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Look at that - the first chapter of my book | 0:00:25 | 0:00:29 | |
published in a national newspaper. | 0:00:29 | 0:00:31 | |
I did a photocopy for me dad this morning, he was so chuffed. | 0:00:31 | 0:00:34 | |
This is one of the most important supplements going. | 0:00:34 | 0:00:36 | |
Nah, it's cod-liver oil you're thinking about, mate. | 0:00:36 | 0:00:39 | |
-So, happiest day of your life? -No, scariest day of me life. -How? | 0:00:39 | 0:00:43 | |
Cos that's about his missus going mental cos she's up the duff, isn't it? | 0:00:43 | 0:00:46 | |
-When she finds out, she's going to go fully psycho, like. -Really? | 0:00:46 | 0:00:49 | |
Oh, aye, Sarah's going to cut his knackers off. | 0:00:49 | 0:00:52 | |
Or a more polite way of saying it may be that my pregnant wife's | 0:00:52 | 0:00:54 | |
hormone imbalance has caused her to become somewhat unpredictable. | 0:00:54 | 0:00:58 | |
So, discovering I've published her every move with our real names | 0:00:58 | 0:01:01 | |
may well exacerbate her situation... | 0:01:01 | 0:01:03 | |
..causing her to cut me knackers off. | 0:01:04 | 0:01:06 | |
The Telegraph. So, what's all that about then? | 0:01:08 | 0:01:11 | |
Hold on, you work in newspapers and you've never heard of it? | 0:01:12 | 0:01:15 | |
I work in newspapers, I've never heard of it neither. | 0:01:15 | 0:01:18 | |
Of course. No-one in Hebburn bothers with the broadsheets. | 0:01:20 | 0:01:24 | |
Sarah might never find out. | 0:01:24 | 0:01:25 | |
I mean, no-one bothers with our paper and it's about them. | 0:01:25 | 0:01:27 | |
I had to order this one in! I bet you no-one around here | 0:01:27 | 0:01:30 | |
would even dream of reading it. | 0:01:30 | 0:01:31 | |
Show us page three and I'll tell you. | 0:01:31 | 0:01:33 | |
"Environment Secretary questions new EU ruling." | 0:01:35 | 0:01:38 | |
Nah, I'll give it a miss, like. | 0:01:39 | 0:01:42 | |
"Week four and Sarah's mood's in direct proportion to the | 0:01:42 | 0:01:46 | |
"amount of melted Haagen Daz she's able to drink from a pint glass." | 0:01:46 | 0:01:49 | |
Ho-ho! | 0:01:49 | 0:01:50 | |
DOORBELL RINGS | 0:01:50 | 0:01:51 | |
I'll get it! | 0:01:51 | 0:01:52 | |
Aye, aye. | 0:01:52 | 0:01:54 | |
-Hi! -Hiya, Sarah. | 0:01:54 | 0:01:57 | |
Oh, look at you, all lovely and fat. | 0:01:57 | 0:02:00 | |
-Pregnant. -Well, pregnant's just an excuse, though, isn't it? | 0:02:01 | 0:02:05 | |
Howay in, pet. | 0:02:05 | 0:02:06 | |
Dad! It's our Sarah. | 0:02:08 | 0:02:10 | |
Oh, man! No pockets. | 0:02:12 | 0:02:15 | |
Right, burn it. | 0:02:15 | 0:02:16 | |
-Do I smell burning? -Burning? I don't know, can you? I can't. | 0:02:24 | 0:02:28 | |
Coffee? | 0:02:28 | 0:02:30 | |
-Erm, tea, please. -Good. | 0:02:30 | 0:02:32 | |
Coffee? | 0:02:36 | 0:02:37 | |
Erm... Tea, please. | 0:02:37 | 0:02:40 | |
Good. | 0:02:40 | 0:02:41 | |
Hope you don't mind me just calling in. | 0:02:41 | 0:02:43 | |
It's just since handing in my PhD, I've been so bored. | 0:02:43 | 0:02:46 | |
Waiting for this little one to stop kickboxing my bladder | 0:02:46 | 0:02:49 | |
and make his or her appearance. | 0:02:49 | 0:02:51 | |
You want to enjoy the boredom, flower, | 0:02:51 | 0:02:52 | |
it'll all change when the baby's here. | 0:02:52 | 0:02:54 | |
This is the calm before the storm. | 0:02:54 | 0:02:57 | |
Before the tsunami of crying, nappies, potty training... | 0:02:57 | 0:03:01 | |
"Daddy's got me toy." "Dad, can I have a pound for me pocket money?" | 0:03:01 | 0:03:05 | |
"Dad, can I have ten quid for the cinema?" | 0:03:05 | 0:03:09 | |
"Dad, I've just met this lovely lad. He's lush and he's a singer..." | 0:03:09 | 0:03:13 | |
Until eventually... | 0:03:13 | 0:03:14 | |
Dad, can I have 20 quid for the pub later on? | 0:03:14 | 0:03:17 | |
Aye, me wallet's over there, you know the combination. | 0:03:18 | 0:03:22 | |
-Can I smell burning? -No. | 0:03:22 | 0:03:23 | |
-No, I think I can. -You can't. -Are you going to college? | 0:03:24 | 0:03:27 | |
No, I'm going to the recording studio. | 0:03:27 | 0:03:30 | |
We're doing the final mixes for Gervaise's album. | 0:03:30 | 0:03:32 | |
The sound engineer says he's done everything | 0:03:32 | 0:03:34 | |
