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Ivan Brackenbury, out and about, reaching out and touching patients. | 0:00:43 | 0:00:46 | |
Hi, everyone! We're broadcasting live from Ward Seven. | 0:00:46 | 0:00:51 | |
The hospital radio studio is having a refit so we're out and about | 0:00:51 | 0:00:55 | |
like a Radio 1 Big Weekender. | 0:00:55 | 0:00:57 | |
-'Out and about.' -Shout out if you're having a great time. | 0:00:57 | 0:01:01 | |
MAN SCREAMS IN PAIN Yeah! | 0:01:01 | 0:01:05 | |
The staff and patients have been really supportive during the refit. | 0:01:05 | 0:01:09 | |
They've been coming up to me all week and saying they can't wait | 0:01:09 | 0:01:12 | |
for me to be back in the studio. | 0:01:12 | 0:01:14 | |
We're going to have to operate. | 0:01:14 | 0:01:16 | |
Hiya, are we having fun? | 0:01:16 | 0:01:17 | |
Ivan Brackenbury here, the cheerful earful! | 0:01:17 | 0:01:20 | |
We're live on hospital radio. | 0:01:20 | 0:01:22 | |
-Have you got a request? -Leave me alone. -Michael Jackson, love him. | 0:01:22 | 0:01:26 | |
Whoohoo! What you in for? | 0:01:26 | 0:01:28 | |
You've got to speak up. We're live on the radio. | 0:01:28 | 0:01:31 | |
If you're having a good time, let your face know. | 0:01:31 | 0:01:33 | |
Hey-hey-hey! | 0:01:33 | 0:01:34 | |
Well, who HAVE you got? If we're going to do a charity single, | 0:01:39 | 0:01:41 | |
we're going to need a big name. | 0:01:41 | 0:01:42 | |
No, that is exactly how we got into this financial mess. | 0:01:42 | 0:01:45 | |
-Big names mean big money. -Big names don't do charity for money. | 0:01:45 | 0:01:49 | |
They do it cos it makes them look good. | 0:01:49 | 0:01:51 | |
OK, but we don't need Aled Jones or Gareth Malone or any of | 0:01:51 | 0:01:54 | |
those other names. I've managed to get...Neville Burley. | 0:01:54 | 0:01:59 | |
-Neville Burley?! -Yeah, he's the local choirmaster. He's brilliant. | 0:01:59 | 0:02:02 | |
-He sounds boring. -No, no, no, Neville's not boring, OK? | 0:02:02 | 0:02:06 | |
He's got a past, but he turned his life around with choir singing | 0:02:06 | 0:02:09 | |
and I really think he could turn this place around... | 0:02:09 | 0:02:12 | |
Are we not missing a trick by not going with the nude calendar idea? | 0:02:12 | 0:02:16 | |
I'm willing to do it if you are. We need to go balls out on this. | 0:02:16 | 0:02:19 | |
I'm calling Neville. | 0:02:22 | 0:02:23 | |
What you need to do is balance your chakras, Deepak your Chopras | 0:02:32 | 0:02:35 | |
and then get a homeopath, reiki master, an acupuncturist and | 0:02:35 | 0:02:39 | |
then just clarify your aura and decalcify your penal gland. | 0:02:39 | 0:02:43 | |
If you do that every morning, | 0:02:43 | 0:02:44 | |
you'll find out definitely that you'll have a relaxing day. | 0:02:44 | 0:02:47 | |
My name's PC Davies, this is PC Tanner. | 0:02:47 | 0:02:50 | |
-We've just got a few questions for you. -One minute. | 0:02:50 | 0:02:52 | |
We'd like to get a description of the thief. | 0:02:52 | 0:02:54 | |
-I didn't really get a good look at him. -OK. Is there any... | 0:02:54 | 0:02:56 | |
Excuse me, sorry to interrupt. I'm a psychic and I'd like to help you. | 0:02:56 | 0:03:00 | |
I had a premonition about this moment and in that premonition | 0:03:00 | 0:03:04 | |
you said that I could. | 0:03:04 | 0:03:05 | |
