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This programme contains some strong language | 0:00:02 | 0:00:05 | |
Oh, God, it's drunk o'clock. | 0:00:14 | 0:00:16 | |
Battle stations, foot soldiers. | 0:00:16 | 0:00:19 | |
Amara, I suggest you say a prayer to the Elephant man. | 0:00:19 | 0:00:23 | |
And I'm not talking about the one with a Nik Nak for a head. | 0:00:23 | 0:00:26 | |
I'm talking about the one with lots of arms you pray to. | 0:00:26 | 0:00:28 | |
I'm not a Hindu. | 0:00:28 | 0:00:30 | |
What is a Hindu? | 0:00:30 | 0:00:32 | |
Now, remember people, no matter how drunk they are, | 0:00:32 | 0:00:35 | |
they are still customers. | 0:00:35 | 0:00:36 | |
So even if they throw up on you, piss on your feet, | 0:00:36 | 0:00:39 | |
or call you a mannish-looking lesbian - | 0:00:39 | 0:00:41 | |
just because I was having a bad hair day - remember to smile. | 0:00:41 | 0:00:44 | |
So, what's drunk o'clock? | 0:00:44 | 0:00:46 | |
Pub closing time. Have you seen The Walking Dead? | 0:00:46 | 0:00:48 | |
Well, it's like that, but with hungry drunk people. | 0:00:48 | 0:00:51 | |
It can't be that bad. | 0:00:51 | 0:00:53 | |
It has begun. | 0:00:55 | 0:00:56 | |
Excuse me, sir, could I use your toilet, please? | 0:01:00 | 0:01:04 | |
Customer use only, you stupid old whatsit, now piss off. | 0:01:04 | 0:01:08 | |
OK, it has not begun, but it will. | 0:01:11 | 0:01:14 | |
MUFFLED SHOUTS | 0:01:14 | 0:01:15 | |
Christ on a bicycle. Here we go. | 0:01:15 | 0:01:18 | |
Man your stations. | 0:01:19 | 0:01:21 | |
Hold strong, everyone! | 0:01:21 | 0:01:23 | |
Start the blinking fryers! | 0:01:23 | 0:01:25 | |
HUBBUB OF SHOUTING | 0:01:25 | 0:01:28 | |
Mary, thanks for coming down to Head Office. I know you've got | 0:01:46 | 0:01:49 | |
a busy day so we won't keep you. | 0:01:49 | 0:01:51 | |
You're here because we've received several anonymous complaints | 0:01:51 | 0:01:54 | |
from one of your employees about your managerial skills. | 0:01:54 | 0:01:57 | |
Who sent them? | 0:01:57 | 0:01:59 | |
They're anonymous. We don't know who sent them. | 0:01:59 | 0:02:02 | |
That's what anonymous means. | 0:02:02 | 0:02:03 | |
So that's what anonymous means. | 0:02:03 | 0:02:05 | |
Your staff don't like you, Mary. | 0:02:05 | 0:02:07 | |
What are you going to do about it? | 0:02:07 | 0:02:09 | |
Well, Clive, what if I was to tell you that it was | 0:02:09 | 0:02:12 | |
I that has been, uh, sending those complaints "anonymously". | 0:02:12 | 0:02:16 | |
That doesn't make any sense. Why would you do that? | 0:02:16 | 0:02:18 | |
Yeah, I see your point. | 0:02:18 | 0:02:20 | |
What have they said about me? | 0:02:21 | 0:02:23 | |
Well, they're quite inflammatory accusations, Mary. | 0:02:23 | 0:02:25 | |
Staff harassment, turning up drunk to work, | 0:02:25 | 0:02:28 | |
exposing yourself to male customers with "nice smiles". | 0:02:28 | 0:02:32 | |
That's ridiculous. | 0:02:32 | 0:02:34 | |
Well, it gets worse - | 0:02:34 | 0:02:35 | |
one complaint says you've been known to be lax about your frygiene. | 0:02:35 | 0:02:40 | |
No! Never! | 0:02:40 | 0:02:42 | |
Pull yourself together, woman. | 0:02:42 | 0:02:44 | |
Wow. Sorry for losing my temper just then. That was not professional. | 0:02:44 | 0:02:48 | |
Didn't mean to get so riled up. | 0:02:48 | 0:02:50 | |
Oh. OK. | 0:02:52 | 0:02:54 | |
Well, how about this, | 0:02:54 | 0:02:55 | |
Mr Bagshawe - I go undercover to expose these lies about me. | 0:02:55 | 0:03:00 | |
I have a cousin who works in the theatre, | 0:03:00 | 0:03:02 | |
and she recently staged a musical version of Interstellar in Cheltenham. | 0:03:02 | 0:03:07 | |
She even managed to make local businessman Sanjeev Nabil | 0:03:07 | 0:03:10 | |
look a little bit like Matthew McConaughey. | 0:03:10 | 0:03:12 | |
With her help I can return to the restaurant and find the rat! | 0:03:13 | 0:03:16 | |
So, sorry, you're going to dress up? | 0:03:16 | 0:03:19 | |
Trust me, Clive, you'll see. | 0:03:19 | 0:03:21 | |
I will return, with evidence, that this is all lies! | 0:03:21 | 0:03:24 | |