he can to make it sound decent and he can't do any more. | 0:03:34 | 0:03:36 | |
Surely you don't need to turn up? | 0:03:36 | 0:03:39 | |
Dad, I'm the executive producer. | 0:03:39 | 0:03:42 | |
Turning up is the main thing that I do. | 0:03:42 | 0:03:44 | |
-What if I want to go down the pub? -Well, you can't, can you? | 0:03:44 | 0:03:47 | |
Remember what the doctor said. | 0:03:47 | 0:03:49 | |
You can only go to the pub | 0:03:49 | 0:03:50 | |
when you're able to walk there on your own. | 0:03:50 | 0:03:52 | |
-Ta-ra! -Aye, the being on me own part's | 0:03:52 | 0:03:55 | |
the thing I'm looking forward to the most. | 0:03:55 | 0:03:58 | |
I reckon this is the thing that I'm most proud of. | 0:04:03 | 0:04:05 | |
Gan get it shredded, man. | 0:04:05 | 0:04:07 | |
I can't. I can't just destroy it. | 0:04:08 | 0:04:10 | |
If you ask me, your biggest achievement was convincing | 0:04:10 | 0:04:12 | |
that posh lass to marry you. That's what you don't want to destroy. | 0:04:12 | 0:04:15 | |
Thanks for that, Jolly Green Geordie. | 0:04:15 | 0:04:18 | |
-I suppose you're right, like. -Get it shredded, man. | 0:04:18 | 0:04:21 | |
The first rule of a happy marriage - destroy all incriminating evidence. | 0:04:21 | 0:04:26 | |
OK. | 0:04:26 | 0:04:27 | |
Nah, I cannae do it, I cannae do it. | 0:04:27 | 0:04:29 | |
You want to get some product on that, boss. | 0:04:32 | 0:04:34 | |
Look, Jack, with all due respect, it's a bit distracting, | 0:04:34 | 0:04:37 | |
-we're trying to get something done here. -Aye, I'm about the do his mouth. | 0:04:37 | 0:04:40 | |
One false slip and he'll give us Bell's palsy. | 0:04:40 | 0:04:42 | |
OK. Here we go. | 0:04:42 | 0:04:45 | |
Say goodbye to the only copy in Hebburn. | 0:04:45 | 0:04:47 | |
HE MOUTHS ALONG # There's something deep up Inside of me | 0:04:58 | 0:05:01 | |
# Won't you reach in and touch it? # | 0:05:02 | 0:05:04 | |
Yeah, well, it's blatantly fabulous. | 0:05:07 | 0:05:10 | |
-Don't you think it sounds like you've got prostate cancer? -What? | 0:05:10 | 0:05:13 | |
"There's something deep up Inside of me | 0:05:13 | 0:05:16 | |
"Won't you reach in and touch it?" | 0:05:16 | 0:05:19 | |
Isn't this a song for proctologists? | 0:05:19 | 0:05:21 | |
It's a song for people of all nationalities. | 0:05:21 | 0:05:24 | |
You all right? | 0:05:24 | 0:05:26 | |
Hey, guys. | 0:05:26 | 0:05:27 | |
-Oh, God, not this prick. -Hiya, babes. | 0:05:27 | 0:05:30 | |
So, how's it going? | 0:05:33 | 0:05:35 | |
Vicki said that you might value my input in the final mix. | 0:05:37 | 0:05:41 | |
I don't want to interfere... | 0:05:43 | 0:05:45 | |
So, what you working on? | 0:05:47 | 0:05:49 | |
Lips Looks Like Legs, Looks Like Love. | 0:05:49 | 0:05:51 | |
Sounds like shite. | 0:05:51 | 0:05:53 | |
-I doubt that, we're making magic here, Gervaise, yeah. -Oh, yeah. | 0:05:53 | 0:05:56 | |
"Magic." | 0:05:56 | 0:05:58 | |
Is this your card? | 0:05:58 | 0:05:59 | |
Are you being a knobhead? | 0:05:59 | 0:06:01 | |
I can't handle you being a knobhead today, like. | 0:06:01 | 0:06:03 | |
I'm sensing that maybe you're needing | 0:06:03 | 0:06:05 | |
a bit of conflict resolution here, | 0:06:05 | 0:06:07 | |
so maybe I'll just step out for a minute, yeah? | 0:06:07 | 0:06:09 | |
Yeah, you take as many minutes as you like | 0:06:09 | 0:06:11 | |
and don't be afraid to turn them into hours or for ever! | 0:06:11 | 0:06:14 | |
Gervaise! I'm warning you. | 0:06:14 | 0:06:17 | |
Right! If you two are having a barney, | 0:06:17 | 0:06:19 | |
I'm going to take the bins out. | 0:06:19 | 0:06:21 | |
What's this about? Is it the stress of the album that's getting to you? | 0:06:25 | 0:06:29 | |
Oh, no, I'm brilliant. Therefore, my album is brilliant. | 0:06:29 | 0:06:33 | |
I mean, why did you invite Lindsay to my final mix down? | 0:06:33 | 0:06:36 | |
Because he's an amazing and sophisticated musician. | 0:06:36 | 0:06:39 | |
And he's bringing loads of studio experience. | 0:06:39 | 0:06:41 | |
I've asked Denise to come and all, she's bringing... | 0:06:41 | 0:06:44 | |
crisps. | 0:06:44 | 0:06:46 | |
Are you jealous of Lindsay? What's bothering you? | 0:06:46 | 0:06:50 | |
-Is it his talents, his brains or his looks? -It's all them things. | 0:06:50 | 0:06:53 | |
