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Charlie. | 0:00:53 | 0:00:54 | |
You've missed a bit. | 0:00:54 | 0:00:56 | |
-Where? -There. | 0:00:56 | 0:00:58 | |
# There on the stair, right there A little mouse with clogs on. # | 0:00:58 | 0:01:02 | |
I wasn't going to say that! | 0:01:02 | 0:01:05 | |
-Where then? -There. | 0:01:05 | 0:01:08 | |
Where?! | 0:01:08 | 0:01:09 | |
ALL: # There on the stair, right there | 0:01:09 | 0:01:11 | |
# A little mouse with clogs on | 0:01:11 | 0:01:13 | |
# Well, I declare Going clip clippety clop | 0:01:13 | 0:01:16 | |
# On the stair Oh, yeah! # | 0:01:16 | 0:01:18 | |
Cleaning has to be like one of the worst things in the actual world. | 0:01:24 | 0:01:27 | |
-Worse than war and famine? -Aye, much worse. | 0:01:27 | 0:01:30 | |
Without war we'd be oot of a job. | 0:01:30 | 0:01:32 | |
At least with famine you're too weak to clean. | 0:01:32 | 0:01:35 | |
Is that your excuse for this morning, aye? | 0:01:35 | 0:01:36 | |
Aye, soon to be sorted. | 0:01:36 | 0:01:38 | |
Crisps or chocolate, or crisps AND chocolate. That is the question. | 0:01:38 | 0:01:44 | |
Whether tis nobler in the mind to suffer the single Twix or the outrageous fortune of the Twirl. | 0:01:44 | 0:01:51 | |
I don't know what you're sayin', but I don't like it. So stop it. | 0:01:51 | 0:01:54 | |
I'm just lookin' at this. You're the one sick o' cleanin'. | 0:01:54 | 0:01:58 | |
The MOD are looking for the new face of the Army for an upcoming advert. | 0:01:58 | 0:02:02 | |
Obviously, they're looking for real soldiers. | 0:02:02 | 0:02:04 | |
That's you oot, then. | 0:02:04 | 0:02:06 | |
That's me in. Birds go crazy for actors. | 0:02:06 | 0:02:09 | |
I could be the next Howard frae the bank. | 0:02:09 | 0:02:12 | |
-He got the sack. -Good. I hate those ads. Gary, do you want to hurry up. -What did he get the sack for? | 0:02:12 | 0:02:16 | |
-Cos of the banking crisis. -Did he cause it, like? | 0:02:16 | 0:02:18 | |
Only if it turns out he was a key player in the reckless lending practices of the sub prime market. | 0:02:18 | 0:02:23 | |
Haw, Newsnight...shut it. | 0:02:23 | 0:02:24 | |
-Plain and simple, the guy was a prize tool. Gary! -Right! | 0:02:24 | 0:02:29 | |
Sounds like a wee bit of jealousy there, my boy! | 0:02:29 | 0:02:32 | |
Here, I bet Howard was pumpin' birds over the counter after they ads. | 0:02:32 | 0:02:36 | |
-Jacko's still relying on the spank bank. -You're funny(!) | 0:02:36 | 0:02:39 | |
Gaz, you'd better hurry up. Mr Grumpy's coming out. | 0:02:39 | 0:02:41 | |
-What're you on about, you tit? -He doesnae sound grumpy to me. | 0:02:41 | 0:02:44 | |
-Nah, no way(!) -Gary! | 0:02:44 | 0:02:45 | |
Right. | 0:02:46 | 0:02:48 | |
Aye. No. | 0:02:48 | 0:02:50 | |
Aye. No. Em... | 0:02:50 | 0:02:53 | |
Aye. No. | 0:02:53 | 0:02:55 | |
Aye, Curly Wurly. | 0:02:56 | 0:02:57 | |
-Awww, see youse? -Whit? | 0:02:59 | 0:03:02 | |
You put me off. Now ma Curly Wurly's stuck in the machine. | 0:03:02 | 0:03:06 | |
That'll no work, you have to shake it. | 0:03:08 | 0:03:10 | |
Right, well give him a hand then. | 0:03:10 | 0:03:12 | |
Ready? | 0:03:12 | 0:03:13 | |
Jacko, watch! | 0:03:16 | 0:03:17 | |
Oh, ya bastards! | 0:03:17 | 0:03:20 | |
-You all right? -No! You could have broken my bloody foot, ya tube! | 0:03:20 | 0:03:24 | |
-All right, brother, calm doon. -Don't call me your brother. Do I look like a junkie? | 0:03:24 | 0:03:27 | |
What the bloody hell's happened here then? | 0:03:32 | 0:03:35 | |
-Em. -Well? | 0:03:35 | 0:03:38 | |
Well, er, we finished our cleaning duties as per your brilliant instruction | 0:03:38 | 0:03:42 | |
and then, next thing I know, we're in here and my Curly Wurly got stuck in the machine. | 0:03:42 | 0:03:47 | |
