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Hello, my name is Henning. Hello. Good evening. Guten Abend. | 0:00:02 | 0:00:05 | |
Eins, zwei, drei, vier, funf, sechs, | 0:00:05 | 0:00:07 | |
sieben, acht, neun... | 0:00:07 | 0:00:09 | |
-AUDIENCE MEMBER: Zehn! -Zehn! Ja. | 0:00:09 | 0:00:11 | |
-Elf! -Elf, ja. | 0:00:11 | 0:00:13 | |
Any more, anyone? | 0:00:13 | 0:00:15 | |
-Zwolf! -Zwolf, ja, indeed! | 0:00:15 | 0:00:18 | |
Anyone who can count further will be deported. | 0:00:18 | 0:00:21 | |
We're a different country now. | 0:00:23 | 0:00:26 | |
CHEERING AND APPLAUSE | 0:00:50 | 0:00:53 | |
Good evening and welcome to Have I Got News For You. | 0:01:06 | 0:01:09 | |
I'm Ed Balls, and in the news this week - | 0:01:09 | 0:01:11 | |
at a Slinky factory in the Midlands, | 0:01:11 | 0:01:13 | |
after spotting yet another election candidate about to pay a visit, | 0:01:13 | 0:01:16 | |
one worker takes cunning evasive action. | 0:01:16 | 0:01:18 | |
In a dining room in south London, | 0:01:25 | 0:01:26 | |
Brian Cox's cat makes a vital contribution | 0:01:26 | 0:01:30 | |
to the owner's understanding of the orbital motion of Saturn. | 0:01:30 | 0:01:33 | |
And there's evidence that female moviegoers | 0:01:40 | 0:01:43 | |
may be disappointed with the remake of Ghost. | 0:01:43 | 0:01:46 | |
On Ian's team tonight is a German comedian | 0:01:52 | 0:01:54 | |
who has made this country his home for the past 15 years. | 0:01:54 | 0:01:58 | |
Ah, well, all good things... | 0:01:58 | 0:02:00 | |
Please welcome, for the last time, Henning Wehn! | 0:02:00 | 0:02:03 | |
CHEERING AND APPLAUSE | 0:02:03 | 0:02:07 | |
Can I just say, if you have a stammer, Henning... | 0:02:10 | 0:02:13 | |
Henning. It's a nightmare. | 0:02:13 | 0:02:15 | |
Just call me that German bloke. | 0:02:15 | 0:02:18 | |
Can we call you different names? | 0:02:18 | 0:02:19 | |
You can call me whatever you like. | 0:02:19 | 0:02:21 | |
Ed Balls, you're saying he's got a ridiculous name? | 0:02:21 | 0:02:23 | |
And with Paul tonight is an outspoken journalist | 0:02:27 | 0:02:30 | |
and broadcaster, and a Londoner | 0:02:30 | 0:02:32 | |
who loves walking in the countryside for the tranquillity, | 0:02:32 | 0:02:35 | |
which is what London enjoys while she's off doing it. | 0:02:35 | 0:02:39 | |
Please welcome Janet Street-Porter. | 0:02:39 | 0:02:41 | |
APPLAUSE | 0:02:41 | 0:02:44 | |
So it's obviously been a horrible, terrible week. | 0:02:47 | 0:02:51 | |
Yes, but we're still, I think, allowed to laugh. | 0:02:51 | 0:02:53 | |
Is that...is that OK? | 0:02:53 | 0:02:55 | |
-AUDIENCE: Yes. -Excellent. | 0:02:55 | 0:02:58 | |
Well, I don't want to overstate it, | 0:02:58 | 0:02:59 | |
but going out, enjoying yourself, having a good time - | 0:02:59 | 0:03:02 | |
all the things terrorism hates - we can still do it. | 0:03:02 | 0:03:05 | |
-Quite right. -Even here. | 0:03:05 | 0:03:07 | |
APPLAUSE | 0:03:07 | 0:03:09 | |
And have a laugh at Ed, I hope. | 0:03:13 | 0:03:15 | |
Thanks, Ian(!) | 0:03:17 | 0:03:19 | |
So, Paul and Janet, take a look at this. | 0:03:19 | 0:03:21 | |
Ah, Mr Bean goes on holiday. | 0:03:21 | 0:03:23 | |
Here he is. | 0:03:23 | 0:03:25 | |
I thought he was frightened of stairs, | 0:03:25 | 0:03:28 | |
so they've laid on an escalator, specially. | 0:03:28 | 0:03:30 | |
What's he doing? What's going on there? | 0:03:30 | 0:03:32 | |
Well, I read that he has to have an award | 0:03:32 | 0:03:34 | |
to put him in a good mood. | 0:03:34 | 0:03:36 | |
Donald Trump has been away from America, | 0:03:36 | 0:03:38 | |
to get away from his problems there, | 0:03:38 | 0:03:40 | |
and now he's walking around the world | 0:03:40 | 0:03:42 | |
showing everybody what a massive twit looks like. | 0:03:42 | 0:03:44 | |
Yes, he went to Rome. | 0:03:44 | 0:03:46 | |
-Yeah. Brussels. -Israel. | 0:03:46 | 0:03:48 | |
Yeah, ended up in Brussels. | 0:03:48 | 0:03:50 | |
He's repeated the same phrase over and over again about the bombers, | 0:03:50 | 0:03:54 | |
that they are "losers". | 0:03:54 | 0:03:56 | |
I thought the phrase he kept repeating was, "Where am I?" | 0:03:56 | 0:03:59 | |
No, I think he repeated, | 0:03:59 | 0:04:01 | |
"Strong and stable government." | 0:04:01 | 0:04:03 | |
But the main thing is that it was an opportunity | 0:04:05 | 0:04:07 | |
for the Trump women to wear a succession | 0:04:07 | 0:04:10 | |
of extraordinary outfits. | 0:04:10 | 0:04:12 | |
Looking like a couple of Thunderbirds puppets, basically. | 0:04:12 | 0:04:16 | |
-Lady Penelope and... -Parker. | 0:04:16 | 0:04:18 | |
And Parker, yeah, that's good. | 0:04:18 | 0:04:20 | |
Everyone was told not to speak for more than four minutes | 0:04:20 | 0:04:25 | |
because that's the maximum attention span. | 0:04:25 | 0:04:27 | |
And that's the rule we're applying tonight. This is... | 0:04:27 | 0:04:31 | |
Well, it's not one that's applied to you in the past, Ed. | 0:04:32 | 0:04:34 | |
AUDIENCE OOHS | 0:04:34 | 0:04:38 | |
This is Donald Trump's surprisingly disaster-free international tour. | 0:04:38 | 0:04:42 | |
What landmark moment in Trump's presidency did the trip signify? | 0:04:42 | 0:04:46 | |
He was about to be impeached... | 0:04:46 | 0:04:48 | |
So he thought, if he went abroad, | 0:04:48 | 0:04:50 | |
he could make more of a fool of himself than at home. | 0:04:50 | 0:04:54 | |
I mean, it is extraordinary. | 0:04:54 | 0:04:56 | |
He said about the Saudis that they threw people off buildings | 0:04:56 | 0:04:59 | |
and had an appalling attitude to women, during the campaign, | 0:04:59 | 0:05:02 | |
then he got there and said, "This is a magnificent kingdom." | 0:05:02 | 0:05:05 | |
He contradicts himself almost mid-sentence nowadays. | 0:05:05 | 0:05:08 | |
He can't keep it up. | 0:05:08 | 0:05:10 | |
He criticised Obama for bowing to the Saudis, | 0:05:10 | 0:05:14 | |
then he himself curtsied. | 0:05:14 | 0:05:16 | |
He does this sort of weird thing | 0:05:16 | 0:05:19 | |
and then puts on the Award | 0:05:19 | 0:05:21 | |
of the Great Flogger of the Temple of Doom, or whatever it is! | 0:05:21 | 0:05:24 | |
That was an ITV quiz show that never got past the pilot. | 0:05:27 | 0:05:30 | |