Well, not in that order, but, yes. | 0:06:53 | 0:06:55 | |
-The thing I really don't like is the way he makes you? -What? | 0:06:55 | 0:06:58 | |
A bigger person? | 0:06:58 | 0:07:00 | |
Because if you loved me, Gervaise, you'd be all about a bigger me. | 0:07:00 | 0:07:04 | |
And I'd appreciate a bigger you! | 0:07:04 | 0:07:06 | |
So, what you're really saying is you're looking for something | 0:07:09 | 0:07:12 | |
to make this place stand out, aren't you? | 0:07:12 | 0:07:14 | |
That's why I am having the stage revamped. | 0:07:14 | 0:07:16 | |
Oi, Fat Keith, me mural is going to be finished for tonight, isn't it? | 0:07:16 | 0:07:20 | |
Of course it is. And it's not Fat Keith, it's Big Keith. | 0:07:20 | 0:07:23 | |
And what's the best way to make this a local hotspot | 0:07:23 | 0:07:26 | |
while increasing your takings? | 0:07:26 | 0:07:28 | |
-Set it on fire and claim on the insurance? -No. | 0:07:29 | 0:07:32 | |
Competitively-priced cupcakes. Try one. | 0:07:34 | 0:07:37 | |
That's nice. | 0:07:44 | 0:07:45 | |
I don't think people are going to have cupcakes with beer, though. | 0:07:47 | 0:07:50 | |
Really? I wonder... | 0:07:50 | 0:07:52 | |
-Ramsey? -Aye? -Fancy a cupcake with your pint? -Oh, aye. | 0:07:54 | 0:07:59 | |
-They are free, aren't they? -You fancy a cupcake, love? -Aye, why not? | 0:08:01 | 0:08:05 | |
See, the market's crying out for it. | 0:08:07 | 0:08:09 | |
-I'll have one as well, like. -Thought you might, pet. | 0:08:09 | 0:08:12 | |
Well, for better or for worse, these are me clientele. | 0:08:13 | 0:08:17 | |
Go on, I'll take 300. | 0:08:18 | 0:08:20 | |
300 for tonight? | 0:08:21 | 0:08:22 | |
That won't be a problem, will it? | 0:08:22 | 0:08:24 | |
No, no, of course not. I'll get me workforce right onto it. | 0:08:24 | 0:08:28 | |
I thought you said they were home-made. | 0:08:28 | 0:08:29 | |
Yes, that's right, it's a home-made workforce. | 0:08:29 | 0:08:32 | |
Oh... | 0:08:34 | 0:08:35 | |
Would you let us keep me dinner down just bloody once? | 0:08:35 | 0:08:38 | |
Oh, lad. | 0:08:43 | 0:08:45 | |
The little bastard. | 0:08:51 | 0:08:53 | |
-RELAXATION CD: -Having a baby is the most natural thing in the world. | 0:08:53 | 0:08:58 | |
Don't be terrified. | 0:08:58 | 0:09:00 | |
SHE SOBS | 0:09:00 | 0:09:02 | |
-Vicki! How did you get in? -I've got a spare key. | 0:09:02 | 0:09:06 | |
Don't make a big thing about it! I'm all over the place. | 0:09:06 | 0:09:10 | |
I've come for a right good cry! | 0:09:11 | 0:09:14 | |
-RELAXATION CD: -Everything's good. | 0:09:14 | 0:09:16 | |
Right, mix faster, faster! It's nearly three and we're not | 0:09:16 | 0:09:20 | |
-even halfway done yet. -Oh! | 0:09:20 | 0:09:23 | |
-Why did you promise her 300? -Greed, that's why. Going to send me | 0:09:23 | 0:09:27 | |
to an early grave and all for nothing but a few pennies profit | 0:09:27 | 0:09:31 | |
on a tiny cake. | 0:09:31 | 0:09:33 | |
If I'd known that's all it took, I would have done this ages ago. | 0:09:33 | 0:09:36 | |
Honestly, I bet Mr Kipling doesn't get this much lip off his workforce. | 0:09:36 | 0:09:39 | |
And go! | 0:09:39 | 0:09:40 | |
I'm proper torn, like. | 0:09:40 | 0:09:42 | |
Let's look at Gervaise - his good points and his bad points. | 0:09:44 | 0:09:48 | |
Well...there's his looks... | 0:09:48 | 0:09:52 | |
..his sense of style. | 0:09:53 | 0:09:56 | |
His voice. | 0:09:56 | 0:09:57 | |
-When are we going to get to his good points? -Sarah, this | 0:09:57 | 0:10:00 | |
is important. I've been going out with him on and off and then | 0:10:00 | 0:10:04 | |
on and off again and then off twice then back on for the last | 0:10:04 | 0:10:06 | |
three years. | 0:10:06 | 0:10:08 | |
Bad points. | 0:10:08 | 0:10:09 | |
He's a mardy little shit if you try to executive produce his album. | 0:10:09 | 0:10:14 | |
And then, sometimes, when I'm with him... | 0:10:14 | 0:10:17 | |
..he treats us like I don't even exist. | 0:10:18 | 0:10:20 | |
So, why are we interviewing Gervaise again? | 0:10:22 | 0:10:25 | |
Because, on a slow news week, "Pillock Records Album" is | 0:10:25 | 0:10:28 | |
actually worthy of a few column inches. | 0:10:28 | 0:10:30 | |