So you thought you'd vandalise the Queen's own property. | 0:03:47 | 0:03:51 | |
Sorry, I didn't realise it was the Queen's. | 0:03:51 | 0:03:53 | |
-Has she had problems with it as well? -Shut it! | 0:03:53 | 0:03:56 | |
Get this piece of crap back on its feet. | 0:03:56 | 0:03:59 | |
Don't even think about it. | 0:04:06 | 0:04:08 | |
So, you've finished your duties, have you? | 0:04:08 | 0:04:11 | |
I think I've underestimated how much you ladies like cleaning. | 0:04:11 | 0:04:15 | |
-Naw, you havenae, honestly. -Oh, I think I have. Follow me. | 0:04:15 | 0:04:19 | |
I knew I should have got a Chomp. | 0:04:21 | 0:04:23 | |
NOW! | 0:04:23 | 0:04:26 | |
Aye, Army pay's actually all right. | 0:04:26 | 0:04:27 | |
I mean I think you get mair than working in Greggs, | 0:04:27 | 0:04:30 | |
but then you don't get shot at in Greggs, eh? Or no often. | 0:04:30 | 0:04:36 | |
So you should get mair, in fact, I think any job that getting shot at | 0:04:36 | 0:04:39 | |
is part of your job description, then you should get mair. | 0:04:39 | 0:04:42 | |
I mean, I'm no saying that working in Greggs isnae stressful. | 0:04:42 | 0:04:46 | |
It probably is, like, folk asking ye all the time, "Are the sausage rolls hot?" | 0:04:46 | 0:04:51 | |
Like they must get asked that like hundreds of times a day, eh? | 0:04:51 | 0:04:54 | |
I mean, I ask it, cos a cold sausage roll frae Greggs, nah. | 0:04:54 | 0:05:00 | |
But then if they say, "Oh, they're just out the oven", you dinnae want a boiling one | 0:05:00 | 0:05:04 | |
so you say it, like, "No, no, one frae the back", so it's like not too hot, eh? | 0:05:04 | 0:05:10 | |
But, like, all the time they folk asking you, like, all the time, | 0:05:10 | 0:05:14 | |
that's mair stressful than the Army, eh? It would be. | 0:05:14 | 0:05:17 | |
I mean we dinnae get folk asking us that all the time, eh? | 0:05:17 | 0:05:21 | |
Mebbe they should get paid more... | 0:05:22 | 0:05:24 | |
..cos I'd end up shooting folk. | 0:05:25 | 0:05:27 | |
"Are these sausage rolls...?" | 0:05:27 | 0:05:29 | |
Crew, this is your lucky day. | 0:05:30 | 0:05:33 | |
We have some willing volunteers to take over. Dismissed! | 0:05:33 | 0:05:38 | |
I want the trucks spotless, inside and out. | 0:05:38 | 0:05:41 | |
I want the tyres checked and cleaned. | 0:05:41 | 0:05:44 | |
I want all of these supplies taken back to the kitchen, logged and signed for. | 0:05:44 | 0:05:48 | |
By the end of today, I want this hangar looking cleaner than a Taliban porno. Is that understood? | 0:05:48 | 0:05:56 | |
ALL: Yes, Sarge. | 0:05:56 | 0:05:57 | |
And then there's hangars 9, 10, 11 and 15 needing done. | 0:05:57 | 0:06:00 | |
But, Sarge, we were cleaning all last week, now we're cleaning all this week. We're all cleaned oot! | 0:06:00 | 0:06:05 | |
I know. But that's why I've given you Friday off. | 0:06:05 | 0:06:08 | |
-Really? -Aye, absolutely. | 0:06:08 | 0:06:09 | |
-Yas! -All the cleaning will be done by then. | 0:06:09 | 0:06:12 | |
So on Friday you mugs will be taking a full store and equipment inventory. | 0:06:12 | 0:06:17 | |
Please, Sarge, we will do anything. | 0:06:17 | 0:06:20 | |
I know you will. | 0:06:20 | 0:06:22 | |
Now get on with it. And, em... | 0:06:22 | 0:06:25 | |
enjoy. | 0:06:25 | 0:06:27 | |
Hm. | 0:06:27 | 0:06:28 | |
Right, we just need to get on with it. | 0:06:30 | 0:06:32 | |
-Shut up. -This is all your fault, bloody Curly Wurlys. | 0:06:32 | 0:06:35 | |
-Don't blame me, blame Charlie. -How? -Cos that's what you're here for. | 0:06:35 | 0:06:40 | |
It wisnae me that pushed the machine over, that was the human domino. | 0:06:40 | 0:06:43 | |
Aye, it was my fault. I'm as bad as my junkie brother, eh? | 0:06:43 | 0:06:46 | |
