntersville. | 0:07:17 | 0:07:19 | |
That's not even poss... How would you do that? | 0:07:19 | 0:07:21 | |
Yeah, what do you do? Excuse yourself to go change? | 0:07:21 | 0:07:24 | |
I'm just going to throw this out there. | 0:07:24 | 0:07:26 | |
-Yeah. -What if he was a spy? | 0:07:26 | 0:07:29 | |
A spy? But for who? | 0:07:29 | 0:07:32 | |
You tell me. Your machine. | 0:07:32 | 0:07:34 | |
-Well, I'll do what I can. -I'll put... | 0:07:34 | 0:07:36 | |
-Put it in. -Oh, you know what I'm getting? | 0:07:36 | 0:07:40 | |
And I've never got this. | 0:07:40 | 0:07:42 | |
-I got a question mark. -What does that mean? | 0:07:42 | 0:07:44 | |
It doesn't know. It's never seen this before. | 0:07:44 | 0:07:46 | |
-You've jammed the whole system. -I'm getting synonyms. | 0:07:46 | 0:07:49 | |
I'm getting traitor, deserter, coward. | 0:07:49 | 0:07:51 | |
OK. Don't bother. Don't worry. | 0:07:51 | 0:07:53 | |
You know what? Let me dig into this. | 0:07:53 | 0:07:54 | |
We've got a re-enactment coming up this weekend. Rick, what do you think? | 0:07:54 | 0:07:58 | |
-Yeah, Tom, you got to do one of these. -It would be great. -This is the real thing. | 0:07:58 | 0:08:01 | |
-You're welcome to come. -I would love that. Thank you. | 0:08:01 | 0:08:03 | |
If you do that, I'll show up with some information. | 0:08:03 | 0:08:05 | |
I'll tell you, where there's smoke, there's fire. | 0:08:05 | 0:08:08 | |
And you got a blaze happening here, my friend. | 0:08:08 | 0:08:10 | |
It's so great you can come by and see our place here. | 0:08:10 | 0:08:13 | |
Yeah, this is great. | 0:08:13 | 0:08:15 | |
Come on in. | 0:08:16 | 0:08:18 | |
-Ooh. -So...yeah, this is it. | 0:08:18 | 0:08:21 | |
-Lovely. -This is it. | 0:08:21 | 0:08:23 | |
Isn't this great? | 0:08:23 | 0:08:25 | |
You need to look no further than the ocean view. | 0:08:25 | 0:08:29 | |
Isn't that nice? | 0:08:31 | 0:08:32 | |
No, see, there's a house in front of it. | 0:08:32 | 0:08:34 | |
That... If the house wasn't... The tree blocks a little... | 0:08:34 | 0:08:38 | |
-and the house blocks most of it, but the ocean's right there. -Oh, right. | 0:08:38 | 0:08:41 | |
So if that was an invisible house, | 0:08:41 | 0:08:43 | |
that would be a sea view. | 0:08:43 | 0:08:44 | |
Hypothetically, sure. But if that house isn't there, | 0:08:44 | 0:08:48 | |
180-degree view of the Pacific. It's why you pay California state tax right there. | 0:08:48 | 0:08:52 | |
-Ah, lovely. -It's right there. | 0:08:52 | 0:08:54 | |
Can you feel the sea air just coming in? | 0:08:54 | 0:08:56 | |
-I think I can. -Yeah? -Yeah. But you can't see it. You can't see it. | 0:08:56 | 0:08:59 | |
-Not at all. -But you really feel the ocean. | 0:08:59 | 0:09:01 | |
Look. A three-legged dog. | 0:09:01 | 0:09:03 | |
Oh, yeah, yeah. | 0:09:03 | 0:09:04 | |
Actually, we get a lot of them here in Redondo Beach. | 0:09:04 | 0:09:07 | |
It's really quite spectacular. | 0:09:07 | 0:09:08 | |
Hey, what do you think of my owls? | 0:09:08 | 0:09:11 | |
Oh, sweet Lord. | 0:09:11 | 0:09:12 | |
Yeah. They're pretty amazing. She'll name them all for you, if you want. | 0:09:12 | 0:09:16 | |
-You have so many owls. -Chachi's a new one. | 0:09:16 | 0:09:18 | |
Let me show you the stuff that we're taking to the re-enactment. | 0:09:18 | 0:09:20 | |
-Check this out. I got some great stuff. -Show him Clover. | 0:09:20 | 0:09:23 | |
Clover's got the orange eyes that almost look like an infection. | 0:09:23 | 0:09:26 | |
-Come on, let me show you. -I'll make you guys some coffee. | 0:09:26 | 0:09:29 | |
