The Charity Single Hospital People


The Charity Single

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Ivan Brackenbury, out and about, reaching out and touching patients.

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Hi, everyone! We're broadcasting live from Ward Seven.

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The hospital radio studio is having a refit so we're out and about

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like a Radio 1 Big Weekender.

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-'Out and about.'

-Shout out if you're having a great time.

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MAN SCREAMS IN PAIN Yeah!

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The staff and patients have been really supportive during the refit.

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They've been coming up to me all week and saying they can't wait

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for me to be back in the studio.

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We're going to have to operate.

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Hiya, are we having fun?

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Ivan Brackenbury here, the cheerful earful!

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We're live on hospital radio.

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-Have you got a request?

-Leave me alone.

-Michael Jackson, love him.

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Whoohoo! What you in for?

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You've got to speak up. We're live on the radio.

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If you're having a good time, let your face know.

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Hey-hey-hey!

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Well, who HAVE you got? If we're going to do a charity single,

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we're going to need a big name.

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No, that is exactly how we got into this financial mess.

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-Big names mean big money.

-Big names don't do charity for money.

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They do it cos it makes them look good.

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OK, but we don't need Aled Jones or Gareth Malone or any of

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those other names. I've managed to get...Neville Burley.

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-Neville Burley?!

-Yeah, he's the local choirmaster. He's brilliant.

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-He sounds boring.

-No, no, no, Neville's not boring, OK?

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He's got a past, but he turned his life around with choir singing

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and I really think he could turn this place around...

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Are we not missing a trick by not going with the nude calendar idea?

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I'm willing to do it if you are. We need to go balls out on this.

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I'm calling Neville.

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What you need to do is balance your chakras, Deepak your Chopras

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and then get a homeopath, reiki master, an acupuncturist and

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then just clarify your aura and decalcify your penal gland.

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If you do that every morning,

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you'll find out definitely that you'll have a relaxing day.

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My name's PC Davies, this is PC Tanner.

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-We've just got a few questions for you.

-One minute.

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We'd like to get a description of the thief.

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-I didn't really get a good look at him.

-OK. Is there any...

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Excuse me, sorry to interrupt. I'm a psychic and I'd like to help you.

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I had a premonition about this moment and in that premonition

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you said that I could.

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You know, you hear a lot about psychics helping the police

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over in America and I wish they did a lot more of it here.

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They spend over 6 billion on psychic services a year

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so if this stuff isn't real,

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that's an awful lot of people being conned and scammed.

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And I don't know about you,

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but I don't think the Americans are that stupid.

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Or easily led.

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The spirits will help you catch the thief you seek.

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-No, it's all right, sir, we can...

-Shhh. One minute.

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I've got someone coming through now.

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Would I be right in saying that this person had little respect or

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-no respect for property?

-Oh, yes, that's bang on.

-OK. Right.

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Let's hold hands and form a circle of trust. Actually, you're fine.

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I'll just do it on my own.

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I now declare this brand-new digital radio station open!

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RECORDING OF APPLAUSE

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-Well, are you going to look inside?

-In a minute. It's so exciting.

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It's like Christmas Day. Except I'm not on my own.

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I've done over 200 different fundraisers in the last year

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to raise money for a digital studio

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and it's going to make a massive difference.

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The only difference between me and Nick Grimshaw is

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he's got an up-to-date studio.

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Hello, Brimlington, Ivan Brackenbury here.

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And you might have noticed I sound different.

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-That's because I'm broadcasting to you in digital.

-Oooh!

-All right.

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Right, we've got hospital radio news. Now, where's the jingle?

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-Touch-screen now, Ivan.

-Yeah, I know that. One minute.

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CACOPHONY OF JINGLES

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Right, forget the jingle, I'll do it myself.

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Hospital radio news with Ivan Brackenbury.

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FEEBLE FANFARE IMPRESSION

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He's bonkers!

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Right, there will be auditions for a special charity song in

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-the hospital manager's office today.

-Wow, that's so cool...

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I have to interrupt you there, Shaz. Just one minute, for goodness' sake.

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I'm going to have the exclusive first play of

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the Brimlington Hospital charity song.