-Jacko. -What? | 0:06:56 | 0:06:59 | |
Go on. | 0:07:03 | 0:07:04 | |
No. | 0:07:04 | 0:07:06 | |
-Go on, go on. -No! | 0:07:06 | 0:07:08 | |
-Go on. -NO. | 0:07:10 | 0:07:12 | |
-Go on. -NO! | 0:07:14 | 0:07:15 | |
What a performance. | 0:07:19 | 0:07:20 | |
Aye. | 0:07:20 | 0:07:21 | |
Exactly! | 0:07:23 | 0:07:24 | |
-Eh? -You, my little idiot, are not that big an idiot, eh? | 0:07:24 | 0:07:29 | |
I'll see youse in five. | 0:07:29 | 0:07:32 | |
Where are you going? | 0:07:32 | 0:07:35 | |
To the "toilet"... | 0:07:35 | 0:07:37 | |
to dae something "amazing". Aye! | 0:07:37 | 0:07:41 | |
MUSIC: "Sabotage" by Beastie Boys | 0:07:48 | 0:07:51 | |
Aw, c'mon, just think about it as a big advert, eh? | 0:08:49 | 0:08:53 | |
"Cos you're worth it!" | 0:08:53 | 0:08:54 | |
Aw c'mon Jacko, Jacksie, frae Jacksville, Tennessee. | 0:08:54 | 0:08:58 | |
If you want to make a tit of yourself in an advert, dae it. I'm no'. | 0:08:58 | 0:09:01 | |
Oh, come on, just imagine you're walking doon the street | 0:09:01 | 0:09:04 | |
and folk are pointing at you and saying, "Oh, there's that guy | 0:09:04 | 0:09:08 | |
-"who knows Gary, the new face of the Army", I'd be, like, "Aye, I totally know him. It's fine". -Aye... | 0:09:08 | 0:09:13 | |
That's convinced me(!) | 0:09:13 | 0:09:16 | |
-Are you scared like? -No! | 0:09:16 | 0:09:18 | |
Do you know what? I think it might be a good thing. | 0:09:18 | 0:09:20 | |
Get the morale back in this team. | 0:09:20 | 0:09:22 | |
Aye. I think me getting... us getting this advert would be really good for morale. | 0:09:22 | 0:09:26 | |
I'm no bothered, if it means getting out of that inventory. | 0:09:26 | 0:09:28 | |
I think it's more likely a delay, Thomson'll probably make us do it on Monday. | 0:09:28 | 0:09:31 | |
No. No, no, no, no, no, no, no, no, no, no. | 0:09:31 | 0:09:35 | |
Cos I spoke to Spammy in the store and he says we've got to do it on the Friday | 0:09:35 | 0:09:38 | |
cos they're getting a big delivery on the Saturday, eh? | 0:09:38 | 0:09:41 | |
So, just say it. "Gary, you're an amazingly brilliant individual." | 0:09:41 | 0:09:45 | |
Just leave him out if he's shiteing a brick about it. | 0:09:45 | 0:09:47 | |
I'm no shitting a brick about it. I'm just no' as keen as you to look like a total fanny. | 0:09:47 | 0:09:52 | |
It willnae be me lookin' like a total fanny, I can guarantee you that. | 0:09:52 | 0:09:55 | |
-That's no fair. We've no even seen Charlie act yet. -Wha'? | 0:09:55 | 0:09:58 | |
-He willnae be the worst anyway. -Is that right? -Aye, it is right! | 0:09:58 | 0:10:02 | |
Right! That is enough. | 0:10:02 | 0:10:05 | |
Cos we know Charlie's going to be the worst. Now, are you in, or are you oot? | 0:10:05 | 0:10:10 | |
All right. | 0:10:12 | 0:10:13 | |
YAAASSS! | 0:10:13 | 0:10:15 | |
High ten! | 0:10:15 | 0:10:17 | |
All right. | 0:10:17 | 0:10:19 | |
Supporting cast confirmed. | 0:10:19 | 0:10:20 | |
-And we've got a rehearsal at ma Dad's hoose tonight. -What? | 0:10:20 | 0:10:23 | |
Jacko, if I... If we are going to get this advert, | 0:10:23 | 0:10:26 | |
we need to prepare something, ken, for the audition, you know? | 0:10:26 | 0:10:29 | |
-Show them something. -Like a bit of Shakespeare? | 0:10:29 | 0:10:31 | |
No. Something good. | 0:10:31 | 0:10:33 | |
I'm Gunnery Sergeant Hartman, your senior drill instructor, | 0:10:33 | 0:10:38 | |
and from now on you will only speak when you are spoken to. | 0:10:38 | 0:10:41 | |
And the first and last words out of your filthy sewers will be the word, "Sir". | 0:10:41 | 0:10:46 | |
Do you maggots understand that? | 0:10:46 | 0:10:49 | |
ALL: Sir, yes, sir. | 0:10:49 | 0:10:50 | |
Right, hold on, right. Jacko, come on! You've seen Full Metal Jacket. | 0:10:50 | 0:10:54 | |
