Browse content similar to Stairway to Hebburn. Check below for episodes and series from the same categories and more!
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# Oh, Joey Boy A slice of cheese is calling | 0:00:27 | 0:00:31 | |
# And a pork pie But not a word to Pauline... # | 0:00:31 | 0:00:35 | |
DOOR OPENS | 0:00:35 | 0:00:39 | |
Hello. | 0:00:44 | 0:00:46 | |
What's my favourite estate agent doing home in daylight hours? | 0:00:46 | 0:00:50 | |
We're not selling our house, are we? | 0:00:50 | 0:00:52 | |
No, I'm not selling...anything. | 0:00:52 | 0:00:54 | |
Have you been crying? | 0:00:55 | 0:00:57 | |
Oh, Joe, it's that place, that awful place! | 0:00:57 | 0:01:03 | |
The porch? What's wrong with it? | 0:01:03 | 0:01:05 | |
No, the estate agents! And that Ralph. | 0:01:05 | 0:01:07 | |
Slimy, patronising, point-scoring little bully. | 0:01:07 | 0:01:10 | |
He delights in making my life a misery. | 0:01:10 | 0:01:13 | |
We should introduce him to your mam, they'd make the perfect storm. | 0:01:13 | 0:01:17 | |
Aw, angel. | 0:01:17 | 0:01:20 | |
I feel like jacking it all in. | 0:01:20 | 0:01:22 | |
It would mean you'd be less stressed. | 0:01:22 | 0:01:24 | |
And we'd all benefit from that. | 0:01:24 | 0:01:26 | |
We could start maybe using just a spoon to cut the atmosphere. | 0:01:28 | 0:01:32 | |
Right, I'm off. | 0:01:32 | 0:01:33 | |
Where are you going? | 0:01:33 | 0:01:34 | |
I'm going to help Gervaise choose a studio to record his album at. | 0:01:34 | 0:01:38 | |
-I thought Hebburn only had one recording studio. -Aye. | 0:01:38 | 0:01:41 | |
That's the one we're going to choose. | 0:01:41 | 0:01:44 | |
You all right, Mam? | 0:01:44 | 0:01:46 | |
You look sad and it's making me feel sad. | 0:01:46 | 0:01:49 | |
I'm fine, love. | 0:01:49 | 0:01:50 | |
She's not fine. I heard it all. | 0:01:50 | 0:01:54 | |
She's being bullied at work. Her career's in ruins. | 0:01:54 | 0:01:57 | |
Oh, and she wants to leave me out in a storm! | 0:01:57 | 0:02:01 | |
All right, News At Ten, that's plenty. | 0:02:01 | 0:02:03 | |
Don't worry about me. | 0:02:05 | 0:02:06 | |
You get on your way. | 0:02:06 | 0:02:08 | |
Don't forget, Mam, | 0:02:08 | 0:02:10 | |
Cheryl teaches us that every day ain't going to be no picnic. | 0:02:10 | 0:02:14 | |
Aw, thanks, pet. That helps. | 0:02:14 | 0:02:17 | |
Dad! What are you doing here? | 0:02:28 | 0:02:32 | |
-You know, just passing by. -Passing? | 0:02:32 | 0:02:35 | |
You live in York. Where's Mum? | 0:02:35 | 0:02:38 | |
She's in York. | 0:02:38 | 0:02:41 | |
She let you come all the way here. On your own? | 0:02:41 | 0:02:44 | |
No, she didn't let me. | 0:02:44 | 0:02:46 | |
I've... | 0:02:46 | 0:02:48 | |
I've left your mother. | 0:02:48 | 0:02:50 | |
Ta-da! | 0:02:52 | 0:02:54 | |
I'm a free man! | 0:02:54 | 0:02:56 | |
She pushed me too far this time, Sarah. | 0:02:56 | 0:02:58 | |
And I'm not being told what to do any more! | 0:02:58 | 0:03:02 | |
Ssh! Get inside. | 0:03:02 | 0:03:03 | |
Of course. Sorry. | 0:03:03 | 0:03:05 | |
Jack, look who's here! | 0:03:10 | 0:03:12 | |
Ben? You on your own? Where's Susan? | 0:03:12 | 0:03:14 | |
You on day release? | 0:03:14 | 0:03:16 | |
I've left Susan! | 0:03:16 | 0:03:17 | |
Susan allowed you to leave her? | 0:03:17 | 0:03:20 | |
No, I did it all on my own! | 0:03:20 | 0:03:23 | |
So I thought I could stay here for a week or two | 0:03:23 | 0:03:25 | |
till I get on my feet. | 0:03:25 | 0:03:28 | |
Let's not get ahead of ourselves. Jack? Coffee? | 0:03:28 | 0:03:30 | |
No, none for me, ta. I'm going fishing with Ramsey. | 0:03:30 | 0:03:33 | |
Thankfully, this time I've managed to convince him | 0:03:33 | 0:03:35 | |
not to take his air rifle. | 0:03:35 | 0:03:37 | |
Or his hammer. | 0:03:37 | 0:03:38 | |
I'll have a coffee, love. Three sugars. | 0:03:38 | 0:03:41 | |
Three? | 0:03:41 | 0:03:42 | |
Susan's not in charge of the sugar any more. | 0:03:42 | 0:03:45 | |
Or the spoons. | 0:03:45 | 0:03:47 | |
Anyway, I'll just go upstairs and get unpacked. | 0:03:47 | 0:03:50 | |
I'll find my own way, Jack. | 0:03:51 | 0:03:53 | |
Or as the Americans say, "roomie". | 0:03:53 | 0:03:56 | |
LAUGHING: No problem, roomie! | 0:03:56 | 0:03:58 | |
No matter what happens, there is no way he's moving in here. | 0:03:58 | 0:04:01 | |
I will talk to him. | 0:04:01 | 0:04:02 | |
Mum's probably just pushed him too far. You go. | 0:04:02 | 0:04:04 | |
-IN ACCENT: -Bring me back a fishy on a little dishy. | 0:04:04 | 0:04:07 | |
