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Ladies and gentlemen, for the next 40 seconds at least, you're watching Fast And Loose. | 0:00:02 | 0:00:07 | |
On the show tonight, he's allergic to it, yet strangely attracted to fish - Justin Edwards. | 0:00:07 | 0:00:13 | |
Just back from a successful tour of Category "A" women's prisons - Pippa Evans. | 0:00:13 | 0:00:18 | |
He's 48-26-36 and all man - Greg Davies! | 0:00:19 | 0:00:24 | |
He's a riddle wrapped in an enigma and drizzled in olive oil - Humphrey Ker! | 0:00:25 | 0:00:31 | |
Call me Ishmael, but call her Laura Solon. | 0:00:31 | 0:00:34 | |
Oh, no, no, not him - | 0:00:34 | 0:00:37 | |
it's Marek Larwood! | 0:00:37 | 0:00:40 | |
And finally, would you please welcome your host, a man who sounds a lot like me - Hugh Dennis! | 0:00:40 | 0:00:46 | |
CHEERING AND APPLAUSE | 0:00:46 | 0:00:48 | |
Hello and welcome to the show. | 0:00:51 | 0:00:54 | |
Tonight, we'll be improvising scenes, sketches and TV spoofs | 0:00:54 | 0:00:58 | |
and picking our performers' brains on an array of topics, so let's play Fast And Loose. | 0:00:58 | 0:01:04 | |
APPLAUSE | 0:01:04 | 0:01:06 | |
Right, to kick things off, let's play a game called Speed Dating. | 0:01:09 | 0:01:13 | |
This is a game for all our performers, so if you could head over to the performance zone. | 0:01:13 | 0:01:19 | |
You have to imagine the impossibility that you're all desperate and single | 0:01:19 | 0:01:24 | |
as we ask you to act out terrible things to say at a speed dating event. So off we go... | 0:01:24 | 0:01:29 | |
I'm actually a bodybuilder. | 0:01:32 | 0:01:35 | |
I built this one out of Turkish Delight and chips. | 0:01:35 | 0:01:38 | |
BUZZER | 0:01:38 | 0:01:39 | |
I'm looking for someone that really loves dogs. | 0:01:39 | 0:01:43 | |
And I mean really loves dogs. | 0:01:43 | 0:01:47 | |
BUZZER | 0:01:47 | 0:01:48 | |
I didn't really want to come tonight, to be honest, but Tony said it was a good idea. | 0:01:48 | 0:01:53 | |
Didn't you, Tony? | 0:01:53 | 0:01:55 | |
BUZZER | 0:01:55 | 0:01:57 | |
I'm just looking for a real man because I find sex with wooden ones give you splinters. | 0:01:57 | 0:02:02 | |
BUZZER | 0:02:02 | 0:02:04 | |
Describe myself in three words? | 0:02:04 | 0:02:06 | |
OK, um...violent, insecure and barren. | 0:02:06 | 0:02:11 | |
BUZZER | 0:02:11 | 0:02:13 | |
Um...ideally, I'm looking for a mermaid | 0:02:13 | 0:02:18 | |
or someone who can cope with a consistent bed-wetter. | 0:02:18 | 0:02:22 | |
BUZZER | 0:02:23 | 0:02:25 | |
With me, what you see is what you get. You can read me like a book. | 0:02:25 | 0:02:29 | |
And that book is Mein Kampf... No! | 0:02:29 | 0:02:31 | |
BUZZER | 0:02:31 | 0:02:34 | |
What animal would I say I was? Well, probably an elephant. | 0:02:34 | 0:02:38 | |
Thick-skinned, has a good memory | 0:02:38 | 0:02:41 | |
and giant grey testicles. | 0:02:41 | 0:02:44 | |
BUZZER | 0:02:44 | 0:02:46 | |
Yes, the ladies call me "the donkey". | 0:02:46 | 0:02:49 | |
Not that it does me any good these days. You have to hit it with nettles to get anything out of it. | 0:02:49 | 0:02:55 | |
I want a husband, but I don't want kids, right, cos childbirth is pretty much impossible. | 0:02:57 | 0:03:02 | |
I did some experiments at my house this morning | 0:03:02 | 0:03:05 | |
and basically, anything bigger than a My Little Pony gets jammed. | 0:03:05 | 0:03:10 | |