-So? -So can you start doing it properly, like shoutin'? | 0:10:54 | 0:10:58 | |
-Cannae be arsed. -Prima donna. -What's that? | 0:10:58 | 0:11:01 | |
-Here we go. -Adam said pre-Madonna. I don't know why, but it was funny. | 0:11:01 | 0:11:05 | |
You're really funny, Adam. | 0:11:05 | 0:11:06 | |
Pre-Madonna, is that like before she wrote her first song? What was her first song? | 0:11:06 | 0:11:10 | |
# Cos I'm livin' in a material world and I'm ma-ma-ma-material girl. # | 0:11:10 | 0:11:16 | |
Her first number one was Holiday in 1983. | 0:11:16 | 0:11:18 | |
-I genuinely worry about you. -What about a bit of Shakespeare? | 0:11:18 | 0:11:22 | |
These two would make a realistic Tybalt and Mercutio in Romeo and Juliet. | 0:11:22 | 0:11:26 | |
Oh, my actual, actual, romantic God, I love that film. Can I play Juliet? | 0:11:26 | 0:11:29 | |
Only if I can be your Romeo. | 0:11:29 | 0:11:32 | |
-Smooth. Smooth as shite. -Jacko... . | 0:11:32 | 0:11:35 | |
-Technically, that would suggest he is smooth. -Get it right up ye. | 0:11:35 | 0:11:39 | |
Say that again and you'll be doing your lines frae a hospital bed. | 0:11:39 | 0:11:42 | |
-Right. -Calm doon, big brother. I think he's a wee bit sensitive about me talking to his wee sister. | 0:11:42 | 0:11:47 | |
Aye, well, that's what being a big brother's all aboot. Not that you'd ken anything about that. | 0:11:47 | 0:11:52 | |
-That right? -Aye. -Come on, then! | 0:11:52 | 0:11:54 | |
-Adam! Adam! -Enough! | 0:11:54 | 0:11:57 | |
Lads. Julie. | 0:11:57 | 0:11:59 | |
That is enough acting for one evening. | 0:11:59 | 0:12:01 | |
-I wish they were acting. -You cannae carry on like this in a living room. | 0:12:01 | 0:12:04 | |
That is how coffee tables get broken. | 0:12:04 | 0:12:07 | |
-Sorry, Mr McLintoch. -Sorry, Mr McLintoch. | 0:12:07 | 0:12:10 | |
But, Daaad, we've got to practice. | 0:12:10 | 0:12:13 | |
Well, you'll need to do it elsewhere. | 0:12:13 | 0:12:15 | |
Now, I was going to give you all a sausage roll, | 0:12:15 | 0:12:18 | |
but the rammy's put paid to that! Sorry! | 0:12:18 | 0:12:22 | |
Brilliant(!) | 0:12:23 | 0:12:24 | |
Brilliant(!) | 0:12:24 | 0:12:25 | |
Getting' me chucked oot o' ma ain hoose. | 0:12:28 | 0:12:30 | |
Sorry, Gary. But he's my brother. | 0:12:30 | 0:12:32 | |
Don't worry about it, Julie, you know what they say. | 0:12:32 | 0:12:35 | |
You can choose your family but you can't choose your friends. So... | 0:12:35 | 0:12:38 | |
Off youse go. Off youse go! | 0:12:38 | 0:12:42 | |
Off youse go. | 0:12:42 | 0:12:44 | |
Off youse go. | 0:12:44 | 0:12:46 | |
Off we go. | 0:12:46 | 0:12:48 | |
Sorry aboot that. | 0:12:56 | 0:12:57 | |
It's all right, son, MasterChef starts in five minutes, so I was quite glad there was a wee fall out. | 0:12:57 | 0:13:03 | |
You havenae got any, er, broon sauce, have you? | 0:13:03 | 0:13:07 | |
Of course. | 0:13:08 | 0:13:09 | |
Ta. | 0:13:24 | 0:13:26 | |
-See you later, Dad. -See you later, Son. | 0:13:26 | 0:13:28 | |
Like personally, for me... | 0:13:37 | 0:13:41 | |
I don't get folks that protest aboot animals and animal testing and that. | 0:13:41 | 0:13:47 | |
I think if you're being honest, right, you just wouldnae want to spray on your Lynx Africa | 0:13:47 | 0:13:53 | |
and then your arm explodes and then you've got tae phone Lynx Customer Service, | 0:13:53 | 0:13:57 | |
which is difficult, cos you've only got one arm now, right? | 0:13:57 | 0:14:00 | |
And Lynx are like, "Well, we're really sorry aboot that, we just never tested it on animals." | 0:14:00 | 0:14:05 | |
You'd be like that, "Well, see next time? | 0:14:05 | 0:14:08 | |
"I want that sprayed in a hamster's eye before I put that on." | 0:14:08 | 0:14:11 | |