-Aye, well, if he starts singing it, you're on your own. -How, man. | 0:10:30 | 0:10:34 | |
If it isn't Tyneside's own Piers Morgan(!) | 0:10:34 | 0:10:37 | |
-Whoa, now that is slander. -Run along. -Right, I'll just go and get | 0:10:37 | 0:10:41 | |
-myself set up. -Hmm. -Stay. | 0:10:41 | 0:10:43 | |
-Oh! How did you get a copy of that?! -It was in that bin. | 0:10:46 | 0:10:49 | |
I was sick all over your face. Reminded me of the good times. | 0:10:49 | 0:10:53 | |
-Sarah know about this? -Come on, then, what do you want? -Oh... | 0:10:54 | 0:10:57 | |
..girl can want a lot of things, Jack. | 0:10:58 | 0:11:02 | |
Maybe...one last night of passion...? | 0:11:02 | 0:11:05 | |
Doubt if Sarah will do all the things I used to do to you. | 0:11:07 | 0:11:10 | |
I can do them all again tonight. | 0:11:10 | 0:11:13 | |
Plus two new things. One I learnt at Sexy Zumba. | 0:11:13 | 0:11:17 | |
-And another I saw on Game Of Thrones. -Well, if that's me | 0:11:17 | 0:11:20 | |
only option, then I'm definitely going to tell her. | 0:11:20 | 0:11:23 | |
Right answer! | 0:11:23 | 0:11:24 | |
SHE CHUCKLES | 0:11:24 | 0:11:25 | |
Just a little test, Jackie. You see, me and your lass have become close, | 0:11:25 | 0:11:31 | |
just as mates. So, I'm not going to tell her what you did. | 0:11:31 | 0:11:35 | |
-Cos it will break her little heart. -Oh, thank God for that. | 0:11:35 | 0:11:37 | |
-You're going to tell her. -What?! -You've got to sort things out, | 0:11:37 | 0:11:40 | |
Jack. I read this - you're making her look like a total psycho. | 0:11:40 | 0:11:44 | |
Well, maybe I just attract that kind, Denise. | 0:11:44 | 0:11:46 | |
Are you calling me a psycho? You'd better not be calling me a | 0:11:46 | 0:11:49 | |
psycho, if you're calling me a psycho I will show you a psycho. | 0:11:49 | 0:11:53 | |
Now, Lindsay - pros... | 0:11:53 | 0:11:55 | |
Well... | 0:11:56 | 0:11:57 | |
..he's good-looking. | 0:11:59 | 0:12:00 | |
And gorgeous. | 0:12:02 | 0:12:03 | |
And handsome. | 0:12:05 | 0:12:06 | |
And he helps us grow as a person. | 0:12:09 | 0:12:11 | |
And he treats us proper nice. | 0:12:12 | 0:12:14 | |
And when I'm with him... | 0:12:16 | 0:12:17 | |
..I know I definitely exist. | 0:12:19 | 0:12:21 | |
And... | 0:12:23 | 0:12:24 | |
-..he's posh like you. -Sorry? | 0:12:25 | 0:12:27 | |
Well, now I know why our Jack likes being with a posh person. | 0:12:28 | 0:12:32 | |
I remember him saying... | 0:12:34 | 0:12:35 | |
SHE SNIFFS | 0:12:35 | 0:12:37 | |
"It's like putting your Aldi shopping in a Marksie's bag." | 0:12:37 | 0:12:40 | |
LINDSAY SNIFFS | 0:12:42 | 0:12:43 | |
So, what are you saying with this album? | 0:12:48 | 0:12:51 | |
Huh, Jackie, I'm not saying anything. I'm singing. | 0:12:51 | 0:12:56 | |
Aye, in the loosest sense of the word. | 0:12:56 | 0:12:58 | |
Right, I'm going for me lunch. Yous better go outside. | 0:12:58 | 0:13:02 | |
Oh, for God's sake, Eric! Can't you see I'm schmoozing the press?! | 0:13:02 | 0:13:05 | |
Whoa! Nobody mention schmoozing to me. I don't want to schmooze. | 0:13:05 | 0:13:10 | |
What's schmoozing? | 0:13:10 | 0:13:11 | |
If you're not going outside, I'm going to have to lock you in for | 0:13:11 | 0:13:14 | |
-half an hour. -Big deal! Just do it, bell end! | 0:13:14 | 0:13:17 | |
Look, I'm not an idiot. | 0:13:19 | 0:13:21 | |
I don't think my music can heal all the world's problems, | 0:13:21 | 0:13:25 | |
but I do think it can make them irrelevant. | 0:13:25 | 0:13:28 | |
Eric is definitely coming back, isn't he? | 0:13:30 | 0:13:32 | |
God, I hope so. | 0:13:32 | 0:13:33 | |
I tell you another thing, | 0:13:34 | 0:13:37 | |
when I look at Lindsay, | 0:13:37 | 0:13:39 | |
he really gets me motor running. | 0:13:39 | 0:13:41 | |
I'm talking proper fizzy knickers, like. | 0:13:41 | 0:13:44 | |
Oh, that's... | 0:13:44 | 0:13:46 | |
romantic. | 0:13:46 | 0:13:47 | |
DOORBELL RINGS | 0:13:49 | 0:13:50 | |
Oh, that will be Denise, we're going to do our antenatal exercises. | 0:13:50 | 0:13:54 | |
-Oh. -Hiya. -How did you get in? | 0:13:55 | 0:13:59 | |
It's not exactly Fort Knox, flower. Anyway, I rang the bell, didn't I? | 0:13:59 | 0:14:02 | |
I'm not rude. You all right, Vic? | 0:14:02 | 0:14:04 | |
Vicki's having a dilemma. | 0:14:05 | 0:14:07 | |