BUZZER | 0:03:10 | 0:03:12 | |
I'm very romantic, like. | 0:03:12 | 0:03:14 | |
I once bought a lady a nice rose. | 0:03:14 | 0:03:17 | |
I say "bought", I stole it. | 0:03:17 | 0:03:19 | |
I say "rose", it was a dead swan. | 0:03:19 | 0:03:22 | |
BUZZER | 0:03:22 | 0:03:24 | |
MAKES "BUZZER" SOUND | 0:03:26 | 0:03:28 | |
MAKES "BUZZER" SOUND | 0:03:29 | 0:03:31 | |
BUZZER SOUNDS, HE MIMICS BUZZER | 0:03:31 | 0:03:34 | |
APPLAUSE | 0:03:38 | 0:03:40 | |
Thank you. | 0:03:40 | 0:03:42 | |
This is the part of the show that I think we should call Favourite Word | 0:03:45 | 0:03:51 | |
because I'm going to ask our performers to tell me their absolute favourite word. | 0:03:51 | 0:03:57 | |
So what's your favourite word? Anyone? | 0:03:57 | 0:04:00 | |
My favourite word is... | 0:04:00 | 0:04:02 | |
"acquittal". | 0:04:02 | 0:04:04 | |
LAUGHTER | 0:04:04 | 0:04:06 | |
And I hope it works out for you. Anyone else? | 0:04:06 | 0:04:09 | |
Well, Hugh, I come from a very wealthy family, so my favourite word is "bereavement". | 0:04:09 | 0:04:15 | |
-LAUGHTER AND APPLAUSE -Thank you very much. | 0:04:15 | 0:04:18 | |
Now we're going to play a game called 7-Up. This is for Humphrey, Justin, Laura, Greg and Marek. | 0:04:21 | 0:04:27 | |
So come on down here, please. | 0:04:27 | 0:04:30 | |
This is inspired by the long-running documentary series following ordinary people through their lives. | 0:04:30 | 0:04:36 | |
I'll be taking the part of the interviewer asking questions of characters played by the performers | 0:04:36 | 0:04:42 | |
at seven-yearly intervals. | 0:04:42 | 0:04:44 | |
So, Justin and Humphrey, you are Peter Pan and Wendy. | 0:04:44 | 0:04:49 | |
Wendy. | 0:04:49 | 0:04:51 | |
Laura, you're an EastEnders character. | 0:04:51 | 0:04:54 | |
Greg and Marek, you're a boy and his imaginary friend. | 0:04:54 | 0:04:58 | |
OK, so you're now seven years old. So, Peter Pan and Wendy, what's it like being seven for you? | 0:04:59 | 0:05:05 | |
HIGH VOICE: It's seven for me every day and always will be. | 0:05:05 | 0:05:09 | |
-That's the way I like it. Right, Wendy? -Yes, I'm having a tremendous time. | 0:05:09 | 0:05:14 | |
Peter has stolen me from my bedroom and made me go on an adventure with him. | 0:05:14 | 0:05:20 | |
-It's really great. -Should I be worried? -No, I'm taking you to Neverland, but not that one. | 0:05:20 | 0:05:26 | |
Laura, you're seven years old. What do you want to do with your life? | 0:05:28 | 0:05:32 | |
My life is an on-running drama. | 0:05:32 | 0:05:36 | |
My mum is not my mum. | 0:05:36 | 0:05:38 | |
She's mothered five kids by seven different fathers. | 0:05:38 | 0:05:41 | |
Then there's two gay doctors, a dog, a fat one that plays the trumpet. | 0:05:41 | 0:05:46 | |
I don't know what's going on! | 0:05:46 | 0:05:48 | |
-Now, Greg, Marek... -Hello, Hugh. | 0:05:50 | 0:05:53 | |
-You're very well-spoken for a seven-year-old. -Tell him you'll ask the questions. | 0:05:53 | 0:05:59 | |
-I can't tell him that. He's the host of the show. -You'll do what I say. | 0:05:59 | 0:06:03 | |
How can I possibly... | 0:06:05 | 0:06:07 | |
-How can I possibly tell him? I'm only seven. -I'll tell him... | 0:06:09 | 0:06:13 | |
Miraculously, seven years have now passed. You're all now 14 years old. | 0:06:13 | 0:06:19 | |
Peter Pan? | 0:06:19 | 0:06:21 | |
I'm not 14. I'm still seven. | 0:06:21 | 0:06:23 | |