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And speaking of songs...I don't know what song we've got next,

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I can't see anything on the screen.

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OK, so now we have some classic Elton John for you,

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taken from the fourth studio album Madman Across The Water,

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which was released in 1971. This still sounds brilliant.

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-This is Tiny Dancer.

-Shaz, I do the links!

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Honestly, you just made the show sound really unprofessional.

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-Your mic was still on.

-Oh, bum!

-Don't worry, I faded it down.

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Right, I'm going to the toilet.

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Don't forget your headphones. Argh!

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No, I take choir singing extremely seriously, Susan. It saved my life.

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Let's just say... Well, I had some anger issues. But...

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being a choirmaster has turned me around.

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-Now I just want to help others.

-Good sob story.

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Let's hope we have a few more of those today.

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Remember, it's about the whole package. They've got to look right.

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No, no, it's just about voices.

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-Doesn't matter what people look like.

-Good thinking, Neville.

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Let's get some Susan Boyles. Come!

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-Hello. What's your name?

-Sam.

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Right, you're under a lot of pressure, so have fun with it.

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# This little light of mine

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# I'm going to let it shine

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# This little light of mine

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# I'm going to let it shine

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# This little light of mine... #

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Oh, sorry, I need to go around again. Bear with me.

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# ..let it shine. #

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-What are you doing?

-Oh, I feel really sick.

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It's probably not your singing.

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-Should I start again?

-No...

-No, I think we've heard enough.

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-That was exquisite.

-I have to say, I didn't like your performance.

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I loved it!

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But I'm wondering if it's good enough to be

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in the Brimlington choir.

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And I think it is!

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But I am wondering if you've got that certain something.

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-And I think you do! However...

-You're in the choir.

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-And it's a yes from me.

-Oh, thank you.

-Well done. Next.

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-Hello. What's your name?

-Hi, I'm Gary.

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The song I'm singing is very close to my heart.

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I used to sing it every day to my gran before she died last year.

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I just hope she's up there listening.

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-Brilliant. You're through.

-Really?

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-Yes.

-Thanks, Gran.

-Next.

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Hello. What's your name?

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SINGING FROM INSIDE CHAPEL

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# Make me happy

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# Through the years

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# Never bring me

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# Any tears... #

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I guess you could say I'm a triple threat.

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Comedian, singer, musician.

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Oh, I'm a great cook as well.

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And an actor. A bit of a poet.

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Great with kids. Good public speaker. Kind to animals.

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I don't smoke. What else? Oh, and I'm a vicar.

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# Bring me fun, bring me laughter, bring me love. #

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-All right, Mrs Leydon, what do you reckon?

-Brilliant.

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-Voice of an angel.

-Body of a god.

-Shame it's Buddha.

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Oh, one of mine there. She's learning.

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OK, I've actually lost a couple of pounds recently so...

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Anyway, you focus on the timing, OK? You were out on that.

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Way out. All right?

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Right, what's next?

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OK, the spirits are with me now. I've got a very clear picture.

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I want to say this person was an adult, yeah,

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either a male or a female. Does that make sense with you?

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-It was a bloke, I heard his voice.

-Please don't interrupt.

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Please, Carol. I don't want to be influenced by you in any way.

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I just want information to come to me from the spirits.

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Does that make sense?

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I'm getting that this was a bloke with a male voice.

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I'm hearing the accent.

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-What kind of accent would you say that was, Carol?

-It was local.

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Local, correct, that's what I'm getting too, so that's two hits.

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What I'm seeing here is like a red number two.

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Does that make sense with you? A red number two. Have a think.

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I had beetroot yesterday.

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No, no, this is more like maybe a red door with what I would call

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-the number two on it, yes?

-Oh, I didn't do that.

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No, no-one's judging you, Carol, OK?

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What I feel is that this man

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has been in trouble with the law before, OK?

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Whether it's littering or a brake light or murder, something

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like that and I feel definitely you're going to find something, OK?

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-Yeah, well, thanks for that.

-Mm-hm.

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-If anything else comes to you, do let us know.

-Me or Carol?

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-Carol.

-Carol.

-Right. OK. God bless, my love. Good luck.

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We didn't get your name, sir.