Well, that's almost racist. | 0:04:07 | 0:04:09 | |
Dad, do you want breakfast? I'm just about to have my third. | 0:04:10 | 0:04:14 | |
Where's Vicky hidden the bloody tea bags? | 0:04:15 | 0:04:17 | |
You know what Ralph did today? | 0:04:17 | 0:04:19 | |
He sent me to show a couple round a house on Hedgy Road. | 0:04:19 | 0:04:22 | |
Hey! There was a house on fire there this morning. | 0:04:22 | 0:04:25 | |
-It was on the news just now. -That was the one. | 0:04:25 | 0:04:27 | |
So, did they buy it? | 0:04:27 | 0:04:28 | |
-No, but the firemen gave us a round of applause for trying. -Hey. | 0:04:28 | 0:04:31 | |
You would think Vicky would at least put the sugar | 0:04:31 | 0:04:34 | |
in the same hemisphere as the tea bags, wouldn't you? | 0:04:34 | 0:04:36 | |
And that Ralph's just standing there, | 0:04:36 | 0:04:37 | |
eating them cupcakes that I baked for everyone at work. | 0:04:37 | 0:04:40 | |
"Perhaps you're better off selling cupcakes cos you can't sell houses," | 0:04:40 | 0:04:43 | |
he said. Slimy little sod. | 0:04:43 | 0:04:46 | |
I've half a bloody mind to do just that. | 0:04:46 | 0:04:50 | |
Fantastic. | 0:04:50 | 0:04:51 | |
Oh, do you think so? | 0:04:51 | 0:04:54 | |
Well, I mean I could always sell to a few different places. | 0:04:54 | 0:04:58 | |
Everybody's always saying how delicious me baking is. | 0:04:58 | 0:05:01 | |
-Absolutely unbelievable. -Thanks, pet. | 0:05:01 | 0:05:05 | |
Mind, it'd mean me working at home all the time. | 0:05:05 | 0:05:09 | |
I'd need a lot of support. | 0:05:09 | 0:05:11 | |
Joe, I'm saying I'll need your support! | 0:05:13 | 0:05:15 | |
You've always got my support, my sweet. | 0:05:15 | 0:05:18 | |
And as soon as I've decided what's living in this teapot | 0:05:18 | 0:05:21 | |
you'll have both my support and a steaming cup of Tetley's. | 0:05:21 | 0:05:23 | |
So, do you think I should do it? | 0:05:23 | 0:05:25 | |
Are you sure? | 0:05:25 | 0:05:27 | |
Aye, I'm sure. | 0:05:28 | 0:05:30 | |
I'm sure. I've never been more sure of anything. | 0:05:30 | 0:05:33 | |
I can't believe it! | 0:05:36 | 0:05:37 | |
I'm going to do it! | 0:05:39 | 0:05:41 | |
I'm going to go and bloody do it! | 0:05:42 | 0:05:45 | |
Aye! You bloody go and bloody do it! | 0:05:45 | 0:05:49 | |
SHE SHOUTS WITH JOY | 0:05:49 | 0:05:51 | |
What's all this racket? I'm trying to watch Loose Women. | 0:05:51 | 0:05:56 | |
There's four ladies who don't let the menopause | 0:05:57 | 0:06:01 | |
dictate their moods, Pauline. | 0:06:01 | 0:06:03 | |
Oh, Dot, not even you can sour me moment. | 0:06:03 | 0:06:07 | |
Pin back your lug holes. We've got some news, big news. Haven't we, Joe? | 0:06:07 | 0:06:10 | |
-Aye, apparently we have. -Go on, you tell her. | 0:06:10 | 0:06:13 | |
No, it's your news. You tell her. | 0:06:13 | 0:06:15 | |
Go on! I just want to see the look on her face. | 0:06:15 | 0:06:17 | |
Why? Is it going to be happy? Or maybe sad? Suicidal? | 0:06:17 | 0:06:21 | |
I'll do it! | 0:06:21 | 0:06:22 | |
I'm starting me own business. | 0:06:23 | 0:06:25 | |
-Joe talked me into it! -Did I? | 0:06:25 | 0:06:27 | |
Ah, look at him being dead modest. | 0:06:27 | 0:06:31 | |
I'm giving up the estate agents and I'm starting up on me own, | 0:06:31 | 0:06:35 | |
baking and selling cup cakes. | 0:06:35 | 0:06:37 | |
-Hooray(!) -Yeah! | 0:06:39 | 0:06:41 | |
What are you doing? | 0:06:42 | 0:06:44 | |
I'm off to start packing me things | 0:06:44 | 0:06:46 | |
because we'll be homeless in no time. | 0:06:46 | 0:06:48 | |
I'm just getting ahead of the bailiffs. | 0:06:48 | 0:06:51 | |
You know, they reckon that since the shipyards closed | 0:06:55 | 0:06:57 | |
there's salmon in the Tyne? | 0:06:57 | 0:06:59 | |
Aye, and cucumber. | 0:06:59 | 0:07:01 | |
Just dropped my sandwich. | 0:07:01 | 0:07:03 | |
So why are we here? | 0:07:05 | 0:07:07 | |
Peace, tranquillity and solitude. | 0:07:07 | 0:07:09 | |
That's pretty deep for you, isn't it, mate? | 0:07:09 | 0:07:11 | |
Oh, it's not me. Denise sends us down here. | 0:07:11 | 0:07:13 | |
To get out from under her swollen feet. | 0:07:13 | 0:07:15 | |
Proposed to her again this morning. | 0:07:15 | 0:07:17 | |
Judging by the fact you're sober | 0:07:17 | 0:07:19 | |
and relatively coherent, I'm assuming she wasn't too impressed? | 0:07:19 | 0:07:21 | |
I don't get it. I spelled "Will you marry me?" out | 0:07:21 | 0:07:24 | |
in Sugar Puffs on the kitchen floor. | 0:07:24 | 0:07:25 | |