-It is quite extraordinary. -Hmm. | 0:05:30 | 0:05:33 | |
And having failed to point out that, you know, | 0:05:33 | 0:05:35 | |
if you're going to Saudi Arabia to make a speech | 0:05:35 | 0:05:38 | |
about where this appalling version of Islam comes from | 0:05:38 | 0:05:41 | |
that preaches terrorism and extremism, where is it? | 0:05:41 | 0:05:44 | |
Ooh, it's here! | 0:05:44 | 0:05:45 | |
Not a mention of it. | 0:05:45 | 0:05:47 | |
They were told at the official dinner | 0:05:47 | 0:05:49 | |
he needed to have ketchup on standby. | 0:05:49 | 0:05:52 | |
Do you want to know a fascinating fact about tomato ketchup? | 0:05:52 | 0:05:55 | |
-Yes! -Yes. | 0:05:55 | 0:05:57 | |
I'm going to say that one again. | 0:05:57 | 0:05:59 | |
Do you want to know a fascinating fact about tomato ketchup? | 0:05:59 | 0:06:01 | |
Oh, yes! | 0:06:01 | 0:06:03 | |
Henning's auditioning for the Churchill dog ad. | 0:06:07 | 0:06:10 | |
-GRUFF VOICE: -"Oh, yes!" | 0:06:11 | 0:06:13 | |
Well, suddenly, with Brexit looming, | 0:06:13 | 0:06:15 | |
I'm a lot more amenable to advertising. | 0:06:15 | 0:06:17 | |
This actually may be something you know about. | 0:06:20 | 0:06:22 | |
The father of Henry Heinz, the inventor of ketchup, | 0:06:22 | 0:06:25 | |
and Donald Trump's grandfather | 0:06:25 | 0:06:27 | |
come from the same German village of Kallstadt. | 0:06:27 | 0:06:30 | |
I'm not taking any responsibility in any shape or form. | 0:06:30 | 0:06:34 | |
What was the biggest talking point of Trump's Saudi visit? | 0:06:34 | 0:06:37 | |
How about the glowing orb? | 0:06:37 | 0:06:38 | |
How about the glowing orb? | 0:06:38 | 0:06:40 | |
That's what his barber calls his head. | 0:06:40 | 0:06:43 | |
Have a look at this picture. | 0:06:45 | 0:06:47 | |
-HENNING: -Yeah, that is just as sinister as anything, isn't it? | 0:06:48 | 0:06:51 | |
They are dividing it up between them. | 0:06:51 | 0:06:53 | |
-JANET: -It looks like the World Cup. | 0:06:53 | 0:06:55 | |
So many people in that photograph look like a waxwork. | 0:06:55 | 0:06:57 | |
-HENNING: -I tell you what, | 0:06:57 | 0:06:59 | |
of the three people holding the ball, | 0:06:59 | 0:07:01 | |
Donald Trump looks the most trustworthy. | 0:07:01 | 0:07:04 | |
Did you see the ceremonial sword dance | 0:07:06 | 0:07:08 | |
the Saudis put on for the President? | 0:07:08 | 0:07:11 | |
-No, but I'd love to. -Here it is. -Good! | 0:07:11 | 0:07:13 | |
DRUMMING AND CHANTING | 0:07:13 | 0:07:16 | |
You need to give him some dancing tips. | 0:07:25 | 0:07:27 | |
He's got no sense of rhythm, | 0:07:27 | 0:07:29 | |
and his sword was drooping. | 0:07:29 | 0:07:31 | |
I know. | 0:07:31 | 0:07:32 | |
-As a world leader... -Not you, surely! | 0:07:32 | 0:07:34 | |
As a world leader, you've got to be prepared to be roped in | 0:07:36 | 0:07:40 | |
to a bit of cross-cultural dancing at some point in your career. | 0:07:40 | 0:07:44 | |
So, who would like to play Presidentially Come Dancing? | 0:07:44 | 0:07:47 | |
Yes, I would. | 0:07:47 | 0:07:48 | |
STRICTLY COME DANCING THEME PLAYS | 0:07:48 | 0:07:52 | |
Make sure you're warmed up. | 0:07:55 | 0:07:57 | |
AUDIENCE OOHS | 0:07:57 | 0:07:59 | |
I'm sorry, you women are easily impressed. | 0:08:00 | 0:08:03 | |
There's no dancing. I'm going to play in a selection | 0:08:04 | 0:08:07 | |
of presidents and other world leaders doing some dancing, | 0:08:07 | 0:08:10 | |
and I want you to give them marks out of ten. | 0:08:10 | 0:08:12 | |
-OK! -Here's the first one. | 0:08:12 | 0:08:14 | |
Marks out of ten! | 0:08:14 | 0:08:16 | |
Six. | 0:08:38 | 0:08:39 | |
Oh, too generous. | 0:08:39 | 0:08:42 | |
-I would have given him an eight. -An eight! -Yeah. | 0:08:42 | 0:08:44 | |
He's never done it before, and so... He was hitting the target initially. | 0:08:44 | 0:08:49 | |
And then, yeah, showed commitment, | 0:08:51 | 0:08:52 | |
was waving his arms about like a lunatic. | 0:08:52 | 0:08:55 | |
I mean, that's what dancing is in a nutshell. | 0:08:55 | 0:08:59 | |
Here's the next one. | 0:08:59 | 0:09:00 | |
Who is that? | 0:09:14 | 0:09:16 | |
Our future king. | 0:09:16 | 0:09:18 | |
You see, this is the difference with a constitutional monarchy. | 0:09:18 | 0:09:21 | |
We have someone who's genetically programmed | 0:09:21 | 0:09:24 | |
to look very, very stupid. | 0:09:24 | 0:09:26 | |
We've got one more. | 0:09:26 | 0:09:27 | |
Have we? | 0:09:27 | 0:09:28 | |
MUSIC: Things Can Only Get Better by D:Ream | 0:09:28 | 0:09:33 | |
Shocking. | 0:09:43 | 0:09:45 | |
Yeah, that's No Direction. | 0:09:45 | 0:09:47 | |
That's No Direction, yeah. | 0:09:47 | 0:09:48 | |
Is that the Millennium Dome? | 0:09:48 | 0:09:50 | |
That was the celebration of the victory. | 0:09:50 | 0:09:52 | |
Oh, really? That was victory night. | 0:09:52 | 0:09:54 | |
-Festival Hall. -Royal Festival Hall. | 0:09:54 | 0:09:56 | |
-I was at that night. -So was I. | 0:09:56 | 0:09:58 | |
But we didn't dance. | 0:09:58 | 0:10:00 | |
No, I was in the corner with the media luvvies | 0:10:00 | 0:10:02 | |
that put up all the money for your campaign. | 0:10:02 | 0:10:04 | |
They were all drinking champagne | 0:10:04 | 0:10:07 | |
and you were drinking warm beer, as I recall. | 0:10:07 | 0:10:09 | |
I was outside throwing things. | 0:10:09 | 0:10:11 | |
Literary events, that sort of thing. | 0:10:13 | 0:10:15 | |
What did Trump specifically not mention when he went to Israel? | 0:10:19 | 0:10:22 | |
The war? | 0:10:22 | 0:10:23 | |
Palestine? | 0:10:23 | 0:10:25 | |
Yeah. He didn't mention the idea of a Palestinian homeland. | 0:10:25 | 0:10:29 | |
He possibly enjoyed his trip to the Middle East too much though, | 0:10:29 | 0:10:32 | |
which partly explains his comment in the book of remembrance | 0:10:32 | 0:10:36 | |
at the World Holocaust Memorial Center, | 0:10:36 | 0:10:38 | |
Yad Vashem in Jerusalem. | 0:10:38 | 0:10:40 | |
It's worth just reading this one out. | 0:10:40 | 0:10:42 | |
This was compared to a similar gaffe by Justin Bieber. | 0:10:49 | 0:10:51 | |
Anybody remember? | 0:10:51 | 0:10:53 | |
Yes, he went to Anne Frank's house, | 0:10:53 | 0:10:55 | |
and she wasn't in, much to his disappointment. | 0:10:55 | 0:10:57 | |