Yeah, tell me about it! I want to go up the precinct and hang out and go shopping. He's just a bit weird. | 0:06:23 | 0:06:29 | |
I thought we could go fly around the pirate ship and maybe throw some berries at them. | 0:06:29 | 0:06:35 | |
Pirate ship? Berries? What's going on? Where are my parents? | 0:06:35 | 0:06:39 | |
-They're probably dead by now. -Oh, great(!) | 0:06:39 | 0:06:42 | |
And who is this Tinker Bell fella who hangs round all the time? I don't trust him. | 0:06:42 | 0:06:48 | |
"He" is a lady, | 0:06:48 | 0:06:50 | |
which is more than I can say for you! | 0:06:50 | 0:06:52 | |
And Laura, you've... Has the last seven years been eventful for you? | 0:06:52 | 0:06:57 | |
Well, yeah, I took up drugs. | 0:06:57 | 0:07:00 | |
I slept with all the Mitchells. | 0:07:00 | 0:07:02 | |
And that was just Christmas Day. | 0:07:02 | 0:07:05 | |
Greg, how has the last seven years gone for you? | 0:07:07 | 0:07:10 | |
Not too bad. I mean... | 0:07:10 | 0:07:12 | |
It's been terrible. Tell him it's been terrible. | 0:07:12 | 0:07:15 | |
To be honest, it's been terrible. I haven't got a single real friend in the world. | 0:07:15 | 0:07:21 | |
Tell him you're sick of seeing his face on panel shows. | 0:07:21 | 0:07:25 | |
-I can't tell him that. -Tell him he's done too much. -I can't. | 0:07:25 | 0:07:29 | |
-I've watched your career very closely. -You didn't like any of it. | 0:07:29 | 0:07:33 | |
Most of it I found really good. | 0:07:34 | 0:07:37 | |
Tell him to stick to the scripted stuff. | 0:07:37 | 0:07:40 | |
-Fantastic. -What do you prefer? | 0:07:42 | 0:07:44 | |
-Do you prefer the improvised stuff or the scripted stuff? -Watch him lie. Watch his lying face now! | 0:07:44 | 0:07:50 | |
Watch what his lying face says! | 0:07:50 | 0:07:53 | |
-You're supposed to be my friend. -I'm not your friend. | 0:07:53 | 0:07:57 | |
Right, you're all now 21. | 0:07:57 | 0:07:59 | |
LAUGHTER | 0:07:59 | 0:08:01 | |
When... | 0:08:01 | 0:08:03 | |
Peter Pan, you've not grown at all, have you? | 0:08:03 | 0:08:06 | |
No, seriously, I'm genuinely trapped aged seven for my entire life. | 0:08:06 | 0:08:12 | |
This has had serious ramifications for my taxes. | 0:08:12 | 0:08:16 | |
It's like a pituitary gland thing or something. I'm not sure what's going on. | 0:08:16 | 0:08:21 | |
-Unwisely, we've got married. -Yeah. -I regret that now. | 0:08:21 | 0:08:25 | |
We're largely shunned by all the other people on the island. | 0:08:25 | 0:08:29 | |
I'm probably the largest woman they've ever seen. | 0:08:29 | 0:08:32 | |
I'm sort of married to a tiny boy. | 0:08:32 | 0:08:34 | |
I should maybe get a job, but I can't because I haven't got a National Insurance number. | 0:08:34 | 0:08:40 | |
-It's all cash in hand. -It's all cash in hand. | 0:08:40 | 0:08:43 | |
Laura, you're 21 now. I imagine you've gone through quite a lot. | 0:08:43 | 0:08:47 | |
It wasn't going well at 14 for you. | 0:08:47 | 0:08:50 | |
No, as I said, I did the single. | 0:08:50 | 0:08:53 | |
It was crap. | 0:08:53 | 0:08:55 | |
Then I did the reality show. That was awful. | 0:08:55 | 0:08:58 | |
So now I just open "Spahs" for 50 quid. | 0:08:58 | 0:09:04 | |
Small supermarkets, not health resorts. | 0:09:04 | 0:09:08 | |
-That's better paid. -Yeah. | 0:09:08 | 0:09:10 | |
Greg, has the last seven years given you time to think long and hard about the things you said aged 14? | 0:09:10 | 0:09:17 | |
