Browse content similar to A Beginner's Guide. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# With your bombs and your bullets and your goings on | 0:00:04 | 0:00:07 | |
# I'm right, you're wrong | 0:00:07 | 0:00:09 | |
# Too many mourning it won't be long | 0:00:09 | 0:00:11 | |
-# You can see it but I'll be gone. # -MUSIC WARPS AND STOPS | 0:00:11 | 0:00:14 | |
Hello! And welcome to A Beginner's Guide to Give My Head Peace, | 0:00:14 | 0:00:18 | |
with me, Da. | 0:00:18 | 0:00:20 | |
Give My Head Peace without a doubt made my career. | 0:00:20 | 0:00:22 | |
It certainly taught me a lot! | 0:00:22 | 0:00:24 | |
And, erm, I had the best time of my life on it. | 0:00:24 | 0:00:28 | |
I loved the whole buzz of doing it | 0:00:28 | 0:00:30 | |
and the whole thing of being with the Hole In The Wall gang, | 0:00:30 | 0:00:32 | |
who are, even then, were really, really iconic. | 0:00:32 | 0:00:36 | |
You know, from 15 onwards, you know, I was watching this. | 0:00:36 | 0:00:39 | |
And because of the seriousness of Belfast, | 0:00:39 | 0:00:42 | |
it was great to have some Friday night fun, you know? | 0:00:42 | 0:00:44 | |
The newsroom, you know, serious journalists would say, | 0:00:44 | 0:00:46 | |
"Oh, I wouldn't watch that." Glued to it, glued to it, | 0:00:46 | 0:00:49 | |
because they had met those individuals in their walk of life. | 0:00:49 | 0:00:53 | |
Now, Give My Head Peace was a very serious political programme | 0:00:53 | 0:00:57 | |
that challenged British propaganda from a Republican perspective. | 0:00:57 | 0:01:01 | |
PHONE RINGS | 0:01:01 | 0:01:03 | |
Phone! | 0:01:03 | 0:01:04 | |
Somebody answer the ph... Sake! | 0:01:04 | 0:01:07 | |
Hello? Gerry! | 0:01:11 | 0:01:13 | |
Gerry, I've told you, will you stop worrying? | 0:01:13 | 0:01:15 | |
I'm just going to shake the man's... | 0:01:15 | 0:01:17 | |
HE SNIFFS ..hand. | 0:01:17 | 0:01:18 | |
And that'll be that! | 0:01:20 | 0:01:22 | |
Anyway, come on in and sit yourselves down, | 0:01:22 | 0:01:25 | |
and I'll make a wee cup of tea... | 0:01:25 | 0:01:27 | |
Oh! | 0:01:27 | 0:01:28 | |
SHE RETCHES | 0:01:28 | 0:01:29 | |
I don't mean to be rude, Ma, but that looks like a bucket of sh... | 0:01:37 | 0:01:41 | |
Surely to God he hasn't... | 0:01:41 | 0:01:44 | |
Several days' worth, by the looks of it. | 0:01:46 | 0:01:48 | |
What? | 0:01:52 | 0:01:54 | |
Why is there a bucket of...? | 0:01:54 | 0:01:56 | |
That's mine! | 0:01:56 | 0:01:58 | |
Don't be so bloody nosy. | 0:01:59 | 0:02:01 | |
I always knew he was full of it, but did he have to show us it as well? | 0:02:05 | 0:02:09 | |
I am, of course, the best loved character in Give My Head Peace. | 0:02:09 | 0:02:13 | |
Everybody adores me! | 0:02:13 | 0:02:15 | |
All right, Jimmy? | 0:02:15 | 0:02:16 | |
You didn't tell me that bollocks was in! | 0:02:17 | 0:02:20 | |
Ignore him. I always do. | 0:02:20 | 0:02:22 | |
You got something for me? | 0:02:22 | 0:02:24 | |
Sure, you can't even read, you beardy gobshite. | 0:02:24 | 0:02:27 | |
Let's get in the car and drive like frig! | 0:02:27 | 0:02:31 | |
-I'm coming, too! -No, you're too heavy, you'll slow us down! | 0:02:31 | 0:02:35 | |
Excuse me, Da, there was more to Give My Head Peace | 0:02:35 | 0:02:40 | |