You know when people talk about the birds and the bees, yeah? | 0:03:28 | 0:03:31 | |
That's messed up, innit? | 0:03:31 | 0:03:32 | |
cos birds and bees get busy on each other, that bird's going to | 0:03:32 | 0:03:35 | |
get stung, and his nuts are going to swell up like a radish, yeah? | 0:03:35 | 0:03:38 | |
It doesn't mean birds and bees having sex. | 0:03:38 | 0:03:40 | |
It's like, bees deposit pollen into flowers, | 0:03:40 | 0:03:43 | |
which explains male fertilisation, and... HE MIMICS SNORING | 0:03:43 | 0:03:46 | |
I'm just trying to explain. | 0:03:46 | 0:03:49 | |
You sound like Stephen Hawklings, isn't it? | 0:03:49 | 0:03:51 | |
Hey, let's talk about Amara, and how you're so gay for her | 0:03:51 | 0:03:53 | |
you might as well just be jerking off two guys at the same time. | 0:03:53 | 0:03:56 | |
-You're letting her ride you like a big horse, bruv. -No, I'm not. | 0:03:56 | 0:03:58 | |
Yeah! Shontal was telling me how she was screwing up all over the place last night. | 0:03:58 | 0:04:02 | |
You can't keep covering for her like that, bro. | 0:04:02 | 0:04:04 | |
She wants employee of the month, I'm just trying to help her. What about you? | 0:04:04 | 0:04:07 | |
What about me? I'm amazing! That's what's about me. | 0:04:07 | 0:04:10 | |
I'm prime rib! | 0:04:10 | 0:04:11 | |
I mean, you never talk about your private life. | 0:04:11 | 0:04:13 | |
You just invade mine and laugh at it. | 0:04:13 | 0:04:15 | |
Is your love life so amazing? | 0:04:15 | 0:04:16 | |
Bruv, I'm looking for Mrs Right, not Mrs Right Now. | 0:04:17 | 0:04:22 | |
Love is an open road, Joe. | 0:04:22 | 0:04:25 | |
One that you drive down that stretches out right before you, | 0:04:25 | 0:04:28 | |
and you gotta keep your eye open on that vast horizon, cos then, | 0:04:28 | 0:04:33 | |
and only then, do you realise there's someone sitting | 0:04:33 | 0:04:36 | |
right beside you in that passenger seat. | 0:04:36 | 0:04:38 | |
Wow. That was surprisingly... | 0:04:40 | 0:04:42 | |
Someone with tig old bitties and a slammin' v-hole, you feel me? | 0:04:42 | 0:04:47 | |
Eh, boys, team meeting downstairs. Oh, are you playing charades? | 0:04:47 | 0:04:50 | |
Oh gr... Go on, go on, do it again! | 0:04:50 | 0:04:53 | |
I'll see you downstairs. | 0:05:01 | 0:05:03 | |
You may all be wondering | 0:05:05 | 0:05:07 | |
why I'm dressed like this. | 0:05:07 | 0:05:08 | |
You might be sat there, uh, | 0:05:08 | 0:05:10 | |
asking yourselves "Why is she dressed like this?" | 0:05:10 | 0:05:13 | |
Erm, you might be thinking, "Is that the dress she bought to make | 0:05:13 | 0:05:16 | |
"herself feel better after Gareth ditched her?" Yeah! | 0:05:16 | 0:05:19 | |
"Did it work?" Yeah, 100%, still got it, still got it. | 0:05:19 | 0:05:22 | |
The reason I'm wearing it is because it's my niece's christening | 0:05:24 | 0:05:27 | |
so I'll be gone for the next 48 hours. | 0:05:27 | 0:05:30 | |
What does this mean, Commander? Who will be in charge? | 0:05:30 | 0:05:32 | |
Oh, yeah, you will be acting manager, Derek. | 0:05:32 | 0:05:35 | |
I...you... I... | 0:05:36 | 0:05:40 | |
You all heard. You all saw. I'm in charge now. | 0:05:42 | 0:05:47 | |
And my first act in my new role as acting manager | 0:05:47 | 0:05:51 | |
of Seriously Fried Chicken is to fire you, Mary Fawn. | 0:05:51 | 0:05:55 | |
You have run this place into the ground with your insane | 0:05:55 | 0:05:58 | |
management techniques. | 0:05:58 | 0:05:59 | |
Well, I am going to miss our "bant". | 0:05:59 | 0:06:01 | |
I mean, obviously it'd be impossible for you to fire me. | 0:06:01 | 0:06:05 | |
Oh, Derek, you crack me up. | 0:06:05 | 0:06:07 | |
No, but, er, a christening is a special occasion. | 0:06:08 | 0:06:11 | |
It's the beginning of a spiritual journey with God | 0:06:11 | 0:06:14 | |
so it's not to be taken lightly. | 0:06:14 | 0:06:16 | |
What did you get her? | 0:06:16 | 0:06:17 | |
Zumba lessons. She will need them with those genes, unfortunately. | 0:06:17 | 0:06:21 | |
The whole family... | 0:06:21 | 0:06:22 | |
Erm, now just before I leave, just a quick "beaks up". | 0:06:25 | 0:06:28 | |