Yeah, well, I'm absolutely fine now, Hugh, to be honest. | 0:09:17 | 0:09:21 | |
Hugh? Can you hear me, Hugh? | 0:09:21 | 0:09:23 | |
I've very much got the little man under control these days. | 0:09:23 | 0:09:27 | |
Hugh, I'm trapped inside. | 0:09:27 | 0:09:29 | |
-And I would just like to say what a great admirer I am of your career. -I hate him! | 0:09:29 | 0:09:35 | |
Particularly the scripted stuff. | 0:09:35 | 0:09:37 | |
That's fantastic. Thank you very much indeed. | 0:09:39 | 0:09:42 | |
APPLAUSE | 0:09:42 | 0:09:45 | |
Now, I have always fancied owning my own restaurant, but I just can't think what to call it. | 0:09:47 | 0:09:53 | |
To help narrow it down, what do you think would be a bad name for a restaurant? Justin? | 0:09:53 | 0:09:59 | |
The Fat Dick at Bray. | 0:10:00 | 0:10:03 | |
LAUGHTER | 0:10:03 | 0:10:05 | |
Pippa? | 0:10:06 | 0:10:07 | |
If You Kill It, I'll Cook It. | 0:10:07 | 0:10:10 | |
Marek? | 0:10:10 | 0:10:11 | |
Burger Twat. | 0:10:11 | 0:10:13 | |
LAUGHTER | 0:10:13 | 0:10:15 | |
Humphrey? | 0:10:15 | 0:10:17 | |
Sloppy Seconds. | 0:10:17 | 0:10:19 | |
LAUGHTER AND GROANS | 0:10:19 | 0:10:22 | |
Thank you very much. | 0:10:22 | 0:10:24 | |
Right, next we play a game called Interpretative Dance. | 0:10:26 | 0:10:31 | |
Taking part in this are Pippa and Laura, but let's meet our special guest performer - David Armand! | 0:10:31 | 0:10:37 | |
APPLAUSE | 0:10:37 | 0:10:40 | |
Now, the way that this game works is that we play in a popular song | 0:10:40 | 0:10:46 | |
and we ask our interpretative dancer David to illustrate the lyrics through the medium of dance. | 0:10:46 | 0:10:52 | |
Pippa and Laura will be wearing headphones and unable to hear the music. | 0:10:52 | 0:10:57 | |
They'll have to guess the song and the artist purely from the mime, | 0:10:57 | 0:11:01 | |
so put your headphones on, please. | 0:11:01 | 0:11:03 | |
I'll just check you can't hear. Can you hear...? | 0:11:03 | 0:11:06 | |
-No, they can't hear. So, David, if you're ready... -I think so, yes. -Off we go. | 0:11:06 | 0:11:12 | |
ROCK MUSIC INTRO | 0:11:12 | 0:11:16 | |
# I did my best to notice | 0:11:19 | 0:11:22 | |
# When the call came down the line | 0:11:22 | 0:11:25 | |
# Up to the platform of surrender | 0:11:25 | 0:11:28 | |
# I was brought but I was kind | 0:11:28 | 0:11:31 | |
# And sometimes I get nervous | 0:11:33 | 0:11:35 | |
# When I see an open door | 0:11:35 | 0:11:39 | |
# Close your eyes, clear your heart | 0:11:39 | 0:11:42 | |
# Cut the cord | 0:11:46 | 0:11:48 | |
# Are we human? | 0:11:48 | 0:11:50 | |
# Or are we dancers? | 0:11:51 | 0:11:53 | |
# My sign is vital | 0:11:53 | 0:11:56 | |
# My hands are cold | 0:11:57 | 0:12:00 | |
# And I'm on my knees | 0:12:00 | 0:12:04 | |
# Looking for the answer | 0:12:04 | 0:12:07 | |
# Are we human? | 0:12:07 | 0:12:10 | |
# Or are we dancers...? # | 0:12:10 | 0:12:13 | |
APPLAUSE | 0:12:13 | 0:12:16 | |