than you just making a tube out of yourself. | 0:02:40 | 0:02:43 | |
You don't respect me very much, do you? | 0:02:43 | 0:02:44 | |
Well, you're a painter. | 0:02:44 | 0:02:46 | |
Look, I'll tell you what, | 0:02:49 | 0:02:51 | |
we'll discuss it in the morning. | 0:02:51 | 0:02:53 | |
Shut up and sit down! | 0:02:53 | 0:02:55 | |
Excuse me! Is there a Catholic in the room? | 0:02:57 | 0:02:59 | |
There is now! | 0:03:02 | 0:03:03 | |
The whole thing started back in 1995, | 0:03:05 | 0:03:08 | |
with two ceasefires and a wedding. | 0:03:08 | 0:03:11 | |
When his stupid daughter married my even stupider nephew. | 0:03:11 | 0:03:16 | |
And your name is...? | 0:03:16 | 0:03:18 | |
HARP MUSIC | 0:03:18 | 0:03:20 | |
Emer. | 0:03:22 | 0:03:23 | |
That's a beautiful name. | 0:03:26 | 0:03:28 | |
-Emer. -What's your name? | 0:03:28 | 0:03:31 | |
Billy. | 0:03:31 | 0:03:33 | |
I think I'm in love with you, Emer. | 0:03:33 | 0:03:35 | |
I love you too, Billy. | 0:03:35 | 0:03:37 | |
When I first came across Give My Head Peace, I thought, | 0:03:37 | 0:03:40 | |
these are vastly overdrawn characters, one-dimensional, | 0:03:40 | 0:03:45 | |
in, you know, pantomime, | 0:03:45 | 0:03:47 | |
farcical situations. | 0:03:47 | 0:03:49 | |
And I loved it immediately. | 0:03:49 | 0:03:51 | |
Mammy, Daddy, this here's Billy. | 0:03:51 | 0:03:54 | |
Cal! It's a peeler! | 0:03:54 | 0:03:56 | |
Quick, where's my gun? Where's my gun? | 0:03:56 | 0:03:58 | |
Ah, ah, ah, ah, ah! | 0:03:58 | 0:04:00 | |
What did Gerry say? | 0:04:00 | 0:04:02 | |
"The gun is now out of Irish politics." | 0:04:02 | 0:04:06 | |
When Billy's introduced to the Catholic family | 0:04:06 | 0:04:09 | |
in his police uniform... | 0:04:09 | 0:04:11 | |
How do you do? | 0:04:11 | 0:04:13 | |
VASE SMASHES | 0:04:13 | 0:04:14 | |
Sorry, force of habit. | 0:04:14 | 0:04:16 | |
Nobody had done that before. | 0:04:16 | 0:04:19 | |
I was out of the chair and on the carpet. | 0:04:19 | 0:04:22 | |
When Emer left Billy, he was devastated. | 0:04:22 | 0:04:26 | |
I knew he'd never get over it. | 0:04:26 | 0:04:28 | |
I'm an empty shell without her. | 0:04:28 | 0:04:30 | |
I'm never going to look at another woman. | 0:04:30 | 0:04:32 | |
-Who's that, Ma? -There is no point in you moping about, Billy. | 0:04:32 | 0:04:38 | |
-You'll never find somebody... -Well, hello. | 0:04:38 | 0:04:40 | |
Hiya. | 0:04:40 | 0:04:42 | |
-Who are you? -I'm Dympna, Emer's sister. | 0:04:42 | 0:04:47 | |
She's moving in? | 0:04:47 | 0:04:49 | |
I've moved in, I've been here a week. | 0:04:49 | 0:04:52 | |
But I got fed up living in the attic. | 0:04:52 | 0:04:55 | |
These characters who, OK, | 0:04:55 | 0:04:59 | |
are supposed to be caricatures of certain individuals in our society, | 0:04:59 | 0:05:03 | |
but as the years have gone on, you actually believe that they're real. | 0:05:03 | 0:05:08 | |
When I'm stuck in this chair, | 0:05:08 | 0:05:10 | |
I just can't do the things that normal people take for granted. | 0:05:10 | 0:05:13 | |
So, when's the DLA man coming about your motability car, then? | 0:05:15 | 0:05:18 | |
I'm not sure, I think I put it... | 0:05:20 | 0:05:22 | |
I love Ma, of course I love Da. | 0:05:24 | 0:05:26 | |