You know, you hear a lot about psychics helping the police | 0:03:08 | 0:03:11 | |
over in America and I wish they did a lot more of it here. | 0:03:11 | 0:03:13 | |
They spend over 6 billion on psychic services a year | 0:03:13 | 0:03:17 | |
so if this stuff isn't real, | 0:03:17 | 0:03:19 | |
that's an awful lot of people being conned and scammed. | 0:03:19 | 0:03:23 | |
And I don't know about you, | 0:03:23 | 0:03:24 | |
but I don't think the Americans are that stupid. | 0:03:24 | 0:03:27 | |
Or easily led. | 0:03:27 | 0:03:29 | |
The spirits will help you catch the thief you seek. | 0:03:29 | 0:03:31 | |
-No, it's all right, sir, we can... -Shhh. One minute. | 0:03:31 | 0:03:34 | |
I've got someone coming through now. | 0:03:34 | 0:03:36 | |
Would I be right in saying that this person had little respect or | 0:03:36 | 0:03:39 | |
-no respect for property? -Oh, yes, that's bang on. -OK. Right. | 0:03:39 | 0:03:46 | |
Let's hold hands and form a circle of trust. Actually, you're fine. | 0:03:46 | 0:03:49 | |
I'll just do it on my own. | 0:03:49 | 0:03:51 | |
I now declare this brand-new digital radio station open! | 0:03:57 | 0:04:04 | |
RECORDING OF APPLAUSE | 0:04:04 | 0:04:06 | |
-Well, are you going to look inside? -In a minute. It's so exciting. | 0:04:07 | 0:04:12 | |
It's like Christmas Day. Except I'm not on my own. | 0:04:12 | 0:04:14 | |
I've done over 200 different fundraisers in the last year | 0:04:16 | 0:04:19 | |
to raise money for a digital studio | 0:04:19 | 0:04:21 | |
and it's going to make a massive difference. | 0:04:21 | 0:04:25 | |
The only difference between me and Nick Grimshaw is | 0:04:25 | 0:04:29 | |
he's got an up-to-date studio. | 0:04:29 | 0:04:31 | |
Hello, Brimlington, Ivan Brackenbury here. | 0:04:31 | 0:04:35 | |
And you might have noticed I sound different. | 0:04:35 | 0:04:37 | |
-That's because I'm broadcasting to you in digital. -Oooh! -All right. | 0:04:37 | 0:04:43 | |
Right, we've got hospital radio news. Now, where's the jingle? | 0:04:43 | 0:04:47 | |
-Touch-screen now, Ivan. -Yeah, I know that. One minute. | 0:04:47 | 0:04:51 | |
CACOPHONY OF JINGLES | 0:04:51 | 0:04:54 | |
Right, forget the jingle, I'll do it myself. | 0:04:56 | 0:04:59 | |
Hospital radio news with Ivan Brackenbury. | 0:05:01 | 0:05:04 | |
FEEBLE FANFARE IMPRESSION | 0:05:04 | 0:05:07 | |
He's bonkers! | 0:05:07 | 0:05:09 | |
Right, there will be auditions for a special charity song in | 0:05:09 | 0:05:12 | |
-the hospital manager's office today. -Wow, that's so cool... | 0:05:12 | 0:05:15 | |
I have to interrupt you there, Shaz. Just one minute, for goodness' sake. | 0:05:15 | 0:05:18 | |
I'm going to have the exclusive first play of | 0:05:18 | 0:05:21 | |
the Brimlington Hospital charity song. | 0:05:21 | 0:05:23 | |
And speaking of songs...I don't know what song we've got next, | 0:05:23 | 0:05:27 | |
I can't see anything on the screen. | 0:05:27 | 0:05:30 | |
OK, so now we have some classic Elton John for you, | 0:05:30 | 0:05:33 | |
taken from the fourth studio album Madman Across The Water, | 0:05:33 | 0:05:37 | |
which was released in 1971. This still sounds brilliant. | 0:05:37 | 0:05:41 | |
-This is Tiny Dancer. -Shaz, I do the links! | 0:05:41 | 0:05:44 | |
Honestly, you just made the show sound really unprofessional. | 0:05:44 | 0:05:48 | |
-Your mic was still on. -Oh, bum! -Don't worry, I faded it down. | 0:05:48 | 0:05:51 | |