# Pay my respects to grace and virtue | 0:12:21 | 0:12:25 | |
# Send my condolences to good | 0:12:25 | 0:12:28 | |
# Give my regards to soul and romance | 0:12:28 | 0:12:32 | |
# They always did the best they could | 0:12:32 | 0:12:36 | |
# And so long to devotion | 0:12:36 | 0:12:39 | |
# You taught me everything I know | 0:12:39 | 0:12:42 | |
# Wave goodbye, wish me well... | 0:12:42 | 0:12:45 | |
# You've gotta let me go | 0:12:49 | 0:12:51 | |
# Are we human? | 0:12:51 | 0:12:54 | |
# Or are we dancers? | 0:12:54 | 0:12:57 | |
# My sign is vital | 0:12:58 | 0:13:01 | |
# My hands are cold | 0:13:01 | 0:13:03 | |
# And I'm on my knees | 0:13:05 | 0:13:08 | |
# Looking for the answer | 0:13:08 | 0:13:10 | |
# Are we human? | 0:13:10 | 0:13:13 | |
# Or are we dancers? | 0:13:13 | 0:13:16 | |
# Will your system be all right | 0:13:17 | 0:13:21 | |
# When you dream of home tonight? | 0:13:21 | 0:13:25 | |
# There is no message we're receiving | 0:13:25 | 0:13:29 | |
# Let me know, is your heart still beating? | 0:13:29 | 0:13:33 | |
# You've gotta let me know | 0:13:33 | 0:13:36 | |
# Are we human? | 0:13:36 | 0:13:39 | |
# Or are we dancers? | 0:13:39 | 0:13:42 | |
# My sign is vital | 0:13:42 | 0:13:45 | |
# My hands are cold | 0:13:46 | 0:13:49 | |
# And I'm on my knees | 0:13:49 | 0:13:51 | |
# Looking for the answer | 0:13:51 | 0:13:54 | |
# Are we human? | 0:13:55 | 0:13:58 | |
# Or are we dancers? # | 0:14:00 | 0:14:04 | |
CHEERING AND APPLAUSE | 0:14:04 | 0:14:06 | |
So, Pippa... | 0:14:08 | 0:14:11 | |
Pippa, Laura, any idea? | 0:14:11 | 0:14:14 | |
-I think that's incredibly easy. -Do you? -Do you? | 0:14:14 | 0:14:17 | |
The only thing I could think of was Nellie the Elephant. | 0:14:17 | 0:14:21 | |
Want a clue for the band? | 0:14:21 | 0:14:24 | |
Punch and Judy? | 0:14:25 | 0:14:29 | |
-The Killers! -Yes! | 0:14:31 | 0:14:34 | |
-What species is he? -Human. | 0:14:34 | 0:14:37 | |
-Human! -Human! -Fantastic. Well done. | 0:14:37 | 0:14:42 | |
Thank you very much, David Armand! | 0:14:42 | 0:14:45 | |
Now we come to that part of the show that I call I Wish. I ask the performers what they'd wish for | 0:14:51 | 0:14:59 | |
when they blow out their birthday candles. Anyone? | 0:14:59 | 0:15:02 | |
Simple wish, Hugh. And it's always the same. I wish...all the fighting would stop | 0:15:02 | 0:15:08 | |
and, if there's time, I wish that I had a penis like a farm boy's arm holding a pumpkin. | 0:15:08 | 0:15:15 | |
Would that not... Would that not rot after a while? | 0:15:20 | 0:15:24 | |
LAUGHTER | 0:15:24 | 0:15:26 | |
Thank you! | 0:15:26 | 0:15:28 | |
Next up is the performance picnic that we call Come Dining. | 0:15:31 | 0:15:36 | |
This is for Justin, Pippa, Greg, Humphrey and Marek. Please come down to our dining area. | 0:15:36 | 0:15:42 | |
Justin and Pippa, you will act out a mealtime scene in a film genre, but when each of your guests arrives | 0:15:42 | 0:15:49 | |
you must switch to the genre they bring with them. | 0:15:49 | 0:15:52 | |
As each of them leaves, the others revert back to the previous genre. | 0:15:52 | 0:15:57 | |
I hope you understood that because I haven't got a clue! | 0:15:57 | 0:16:02 | |
So if you could start us off as Silence of the Lambs. | 0:16:02 | 0:16:07 | |
Humphrey, you come in as an Aussie soap. Greg, you're pantomime. | 0:16:07 | 0:16:12 | |
-And Marek, you are Robin Hood. -Of course, of course. -So if you're ready, off you go. | 0:16:12 | 0:16:18 | |
Well, Mr Hannibal, thank you. I must be your first ever dinner guest. | 0:16:18 | 0:16:23 | |
Oh, Clarice, I cooked a marvellous dinner for you. | 0:16:23 | 0:16:28 | |
Fava beans and chianti. P-p-p-p-p-p-p-p! | 0:16:28 | 0:16:32 | |
-This leg of lamb seems to still be bleeding. -That was no lamb. | 0:16:32 | 0:16:38 | |
-Guys! I came as soon as I heard Bouncer was dead. -Ripper. | 0:16:38 | 0:16:42 | |
