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For the next 15 seconds at least, you're watching Fast and Loose! | 0:00:02 | 0:00:05 | |
On the show tonight, he's just passed a late fitness test - Justin Edwards. | 0:00:05 | 0:00:11 | |
She's back and this time it's personal - Jess Ransom. | 0:00:13 | 0:00:17 | |
He ate the thinking woman's crumpet - Greg Davies. | 0:00:18 | 0:00:22 | |
He's the third tallest Humphrey of all time - Humphrey Ker. | 0:00:22 | 0:00:26 | |
He's your friend and mine, but more yours - David Armand. | 0:00:27 | 0:00:32 | |
And this week's charity competition winner - Marek Larwood. | 0:00:32 | 0:00:36 | |
And, finally, would you please welcome your host. A man who sounds a lot like me - Hugh Dennis! | 0:00:36 | 0:00:43 | |
Hello and welcome to the show. Tonight we'll be improvising scenes, sketches and TV spoofs | 0:00:50 | 0:00:56 | |
and picking our performers' brains, so let's play Fast and Loose! | 0:00:56 | 0:01:00 | |
To kick things off, let's play Speed Dating. | 0:01:04 | 0:01:08 | |
It's a game for all our performers, so all head over here. This is the part of the show | 0:01:08 | 0:01:14 | |
where they pretend to be single and desperate as they act out terrible things to say when speed dating. | 0:01:14 | 0:01:21 | |
So, if you're ready. | 0:01:21 | 0:01:24 | |
Off we go. | 0:01:24 | 0:01:27 | |
I-I've got GSOH, | 0:01:29 | 0:01:31 | |
which is a General Smell of Haddock. LAUGHTER | 0:01:31 | 0:01:35 | |
If you're looking for a fiery lover, you have come to the right place! | 0:01:36 | 0:01:41 | |
I have rubbed my genitals with jalapeno peppers. BUZZ | 0:01:41 | 0:01:46 | |
If I'm absolutely honest, I like boys AND girls. What are you? | 0:01:46 | 0:01:53 | |
You've got such amazing eyes. | 0:01:55 | 0:01:58 | |
I WANT THEM FOR MY COLLECTION! | 0:01:58 | 0:02:01 | |
BUZZ | 0:02:01 | 0:02:03 | |
People are always saying to me, "You're mad, you are! | 0:02:03 | 0:02:07 | |
"You're nuts! You're crazy! What the hell are you doing in my kitchen?" | 0:02:07 | 0:02:12 | |
I've got, uh, a full tub of Vaseline | 0:02:12 | 0:02:16 | |
and a half-shaven cat and my mum doesn't come back until Monday. BUZZ | 0:02:16 | 0:02:20 | |
I'm looking for someone warm and funny. Perhaps a recently-dead clown. | 0:02:23 | 0:02:30 | |
If I had to describe myself as an animal, I suppose I'm like an old Labrador. | 0:02:33 | 0:02:39 | |
You know, I dribble a bit and my erection looks like a pink lipstick. | 0:02:39 | 0:02:45 | |
Generally speaking, people I've been with on a date have complimented me on my impeccable manners. | 0:02:49 | 0:02:55 | |
I do have one unfortunate characteristic. I poo myself if I ever hear a buzzer. | 0:02:55 | 0:03:01 | |
BUZZ | 0:03:01 | 0:03:03 | |
So if you and I hit it off you'd be the first person I'd slept with that I wasn't related to! | 0:03:07 | 0:03:13 | |
I'm a little bit of a ladies man. By that I mean I'm a mid-op transsexual. | 0:03:17 | 0:03:22 | |
BUZZ | 0:03:23 | 0:03:26 | |
You know that song Three Times A Lady? | 0:03:26 | 0:03:29 | |
That's how I like them. Obese. BUZZ | 0:03:29 | 0:03:33 | |
I lost both my knees in a terrible skiing accident last year, but I seem to be coping fine. | 0:03:36 | 0:03:42 | |