I mean, sometimes, right, these things are just needed. | 0:14:11 | 0:14:17 | |
Yas, finished. | 0:14:18 | 0:14:21 | |
You missed a bit. | 0:14:21 | 0:14:23 | |
-Where? -There. | 0:14:23 | 0:14:25 | |
As if that's gonnae work on the Prankmaster General. I've no missed a bit. | 0:14:26 | 0:14:30 | |
Yes...you...have! | 0:14:30 | 0:14:32 | |
You call this clean?! | 0:14:35 | 0:14:37 | |
-It looks like you've mopped the floor with a shite. -Aye, it does now. | 0:14:43 | 0:14:46 | |
So? | 0:14:46 | 0:14:47 | |
We'll get it cleaned up, Sarge. | 0:14:47 | 0:14:49 | |
I know you will...Swotty. | 0:14:49 | 0:14:51 | |
So, do I look like an idiot? | 0:14:51 | 0:14:54 | |
-Sir! No! Sir! -Don't call me sir. | 0:14:54 | 0:14:58 | |
-I work for a living. -Sorry, Sarge. | 0:14:58 | 0:15:00 | |
Clearly you muppets think you've been a bit clever. | 0:15:00 | 0:15:04 | |
Sarge, you know us. We're never clever. | 0:15:04 | 0:15:06 | |
Yes, I do know that. | 0:15:06 | 0:15:08 | |
So would one of you like to explain to me why you thought that you could get yourselves out of the inventory | 0:15:08 | 0:15:12 | |
by becoming the next sodding calendar girls? | 0:15:12 | 0:15:15 | |
Well, we kind of thought that... | 0:15:15 | 0:15:17 | |
-Helen Mirren...shut it! -Dame. | 0:15:17 | 0:15:21 | |
She's Dame Helen Mirren. | 0:15:23 | 0:15:25 | |
Oh, well, | 0:15:27 | 0:15:29 | |
my severe bastarding apologies. | 0:15:29 | 0:15:33 | |
I'd hate to think that I'd done a mis-service to the full title of The Dame Helen Shiteing Mirren. | 0:15:33 | 0:15:41 | |
I do hope she hasn't overheard us and taken a great big steaming offence! | 0:15:41 | 0:15:46 | |
I doubt it, Sarge, I mean, we were going to tell you about the advert it's just that... | 0:15:46 | 0:15:50 | |
Ken that way, like, opportunity knocked and we answered the door, | 0:15:50 | 0:15:53 | |
like, "Hiya, come in", and next thing we've, like...agreed to do it. | 0:15:53 | 0:15:58 | |
All of you report to my office after you've cleaned up this dung heap. | 0:15:58 | 0:16:04 | |
You have just earned yourself a very special duty, | 0:16:04 | 0:16:08 | |
reserved for very special people. | 0:16:08 | 0:16:12 | |
Now, there was nae need for Sarge to take a dump first. | 0:16:16 | 0:16:20 | |
I don't know what you're smiling at, there's plenty of other cubicles needing done. | 0:16:20 | 0:16:24 | |
Hear that, Charlie? | 0:16:24 | 0:16:26 | |
Busy day ahead for you. | 0:16:26 | 0:16:28 | |
At ease, chaps. | 0:16:28 | 0:16:30 | |
I see, em, | 0:16:30 | 0:16:32 | |
Oh, it's whiffy. | 0:16:32 | 0:16:34 | |
Can you smell that, Sergeant? | 0:16:34 | 0:16:36 | |
Roses, Captain? | 0:16:36 | 0:16:37 | |
Really? | 0:16:37 | 0:16:39 | |
Anyway, I, er, just heard about the, er, big audition tomorrow, | 0:16:39 | 0:16:44 | |
so I just thought I'd pop by and, er, you know, offer, er... | 0:16:44 | 0:16:49 | |
-Sergeant. -Yes, lads. The Captain and I would both like to wish you | 0:16:49 | 0:16:53 | |
all the very best in the audition tomorrow. | 0:16:53 | 0:16:56 | |
It's not easy fitting in extra-curricular activities with all your other duties. | 0:16:56 | 0:17:01 | |
I see you're, er, using toothbrushes. | 0:17:03 | 0:17:06 | |
They're not your own, are they? | 0:17:06 | 0:17:09 | |
Er, no, sir. A friend's? | 0:17:09 | 0:17:12 | |
Good move. Er, Sarge, I think we'd probably be best ordering some scrubbing brushes. | 0:17:12 | 0:17:18 | |
Toothbrushes are better for cleaning the old, er...pegs. | 0:17:18 | 0:17:23 | |
Quite, sir. I'll get on to it. | 0:17:23 | 0:17:25 | |
-Great job, lads. -Anyway, er, thanks very much chaps for volunteering to clean the Officers' Mess. | 0:17:25 | 0:17:31 | |