Erm, we've actually got a new employee coming today, | 0:06:28 | 0:06:32 | |
and, er, he's called Carlos. | 0:06:32 | 0:06:34 | |
He's from the Tottenham branch, and, erm, | 0:06:34 | 0:06:36 | |
well, I think you're going to have a lot of fun with him. | 0:06:36 | 0:06:39 | |
Quite a bit o' fun. | 0:06:41 | 0:06:43 | |
Are you ever going to pay for food? | 0:06:48 | 0:06:50 | |
No. We're best mates, why would I do that? | 0:06:50 | 0:06:52 | |
Best mates? I don't even know your second name. | 0:06:52 | 0:06:55 | |
That's jokes, man! Like, I don't even know your second name, Joe... | 0:06:57 | 0:07:04 | |
-20 Mega Nuggets. -Oh, thanks, brilliant. | 0:07:14 | 0:07:16 | |
Hey, do we... | 0:07:16 | 0:07:18 | |
What are you doing? | 0:07:19 | 0:07:20 | |
What am I doing? What are you doing? Is the question... | 0:07:21 | 0:07:25 | |
What do you mean? | 0:07:25 | 0:07:26 | |
What do you mean? | 0:07:27 | 0:07:28 | |
Why are you swapping those two boxes around? | 0:07:28 | 0:07:30 | |
Are you saying I can't cook? | 0:07:30 | 0:07:32 | |
No. | 0:07:32 | 0:07:33 | |
God, no, Amara, I'm saying sometimes, your nuggets come out burned... | 0:07:33 | 0:07:39 | |
and raw in the middle... | 0:07:39 | 0:07:40 | |
which is actually quite impressive but, you know, fundamentally, | 0:07:40 | 0:07:45 | |
dangerous...health-wise. | 0:07:45 | 0:07:47 | |
No, they don't. | 0:07:47 | 0:07:48 | |
Balls. | 0:07:54 | 0:07:55 | |
Don't worry, I've got your back. | 0:07:55 | 0:07:57 | |
I appreciate it, but I don't need you covering for me, Joe. | 0:07:57 | 0:08:00 | |
I don't mind. I'm just trying to help. | 0:08:00 | 0:08:02 | |
We fry stuff and sell it. | 0:08:02 | 0:08:04 | |
I'm pretty sure I can manage this job on my own without too much help. | 0:08:04 | 0:08:07 | |
BEEPING | 0:08:07 | 0:08:08 | |
I can do this on my own. | 0:08:12 | 0:08:13 | |
BEEPING CONTINUES | 0:08:16 | 0:08:17 | |
Why don't you just let Joe do everything for you, dear? | 0:08:18 | 0:08:21 | |
He's been carrying your stick-insect arse from the day you started. | 0:08:21 | 0:08:25 | |
That is completely untrue. | 0:08:25 | 0:08:26 | |
Well, tell me how we make fries. | 0:08:26 | 0:08:28 | |
Easy, I hand Joe the tray and then... | 0:08:28 | 0:08:31 | |
I'll figure it out. | 0:08:32 | 0:08:33 | |
-BAD SPANISH ACCENT: -Ah, hola! Erm, I am Carlos, your new employee. | 0:08:41 | 0:08:45 | |
Wha...what? | 0:08:45 | 0:08:47 | |
Er, my name it is Carlos. Of Barcelona. | 0:08:47 | 0:08:50 | |
That's in the northeast of Spain where they speak Catalan. | 0:08:50 | 0:08:54 | |
You can check on Wikipedia if you like. Our national dish is... | 0:08:54 | 0:08:58 | |
er, is paella. It's rice dish. | 0:08:58 | 0:09:01 | |
You'll want to speak to Derek, he's our acting manager. | 0:09:02 | 0:09:05 | |
Muchas gracias. Mucho bueno! | 0:09:05 | 0:09:07 | |
Joe, is it weird that Mary is dressed up like a Spanish man? | 0:09:10 | 0:09:14 | |
Yeah, yeah, it's definitely weird. | 0:09:14 | 0:09:17 | |
Seriously Fried Chicken! Seriously Fried Chicken! | 0:09:18 | 0:09:21 | |
All right? | 0:09:21 | 0:09:23 | |
Yeah. You all right? | 0:09:25 | 0:09:27 | |
Nah, I'm dressed like a fucking crocodile. | 0:09:27 | 0:09:30 | |
I thought you was a gecko. | 0:09:30 | 0:09:32 | |
What the fuck's a gecko? | 0:09:32 | 0:09:33 | |
I dunno! | 0:09:33 | 0:09:34 | |
Hey, if you don't mind me saying - | 0:09:34 | 0:09:36 | |
you sound like you got a nice pair of titties, innit? | 0:09:36 | 0:09:38 | |
You sound like you got a nice big dick, innit? | 0:09:38 | 0:09:41 | |
Yeah, sure. Definitely. | 0:09:41 | 0:09:43 | |
Hey! | 0:09:43 | 0:09:45 | |
If we had sex, would we have like, half-chicken half-crocodile babies? | 0:09:45 | 0:09:49 | |
Yeah, all feathery with big teeth and shit. | 0:09:49 | 0:09:52 | |
Like my mum! | 0:09:52 | 0:09:54 | |
Right! Cos your mum's ugly, innit! | 0:09:54 | 0:09:56 | |
Yeah! ..Yeah. | 0:09:56 | 0:09:59 | |
I think that's why my dad left. | 0:09:59 | 0:10:00 | |
My name's Sam. | 0:10:00 | 0:10:02 | |
I'm Ed. You got dem tig ol' biddies! | 0:10:02 | 0:10:05 | |