-BUZZ -Thank you very much! | 0:03:44 | 0:03:47 | |
Well done, everyone. | 0:03:47 | 0:03:49 | |
Now we come to the part of the show that I call Heckle. | 0:03:54 | 0:03:57 | |
I ask the performers to recall the very worst heckle they've had to contend with. | 0:03:57 | 0:04:03 | |
-Anyone? -I, genuinely, when I was doing stand-up in Glasgow | 0:04:03 | 0:04:08 | |
got heckled with a line that I can't do justice. You can do Glaswegian. | 0:04:08 | 0:04:12 | |
-Yes. -I'll tell you the line and you deliver it for me. | 0:04:12 | 0:04:16 | |
The line was, "Get off the stage. You are a six foot eight tower of steaming piss." | 0:04:16 | 0:04:23 | |
-GLASWEGIAN: -Get off the stage! You're a 6'8" steaming tower of piss! | 0:04:25 | 0:04:31 | |
Anyone else? | 0:04:37 | 0:04:39 | |
I was performing in an arts centre in Devon | 0:04:39 | 0:04:43 | |
and they genuinely said, "You'll have to stop. No one knows who you are and we need to do the raffle." | 0:04:43 | 0:04:50 | |
-LAUGHTER -Thank you! | 0:04:50 | 0:04:53 | |
Our next game is called Weak Links and this involves Justin, Jess, Greg and Humphrey. | 0:04:56 | 0:05:02 | |
If you'd like to get into position. This is, of course, our version of Anne Robinson's finest hour. | 0:05:02 | 0:05:09 | |
I will play the host, Anne. The rest of you are contestants. | 0:05:09 | 0:05:13 | |
To spice things up a bit, we'll give you a character to play. | 0:05:13 | 0:05:18 | |
Justin is a man writing a letter to Points of View. | 0:05:18 | 0:05:21 | |
Jess, you are characters from Downton Abbey. | 0:05:21 | 0:05:26 | |
-Greg is a scary French teacher. -LAUGHTER | 0:05:26 | 0:05:30 | |
-Humphrey, you're trying to be street. So... -LAUGHTER | 0:05:33 | 0:05:38 | |
So let's get on with the game. | 0:05:38 | 0:05:41 | |
Let's meet our contestants. Who are you and how are you? | 0:05:46 | 0:05:50 | |
I am disgusted of Tunbridge Wells and I am appalled by the filth, abuse and foreign people on the BBC. | 0:05:50 | 0:05:57 | |
-And you, how are you? -Nobody's asked me a question directly before, sir. | 0:05:57 | 0:06:02 | |
I shouldn't even be up here. Mrs Patmore is going to kill me! You won't see me again. | 0:06:02 | 0:06:08 | |
And you, tall man? | 0:06:08 | 0:06:11 | |
LAUGHTER | 0:06:16 | 0:06:18 | |
I can stare longer than you. | 0:06:19 | 0:06:22 | |
And you, sir, at the end. | 0:06:24 | 0:06:27 | |
Yo! Word up, H-Fresh. | 0:06:27 | 0:06:30 | |
-Right... -It's literally bare banging to be here. | 0:06:31 | 0:06:36 | |
-I'm afraid I have no idea what you're talking about. -Me neither. | 0:06:38 | 0:06:43 | |
In the meantime, let's play Weak Links. | 0:06:43 | 0:06:47 | |
-The principal characters in the book Watership Down are what types of creature? -Sorry, can you repeat it? | 0:06:48 | 0:06:56 | |
-The principal characters... -Repeats! This is all we get on this channel! LAUGHTER | 0:06:56 | 0:07:01 | |
Over and over again. | 0:07:01 | 0:07:03 | |
You - what B is the cake covered in marzipan with the pink and cream coloured chequered inside? | 0:07:06 | 0:07:13 | |
You ghastly little man! How dare you ask a question! | 0:07:13 | 0:07:17 | |
The Lady Dowager does not play games! | 0:07:17 | 0:07:21 | |