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Oh, Ian D Montford.

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Is that D-E Montford?

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-It's actually just D.

-What does the D stand for?

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Some people say Divine, others Deeply Spiritual...

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Yeah, what does it stand for?

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-It's Dean.

-Ian Dean Montford. Thank you.

-Thank you.

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I'm in! Ha!

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Next!

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Wish we had those big red buttons. Parp!

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-Is that too high?

-No.

-OK.

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When you're ready, my darlings, absolutely no pressure.

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Well, a bit of pressure. This could be a life-changing moment.

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This is what you've dreamed about.

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All right, Mrs L, hit it.

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MUSIC PLAYS

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# They say we're young and we don't know

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# We won't find out until we grow

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# Well, I don't know if that's true

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# But you got me and baby, I got you... #

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Chorus.

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-BOTH:

-# Babe

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# I got you, babe.

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# I got you... #

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Stop, stop, stop!

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Look, I think we've heard enough.

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-This is never easy, but it's a no from me.

-What?!

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May I just ask, do you come as a pair?

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-No.

-Absolutely.

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Well, yeah.

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Because Mrs Leydon, I feel, possesses that elusive something.

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Yeah, we're definitely a pair.

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Father Kenny, I feel you need to go away and do some growing up.

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Maybe come back next year.

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-I'm not going through without him.

-Can we do another song?

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It's not about the song,

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it's about star quality and/or heart-breaking back stories.

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No, it's just about talented singers like Mrs Leydon.

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You wouldn't know talent if it kicked you up the arse!

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-Mrs L, easy.

-Oh! Don't talk to Neville like that.

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He's got anger issues - he could flip out on all of us.

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Susan, please, that's all behind me.

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What's it to be, Mrs Leydon?

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-Mrs Leydon, you join the choir. I don't mind.

-Really?

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Yeah...

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No! I won't.

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Great. Come on, Mrs L.

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I'm sorry I said that thing about kicking you up the arse.

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Don't worry, Mrs L. I've got a better idea.

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-Are you all right? Maybe take some deep breaths, calm down.

-I'm fine.

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Next!

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HE SINGS ALONG

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# It's the final countdown

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# Boo boo boo boo

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# It's the final countdown! #

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Oh! That was for Edwin, who's the oldest patient in the hospital.

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-It's The Final Countdown.

-Actually, it's not Edwin any more, it's Joan.

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-Did Edwin go home?

-Kind of.

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Ah, lovely. How long will Joan hang on to the title?

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OK. Now it's time for What Animal's in my Pocket?

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Where you could win...

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Actually, before that, we've had stacks of e-mails in from listeners.

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-What? We hardly ever get e-mails in.

-So, from Jilly from Ward Five.

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"Hi, Shaz and Ivan."

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It's Ivan and Shaz.

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"Loving the show. You two are hilarious."

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One here from Liz.

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"Loving the Shaz and Ivan show, really brightening up my day."

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No, look, it's not Shaz and Ivan.

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It's Ivan's, Ivan Brackenbury's Fun Lunch.

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-Are you all right, Ivan?

-I'm fine!

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And it was a penguin in my pocket but it's going in the bin now.

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No, I don't really do double acts.

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I was in a double act once. This is Andy.

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He works at Zenith FM,

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it's the largest radio station in the North Midlands and he's on

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six figures, but do they let him do breakfast,

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lunchtime and drivetime like me? No, they don't.

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He's only allowed to do one show a day.

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Erm, he did say if I ever needed a job there'd be one going for me

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at Zenith. Talk about trying to get rid of the competition.

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Nice try, Andy!

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-Yeah, yeah.

-OK.

-Yeah.

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OK, we're ready to start.

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-Two, three...

-Good luck, everyone.

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Two, three, four.

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# Oh

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# Oh... #

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Yes, this is a take, guys, good one.

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Except now it isn't because you talked over it.

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-Right.

-OK, shall we take it from the top again? Two, three, four.

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# Oh

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# Oh... #

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Just thinking, shall we do a rap in the middle, make it cool?

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No!

0:15:050:15:07

Susan...

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I've only got this afternoon to record

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so can we please get something down?