We're not very good at cleaning the old, er... | 0:17:31 | 0:17:34 | |
Not like you chaps. Anyway, at ease. | 0:17:36 | 0:17:40 | |
D'you want to move? | 0:17:45 | 0:17:47 | |
-No. -Fair do's. | 0:17:47 | 0:17:51 | |
What are ya doin', ya dick? | 0:17:51 | 0:17:52 | |
-Right, calm it doon. This is worse than being in Oasis. -They've split up. | 0:17:52 | 0:17:57 | |
Right, we cannae go to the audition like this, they'll think we're mad bams. | 0:17:57 | 0:18:01 | |
Oh, dinnae worry. I'll no be there to embarrass you. I'll let you dae that on yer ain. | 0:18:01 | 0:18:05 | |
-I'm not daein' it either, no with him. -Lance Corporal Jackson! | 0:18:05 | 0:18:09 | |
Private Kenning. | 0:18:09 | 0:18:11 | |
Come here, now. | 0:18:11 | 0:18:14 | |
Right. Youse ken me. | 0:18:19 | 0:18:22 | |
You ken I don't pull rank unless it's something really important. And this is really important. | 0:18:22 | 0:18:27 | |
Unrest in the squad could have serious implications for me...us... | 0:18:27 | 0:18:32 | |
in, like, ken, loads of stuff. | 0:18:32 | 0:18:34 | |
-Could it? -Yes. | 0:18:34 | 0:18:36 | |
I think it very could. | 0:18:36 | 0:18:38 | |
So let's get this sorted. | 0:18:38 | 0:18:41 | |
Right, Jacko. | 0:18:41 | 0:18:43 | |
You said something about Adam's brother that doesnae need repeated, right? | 0:18:43 | 0:18:47 | |
But, to be fair, it was in the heat of the moment and if you'd apologised | 0:18:47 | 0:18:50 | |
after nearly spilling they sweeties on his foot, this might have been resolved. | 0:18:50 | 0:18:54 | |
-Aye, but... -Never mind wi' your aye buts. | 0:18:54 | 0:18:57 | |
So what I want you to dae is turn, face each other, and say the following, right? | 0:18:57 | 0:19:04 | |
-Right? -Right. | 0:19:04 | 0:19:06 | |
-Right. -I am very sorry for what I said/done. Say it. | 0:19:09 | 0:19:15 | |
BOTH: "I am very sorry for what I said/done. Say it." | 0:19:15 | 0:19:20 | |
-And I agree to go to the advert audition to make up for it. -Whit? | 0:19:20 | 0:19:24 | |
Say it. | 0:19:24 | 0:19:27 | |
"And I agree to go to the advert audition to make up for it." | 0:19:27 | 0:19:32 | |
Excellent. See? | 0:19:32 | 0:19:34 | |
That wasnae that difficult, eh? | 0:19:34 | 0:19:36 | |
-I felt a bit like Jerry Springer, there. -Go Gary, Go Gary! | 0:19:36 | 0:19:39 | |
You know, one of the challenges of being in the Army is having to deal with two radges like these two. | 0:19:39 | 0:19:45 | |
But at the end of the day, with the right skills, | 0:19:45 | 0:19:48 | |
a senior rank and, most importantly, the right face, | 0:19:48 | 0:19:52 | |
then any problem can be resolved. | 0:19:52 | 0:19:54 | |
So until next time, take pure care of yourself... | 0:19:54 | 0:19:58 | |
and each other. Like... | 0:19:58 | 0:20:02 | |
Yeah! | 0:20:02 | 0:20:03 | |
Honestly, lads, I have... we have got this in the bag, eh? | 0:20:09 | 0:20:14 | |
Look at them. They've no chance, eh? | 0:20:14 | 0:20:16 | |
Listen, we could still do the Full Metal Jacket bit, what do you think? | 0:20:16 | 0:20:19 | |
OK, lads, just a wee note - what we're after today is real soldiers, so, just relax, be yourselves. OK? | 0:20:19 | 0:20:26 | |
This is a waste of time. | 0:20:26 | 0:20:28 | |
-No, it's no. -Just go, then. | 0:20:28 | 0:20:30 | |
Gary, we're filthy. | 0:20:30 | 0:20:31 | |
-So was your Maw last night. -Right! | 0:20:31 | 0:20:33 | |
This is counter-productive and unnecessary. Stop it! | 0:20:36 | 0:20:40 | |
Right, c'mon! | 0:20:40 | 0:20:41 | |
Er, Corporal McLintoch? | 0:20:41 | 0:20:43 | |
Aye, that's me. Listen, this is just artistic differences, eh? It'll be fine. | 0:20:43 | 0:20:48 | |
Guys. | 0:20:48 | 0:20:50 | |
-Jacko! -I'm gonnae eat your face! | 0:20:50 | 0:20:54 | |
MUSIC: "9 to 5" by Dolly Parton | 0:20:54 | 0:20:58 | |