Excuse me, Commandante, | 0:05:26 | 0:05:27 | |
I don't want to interrupt, but I must speak on behalf of myself | 0:05:27 | 0:05:31 | |
and my campaneros. | 0:05:31 | 0:05:32 | |
-Commandante? -Yeah... | 0:05:32 | 0:05:35 | |
It's just a wee nickname they have for me. | 0:05:37 | 0:05:41 | |
You should've asked me, love, I've a few nicknames for him and all. | 0:05:41 | 0:05:45 | |
I see. | 0:05:45 | 0:05:46 | |
It's like you told us, your mother, she makes jokes at your expense. | 0:05:46 | 0:05:50 | |
Mother?! | 0:05:52 | 0:05:53 | |
Their dim but delightful son, Cal. | 0:05:53 | 0:05:56 | |
Yes, this is Gerry and he's my puppet! | 0:05:56 | 0:06:00 | |
And even though I've got my hand up his arse, | 0:06:04 | 0:06:06 | |
we're not connected. | 0:06:06 | 0:06:08 | |
And then, sin of all sins, Daz, this great Republican, | 0:06:14 | 0:06:18 | |
his daughter, Dympna, was married to the policeman. | 0:06:18 | 0:06:21 | |
Not only a Prod, but a policeman. | 0:06:21 | 0:06:23 | |
We'll have to name the baby after where he was conceived. | 0:06:23 | 0:06:26 | |
You know, like Brooklyn? | 0:06:26 | 0:06:28 | |
Aye, you call ours | 0:06:28 | 0:06:30 | |
back of an RUC Land Rover in a lay-by in Ballyhackamore. | 0:06:30 | 0:06:34 | |
The Hole In The Wall Gang were not the first comedians | 0:06:34 | 0:06:37 | |
to take the sacred cows of Northern Ireland out | 0:06:37 | 0:06:40 | |
and have a laugh at them, | 0:06:40 | 0:06:42 | |
but this was the first time anyone had done it in our living rooms. | 0:06:42 | 0:06:46 | |
Hang on, the judge, he'd be on my side. | 0:06:46 | 0:06:48 | |
I remember him saying, er, Troubles made people like me. | 0:06:48 | 0:06:53 | |
To be fair, Luke, I think what he actually said was, | 0:06:53 | 0:06:55 | |
"People like you made the Troubles." | 0:06:55 | 0:06:58 | |
To have dyed-in-the-wool Loyalists and dyed-in-the-wool Republicans | 0:06:58 | 0:07:03 | |
laughed at was an enormously refreshing experience. | 0:07:03 | 0:07:06 | |
It was a refreshing breath of foul air, you know? | 0:07:06 | 0:07:09 | |
HE SCREAMS | 0:07:09 | 0:07:10 | |
-What? -English mustard! English mustard! | 0:07:10 | 0:07:13 | |
In this so-called Irish Republican house. | 0:07:13 | 0:07:17 | |
It's only mustard. | 0:07:17 | 0:07:19 | |
It starts with "only mustard", and before you know it, | 0:07:19 | 0:07:23 | |
you have ceasefires and agreements and Gerry Adams in Downing Street | 0:07:23 | 0:07:27 | |
copper-fastening partition over tea and scones. | 0:07:27 | 0:07:31 | |
Well, that's where your English mustard gets you. | 0:07:31 | 0:07:34 | |
As Ulster's leading Loyalist, | 0:07:34 | 0:07:37 | |
I attract hugely intelligent followers. | 0:07:37 | 0:07:40 | |
Like big Mervyn. | 0:07:40 | 0:07:41 | |
Billy's applied to be a sergeant. | 0:07:42 | 0:07:44 | |
THEY LAUGH | 0:07:44 | 0:07:46 | |
-What? -You're going to be a sergeant! | 0:07:48 | 0:07:51 | |
There's more chance of Mervyn being admitted to Mensa. | 0:07:51 | 0:07:54 | |
HE LAUGHS | 0:07:54 | 0:07:55 | |
What? | 0:07:58 | 0:07:59 | |
I can't live like this for six weeks. | 0:07:59 | 0:08:02 | |
It's all right, Andy, I'll help you. | 0:08:02 | 0:08:05 | |