What do you expect? | 0:07:21 | 0:07:23 | |
Next you'll find me dining in the pantry in the servants' quarters! | 0:07:23 | 0:07:28 | |
Disgusting! Oh... | 0:07:28 | 0:07:31 | |
You. | 0:07:38 | 0:07:40 | |
LAUGHTER | 0:07:40 | 0:07:43 | |
-What number US President is Barack... -Silence! | 0:07:43 | 0:07:47 | |
Ecoutez! | 0:07:48 | 0:07:50 | |
Et repetez. | 0:07:50 | 0:07:53 | |
Ou est la chavelle? | 0:07:54 | 0:07:57 | |
-La chavelle? -Oui, la chavelle. | 0:08:01 | 0:08:03 | |
Ou est la chavelle? LAUGHTER | 0:08:03 | 0:08:07 | |
Non! Elle est dans le jardin! | 0:08:08 | 0:08:12 | |
Which football club play at Craven Cottage - Craven Utd or Fulham? | 0:08:14 | 0:08:18 | |
Actually, I live there. It's Fulham. | 0:08:18 | 0:08:21 | |
I mean, yo, I don't know, dog. If it ain't Brixton, it ain't no...thing. | 0:08:21 | 0:08:27 | |
The answer is indeed Fulham. What fruit juice is in a pina colada? | 0:08:29 | 0:08:33 | |
Oh, once again, why oh why must I have the word penis repeatedly thrust down my throat | 0:08:33 | 0:08:40 | |
-on British television? -I wasn't planning on thrusting my penis down your throat. You... | 0:08:40 | 0:08:46 | |
What would you famously find in the caves of Lascaux in France? | 0:08:46 | 0:08:51 | |
I know the answer to that question. And why shouldn't I? | 0:08:51 | 0:08:55 | |
Why shouldn't women know all answers to all questions as well as men? | 0:08:55 | 0:09:00 | |
I'm wearing trousers! | 0:09:00 | 0:09:02 | |
-You... -Alors! | 0:09:03 | 0:09:05 | |
Question - | 0:09:05 | 0:09:07 | |
ou est le pamplemousse? | 0:09:08 | 0:09:11 | |
I ask the questions here. | 0:09:11 | 0:09:13 | |
Non! Ecoutez! | 0:09:13 | 0:09:16 | |
Ou est le pamplemousse? Oui, le pamplemousse est grand. Oui? | 0:09:17 | 0:09:22 | |
-Ou est le pamplemousse? -In a minute... -NON! | 0:09:22 | 0:09:26 | |
Il est dans le bibliotheque! LAUGHTER | 0:09:27 | 0:09:32 | |
Can you actually speak French? | 0:09:37 | 0:09:40 | |
Non! | 0:09:40 | 0:09:41 | |
In slang, if a pony is £25, how much is a monkey? | 0:09:43 | 0:09:48 | |
What? What? | 0:09:48 | 0:09:51 | |
No! Don't try to stop me! I will just keep going until you stop me talking! | 0:09:51 | 0:09:57 | |
-I'm afraid at the end of the round I've randomly decided to get rid of Greg. Goodbye. -Zut alors! | 0:09:57 | 0:10:03 | |
Ah, mais... ou est le cochon? | 0:10:06 | 0:10:10 | |
Eh? Le petit cochon. | 0:10:10 | 0:10:12 | |
Eh? | 0:10:12 | 0:10:13 | |
C'est dans le... | 0:10:13 | 0:10:16 | |
C'est dans le... | 0:10:16 | 0:10:18 | |
..de patisserie. | 0:10:19 | 0:10:21 | |
Well, that's it from me. | 0:10:22 | 0:10:25 | |
Good night. | 0:10:25 | 0:10:28 | |
CHEERING AND APPLAUSE | 0:10:30 | 0:10:32 | |
Now we come to the part of the show that I call Race Horse Name. | 0:10:32 | 0:10:37 | |
I ask the performers to imagine that they own a race horse and to come up with the best name for it. David? | 0:10:37 | 0:10:44 | |
Em, well, if I had a race horse, I'd probably just... name it after my mother. | 0:10:44 | 0:10:50 | |
And her name is Steel Bullet the Third. | 0:10:50 | 0:10:54 | |
Marek? | 0:10:55 | 0:10:57 | |
Well, I would name my race horse after my granddad. | 0:10:57 | 0:11:02 | |
So I would call it...Granddad. | 0:11:02 | 0:11:05 | |