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Yes, all right. Count to ten, Neville.

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Are we still running? From the top again, then, thank you.

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-Two, three, four.

-Five.

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-# Oh... #

-PHONE RINGS

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Oh, that's mine, sorry, I'm going to have to take this.

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One minute.

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Yes, yes, hello.

0:15:310:15:33

Yes, yes, it's going fine.

0:15:350:15:36

Yeah, he's just about managing to keep a lid on his anger issues.

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For now.

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Well, your lifeline is long and strong. That's great news for you.

0:15:490:15:53

This line here, that's a little bit short but nothing to worry about,

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that's your sun line so that's fine.

0:15:570:15:59

Erm...

0:15:590:16:01

Oh, no, I've got them the other way round, haven't I?

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It's the big thick one here that's your sun line

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and the little one's your...

0:16:060:16:07

Let's do some reiki.

0:16:090:16:10

Excuse us, Ian. Is now a good time?

0:16:110:16:13

Oh! You're back. I knew you would be.

0:16:130:16:16

You've caught the criminal, haven't you?

0:16:160:16:18

Not yet, but we've located the stolen items at a residence.

0:16:180:16:21

-It turns out you might have been on to something.

-No.

0:16:210:16:24

Derelict house, bright red front door, number two.

0:16:240:16:27

No! I mean, well, yes!

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Obviously, cos like the spirits, they know everything.

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So we were hoping you'd help us with some of our other cases, maybe?

0:16:310:16:35

-Absolutely, love to, yes.

-Great. Follow me.

0:16:350:16:39

It's good to have people in authority recognise you have

0:16:420:16:45

genuine psychic gifts.

0:16:450:16:46

I don't want to turn this into an "I told you so"

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to everyone who's ever doubted me so I'll keep this short.

0:16:490:16:53

Joe Anderson, Mary Avery, Gary Barker.

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Sue Barker.

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Not that one. Erm...

0:16:590:17:02

Sue Barker. That one.

0:17:020:17:04

That last take was tantalisingly close.

0:17:080:17:10

Here's an idea, though, how about a different song?

0:17:100:17:12

Something with a bit more pizazz.

0:17:120:17:14

No, we've selected the song and I've perfected the arrangements.

0:17:140:17:17

No, no, it's just not making me want to party.

0:17:170:17:20

Yes, well, it's a charity song for a hospital.

0:17:200:17:22

What about something we can dance to? Livin' La Vida Loca,

0:17:220:17:25

or maybe something from the Bridget Jones soundtrack.

0:17:250:17:28

-Susan, could I have a word, please?

-Yes.

0:17:280:17:30

-I'm trying frightfully hard not to blow my top here.

-Mm.

0:17:310:17:34

-Could we please be allowed to get on with this?

-Ooooh! Get off of me!

0:17:340:17:38

I think we could all use a coffee.

0:17:390:17:41

Susan, could you be an immense help and do a coffee run?

0:17:420:17:45

OK, OK, but just calm down. When we get back, we'll talk Ricky Martin.

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Move out of my way, all of you get out of the way.

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DOOR SLAMS

0:17:540:17:56

Turn over please. Right, from the top. One, two, three, four.

0:17:560:18:00

Wow, Angela, that's so inspirational.

0:18:050:18:07

'I was listening to what you said earlier, Shaz.

0:18:070:18:10

'And I thought, "No, I'm not going to let this beat me." '

0:18:100:18:13

I don't know where you get the strength.

0:18:130:18:16

Sorry, you've got me going.

0:18:160:18:17

-'Now I'm going.'

-What are we like?!

0:18:170:18:20

Stay tuned to Ivan's mystery sandwich at 3:30 today.

0:18:200:18:24

OK. Now we've got another caller on the line.

0:18:240:18:27

Someone's already guessed the bread,

0:18:270:18:30

but the filling's still up for grabs.

0:18:300:18:32

-'Hey, Shaz, loving the show.'

-Aw. Thanks, mate.

0:18:330:18:36

'It's really fantastic.'

0:18:360:18:37

-'It's the best it's ever been.'

-What was your question?

0:18:370:18:40

'It's kind of personal. I wondered if you had any advice on...'