You got that dig ol' bick. | 0:10:05 | 0:10:06 | |
KNOCK ON DOOR | 0:10:21 | 0:10:22 | |
Yes, yes, come into the manager's office. Manager here. | 0:10:22 | 0:10:26 | |
Hola, greetings, erm, my name is Carlos. I am from Spain. | 0:10:26 | 0:10:31 | |
Mucho bueno! | 0:10:31 | 0:10:32 | |
Ah, yes, Mary said there'd be a Spanish fella coming along today. | 0:10:32 | 0:10:35 | |
Pleasure, pleasure to meet you, I'm Derek Wom, Acting Manager. | 0:10:35 | 0:10:40 | |
Now, where did Mary dig you up? | 0:10:40 | 0:10:42 | |
I am from Spain. Mucho bueno. | 0:10:42 | 0:10:44 | |
You said that, Carlos. | 0:10:44 | 0:10:46 | |
Well, you know Mary, she interviewed me for position | 0:10:46 | 0:10:49 | |
and I found her to be very interesting but, erm, tell me, | 0:10:49 | 0:10:53 | |
what do you think about this, erm, Mary? | 0:10:53 | 0:10:55 | |
You look familiar. You remind me of someone... | 0:10:55 | 0:11:00 | |
Javier Bardem! That's it. Oh, or that...Diego whatsisface. | 0:11:00 | 0:11:04 | |
From the Post Office. The one who walks round funny. | 0:11:04 | 0:11:06 | |
He has multiple sclerosis. | 0:11:06 | 0:11:08 | |
I don't care how many sclerosises he's got. He's a wally! | 0:11:08 | 0:11:12 | |
How do you know Diego from the Post Office anyway? | 0:11:12 | 0:11:15 | |
Well...uh...he is... from Spain like me. So... | 0:11:15 | 0:11:19 | |
we exchange nacho recipes and, er, | 0:11:19 | 0:11:22 | |
we talk together in Spanish about, er... | 0:11:22 | 0:11:25 | |
bullfight. | 0:11:25 | 0:11:26 | |
Sounds fair enough. | 0:11:26 | 0:11:27 | |
Shontal, my love, show Carlos here round the kitchen. | 0:11:30 | 0:11:33 | |
So...tell me about, er, working here. Tell me about this Mary... | 0:11:36 | 0:11:42 | |
is she nice to work with, or hard work to work with, or... | 0:11:42 | 0:11:48 | |
someone you send complaints to Head Office about anonymously? | 0:11:48 | 0:11:51 | |
What ya doing, woman? | 0:11:51 | 0:11:53 | |
Woman! | 0:11:53 | 0:11:55 | |
I have a pair of albondigas in these pantalon far hairier than | 0:11:55 | 0:11:57 | |
the hills of Spain. | 0:11:57 | 0:11:59 | |
I know it's you, Mary. | 0:11:59 | 0:12:00 | |
Ah. What gave me away? | 0:12:02 | 0:12:04 | |
Your face. | 0:12:04 | 0:12:06 | |
-I see. -You can stop doing the accent. | 0:12:06 | 0:12:08 | |
-NORMAL VOICE: -Someone's been sending complaints to Head Office about me | 0:12:08 | 0:12:11 | |
and I might get fired. | 0:12:11 | 0:12:13 | |
Now, I need to prove that they're not true, so I'm going undercover. | 0:12:13 | 0:12:17 | |
Tell me - was it you? | 0:12:17 | 0:12:19 | |
Hell, no. You're the best boss I've ever had. | 0:12:19 | 0:12:22 | |
Thank you! | 0:12:22 | 0:12:23 | |
I can come in late and leave when I want to and you never dare stop me. | 0:12:23 | 0:12:27 | |
Thank you? | 0:12:27 | 0:12:29 | |
If anyone is complaining about you, | 0:12:29 | 0:12:31 | |
it'll be the one person that doesn't want you here - Derek. | 0:12:31 | 0:12:34 | |
Derek? | 0:12:35 | 0:12:37 | |
But he's my right-hand man, the cheese in my sandwich, | 0:12:37 | 0:12:41 | |
the shoehorn in my shoe, when my foot's not in it, obviously... | 0:12:41 | 0:12:43 | |
Just one minute. | 0:12:45 | 0:12:46 | |
Hey! Amara, we have customers backed up? | 0:12:47 | 0:12:49 | |
-Relax, I've got this. -You're on fire. | 0:12:49 | 0:12:52 | |
-Thanks, Joe. -No, your station - it's on fire. | 0:12:52 | 0:12:54 | |
BEEPING | 0:12:54 | 0:12:55 | |
-Shit! -Flames in my restaurant! | 0:12:55 | 0:12:57 | |
BEEPING STOPS | 0:13:13 | 0:13:14 | |
Who did this thing? This is mucho dangerous-o! | 0:13:14 | 0:13:18 | |
In some cruel parts of Spain, they would have had your head for this! | 0:13:18 | 0:13:22 | |
Well, I like your spunk, Carlos, but these are my employees | 0:13:22 | 0:13:25 | |
and I handle them. | 0:13:25 | 0:13:27 | |
It was my fault. | 0:13:27 | 0:13:29 | |
Joseph. I knew it all along. | 0:13:29 | 0:13:31 | |
It wasn't his fault. | 0:13:31 | 0:13:33 | |
Shontal. I knew it all along. | 0:13:33 | 0:13:37 | |
It was Amara. | 0:13:37 | 0:13:39 | |
Amara. I knew it all along. | 0:13:40 | 0:13:44 | |