LAUGHTER | 0:11:05 | 0:11:07 | |
-Justin? -If I had a horse I would call it Pony Blair and I would have it shot. | 0:11:11 | 0:11:18 | |
Well, thank you very much. | 0:11:18 | 0:11:21 | |
Next we play a game called Interpretative Dance. | 0:11:22 | 0:11:26 | |
Taking part are Jess, Humphrey and David. David, come over here. | 0:11:26 | 0:11:31 | |
Humphrey, if you could get into position. Now the way this works is | 0:11:31 | 0:11:36 | |
we play a popular song and ask our interpretative dancer, David, to illustrate the lyrics | 0:11:36 | 0:11:42 | |
through the medium of dance. Jess and Humphrey will wear headphones and are unable to hear the music. | 0:11:42 | 0:11:49 | |
They have to guess the song and the artist purely from the mime. | 0:11:49 | 0:11:53 | |
I'll just check you can't hear me. Can you hear me? Right. | 0:11:53 | 0:11:58 | |
-Are you ready, David? -I think so. -Off we go. | 0:11:58 | 0:12:02 | |
INTRO PLAYS | 0:12:02 | 0:12:05 | |
PHIL COLLINS: # I need love, love Oh, to ease my mind | 0:12:08 | 0:12:12 | |
# Oh, and I need to find time | 0:12:12 | 0:12:15 | |
# Someone to call mine My mama said | 0:12:15 | 0:12:18 | |
# You can't hurry love No, you'll just have to wait | 0:12:18 | 0:12:23 | |
# She said love don't come easy It's a game of give and take | 0:12:23 | 0:12:28 | |
# You can't hurry love No, you'll just have to wait | 0:12:28 | 0:12:32 | |
# Just trust in the good times No matter how long it takes | 0:12:33 | 0:12:38 | |
# How many heartaches must I stand | 0:12:38 | 0:12:43 | |
# Before I find the love to let me live again | 0:12:43 | 0:12:47 | |
# The only thing that keeps me hanging on | 0:12:47 | 0:12:52 | |
# When I feel my strength Oh, it's almost gone | 0:12:52 | 0:12:56 | |
# I remember Mama said You can't hurry love | 0:12:56 | 0:13:00 | |
# No, you just have to wait She said love don't come easy | 0:13:00 | 0:13:05 | |
# It's a game of give and take | 0:13:05 | 0:13:07 | |
# How long must I wait | 0:13:07 | 0:13:09 | |
# How much more must I take | 0:13:09 | 0:13:12 | |
# Before loneliness | 0:13:12 | 0:13:15 | |
# Will cause my heart to break | 0:13:15 | 0:13:18 | |
# No I can't bear to live my life alone | 0:13:18 | 0:13:22 | |
# I've grown impatient for a love to call my own | 0:13:22 | 0:13:26 | |
# When I feel that I | 0:13:26 | 0:13:29 | |
# I can't go on | 0:13:29 | 0:13:32 | |
# Well, these precious words keep me hanging on | 0:13:32 | 0:13:36 | |
# I remember mama said You can't hurry love | 0:13:36 | 0:13:39 | |
# No, you just have to wait She said love don't come easy | 0:13:39 | 0:13:44 | |
# It's a game of give and take | 0:13:44 | 0:13:47 | |
# You can't hurry love No, you'll just have to wait | 0:13:47 | 0:13:52 | |
# Just trust in the good times No matter how long it takes | 0:13:52 | 0:13:57 | |
# And now break... # | 0:13:57 | 0:13:59 | |
CHEERING | 0:13:59 | 0:14:01 | |
So... | 0:14:02 | 0:14:04 | |
I know what it is. It's... I think I'm right that it's the popular Christmas carol | 0:14:06 | 0:14:12 | |
-O Come All Ye Faithful. Am I right? -Very good. | 0:14:12 | 0:14:16 | |
Now then... | 0:14:16 | 0:14:18 | |
You? No... Run? | 0:14:20 | 0:14:24 | |
-Hurry? -Yes! -You...Can't Hurry Love! | 0:14:24 | 0:14:27 | |