0:18:400:18:44

Andy, it's Ivan.

0:18:480:18:51

From the Bonkers Brothers.

0:18:510:18:53

How's it going at Zenith?

0:18:530:18:55

Yeah, still at Brimlington.

0:18:550:18:57

Yeah, still at me mum's.

0:18:580:19:00

Andy, you know you said there'd always be a job going for me if I was interested?

0:19:000:19:04

Yeah. Well, I'm interested.

0:19:060:19:08

SINGING

0:19:120:19:17

Yes! That's it!

0:19:190:19:21

-I couldn't have liked it more.

-That was amazing.

0:19:270:19:30

-Thank you.

-So much easier without that ghastly manager.

-Susan, yeah.

0:19:300:19:34

She's a massive pain in the arse.

0:19:340:19:36

-Is she like that all the time? It must be exhausting.

-Worse.

0:19:360:19:38

She's practically run this hospital into the ground.

0:19:380:19:41

VOICES FADE

0:19:410:19:43

MELANCHOLY MUSIC PLAYS

0:19:430:19:46

SUSAN SOBS

0:19:490:19:52

-What happened?

-They're saying I'm a terrible manager.

0:19:550:19:58

I'm running the hospital into the ground.

0:19:580:20:00

OK.

0:20:000:20:02

It's out. Damage limitation time.

0:20:020:20:05

Who's saying this?

0:20:050:20:07

That stupid idiot choir and that psychopath Neville Burley.

0:20:070:20:12

Oh, OK. That... That's fine.

0:20:120:20:15

I thought you meant the Health Minister found out about the overspend.

0:20:150:20:19

-Oh.

-Are you OK?

0:20:190:20:20

You're breathing very fast.

0:20:200:20:22

I've downed 11 lattes. I'm off my tits.

0:20:220:20:25

Another reason why I shouldn't be running a hospital.

0:20:250:20:28

Hey, come on, you're a gre... You're a good manager.

0:20:280:20:33

Hey, give me the cup.

0:20:330:20:34

Give me the cup. Give me the cup!

0:20:340:20:37

You do a fine job.

0:20:370:20:39

Oh, yeah? How?

0:20:390:20:40

Erm... OK. Give me a minute here, bit on the spot.

0:20:400:20:44

A lot of managers stay here for a couple of months and then get

0:20:450:20:48

promoted and leave but not you.

0:20:480:20:51

No, you've really stuck with this hospital.

0:20:510:20:54

-And you're the only one that can work that printer.

-What printer?

0:20:540:20:58

That's not you, is it?

0:20:580:20:59

Oh...

0:20:590:21:01

You dream big dreams.

0:21:010:21:03

Most people look at what you're doing and think,

0:21:030:21:05

"She hasn't got a clue. She's massively out of her depth."

0:21:050:21:07

You're trying to make me feel better here, Sunny. Stay on message.

0:21:070:21:10

Because they don't understand what a good manager does and

0:21:100:21:13

-that's why you're at the top.

-Yeah.

0:21:130:21:17

You're right. Who cares what they say?

0:21:170:21:20

I'm not going to wallow in here.

0:21:200:21:22

I feel great.

0:21:220:21:24

I don't know if it's your pep talk or the coffee,

0:21:240:21:27

but my heart is racing.

0:21:270:21:28

Dammit, I've got a hit single to produce.

0:21:280:21:31

Oh, it's the coffee. VOMITING

0:21:310:21:34

-Oh! Still a good manager, yeah.

-SHE RETCHES

0:21:340:21:37

Right, I'm back and I'm buzzing and we've got a hit single to record.

0:21:430:21:48

No ifs, no buts, I don't care how angry you get.

0:21:480:21:51

-Well, it's all pretty much in the bag, Susan.

-Great.

0:21:510:21:53

See what you can achieve when you don't lose your temper.

0:21:530:21:56

-I didn't lose my temper, Susan.

-Don't snap at me, Neville.

0:21:560:21:58

Do you need to have five minutes to calm down?

0:21:580:22:00

No, I've got a denouement to record - the final solo.

0:22:000:22:03

While you...you're doing a s-solo, I've got a m-music video to produce.