Right, I'm going to the toilet. | 0:05:51 | 0:05:53 | |
Don't forget your headphones. Argh! | 0:05:53 | 0:05:55 | |
No, I take choir singing extremely seriously, Susan. It saved my life. | 0:06:01 | 0:06:07 | |
Let's just say... Well, I had some anger issues. But... | 0:06:07 | 0:06:14 | |
being a choirmaster has turned me around. | 0:06:14 | 0:06:16 | |
-Now I just want to help others. -Good sob story. | 0:06:16 | 0:06:19 | |
Let's hope we have a few more of those today. | 0:06:19 | 0:06:21 | |
Remember, it's about the whole package. They've got to look right. | 0:06:21 | 0:06:23 | |
No, no, it's just about voices. | 0:06:23 | 0:06:25 | |
-Doesn't matter what people look like. -Good thinking, Neville. | 0:06:25 | 0:06:28 | |
Let's get some Susan Boyles. Come! | 0:06:28 | 0:06:30 | |
-Hello. What's your name? -Sam. | 0:06:31 | 0:06:34 | |
Right, you're under a lot of pressure, so have fun with it. | 0:06:34 | 0:06:40 | |
# This little light of mine | 0:06:40 | 0:06:42 | |
# I'm going to let it shine | 0:06:42 | 0:06:45 | |
# This little light of mine | 0:06:45 | 0:06:47 | |
# I'm going to let it shine | 0:06:47 | 0:06:49 | |
# This little light of mine... # | 0:06:49 | 0:06:51 | |
Oh, sorry, I need to go around again. Bear with me. | 0:06:51 | 0:06:54 | |
# ..let it shine. # | 0:06:54 | 0:06:55 | |
-What are you doing? -Oh, I feel really sick. | 0:06:55 | 0:06:57 | |
It's probably not your singing. | 0:06:57 | 0:06:59 | |
-Should I start again? -No... -No, I think we've heard enough. | 0:06:59 | 0:07:01 | |
-That was exquisite. -I have to say, I didn't like your performance. | 0:07:01 | 0:07:06 | |
I loved it! | 0:07:06 | 0:07:07 | |
But I'm wondering if it's good enough to be | 0:07:07 | 0:07:09 | |
in the Brimlington choir. | 0:07:09 | 0:07:11 | |
And I think it is! | 0:07:11 | 0:07:12 | |
But I am wondering if you've got that certain something. | 0:07:12 | 0:07:15 | |
-And I think you do! However... -You're in the choir. | 0:07:15 | 0:07:19 | |
-And it's a yes from me. -Oh, thank you. -Well done. Next. | 0:07:20 | 0:07:25 | |
-Hello. What's your name? -Hi, I'm Gary. | 0:07:27 | 0:07:31 | |
The song I'm singing is very close to my heart. | 0:07:31 | 0:07:33 | |
I used to sing it every day to my gran before she died last year. | 0:07:33 | 0:07:37 | |
I just hope she's up there listening. | 0:07:37 | 0:07:39 | |
-Brilliant. You're through. -Really? | 0:07:39 | 0:07:41 | |
-Yes. -Thanks, Gran. -Next. | 0:07:41 | 0:07:45 | |
Hello. What's your name? | 0:07:47 | 0:07:49 | |
SINGING FROM INSIDE CHAPEL | 0:07:54 | 0:07:56 | |
# Make me happy | 0:07:56 | 0:07:59 | |
# Through the years | 0:07:59 | 0:08:02 | |
# Never bring me | 0:08:02 | 0:08:04 | |
# Any tears... # | 0:08:04 | 0:08:06 | |
I guess you could say I'm a triple threat. | 0:08:06 | 0:08:08 | |
Comedian, singer, musician. | 0:08:08 | 0:08:11 | |
Oh, I'm a great cook as well. | 0:08:11 | 0:08:13 | |
And an actor. A bit of a poet. | 0:08:13 | 0:08:15 | |
Great with kids. Good public speaker. Kind to animals. | 0:08:15 | 0:08:20 | |
I don't smoke. What else? Oh, and I'm a vicar. | 0:08:20 | 0:08:25 | |
# Bring me fun, bring me laughter, bring me love. # | 0:08:25 | 0:08:31 | |
-All right, Mrs Leydon, what do you reckon? -Brilliant. | 0:08:31 | 0:08:34 | |
-Voice of an angel. -Body of a god. -Shame it's Buddha. | 0:08:34 | 0:08:37 | |