He shouted, but wherever she was, she couldn't hear him, | 0:11:00 | 0:11:03 | |
and he wrote in the book, | 0:11:03 | 0:11:04 | |
"I think she probably would have been a Bieber fan." | 0:11:04 | 0:11:07 | |
He said... | 0:11:08 | 0:11:10 | |
A Belieber, yeah. | 0:11:16 | 0:11:17 | |
To be fair, Justin was only a 19-year-old idiot, | 0:11:17 | 0:11:20 | |
as opposed to being a 70-year-old idiot. | 0:11:20 | 0:11:23 | |
Donald Trump then moved on to the third leg | 0:11:23 | 0:11:26 | |
in his monotheistic religions of the world tour, | 0:11:26 | 0:11:28 | |
where he met the Pope in the Vatican. | 0:11:28 | 0:11:31 | |
How did that go? | 0:11:31 | 0:11:32 | |
Not so well. He'd been very rude about the Pope. | 0:11:32 | 0:11:36 | |
The Pope had said that he was not a Christian. | 0:11:36 | 0:11:37 | |
The Pope looks fantastically stony-faced. | 0:11:37 | 0:11:40 | |
-We've got some footage. -Oh, here we are. | 0:11:40 | 0:11:42 | |
CAMERA SHUTTERS CLICK | 0:11:42 | 0:11:44 | |
CAMERA SHUTTERS CLICK | 0:11:47 | 0:11:50 | |
HENNING CHUCKLES | 0:11:50 | 0:11:52 | |
It looks like somebody | 0:11:52 | 0:11:54 | |
who was against the marriage in the first place. | 0:11:54 | 0:11:57 | |
If you thought that photo opportunity was awkward, | 0:11:57 | 0:12:00 | |
look what happened when they sat down. | 0:12:00 | 0:12:02 | |
LOW CONVERSATION | 0:12:02 | 0:12:04 | |
"Is there anything you'd like to tell me?" | 0:12:04 | 0:12:07 | |
"I'm sorry, we don't seem to have your reservation here." | 0:12:08 | 0:12:12 | |
And how did the Pope lighten the mood? | 0:12:13 | 0:12:15 | |
Let one off. | 0:12:15 | 0:12:17 | |
I'm sorry?! | 0:12:19 | 0:12:20 | |
He asked Melania what she was feeding Trump, | 0:12:20 | 0:12:23 | |
and she said pizza. | 0:12:23 | 0:12:25 | |
Top bantz. | 0:12:25 | 0:12:27 | |
She didn't say anything on the whole trip, did she? | 0:12:27 | 0:12:29 | |
-There's no record of Melania speaking. -Hmm. | 0:12:29 | 0:12:33 | |
She had a lot more eye make-up by the end than the beginning. | 0:12:33 | 0:12:36 | |
She doesn't seem to be enjoying life as the First Lady, does she? | 0:12:36 | 0:12:39 | |
He put his hand out and she gave it the flick. | 0:12:39 | 0:12:42 | |
She knows that he's scared of stairs, | 0:12:42 | 0:12:44 | |
so when they're coming down the stairs, | 0:12:44 | 0:12:46 | |
he reached out to her and she went...ohh! | 0:12:46 | 0:12:50 | |
Whoa-oa-oa! | 0:12:50 | 0:12:52 | |
What is it about stairs that worries him? | 0:12:52 | 0:12:56 | |
Is it the unpredictability of one step after another? | 0:12:56 | 0:12:59 | |
Or is it Dalek in his DNA? What's up with him? | 0:12:59 | 0:13:01 | |
Donald thought that he and the Pope got on really well | 0:13:01 | 0:13:04 | |
because they had one thing in common. | 0:13:04 | 0:13:06 | |
Do you know what that is? | 0:13:06 | 0:13:07 | |
Humility. | 0:13:07 | 0:13:10 | |
That is right. That is the answer. | 0:13:10 | 0:13:13 | |
-No! -Yes. -No! | 0:13:13 | 0:13:15 | |
It's true. In 2013, Donald Trump tweeted... | 0:13:15 | 0:13:18 | |
And what did the Pope give to Donald Trump to take away? | 0:13:24 | 0:13:27 | |
Diphtheria? | 0:13:27 | 0:13:29 | |
He gave him a carved piece of olive wood saying... | 0:13:31 | 0:13:34 | |
A sentiment we all share. | 0:13:40 | 0:13:42 | |
Meanwhile, back in the US, where things aren't going so well, | 0:13:43 | 0:13:46 | |
what has Mike Pence, the President's right-hand man, been doing? | 0:13:46 | 0:13:50 | |
He's been preparing for office. He's sitting in the chair. | 0:13:50 | 0:13:53 | |
Trying out the desk. | 0:13:53 | 0:13:55 | |
He's actually set up his own Political Action Committee, | 0:13:55 | 0:13:59 | |
which allows him to raise funds for a presidential campaign. | 0:13:59 | 0:14:03 | |
According to the Washington Post... | 0:14:03 | 0:14:05 | |
Gordon Brown waited at least a year. | 0:14:10 | 0:14:12 | |
This is Donald Trump's whistle-stop tour | 0:14:12 | 0:14:15 | |
which started with Saudi Arabia and Israel. | 0:14:15 | 0:14:17 | |
Trump's Saudi trip concluded with a concert | 0:14:17 | 0:14:20 | |
by an American country and western singer | 0:14:20 | 0:14:22 | |
accompanied by an Arabian lute, | 0:14:22 | 0:14:24 | |
who rounded off the evening with that Saudi country classic, | 0:14:24 | 0:14:26 | |
Stand Ten Paces Behind Your Man. | 0:14:26 | 0:14:29 | |
After the Middle East, the Trumps went to Italy | 0:14:30 | 0:14:33 | |
to visit the Pope. | 0:14:33 | 0:14:34 | |
There's Melania, wearing her favourite outfit. | 0:14:34 | 0:14:37 | |
Widow-in-waiting. | 0:14:37 | 0:14:38 | |
APPLAUSE | 0:14:39 | 0:14:42 | |
She does look like she should be doing an advert | 0:14:44 | 0:14:47 | |
for Scottish Pensions, wandering around that maze. | 0:14:47 | 0:14:50 | |
Did Donald Trump need a briefing before visiting the Vatican? | 0:14:50 | 0:14:53 | |
Is the Pope a Catholic... | 0:14:53 | 0:14:56 | |
was the first question he asked. | 0:14:56 | 0:14:58 | |
When he was at the Vatican, | 0:14:58 | 0:15:00 | |
there was never any possibility of Trump giving a confession, | 0:15:00 | 0:15:02 | |
as even the Pope said, "That's above my pay grade." | 0:15:02 | 0:15:06 | |
Everywhere Trump went, he was accompanied by Melania. | 0:15:07 | 0:15:10 | |
It's hard for a husband and wife | 0:15:10 | 0:15:11 | |
to work together in high-profile politics. | 0:15:11 | 0:15:14 | |
That's why Yvette told me to sod off and take up dancing. | 0:15:14 | 0:15:17 | |
Ian and Henning, take a look at this. | 0:15:17 | 0:15:19 | |
-Oh, dear. -This is politics, which has started again. | 0:15:19 | 0:15:22 | |
There was a temporary pause and now we're all back. | 0:15:22 | 0:15:26 | |
Going one way and then the other. | 0:15:26 | 0:15:28 | |
Yeah. | 0:15:28 | 0:15:30 | |
It's a U-turn, so what? | 0:15:32 | 0:15:35 | |
She proposed this idea that old people | 0:15:35 | 0:15:37 | |
who have assets should pay for a proportion of their care, | 0:15:37 | 0:15:41 | |
and then she was reminded | 0:15:41 | 0:15:43 | |
that a lot of old people vote Conservative. | 0:15:43 | 0:15:46 | |
Then she thought this was a terrible idea. | 0:15:46 | 0:15:49 | |
Most of the Cabinet didn't know about this social care. | 0:15:49 | 0:15:52 | |