Well, why didn't you come to me? | 0:14:07 | 0:14:09 | |
I've always listened to your problems. | 0:14:09 | 0:14:11 | |
Sorry, Denise, I just thought | 0:14:11 | 0:14:13 | |
Sarah would be a bit more sensitive. | 0:14:13 | 0:14:16 | |
Sensitive...? I'm sensitive. | 0:14:16 | 0:14:18 | |
-Oh. -I cried at the end of Terminator Two, didn't I? | 0:14:19 | 0:14:22 | |
Away, tell Denise all about it. | 0:14:23 | 0:14:27 | |
Well... | 0:14:27 | 0:14:28 | |
I feel like I might need to choose between Lindsay and... | 0:14:28 | 0:14:31 | |
Dump Gervaise, get pissed, shag the Scottish lad. Done! | 0:14:31 | 0:14:34 | |
Denise, it's not that simple. | 0:14:34 | 0:14:36 | |
-No, actually, it is that simple. -Right, let's do our pelvic floors. | 0:14:38 | 0:14:42 | |
And three, two, one...go. | 0:14:43 | 0:14:46 | |
BOTH EXHALE | 0:14:50 | 0:14:51 | |
And again. Three, two, one... | 0:14:51 | 0:14:54 | |
Hey, look at the state of us. | 0:14:57 | 0:15:01 | |
What would Lindsay think? Denise, have you got any foundation? | 0:15:01 | 0:15:05 | |
-STIFLED: -In me bag, help yourself. | 0:15:05 | 0:15:07 | |
BOTH EXHALE | 0:15:07 | 0:15:08 | |
Eee, what's this? | 0:15:09 | 0:15:11 | |
-Our Jack? -No, it's nowt, man, just put it back. | 0:15:12 | 0:15:15 | |
Give me that, please, Vicki. | 0:15:15 | 0:15:17 | |
What is this?! | 0:15:20 | 0:15:21 | |
So, hold on, you, the man that talent forgot, want to be | 0:15:21 | 0:15:25 | |
more successful than Michael Jackson and Beyonce put together? | 0:15:25 | 0:15:29 | |
That's stage one of the plan, yeah. | 0:15:29 | 0:15:31 | |
-Then, would you move out of Hebburn, like? -Oh, aye. | 0:15:31 | 0:15:35 | |
Or Gateshead at the very least. | 0:15:35 | 0:15:37 | |
PHONE RINGS | 0:15:37 | 0:15:39 | |
Hello, gorgeous. I'm interviewing a combination of Jacko and Beyonce - | 0:15:41 | 0:15:45 | |
white man with a big arse. | 0:15:45 | 0:15:47 | |
Jack, why am I reading about myself in a national newspaper? | 0:15:47 | 0:15:51 | |
Oh, right, hold on. I can sense that you're getting a little bit | 0:15:51 | 0:15:55 | |
-annoyed... -Little bit annoyed! | 0:15:55 | 0:15:57 | |
Everyone, and I mean everyone we know is going to read this. | 0:15:57 | 0:16:01 | |
I'm furious, I'm absolutely furious. I'm so angry that... | 0:16:01 | 0:16:04 | |
WATER RUNNING | 0:16:04 | 0:16:07 | |
..I've wet myself. | 0:16:07 | 0:16:09 | |
'Are you happy? You've made me so angry' | 0:16:09 | 0:16:11 | |
-that I have wet myself! -Hang on a minute. | 0:16:11 | 0:16:14 | |
That's not wee. I work in an old folk's home, I know all about wee. | 0:16:14 | 0:16:17 | |
I think your waters have broken. | 0:16:17 | 0:16:19 | |
Hah! Did you hear that? | 0:16:19 | 0:16:21 | |
'My waters have broken!' | 0:16:21 | 0:16:23 | |
My...my waters have broken? | 0:16:23 | 0:16:25 | |
No, no, no. They can't. I've still got two months to go yet. | 0:16:25 | 0:16:28 | |
Oh, my God, Sarah, I'm so sorry! Hold on, baby, I'm on me way. | 0:16:28 | 0:16:31 | |
I'll ring you back in two minutes. | 0:16:31 | 0:16:34 | |
The door's locked. | 0:16:34 | 0:16:35 | |
-HE YELLS: -The door's locked! | 0:16:35 | 0:16:36 | |
Aye, do you not remember? Chuckles said he had to lock up. | 0:16:36 | 0:16:40 | |
I often find this time useful to meditate or work on designs | 0:16:40 | 0:16:43 | |
-for my stage outfits. -Meditate! You'll be meditating yourself | 0:16:43 | 0:16:46 | |
a new set of teeth in a minute, son. | 0:16:46 | 0:16:48 | |
Get Eric down here and get that door open now! | 0:16:48 | 0:16:50 | |
What are you doing?! | 0:16:52 | 0:16:54 | |
What are we going to do? I wish Lindsay was here, he'd know. | 0:16:54 | 0:16:58 | |
He's given birth to a lamb in a stream. | 0:16:58 | 0:17:00 | |
Vicki, you're going to have to drive her to the hospital. | 0:17:00 | 0:17:03 | |
What?! Why me?! | 0:17:03 | 0:17:05 | |
-Why me? -Because, genius, you're the only one with a car and | 0:17:05 | 0:17:08 | |
Aqua Vet isn't here. | 0:17:08 | 0:17:09 | |
What happens if her waters break again on me upholstery? | 0:17:09 | 0:17:13 | |
What if I crash? What if she has the baby in the car? | 0:17:13 | 0:17:15 | |
I haven't got a car seat! | 0:17:15 | 0:17:17 | |
Vicki...you're me best mate, | 0:17:18 | 0:17:20 | |