Right, you're on toilet duty for the next month. | 0:13:44 | 0:13:47 | |
Number ones, twos and threes! | 0:13:47 | 0:13:48 | |
What are number threes? | 0:13:48 | 0:13:50 | |
Oh, you know what I mean! We all get them... Don't we? | 0:13:50 | 0:13:54 | |
I'm not cleaning toilets all day, the stuff that comes | 0:13:54 | 0:13:57 | |
out of our customers after eating here is unholy... | 0:13:57 | 0:14:00 | |
Oh. Fair enough. Then you're fired. | 0:14:00 | 0:14:03 | |
But, Derek... | 0:14:03 | 0:14:04 | |
Nope. Sorry. You're on your bhuna, mate. | 0:14:04 | 0:14:07 | |
Sorry, I tried. | 0:14:12 | 0:14:14 | |
It's not your fault. | 0:14:14 | 0:14:15 | |
I can't even keep a job I hate and don't want. | 0:14:15 | 0:14:18 | |
But if you're fired, what will your dad do? | 0:14:18 | 0:14:20 | |
I'll have to work for him. In his abattoir. | 0:14:20 | 0:14:23 | |
And it is so rank. | 0:14:23 | 0:14:24 | |
I can't believe I'm going to have to work somewhere | 0:14:24 | 0:14:27 | |
surrounded by dead animals. | 0:14:27 | 0:14:28 | |
Yeah. Wouldn't want to do that. | 0:14:28 | 0:14:31 | |
What the fuck is Ed doing? | 0:14:35 | 0:14:37 | |
I have no idea. | 0:14:39 | 0:14:40 | |
This place is weird. | 0:14:42 | 0:14:44 | |
-RECORDING PLAYS: -'Check check. Chickety chicken check.' | 0:14:50 | 0:14:52 | |
God, I really do sound like Javier Bardem. | 0:14:52 | 0:14:55 | |
I want to touch you, Mary... | 0:14:58 | 0:15:01 | |
How's the stock check, Carlito? | 0:15:01 | 0:15:03 | |
Ruddy Nora. | 0:15:03 | 0:15:04 | |
I haven't seen anyone stock check like this | 0:15:04 | 0:15:07 | |
since a young fellow with buck teeth and an undescended testicle | 0:15:07 | 0:15:12 | |
waltzed in here and said, "Can I have a job, please?" | 0:15:12 | 0:15:15 | |
That young fellow was me. | 0:15:15 | 0:15:17 | |
Mucho gracias. | 0:15:18 | 0:15:19 | |
Erm, now, I was wondering, tell me about your boss - | 0:15:19 | 0:15:24 | |
"Mary" - you know, I have heard some terrible things. | 0:15:24 | 0:15:27 | |
Oh? What have you heard? | 0:15:27 | 0:15:28 | |
Oh, you know, just, er, through the grapefruit vine that | 0:15:28 | 0:15:31 | |
complaints are being sent about her to the "fat cats" upstairs. | 0:15:31 | 0:15:35 | |
You know, in Spain we have a saying - | 0:15:35 | 0:15:37 | |
"tell me everything you know about this". | 0:15:37 | 0:15:40 | |
I wouldn't know anything about that. | 0:15:40 | 0:15:42 | |
You winked. | 0:15:44 | 0:15:45 | |
No, I didn't. | 0:15:45 | 0:15:46 | |
Acknowledge out loud that you're winking at me. | 0:15:48 | 0:15:50 | |
In my culture it's rude not to acknowledge out loud | 0:15:50 | 0:15:53 | |
when you are winking at someone. | 0:15:53 | 0:15:55 | |
I mean, I ask you this as a fellow colleague, a friend... | 0:15:55 | 0:15:58 | |
Friends, is it? Well, let's do this proper, then. | 0:15:58 | 0:16:03 | |
The Frog And Mouse, tonight. | 0:16:04 | 0:16:06 | |
You, me, a couple of shandy tops, a bowl of scampi fries | 0:16:06 | 0:16:08 | |
and a big plate of dirt. | 0:16:08 | 0:16:10 | |
Now, come here, friend! | 0:16:11 | 0:16:13 | |
What are you doing? | 0:16:19 | 0:16:20 | |
In Spain, er, this is how we, er, we hug. | 0:16:20 | 0:16:23 | |
We embrace, and then we squat down together, mucho bueno. | 0:16:23 | 0:16:26 | |
All right, then. | 0:16:26 | 0:16:27 | |
Oh, it's quite nice, actually. Makes a change. | 0:16:27 | 0:16:30 | |
We do it again... | 0:16:30 | 0:16:31 | |
Oh, you've got some pectorals on you there, Carlita... | 0:16:31 | 0:16:33 | |
And again! | 0:16:36 | 0:16:38 | |
And down we go again. | 0:16:38 | 0:16:40 | |
Well, this is working wonders for me hammies! | 0:16:40 | 0:16:43 | |
Oh! Well, no wonder your economy's in the toilet, | 0:16:44 | 0:16:48 | |
you spend all bleedin' day hugging! | 0:16:48 | 0:16:50 | |
Si. | 0:16:50 | 0:16:51 | |
Mate. I met the girl of my dreams. | 0:16:54 | 0:16:56 | |
We think exactly the same way. Like, we both like chips. | 0:16:56 | 0:16:59 | |
And we've both seen Iron Man. | 0:16:59 | 0:17:01 | |
That describes quite a lot of people... | 0:17:01 | 0:17:03 | |