Apparently, it was slipped in at the last minute, | 0:15:52 | 0:15:55 | |
so all those ministers went out and said, | 0:15:55 | 0:15:56 | |
"This is a terrific idea," | 0:15:56 | 0:15:58 | |
and then someone said, "She's just pulled it." | 0:15:58 | 0:16:00 | |
"This is not a great idea." | 0:16:00 | 0:16:03 | |
It's incredibly humiliating. | 0:16:03 | 0:16:04 | |
Meanwhile the Labour Party, who are usually for inheritance tax, | 0:16:04 | 0:16:07 | |
suddenly decided that passing on your house to your children | 0:16:07 | 0:16:10 | |
was a traditional socialist touchstone, | 0:16:10 | 0:16:14 | |
and that it was appalling to suggest that people | 0:16:14 | 0:16:17 | |
should actually have to pay for some of their own care | 0:16:17 | 0:16:19 | |
and not give their children money. | 0:16:19 | 0:16:21 | |
The Conservatives have promised | 0:16:21 | 0:16:23 | |
8 billion of extra funding for the NHS. | 0:16:23 | 0:16:25 | |
-Where's the money coming from? -Corporation tax. | 0:16:25 | 0:16:27 | |
Andrew Neil tried to find out. | 0:16:27 | 0:16:29 | |
How are you going to pay for the extra £8 billion for the NHS? | 0:16:29 | 0:16:34 | |
Andrew, when I go round the country and talk to people | 0:16:34 | 0:16:36 | |
about what we're going to do in government, | 0:16:36 | 0:16:38 | |
what people want to know is, | 0:16:38 | 0:16:40 | |
are we actually going to have the strong economy | 0:16:40 | 0:16:42 | |
that enables us to pay for the NHS? | 0:16:42 | 0:16:45 | |
Where will the extra 8 billion come from? | 0:16:45 | 0:16:47 | |
What we have done, if you look at our record, | 0:16:47 | 0:16:50 | |
is shown that we can put record sums of money | 0:16:50 | 0:16:52 | |
into the National Health Service | 0:16:52 | 0:16:54 | |
at the same time as we are ensuring | 0:16:54 | 0:16:56 | |
that we're building that strong economy. | 0:16:56 | 0:16:58 | |
Let me try one more time. | 0:16:58 | 0:17:00 | |
Where will the extra 8 billion for the NHS come from? | 0:17:00 | 0:17:03 | |
What we have done over the last six years - six, seven years - | 0:17:03 | 0:17:07 | |
and what we will do in future, | 0:17:07 | 0:17:09 | |
is ensure that we have the strong economy, | 0:17:09 | 0:17:11 | |
the growing economy, that enables us | 0:17:11 | 0:17:14 | |
to generate the funds to put into our public services. | 0:17:14 | 0:17:16 | |
So, Ed, how does it work if, say, you are the Prime Minister | 0:17:16 | 0:17:19 | |
or Shadow Chancellor, or whatever, | 0:17:19 | 0:17:21 | |
and you go to an interview like that, | 0:17:21 | 0:17:24 | |
so do you get briefed or brief yourself | 0:17:24 | 0:17:27 | |
so that's just those few messages I want to get out, | 0:17:27 | 0:17:30 | |
and whatever I get asked, I will not answer or say anything | 0:17:30 | 0:17:34 | |
that I haven't prepared... | 0:17:34 | 0:17:36 | |
Look at the alternative - Diane Abbott... | 0:17:36 | 0:17:39 | |
Blathering about a load of random figures. | 0:17:39 | 0:17:42 | |
Go on, Ed, you're the expert. | 0:17:42 | 0:17:44 | |
Well... | 0:17:44 | 0:17:46 | |
I think it's really important to answer the question | 0:17:46 | 0:17:48 | |
if you possibly can, and I don't think she did. | 0:17:48 | 0:17:51 | |
Pot and kettle! | 0:17:51 | 0:17:53 | |
I can't believe I'm hearing this! | 0:17:53 | 0:17:55 | |
And I think people probably noticed. | 0:17:55 | 0:17:58 | |
What's the one word that Theresa May repeated over and over again | 0:17:58 | 0:18:01 | |
in that interview with Andrew? | 0:18:01 | 0:18:03 | |
Help! | 0:18:03 | 0:18:05 | |
-Do you want to see? -Yeah. | 0:18:06 | 0:18:08 | |
Well, Andrew, first of all, Andrew... | 0:18:08 | 0:18:10 | |
What we have done, Andrew... | 0:18:10 | 0:18:11 | |
Andrew... You know, Andrew... | 0:18:11 | 0:18:13 | |
Well, Andrew, I called an election several weeks ago... | 0:18:13 | 0:18:15 | |
Andrew... | 0:18:15 | 0:18:16 | |
-Andrew... -Prime Minister, thank you. | 0:18:16 | 0:18:20 | |
Imagine doing that and then getting the name wrong. | 0:18:20 | 0:18:23 | |
What lie did Boris Johnson tell Robert Peston? | 0:18:25 | 0:18:28 | |
Was this the 350 million again? | 0:18:28 | 0:18:30 | |
-Linked. -On the NHS? | 0:18:30 | 0:18:32 | |
Linked. | 0:18:32 | 0:18:33 | |
-Did he say it'd be reconsidered? -Oh, he said it was in the manifesto. | 0:18:33 | 0:18:36 | |
Look at the clip. | 0:18:36 | 0:18:38 | |
Why isn't the £350 million, which we're getting back... | 0:18:38 | 0:18:43 | |
The only way you're going to take back control... | 0:18:43 | 0:18:45 | |
Why's it not in the manifesto? | 0:18:45 | 0:18:47 | |
Why's it not in the manifesto, Boris? | 0:18:47 | 0:18:48 | |
-It is, actually, and Theresa May... -It's not there. | 0:18:48 | 0:18:51 | |
She said it at the launch of our manifesto. | 0:18:51 | 0:18:55 | |
She didn't! I was there! | 0:18:55 | 0:18:57 | |
You were there, loyally clapping. | 0:18:57 | 0:19:01 | |
I was, absolutely. Totally, absolutely right, I was. | 0:19:01 | 0:19:04 | |
-Did she say it at the manifesto launch? -No. | 0:19:04 | 0:19:07 | |
Not only did he lie, but he actually cheated as well, | 0:19:07 | 0:19:10 | |
cos he looked at Peston's notes | 0:19:10 | 0:19:11 | |
in the hope of finding out what the question was going to be, | 0:19:11 | 0:19:14 | |
and he was caught. | 0:19:14 | 0:19:15 | |
I didn't know what cheating you were referring to there. | 0:19:15 | 0:19:18 | |
AUDIENCE GASPS | 0:19:18 | 0:19:20 | |
You've suddenly adopted the character of a Northern housewife. | 0:19:20 | 0:19:24 | |
-NORTHERN ACCENT: -"Ooh, have you heard about...?" | 0:19:24 | 0:19:28 | |
"It was no surprise to me! | 0:19:28 | 0:19:30 | |
"He was rinsing out his own gloves last Saturday." | 0:19:31 | 0:19:34 | |
We haven't talked about Labour very much, | 0:19:35 | 0:19:37 | |
so to head off any accusations of bias... | 0:19:37 | 0:19:39 | |
Are you leaving now, to be replaced? | 0:19:42 | 0:19:45 | |
"The next round will be hosted by Michael Portillo." | 0:19:45 | 0:19:48 | |
Come on, we can have a Train Round. | 0:19:53 | 0:19:55 | |
When it comes to the Labour's manifesto promises, | 0:19:58 | 0:20:01 | |
how did Shadow Foreign Secretary Emily Thornberry muddy the waters? | 0:20:01 | 0:20:04 | |
-Was this Trident? -Yep. | 0:20:04 | 0:20:06 | |