and what I'm going to say to you now | 0:17:20 | 0:17:22 | |
I've been needing to say since the first day we met. | 0:17:22 | 0:17:25 | |
Get. Your shit. Together! | 0:17:27 | 0:17:30 | |
Ah, well said. Now let's go! | 0:17:32 | 0:17:34 | |
-Right! Open the car, open the car! -I can't find my keys! | 0:17:34 | 0:17:38 | |
-Use the clicker, man. -I took it off because it doesn't go | 0:17:38 | 0:17:40 | |
with the other keys! | 0:17:40 | 0:17:41 | |
Right, focus, focus, focus! | 0:17:45 | 0:17:47 | |
WINDOW BANGS | 0:17:47 | 0:17:49 | |
-Now open this side, you daft tart. -Right, sorry. | 0:17:49 | 0:17:52 | |
-Right, go, go, go! -I'm doing it, I'm doing it! | 0:17:56 | 0:17:59 | |
-We're not moving! -Just start the car and drive, man! | 0:17:59 | 0:18:03 | |
Will you stop shouting at us?! | 0:18:03 | 0:18:05 | |
I'm in proper turmoil at the minute! | 0:18:05 | 0:18:08 | |
-What? -Well, I'm thinking - | 0:18:08 | 0:18:10 | |
"Isn't it weird that it would be better if Lindsay was here?" | 0:18:10 | 0:18:13 | |
-Not Gervaise. What do yous think? -I think we can all agree that would | 0:18:13 | 0:18:16 | |
be better if Lindsay was here because he could drive | 0:18:16 | 0:18:18 | |
and you'd be free to feel my foot up your arse! | 0:18:18 | 0:18:21 | |
-Ahh! God, it hurts! Can we go?! -Sarah, Sarah, look at us. | 0:18:21 | 0:18:25 | |
Everything is going to be all right. | 0:18:25 | 0:18:28 | |
Please, now! | 0:18:28 | 0:18:29 | |
Right, well, I'll just have to rush me pre-flight checks. | 0:18:29 | 0:18:32 | |
Seatbelt, mirror, mascara, boobs looking lush. | 0:18:32 | 0:18:36 | |
Right, then, let's drive... | 0:18:36 | 0:18:38 | |
TYRES SQUEAL AND ENGINE ROARS | 0:18:38 | 0:18:40 | |
Eric, you've got to come back, it's an emergency. | 0:18:42 | 0:18:45 | |
Yes, I was wrong to call you a bell end. You have no bell-end qualities | 0:18:45 | 0:18:49 | |
whatsoever. | 0:18:49 | 0:18:50 | |
Aye... | 0:18:50 | 0:18:52 | |
Yes, I'm the bell end. | 0:18:52 | 0:18:55 | |
Come on. | 0:18:55 | 0:18:56 | |
-And my album is...shite. -Come on. | 0:18:56 | 0:19:00 | |
Please come back! He's on his way. | 0:19:00 | 0:19:02 | |
-I...think. -Thanks. Thanks. | 0:19:03 | 0:19:07 | |
Someone get us a doctor! Or yous are all going to need a doctor. | 0:19:09 | 0:19:13 | |
-In here, in here. -Reverse. -Reverse. | 0:19:13 | 0:19:16 | |
Jack! Where are you now?! | 0:19:16 | 0:19:18 | |
-I'm...I'm... Oh, I'm still in the recording studio. -'What?!' | 0:19:18 | 0:19:22 | |
The door's locked, we can't get out. But don't worry. | 0:19:22 | 0:19:24 | |
I've got the best brains in Hebburn on the case and they've worked | 0:19:24 | 0:19:27 | |
out a plan of action. | 0:19:27 | 0:19:29 | |
SHE BREATHES HEAVILY | 0:19:29 | 0:19:31 | |
Now, look, you're going to have to push. | 0:19:31 | 0:19:33 | |
SHE SOBS I don't want to! | 0:19:33 | 0:19:35 | |
It's not ready yet! I have to keep the baby inside until Jack gets here! | 0:19:35 | 0:19:41 | |
Look, the baby wants to come out now. One big push. | 0:19:41 | 0:19:44 | |
Right down your bottom. | 0:19:44 | 0:19:46 | |
Ahh! | 0:19:48 | 0:19:50 | |
SHE SHRIEKS | 0:19:50 | 0:19:51 | |
I'm never, ever coming off the pill, like, ever. | 0:19:51 | 0:19:55 | |
SOBBING: I'm scared! I want Jack! | 0:19:55 | 0:19:57 | |
Jack's on his way but look at us, | 0:19:57 | 0:19:59 | |
look at us. You've got me, all right? And I'm going to | 0:19:59 | 0:20:03 | |
be with you every step of the way, lass. | 0:20:03 | 0:20:05 | |
-And Vicki is... -I need some Cheryl, right now, like. | 0:20:05 | 0:20:09 | |
-..also in the room. -OK, one more big push. | 0:20:09 | 0:20:12 | |
SHE SCREAMS | 0:20:15 | 0:20:18 | |
Nurse? | 0:20:18 | 0:20:20 | |
It's me daughter-in-law, | 0:20:20 | 0:20:21 | |
she's been brought in, she's a bit premature, like, | 0:20:21 | 0:20:23 | |
-I've got cakes... -Mam...? | 0:20:23 | 0:20:26 | |
-How is she? How's the bairn? -The baby's through there, they've | 0:20:28 | 0:20:31 | |
-got it in one of those little greenhouses. -All right. | 0:20:31 | 0:20:34 | |
I tell you what, seeing that bairn come into the world, it makes | 0:20:34 | 0:20:37 | |
you think, when I have mine | 0:20:37 | 0:20:39 | |
I'm going to have all the drugs they've got. | 0:20:39 | 0:20:42 | |