Wow. Well, while I have to question you trying to win a lady's heart | 0:07:25 | 0:07:28 | |
with what is essentially spilled breakfast, | 0:07:28 | 0:07:30 | |
I have to admire your persistence, mate. | 0:07:30 | 0:07:32 | |
Aye, well, she can't say no forever. | 0:07:32 | 0:07:34 | |
One of us has to die eventually. | 0:07:34 | 0:07:36 | |
Well, at least you've got a plan. | 0:07:36 | 0:07:38 | |
Right. | 0:07:38 | 0:07:40 | |
Now...why don't you tell me exactly what happened? | 0:07:40 | 0:07:44 | |
I was in the shoe shop, just locking up, when Susan, your mother... | 0:07:46 | 0:07:49 | |
I know who she is. | 0:07:49 | 0:07:51 | |
..she said I kept waking her up when I went to the toilet in the night. | 0:07:51 | 0:07:54 | |
So from now on, I wouldn't be allowed liquids past ten o'clock. | 0:07:54 | 0:07:59 | |
You could talk to her, surely. | 0:07:59 | 0:08:01 | |
Then, after I'd agreed to that, | 0:08:01 | 0:08:03 | |
your mother noticed some stock I'd ordered | 0:08:03 | 0:08:06 | |
that I'd not... | 0:08:06 | 0:08:08 | |
told her about. | 0:08:08 | 0:08:09 | |
What stock? | 0:08:09 | 0:08:11 | |
Ugg boots. | 0:08:11 | 0:08:12 | |
Oh, Dad! You know how she feels about them. | 0:08:12 | 0:08:16 | |
I know! But we are in a recession and they're very popular! | 0:08:16 | 0:08:21 | |
She went mad. | 0:08:21 | 0:08:23 | |
Told me I wasn't allowed to order stock ever again. | 0:08:23 | 0:08:27 | |
And then.. | 0:08:27 | 0:08:28 | |
And then what? | 0:08:28 | 0:08:29 | |
..the next thing I knew I was in the car and shooting my way here, | 0:08:29 | 0:08:34 | |
like Lewis Hamilton. | 0:08:34 | 0:08:36 | |
Except he's not Jewish and I was in a Volvo. | 0:08:36 | 0:08:39 | |
I even had a pasty in the car! | 0:08:39 | 0:08:41 | |
-You ate food in the car? -I did. | 0:08:42 | 0:08:46 | |
For the first time in decades I felt free. | 0:08:46 | 0:08:49 | |
Lighter than air and... | 0:08:49 | 0:08:52 | |
and covered in pasty flakes! | 0:08:52 | 0:08:54 | |
Anyway, I need a favour. | 0:08:58 | 0:08:59 | |
What's his name? What pub does he drink in? I'll sort him out for you. | 0:08:59 | 0:09:02 | |
No, man. I need you to answer some questions for my book. | 0:09:02 | 0:09:04 | |
Oh, your secret book? | 0:09:04 | 0:09:06 | |
Listen, Jack's journal is an almost scientific study | 0:09:06 | 0:09:08 | |
of pregnancy from a male perspective. | 0:09:08 | 0:09:10 | |
For scientific reasons I can't tell her about it | 0:09:10 | 0:09:12 | |
because if she knows, she'll alter her behaviour | 0:09:12 | 0:09:14 | |
She'll alter your bollocks, mate. | 0:09:14 | 0:09:16 | |
Aye, we'll cover that bridge with my hands when we come to it. | 0:09:16 | 0:09:19 | |
Anyway, the publisher said I need to get input | 0:09:19 | 0:09:21 | |
from other men with pregnant partners. | 0:09:21 | 0:09:23 | |
-I'm an onion. Peel me. -Right. | 0:09:23 | 0:09:25 | |
So, would you say that the pregnancy has bought you closer together? | 0:09:27 | 0:09:31 | |
Well, physically, aye. | 0:09:31 | 0:09:33 | |
She's mad for it. | 0:09:33 | 0:09:35 | |
But emotionally no. | 0:09:35 | 0:09:37 | |
She says I've never irritated her more. | 0:09:37 | 0:09:39 | |
-Ah, sorry to hear that, mate. -Oh, it's all right. | 0:09:39 | 0:09:41 | |
It's quite nice having sex with someone | 0:09:41 | 0:09:43 | |
-when they're giving you the silent treatment. -Is it? -Yeah, yeah. | 0:09:43 | 0:09:46 | |
When my Denise gets going, she's got a proper mouth on her, like. | 0:09:46 | 0:09:49 | |
Really puts us off me stride. | 0:09:49 | 0:09:51 | |
Oh, I'm on, I'm on. Jack, I'm on. | 0:09:51 | 0:09:54 | |
-I'm on, Jackie. -Might be a cucumber. | 0:09:54 | 0:09:55 | |
Dad, where's Mum? Is she all right? | 0:09:57 | 0:10:00 | |
And by that I mean, is she still alive? | 0:10:00 | 0:10:03 | |
She's fine. Well, I mean, she's awful, but she's... | 0:10:04 | 0:10:07 | |
QUEEN'S "I WANT TO BREAK FREE" PLAYS AS RING TONE | 0:10:07 | 0:10:09 | |
That's her now. I changed her ring tone. | 0:10:09 | 0:10:11 | |
She's been calling constantly. | 0:10:11 | 0:10:13 | |
-Hello? -'Oh, I see,' | 0:10:16 | 0:10:18 | |
you must be the new woman. | 0:10:18 | 0:10:20 | |
You sound like a woman of poor morals. | 0:10:20 | 0:10:23 | |
It's me. Your daughter. | 0:10:23 | 0:10:25 | |
Oh, so that's where he's scurried off, is it? | 0:10:25 | 0:10:28 | |
Put him on the phone, dear, immediately. | 0:10:28 | 0:10:31 | |
She would like to talk to you. | 0:10:32 | 0:10:34 | |