OK. Sounds good, hon. Thanks. | 0:09:29 | 0:09:31 | |
Hey, guys. | 0:09:31 | 0:09:32 | |
This is the coolest spot in the whole house. | 0:09:32 | 0:09:34 | |
-Holy moly! -Yeah. | 0:09:34 | 0:09:36 | |
See this right here? | 0:09:36 | 0:09:37 | |
This is an authentic replica | 0:09:37 | 0:09:39 | |
of an actual Civil War blanket. | 0:09:39 | 0:09:41 | |
-A blanket. -Yeah. Isn't that amazing? | 0:09:41 | 0:09:43 | |
-That is something else. -Yeah, and this is a forage cap. | 0:09:43 | 0:09:45 | |
-Oh. -Right here. | 0:09:45 | 0:09:47 | |
The reason it's different than a kepi, because this actually, you would take... | 0:09:47 | 0:09:50 | |
-Big gun! -It is, it is. | 0:09:50 | 0:09:52 | |
-That's actually a musket. -Oh, my God, it's heavy. | 0:09:52 | 0:09:54 | |
-It is. -You could just... Agh! | 0:09:54 | 0:09:56 | |
That would happen in war. You never know. Normally you would.... No, no. | 0:09:56 | 0:10:00 | |
Don't put your mouth near the barrel. Why don't we go and put that back. | 0:10:00 | 0:10:02 | |
I don't know for sure that's been cleared since my last battle. | 0:10:02 | 0:10:05 | |
-Great costumes. -Yeah. | 0:10:05 | 0:10:07 | |
Those actually aren't costumes. We refer to them as uniforms. | 0:10:07 | 0:10:10 | |
-Yeah. -So take a gander, see what you think. | 0:10:10 | 0:10:13 | |
-Ah, green. -Yeah, I can see why it stood out. | 0:10:13 | 0:10:15 | |
This is actually a Union sharpshooter. | 0:10:15 | 0:10:17 | |
You couldn't wear this, though. You would need to train extensively. | 0:10:17 | 0:10:20 | |
-Even for the re-enactment? -Especially for... | 0:10:20 | 0:10:22 | |
-It's just make-believe. -We had a friend of ours, | 0:10:22 | 0:10:24 | |
he's fine now, but they're... Hi. | 0:10:24 | 0:10:27 | |
-What's up? -We're out of coffee. | 0:10:27 | 0:10:29 | |
Wasn't it your turn to do the shopping? | 0:10:29 | 0:10:31 | |
Why would we be out of coffee? You have six hours a day to go shopping. | 0:10:31 | 0:10:34 | |
How dare you? I don't. I have four hours a day to go shopping. | 0:10:34 | 0:10:38 | |
K-Cups. Do we have any K-Cups left? Even that? | 0:10:38 | 0:10:40 | |
-Why don't I just run out and get us some coffees? -You don't need to do that. | 0:10:40 | 0:10:44 | |
No coffee's better than a coffee-shop coffee. | 0:10:44 | 0:10:46 | |
Julie, we have no coffee? | 0:10:46 | 0:10:47 | |
-We've got milk. -OK. | 0:10:47 | 0:10:49 | |
I'll run out. You know what, I'd like to. Just get some fresh air | 0:10:49 | 0:10:51 | |
-and take in some of that sea salt in my face. -That would be good. You would enjoy it. | 0:10:51 | 0:10:55 | |
-Then we can talk about the blanket. -Absolutely. | 0:10:55 | 0:10:58 | |
-The fact that you're making somebody do that. -It's fine. | 0:10:58 | 0:11:00 | |
-For coffee. -You honestly think I'm making him go get coffee? | 0:11:00 | 0:11:04 | |
TYRES SCREECH | 0:11:06 | 0:11:09 | |
Are you serious?! | 0:11:09 | 0:11:11 | |
-What the hell is wrong with you? -What's wrong with you? | 0:11:11 | 0:11:14 | |
-Are you fucking blind?! -You're stopping in the middle of the street! | 0:11:14 | 0:11:17 | |
That's not the middle of the street. I'm at the red light. Just super. Thank you very much. | 0:11:17 | 0:11:21 | |
-What were you thinking? You turned right on the red. -No...! | 0:11:21 | 0:11:23 | |
Hey, er, sorry, sorry. I don't want to interrupt, | 0:11:23 | 0:11:25 | |
but I did see what happened from the pavement there. | 0:11:25 | 0:11:27 | |
Please tell her. You turn right on a right-hand lane. | 0:11:27 | 0:11:30 | |
This is what happened, | 0:11:30 | 0:11:31 | |