Just cos you ain't never been in love. | 0:17:03 | 0:17:05 | |
You're in love? | 0:17:05 | 0:17:06 | |
It's like A Beautiful Mind. We connect. | 0:17:06 | 0:17:08 | |
And it's like...you know, I don't want to see her face in case it | 0:17:08 | 0:17:11 | |
ruins everything by her being ugly. | 0:17:11 | 0:17:13 | |
Like, right now, she's just this... | 0:17:13 | 0:17:14 | |
big crocodile and I'm just this little chicken and it's beautiful. | 0:17:14 | 0:17:18 | |
Right. You know, we don't have to share everything. | 0:17:18 | 0:17:20 | |
You wouldn't understand. You're too young. | 0:17:20 | 0:17:23 | |
You're too innocent. Too stupid. | 0:17:23 | 0:17:24 | |
Hey. Just came to say goodbye. | 0:17:24 | 0:17:26 | |
Laters. | 0:17:26 | 0:17:27 | |
You can't leave. Derek doesn't have the power to fire you. | 0:17:29 | 0:17:31 | |
We'll talk to Mary so you don't have to work in the abattoir. | 0:17:31 | 0:17:34 | |
It doesn't matter. The work isn't even the worst thing. | 0:17:34 | 0:17:37 | |
It's just embarrassing. | 0:17:37 | 0:17:39 | |
Not being able to keep a job here, in the weird, fat, | 0:17:39 | 0:17:41 | |
mutant cousin of KFC. | 0:17:41 | 0:17:44 | |
I'll see you around, Joe. | 0:17:44 | 0:17:46 | |
How come you got so much stuff? | 0:17:46 | 0:17:47 | |
Oh, it's not mine. I just found it lying around the place. | 0:17:47 | 0:17:50 | |
Figured I might as well get something out of this job. | 0:17:50 | 0:17:53 | |
Thought I'd sell it. | 0:17:53 | 0:17:54 | |
I think those are my headphones... | 0:17:56 | 0:17:57 | |
Er, so now that it is just | 0:18:00 | 0:18:02 | |
the two of us here, er, totally off the record, | 0:18:02 | 0:18:06 | |
how would you rate your manager, Mary? | 0:18:06 | 0:18:09 | |
And please, speak freely. | 0:18:09 | 0:18:10 | |
Mary? I'd give her a zero. | 0:18:10 | 0:18:12 | |
That woman's no more a leader than you are an Englishman. | 0:18:12 | 0:18:15 | |
She's incompetent, stupid - no wonder Gareth left her. | 0:18:15 | 0:18:18 | |
-ACCENT FALTERS: -Derek! | 0:18:18 | 0:18:19 | |
So, perhaps you have made complaints about this Mary? To management? | 0:18:21 | 0:18:26 | |
Many times, Carlos. | 0:18:26 | 0:18:28 | |
I shouldn't tell you this, but I've had a couple of shandys and I'm getting loose... | 0:18:30 | 0:18:34 | |
I've been conducting a vicious, | 0:18:34 | 0:18:36 | |
anonymous campaign against Mary since the day she joined. | 0:18:36 | 0:18:38 | |
What have you said? | 0:18:40 | 0:18:41 | |
I've accused her of dancing naked in the catsup, sticking straws | 0:18:41 | 0:18:45 | |
up her whatsit and putting them back in the dispensers. | 0:18:45 | 0:18:48 | |
Is this true? | 0:18:50 | 0:18:52 | |
Not a word. | 0:18:52 | 0:18:53 | |
Well, now. | 0:18:54 | 0:18:56 | |
It would seem the chicken has come home to his rooster, huh? | 0:18:56 | 0:18:59 | |
No, no. | 0:19:01 | 0:19:02 | |
I have what I want, but it hurts like a dagger in my back. | 0:19:03 | 0:19:07 | |
Mucho bueno. Farewell. | 0:19:07 | 0:19:09 | |
Aw. Let's have a hug - the Spanish way! | 0:19:09 | 0:19:14 | |
OK, OK, let's cut the bullshit. | 0:19:28 | 0:19:31 | |
I like you and you like me. | 0:19:31 | 0:19:33 | |
Our minds are connected like internet Wi-Fi - buffering. | 0:19:33 | 0:19:36 | |
Take off that hat and let's do this thing. | 0:19:36 | 0:19:39 | |
Cos no matter what you look like - I'm into you, babe. | 0:19:39 | 0:19:42 | |
I love your mind, now I want to kiss your face. | 0:19:42 | 0:19:44 | |
Bollocks! | 0:19:48 | 0:19:50 | |
Where's he going? | 0:19:52 | 0:19:54 | |
I don't know. | 0:19:54 | 0:19:56 | |
But I wish he'd come back. | 0:19:56 | 0:19:57 | |
Hi, Mary. | 0:20:03 | 0:20:04 | |
Oh, hola, Joe, mucho bueno. | 0:20:04 | 0:20:07 | |
It's fine, I know it's you. | 0:20:07 | 0:20:09 | |
Oh. | 0:20:10 | 0:20:12 | |
When did you realise? | 0:20:12 | 0:20:14 | |
Was it when I knew just a little too much about how to label | 0:20:14 | 0:20:18 | |
those chicken thighs, or when I expertly put the fire out? | 0:20:18 | 0:20:20 | |
What gave me away? | 0:20:20 | 0:20:22 | |
Your face. | 0:20:22 | 0:20:23 | |