I'm a free man! | 0:10:34 | 0:10:36 | |
Sarah said I can stay here as long as I want | 0:10:36 | 0:10:39 | |
and she's happy for me to pee whenever I choose! | 0:10:39 | 0:10:42 | |
I didn't quite say he could stay. | 0:10:42 | 0:10:45 | |
Put me on speaker. | 0:10:45 | 0:10:47 | |
'Look here, Benjamin, you can get your bottom back to York this instant.' | 0:10:49 | 0:10:54 | |
I'm not coming back, Susan. | 0:10:54 | 0:10:57 | |
'I'm standing up for myself.' | 0:10:57 | 0:10:59 | |
I'm staying here with Sarah | 0:10:59 | 0:11:00 | |
and there's nothing anybody can do to make me leave. | 0:11:00 | 0:11:04 | |
Good for you. | 0:11:13 | 0:11:14 | |
Right.... | 0:11:15 | 0:11:16 | |
You can choose from vanilla, blueberry, chocolate chip, | 0:11:17 | 0:11:21 | |
lemon or coffee... | 0:11:21 | 0:11:22 | |
Oh, and I'm doing a discount on cinder cakes. | 0:11:22 | 0:11:25 | |
Cinder cakes, they're like normal cupcakes, just a bit crunchier. | 0:11:25 | 0:11:29 | |
Ten of each. No problem. I'll drop them round in the morning. | 0:11:31 | 0:11:35 | |
All right, bye. | 0:11:35 | 0:11:37 | |
And that's them burnt ones sold as well. | 0:11:37 | 0:11:40 | |
You give in to things early on, and it's a slippery slope. | 0:11:40 | 0:11:44 | |
Before you know it, you're trying on skirts in Marks's | 0:11:44 | 0:11:47 | |
because you're the same size | 0:11:47 | 0:11:49 | |
and Susan can't be bothered to go there herself. | 0:11:49 | 0:11:52 | |
Me and Pauline have our fallings out, | 0:11:56 | 0:11:58 | |
but we always make up in the end. | 0:11:58 | 0:11:59 | |
Sometimes, if I'm really lucky, it turns out it wasn't even my fault! | 0:11:59 | 0:12:03 | |
Oh, it's always my fault. | 0:12:03 | 0:12:05 | |
"Ben's left toast crumbs in the butter. | 0:12:05 | 0:12:08 | |
"Ben's ruining his mother's funeral by crying." | 0:12:08 | 0:12:10 | |
Mmm, I see, right. Tricky. | 0:12:12 | 0:12:15 | |
That's him, the one that ran off from his wife. | 0:12:15 | 0:12:20 | |
Well, didn't run, exactly. Drove. | 0:12:20 | 0:12:23 | |
-The break-up of any relationship is always hard. -Drove, did you? | 0:12:23 | 0:12:28 | |
Quicker than running. | 0:12:28 | 0:12:30 | |
More cowardly. | 0:12:30 | 0:12:32 | |
My Stan left on a ship. | 0:12:32 | 0:12:35 | |
Very slow. | 0:12:35 | 0:12:36 | |
He was a bastard, but when he tore your heart out, | 0:12:36 | 0:12:41 | |
he let you enjoy the moment. | 0:12:41 | 0:12:43 | |
# Because you don't know what I know, when I know | 0:12:46 | 0:12:50 | |
# What I remembered | 0:12:50 | 0:12:51 | |
# To forget about you. # | 0:12:51 | 0:12:54 | |
How was that? | 0:12:55 | 0:12:56 | |
-Lush. -Shite. | 0:12:56 | 0:12:58 | |
I think I've got another one in me. | 0:12:58 | 0:13:00 | |
-That's a shame. -How, man! | 0:13:00 | 0:13:01 | |
I'm executive producing on this album | 0:13:01 | 0:13:03 | |
and I don't want you undermining the talent. | 0:13:03 | 0:13:05 | |
Talent? You might want to Wikipedia the word, love. | 0:13:05 | 0:13:08 | |
I'll Wikipedia you in a minute! | 0:13:08 | 0:13:09 | |
And do you know what I'll find? | 0:13:09 | 0:13:11 | |
I'll find a big, fat nowt. | 0:13:11 | 0:13:13 | |
Water! I need to hydrate! My instrument is parching! | 0:13:13 | 0:13:16 | |
Sounding great, babe. | 0:13:20 | 0:13:21 | |
Yeah, I can really feel myself evolving, changing. | 0:13:21 | 0:13:25 | |
It's like the music is in me and I'm just a conduit. | 0:13:25 | 0:13:29 | |
Only now do I truly understand how Peter Andre feels. | 0:13:29 | 0:13:32 | |
PHONE RINGS | 0:13:36 | 0:13:38 | |
-Hello? -Jackie boy! Bob Muirfield. | 0:13:40 | 0:13:42 | |
-Bobby boy! -Don't ever call me that. | 0:13:42 | 0:13:45 | |
-Sorry. -'How's things?' | 0:13:45 | 0:13:47 | |
Well, I've got me father-in-law staying with us, | 0:13:47 | 0:13:49 | |
though when he goes to the toilet in the night, | 0:13:49 | 0:13:51 | |
-you'd think he was a racehorse -Yeah. I don't really care. | 0:13:51 | 0:13:53 | |
Look, I've got some great news about the book! | 0:13:53 | 0:13:55 | |
I can change the names like I asked? | 0:13:55 | 0:13:57 | |
No, don't be stupid! We need authenticity. | 0:13:57 | 0:13:59 | |
That's why people will buy it! | 0:13:59 | 0:14:00 | |
It's about real people with real problems. | 0:14:00 | 0:14:03 | |
The more I think about it, the more problems I see. | 0:14:03 | 0:14:05 | |
Brilliant! Down to the balls and smalls of it, | 0:14:05 | 0:14:07 | |