-When I need to eat? -I'll be there. | 0:08:05 | 0:08:07 | |
-When I need a drink? -I'll be there. | 0:08:07 | 0:08:09 | |
-When I have to do a shi...? -I'll be going now, then. | 0:08:09 | 0:08:12 | |
Good luck there! | 0:08:12 | 0:08:14 | |
Another close friend was Red Hand Luke. | 0:08:14 | 0:08:17 | |
He was very close. | 0:08:17 | 0:08:19 | |
Sometimes too close. | 0:08:20 | 0:08:21 | |
Something happened to me when I was in the jail. | 0:08:22 | 0:08:25 | |
It changed me. | 0:08:25 | 0:08:27 | |
I don't want to hear this. | 0:08:28 | 0:08:30 | |
It happens to a lot of the men in the prison. | 0:08:31 | 0:08:33 | |
You know? | 0:08:34 | 0:08:35 | |
I'm sorry to hear that, Luke. | 0:08:35 | 0:08:38 | |
No, don't be sorry, Andrew. I think you should try it. | 0:08:38 | 0:08:42 | |
If it's all the same to you, I'd rather... | 0:08:44 | 0:08:46 | |
I think you should turn... | 0:08:46 | 0:08:49 | |
..to God, like what I done. | 0:08:50 | 0:08:52 | |
Oh! God! | 0:08:52 | 0:08:54 | |
Any episode that involved, er, Pastor Begbie. | 0:08:55 | 0:08:59 | |
He's an animal, he's a Neanderthal. | 0:08:59 | 0:09:01 | |
He's behind you! | 0:09:01 | 0:09:03 | |
The toing and froing was just wonderful. | 0:09:03 | 0:09:06 | |
Memorable stuff. | 0:09:06 | 0:09:07 | |
I am not an an-animal, nor a nander-ball. | 0:09:07 | 0:09:10 | |
These boys are, though. | 0:09:12 | 0:09:14 | |
Because unlike me, | 0:09:15 | 0:09:17 | |
they have not taken the Lord Jesus Christ into their hearts, | 0:09:17 | 0:09:21 | |
which is very bad news for their souls. | 0:09:21 | 0:09:24 | |
But even worse for you, for your kneecaps, son. | 0:09:24 | 0:09:28 | |
Politicians, I'm not sure they loved it to bits. | 0:09:28 | 0:09:30 | |
The Sinn Fein candidate kit. | 0:09:30 | 0:09:32 | |
It's all here. The black coat, | 0:09:34 | 0:09:38 | |
the suit with the metal green ribbon. | 0:09:38 | 0:09:41 | |
Has it got the Lingua Gerry tapes? | 0:09:41 | 0:09:44 | |
It has. | 0:09:45 | 0:09:47 | |
In 14 days, you too can be fluent in Gerry Adams. | 0:09:48 | 0:09:52 | |
Coming from Divis, everybody watched Give My Head Peace. | 0:09:52 | 0:09:55 | |
It was one of the first things that we kind of could watch | 0:09:55 | 0:09:58 | |
and make fun of the Troubles about. | 0:09:58 | 0:09:59 | |
-VOICE ON TAPE: -Repeat after me, Sinn Fein is not the IRA. | 0:09:59 | 0:10:04 | |
-What?! -Shut up! | 0:10:06 | 0:10:08 | |
Sinn Fein is not the IRA. | 0:10:08 | 0:10:11 | |
Now, I noticed you didn't interrupt David Trimble. | 0:10:11 | 0:10:14 | |
Now, I noticed you didn't interrupt David Trimble. | 0:10:16 | 0:10:19 | |
I am absolutely pissed off. | 0:10:20 | 0:10:23 | |
But it all mirrors our society, the tribal thing that we have here. | 0:10:24 | 0:10:30 | |
There's a problem here, Andrew. There's nowhere to put Santa. | 0:10:30 | 0:10:33 | |
Well, take that flag down! | 0:10:33 | 0:10:34 | |
You'd be taking sides there. | 0:10:36 | 0:10:38 | |
You'd be making a bit of a political statement. | 0:10:38 | 0:10:41 | |
Take that one down! | 0:10:41 | 0:10:42 | |
Then you'll upset the other side. | 0:10:42 | 0:10:45 | |
Well, take both of them down. | 0:10:45 | 0:10:46 | |
Then you'll annoy everybody. | 0:10:48 | 0:10:50 | |