What happened was that you were travelling between 11 and 13 miles per hour. | 0:11:31 | 0:11:36 | |
You didn't leave adequate braking distance. She stopped at a red light | 0:11:36 | 0:11:38 | |
and you didn't notice because you were texting. | 0:11:38 | 0:11:40 | |
-I was not texting. -You're still texting. | 0:11:40 | 0:11:42 | |
I'm e-mailing to let people know I'm late because of what you just did. | 0:11:42 | 0:11:46 | |
-You're supposed to turn right on a red. -That sign actually means there's no right turn on red. | 0:11:46 | 0:11:50 | |
What are you, the star witness traffic leprechaun or something? | 0:11:50 | 0:11:52 | |
-Did you call me a leprechaun? -I called you a leprechaun. | 0:11:52 | 0:11:55 | |
-Faith and Begorrah, you can't turn right on a red. -I'm twice the height of a leprechaun! | 0:11:55 | 0:11:59 | |
-You're a tall leprechaun. I need your information. -All right. Big neck! | 0:11:59 | 0:12:02 | |
Just take a step back. | 0:12:02 | 0:12:04 | |
I might be too tall to be a leprechaun, | 0:12:04 | 0:12:05 | |
but I'm exactly the right size and build | 0:12:05 | 0:12:07 | |
to be in the British Special Forces, which I am. | 0:12:07 | 0:12:10 | |
In Redondo Beach on a recon mission. | 0:12:10 | 0:12:13 | |
But I can take ten minutes out to crush you like a twig | 0:12:13 | 0:12:16 | |
if you don't just chill out, | 0:12:16 | 0:12:18 | |
rein in the mythical racism, | 0:12:18 | 0:12:21 | |
and be polite to the lady, who you just rear-ended. | 0:12:21 | 0:12:25 | |
You know what? I don't have time for this. | 0:12:26 | 0:12:29 | |
I'll pay for it. That's my information. | 0:12:29 | 0:12:31 | |
OK, great. Good, yeah. That's more like it. | 0:12:31 | 0:12:33 | |
Ha-ha. | 0:12:39 | 0:12:41 | |
Fuck. | 0:12:43 | 0:12:45 | |
-You all right? -Uh-huh, yeah. I, well... | 0:12:47 | 0:12:50 | |
Yeah, I'm like that... | 0:12:50 | 0:12:52 | |
Um... I'm not really in the Special Forces. | 0:12:52 | 0:12:56 | |
I'm afraid of cats. But take my number. | 0:12:56 | 0:13:00 | |
I could be a witness or something. | 0:13:00 | 0:13:01 | |
-Yeah? -Can you just hold those? | 0:13:01 | 0:13:03 | |
-Yeah. -You can take a sip. | 0:13:03 | 0:13:05 | |
-Here it is. My name is Tom. -I'm Ally. | 0:13:05 | 0:13:09 | |
-Ally. -Yeah. -I've written Ally. | 0:13:09 | 0:13:11 | |
-That's my name, yeah. -Which is not my name, so that's a good start. | 0:13:11 | 0:13:15 | |
-Really, thank you for coming over. -Hey, don't worry. | 0:13:15 | 0:13:19 | |
There you go. So just call me, Ally. | 0:13:19 | 0:13:22 | |
-Uh, so, oh, coffee. -Thank you. | 0:13:22 | 0:13:26 | |
I will try you. | 0:13:26 | 0:13:27 | |
-Try me. I'm good to go. -OK. | 0:13:27 | 0:13:31 | |
-Thank you again. I... -At your service. | 0:13:31 | 0:13:34 | |
I'm not really in the army. | 0:13:34 | 0:13:36 | |
Honey, this package is incredible. | 0:13:42 | 0:13:44 | |
-It has a Turkish spa and it... -Knock, knock. | 0:13:44 | 0:13:47 | |
-Hey! -Hey. | 0:13:47 | 0:13:49 | |
Sorry, I'm so... These are going to be so cold. | 0:13:49 | 0:13:51 | |
It's OK. I was a little worried about you, | 0:13:51 | 0:13:53 | |
but I'm glad you made it back. | 0:13:53 | 0:13:54 | |
No, I was fine. I was just... I had a... | 0:13:54 | 0:13:57 | |
-I was enjoying the sea air. -That's what you should do. | 0:13:57 | 0:13:59 | |
When you're on the water, that's what you do. | 0:13:59 | 0:14:02 | |
Hey, before I forget, let's get your uniform figured out. | 0:14:02 | 0:14:04 | |
Which one caught your eye? | 0:14:04 | 0:14:06 | |
I don't care. The red one? | 0:14:06 | 0:14:08 | |