I've managed to get an extract from your book | 0:14:07 | 0:14:10 | |
published in the Saturday Telegraph supplement. | 0:14:10 | 0:14:12 | |
But...but I thought no-one was going to read it until it was finished | 0:14:12 | 0:14:15 | |
and until Sarah had had the baby and become a bit more...human. | 0:14:15 | 0:14:18 | |
You don't sound very excited, Jack. | 0:14:18 | 0:14:20 | |
Have you any idea how many people are going to read this? | 0:14:20 | 0:14:22 | |
God! I've been meaning to talk to you, | 0:14:22 | 0:14:24 | |
I read the edit you sent through. You didn't leave any of the nice things I said about Sarah! | 0:14:24 | 0:14:28 | |
Course not! She's our villain. People are going to hate her! | 0:14:28 | 0:14:31 | |
It's going to be 50 Shades Of Great! | 0:14:31 | 0:14:33 | |
Look, I probably should have told you earlier, | 0:14:33 | 0:14:36 | |
but Sarah's is my actual wife. This is my actual diary. | 0:14:36 | 0:14:38 | |
If she reads it, she might even leave us. | 0:14:38 | 0:14:40 | |
I see what you mean! We can get another book out of this. | 0:14:40 | 0:14:43 | |
-I don't want to lose my wife! -That's not what I'm reading here. | 0:14:43 | 0:14:46 | |
Look, Jack, it's very simple, do you want a book | 0:14:46 | 0:14:49 | |
that keeps your hormonal wife happy | 0:14:49 | 0:14:51 | |
or do you want one that sells million of copies? | 0:14:51 | 0:14:54 | |
I want one that sells millions of copies? | 0:14:56 | 0:14:58 | |
Is the correct answer. | 0:14:58 | 0:15:00 | |
Right, I've just got to iron out a few details | 0:15:00 | 0:15:02 | |
with the newspaper people. | 0:15:02 | 0:15:03 | |
Talk to you later. Don't forget to write. | 0:15:03 | 0:15:05 | |
HE TUNES GUITAR | 0:15:11 | 0:15:14 | |
I'm not convinced about this. | 0:15:16 | 0:15:19 | |
You'll see, man. Lindsay's guitar playing will add shitloads of class. | 0:15:19 | 0:15:23 | |
Lindsay, ready when you are. | 0:15:23 | 0:15:25 | |
Sure. How do you want me to play it, Gervaise? | 0:15:25 | 0:15:27 | |
I was thinking about maybe dropping in a couple of arpeggios. | 0:15:27 | 0:15:31 | |
No arpeggios, thanks. Just stick to the guitar. | 0:15:31 | 0:15:35 | |
Oh, OK then. | 0:15:35 | 0:15:38 | |
Let's do this. | 0:15:38 | 0:15:40 | |
Guitar track for Valentine's Day Masochist, take one. | 0:15:40 | 0:15:44 | |
HE PLAYS TENDER TUNE | 0:15:48 | 0:15:51 | |
It's absolutely beautiful. | 0:15:57 | 0:15:59 | |
So what about you, Joe? | 0:16:03 | 0:16:04 | |
-You seem to be keeping yourself busy since the stroke. -Me? Well... | 0:16:04 | 0:16:08 | |
I spend my days using my one good arm to place these cupcakes, | 0:16:08 | 0:16:11 | |
which I'm not allowed to eat, mind, into these boxes. | 0:16:11 | 0:16:16 | |
It's one of the levels of hell, Ben. | 0:16:16 | 0:16:17 | |
It's just not been assigned a number yet. | 0:16:17 | 0:16:20 | |
Right, I'd best get this delivery delivered. | 0:16:20 | 0:16:22 | |
-Aw, Joe have you not packed those cupcakes? -I'll do it. | 0:16:22 | 0:16:27 | |
Oh, thanks, Ben. | 0:16:27 | 0:16:28 | |
Then can you take them out to the people carrier? | 0:16:28 | 0:16:31 | |
Of course, Susan. | 0:16:31 | 0:16:33 | |
Haaa! | 0:16:33 | 0:16:35 | |
UPBEAT DANCE MUSIC | 0:16:35 | 0:16:38 | |
Right, let me get them in. What you drinking, G-man? | 0:16:39 | 0:16:42 | |
It's Gervaise, and I'll have my usual. They know what it is. | 0:16:42 | 0:16:45 | |
He drinks lager top, Lindsay. Proper lager's too strong for him. | 0:16:45 | 0:16:48 | |
It refreshes my vocal cords! | 0:16:48 | 0:16:49 | |
Hey, good call. Think I'll maybe have one of those myself. | 0:16:49 | 0:16:52 | |
-Vicks? -I'll have one if you're having one, | 0:16:52 | 0:16:55 | |
it refreshes me vocal cords. | 0:16:55 | 0:16:57 | |
You go and sit down. I'll give you a hand. | 0:16:57 | 0:16:59 | |
Right, Dad. What would you like? | 0:17:02 | 0:17:04 | |
Oh, just a shandy. | 0:17:04 | 0:17:05 | |
Actually, no, triple vodka. | 0:17:07 | 0:17:10 | |
I'm not sure, in your current emotional state, that's wise. | 0:17:10 | 0:17:13 | |
Although it is less liquid to keep me awake later. | 0:17:13 | 0:17:17 | |
Hi, Gervaise. How's the album going? | 0:17:17 | 0:17:18 | |
It's my definitive statement, like. | 0:17:18 | 0:17:20 | |
Right. And what's it saying? | 0:17:20 | 0:17:23 | |
"Me." | 0:17:25 | 0:17:27 | |
Hi, pet. Ben, Gervaise. | 0:17:27 | 0:17:29 | |
-My round. What would you like? -Lager, please. | 0:17:30 | 0:17:33 | |
What's up with you? | 0:17:35 | 0:17:36 | |