Oh, one of mine there. She's learning. | 0:08:39 | 0:08:41 | |
OK, I've actually lost a couple of pounds recently so... | 0:08:41 | 0:08:44 | |
Anyway, you focus on the timing, OK? You were out on that. | 0:08:44 | 0:08:46 | |
Way out. All right? | 0:08:46 | 0:08:47 | |
Right, what's next? | 0:08:49 | 0:08:50 | |
OK, the spirits are with me now. I've got a very clear picture. | 0:08:56 | 0:09:00 | |
I want to say this person was an adult, yeah, | 0:09:01 | 0:09:03 | |
either a male or a female. Does that make sense with you? | 0:09:03 | 0:09:06 | |
-It was a bloke, I heard his voice. -Please don't interrupt. | 0:09:06 | 0:09:08 | |
Please, Carol. I don't want to be influenced by you in any way. | 0:09:08 | 0:09:12 | |
I just want information to come to me from the spirits. | 0:09:12 | 0:09:15 | |
Does that make sense? | 0:09:15 | 0:09:16 | |
I'm getting that this was a bloke with a male voice. | 0:09:16 | 0:09:20 | |
I'm hearing the accent. | 0:09:21 | 0:09:22 | |
-What kind of accent would you say that was, Carol? -It was local. | 0:09:22 | 0:09:25 | |
Local, correct, that's what I'm getting too, so that's two hits. | 0:09:25 | 0:09:29 | |
What I'm seeing here is like a red number two. | 0:09:29 | 0:09:31 | |
Does that make sense with you? A red number two. Have a think. | 0:09:31 | 0:09:35 | |
I had beetroot yesterday. | 0:09:35 | 0:09:37 | |
No, no, this is more like maybe a red door with what I would call | 0:09:38 | 0:09:44 | |
-the number two on it, yes? -Oh, I didn't do that. | 0:09:44 | 0:09:47 | |
No, no-one's judging you, Carol, OK? | 0:09:47 | 0:09:49 | |
What I feel is that this man | 0:09:50 | 0:09:52 | |
has been in trouble with the law before, OK? | 0:09:52 | 0:09:54 | |
Whether it's littering or a brake light or murder, something | 0:09:54 | 0:09:58 | |
like that and I feel definitely you're going to find something, OK? | 0:09:58 | 0:10:01 | |
-Yeah, well, thanks for that. -Mm-hm. | 0:10:01 | 0:10:04 | |
-If anything else comes to you, do let us know. -Me or Carol? | 0:10:04 | 0:10:07 | |
-Carol. -Carol. -Right. OK. God bless, my love. Good luck. | 0:10:07 | 0:10:11 | |
We didn't get your name, sir. | 0:10:11 | 0:10:13 | |
Oh, Ian D Montford. | 0:10:13 | 0:10:15 | |
Is that D-E Montford? | 0:10:15 | 0:10:17 | |
-It's actually just D. -What does the D stand for? | 0:10:17 | 0:10:20 | |
Some people say Divine, others Deeply Spiritual... | 0:10:20 | 0:10:23 | |
Yeah, what does it stand for? | 0:10:23 | 0:10:24 | |
-It's Dean. -Ian Dean Montford. Thank you. -Thank you. | 0:10:26 | 0:10:31 | |
I'm in! Ha! | 0:10:37 | 0:10:38 | |
Next! | 0:10:38 | 0:10:39 | |
Wish we had those big red buttons. Parp! | 0:10:42 | 0:10:45 | |
-Is that too high? -No. -OK. | 0:10:45 | 0:10:47 | |
When you're ready, my darlings, absolutely no pressure. | 0:10:47 | 0:10:50 | |
Well, a bit of pressure. This could be a life-changing moment. | 0:10:50 | 0:10:52 | |
This is what you've dreamed about. | 0:10:52 | 0:10:55 | |
All right, Mrs L, hit it. | 0:10:55 | 0:10:56 | |
MUSIC PLAYS | 0:10:56 | 0:10:59 | |
# They say we're young and we don't know | 0:10:59 | 0:11:03 | |
# We won't find out until we grow | 0:11:03 | 0:11:07 | |
# Well, I don't know if that's true | 0:11:09 | 0:11:12 | |
# But you got me and baby, I got you... # | 0:11:12 | 0:11:17 | |
Chorus. | 0:11:17 | 0:11:18 | |
-BOTH: -# Babe | 0:11:18 | 0:11:20 | |