Cut. Brilliant, Jacko, really good. Thanks, mate. All done, mate. | 0:21:26 | 0:21:30 | |
-Right, Gary, you're up. -How did that go? | 0:21:30 | 0:21:33 | |
-I dunno. -Well, listen. | 0:21:33 | 0:21:35 | |
Gary, time's ticking. | 0:21:35 | 0:21:36 | |
I'm sure you did your best, Jacko | 0:21:41 | 0:21:42 | |
and, er, that's all we can ask. So... | 0:21:42 | 0:21:46 | |
thanks. | 0:21:46 | 0:21:47 | |
I'm brilliant when you are, Mr Director. | 0:21:48 | 0:21:51 | |
Right, so, Gary, if you could, er, just, er, stand here, right? | 0:21:51 | 0:21:56 | |
Now say the lines direct to the camera, right? | 0:21:56 | 0:21:59 | |
So it's, "One Man, One Soul, One Goal, One Army. | 0:21:59 | 0:22:05 | |
"Together we are soldiers". OK, mate? | 0:22:05 | 0:22:09 | |
Em, can I just check? | 0:22:09 | 0:22:12 | |
Is everyone getting to say it? | 0:22:12 | 0:22:15 | |
Mate, don't worry about it, right. | 0:22:15 | 0:22:17 | |
You just say your line, hunky dorey, like you would. OK? | 0:22:17 | 0:22:20 | |
-Hunky dorey? -Hunky dorey. | 0:22:20 | 0:22:22 | |
-Like I would... -Uh-huh. | 0:22:22 | 0:22:24 | |
-Sorry, just one more question. -Hm? | 0:22:24 | 0:22:28 | |
Merchandising and that, how does that, like, work, with T-shirts? | 0:22:28 | 0:22:31 | |
Cos I was thinking maybe, like, a Gary Action Man | 0:22:31 | 0:22:34 | |
and like a string at the back that you pull, and it says, "Hiya, My Name's Garreh." | 0:22:34 | 0:22:38 | |
Mate, best thing for you, right, eh, superstar, | 0:22:38 | 0:22:42 | |
is concentrate on the lines and let's just see where that takes us. OK? | 0:22:42 | 0:22:47 | |
-OK. -So, everyone ready? On "action", Gary. | 0:22:47 | 0:22:51 | |
Speed. | 0:22:52 | 0:22:54 | |
And...action. | 0:22:54 | 0:22:55 | |
One maan, | 0:22:57 | 0:22:59 | |
One sooul, | 0:22:59 | 0:23:01 | |
One gooul, | 0:23:01 | 0:23:03 | |
One Armeh. | 0:23:03 | 0:23:06 | |
Togethah we are soldiers? | 0:23:06 | 0:23:08 | |
Right, once again, Gary. | 0:23:09 | 0:23:12 | |
This time, trying to relax into it. | 0:23:12 | 0:23:15 | |
-OK? -Relax, aye. | 0:23:15 | 0:23:17 | |
Ready? | 0:23:17 | 0:23:19 | |
And... | 0:23:19 | 0:23:21 | |
action. | 0:23:21 | 0:23:22 | |
One maan, | 0:23:22 | 0:23:24 | |
One soul, | 0:23:24 | 0:23:27 | |
One goal, | 0:23:27 | 0:23:29 | |
togethah | 0:23:29 | 0:23:30 | |
we ARE soldiers. | 0:23:30 | 0:23:34 | |
OK, once again, Gary. | 0:23:34 | 0:23:36 | |
Um, just a tad more relaxed. | 0:23:36 | 0:23:40 | |
Try and give me something... | 0:23:40 | 0:23:42 | |
-different. -Bit different? | 0:23:42 | 0:23:44 | |
-Aye, different. -I can do different. | 0:23:44 | 0:23:46 | |
-Ready? -Aye. | 0:23:48 | 0:23:50 | |
And...action. | 0:23:50 | 0:23:52 | |
One-man-one-soul-one-goal... one-army. | 0:23:52 | 0:23:57 | |
Together we ARE soldiers. | 0:23:57 | 0:23:59 | |
Right and...cut. | 0:23:59 | 0:24:00 | |
-Thanks, Gary, thanks a lot. That's you done. -Was that all right? | 0:24:00 | 0:24:03 | |
It was, er... Well, listen, time's ticking on, lads, | 0:24:03 | 0:24:06 | |
I think we've got plenty to choose from there, so, er... | 0:24:06 | 0:24:10 | |
That's it for the day. Thanks for coming in. | 0:24:10 | 0:24:12 | |
-What about Adam? -I think we've got plenty of you as a unit. | 0:24:12 | 0:24:15 | |
If you havenae filmed the four o' us, you havnae GOT the unit. | 0:24:15 | 0:24:19 | |
-Understand? -Lance Corporal Jackson's right. | 0:24:19 | 0:24:23 | |
You wouldnae just film the BIRDS frae ABBA. | 0:24:23 | 0:24:25 | |
We're a unit. | 0:24:26 | 0:24:28 | |
Like ABBA? | 0:24:28 | 0:24:30 | |
Aye. | 0:24:30 | 0:24:32 | |
Right, I get you. OK, everyone, once again. | 0:24:32 | 0:24:34 | |
Sorry, everyone. Up you get, Adam. | 0:24:34 | 0:24:37 | |