0:22:030:22:07

A d-director to find...

0:22:070:22:09

A record company to g-get, a dis... d-distribution d-deal.

0:22:090:22:12

I've had so much coffee I can't slow down.

0:22:120:22:14

Don't tell me too slow down, Neville. I won't slow down. Oh!

0:22:140:22:17

SPLAT!

0:22:170:22:19

A great manager has to delegate, but you can still take the credit

0:22:200:22:23

for it. It's like the Mafia.

0:22:230:22:24

The Godfather at the top doesn't get his hands dirty doing any actual

0:22:240:22:27

killing but they do get the respect for it and it's the same here.

0:22:270:22:30

Not when people die, obviously, that's nothing to do with me.

0:22:300:22:33

That's the doctors' fault.

0:22:330:22:35

-See you tomorrow, Ivan.

-Yeah.

0:22:430:22:45

-Are you OK?

-Erm, no.

0:22:450:22:48

Can you sit down? I've got something really important to tell you, Shaz.

0:22:480:22:51

-Sure.

-Right. Erm...

0:22:510:22:53

I-I've been here over 23 years and sometimes, you know...

0:22:530:22:59

Oh, my rabbit, I've been looking for that. Brilliant, great.

0:22:590:23:04

-..and sometimes it's just time to move on.

-Oh, Ivan, you're not?

0:23:040:23:09

Well, I don't think you and me are working, Shaz.

0:23:090:23:11

There's a presenting job going over at Radio Zenith

0:23:130:23:16

and I've been thinking...

0:23:160:23:17

-You've got to take it.

-What?

0:23:170:23:20

-No arguing, it's for the best.

-But... That's amazing, Ivan.

0:23:200:23:23

-An actual job?

-Mm.

-At Radio Zenith?

0:23:230:23:25

-Mm.

-They're massive.

-Mm.

0:23:250:23:28

Thank you. Thank you, thank you, thank you.

0:23:290:23:31

Yeah, the bunny's in me tummy.

0:23:320:23:35

Yeah, I do feel bad about forcing Shaz to sell out to

0:23:350:23:38

commercial radio, but in this business,

0:23:380:23:40

you've sometimes just got to think of yourself, haven't you?

0:23:400:23:43

This new digital studio thing isn't working either.

0:23:430:23:46

Digital is a passing fad. It's like CDs.

0:23:460:23:50

They were supposed to be the big new thing, weren't they?

0:23:500:23:53

But they kept getting scratched and that's why I'm using

0:23:530:23:55

cassettes still.

0:23:550:23:57

C90s - you get more on 'em.

0:23:570:24:00

Hi! Ivan Brackenbury here.

0:24:030:24:05

Great to have you listening, whatever you're doing today.

0:24:050:24:08

I've got my old desk back from the skip.

0:24:080:24:11

You know, people put some yucky things in hospital skips.

0:24:110:24:14

You'd be absolutely surprised,

0:24:140:24:16

but I'm going to be all right as long as I breathe through my mouth.

0:24:160:24:19

Ooh, nope.

0:24:190:24:21

Now it's time for the answer to What Am I?

0:24:210:24:24

JINGLE: What am I?

0:24:240:24:26

Big shout to Shaz for preparing her last ever one of those.

0:24:260:24:29

"You'll find me at the top of a Christmas tree.

0:24:290:24:33

"You'll see me out at night.

0:24:330:24:35

"I am held together by my own gravity.

0:24:350:24:39

-"What am I?"

-What am I?

0:24:390:24:41

Well, no-one got it. Oh!

0:24:410:24:43

I am a star! Brilliant.

0:24:430:24:46

Thanks again to Shaz for her very last one of those.

0:24:460:24:51

OK.

0:24:510:24:52

Remember, we've got the very first play of the Brimlington Hospital

0:24:520:24:56

choir single coming up.

0:24:560:24:58

But before that, here's some proper music from a radio legend,

0:24:580:25:02

Mr Terry Wogan and The Floral Dance.