# I got you, babe. | 0:11:22 | 0:11:24 | |
# I got you... # | 0:11:24 | 0:11:25 | |
Stop, stop, stop! | 0:11:25 | 0:11:26 | |
Look, I think we've heard enough. | 0:11:26 | 0:11:28 | |
-This is never easy, but it's a no from me. -What?! | 0:11:28 | 0:11:32 | |
May I just ask, do you come as a pair? | 0:11:32 | 0:11:35 | |
-No. -Absolutely. | 0:11:35 | 0:11:36 | |
Well, yeah. | 0:11:36 | 0:11:38 | |
Because Mrs Leydon, I feel, possesses that elusive something. | 0:11:38 | 0:11:42 | |
Yeah, we're definitely a pair. | 0:11:42 | 0:11:44 | |
Father Kenny, I feel you need to go away and do some growing up. | 0:11:44 | 0:11:47 | |
Maybe come back next year. | 0:11:47 | 0:11:48 | |
-I'm not going through without him. -Can we do another song? | 0:11:50 | 0:11:53 | |
It's not about the song, | 0:11:53 | 0:11:54 | |
it's about star quality and/or heart-breaking back stories. | 0:11:54 | 0:11:58 | |
No, it's just about talented singers like Mrs Leydon. | 0:11:58 | 0:12:01 | |
You wouldn't know talent if it kicked you up the arse! | 0:12:01 | 0:12:04 | |
-Mrs L, easy. -Oh! Don't talk to Neville like that. | 0:12:04 | 0:12:06 | |
He's got anger issues - he could flip out on all of us. | 0:12:06 | 0:12:09 | |
Susan, please, that's all behind me. | 0:12:09 | 0:12:12 | |
What's it to be, Mrs Leydon? | 0:12:12 | 0:12:14 | |
-Mrs Leydon, you join the choir. I don't mind. -Really? | 0:12:15 | 0:12:20 | |
Yeah... | 0:12:20 | 0:12:21 | |
No! I won't. | 0:12:22 | 0:12:24 | |
Great. Come on, Mrs L. | 0:12:24 | 0:12:27 | |
I'm sorry I said that thing about kicking you up the arse. | 0:12:28 | 0:12:32 | |
Don't worry, Mrs L. I've got a better idea. | 0:12:32 | 0:12:34 | |
-Are you all right? Maybe take some deep breaths, calm down. -I'm fine. | 0:12:34 | 0:12:38 | |
Next! | 0:12:39 | 0:12:40 | |
HE SINGS ALONG | 0:12:50 | 0:12:52 | |
# It's the final countdown | 0:12:52 | 0:12:53 | |
# Boo boo boo boo | 0:12:53 | 0:12:56 | |
# It's the final countdown! # | 0:12:58 | 0:13:02 | |
Oh! That was for Edwin, who's the oldest patient in the hospital. | 0:13:02 | 0:13:06 | |
-It's The Final Countdown. -Actually, it's not Edwin any more, it's Joan. | 0:13:06 | 0:13:10 | |
-Did Edwin go home? -Kind of. | 0:13:10 | 0:13:12 | |
Ah, lovely. How long will Joan hang on to the title? | 0:13:12 | 0:13:16 | |
OK. Now it's time for What Animal's in my Pocket? | 0:13:16 | 0:13:19 | |
Where you could win... | 0:13:19 | 0:13:21 | |
Actually, before that, we've had stacks of e-mails in from listeners. | 0:13:21 | 0:13:24 | |
-What? We hardly ever get e-mails in. -So, from Jilly from Ward Five. | 0:13:24 | 0:13:27 | |
"Hi, Shaz and Ivan." | 0:13:27 | 0:13:28 | |
It's Ivan and Shaz. | 0:13:28 | 0:13:30 | |
"Loving the show. You two are hilarious." | 0:13:30 | 0:13:32 | |
One here from Liz. | 0:13:32 | 0:13:33 | |
"Loving the Shaz and Ivan show, really brightening up my day." | 0:13:33 | 0:13:37 | |
No, look, it's not Shaz and Ivan. | 0:13:37 | 0:13:39 | |
It's Ivan's, Ivan Brackenbury's Fun Lunch. | 0:13:39 | 0:13:42 | |
-Are you all right, Ivan? -I'm fine! | 0:13:42 | 0:13:44 | |
And it was a penguin in my pocket but it's going in the bin now. | 0:13:44 | 0:13:48 | |
No, I don't really do double acts. | 0:13:50 | 0:13:53 | |
I was in a double act once. This is Andy. | 0:13:53 | 0:13:55 | |
He works at Zenith FM, | 0:13:55 | 0:13:57 | |