Oh, the Zouave. Good eye. | 0:14:08 | 0:14:11 | |
That's going to be great for you. | 0:14:11 | 0:14:12 | |
Here you go, Tom. There's your musket. | 0:14:14 | 0:14:17 | |
And my firearm. | 0:14:17 | 0:14:20 | |
Oh... | 0:14:20 | 0:14:22 | |
I'm starting to get fired up, man. | 0:14:22 | 0:14:24 | |
-This is the time where I just really feel it. -Yeah. | 0:14:24 | 0:14:26 | |
I mean, you're about to live history right here. | 0:14:26 | 0:14:28 | |
I don't look like a Russian dancing bear? | 0:14:28 | 0:14:29 | |
It's nothing like that. That's honoured. | 0:14:29 | 0:14:31 | |
-He does look like that. -That's 5th New York. | 0:14:31 | 0:14:33 | |
-This is an honoured regiment. -OK. -Let me give you a couple of things that'll make it a little more fun. | 0:14:33 | 0:14:37 | |
You might have someone called a stitch Nazi, who'll want to pick over your outfit. | 0:14:37 | 0:14:40 | |
You know, they might go over this or like this. | 0:14:40 | 0:14:42 | |
"Oh, I don't like that because that's not proper." | 0:14:42 | 0:14:45 | |
The obvious one is the sunglasses. That's farby. | 0:14:45 | 0:14:47 | |
OK? Farby is "far from being authentic". | 0:14:47 | 0:14:50 | |
-OK. -Yeah. | 0:14:50 | 0:14:52 | |
And he's not wearing socks. | 0:14:52 | 0:14:53 | |
-It's just the size of the uniform. -It looks weird to me. | 0:14:53 | 0:14:56 | |
It would cover. It would cover. | 0:14:56 | 0:14:58 | |
-And then... -Gentlemen. | 0:14:58 | 0:14:59 | |
-Hey! -Hello. | 0:14:59 | 0:15:00 | |
General Krupp, how are you, sir? | 0:15:00 | 0:15:02 | |
-Very good, sir. -Hi. | 0:15:02 | 0:15:03 | |
A salute will be fine. | 0:15:03 | 0:15:04 | |
-All right. -Yes. | 0:15:04 | 0:15:05 | |
Got some very exciting news about your great-great-grandfather. | 0:15:05 | 0:15:08 | |
-That's great. -You know what? I've got to plan a battle. Maybe we can meet later. | 0:15:08 | 0:15:12 | |
-You got it. -OK, excellent. | 0:15:12 | 0:15:13 | |
There we go. Oh, you're going to lose the sunglasses and you've got no socks. | 0:15:13 | 0:15:17 | |
-Ma'am. -That's why I was saying something like that could happen, | 0:15:17 | 0:15:20 | |
you know, pretty easily. | 0:15:20 | 0:15:21 | |
We need to talk. | 0:15:21 | 0:15:23 | |
What? We need to talk? | 0:15:23 | 0:15:25 | |
Hey, is there anywhere I could get a breakfast burrito? | 0:15:25 | 0:15:28 | |
Uh, yeah. Glen's Sutlery. Next to it is Rico's. | 0:15:28 | 0:15:31 | |
-He's usually got stuff like that. -OK, cool. You want anything? | 0:15:31 | 0:15:34 | |
-No, I'm good. -All right. See you later. | 0:15:34 | 0:15:37 | |
What do we need to talk about? | 0:15:38 | 0:15:40 | |
I told you I wanted to be a nurse and I'm the only prostitute here. | 0:15:40 | 0:15:43 | |
I think you look incredible. | 0:15:43 | 0:15:44 | |
I don't believe it. I don't look incredible. | 0:15:44 | 0:15:47 | |
-You look so hot. -No, I don't. | 0:15:47 | 0:15:49 | |
No, it looks great. | 0:15:49 | 0:15:50 | |
-What the...? -You have got to be joking. | 0:15:50 | 0:15:53 | |
Look at yourself. You're going to make an ass of yourself. | 0:15:53 | 0:15:56 | |
-We can't have... -Now you may go. Just shut, OK? | 0:15:56 | 0:15:59 | |
You're leaving and I am staying here. | 0:15:59 | 0:16:01 | |
-I drove! -I'm the president! | 0:16:01 | 0:16:02 | |
-I'm not leaving. -You are free to go. | 0:16:02 | 0:16:05 | |
-Let me tell you something. -I free you! | 0:16:05 | 0:16:06 | |
Emancipate this, motherfucker! | 0:16:06 | 0:16:08 | |
-You want a piece of me? -Don't you fuckin' do that to me. I'm... | 0:16:08 | 0:16:14 | |
You're out... You're out of here. | 0:16:14 | 0:16:16 | |