She said it would be reviewed | 0:20:06 | 0:20:07 | |
and the review might include scrapping it. | 0:20:07 | 0:20:09 | |
-Was that the problem? -And do you know who contradicted her | 0:20:09 | 0:20:12 | |
and said it was Labour's policy to keep Trident? | 0:20:12 | 0:20:14 | |
-The Shadow Defence... -The Shadow Defence Secretary, that's right. | 0:20:14 | 0:20:17 | |
This was Nia Griffith, the Shadow Defence Secretary... | 0:20:17 | 0:20:20 | |
-AUDIENCE: -Ooh! -Ooh! | 0:20:24 | 0:20:25 | |
You're doing it again! | 0:20:25 | 0:20:28 | |
-NORTHERN ACCENT: -"I don't know who that man was | 0:20:28 | 0:20:30 | |
"she was in the pub with on Saturday, | 0:20:30 | 0:20:32 | |
"but it wasn't her husband, I'll tell you that much! | 0:20:32 | 0:20:34 | |
"I know full well he's got a job in Peterborough!" | 0:20:34 | 0:20:38 | |
-Finally... -Yeah? | 0:20:38 | 0:20:39 | |
..in an interview with the Sunday Telegraph, | 0:20:39 | 0:20:41 | |
Theresa May revealed who her dream dinner party guests would be. | 0:20:41 | 0:20:46 | |
If anyone from Google is watching, | 0:20:51 | 0:20:52 | |
prepare for a surge at 9:31 tonight. | 0:20:52 | 0:20:55 | |
He was an explorer, wasn't he, Wilfred Thesiger? | 0:20:55 | 0:20:58 | |
-Yeah. -Africa. -Ended up in Kenya. | 0:20:58 | 0:21:00 | |
Where did he intend to go? | 0:21:00 | 0:21:02 | |
Another dream dinner party guest | 0:21:08 | 0:21:10 | |
would be the artist Sir Stanley Spencer. | 0:21:10 | 0:21:12 | |
Has she ever looked at the pictures he painted? | 0:21:12 | 0:21:15 | |
Don't know! | 0:21:15 | 0:21:16 | |
-HENNING: -That's not her, is it? | 0:21:16 | 0:21:18 | |
Unless that's Jacob Rees-Mogg! | 0:21:22 | 0:21:25 | |
APPLAUSE | 0:21:27 | 0:21:30 | |
Should we find out who your dream dinner party guests would be? | 0:21:32 | 0:21:35 | |
Imagine the scene. | 0:21:35 | 0:21:37 | |
SOFT JAZZ MUSIC PLAYS | 0:21:38 | 0:21:40 | |
You can invite one guest each. Ian. | 0:21:44 | 0:21:47 | |
If it was in a restaurant, I'd invite Diane Abbott | 0:21:52 | 0:21:55 | |
and ask her to do the bill. | 0:21:55 | 0:21:57 | |
She's not dead. | 0:21:58 | 0:22:00 | |
Oh, yes, she is! | 0:22:00 | 0:22:01 | |
Janet. | 0:22:03 | 0:22:04 | |
Frank Field. | 0:22:05 | 0:22:07 | |
Frank Field?! | 0:22:07 | 0:22:09 | |
Frank Field is my secret love object. | 0:22:09 | 0:22:12 | |
Paul? | 0:22:12 | 0:22:14 | |
Charlie Chaplin, | 0:22:14 | 0:22:15 | |
although he was a silent comic so I wouldn't expect much conversation. | 0:22:15 | 0:22:18 | |
Henning. | 0:22:21 | 0:22:23 | |
Who would be your dream dinner party guest and why? | 0:22:23 | 0:22:26 | |
-Jesus. -Weren't you expecting the question? | 0:22:26 | 0:22:28 | |
Jesus. Jesus! | 0:22:28 | 0:22:31 | |
I mean, in case you run out of food or drink... | 0:22:31 | 0:22:33 | |
So at the end of this round, | 0:22:40 | 0:22:41 | |
it's two points each. | 0:22:41 | 0:22:44 | |
APPLAUSE | 0:22:44 | 0:22:47 | |
-And so to Round Two. -I'm going to give you a musical clue. | 0:22:55 | 0:23:00 | |
-Oh, God! -JANET: -God... | 0:23:00 | 0:23:01 | |
I'm going to play a song which obviously will trigger a story | 0:23:01 | 0:23:04 | |
and I want you to buzz in when you know the answer. | 0:23:04 | 0:23:07 | |
OK. | 0:23:07 | 0:23:08 | |
HE PLAYS A SIMPLE TUNE | 0:23:08 | 0:23:12 | |
Scientists have found a way of making time stand still! | 0:23:12 | 0:23:16 | |
This could be Morse code, he might be signalling. | 0:23:16 | 0:23:20 | |
Signalling to U-boats in the harbour. | 0:23:20 | 0:23:22 | |
I've never heard of this bloody song! | 0:23:22 | 0:23:24 | |
Well, that's obvious! | 0:23:24 | 0:23:27 | |
OK, I'll do it again. | 0:23:27 | 0:23:29 | |
No! Stop, stop, stop! | 0:23:29 | 0:23:31 | |
In case you need a further clue... | 0:23:31 | 0:23:33 | |
Yeah? | 0:23:33 | 0:23:35 | |
APPLAUSE | 0:23:36 | 0:23:38 | |
Can we have a professional opinion? | 0:23:38 | 0:23:40 | |
Interesting use of the word "further"! | 0:23:40 | 0:23:43 | |
..we'll have a look at the picture. | 0:23:43 | 0:23:45 | |
It's a cat that can play the piano! | 0:23:48 | 0:23:50 | |
-JANET: -Pussycat. What's New Pussycat?. | 0:23:50 | 0:23:52 | |
He's called Bastard, by the look of it, on his collar. | 0:23:52 | 0:23:55 | |
Why would someone call a cat Bastard? | 0:23:55 | 0:23:57 | |
-HENNING: -That's Tom Jones?! | 0:23:57 | 0:23:59 | |
HE HUMS | 0:23:59 | 0:24:01 | |
That still isn't it! | 0:24:03 | 0:24:05 | |
I still don't know what song we're after! | 0:24:07 | 0:24:09 | |
It is a song, What's New Pussycat?, | 0:24:10 | 0:24:13 | |
to introduce this cat, who's called Bastard, according to his collar! | 0:24:13 | 0:24:16 | |
Although they reckon the cat | 0:24:16 | 0:24:18 | |
is intelligent enough, so they have blocked out three of the letters, | 0:24:18 | 0:24:21 | |
so he doesn't get a complex about it! | 0:24:21 | 0:24:23 | |
He might think his name's Bernard! | 0:24:23 | 0:24:25 | |
This is the news that an Australian charity are seeking a home | 0:24:28 | 0:24:32 | |
for a cat called Mr Biggles. | 0:24:32 | 0:24:34 | |
Do you know why he is struggling to find a home? | 0:24:34 | 0:24:36 | |
Is he very ill-tempered? | 0:24:36 | 0:24:38 | |
According to the advert posted by an Australian pet charity, | 0:24:38 | 0:24:41 | |
Mr Biggles is an... | 0:24:41 | 0:24:43 | |
Why is he such a bastard, anybody know? | 0:24:50 | 0:24:52 | |
Weren't we discussing Tom Jones a minute ago? | 0:24:52 | 0:24:56 | |
-He sang the song. -He sang What's New Pussycat?. | 0:24:56 | 0:24:58 | |
And this is about a pussycat in Australia - that's the link. | 0:24:58 | 0:25:02 | |
-That's the link. -Get over it! -Ahh! | 0:25:02 | 0:25:05 | |
I think it was the "bip, bip, bip" that confused you. | 0:25:05 | 0:25:09 | |
According to the ad... | 0:25:09 | 0:25:11 | |
The ad also says he has the air of... | 0:25:16 | 0:25:18 | |
Let's move on. | 0:25:21 | 0:25:23 | |
Syd Hodgson wanted a tree cut down | 0:25:23 | 0:25:25 | |
to stop pigeons roosting and pooing on his car. | 0:25:25 | 0:25:29 | |
Four council workmen came along and installed this. | 0:25:29 | 0:25:32 | |
What did Syd make of the owl? | 0:25:35 | 0:25:37 | |
Pathetic. | 0:25:37 | 0:25:38 | |