it's the largest radio station in the North Midlands and he's on | 0:13:57 | 0:14:00 | |
six figures, but do they let him do breakfast, | 0:14:00 | 0:14:03 | |
lunchtime and drivetime like me? No, they don't. | 0:14:03 | 0:14:06 | |
He's only allowed to do one show a day. | 0:14:06 | 0:14:09 | |
Erm, he did say if I ever needed a job there'd be one going for me | 0:14:09 | 0:14:12 | |
at Zenith. Talk about trying to get rid of the competition. | 0:14:12 | 0:14:16 | |
Nice try, Andy! | 0:14:16 | 0:14:18 | |
-Yeah, yeah. -OK. -Yeah. | 0:14:24 | 0:14:26 | |
OK, we're ready to start. | 0:14:26 | 0:14:29 | |
-Two, three... -Good luck, everyone. | 0:14:29 | 0:14:30 | |
Two, three, four. | 0:14:32 | 0:14:34 | |
# Oh | 0:14:34 | 0:14:37 | |
# Oh... # | 0:14:38 | 0:14:42 | |
Yes, this is a take, guys, good one. | 0:14:42 | 0:14:46 | |
Except now it isn't because you talked over it. | 0:14:46 | 0:14:49 | |
-Right. -OK, shall we take it from the top again? Two, three, four. | 0:14:49 | 0:14:55 | |
# Oh | 0:14:55 | 0:14:58 | |
# Oh... # | 0:15:00 | 0:15:02 | |
Just thinking, shall we do a rap in the middle, make it cool? | 0:15:02 | 0:15:05 | |
No! | 0:15:05 | 0:15:07 | |
Susan... | 0:15:08 | 0:15:10 | |
I've only got this afternoon to record | 0:15:10 | 0:15:12 | |
so can we please get something down? | 0:15:12 | 0:15:14 | |
Yes, all right. Count to ten, Neville. | 0:15:14 | 0:15:16 | |
Are we still running? From the top again, then, thank you. | 0:15:17 | 0:15:20 | |
-Two, three, four. -Five. | 0:15:21 | 0:15:23 | |
-# Oh... # -PHONE RINGS | 0:15:23 | 0:15:26 | |
Oh, that's mine, sorry, I'm going to have to take this. | 0:15:26 | 0:15:29 | |
One minute. | 0:15:29 | 0:15:30 | |
Yes, yes, hello. | 0:15:31 | 0:15:33 | |
Yes, yes, it's going fine. | 0:15:35 | 0:15:36 | |
Yeah, he's just about managing to keep a lid on his anger issues. | 0:15:36 | 0:15:39 | |
For now. | 0:15:39 | 0:15:42 | |
Well, your lifeline is long and strong. That's great news for you. | 0:15:49 | 0:15:53 | |
This line here, that's a little bit short but nothing to worry about, | 0:15:53 | 0:15:57 | |
that's your sun line so that's fine. | 0:15:57 | 0:15:59 | |
Erm... | 0:15:59 | 0:16:01 | |
Oh, no, I've got them the other way round, haven't I? | 0:16:01 | 0:16:04 | |
It's the big thick one here that's your sun line | 0:16:04 | 0:16:06 | |
and the little one's your... | 0:16:06 | 0:16:07 | |
Let's do some reiki. | 0:16:09 | 0:16:10 | |
Excuse us, Ian. Is now a good time? | 0:16:11 | 0:16:13 | |
Oh! You're back. I knew you would be. | 0:16:13 | 0:16:16 | |
You've caught the criminal, haven't you? | 0:16:16 | 0:16:18 | |
Not yet, but we've located the stolen items at a residence. | 0:16:18 | 0:16:21 | |
-It turns out you might have been on to something. -No. | 0:16:21 | 0:16:24 | |
Derelict house, bright red front door, number two. | 0:16:24 | 0:16:27 | |
No! I mean, well, yes! | 0:16:27 | 0:16:28 | |
Obviously, cos like the spirits, they know everything. | 0:16:28 | 0:16:31 | |
So we were hoping you'd help us with some of our other cases, maybe? | 0:16:31 | 0:16:35 | |
-Absolutely, love to, yes. -Great. Follow me. | 0:16:35 | 0:16:39 | |
It's good to have people in authority recognise you have | 0:16:42 | 0:16:45 | |
genuine psychic gifts. | 0:16:45 | 0:16:46 | |
I don't want to turn this into an "I told you so" | 0:16:46 | 0:16:49 | |