That really hurts. That really hurts. | 0:16:16 | 0:16:19 | |
Colonel Rivers is going to march his battalion in. | 0:16:19 | 0:16:21 | |
He's going to manoeuvre around, take a line at the fence. | 0:16:21 | 0:16:24 | |
Your Confederate division is going to attack the fence, which we will defend. | 0:16:24 | 0:16:28 | |
-Harvey? -Yeah. | 0:16:28 | 0:16:29 | |
This is all well and good, but when you take a hit, you got to go down. | 0:16:29 | 0:16:32 | |
-We're going to go there. -Seriously. We are. | 0:16:32 | 0:16:35 | |
No, we go down. We go down every time. | 0:16:35 | 0:16:36 | |
No, I've got guys that are driving in from Antioch for six hours | 0:16:36 | 0:16:39 | |
and they're not going to go down in one second. | 0:16:39 | 0:16:41 | |
Very simply, more of your guys have to go down | 0:16:41 | 0:16:43 | |
than my guys have to go down, because we win. | 0:16:43 | 0:16:45 | |
I understand that. There's nothing that kills a re-enactment quicker | 0:16:45 | 0:16:48 | |
than live soldiers running around. | 0:16:48 | 0:16:50 | |
You got to go down. How about killing a re-enactment by the drunkenness that you guys have last time? | 0:16:50 | 0:16:54 | |
You were drinking so much, you didn't know where you were. | 0:16:54 | 0:16:56 | |
Guys were re-enacting battles from Braveheart, not the Civil War. | 0:16:56 | 0:16:59 | |
And easy on the gunpowder in the cannons. | 0:16:59 | 0:17:02 | |
They're setting off the car alarms and then I lose the permit. | 0:17:02 | 0:17:04 | |
That was too much. We won't drink. | 0:17:04 | 0:17:05 | |
Yeah, I mean, it would be easy to scoff | 0:17:05 | 0:17:08 | |
at the sight of hundreds of grown men | 0:17:08 | 0:17:10 | |
putting on costumes and playing war, but I'm no different. | 0:17:10 | 0:17:15 | |
My great-great-grandfather fought in this war | 0:17:15 | 0:17:19 | |
where 600,000 men died. | 0:17:19 | 0:17:22 | |
He fought for both sides. | 0:17:22 | 0:17:24 | |
Which is something I'll probably keep to myself. | 0:17:24 | 0:17:27 | |
But the truth is they're here to remember. | 0:17:29 | 0:17:32 | |
And there's nothing wrong with that. | 0:17:32 | 0:17:36 | |
Sorry, I'm just keeping an eye on the queue for the corn dog stand. | 0:17:38 | 0:17:42 | |
Shoulder arms! | 0:18:14 | 0:18:18 | |
Forward march. | 0:18:18 | 0:18:21 | |
To those of you who do not die, | 0:18:22 | 0:18:25 | |
you will smell the bowels of death. | 0:18:25 | 0:18:28 | |
For many of us will fall today. | 0:18:29 | 0:18:32 | |
I will not. | 0:18:32 | 0:18:34 | |
But over time, most of you will die. | 0:18:34 | 0:18:37 | |
So fear not death. | 0:18:37 | 0:18:41 | |
In fact, turn to the proud soldier beside you | 0:18:41 | 0:18:44 | |
and say, "So long." | 0:18:44 | 0:18:46 | |
-So long. -So long, Rick. | 0:18:47 | 0:18:49 | |
We are such a fine unit that we fear nothing. | 0:18:49 | 0:18:52 | |
In fact, to us, we are so confident, we whistle, | 0:18:52 | 0:18:56 | |
whistle tunes that give us comfort and courage. | 0:18:56 | 0:19:00 | |
Let me hear you whistle. THEY WHISTLE | 0:19:00 | 0:19:05 | |
Music, gentlemen. Music. | 0:19:05 | 0:19:08 | |
Fire! | 0:19:08 | 0:19:10 | |
Fire! | 0:19:10 | 0:19:11 | |
Fire! Company, charge! | 0:19:11 | 0:19:15 | |
Keep in line, keep in line. | 0:19:18 | 0:19:20 | |
-We're going to kill them? -Yeah. Don't point. | 0:19:20 | 0:19:22 | |
-I feel my hay fever kicking in. -Yeah, that'll be fine later. | 0:19:22 | 0:19:26 | |
Rear rank, ready! | 0:19:26 | 0:19:27 | |
-Fire! -Jesus Christ! | 0:19:27 | 0:19:30 | |
Ready, aim... | 0:19:30 | 0:19:31 | |