-What are you eating?! -Just a little bit of Bouncer. -It was just an accident. Please don't get angry! | 0:16:42 | 0:16:49 | |
-You guys are such dags! -You're a dag! -No, you're a dag! | 0:16:49 | 0:16:54 | |
Calm down. Mr Irigawa's coming. That's a very early Neighbours reference! | 0:16:54 | 0:16:59 | |
Did he get the contract off Helen Daniels(?) | 0:16:59 | 0:17:04 | |
-I think it was Mrs Mangel. -I haven't watched this show for 15 years! -Don't cry. I love you. | 0:17:04 | 0:17:10 | |
How else will I express myself?! | 0:17:10 | 0:17:13 | |
Oooh! Hello, boys and girls! It's me - an ageing queen dressed as a woman! | 0:17:13 | 0:17:20 | |
-Oooh! -Behind me? I wish! | 0:17:20 | 0:17:23 | |
Ooooh! | 0:17:23 | 0:17:25 | |
-Oh! -It's...Robin Hood! -It's only me, Robin Hood! | 0:17:28 | 0:17:32 | |
Ho ho ho. Oh, Robin. Why don't you come here and hold me for a while? | 0:17:33 | 0:17:39 | |
Yes, hold Maid Marion. | 0:17:39 | 0:17:42 | |
Oooh! | 0:17:48 | 0:17:50 | |
Oooh, I say! | 0:17:50 | 0:17:52 | |
Sorry, boys and girls! I went and slipped on Robin Hood! | 0:17:52 | 0:17:57 | |
Oooh! I might stay here for a while, though. | 0:17:57 | 0:18:02 | |
This is so going to end up on the DVD extras. | 0:18:04 | 0:18:08 | |
It's behind you... your career. | 0:18:08 | 0:18:13 | |
Oooh! he was a cheeky one, wasn't he, boys and girls? | 0:18:14 | 0:18:19 | |
My pants have fallen down! Oh, no, they haven't! | 0:18:19 | 0:18:23 | |
No, they genuinely have! | 0:18:23 | 0:18:26 | |
I've had enough of this. I'm going to the Watering Hole to think about how difficult life is. | 0:18:28 | 0:18:35 | |
Ohhh! | 0:18:35 | 0:18:38 | |
-What's for dessert, Hannibal? -Well, Clarice, I've got a marvellous blood sausage... | 0:18:38 | 0:18:44 | |
LAUGHTER | 0:18:44 | 0:18:47 | |
Thank you very much! Well done! | 0:18:47 | 0:18:50 | |
Hey, guess what, everyone. It's party time! | 0:18:55 | 0:18:59 | |
This is the part of the show where I drop in some nang beats - what?! - and get everyone buzzing. | 0:18:59 | 0:19:07 | |
When the music stops, the performers say the most pretentious line they can think of. Cue the music. | 0:19:07 | 0:19:14 | |
PARTY MUSIC PLAYS | 0:19:14 | 0:19:16 | |
There's something really cathartically nihilistic about Bargain Hunt. | 0:19:21 | 0:19:26 | |
What most people fail to realise is that Guantanamo Bay is interesting site-specific installation theatre. | 0:19:30 | 0:19:38 | |
LAUGHTER | 0:19:44 | 0:19:46 | |
I like to make sure that all my equipment is HD ready. | 0:19:46 | 0:19:51 | |
And when I say HD ready, I mean ready for Hugh Dennis. Hmm-hmm-hmm! | 0:19:51 | 0:19:56 | |
When I'm inside you, I AM you. | 0:20:03 | 0:20:06 | |
For my son's Nativity, I wrap the baby in Parma ham. | 0:20:13 | 0:20:18 | |
Then, of course, we made our own pesto from the afterbirth. | 0:20:25 | 0:20:29 | |
GROANS AND LAUGHTER | 0:20:29 | 0:20:32 | |
OK, thank you very much indeed! | 0:20:33 | 0:20:36 | |
Our next game is Dragon's Lair, our version of the popular BBC2 business programme I can't reveal. | 0:20:40 | 0:20:47 | |
Humphrey and Pippa are the Dragons, Duncan Bannatyne and Deborah Meaden, so if you'd come down. | 0:20:47 | 0:20:53 | |
I'm going to play the presenter, the one who looks like Dobby the house-elf. | 0:20:53 | 0:20:59 | |
So can we please have a husband and wife team, Laura and Greg? | 0:20:59 | 0:21:04 | |