I might even see about bringing in some of me own. | 0:20:42 | 0:20:45 | |
-You all right, pet. -Eee, Dad. For me birthday, can I get me tubes tied? | 0:20:45 | 0:20:49 | |
-DOOR OPENS -My wife, my wife's here, where is she? | 0:20:49 | 0:20:51 | |
Hang on, hang on, I'll deal with this. Where do you keep the babies? | 0:20:51 | 0:20:54 | |
-Jack, here! -Mum! Where's Sarah? -They're through here, pet, | 0:20:54 | 0:20:57 | |
they're saying they're both fine. | 0:20:57 | 0:21:00 | |
Kept us waiting, never been offered a cup of tea, flu injection, | 0:21:00 | 0:21:04 | |
-nothing. -Right, well, I'd better...I'd better... | 0:21:04 | 0:21:06 | |
Hang on, Jackie, Jackie. Whoa. Untwist your knickers, son. | 0:21:06 | 0:21:09 | |
Sarah and that little baby are going to need you now. | 0:21:09 | 0:21:12 | |
You're right, cheers, mate. Thank you. | 0:21:12 | 0:21:14 | |
And you were right about not telling Sarah about the book as well. | 0:21:14 | 0:21:17 | |
No... | 0:21:17 | 0:21:18 | |
You little... | 0:21:20 | 0:21:21 | |
Sarah, I'm so, so sorry. I took the book deal out thinking I didn't | 0:21:22 | 0:21:26 | |
want to upset you cos you were pregnant but I wasn't going to | 0:21:26 | 0:21:28 | |
keep it as a secret forever, just until you'd had the baby. | 0:21:28 | 0:21:31 | |
Look...they didn't print any of the positive stuff, just the bad stuff. | 0:21:31 | 0:21:34 | |
Listen, right, listen... | 0:21:34 | 0:21:35 | |
"It's amazing watching Sarah begin to blossom | 0:21:35 | 0:21:38 | |
"into motherhood. Mind, she's become proper mardy about it." | 0:21:38 | 0:21:41 | |
-That's probably not the best example. -Shh, shh. | 0:21:41 | 0:21:44 | |
-Jack... -What? | 0:21:44 | 0:21:46 | |
Look... | 0:21:46 | 0:21:48 | |
..we have a son. | 0:21:50 | 0:21:51 | |
Is he...is he going to be...? | 0:21:57 | 0:21:59 | |
They don't know yet. | 0:22:00 | 0:22:02 | |
See how he goes. | 0:22:02 | 0:22:04 | |
He's so small. | 0:22:05 | 0:22:06 | |
I know. | 0:22:07 | 0:22:09 | |
-It's my fault. It's all my fault! -Jack, Jack, look at me. | 0:22:10 | 0:22:14 | |
There's something that I've wanted to say to you for a really long time. | 0:22:15 | 0:22:19 | |
-Oh, I love you too! -No... | 0:22:19 | 0:22:21 | |
What I needed to say is... | 0:22:22 | 0:22:24 | |
-Get. Your shit. Together. -What? | 0:22:25 | 0:22:30 | |
Our son needs someone he can look up to. Not someone who writes secret | 0:22:30 | 0:22:33 | |
books and feels like he can't share anything with his wife | 0:22:33 | 0:22:36 | |
because he's worried that she'll get angry. | 0:22:36 | 0:22:38 | |
-You did go well mental, like. -Yes, and I probably will again. | 0:22:38 | 0:22:42 | |
-Will you? -Loads of times. | 0:22:42 | 0:22:45 | |
And probably over nothing at all. | 0:22:45 | 0:22:47 | |
Well, that's something to look forward to, then! | 0:22:47 | 0:22:50 | |
Come here. | 0:22:50 | 0:22:51 | |
Here's to Jack's new bairn! | 0:22:58 | 0:23:00 | |
CHEERING | 0:23:00 | 0:23:01 | |
Aren't the parents supposed to be here when you do that? | 0:23:01 | 0:23:04 | |
I'm not a stickler for tradition, mate. | 0:23:04 | 0:23:06 | |
DOOR OPENS | 0:23:06 | 0:23:07 | |
Where have you been? I've been phoning you all day. | 0:23:09 | 0:23:12 | |
I've been helping to give birth to Jack and Sarah's new baby. | 0:23:12 | 0:23:15 | |
Well, sort of. | 0:23:15 | 0:23:16 | |
WOMAN CLEARS THROAT | 0:23:16 | 0:23:18 | |
Welcome, everybody, to the unveiling of our new stage | 0:23:18 | 0:23:22 | |
here at Swayze's! | 0:23:22 | 0:23:25 | |
CHEERING | 0:23:25 | 0:23:27 | |
Look, we need to talk... | 0:23:28 | 0:23:31 | |
I'm not a talker, I'm a singer. | 0:23:31 | 0:23:33 | |
Thanks to Pauline Pearson for the delish cupcakes! | 0:23:33 | 0:23:38 | |
CHEERING | 0:23:38 | 0:23:40 | |
Listen, I've been doing a lot of thinking... | 0:23:40 | 0:23:44 | |
..and growing as a person. | 0:23:45 | 0:23:47 | |
-Oh! That's Lindsay talking! -No, it's me. | 0:23:47 | 0:23:50 | |
I'm talking. | 0:23:51 | 0:23:52 | |
The new centrepiece of Swayze's! | 0:23:52 | 0:23:55 | |
CHEERING | 0:23:55 | 0:23:56 | |
I need to say something to you. I just think it's time that we... | 0:23:56 | 0:24:00 | |
Big Keith, will you do the honours, please, flower? | 0:24:00 | 0:24:03 | |