Oh, well done! | 0:14:27 | 0:14:29 | |
-Pow! -Thanks and thank you to David Armand! | 0:14:29 | 0:14:34 | |
Now we come to that part of the show I like to call Biggest Regret. | 0:14:40 | 0:14:44 | |
I try to find out a bit more about our performers by eliciting from them their biggest regret. Justin? | 0:14:44 | 0:14:51 | |
Er, leaving my DNA at the crime scene, Hugh. LAUGHTER | 0:14:51 | 0:14:57 | |
-Greg? -My biggest regret was two bathrooms and a kitchen. | 0:14:57 | 0:15:01 | |
Sorry, that was re-grout. | 0:15:02 | 0:15:05 | |
Marek? | 0:15:10 | 0:15:12 | |
Um, aged seven, I chose to become a boy. | 0:15:12 | 0:15:16 | |
LAUGHTER | 0:15:16 | 0:15:18 | |
And, er, Humphrey? | 0:15:19 | 0:15:22 | |
My biggest regret, Hugh, is never giving my first girlfriend a good reason for why we should break up. | 0:15:22 | 0:15:28 | |
So now I'm married to her. | 0:15:29 | 0:15:32 | |
Thank you, everyone. | 0:15:32 | 0:15:34 | |
It's time now for an educational game we call Right Way, Wrong Way. | 0:15:38 | 0:15:43 | |
Humphrey, Justin, Jess and Greg, make your way over here, please. | 0:15:43 | 0:15:48 | |
They will show us the best and worst ways to behave in a job interview. | 0:15:48 | 0:15:53 | |
Greg and Jess, you'll show us the right way. Greg, you're the applicant and Jess the interviewer. | 0:15:53 | 0:15:59 | |
Humphrey and Justin, you'll show us the wrong way. | 0:15:59 | 0:16:03 | |
Justin's the applicant and Humphrey the interviewer. Right, let's start with greeting. | 0:16:03 | 0:16:10 | |
-Hello there, sir. -Oh, hello. Thank you so much for seeing me. I'm really grateful. | 0:16:10 | 0:16:16 | |
-I've been an admirer of your company for 39 years. -Wow. I'm pleased to see that. | 0:16:16 | 0:16:23 | |
And your CV is glowing. I'm pleased to welcome you. | 0:16:23 | 0:16:27 | |
It already feels, if you don't mind me saying, like home. | 0:16:27 | 0:16:31 | |
So that's the right way. Now Humphrey and Justin show us the wrong way. | 0:16:31 | 0:16:36 | |
Ah. Ohh. All right, Specs? | 0:16:36 | 0:16:40 | |
Who told you to sit down, | 0:16:41 | 0:16:44 | |
you piece of piss? | 0:16:44 | 0:16:47 | |
That's the wrong way. Now undergoing the interview is the next stage. | 0:16:47 | 0:16:53 | |
Jess maintains a relaxed atmosphere and Greg demonstrates his complete suitability for the vacancy. | 0:16:53 | 0:17:01 | |
LAUGHTER | 0:17:01 | 0:17:03 | |
You've got a lot of experience. What was your last job? | 0:17:04 | 0:17:09 | |
-I was the shoemaker. -The shoemaker? Tell me some more about that. | 0:17:09 | 0:17:13 | |
-I call myself The Shoemaker, but I was one of four. -So you like working as part of a team? | 0:17:13 | 0:17:20 | |
I very much like that, particularly if it is headed up by a woman. | 0:17:20 | 0:17:25 | |
So that's the right way, quite obviously. | 0:17:25 | 0:17:30 | |
Now Humphrey and Justin will show us the wrong way. | 0:17:30 | 0:17:34 | |
I brought you... Well, it's not really a CV. It's a page I've torn out of a porn mag, but... | 0:17:34 | 0:17:40 | |
-it does show you what I've been up to for the last few months. -LAUGHTER | 0:17:40 | 0:17:45 | |
So that's the... | 0:17:45 | 0:17:47 | |
So that is...apparently the wrong way. | 0:17:47 | 0:17:51 | |