If you'd like to come over here to collect your invention, which is...this. | 0:21:04 | 0:21:12 | |
So... | 0:21:12 | 0:21:13 | |
Good luck with that. And off you go. | 0:21:13 | 0:21:18 | |
All right, come in. Come in. | 0:21:18 | 0:21:20 | |
Come on. Right, you - talk. | 0:21:20 | 0:21:24 | |
-Hello, Dwagons. -Oh! You - talk. | 0:21:24 | 0:21:27 | |
Hello, Dwagons! | 0:21:27 | 0:21:29 | |
-All right, you talk. -Hello, Dwagons. | 0:21:29 | 0:21:33 | |
Can I get a word in, please? I'm a strong woman in business. | 0:21:33 | 0:21:38 | |
So just tell us, tell us what it is. | 0:21:39 | 0:21:43 | |
Why do you wear such bad clothes? | 0:21:43 | 0:21:45 | |
-Is that your real face? -Hello, Dwagons. | 0:21:45 | 0:21:49 | |
-Right, Big Man, do the talking. -Karen and I have been married for many, many unhappy years. | 0:21:50 | 0:21:56 | |
Both of us have been so lonely. As a result, I have personally sought solace | 0:21:56 | 0:22:02 | |
in the arms of countless women. I've had affair upon affair | 0:22:02 | 0:22:07 | |
-upon affair upon unprotected affair. -LAUGHTER | 0:22:07 | 0:22:11 | |
Now whilst my wife is aware of my nocturnal activities, | 0:22:11 | 0:22:16 | |
still we are presented sometimes with rather embarrassing situations. | 0:22:16 | 0:22:22 | |
-Such as... -I might be taking my wife out for a fish supper in Birmingham. | 0:22:22 | 0:22:29 | |
-We don't live in Birmingham. -No, but I may... I'm creating a scenario. | 0:22:29 | 0:22:35 | |
What the fuck is your product? | 0:22:35 | 0:22:38 | |
-LAUGHTER -As we were walking through Birmingham town centre, | 0:22:38 | 0:22:42 | |
I spot a woman that I have had vigorous sex with. | 0:22:42 | 0:22:46 | |
I don't care what my wife thinks. Her feelings are meaningless to me. | 0:22:46 | 0:22:51 | |
But my quarry has no idea that I am a married man. Thus I employ this - the wife disguise. | 0:22:51 | 0:22:57 | |
LAUGHTER | 0:22:57 | 0:23:00 | |
I don't want my wife to be spotted, so I'll pop this over her... | 0:23:00 | 0:23:05 | |
When we first got married, I was considerably shorter. | 0:23:07 | 0:23:12 | |
How many of these do you think you could produce a year? | 0:23:12 | 0:23:17 | |
Four. | 0:23:17 | 0:23:19 | |
So, Deborah, are you in or out? | 0:23:19 | 0:23:22 | |
I find it offensive against women and against me, although you didn't hide her face from me, did you? | 0:23:22 | 0:23:28 | |
You just came out here flaunting it. | 0:23:28 | 0:23:32 | |
48 hours! 48! | 0:23:32 | 0:23:35 | |
I had no idea you lived in Birmingham! | 0:23:35 | 0:23:39 | |
-So in or out? -OUT! -Humphrey? -I'm gonnae have to say... | 0:23:39 | 0:23:43 | |
-out. -Why?! | 0:23:43 | 0:23:46 | |
Because it's shit. | 0:23:46 | 0:23:49 | |
Laura and Greg, are you happy? | 0:23:49 | 0:23:52 | |
-Couldn't care less! -Thank you very much! | 0:23:55 | 0:23:59 | |
Right. Now we move on to a game called Sideways Scene. This is for Pippa, Justin and Marek | 0:24:05 | 0:24:12 | |
and takes place in the special area behind the set. If you three would go round there... | 0:24:12 | 0:24:18 | |
and get ready. | 0:24:18 | 0:24:20 | |
You're going to perform a scene in different genres suggested by me, | 0:24:20 | 0:24:25 | |
but you'll be doing it lying down on our magic mat. | 0:24:25 | 0:24:29 | |
We'll relay the pictures to the audience on the screen. | 0:24:29 | 0:24:33 | |
Now the scenario is that Justin and Pippa are home on a windy night | 0:24:33 | 0:24:39 | |