-Firing by battalion. -Fire! | 0:19:31 | 0:19:35 | |
-Front rank, ready! -Here we go. That's us. | 0:19:35 | 0:19:37 | |
Aim! | 0:19:37 | 0:19:39 | |
-Fire! -Whoa! | 0:19:40 | 0:19:42 | |
-Load quickly, gentlemen. -Oh, shit. | 0:19:44 | 0:19:45 | |
-Oh, yeah, it's... Oh! -Firing by battalion. | 0:19:45 | 0:19:48 | |
-Oh, Jesus! -You all right? -Fire! | 0:19:48 | 0:19:50 | |
You got hit. | 0:19:50 | 0:19:52 | |
OK. Oh, no! | 0:19:52 | 0:19:55 | |
Oh, no! | 0:19:55 | 0:19:56 | |
-Fire! -Yeah, it's the ticker. | 0:19:56 | 0:19:59 | |
-It's good, isn't it? -Shh, you're dead. You're dead. | 0:19:59 | 0:20:01 | |
-Did you see my death? -OK. Yeah, I saw it. Don't talk. | 0:20:01 | 0:20:03 | |
Fire! | 0:20:03 | 0:20:06 | |
-That was fun. -Yeah. | 0:20:07 | 0:20:09 | |
-Everybody's so serious, though. -Yeah, but you're dead now. -OK. | 0:20:09 | 0:20:12 | |
Dying. | 0:20:14 | 0:20:17 | |
-How long do we have to pretend to be dead? -You got to be quiet. | 0:20:19 | 0:20:21 | |
-I have to pee. -No, you don't go to the bathroom during the battle. | 0:20:21 | 0:20:25 | |
There's a Portaloo right there. | 0:20:26 | 0:20:28 | |
I'm going to go do a little pee and a little poo. | 0:20:28 | 0:20:30 | |
-No, don't do it. -I'll be right back. | 0:20:30 | 0:20:33 | |
No, Tom. PHONE RINGS | 0:20:33 | 0:20:34 | |
-Oh, shoot. -What is that? | 0:20:34 | 0:20:36 | |
-Oh, come on! -It's all right. | 0:20:36 | 0:20:39 | |
Hello? | 0:20:39 | 0:20:41 | |
Hey, Bea! Everything all right? | 0:20:41 | 0:20:43 | |
No, I'm just going mental here. | 0:20:43 | 0:20:45 | |
She's contemplating suicide. | 0:20:45 | 0:20:47 | |
No, it's not that bad, but, I mean, | 0:20:47 | 0:20:48 | |
-London's just a stinkhole. -Yeah. | 0:20:48 | 0:20:51 | |
I've decided to come out with Pete and visit you in LA. | 0:20:51 | 0:20:55 | |
Oh, OK. | 0:20:55 | 0:20:56 | |
Yeah, no, that's fine. | 0:20:56 | 0:20:57 | |
I'll just... let me make sure with Al and Kitty | 0:20:57 | 0:21:00 | |
that you can stay with them, but that should be fine. | 0:21:00 | 0:21:02 | |
Shh, shh, shh. | 0:21:02 | 0:21:04 | |
No, it's not. It's, um, it's war here. | 0:21:04 | 0:21:07 | |
Sorry, I can't hear you. | 0:21:07 | 0:21:09 | |
There's, like, bombs or something, sounds like, on the line. | 0:21:09 | 0:21:12 | |
-I'm being shot at. -Hang up. | 0:21:12 | 0:21:14 | |
Get off. | 0:21:14 | 0:21:15 | |
No, no, it's just I'm supposed to be dead, | 0:21:15 | 0:21:19 | |
so I have to be quiet. | 0:21:19 | 0:21:20 | |
Is he on drugs? OK, I'll see you soon. | 0:21:20 | 0:21:23 | |
All right. Cheerio. | 0:21:23 | 0:21:26 | |
-That was my sister Bea. -I got it. Just be quiet. | 0:21:26 | 0:21:28 | |
-She's coming over. You'll meet her. -OK, yeah. | 0:21:28 | 0:21:31 | |
-I'm going to go and do a pee. -No, no. Don't go. You're dead. | 0:21:31 | 0:21:33 | |
-Here's what will happen. -You can't. | 0:21:33 | 0:21:35 | |
I'm just going to go over and do a wee and then come back. | 0:21:35 | 0:21:37 | |
Seriously, don't even think about it. | 0:21:37 | 0:21:39 | |
-Nature. It's nature. -Come here. | 0:21:39 | 0:21:41 | |
I'll never get invited back. Come here! | 0:21:41 | 0:21:43 | |
Oh, flip. | 0:21:57 | 0:21:59 | |
-This is just silly. -All right. | 0:22:01 | 0:22:03 | |
-Twiddly dums in here. -Have a seat, prisoner. | 0:22:03 | 0:22:05 | |
All right. This is ludicrous. I mean, you didn't even tie these. | 0:22:05 | 0:22:09 | |
-You put that back on! -All right. -Shut your mouth. | 0:22:09 | 0:22:12 | |
I caught 'em rollin' around in the field, squirrely, like. | 0:22:12 | 0:22:15 | |