Don't be silly, it's Christmas for God's sake, | 0:10:50 | 0:10:53 | |
they're not going to miss a couple of flags. | 0:10:53 | 0:10:56 | |
SHOUTING | 0:10:57 | 0:10:59 | |
Basically, we, the viewers, are laughing at ourselves. | 0:11:01 | 0:11:05 | |
It's not easy, Mervyn! | 0:11:05 | 0:11:08 | |
Hold on. I'll give you a hand. | 0:11:08 | 0:11:10 | |
# Oh... | 0:11:15 | 0:11:17 | |
# My love... | 0:11:17 | 0:11:20 | |
# My darling... | 0:11:21 | 0:11:24 | |
# I've hungered for... | 0:11:25 | 0:11:28 | |
# Your touch... # | 0:11:28 | 0:11:30 | |
THEY SCREAM | 0:11:30 | 0:11:32 | |
BOTH: We're just making pots! | 0:11:35 | 0:11:37 | |
Whatever. | 0:11:37 | 0:11:39 | |
My official title was a second assistant director, eventually, | 0:11:39 | 0:11:43 | |
which basically meant I tried my best | 0:11:43 | 0:11:46 | |
to coordinate everything for all of our artists | 0:11:46 | 0:11:49 | |
and the logistics of getting everybody from A to B. | 0:11:49 | 0:11:54 | |
The glamorous world of television. | 0:11:54 | 0:11:56 | |
Give My Head Peace, of course, attracted all the big A-list stars. | 0:11:58 | 0:12:02 | |
George Clooney? Jennifer Lawrence? | 0:12:02 | 0:12:05 | |
Well, no, more the ones who were available | 0:12:05 | 0:12:07 | |
for the sort of money we were paying. | 0:12:07 | 0:12:09 | |
I was in this sort of Twilight Zone episode. | 0:12:09 | 0:12:13 | |
Julian? | 0:12:13 | 0:12:15 | |
All right, darling? | 0:12:15 | 0:12:17 | |
They made a real "mawn" of me, | 0:12:21 | 0:12:23 | |
you know, coming in with the peace box and everything. | 0:12:23 | 0:12:26 | |
The audience really were quite shocked, I think. | 0:12:26 | 0:12:28 | |
Come on, lads, the party's over, sling your hook! | 0:12:28 | 0:12:31 | |
You married him? | 0:12:31 | 0:12:33 | |
That poncey presenter? | 0:12:33 | 0:12:35 | |
What are you talking about? | 0:12:37 | 0:12:38 | |
My Julian's a riveter down in Harland and Wolff. | 0:12:38 | 0:12:40 | |
Passing building sites and everything, | 0:12:40 | 0:12:43 | |
and instead of fellas shouting, "Hey, you big Jessie, you," | 0:12:43 | 0:12:46 | |
they were going, "Hiya, Julian, what about you?" | 0:12:46 | 0:12:48 | |
So I thought, I've arrived at last. | 0:12:48 | 0:12:50 | |
Well, come on. | 0:12:50 | 0:12:52 | |
'I robbed the Northern Bank with a wonderful actor' | 0:12:52 | 0:12:55 | |
called Michael Condron, | 0:12:55 | 0:12:56 | |
and Billy, the cop, helped us, by accident, to steal the money, | 0:12:56 | 0:12:59 | |
which he ended up in jail over. | 0:12:59 | 0:13:01 | |
-Thanks very much, Officer. -Billy. Call me Billy. | 0:13:01 | 0:13:04 | |
I don't know how we could've done it without you. | 0:13:04 | 0:13:06 | |
Well, that's the Police Service of Northern Ireland. | 0:13:06 | 0:13:08 | |
-We're here to help. -And you certainly have. | 0:13:08 | 0:13:10 | |
Yous actually did give me my first pop on TV | 0:13:10 | 0:13:13 | |
and I deeply appreciate it. | 0:13:13 | 0:13:14 | |
This is a normal medical procedure, nothing to worry about. | 0:13:18 | 0:13:23 | |
Trust me. | 0:13:23 | 0:13:24 | |
I am a nurse. | 0:13:24 | 0:13:26 | |
Argh! | 0:13:26 | 0:13:27 | |
'I didn't realise how big the show was' | 0:13:27 | 0:13:29 | |
until after I'd done the episode, | 0:13:29 | 0:13:31 | |