He got really, really angry. | 0:25:38 | 0:25:40 | |
Is the right answer. | 0:25:40 | 0:25:42 | |
He wanted the tree cut down. He didn't want an owl. | 0:25:42 | 0:25:44 | |
He told the Times... | 0:25:44 | 0:25:45 | |
The owl might be saying the same about him! | 0:25:50 | 0:25:53 | |
And lastly, in other animal news, | 0:26:00 | 0:26:02 | |
let's see how a Russian dog | 0:26:02 | 0:26:04 | |
interrupted a news broadcast this week. | 0:26:04 | 0:26:07 | |
SHE SPEAKS RUSSIAN | 0:26:07 | 0:26:09 | |
DOG BARKS | 0:26:09 | 0:26:11 | |
SHE GASPS | 0:26:15 | 0:26:18 | |
SHE CONTINUES | 0:26:18 | 0:26:22 | |
They train their journalists tough over there, don't they? | 0:26:28 | 0:26:32 | |
Fingers on buzzers, teams, here's your next musical clue. | 0:26:32 | 0:26:35 | |
IAN SCOFFS | 0:26:35 | 0:26:36 | |
Interesting use of the word "next"! | 0:26:36 | 0:26:39 | |
FUNKY BEAT PLAYS | 0:26:39 | 0:26:41 | |
HE PLAYS A TUNE | 0:26:43 | 0:26:46 | |
BELL RINGS | 0:26:52 | 0:26:53 | |
-Oh, it sounds like something! -I'm joining in! | 0:26:53 | 0:26:56 | |
-I've not finished! -Oh, I think you have. -No, no, no. | 0:26:56 | 0:26:59 | |
That's it. | 0:27:04 | 0:27:07 | |
CHEERING AND APPLAUSE | 0:27:07 | 0:27:09 | |
-JANET: -Not bad at all. | 0:27:09 | 0:27:11 | |
It sounded like something. | 0:27:11 | 0:27:13 | |
-I can't think what it was. -Took me five years to master that. | 0:27:15 | 0:27:18 | |
Well, I don't think you've mastered it yet, to be honest. | 0:27:18 | 0:27:21 | |
Do you feel as though you need a further clue? | 0:27:21 | 0:27:23 | |
-Yes. -Further clue, yes. | 0:27:23 | 0:27:26 | |
Tell us what the song is, for example. | 0:27:26 | 0:27:28 | |
So the song was Pretty Woman. Here's a picture. | 0:27:28 | 0:27:32 | |
-HENNING: -Well, it's a pretty woman, innit? | 0:27:32 | 0:27:34 | |
-BELL RINGS -Jane Austen! -HENNING: -Oh, yeah. | 0:27:34 | 0:27:36 | |
That's going to be a bit big for the machines, isn't it? | 0:27:36 | 0:27:39 | |
-JANET: -Hasn't there been an argument that she's been slightly... | 0:27:39 | 0:27:42 | |
I might as well not be here! | 0:27:42 | 0:27:43 | |
BELL RINGS | 0:27:43 | 0:27:44 | |
It's a buzzer round. | 0:27:44 | 0:27:47 | |
-Oh, sorry. -No, no, go on. -Oh. -Just making a point! | 0:27:47 | 0:27:50 | |
My point is that there's been an argument | 0:27:51 | 0:27:54 | |
that she has been slightly prettied up for the £10 note. | 0:27:54 | 0:27:57 | |
This is the news that the image of Jane Austen | 0:27:57 | 0:28:00 | |
on the new £10 banknote has caused controversy | 0:28:00 | 0:28:02 | |
after being airbrushed to make her look prettier. | 0:28:02 | 0:28:05 | |
-Here's how she is on the new £10 note. -Mm-hm. | 0:28:05 | 0:28:08 | |
And here's the original portrait that's based on. | 0:28:08 | 0:28:11 | |
That was drawn by her sister. | 0:28:11 | 0:28:13 | |
Yeah. | 0:28:13 | 0:28:15 | |
-HENNING: -Well, it's similar though, innit? | 0:28:15 | 0:28:17 | |
-JANET: -Similar, but if you were on Crimewatch, | 0:28:17 | 0:28:19 | |
would you say it was the same perpetrator? | 0:28:19 | 0:28:22 | |
Of course, I have just been on billboards | 0:28:22 | 0:28:25 | |
all over the country in a swimsuit | 0:28:25 | 0:28:27 | |
to promote a campaign for body confidence, | 0:28:27 | 0:28:29 | |
in which I was not airbrushed. | 0:28:29 | 0:28:31 | |
Can we see that? | 0:28:31 | 0:28:33 | |
You can see it if you want. | 0:28:33 | 0:28:35 | |
You can see my varicose veins 15 feet high. | 0:28:35 | 0:28:37 | |
They've been in Westfield shopping centre. | 0:28:37 | 0:28:39 | |
Your varicose veins are 15 foot high?! | 0:28:39 | 0:28:41 | |
No, my body was! | 0:28:41 | 0:28:43 | |
I see it now, yes! | 0:28:43 | 0:28:46 | |
I thought that was a nimbus cloud! | 0:28:46 | 0:28:48 | |
Anyway, this airbrushing is a plague, I do think. | 0:28:48 | 0:28:52 | |
It's astonishing that they feel they have to make | 0:28:52 | 0:28:55 | |
Jane Austen look more cute, you know? | 0:28:55 | 0:28:57 | |
In fact, they've just made her look more bland. | 0:28:57 | 0:29:00 | |
Yes. This is the airbrushing of Jane Austen's face | 0:29:00 | 0:29:02 | |
on the new £10 note, | 0:29:02 | 0:29:04 | |
a decision which shows a complete lack of sense. | 0:29:04 | 0:29:06 | |
And sensibility. | 0:29:06 | 0:29:08 | |
Which means at the end of this round, | 0:29:10 | 0:29:13 | |
it's Paul and Janet on 3 | 0:29:13 | 0:29:15 | |
and Ian and Henning trailing on 2. | 0:29:15 | 0:29:17 | |
APPLAUSE | 0:29:17 | 0:29:20 | |
Time now for the Odd-One-Out Round. | 0:29:27 | 0:29:29 | |
Just one between you. This week, your four are... | 0:29:29 | 0:29:32 | |
a pair of glasses. | 0:29:32 | 0:29:33 | |
BUZZER | 0:29:33 | 0:29:34 | |
-Can we have... -All right, you need to do a bit of buzzing! | 0:29:34 | 0:29:38 | |
How can you get the odd one out from one? | 0:29:38 | 0:29:40 | |
I'm just getting it in early since I keep being ignored! | 0:29:40 | 0:29:45 | |
Let's do that again. | 0:29:45 | 0:29:46 | |
Yeah. | 0:29:46 | 0:29:47 | |
I might do it again, just to annoy you. | 0:29:47 | 0:29:50 | |
Don't do it again. | 0:29:50 | 0:29:51 | |
Time now... | 0:29:51 | 0:29:52 | |
BUZZER | 0:29:52 | 0:29:54 | |
APPLAUSE | 0:29:56 | 0:29:58 | |
You utter, utter, utter bastard. | 0:30:00 | 0:30:03 | |
Your four are a pair of glasses, | 0:30:04 | 0:30:06 | |
a student's room in LA, | 0:30:06 | 0:30:08 | |
a steam cloud in Nottingham | 0:30:08 | 0:30:10 | |
and a pineapple. | 0:30:10 | 0:30:11 | |
BELL RINGS | 0:30:11 | 0:30:12 | |
The pair of glasses was mistaken for an exhibit in an art exhibition. | 0:30:12 | 0:30:16 | |
Is there a pineapple in an exhibition? | 0:30:16 | 0:30:18 | |
Bound to be. | 0:30:18 | 0:30:20 | |
And I think that student's room, | 0:30:21 | 0:30:23 | |
someone has arranged a student's room. | 0:30:23 | 0:30:26 | |
-I read about that, yeah. -An installation. | 0:30:26 | 0:30:28 | |
It's an installation. So, they are all deliberate, except the glasses. | 0:30:28 | 0:30:32 | |
The steam cloud has been declared a work of art. | 0:30:32 | 0:30:36 | |
I was going to say, "Can we have a clue?" | 0:30:39 | 0:30:41 | |
but then I thought, "Oh, no!" | 0:30:41 | 0:30:43 | |
# Bam-bam-bam-bam... # | 0:30:43 | 0:30:46 | |
Anybody(?) | 0:30:46 | 0:30:47 | |