Just realised the '80s are over | 0:17:36 | 0:17:38 | |
and you have to send that outfit back to where it was born? | 0:17:38 | 0:17:41 | |
It's that bloody Lindsay. Look at him, all brushed teeth and tallness. | 0:17:41 | 0:17:45 | |
Aw, is the Hebburn gigolo feeling threatened? | 0:17:45 | 0:17:48 | |
He's always showing off how nice he is! | 0:17:48 | 0:17:51 | |
You should have seen him in the studio. | 0:17:51 | 0:17:52 | |
He can play seven instruments, seven! | 0:17:52 | 0:17:56 | |
Yeah, he can play all them instruments, | 0:17:56 | 0:17:58 | |
but can he sing like you? | 0:17:58 | 0:17:59 | |
Well, he says he can't, but then he does backing vocals and guess what? | 0:17:59 | 0:18:03 | |
He sings like an angel. But he hasn't got my epic tone. | 0:18:03 | 0:18:06 | |
The thing is, I can feel him causing a rift between me and Vicky. | 0:18:06 | 0:18:11 | |
We're drifting apart, like... | 0:18:11 | 0:18:13 | |
..sexual icebergs. | 0:18:14 | 0:18:16 | |
That's how it starts, of course. | 0:18:16 | 0:18:18 | |
One moment you're at a picnic, | 0:18:18 | 0:18:20 | |
and she's dragging you off into the forest to have her way with you, | 0:18:20 | 0:18:22 | |
then the next thing, you're in separate bedrooms | 0:18:22 | 0:18:26 | |
wondering if you're her husband | 0:18:26 | 0:18:28 | |
or some kind of sex-starved housekeeper | 0:18:28 | 0:18:30 | |
Would you two like some razor blades with your crisps? | 0:18:32 | 0:18:35 | |
Ben, you need to cheer up, man, you've made the break. | 0:18:35 | 0:18:37 | |
You're a free man. | 0:18:37 | 0:18:38 | |
Gervaise, you should cheer up cos it's all in your head, son. | 0:18:38 | 0:18:41 | |
And stop slagging off Lindsay. He seems like a lovely bloke. | 0:18:41 | 0:18:44 | |
THE GIRLS LAUGH | 0:18:44 | 0:18:45 | |
Oh, my God! Lindsay is such a laugh! | 0:18:45 | 0:18:49 | |
The barmaid thought we were a couple! | 0:18:49 | 0:18:51 | |
She said she could definitely see us together. | 0:18:51 | 0:18:53 | |
I said I felt ugly and pregnant and Lindsay said | 0:18:53 | 0:18:56 | |
I was glowing and gorgeous | 0:18:56 | 0:18:58 | |
and I said that you never say anything like that to me | 0:18:58 | 0:19:00 | |
and then he said...I can't remember, but it was so funny. | 0:19:00 | 0:19:04 | |
Where are the drinks? | 0:19:04 | 0:19:06 | |
Oh, my God, I completely forgot. I'm so sorry. | 0:19:06 | 0:19:09 | |
Lindsay! I forgot the drinks! Mental! | 0:19:09 | 0:19:12 | |
THEY GIGGLE | 0:19:12 | 0:19:14 | |
Aye, you're right he's a bellend. | 0:19:14 | 0:19:15 | |
Right I've cupped me last cake for today. | 0:19:18 | 0:19:20 | |
I'm shattered, but you know what? | 0:19:20 | 0:19:23 | |
I think I'm starting a whole new chapter. | 0:19:24 | 0:19:27 | |
Well, I hope this new chapter's got me in it. | 0:19:27 | 0:19:30 | |
Don't be daft, you're me bloody bookmark. | 0:19:30 | 0:19:32 | |
Well... | 0:19:33 | 0:19:35 | |
You know our Vicky's out? | 0:19:36 | 0:19:39 | |
Mm-hm. | 0:19:39 | 0:19:40 | |
-And me mam's over the road at Arthur's? -Mm-hm. | 0:19:40 | 0:19:43 | |
This house has only got two people in it. | 0:19:43 | 0:19:46 | |
Two lovely people, in love, lovingly. | 0:19:46 | 0:19:49 | |
Are you trying to get a bit of action before your mam gets back? | 0:19:49 | 0:19:53 | |
I'm trying to create an atmosphere of romance and tenderness. | 0:19:53 | 0:19:57 | |
-And thereby action. -Oh, right. | 0:19:58 | 0:20:01 | |
Well... | 0:20:02 | 0:20:03 | |
..I think we should... | 0:20:05 | 0:20:07 | |
-..just check your blood pressure with the machine... -Mm-hm. | 0:20:08 | 0:20:13 | |
..and if it's all right, | 0:20:13 | 0:20:16 | |
I'll think about it. | 0:20:16 | 0:20:18 | |
-SLURRING: -I mean, maybe I am in the wrong, | 0:20:21 | 0:20:23 | |
I knew she wouldn't like the boots | 0:20:23 | 0:20:26 | |
but I just wanted to make sure the shop made some money. | 0:20:26 | 0:20:30 | |
Relationships are tricky, Ben. | 0:20:30 | 0:20:34 | |
We pull and push at our partners but only because we want them | 0:20:34 | 0:20:38 | |
to be the image that we have of the perfect them. | 0:20:38 | 0:20:41 | |
If she's any sense, | 0:20:43 | 0:20:45 | |
she'll think about all the years you've had together | 0:20:45 | 0:20:47 | |
and not throw it all away, | 0:20:47 | 0:20:49 | |
just because some arpeggio dickhead comes to town. | 0:20:49 | 0:20:51 | |
What are you on about? | 0:20:51 | 0:20:52 | |
Him, Vicky! Him! | 0:20:52 | 0:20:54 | |
Trying to split us up! | 0:20:54 | 0:20:55 | |