We were not doing anything in the field. | 0:22:15 | 0:22:16 | |
-I just want to use the bathroom. -He had to go to the bathroom. | 0:22:16 | 0:22:19 | |
-Yankee trash. -That's just rude. | 0:22:19 | 0:22:21 | |
We're all just trying to have a nice day. | 0:22:21 | 0:22:22 | |
-Don't you eyeball me. -This is a civil war. | 0:22:22 | 0:22:24 | |
Can you try and be civil? | 0:22:24 | 0:22:26 | |
Ow, ow, ow. | 0:22:26 | 0:22:28 | |
Oh! | 0:22:28 | 0:22:30 | |
Oh! | 0:22:30 | 0:22:31 | |
Murdered by a common camp whore. | 0:22:33 | 0:22:36 | |
I am going to school for oceanography, OK? | 0:22:37 | 0:22:40 | |
And I wanted to be a nurse. | 0:22:40 | 0:22:41 | |
-So... -That was incredible. | 0:22:41 | 0:22:43 | |
I always knew that you would kill for me. | 0:22:43 | 0:22:46 | |
Well enjoined, sir. Well enjoined. | 0:23:04 | 0:23:07 | |
General Bukowsky, a fine day, yes. | 0:23:07 | 0:23:09 | |
Yes, well, we may have lost the battle, but... | 0:23:09 | 0:23:12 | |
-Lost it, yeah. -Anyway. -Mm-hmm. | 0:23:12 | 0:23:15 | |
Can I ask you something? | 0:23:15 | 0:23:17 | |
Is it hard to keep doing the same battle | 0:23:17 | 0:23:19 | |
when you know that you're on the wrong side? | 0:23:19 | 0:23:21 | |
Sir? | 0:23:21 | 0:23:23 | |
Well, you're pro-slavery, you know what I mean? | 0:23:23 | 0:23:25 | |
Sir, you came into our homes, you ate our chickens, | 0:23:25 | 0:23:30 | |
and you sucked the teats of our cows. | 0:23:30 | 0:23:32 | |
And you were not invited. | 0:23:32 | 0:23:35 | |
Not invited. | 0:23:35 | 0:23:38 | |
You have a good day, Phil. | 0:23:40 | 0:23:42 | |
-Why'd you go there? -Somebody told me he was a hairdresser. | 0:23:42 | 0:23:45 | |
Yeah, he is. He's a great hairdresser. | 0:23:45 | 0:23:47 | |
But here, he's a general. | 0:23:47 | 0:23:48 | |
OK, I got something for you, all right? | 0:23:48 | 0:23:51 | |
In here I have two intercepted letters | 0:23:51 | 0:23:53 | |
from your great-great-grandfather | 0:23:53 | 0:23:55 | |
and I have a photo, | 0:23:55 | 0:23:57 | |
a photo of your great-great-grandmother. | 0:23:57 | 0:24:00 | |
I think this will explain everything. | 0:24:00 | 0:24:02 | |
Oh, that's so great. Thank you. | 0:24:02 | 0:24:04 | |
-You're very welcome. -Sir! | 0:24:04 | 0:24:05 | |
I bow to you. | 0:24:05 | 0:24:07 | |
Why, why do you do this? | 0:24:07 | 0:24:08 | |
-It just feels right in the outfit. -I guess so. | 0:24:08 | 0:24:10 | |
A gold mine. | 0:24:10 | 0:24:12 | |
A gold mine, I tell you, Al. | 0:24:12 | 0:24:14 | |
Just the information we've got. | 0:24:14 | 0:24:16 | |
In this one, it explains the whole uniform thing. | 0:24:16 | 0:24:20 | |
Essentially, Charles lived in Washington, DC, | 0:24:20 | 0:24:23 | |
and he fell in love with Rebecca, who was in Virginia. | 0:24:23 | 0:24:25 | |
And then the Civil War broke out. | 0:24:25 | 0:24:27 | |
-OK. -And they were separated. | 0:24:27 | 0:24:29 | |
So to get through enemy lines, | 0:24:29 | 0:24:32 | |
he got both uniforms. Didn't really care who won the war. | 0:24:32 | 0:24:35 | |
-Don't know why. -So he went out | 0:24:35 | 0:24:37 | |
and got two totally different outfits | 0:24:37 | 0:24:38 | |
and then went to be with her? | 0:24:38 | 0:24:40 | |
-Exactly. -And did she know that he did all that changing? | 0:24:40 | 0:24:43 | |
-She didn't know that. -That's so romantic. | 0:24:43 | 0:24:45 | |
-That is so sweet. -How cute is that? | 0:24:45 | 0:24:46 | |
-That's really sweet. -That's a sweet story. | 0:24:46 | 0:24:49 | |
To change his outfit like that for her. | 0:24:49 | 0:24:50 | |