-JANET: -Get the keyboard out! | 0:30:47 | 0:30:49 | |
It's the National Anthem, can you hear it? | 0:30:49 | 0:30:52 | |
Oh, yeah! | 0:30:52 | 0:30:53 | |
Can't you just sing us another clue? | 0:30:53 | 0:30:55 | |
No, don't! | 0:30:55 | 0:30:57 | |
Sorry, that came from the heart. | 0:30:57 | 0:30:59 | |
We don't know the answer. | 0:30:59 | 0:31:01 | |
It's about... | 0:31:01 | 0:31:03 | |
being genuine works and being mistaken for genuine works of art. | 0:31:03 | 0:31:07 | |
And there's only one of the four which is a genuine work of art. | 0:31:07 | 0:31:10 | |
And that's the student's room, so that's the odd one out. | 0:31:10 | 0:31:13 | |
-No. -It's the pineapple! | 0:31:13 | 0:31:14 | |
It's the power station. It's the glasses! | 0:31:14 | 0:31:16 | |
BELL RINGS | 0:31:16 | 0:31:17 | |
I tried to answer this question. | 0:31:17 | 0:31:19 | |
You can't say every one of them as the odd one out! | 0:31:19 | 0:31:24 | |
They have all been mistaken for genuine works of art, | 0:31:24 | 0:31:27 | |
apart from a cloud of steam, | 0:31:27 | 0:31:30 | |
which WAS a genuine work of art | 0:31:30 | 0:31:32 | |
but was mistaken for a fire. | 0:31:32 | 0:31:34 | |
Let's have a look. | 0:31:35 | 0:31:38 | |
That is the steam. | 0:31:38 | 0:31:39 | |
It's either that | 0:31:39 | 0:31:41 | |
or the Liberal Democrats Drugs Policy Working Group. | 0:31:41 | 0:31:43 | |
In 1666, it was all over London... | 0:31:43 | 0:31:47 | |
And everyone was marvelling. "Ooh, lovely." | 0:31:49 | 0:31:52 | |
-JANET: -But Henning... | 0:31:52 | 0:31:54 | |
The Turner Prize has outdone itself this year. | 0:31:54 | 0:31:57 | |
Do you know how the Nottingham Contemporary Art Gallery | 0:31:57 | 0:32:00 | |
tried to warn passers-by that | 0:32:00 | 0:32:02 | |
that was in fact an art installation? | 0:32:02 | 0:32:05 | |
Special signs? | 0:32:05 | 0:32:06 | |
They put up posters in the surrounding area | 0:32:06 | 0:32:08 | |
telling people not to worry | 0:32:08 | 0:32:10 | |
and that it was only a cloud of steam, | 0:32:10 | 0:32:12 | |
posters which, due to the cloud of steam, nobody could see. | 0:32:12 | 0:32:16 | |
This is an insurance nightmare. | 0:32:18 | 0:32:21 | |
I've got a question. How do you create this amount of steam? | 0:32:21 | 0:32:24 | |
Have they got a giant kettle? | 0:32:24 | 0:32:26 | |
How do you actually create that amount of steam? | 0:32:26 | 0:32:28 | |
I don't know. | 0:32:28 | 0:32:29 | |
-It's art. -I know it's art, | 0:32:29 | 0:32:32 | |
-but are they boiling water...? -Have you ever been in a steam bath? | 0:32:32 | 0:32:35 | |
Steam, yeah. | 0:32:35 | 0:32:37 | |
You go into a steam room and who knows who's lurking in there. | 0:32:37 | 0:32:40 | |
But you would walk in and say, "It's a WALK of art." | 0:32:43 | 0:32:46 | |
Ed. | 0:32:48 | 0:32:49 | |
Don't give up the day job. | 0:32:49 | 0:32:52 | |
He's got a day job? | 0:32:52 | 0:32:53 | |
-Not any more. -Ed, can you do any impressions? | 0:32:55 | 0:32:58 | |
What do you want? | 0:33:01 | 0:33:03 | |
"Tough on crime, tough on the causes of crime." | 0:33:03 | 0:33:06 | |
Was that Tom Jones? | 0:33:11 | 0:33:12 | |
"You guys, Hislop! You're an outrage." | 0:33:16 | 0:33:19 | |
-That was Gordon Brown. -Gordon Brown! | 0:33:19 | 0:33:22 | |
God, I was terrified. | 0:33:22 | 0:33:24 | |
What is the water vapour supposedly symbolising? | 0:33:24 | 0:33:27 | |
-Steam. -Discussion about art. -Yes. | 0:33:27 | 0:33:30 | |
According to the art gallery director... | 0:33:30 | 0:33:32 | |
Oh, he's drunk. | 0:33:32 | 0:33:34 | |
"..water vapour is being released from the gallery roof in varying amounts..." | 0:33:34 | 0:33:39 | |
And I think it does it very, very well. | 0:33:42 | 0:33:45 | |
A student's room in Los Angeles has recently been turned into | 0:33:45 | 0:33:48 | |
a passive-aggressive art gallery by his roommate, | 0:33:48 | 0:33:51 | |
who's sick of the mess he has left lying around. | 0:33:51 | 0:33:54 | |
When Justin finds any mess left by his housemate, | 0:33:54 | 0:33:57 | |
he leaves a card with the price and description of the art. | 0:33:57 | 0:34:00 | |
-Shall we look at a piece? -Mm. | 0:34:00 | 0:34:01 | |
"Forgotten milk, left to actively go rancid in fridge | 0:34:01 | 0:34:05 | |
"far beyond sell-by date." | 0:34:05 | 0:34:08 | |
Eurgh! Split infinitive! | 0:34:08 | 0:34:10 | |
It's barely worth 200 now! | 0:34:13 | 0:34:15 | |
A pair of glasses was mistaken for a new exhibit | 0:34:17 | 0:34:20 | |
at the San Francisco Museum of Modern Art. | 0:34:20 | 0:34:21 | |
Let's have a look. | 0:34:21 | 0:34:23 | |
Calls into question the whole way we see things. | 0:34:24 | 0:34:27 | |
A pineapple was left in the middle | 0:34:31 | 0:34:32 | |
of an Aberdeen exhibition by a student. | 0:34:32 | 0:34:35 | |
What did the curators of the exhibition do with it? | 0:34:35 | 0:34:37 | |
-Put it in the catalogue? -Worse. -Put it in a case? | 0:34:37 | 0:34:40 | |
-Sold it! -They put it in a display case. | 0:34:40 | 0:34:43 | |
It was left there by mistake. | 0:34:45 | 0:34:48 | |
How could you leave a pineapple? | 0:34:48 | 0:34:50 | |
I'm sorry, if I buy a pineapple, I don't go and walk round | 0:34:50 | 0:34:53 | |
an art gallery and think, | 0:34:53 | 0:34:55 | |
"Oh, I'll just look at this picture. I'll put my pineapple down." | 0:34:55 | 0:34:58 | |
You're missing out! | 0:34:58 | 0:34:59 | |
Everybody's doing it these days! | 0:34:59 | 0:35:01 | |
Well, actually, the thing about all art galleries now, | 0:35:01 | 0:35:04 | |
my big bugbear, is they have very over-explanatory captions | 0:35:04 | 0:35:08 | |
telling you what you are seeing. | 0:35:08 | 0:35:10 | |
And that gets me when they then also explain the motivation. | 0:35:10 | 0:35:14 | |
Sometimes people have been dead for 200-300 years, | 0:35:14 | 0:35:17 | |
how do you know their motivation? | 0:35:17 | 0:35:19 | |
I mean, most stuff happens just because it just so happens, innit? | 0:35:19 | 0:35:24 | |
When I saw the other day on telly, they had something about Rembrandt, | 0:35:24 | 0:35:29 | |
and they had one picture that was all in gold. | 0:35:29 | 0:35:31 | |
For all we know, he didn't have no other colour left! | 0:35:31 | 0:35:35 | |