-And more importantly, trying to wreck my album! -Whoa! | 0:20:55 | 0:20:58 | |
Is there a problem? I'm sensing a lot of anger. | 0:20:58 | 0:21:01 | |
You'll be sensing a leatherette loafer | 0:21:01 | 0:21:03 | |
-up your arse in a minute, mate! -Gervaise! | 0:21:03 | 0:21:05 | |
Take that back! | 0:21:05 | 0:21:06 | |
I'm dead sorry about this, Lindsay, it's the lager top talking. | 0:21:06 | 0:21:10 | |
It's not the top! | 0:21:10 | 0:21:11 | |
He's a knobhead! | 0:21:11 | 0:21:12 | |
-Jack said so too! -Jack! How could you? | 0:21:12 | 0:21:15 | |
I did not say knobhead! I did not say knobhead! | 0:21:15 | 0:21:18 | |
No, he didn't. | 0:21:18 | 0:21:20 | |
He said bellend. | 0:21:20 | 0:21:21 | |
So, you're all against us! | 0:21:21 | 0:21:24 | |
Gervaise, I'll see meself home. | 0:21:24 | 0:21:27 | |
Vicky! Vicky, wait! | 0:21:27 | 0:21:29 | |
Well, according to this... | 0:21:32 | 0:21:35 | |
..your blood pressure is fine, | 0:21:36 | 0:21:38 | |
so, as long as you can keep yourself nice and calm, | 0:21:38 | 0:21:41 | |
I think we should go upstairs. | 0:21:41 | 0:21:44 | |
I promise, at no point during our love-making | 0:21:44 | 0:21:48 | |
-will I become emotional or excited. -That's my boy. Howay, then. | 0:21:48 | 0:21:53 | |
Yoo-hoo! | 0:21:53 | 0:21:54 | |
Evening, Joe! Evening, Pauline! | 0:21:54 | 0:21:57 | |
Would one of you mind sticking the kettle on? | 0:21:57 | 0:22:01 | |
I have to go and eject some tenants from downstairs. | 0:22:01 | 0:22:06 | |
Marvellous... | 0:22:06 | 0:22:07 | |
Hey. | 0:22:17 | 0:22:18 | |
I didn't know you smoked. It's bad for you, Vick, yeah? | 0:22:19 | 0:22:22 | |
It's only when I'm upset. | 0:22:22 | 0:22:24 | |
Look, Gervaise will come round. | 0:22:25 | 0:22:28 | |
I think he maybe just feels threatened | 0:22:28 | 0:22:31 | |
because we have this connection. | 0:22:31 | 0:22:35 | |
I know. | 0:22:36 | 0:22:37 | |
I feel it really strongly. | 0:22:39 | 0:22:41 | |
And sometimes I just want to... | 0:22:42 | 0:22:46 | |
I don't think that's a good idea. | 0:22:48 | 0:22:49 | |
I'm sorry. | 0:22:49 | 0:22:51 | |
I should have known you wouldn't be interested | 0:22:51 | 0:22:53 | |
-in a little skip rat like me. -Far from it, Vicky. | 0:22:53 | 0:22:55 | |
I adore you. | 0:22:56 | 0:22:58 | |
You're a beautiful, radiant, | 0:22:58 | 0:23:01 | |
strong yet supple creature. | 0:23:01 | 0:23:04 | |
and would like nothing more than to take you in my arms | 0:23:04 | 0:23:07 | |
-and cover you with loving kisses. -Uh... | 0:23:07 | 0:23:10 | |
But you're with Gervaise. | 0:23:11 | 0:23:13 | |
-I know. -And as long as you are with Gervaise | 0:23:13 | 0:23:15 | |
I promise I will not lay a finger on you. | 0:23:15 | 0:23:18 | |
-Fingers are fine. -We can't, Vicky. | 0:23:18 | 0:23:20 | |
-I know it would be enrapturing... -And fully lush. | 0:23:21 | 0:23:25 | |
..but we're better people than that. | 0:23:25 | 0:23:27 | |
Are we? | 0:23:27 | 0:23:28 | |
We are. | 0:23:30 | 0:23:31 | |
Thanks for the loan of the underwear. | 0:23:40 | 0:23:42 | |
I must say they're more snug than I'm used to. | 0:23:42 | 0:23:44 | |
They cup you nicely, don't they? | 0:23:44 | 0:23:45 | |
Finish your drink, Ben. | 0:23:45 | 0:23:47 | |
Dad, I just spoke to Mum. | 0:23:47 | 0:23:50 | |
She misses you. | 0:23:50 | 0:23:51 | |
No, it's all finished. | 0:23:51 | 0:23:53 | |
She'd forgive me anything, but not the Ugg boots. | 0:23:53 | 0:23:56 | |
She still loves you. | 0:23:56 | 0:23:58 | |
When you love someone, you will forgive them anything. | 0:23:58 | 0:24:01 | |
Will you? Like anything at all? | 0:24:01 | 0:24:04 | |
Of course. | 0:24:04 | 0:24:06 | |
Well, I suppose it might be possible to straighten things out. | 0:24:06 | 0:24:09 | |
Perhaps I should talk to her. | 0:24:09 | 0:24:12 | |
Yes. Yes, you should. | 0:24:12 | 0:24:15 | |
Because she's here. | 0:24:15 | 0:24:16 | |
She knows she's been difficult to live with | 0:24:21 | 0:24:23 | |
and I think she's ready to compromise. | 0:24:23 | 0:24:24 | |
It'll be fine. | 0:24:28 | 0:24:29 | |
Hello, Susan. | 0:24:35 | 0:24:37 | |
This is an unexpected...thing. | 0:24:37 | 0:24:40 | |
I was just passing. I'm on my way back to York. | 0:24:40 | 0:24:44 | |
You could join me if you like. | 0:24:45 | 0:24:47 | |
I can sleep in a separate bedroom on my own | 0:24:47 | 0:24:49 | |
just as well in Hebburn, thank you. | 0:24:49 | 0:24:51 | |
Well, I don't see why you couldn't sleep in my bed. | 0:24:53 | 0:24:56 | |