-Yeah. -And then where'd they go? Did they get married? | 0:24:50 | 0:24:53 | |
Well, OK, this is interesting. | 0:24:53 | 0:24:54 | |
This is a letter from Charles to Rebecca. | 0:24:54 | 0:24:58 | |
April 4th, 1862. | 0:24:58 | 0:25:00 | |
"My dearest, upon receiving your letter, | 0:25:00 | 0:25:03 | |
"the dark skies have given way to sunshine." | 0:25:03 | 0:25:06 | |
Oh, my God, it was so rainy and everything. | 0:25:06 | 0:25:10 | |
"I cannot, however, forget the unforgivable manner | 0:25:10 | 0:25:13 | |
"in which my father and mother have cast dispersions on you. | 0:25:13 | 0:25:17 | |
"To have said, 'She is of mixed blood | 0:25:17 | 0:25:19 | |
"and therefore outside the purview of our class,' | 0:25:19 | 0:25:22 | |
"incites the most foul emotions within me. | 0:25:22 | 0:25:26 | |
"We must therefore leave this wretched place | 0:25:26 | 0:25:28 | |
"and marry in a new land which welcomes us." | 0:25:28 | 0:25:32 | |
So, like, they eloped. | 0:25:32 | 0:25:33 | |
-They eloped. -That is so sweet. | 0:25:33 | 0:25:35 | |
That's... That's one explanation. | 0:25:35 | 0:25:38 | |
Well, look at this. | 0:25:38 | 0:25:40 | |
-She's just beautiful. -Yeah. | 0:25:40 | 0:25:43 | |
So they went to England and they took the horse with her? | 0:25:43 | 0:25:45 | |
She looks very attached to it. | 0:25:45 | 0:25:47 | |
I've got to tell you, Kitty, I don't have | 0:25:47 | 0:25:48 | |
as much information as I'd like about the horse. | 0:25:48 | 0:25:50 | |
This is interesting. | 0:25:50 | 0:25:52 | |
The shadow falling from the horse | 0:25:52 | 0:25:55 | |
is headed that way, | 0:25:55 | 0:25:57 | |
and then there's shadows from those bushes | 0:25:57 | 0:25:59 | |
going in what seems to be the opposite direction. | 0:25:59 | 0:26:02 | |
You know, when I was on the battlefield today, | 0:26:02 | 0:26:05 | |
I saw a lot of things. | 0:26:05 | 0:26:07 | |
I saw life happen. I saw death happen. | 0:26:07 | 0:26:10 | |
I saw people pissing themselves willy-nilly. | 0:26:10 | 0:26:13 | |
And it's sad to think | 0:26:13 | 0:26:16 | |
we thought that Charles had dodged that. | 0:26:16 | 0:26:21 | |
We thought that our great-grandfather | 0:26:21 | 0:26:23 | |
was some kind of a coward, a turncoat, | 0:26:23 | 0:26:26 | |
but we were wrong. | 0:26:26 | 0:26:29 | |
He was a big old romantic. | 0:26:29 | 0:26:32 | |
And brave as a boot. | 0:26:32 | 0:26:34 | |
And I think that he'd be proud to know | 0:26:36 | 0:26:39 | |
that that particular fruit didn't fall far from the tree. | 0:26:39 | 0:26:42 | |
Because when a Chadwick sees fear... | 0:26:46 | 0:26:49 | |
he doesn't run. | 0:26:49 | 0:26:51 | |
He looks it in the eye | 0:26:51 | 0:26:55 | |
-and he... -HE SNEEZES | 0:26:55 | 0:26:57 | |
Fuck off. | 0:26:57 | 0:26:59 | |
# When I found you I found myself | 0:26:59 | 0:27:04 | |
# I was going to love you Like nobody else | 0:27:04 | 0:27:09 | |
# But I never really had a clue | 0:27:09 | 0:27:13 | |
# How to love a girl like you | 0:27:13 | 0:27:16 | |
# Two true believers | 0:27:16 | 0:27:19 | |
# We devised | 0:27:19 | 0:27:22 | |
# A temporary paradise | 0:27:22 | 0:27:26 | |
# Now our future is in the past | 0:27:26 | 0:27:30 | |
# I should have known | 0:27:30 | 0:27:33 | |
# It wouldn't last | 0:27:33 | 0:27:37 | |
# I should have been a better man | 0:27:37 | 0:27:41 | |
# You could have been a better friend | 0:27:41 | 0:27:45 | |
# I'm alone, but that's OK | 0:27:45 | 0:27:49 | |
# I guess the dice | 0:27:49 | 0:27:51 | |
# Just rolled that way. # | 0:27:51 | 0:27:56 | |
Subtitles by Red Bee Media Ltd | 0:27:56 | 0:28:01 |