I mean, is it late Monet, everyone said, "It's extraordinary, | 0:35:36 | 0:35:40 | |
"he gets more and more abstract." | 0:35:40 | 0:35:41 | |
He was going blind, he couldn't see! | 0:35:41 | 0:35:43 | |
Half the time the painting's on the canvas, | 0:35:45 | 0:35:47 | |
the other time it's on his wife. | 0:35:47 | 0:35:49 | |
This is the most philistine conversation | 0:35:49 | 0:35:51 | |
I've ever been involved in about art, it's absolutely shocking! | 0:35:51 | 0:35:53 | |
Really? | 0:35:53 | 0:35:54 | |
There's always the idea that everything is predestined, | 0:35:54 | 0:35:57 | |
that someone has worked something out in advance. | 0:35:57 | 0:36:00 | |
Why are people then divorced with three children? | 0:36:00 | 0:36:03 | |
But the idea that Jane Austen sat down and kind of just went... | 0:36:04 | 0:36:07 | |
"Oh, my God, I've written Mansfield Park!" | 0:36:07 | 0:36:09 | |
Of course she meant to write it! | 0:36:09 | 0:36:11 | |
But we're talking about... | 0:36:11 | 0:36:12 | |
But you don't know, at the start, when you sit down | 0:36:12 | 0:36:14 | |
and are writing a book, you don't know how it ends. | 0:36:14 | 0:36:16 | |
People tend to, I think. | 0:36:16 | 0:36:18 | |
No! No way! You just go on a journey, God knows how it ends! | 0:36:18 | 0:36:22 | |
You know how it ends when you run out of ink. | 0:36:23 | 0:36:27 | |
Which means at the end of this round | 0:36:30 | 0:36:32 | |
it's Paul and Janet on 3 | 0:36:32 | 0:36:34 | |
and Ian and Henning still trailing on 2. | 0:36:34 | 0:36:36 | |
APPLAUSE | 0:36:36 | 0:36:39 | |
Time now for the Missing Words Round, | 0:36:47 | 0:36:49 | |
which this week features, as its guest publication, Chanter, | 0:36:49 | 0:36:53 | |
the Journal of the Bagpipe Society. | 0:36:53 | 0:36:56 | |
And we start with... | 0:36:56 | 0:36:57 | |
-JANET: -Find Mr Right or even Mr 10%. | 0:36:59 | 0:37:03 | |
In the back of a cupboard. | 0:37:05 | 0:37:08 | |
The answer is... | 0:37:08 | 0:37:10 | |
Outraged consumers have been posting pictures this week | 0:37:14 | 0:37:16 | |
of a top from fashion retailer PrettyLittleThing | 0:37:16 | 0:37:19 | |
that's impossible to get over their heads. | 0:37:19 | 0:37:21 | |
Let's have a look. | 0:37:21 | 0:37:23 | |
That's not good. | 0:37:27 | 0:37:28 | |
I have the same problem with pants. | 0:37:28 | 0:37:32 | |
Why do you put them on your head? | 0:37:32 | 0:37:33 | |
Next... | 0:37:35 | 0:37:36 | |
Is it host Have I Got News For You? | 0:37:41 | 0:37:43 | |
The next time a stranger asks me to smell their Spaniel. | 0:37:46 | 0:37:48 | |
That's it. | 0:37:52 | 0:37:54 | |
That happened in Peterborough. | 0:37:54 | 0:37:56 | |
-That's what Tim Farron said. -That's what Tim Farron said. | 0:37:56 | 0:37:59 | |
What does it mean? | 0:37:59 | 0:38:00 | |
Oh, he was just slightly misreported, | 0:38:00 | 0:38:03 | |
there was someone with a dog coming along | 0:38:03 | 0:38:05 | |
and the dog got really excited, | 0:38:05 | 0:38:07 | |
and then he said, "Must be smelling my Spaniel." | 0:38:07 | 0:38:10 | |
Obviously doesn't make for good news, so... | 0:38:13 | 0:38:16 | |
Unless he hasn't got a Spaniel! | 0:38:16 | 0:38:19 | |
Journalists saying that Tim Farron approached people | 0:38:19 | 0:38:22 | |
and said to them, "You go and smell my Spaniel now." | 0:38:22 | 0:38:24 | |
Think about our organ. | 0:38:24 | 0:38:27 | |
Is it get my bagpipes out? | 0:38:27 | 0:38:29 | |
Chanter Magazine asks... | 0:38:36 | 0:38:39 | |
Exactly what my GP asked me last week. | 0:38:45 | 0:38:47 | |
Next... | 0:38:49 | 0:38:50 | |
-JANET: -I know the answer to this. -Go on, then. | 0:38:54 | 0:38:56 | |
It's a falconry thing in the boot. | 0:38:56 | 0:38:59 | |
Like a perch, basically. | 0:38:59 | 0:39:01 | |
How on Earth do you know that? | 0:39:01 | 0:39:03 | |
-Because, Ed... -It's incredible. | 0:39:03 | 0:39:05 | |
APPLAUSE | 0:39:11 | 0:39:14 | |
So as you're driving along in your Bentley, | 0:39:16 | 0:39:18 | |
you can release falcons into the air. | 0:39:18 | 0:39:20 | |
Something like that. | 0:39:20 | 0:39:22 | |
"Go, my beauty, and bring something back from Harrods." | 0:39:22 | 0:39:26 | |
Next... | 0:39:26 | 0:39:27 | |
-HENNING: -I don't know, mental breakdown. | 0:39:29 | 0:39:32 | |
The loss of my political career. | 0:39:33 | 0:39:36 | |
-Yep. -Next... | 0:39:44 | 0:39:46 | |
-Bagpipes? -Must be passport. | 0:39:51 | 0:39:54 | |
And finally... | 0:40:02 | 0:40:03 | |
I read this. It said more likely to be left-wing. | 0:40:06 | 0:40:09 | |
Or to be socialists. | 0:40:09 | 0:40:10 | |
-Oh, yes. -Is exactly right. | 0:40:10 | 0:40:12 | |
It was in that top journal of scientific record, | 0:40:15 | 0:40:17 | |
the Sun, wasn't it? | 0:40:17 | 0:40:19 | |
It was actually in the Journal Of Evolution And Human Behaviour. | 0:40:19 | 0:40:23 | |
I sent a copy to Jeremy Corbyn, | 0:40:23 | 0:40:25 | |
but, sadly, he couldn't lift it off the doormat. | 0:40:25 | 0:40:28 | |
So the final scores are - | 0:40:28 | 0:40:31 | |
Paul and Jeremy on 4. | 0:40:31 | 0:40:33 | |
-Who? Paul and Jeremy? -He's on! | 0:40:33 | 0:40:36 | |
I think I might read that again. | 0:40:41 | 0:40:43 | |
-I think you should. -Yeah. | 0:40:43 | 0:40:45 | |
So the final scores are - | 0:40:45 | 0:40:46 | |
Paul and Janet are on 4, and Ian and Henning are also on 4. | 0:40:46 | 0:40:51 | |
It's a tie. | 0:40:51 | 0:40:52 | |
APPLAUSE | 0:40:52 | 0:40:54 | |
We scraped one... | 0:40:54 | 0:40:56 | |
On which note, we say thank you to our panellists, | 0:41:00 | 0:41:02 | |
Ian Hislop and Henning Wehn, Paul Merton and Janet Street-Porter. | 0:41:02 | 0:41:05 | |
And I leave you with news that, at the European Parliament, | 0:41:05 | 0:41:08 | |
the prank of calling an emergency meeting on a Sunday | 0:41:08 | 0:41:10 | |
works like a dream. | 0:41:10 | 0:41:11 | |
As Donald Trump completes his first tour abroad, | 0:41:14 | 0:41:17 | |
his foreign adviser waits patiently for him on Air Force One. | 0:41:17 | 0:41:20 | |
And after Pippa Middleton's wedding, | 0:41:24 | 0:41:27 | |
some of the guests begin to spread gossip about the bridegroom. | 0:41:27 | 0:41:31 | |
Goodnight. | 0:41:35 | 0:41:36 |