-Cheers. -Nae bother. | 0:24:37 | 0:24:41 | |
I've noticed the director's opted | 0:24:43 | 0:24:45 | |
for a really naturalistic approach to performance. | 0:24:45 | 0:24:48 | |
I suspect he's a huge fan of Mike Leigh. | 0:24:48 | 0:24:52 | |
As in Gary Mike-Leigh-intoch? | 0:24:52 | 0:24:55 | |
Ayeee. | 0:24:58 | 0:25:00 | |
Ah, at ease, chaps. | 0:25:04 | 0:25:07 | |
Course, you all know my, em... Colonel Fanshawe. | 0:25:07 | 0:25:11 | |
Ah yes, the actors. | 0:25:11 | 0:25:14 | |
Hell, it's not going to be bloody pretty, is it? | 0:25:15 | 0:25:18 | |
ALL: No, sir. | 0:25:18 | 0:25:20 | |
Rex bloody Harrison, that's my man. | 0:25:20 | 0:25:23 | |
You seen My Fair Lady? | 0:25:23 | 0:25:25 | |
"Why can't a woman be more like a man? | 0:25:26 | 0:25:30 | |
"Men are so honest, so thoroughly square, | 0:25:30 | 0:25:33 | |
"eternally noble, historically fair, | 0:25:33 | 0:25:36 | |
"who, when you win, will always give your back a pat. | 0:25:36 | 0:25:40 | |
"But why can't a woman be like that?" | 0:25:40 | 0:25:44 | |
Well, um... | 0:25:47 | 0:25:49 | |
I bloody NAILED that! | 0:25:49 | 0:25:51 | |
I think you did, sir. | 0:25:51 | 0:25:52 | |
I bloody did, didn't I? | 0:25:52 | 0:25:55 | |
I'm wasted here. | 0:25:57 | 0:25:59 | |
So! This advert. You chaps want to see it? | 0:25:59 | 0:26:02 | |
Bloody hope so, cos I do. Ha, ha, ha! | 0:26:02 | 0:26:05 | |
Do you? Do you? DO YOU? | 0:26:05 | 0:26:09 | |
ALL: Yes, sir. | 0:26:09 | 0:26:10 | |
Sarge, play. | 0:26:10 | 0:26:13 | |
'One man. | 0:26:26 | 0:26:29 | |
'One soul. | 0:26:29 | 0:26:31 | |
'One goal. | 0:26:31 | 0:26:32 | |
'One Army.' | 0:26:32 | 0:26:34 | |
'Together...' | 0:26:36 | 0:26:37 | |
-'..We...' -'..Are...' | 0:26:38 | 0:26:40 | |
'..Soldiers.' | 0:26:41 | 0:26:42 | |
'When life is challenging you, try challenging yourself.' | 0:26:42 | 0:26:46 | |
'One Army, regular or territorial. Who do YOU want to be?' | 0:26:46 | 0:26:51 | |
Well, I, er, I thought that was, er... | 0:26:51 | 0:26:54 | |
Not bloody bad! Liked it. Good show, Jackson. | 0:26:54 | 0:26:58 | |
Not quite Rex Harrison, but not bad. Sergeant? | 0:26:58 | 0:27:04 | |
I quite agree, sir. | 0:27:04 | 0:27:06 | |
Not quite Rex Harrison. | 0:27:06 | 0:27:07 | |
-Thank you, sir. -"Thank you, sir" - you've changed. | 0:27:07 | 0:27:10 | |
As you were, chaps. AT EASE! | 0:27:10 | 0:27:12 | |
Off you go. | 0:27:12 | 0:27:14 | |
Yah, at ease. | 0:27:14 | 0:27:16 | |
"We"? Are you actually kidding me? "We"? | 0:27:26 | 0:27:32 | |
What's that all about? | 0:27:32 | 0:27:33 | |
Any idiot can say "we". | 0:27:33 | 0:27:35 | |
I know. And he did. | 0:27:35 | 0:27:38 | |
No' funny, just no' funny. | 0:27:38 | 0:27:40 | |
-I quite liked my "are". -It was missing an "s". | 0:27:40 | 0:27:42 | |
"Soldiers", that's a good word, eh? | 0:27:42 | 0:27:45 | |
I'm expecting panties through the post for that, my boy. | 0:27:45 | 0:27:48 | |
Aye, granny pants. | 0:27:48 | 0:27:51 | |
Granny pants? Love it. | 0:27:53 | 0:27:55 | |
Here, what I said about...you know. | 0:28:00 | 0:28:03 | |
Ah, forget about it. You were tops. Done, mate. | 0:28:03 | 0:28:08 | |
-Cheers. -Aww... | 0:28:08 | 0:28:10 | |
Liam and Noel... | 0:28:10 | 0:28:12 | |
back together, eh? Sweet. | 0:28:12 | 0:28:16 | |
-Here, missed a bit. -Where? | 0:28:19 | 0:28:21 | |
There. | 0:28:21 | 0:28:23 | |
Where? | 0:28:23 | 0:28:24 | |
# There on the stair, right there | 0:28:24 | 0:28:27 | |
ALL: # A little mouse with clogs on | 0:28:27 | 0:28:30 | |
# Well, I declare, going clip clippety clop on the stair | 0:28:30 | 0:28:34 | |
# Oh, yes! # | 0:28:34 | 0:28:35 | |
Subtitles by Red Bee Media Ltd | 0:28:54 | 0:28:57 | |
E-mail [email protected] | 0:28:57 | 0:29:00 |