because everybody was stopping and asking me about it. | 0:13:31 | 0:13:34 | |
Did you have a good evening? | 0:13:34 | 0:13:35 | |
Very disappointing, Andrew. | 0:13:35 | 0:13:38 | |
I went for to see Shugo Duncan. | 0:13:38 | 0:13:40 | |
The way he got the Shugo part | 0:13:40 | 0:13:42 | |
was from one of his children at school, going to school, | 0:13:42 | 0:13:47 | |
and he said that was the way they said "Shugo". | 0:13:47 | 0:13:49 | |
You know, sometimes I'd be sitting there in my cell all alone, | 0:13:49 | 0:13:54 | |
just thinking about...things, | 0:13:54 | 0:13:57 | |
getting angrier and annoyed, and then the screws would play... | 0:13:57 | 0:14:02 | |
HIGH PITCHED # Come down from the mountain, Katy Daly... # | 0:14:02 | 0:14:06 | |
And everything would be all right again. | 0:14:06 | 0:14:09 | |
Cos I knew my Uncle Shugo loved me. | 0:14:09 | 0:14:13 | |
The boys were making some sort of a movie, some sort of film. | 0:14:13 | 0:14:17 | |
GENTLE MUSIC | 0:14:28 | 0:14:31 | |
I was... | 0:14:38 | 0:14:40 | |
Da's love interest type. | 0:14:40 | 0:14:42 | |
GUNSHOTS | 0:14:42 | 0:14:44 | |
Goddammit, Blair! Just give me 24 hours! | 0:14:46 | 0:14:50 | |
24 hours and I can stop this war. | 0:14:50 | 0:14:52 | |
At one stage, I had to cry because I thought I was going to lose Da. | 0:14:52 | 0:14:58 | |
Don't do it, Da. They'll shoot you down like a dog. | 0:14:58 | 0:15:02 | |
Maybe. | 0:15:02 | 0:15:04 | |
But I got to try. | 0:15:04 | 0:15:05 | |
Please don't go, Da, I couldn't live if something happened to you. | 0:15:05 | 0:15:09 | |
MUSIC: As Time Goes by Herman Hupfeld | 0:15:09 | 0:15:11 | |
So long, kid. We'll always have Paris. | 0:15:11 | 0:15:13 | |
I played Tonto, | 0:15:17 | 0:15:18 | |
who was the local driving instructor-joyrider, er, for Ma. | 0:15:18 | 0:15:22 | |
CAR ENGINE SCREECHES | 0:15:22 | 0:15:24 | |
Quick, Ma! Get in. | 0:15:24 | 0:15:25 | |
Could you not have got something in green? | 0:15:25 | 0:15:28 | |
Come on. | 0:15:28 | 0:15:29 | |
It's a tenner a lesson, non-refundable if I get caught. | 0:15:29 | 0:15:32 | |
Nice try! Right, Charlie, I've got one of them. | 0:15:33 | 0:15:36 | |
It was my first TV part. I'll never forget it. | 0:15:36 | 0:15:39 | |
Stop! Stop! | 0:15:39 | 0:15:41 | |
Stop the car! | 0:15:41 | 0:15:43 | |
-CAR ENGINE SCREECHES -Stop, will you? | 0:15:43 | 0:15:45 | |
HE RETCHES AND SPLUTTERS | 0:15:47 | 0:15:50 | |
Well, I appeared on it with George Best at one time, | 0:15:50 | 0:15:53 | |
and, er... | 0:15:53 | 0:15:55 | |
It really ended my career in many ways. | 0:15:55 | 0:15:57 | |
The argument's been raging for years, | 0:15:57 | 0:15:59 | |
who was the best player in the world? Was it you? Was it Pele? | 0:15:59 | 0:16:02 | |
Well, actually, Jackie, it was neither of us. | 0:16:02 | 0:16:05 | |
It was a kid I saw in the '70s. | 0:16:05 | 0:16:08 | |
His name was... | 0:16:08 | 0:16:09 | |
Colin, Cal...? | 0:16:09 | 0:16:12 | |
Cal, that was his name, yeah. | 0:16:12 | 0:16:14 | |
George had a superb Belfast-Ulster humour. | 0:16:14 | 0:16:17 | |
-He just loved it. -He was a genius, he was... | 0:16:17 | 0:16:20 | |
Why he didn't turn professional, I'll never know. | 0:16:20 | 0:16:23 | |