You could make management you know one day, Joe. | 0:20:25 | 0:20:27 | |
You see things the others don't. | 0:20:27 | 0:20:29 | |
Everyone knows it's you. Except Derek. | 0:20:29 | 0:20:32 | |
Oh. | 0:20:33 | 0:20:34 | |
God, you probably think I've gone totally doolally. | 0:20:37 | 0:20:39 | |
I feel a bit doolally. | 0:20:39 | 0:20:41 | |
Wandering around with a moustache on my face | 0:20:42 | 0:20:45 | |
and a courgette stuffed down my trousers. | 0:20:45 | 0:20:47 | |
I mean, yeah, I didn't think it would come to this, Joe. | 0:20:48 | 0:20:51 | |
Spying on my own staff. | 0:20:51 | 0:20:53 | |
But, you know, when you're under pressure | 0:20:53 | 0:20:55 | |
that's when you see what you're really made of. | 0:20:55 | 0:20:57 | |
Yeah. Right, under pressure. | 0:20:57 | 0:21:00 | |
That'd do it. | 0:21:02 | 0:21:03 | |
-'Hey.' -Hi, Amara... | 0:21:07 | 0:21:09 | |
-Hola. -Es un noche preciosa, verdad? | 0:21:15 | 0:21:17 | |
Oh, my God, I'm sorry, I'm not Spanish! | 0:21:17 | 0:21:19 | |
Hey, I got here as quick as I could, what's happening? | 0:21:25 | 0:21:27 | |
Joe called saying there was an emergency and... | 0:21:27 | 0:21:29 | |
-Where is everyone? -That's the emergency. | 0:21:29 | 0:21:32 | |
It's nearly drunk o'clock and they've all called in sick. | 0:21:32 | 0:21:34 | |
But I don't work here any more. | 0:21:34 | 0:21:35 | |
Oh, and I've got to go, too, | 0:21:35 | 0:21:37 | |
-I have a sensitive, personal problem I have to deal with. -But... | 0:21:37 | 0:21:40 | |
-It's a bunion. -OK... | 0:21:40 | 0:21:42 | |
-In my arsehole. -Oh. | 0:21:42 | 0:21:44 | |
I thought it was a haemorrhoid. | 0:21:44 | 0:21:45 | |
-OK. -It wasn't. -Right. | 0:21:45 | 0:21:47 | |
-It was a bunion. -Got that. | 0:21:47 | 0:21:49 | |
-In my arsehole. -Still with you. | 0:21:49 | 0:21:50 | |
Don't burn anything. | 0:21:50 | 0:21:51 | |
You can't just leave me. | 0:21:51 | 0:21:53 | |
Oh, yeah, I forgot. Because you can't handle it! | 0:21:53 | 0:21:55 | |
It's fine. How bad can it be? | 0:22:03 | 0:22:05 | |
HUBBUB OF SHOUTING | 0:22:08 | 0:22:10 | |
Waiting for chicken, yeah, where's my chicken? | 0:22:10 | 0:22:12 | |
# Did those feet | 0:22:13 | 0:22:15 | |
# In ancient times... # | 0:22:15 | 0:22:16 | |
Wait, can everyone just... | 0:22:16 | 0:22:18 | |
Listen, shut up! | 0:22:33 | 0:22:35 | |
Form a queue, be polite, or piss off! | 0:22:35 | 0:22:38 | |
That goes for you too, bunhead! | 0:22:38 | 0:22:41 | |
Take it off. | 0:22:41 | 0:22:42 | |
Hello, sir, welcome to Seriously Fried Chicken, how may I help you? | 0:22:47 | 0:22:51 | |
Leaving these premises unattended at drunk o'clock is shameful. | 0:22:53 | 0:22:57 | |
I have worked here since it were a Wimpy | 0:22:57 | 0:22:59 | |
and I have never seen such unprofessionalism. | 0:22:59 | 0:23:01 | |
Only the quick thinking of Amara Patel... | 0:23:02 | 0:23:05 | |
That's not my surname. | 0:23:05 | 0:23:06 | |
..saved us. Drunk o'clock, all by herself. The woman deserves a medal. | 0:23:06 | 0:23:12 | |
We don't give them out, mind. The rest of you, you're fired. | 0:23:12 | 0:23:17 | |
Oh...ho-ho, who's laughing now? | 0:23:19 | 0:23:22 | |
HE CACKLES | 0:23:24 | 0:23:26 | |
Me. | 0:23:26 | 0:23:27 | |
This ends now, Derek. | 0:23:27 | 0:23:29 | |
Carlos, your glasses... | 0:23:32 | 0:23:34 | |
Carlos, your moustache... | 0:23:37 | 0:23:38 | |
Oh, OK, I just got it. Mary. It were you all along. | 0:23:38 | 0:23:43 | |
But...but why? | 0:23:43 | 0:23:44 | |
I have you on tape, Derek, admitting that those complaints were lies. | 0:23:44 | 0:23:49 | |
And this recording is going to Head Office. | 0:23:49 | 0:23:52 | |
And you will be dismissed. Which is fancy talk for fired. | 0:23:52 | 0:23:56 | |
But... | 0:23:56 | 0:23:58 | |
HE LAUGHS NERVOUSLY | 0:23:58 | 0:23:59 | |
Mary, that's, that's what we do, we have a laugh! It's banter! | 0:24:00 | 0:24:03 | |
Banter! | 0:24:03 | 0:24:04 | |
What do you mean? | 0:24:04 | 0:24:05 | |
Well, I knew it were you all along when you came in! | 0:24:05 | 0:24:08 | |
We all knew! | 0:24:08 | 0:24:10 | |