having a romantic meal when the fuses go out. | 0:24:39 | 0:24:43 | |
And Marek arrives to fix the fuse. | 0:24:44 | 0:24:48 | |
LAUGHTER | 0:24:48 | 0:24:49 | |
So if you are ready, off you go. | 0:24:49 | 0:24:53 | |
-Isn't this exciting? -It's lovely. Why don't you sit down and I'll bring you the canapes? -OK. | 0:24:53 | 0:24:59 | |
LAUGHTER | 0:25:00 | 0:25:02 | |
-There you go, darling. -Oh, and do we have any mustard? | 0:25:11 | 0:25:15 | |
I think it's in the pantry. Let me just... | 0:25:15 | 0:25:19 | |
Just try to climb over the chair. That would be easiest, I suspect. | 0:25:19 | 0:25:24 | |
APPLAUSE | 0:25:25 | 0:25:27 | |
Whoo! | 0:25:27 | 0:25:29 | |
Goodness. | 0:25:29 | 0:25:31 | |
-We really must get that extension. -Yes. Or put a cupboard over there. | 0:25:32 | 0:25:37 | |
Oh, hang on. There's somebody at the door. | 0:25:37 | 0:25:41 | |
Oh, it's windy! | 0:25:41 | 0:25:43 | |
It's windy out here! | 0:25:47 | 0:25:50 | |
Whoa! | 0:25:50 | 0:25:51 | |
Oh, it's pretty windy out here! | 0:25:51 | 0:25:54 | |
Watch out. That door's probably going to be caught in the wind! | 0:25:56 | 0:26:00 | |
Quick! Close it! | 0:26:02 | 0:26:04 | |
Come on in. | 0:26:07 | 0:26:10 | |
-Justin, darling? -Yes? -Is he here about the fuses? | 0:26:11 | 0:26:16 | |
-Yes. I... -Whoa! | 0:26:16 | 0:26:18 | |
Ohh! | 0:26:22 | 0:26:23 | |
Let me come and tell you about the fuses. | 0:26:23 | 0:26:27 | |
OK, and freeze, please! | 0:26:27 | 0:26:30 | |
Now I'd like you to do it in the style of ET. | 0:26:31 | 0:26:35 | |
SHE HUMS UPLIFTING ET MUSIC | 0:26:35 | 0:26:37 | |
Please, get on your bicycle and we will fly. | 0:26:39 | 0:26:43 | |
LAUGHTER | 0:26:44 | 0:26:46 | |
APPLAUSE | 0:26:48 | 0:26:50 | |
OK. | 0:26:55 | 0:26:56 | |
And freeze again, please. | 0:26:56 | 0:26:59 | |
And now could you do it in the style of Superman? | 0:26:59 | 0:27:03 | |
Superman! You brought me on my special chair. I couldn't live with out it! | 0:27:04 | 0:27:10 | |
But now throw it away for you can fly! | 0:27:10 | 0:27:14 | |
What about me, Superman...?! | 0:27:14 | 0:27:16 | |
Get away from him! Get away from him! He's crazy! | 0:27:16 | 0:27:20 | |
Aaaaah! | 0:27:20 | 0:27:22 | |
Aaaaah! | 0:27:23 | 0:27:25 | |
Aaaah! | 0:27:25 | 0:27:27 | |
APPLAUSE AND CHEERING | 0:27:29 | 0:27:32 | |
And now... | 0:27:33 | 0:27:35 | |
-That's the freeze, by the way. -Oh, sorry! | 0:27:35 | 0:27:40 | |
Freeze. And now in the style of Jaws. | 0:27:40 | 0:27:45 | |
-Come on. Let's swim to the surface. -Get up! | 0:27:45 | 0:27:48 | |
Oh. Oh, I see who I am now. | 0:27:48 | 0:27:51 | |
LAUGHTER | 0:27:51 | 0:27:53 | |
-Quickly. Just tread water here. We'll be fine. -He's moving! | 0:27:53 | 0:27:58 | |
HUMS "Jaws" THEME | 0:27:58 | 0:28:00 | |
Aaaaaaieee! | 0:28:03 | 0:28:04 | |
OK. | 0:28:05 | 0:28:06 | |
Thank you very much. Come on back round. | 0:28:06 | 0:28:10 | |
CHEERING | 0:28:14 | 0:28:16 | |
That's all we have time for tonight. Our thanks to Justin Edwards, | 0:28:20 | 0:28:25 | |
Laura Solon, | 0:28:26 | 0:28:28 | |
Greg Davies, Marek Larwood, | 0:28:28 | 0:28:32 | |
Pippa Evans and Humphrey Ker. | 0:28:32 | 0:28:35 | |
And good night from me, Hugh Dennis. See you the next time we play Fast and Loose. | 0:28:35 | 0:28:41 | |
Subtitles by Subtext for Red Bee Media Ltd - 2011 | 0:28:49 | 0:28:53 | |
Email [email protected] | 0:28:54 | 0:28:57 |