The final stage, of course, is finding out if you've been successful. Here's the right way. | 0:17:51 | 0:17:57 | |
See how Greg reacts with immense decorum and self-possession. | 0:17:57 | 0:18:02 | |
Well, with your background in shoemaking and your positive approach | 0:18:02 | 0:18:06 | |
you're definitely somebody we'd like to welcome into the family of our company. Congratulations. | 0:18:06 | 0:18:13 | |
-You're hired. -Thank you so much. I'll be honest. My instinct is to kiss you passionately, | 0:18:13 | 0:18:19 | |
but that's inappropriate, so I will shake your hand and leave. | 0:18:19 | 0:18:23 | |
That's the right way. Now Humphrey and Justin are going to show us the wrong way. | 0:18:23 | 0:18:30 | |
Have I got it or what? | 0:18:30 | 0:18:32 | |
Not only have you not got it, but I've deported your family. LAUGHTER | 0:18:33 | 0:18:38 | |
That is the wrong way! Thank you very much. | 0:18:40 | 0:18:44 | |
Hey, everyone, it's party time. This is the part of the show where I chillax. | 0:18:48 | 0:18:55 | |
When the music stops, the performers have to say something pretentious. | 0:18:55 | 0:19:00 | |
So, em, cue the music. | 0:19:00 | 0:19:02 | |
PARTY MUSIC PLAYS | 0:19:02 | 0:19:05 | |
If I had to choose between truffle oil and oxygen... I'd choose truffle oil. | 0:19:10 | 0:19:17 | |
Well, cheesecloth keeps its shape, but hessian is that much more fragrant. | 0:19:21 | 0:19:27 | |
If I drive three nails through my dick, | 0:19:31 | 0:19:35 | |
I can make half a ladder. | 0:19:35 | 0:19:38 | |
LAUGHTER | 0:19:45 | 0:19:47 | |
Em... | 0:19:52 | 0:19:53 | |
We drank each other. | 0:19:56 | 0:19:58 | |
Disgusting, to be honest. | 0:19:59 | 0:20:01 | |
The other day I forgot my bag for life. I just cried right there in Waitrose! | 0:20:06 | 0:20:13 | |
AFRICAN CHANT | 0:20:19 | 0:20:21 | |
Or, as you probably call it. salad cream. | 0:20:24 | 0:20:28 | |
Thank you very much. | 0:20:30 | 0:20:33 | |
Right, our next game is Dragon's Lair, our version of a popular BBC2 business programme. | 0:20:36 | 0:20:43 | |
Humphrey and Jess are the judges. Come and join me. | 0:20:43 | 0:20:47 | |
The other performers will be showcasing their inventions. I will play the presenter. | 0:20:47 | 0:20:53 | |
David and Greg, it's time to impress the dragons. | 0:20:53 | 0:20:57 | |
This is your invention. | 0:20:57 | 0:21:00 | |
I don't know what that is. | 0:21:00 | 0:21:03 | |
So if you work out what it is and then pitch it to the dragons. | 0:21:03 | 0:21:08 | |
-Hello, dragons. -Awright? -My name is...Jeremy. | 0:21:08 | 0:21:13 | |
And my name's Steve and I have never met him before. | 0:21:15 | 0:21:19 | |
I was just walkin' doon the street and he just grabbed hold of us | 0:21:19 | 0:21:24 | |
and brought us in here. I have no idea why! | 0:21:24 | 0:21:28 | |
I don't like Geordies. I'm out. | 0:21:28 | 0:21:31 | |
-Funny you should say that. -Keep going. -You have rather stumbled upon what my device is. | 0:21:31 | 0:21:38 | |
This is my patented Geordie catcher. | 0:21:38 | 0:21:42 | |
As you know, it's perfectly unacceptable to find Geordies roaming the streets anywhere... | 0:21:42 | 0:21:49 | |
It's a joke, man! A joke, man. | 0:21:49 | 0:21:51 | |