Oh, right... Oh, what, because of my face? | 0:24:10 | 0:24:14 | |
Is that what gave it away, my face? | 0:24:14 | 0:24:16 | |
When I knew it were you I had some fun. | 0:24:16 | 0:24:18 | |
I don't think you're a bad manager! I think you're brill! | 0:24:19 | 0:24:22 | |
OMG, I think you're fan-tastic! | 0:24:23 | 0:24:26 | |
What about the complaints? | 0:24:28 | 0:24:29 | |
More jokes! I'm a practical joker! I'm like...George Clooney. | 0:24:29 | 0:24:34 | |
I were always going to write to Head Office | 0:24:34 | 0:24:36 | |
and say it were a wind-up and we were just having a gas... | 0:24:36 | 0:24:39 | |
I'll explain all that. | 0:24:39 | 0:24:40 | |
Right... | 0:24:40 | 0:24:41 | |
Yeah. I...I knew it... I'm starting to get it now. | 0:24:42 | 0:24:47 | |
DEREK LAUGHS NERVOUSLY | 0:24:47 | 0:24:48 | |
It's hilarious! | 0:24:49 | 0:24:51 | |
-Of course I were joking... -Yes, you were joking, it's so funny! | 0:24:53 | 0:24:57 | |
I know! | 0:24:57 | 0:24:58 | |
THEY BOTH LAUGH | 0:24:58 | 0:25:00 | |
I knew you'd never betray me like that, Derek. | 0:25:00 | 0:25:04 | |
Ah, you got me! Oh, dear... | 0:25:05 | 0:25:09 | |
Ah. | 0:25:09 | 0:25:11 | |
All right, I'll see you later then, sillypants! | 0:25:11 | 0:25:14 | |
You haven't seen the last of me. | 0:25:16 | 0:25:18 | |
Sorry, what was that? | 0:25:18 | 0:25:20 | |
Just having more giggles, silly... you silly bitch! | 0:25:21 | 0:25:25 | |
I don't know if this is exciting or incredibly depressing. | 0:25:38 | 0:25:42 | |
Mary called me into her office and gave me this. | 0:25:42 | 0:25:45 | |
Oh, well done! Your dad'll be pleased. | 0:25:45 | 0:25:47 | |
It sound's stupid, cos I know it's only serving fried chicken to | 0:25:50 | 0:25:54 | |
drunk people, but I'm kind of proud I got through it. | 0:25:54 | 0:25:57 | |
On my own. | 0:25:57 | 0:25:58 | |
Bit of a coincidence that you call me in for an emergency, | 0:26:01 | 0:26:04 | |
and then the entire staff disappears. | 0:26:04 | 0:26:06 | |
Yeah. Weird. Very weird. | 0:26:06 | 0:26:10 | |
Yeah. | 0:26:10 | 0:26:11 | |
Almost like someone called everyone and told them not to come in. | 0:26:11 | 0:26:13 | |
Really weird. | 0:26:15 | 0:26:16 | |
Really, really weird. | 0:26:18 | 0:26:20 | |
Thank you. | 0:26:25 | 0:26:26 | |
-What happened with the crocodile? -You know when someone's, like, too into you? | 0:26:34 | 0:26:37 | |
I'm like a free bird, man. Can't tie this shit down. | 0:26:37 | 0:26:40 | |
Don't clip my wings. I like women! All kinds of women! | 0:26:40 | 0:26:43 | |
Big women, short women, big titties, slightly less bigger titties, | 0:26:43 | 0:26:47 | |
even bigger titties... | 0:26:47 | 0:26:49 | |
women, women, women. Ain't no dick for Ed, no, sir! | 0:26:49 | 0:26:52 | |
So does Amara want to have sex with you after you made her work | 0:26:52 | 0:26:55 | |
the night shift all by herself? | 0:26:55 | 0:26:56 | |
No. | 0:26:56 | 0:26:57 | |
Told you it was a shit idea. | 0:26:57 | 0:26:59 | |
-You know what your problem is? -Not really. | 0:26:59 | 0:27:01 | |
You're not a sexual being. | 0:27:01 | 0:27:02 | |
She sees you like her little brother or some shit. | 0:27:02 | 0:27:04 | |
-I know. -But that might not be a bad thing. | 0:27:04 | 0:27:07 | |
In the paper last week, this brother and sister from Alabama had a baby. | 0:27:07 | 0:27:10 | |
Baby came out all weird, but still. The sister was fine. | 0:27:10 | 0:27:13 | |
-That's not... -And if I had a sister and she was hot, | 0:27:13 | 0:27:15 | |
I would totally watch her in the shower, know what I'm saying? | 0:27:15 | 0:27:18 | |
Ed, you DO have a sister. | 0:27:18 | 0:27:19 | |
Yeah, but she's not hot. And she locks the door now, anyway. | 0:27:19 | 0:27:23 | |
-BAD RUSSIAN ACCENT: -Hello. I am Vladimir. | 0:27:28 | 0:27:31 | |
Is this Seriously Fried Chicken? | 0:27:31 | 0:27:33 | |
-Oh, God. -I am new employee. | 0:27:35 | 0:27:37 | |
I come to be part of your team and win your trust and so forth... | 0:27:37 | 0:27:41 | |
Mary will never know what hit her. | 0:27:43 | 0:27:45 | |
Hey, Derek. | 0:27:47 | 0:27:49 | |
Shit. | 0:27:50 | 0:27:52 |