..broke up. | 0:24:03 | 0:24:05 | |
DRUM ROLL | 0:24:05 | 0:24:07 | |
CHEERING | 0:24:07 | 0:24:09 | |
I'm sorry. | 0:24:11 | 0:24:13 | |
MUSIC: "S Club Party" by S Club 7 | 0:24:14 | 0:24:16 | |
Vicki... | 0:24:19 | 0:24:20 | |
..wait... | 0:24:22 | 0:24:23 | |
-Lindsay, what are you doing here? -I thought I'd just pop down for a... | 0:24:27 | 0:24:32 | |
Hey, hey, what's wrong? | 0:24:32 | 0:24:35 | |
I've done it. | 0:24:35 | 0:24:37 | |
I've dumped Gervaise. | 0:24:38 | 0:24:40 | |
God, are you OK? | 0:24:40 | 0:24:42 | |
I'll be fine. | 0:24:42 | 0:24:44 | |
I think I can feel myself growing some more. | 0:24:44 | 0:24:47 | |
Listen... | 0:24:48 | 0:24:50 | |
Er...if you are single... | 0:24:50 | 0:24:53 | |
I couldn't live with myself if I didn't say that after you've | 0:24:53 | 0:24:57 | |
had some time and done the relevant healing, it be my honour... | 0:24:57 | 0:25:00 | |
Shut up, man! | 0:25:00 | 0:25:02 | |
Get on this... | 0:25:02 | 0:25:04 | |
Oh... | 0:25:08 | 0:25:11 | |
He's absolutely gorgeous. | 0:25:11 | 0:25:15 | |
(You can't stop staring.) | 0:25:15 | 0:25:16 | |
Oh, me first little grandbairn. | 0:25:18 | 0:25:21 | |
And, more importantly, my first great-grandbairn. | 0:25:23 | 0:25:28 | |
Howay, they've had enough tears today, these two. | 0:25:31 | 0:25:35 | |
Have you decided on a name yet? | 0:25:35 | 0:25:37 | |
Mam, Dad...meet Anthony. | 0:25:40 | 0:25:42 | |
Anthony! | 0:25:42 | 0:25:44 | |
Oh, that's lovely! | 0:25:44 | 0:25:45 | |
Anthony Joseph. | 0:25:46 | 0:25:49 | |
Joseph?! Aw, they've named him after you, Joe! | 0:25:49 | 0:25:52 | |
-Aye, great. -Now, now, no tears! | 0:25:52 | 0:25:56 | |
They've had enough today, haven't they? | 0:25:56 | 0:25:58 | |
SHE CHUCKLES | 0:25:58 | 0:26:00 | |
I know I did you wrong, Vicki. I know I let my talent get in the way | 0:26:10 | 0:26:14 | |
of the magic that we shared but I vow this - I shall win you back. | 0:26:14 | 0:26:18 | |
HE SPITS | 0:26:23 | 0:26:25 | |
So, how does it feel being a dad? | 0:26:26 | 0:26:28 | |
I didn't want to say anything in front of Sarah, but | 0:26:28 | 0:26:30 | |
I'm terrified. I mean... | 0:26:30 | 0:26:33 | |
what if he doesn't make it? What if something happens to him? | 0:26:33 | 0:26:36 | |
JOE CHUCKLES | 0:26:36 | 0:26:37 | |
-Oh, that's funny now, is it? -Son... | 0:26:37 | 0:26:40 | |
All that that you're feeling now, all that worry and all that dread... | 0:26:40 | 0:26:44 | |
-Yeah? -..you're going to feel that every single second for ever. | 0:26:44 | 0:26:48 | |
Happiest day of me life. | 0:26:48 | 0:26:50 | |
He'll be the last thing you worry about at night and the first thing | 0:26:50 | 0:26:53 | |
you worry about in the morning. | 0:26:53 | 0:26:55 | |
And then, before you know it...you'll be paying for holidays | 0:26:55 | 0:26:58 | |
you don't want to go on. | 0:26:58 | 0:27:00 | |
There will be Christmases where you don't get any presents | 0:27:00 | 0:27:03 | |
and birthdays where you just stand in a corner and watch. | 0:27:03 | 0:27:06 | |
And the only time he'll truly understand how much you worry | 0:27:06 | 0:27:09 | |
about him is when you're stood here with him | 0:27:09 | 0:27:11 | |
like I'm stood here with you now. | 0:27:11 | 0:27:13 | |
BABY CRIES | 0:27:20 | 0:27:22 | |
And thank your lucky stars you had a boy. | 0:27:22 | 0:27:25 | |
Cos girls never leave home and they cost you a fortune. | 0:27:25 | 0:27:28 | |
Joe? | 0:27:28 | 0:27:29 | |
I've just had Vicki on the phone - she wants 20 quid for a takeaway | 0:27:29 | 0:27:32 | |
-for her and Lindsay. -Very lucky you had a boy. | 0:27:32 | 0:27:36 | |
Sarah's asleep. They said we should go home and come back | 0:27:36 | 0:27:39 | |
and do some more staring in the morning. | 0:27:39 | 0:27:41 | |
Howay, your mum's out front flirting with the taxi driver. | 0:27:41 | 0:27:44 | |
-I might just stay and stare a bit longer. -Oh. -See if he does anything. | 0:27:44 | 0:27:48 | |
-He won't. -I know. | 0:27:48 | 0:27:50 | |
And don't worry about his little face, it'll settle down eventually. | 0:27:50 | 0:27:54 | |
-Yours did, more or less! -See you, pet. | 0:27:54 | 0:27:59 | |
Subtitles by Red Bee Media Ltd | 0:28:34 | 0:28:37 |