-A joke! -So... | 0:21:51 | 0:21:53 | |
-He's got so many bloody catchphrases. -Ant and Dec! | 0:21:53 | 0:21:57 | |
See? | 0:21:57 | 0:21:59 | |
-Anywhere but Newcastle, they should be tethered. -Me dad's Jimmy Nail! | 0:22:00 | 0:22:07 | |
-How does the device work? -What's an acceptable way to behave at weddings? | 0:22:07 | 0:22:11 | |
-I think probably... just take out my pockets and... -And I've got him! I've got him! | 0:22:11 | 0:22:19 | |
Cheryl Cole! Cheryl Cole, man! | 0:22:19 | 0:22:22 | |
And I've got him. | 0:22:24 | 0:22:26 | |
Cheryl... | 0:22:26 | 0:22:28 | |
Right, when you've actually... If you must, give him applause. If you must. | 0:22:29 | 0:22:36 | |
Now, Jeremy, what are the practical applications of a tethered Geordie? | 0:22:38 | 0:22:43 | |
-What can I use him for? -Well... -Sting! -I'm sorry. | 0:22:43 | 0:22:48 | |
He shouldn't be able to speak by this point. | 0:22:48 | 0:22:51 | |
-So... -Peter Beardsley! -If you've got your Geordie fully tethered, | 0:22:53 | 0:22:59 | |
-it's really easy to take him outside and humanely destroy him. -So, Dragons... | 0:22:59 | 0:23:05 | |
I only wear my pants when I go out in the snow, man! | 0:23:05 | 0:23:10 | |
-OK... -You've cut off the blood from me face! | 0:23:10 | 0:23:13 | |
-Are you in or out, Humphrey? -Kevin Keegan! | 0:23:13 | 0:23:18 | |
I'm out, I'm afraid. I like Geordies. They're quite like me. | 0:23:18 | 0:23:23 | |
Deborah? Are you in or out? | 0:23:23 | 0:23:25 | |
I would say that I am almost going to definitely say yes, but I would like you to branch out | 0:23:25 | 0:23:32 | |
-into some kind of tether for people from Birmingham. -How do you feel that went? | 0:23:32 | 0:23:38 | |
-You, Greg, and Joe McElderry here. How are you...? -Yeah? | 0:23:38 | 0:23:43 | |
Well, I personally am quite keen to quickly distance myself from this piece of improvisation | 0:23:43 | 0:23:49 | |
as I'm going to Newcastle next week! LAUGHTER | 0:23:49 | 0:23:52 | |
That's fantastic! | 0:23:52 | 0:23:54 | |
Thank you very much. | 0:23:54 | 0:23:57 | |
CHEERING | 0:23:57 | 0:23:59 | |
Now we move on to a game called Sideways Scene for Justin, Marek and our guest performer - | 0:24:08 | 0:24:14 | |
please welcome Pippa Evans! | 0:24:14 | 0:24:17 | |
Now off you go, please. This game takes place in the special area behind the set | 0:24:20 | 0:24:27 | |
and you will perform a scene in different genres suggested by me. | 0:24:27 | 0:24:31 | |
But you'll be doing it lying down on our magic mat. | 0:24:31 | 0:24:35 | |
We'll relay the pictures to the audience on the big screen. | 0:24:35 | 0:24:40 | |
Now the scenario is that Pippa is a bride having a dress fitted by designer Justin. | 0:24:40 | 0:24:46 | |
And her gangster fiance Marek comes to the door with a gunshot wound to the leg | 0:24:46 | 0:24:52 | |
because he's on the run from the police. So... | 0:24:53 | 0:24:58 | |
Nice and simple. If you're ready, off you go. | 0:24:58 | 0:25:01 | |
-Why don't you just stand on the chair and I'll measure it up? -OK. | 0:25:01 | 0:25:06 | |
Just over there. | 0:25:06 | 0:25:08 | |
Yeah, just pop yourself on there. | 0:25:11 | 0:25:13 | |
-Whoo! -I'll just...just kneel down. | 0:25:13 | 0:25:17 | |