0:25:020:25:05

# I thought I could hear the curious tone

0:25:050:25:09

# Of the cornet, clarinet and big trombone

0:25:090:25:12

# Fiddle, cello, big bass drum

0:25:120:25:15

# Bassoon, flute and euphonium

0:25:150:25:17

# Each one making the most of his chance

0:25:170:25:20

# All together in the Floral Dance... #

0:25:200:25:21

Hello, Mr D Montford, we've been looking for you.

0:25:210:25:24

Yes. I sensed that.

0:25:240:25:26

So, it seems that a lot of the information you provided us

0:25:260:25:29

-has checked out.

-Brilliant.

0:25:290:25:31

So you've come to give me a new case?

0:25:310:25:33

Well, we were going to ask you to accompany us to the station, Ian.

0:25:330:25:37

Great. I will need my own office so I can practise my practice.

0:25:370:25:41

No, what we're saying is your leads implicate you with possible

0:25:410:25:44

involvement in the crimes.

0:25:440:25:45

Officers, I think I know what might have happened here.

0:25:470:25:51

A malicious spirit has fed me information that's quite

0:25:510:25:54

general and vague and can be interpreted in different ways.

0:25:540:25:57

Ian DEAN Montford...

0:25:570:26:00

-One minute...

-You're under arrest.

-No, listen, think about it.

0:26:000:26:03

It's not me...

0:26:030:26:05

It's the malicious spirit I was telling you about. Honestly...

0:26:050:26:09

Right, here it is. Hot off the press.

0:26:090:26:11

The brand-new single from the Brimlington Hospital choir.

0:26:110:26:14

Here we go.

0:26:140:26:16

-JINGLE:

-1969!

0:26:160:26:18

Oh, bear with me, I'm still getting used to the old desk being back.

0:26:180:26:22

One second. Is that it?

0:26:220:26:25

# Oh

0:26:250:26:27

# Oh

0:26:290:26:31

# Oh

0:26:330:26:35

# Oh

0:26:370:26:39

-# I try to discover

-Oh oh

0:26:390:26:43

# A little something to make me sweeter

0:26:430:26:47

# Oh oh

0:26:470:26:48

# Oh, baby, refrain

0:26:480:26:51

# From breaking my heart

0:26:510:26:54

# I'm so in love with you

0:26:540:26:59

# I'll be forever blue

0:26:590:27:03

# That you gimme no reason

0:27:030:27:06

# Why you make-a-me work so hard

0:27:060:27:08

# That you gimme no

0:27:080:27:10

# That you gimme no That you gimme no

0:27:100:27:12

# That you gimme no

0:27:120:27:13

# Soul, I hear you calling

0:27:130:27:19

# Oh, baby, please

0:27:190:27:23

# Give a little respect... #

0:27:230:27:24

You've got to let me go. There's been a terrible mistake.

0:27:240:27:26

I've got important healing work to do.

0:27:260:27:28

# ..to me... #

0:27:280:27:31

GUITAR FLOURISH

0:27:310:27:33

# And if I should falter

0:27:360:27:40

# Would you open your arms out to me?

0:27:400:27:44

# We can make love not war

0:27:440:27:47

# And live in peace in our hearts

0:27:470:27:52

# I'm so in love with you

0:27:520:27:56

# I'll be forever blue

0:27:560:28:00

# What religion or reason could drive a man to forsake his lover? #

0:28:000:28:05

Sunny!

0:28:050:28:06

# Don't you tell me no

0:28:060:28:08

-# No, don't you tell me no... #

-Come down here!

0:28:080:28:10

# Ohhhhhhhh!

0:28:100:28:18

# Don't you tell me no

0:28:180:28:19

# Don't you tell me no Don't you tell me no

0:28:190:28:21

# Don't you tell me no

0:28:210:28:23

# Soul, I hear you calling

0:28:230:28:29

# Oh, baby, please

0:28:290:28:31

# Give a little respect

0:28:310:28:35

# Give a little respect to me

0:28:350:28:41

# Oh, baby, please

0:28:410:28:44

# Give a little respect to me!

0:28:440:28:51

# Soul, I hear you calling

0:28:550:29:00

# Oh, baby, please

0:29:000:29:04

# Give a little respect to me

0:29:040:29:12

# Oh, baby, please

0:29:120:29:14

# Give a little respect to me. #

0:29:140:29:20

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