Just for a trial run. | 0:24:56 | 0:24:59 | |
That would be a start. | 0:24:59 | 0:25:01 | |
I thought I'd give you this. | 0:25:01 | 0:25:03 | |
What's that? | 0:25:03 | 0:25:04 | |
A list I've been keeping. | 0:25:04 | 0:25:06 | |
Things I've wanted to say over the years, but never had the courage. | 0:25:08 | 0:25:11 | |
Some of them aren't relevant any more, | 0:25:11 | 0:25:13 | |
what with technology moving on and all that. | 0:25:13 | 0:25:15 | |
I think Shergar might be heading home to his own toilet tonight. | 0:25:15 | 0:25:18 | |
You know you said that if you love someone | 0:25:19 | 0:25:21 | |
you'd forgive them anything? | 0:25:21 | 0:25:23 | |
Well, I've kind of been writing a new book. | 0:25:23 | 0:25:25 | |
-Uh-huh. -And it's all about you and your pregnancy. | 0:25:25 | 0:25:29 | |
I wrote some stuff in my journal that wasn't exactly complimentary | 0:25:29 | 0:25:33 | |
and me publisher got hold of it | 0:25:33 | 0:25:35 | |
and they're going to publish it | 0:25:35 | 0:25:36 | |
but I'm kind of worried it might destroy our marriage. | 0:25:36 | 0:25:39 | |
Lovely. Look, they've made up. | 0:25:39 | 0:25:42 | |
And... | 0:25:45 | 0:25:47 | |
we're going for a picnic again. | 0:25:47 | 0:25:49 | |
And you're going to drag me off into the woods and ravish me | 0:25:49 | 0:25:53 | |
to within an inch of my life. | 0:25:53 | 0:25:55 | |
Thanks for everything. | 0:25:57 | 0:25:58 | |
I'll send the boxer shorts back when I've washed them. | 0:25:58 | 0:26:01 | |
No problem, ex-roomie. | 0:26:01 | 0:26:02 | |
Oh, thank God for that. Sorry, what were you saying? | 0:26:06 | 0:26:09 | |
I just wanted to tell y... | 0:26:09 | 0:26:10 | |
Oh, brilliant(!) I've got pizza sauce all down my top! | 0:26:10 | 0:26:13 | |
You've let me sit here all night looking like an idiot! | 0:26:13 | 0:26:16 | |
Let's not over-react... | 0:26:16 | 0:26:17 | |
You might not care what people think about you | 0:26:17 | 0:26:19 | |
but I'm more sensitive! I'm vulnerable! | 0:26:19 | 0:26:21 | |
Hey, hey, calm down. It's OK. Why don't we get you home, eh? | 0:26:21 | 0:26:26 | |
Yeah, sorry. | 0:26:26 | 0:26:27 | |
What were you saying? | 0:26:27 | 0:26:29 | |
-Oh, that can wait. -Are you sure? | 0:26:29 | 0:26:32 | |
The surest I've ever been about anything. | 0:26:32 | 0:26:35 | |
Let's get you home, run you a hot bath, | 0:26:35 | 0:26:37 | |
and give you a nice massage, eh? | 0:26:37 | 0:26:40 | |
Oh, you're such a star. | 0:26:40 | 0:26:43 | |
You're the best husband ever. | 0:26:43 | 0:26:45 | |
Yep. I definitely am. | 0:26:45 | 0:26:47 | |
SHE SLURPS | 0:26:50 | 0:26:52 | |
PHONE RINGS | 0:26:55 | 0:26:58 | |
Eh, I think it might be business. I'd better take it. | 0:27:01 | 0:27:05 | |
Hello? | 0:27:05 | 0:27:07 | |
No, it's fine. | 0:27:07 | 0:27:09 | |
How can I help you? | 0:27:09 | 0:27:12 | |
You know, I wouldn't be offended | 0:27:15 | 0:27:17 | |
if you wanted to move over the road with laughing boy. | 0:27:17 | 0:27:19 | |
We could have your stair-lift | 0:27:19 | 0:27:20 | |
shifted across to his house, no bother. | 0:27:20 | 0:27:22 | |
And what would you do without it? | 0:27:22 | 0:27:23 | |
Me?! It's no use to me. | 0:27:23 | 0:27:26 | |
I never use the thing! | 0:27:26 | 0:27:27 | |
Of course you do, you soppy apeth. | 0:27:27 | 0:27:31 | |
I do not! | 0:27:31 | 0:27:32 | |
I'm perfectly capable of getting to the top of the stairs on me own. | 0:27:32 | 0:27:35 | |
I'll admit I have used it once or twice | 0:27:35 | 0:27:37 | |
but that's just to make sure it's working properly for you. | 0:27:37 | 0:27:40 | |
PAULINE SCREAMS | 0:27:40 | 0:27:41 | |
Pauline! | 0:27:41 | 0:27:43 | |
What's wrong? Are you all right? | 0:27:43 | 0:27:45 | |
-I'm more than all right! -You scared the life out of us. | 0:27:45 | 0:27:48 | |
The fire station have just ordered 200 cup cakes | 0:27:48 | 0:27:50 | |
for their open day! | 0:27:50 | 0:27:52 | |
-Pauline! -What? | 0:27:53 | 0:27:55 | |
I just got up the stairs in one bloody leap! | 0:27:55 | 0:27:58 | |
-On me own! I did it, Pauline! I did it! -Well done! | 0:27:58 | 0:28:02 | |
Mind, I can hear canoodling going on up there! | 0:28:03 | 0:28:07 | |
It'll not do you any good | 0:28:07 | 0:28:09 | |
because I've hidden your blood pressure machine! | 0:28:09 | 0:28:12 | |
Come on! | 0:28:12 | 0:28:13 | |
PAULINE CACKLES | 0:28:13 | 0:28:15 | |
Subtitles by Red Bee Media Ltd | 0:28:18 | 0:28:21 |