Oh, I'm so sorry! | 0:25:17 | 0:25:19 | |
Maybe if you come up on the chair with me... | 0:25:20 | 0:25:24 | |
-Do you know what? I ought to check it from the other side. -OK. | 0:25:24 | 0:25:29 | |
Yes, em... | 0:25:29 | 0:25:31 | |
-I do hope my husband isn't here! -That's all right. | 0:25:31 | 0:25:35 | |
-So when is the wedding? -Cor blimey! Them rozzers are on me tail! | 0:25:35 | 0:25:40 | |
There's blood pouring out my leg, so there is! | 0:25:40 | 0:25:44 | |
I'll get the door, shall I? | 0:25:44 | 0:25:46 | |
KNOCKING | 0:25:46 | 0:25:49 | |
Ohhh! | 0:25:49 | 0:25:50 | |
-Quick! -I'm trying! | 0:25:53 | 0:25:55 | |
Quickly! Open the door. | 0:25:55 | 0:25:57 | |
Let me in! | 0:25:59 | 0:26:01 | |
Come in. Ooh! | 0:26:01 | 0:26:03 | |
-Goodness me. -Oh, me leg! | 0:26:03 | 0:26:06 | |
-Watch out for them rozzers! -Freeze! We're going to change the genre now to a poltergeist. | 0:26:06 | 0:26:13 | |
You've brought a malevolent spirit into the house! | 0:26:13 | 0:26:18 | |
Oooh! Oooh! | 0:26:18 | 0:26:19 | |
Aaaaieee! | 0:26:20 | 0:26:22 | |
It's possessed him! | 0:26:22 | 0:26:24 | |
I think I'm all right. No! Aaargh! | 0:26:24 | 0:26:28 | |
Ah! | 0:26:29 | 0:26:31 | |
Help me! Someone help me! | 0:26:36 | 0:26:39 | |
OK, freeze again, please. And change genre now to Jackie Chan. | 0:26:39 | 0:26:45 | |
-AS JACKIE CHAN: -Don't ever mess with me again! | 0:26:50 | 0:26:54 | |
-Ooh! -Wa-ha-ow! | 0:26:54 | 0:26:56 | |
Argh! | 0:26:56 | 0:26:58 | |
Freeze again, please. We're going to change genre to The Great Escape. | 0:26:59 | 0:27:04 | |
Quick, down here! | 0:27:04 | 0:27:07 | |
That's it. You can get over this fence on your motorbike. | 0:27:09 | 0:27:13 | |
Vroom! Vroom! | 0:27:13 | 0:27:15 | |
I've found a tunnel, chaps! | 0:27:19 | 0:27:21 | |
APPLAUSE | 0:27:21 | 0:27:23 | |
You're brilliant! | 0:27:25 | 0:27:28 | |
APPLAUSE | 0:27:31 | 0:27:33 | |
OK, freeze again, please, and now change genre to Transformers. | 0:27:35 | 0:27:40 | |
-MAKES ROBOT NOISES -Let's dig her out of the ground. | 0:27:40 | 0:27:45 | |
I'm special hat bot. | 0:27:45 | 0:27:47 | |
LAUGHTER | 0:27:49 | 0:27:51 | |
This is the worst hat robot I've ever come across! | 0:27:51 | 0:27:55 | |
-Please, hat bot, no more! -It's transocock! | 0:27:57 | 0:28:00 | |
OK, freeze again! And now we're going to go for King Kong. | 0:28:01 | 0:28:06 | |
-I've got you now! -Aaaiee! | 0:28:06 | 0:28:08 | |
It's all right, bird. I'm in the helicopter. | 0:28:08 | 0:28:13 | |
LAUGHTER AND APPLAUSE | 0:28:14 | 0:28:16 | |
-Argh! -Aaaiee! | 0:28:17 | 0:28:19 | |
Aaargh! | 0:28:19 | 0:28:22 | |
Thank you! Thank you very much! | 0:28:22 | 0:28:25 | |
Thank you to all of you. Come back now. Special thanks to Pippa Evans! | 0:28:25 | 0:28:31 | |
APPLAUSE | 0:28:31 | 0:28:34 | |
That's all we have time for tonight. Thanks to Justin Edwards, David Armand, Humphrey Ker, | 0:28:39 | 0:28:45 | |
Jess Ransom, Marek Larwood and Greg Davies. | 0:28:45 | 0:28:51 | |
And good night from me, Hugh Dennis. We'll see you next time we play Fast and Loose. | 0:28:52 | 0:28:58 | |
Subtitles by Subtext for Red Bee Media Ltd - 2011 | 0:29:06 | 0:29:11 | |
Email [email protected] | 0:29:12 | 0:29:14 |