I suppose he didn't want the money, the fame and the birds, | 0:16:23 | 0:16:27 | |
but, er... I don't understand it. You've got to admire it, I suppose. | 0:16:27 | 0:16:31 | |
-I suppose. -GIGGLING | 0:16:31 | 0:16:33 | |
Don't listen to him. | 0:16:36 | 0:16:37 | |
Geordie Best, what does he know about football? | 0:16:37 | 0:16:40 | |
I was the nun and I came in chewing gum, I think, | 0:16:41 | 0:16:44 | |
if I remember correctly, | 0:16:44 | 0:16:46 | |
and was really nervous about it, cos I was always behind the camera. | 0:16:46 | 0:16:49 | |
To suddenly be on the set of Give My Head Peace was a really big deal. | 0:16:49 | 0:16:53 | |
Da goes to Downing Street. | 0:16:53 | 0:16:56 | |
But the officials insist it's just a get-to-know-you meeting | 0:16:56 | 0:16:59 | |
to try and improve future relations... | 0:16:59 | 0:17:02 | |
Well, let me tell you, Blair... | 0:17:04 | 0:17:06 | |
HE SHOUTS INDISTINCTLY | 0:17:06 | 0:17:08 | |
See that Cherie Blair? She's one cheeky wee bitch. | 0:17:09 | 0:17:12 | |
Well, I've worked with Steven Spielberg, Tom Hanks, | 0:17:13 | 0:17:16 | |
Terry George, James Marsh, Yann Demange, but I think | 0:17:16 | 0:17:19 | |
working with Tim McGarry, | 0:17:19 | 0:17:20 | |
Damon Quinn and Michael McDowell was, without doubt, | 0:17:20 | 0:17:23 | |
the highest I've ever got to in my life. | 0:17:23 | 0:17:25 | |
It was intimidating, actually. | 0:17:25 | 0:17:27 | |
-AMERICAN ACCENT -Hi, Da, | 0:17:27 | 0:17:28 | |
I've been practising my Belfast accent with Cal here. | 0:17:28 | 0:17:31 | |
-Would you like to hear it? -Oh, aye. -OK. | 0:17:31 | 0:17:34 | |
HE STRAINS | 0:17:35 | 0:17:37 | |
AMERICAN ACCENT | 0:17:42 | 0:17:44 | |
Listen, mucker, do you think I came up the Lagan in a bubble? | 0:17:44 | 0:17:47 | |
Is this black hack going up the Falls Road? | 0:17:48 | 0:17:52 | |
Or what? | 0:17:54 | 0:17:55 | |
-Whenever you're ready. -No, that was it. | 0:17:59 | 0:18:01 | |
And I have to hand it to the guys for the writing. | 0:18:01 | 0:18:05 | |
That's just three guys turning out an awful lot of sketches, | 0:18:05 | 0:18:09 | |
an awful lot of comedy, | 0:18:09 | 0:18:11 | |
and an awful lot of programmes over a fair clatter of years. | 0:18:11 | 0:18:15 | |
What is Denis Murray on about? | 0:18:15 | 0:18:17 | |
He said somebody actually writes this? | 0:18:17 | 0:18:20 | |
Nobody could write this. | 0:18:20 | 0:18:22 | |
Is that my line now? Right, OK. | 0:18:23 | 0:18:25 | |
It was the best time in my professional life, by a long shot. | 0:18:25 | 0:18:30 | |
And I just hope that you get a series. | 0:18:30 | 0:18:33 | |
-Thank you very much. Gentlemen... -That must be extra money. | 0:18:34 | 0:18:37 | |
That MUST be worth extra money. | 0:18:37 | 0:18:39 | |
# Oh, marching season, marching songs | 0:18:39 | 0:18:42 | |
# Hitting drums all summer long | 0:18:42 | 0:18:44 | |
# Sun is out, weather's fine | 0:18:44 | 0:18:47 | |
# Balaclavas on the line | 0:18:47 | 0:18:49 | |
# Ah, she says that I says | 0:18:49 | 0:18:51 | |
# Why don't you give my head some? | 0:18:51 | 0:18:54 | |
# She says that I says | 0:18:54 | 0:18:56 | |
# Why don't you give my head some peace! # | 0:18:56 | 0:19:00 |