to everyone who's ever doubted me so I'll keep this short. | 0:16:49 | 0:16:53 | |
Joe Anderson, Mary Avery, Gary Barker. | 0:16:53 | 0:16:57 | |
Sue Barker. | 0:16:57 | 0:16:59 | |
Not that one. Erm... | 0:16:59 | 0:17:02 | |
Sue Barker. That one. | 0:17:02 | 0:17:04 | |
That last take was tantalisingly close. | 0:17:08 | 0:17:10 | |
Here's an idea, though, how about a different song? | 0:17:10 | 0:17:12 | |
Something with a bit more pizazz. | 0:17:12 | 0:17:14 | |
No, we've selected the song and I've perfected the arrangements. | 0:17:14 | 0:17:17 | |
No, no, it's just not making me want to party. | 0:17:17 | 0:17:20 | |
Yes, well, it's a charity song for a hospital. | 0:17:20 | 0:17:22 | |
What about something we can dance to? Livin' La Vida Loca, | 0:17:22 | 0:17:25 | |
or maybe something from the Bridget Jones soundtrack. | 0:17:25 | 0:17:28 | |
-Susan, could I have a word, please? -Yes. | 0:17:28 | 0:17:30 | |
-I'm trying frightfully hard not to blow my top here. -Mm. | 0:17:31 | 0:17:34 | |
-Could we please be allowed to get on with this? -Ooooh! Get off of me! | 0:17:34 | 0:17:38 | |
I think we could all use a coffee. | 0:17:39 | 0:17:41 | |
Susan, could you be an immense help and do a coffee run? | 0:17:42 | 0:17:45 | |
OK, OK, but just calm down. When we get back, we'll talk Ricky Martin. | 0:17:45 | 0:17:49 | |
Move out of my way, all of you get out of the way. | 0:17:50 | 0:17:53 | |
DOOR SLAMS | 0:17:54 | 0:17:56 | |
Turn over please. Right, from the top. One, two, three, four. | 0:17:56 | 0:18:00 | |
Wow, Angela, that's so inspirational. | 0:18:05 | 0:18:07 | |
'I was listening to what you said earlier, Shaz. | 0:18:07 | 0:18:10 | |
'And I thought, "No, I'm not going to let this beat me." ' | 0:18:10 | 0:18:13 | |
I don't know where you get the strength. | 0:18:13 | 0:18:16 | |
Sorry, you've got me going. | 0:18:16 | 0:18:17 | |
-'Now I'm going.' -What are we like?! | 0:18:17 | 0:18:20 | |
Stay tuned to Ivan's mystery sandwich at 3:30 today. | 0:18:20 | 0:18:24 | |
OK. Now we've got another caller on the line. | 0:18:24 | 0:18:27 | |
Someone's already guessed the bread, | 0:18:27 | 0:18:30 | |
but the filling's still up for grabs. | 0:18:30 | 0:18:32 | |
-'Hey, Shaz, loving the show.' -Aw. Thanks, mate. | 0:18:33 | 0:18:36 | |
'It's really fantastic.' | 0:18:36 | 0:18:37 | |
-'It's the best it's ever been.' -What was your question? | 0:18:37 | 0:18:40 | |
'It's kind of personal. I wondered if you had any advice on...' | 0:18:40 | 0:18:44 | |
Andy, it's Ivan. | 0:18:48 | 0:18:51 | |
From the Bonkers Brothers. | 0:18:51 | 0:18:53 | |
How's it going at Zenith? | 0:18:53 | 0:18:55 | |
Yeah, still at Brimlington. | 0:18:55 | 0:18:57 | |
Yeah, still at me mum's. | 0:18:58 | 0:19:00 | |
Andy, you know you said there'd always be a job going for me if I was interested? | 0:19:00 | 0:19:04 | |
Yeah. Well, I'm interested. | 0:19:06 | 0:19:08 | |
SINGING | 0:19:12 | 0:19:17 | |
Yes! That's it! | 0:19:19 | 0:19:21 | |
-I couldn't have liked it more. -That was amazing. | 0:19:27 | 0:19:30 | |
-Thank you. -So much easier without that ghastly manager. -Susan, yeah. | 0:19:30 | 0:19:34 | |
She's a massive pain in the arse. | 0:19:34 | 0:19:36 | |
-Is she like that all the time? It must be exhausting. -Worse. | 0:19:36 | 0:19:38 | |
She's practically run this hospital into the ground. | 0:19:38 | 0:19:41 | |
VOICES FADE | 0:19:41 | 0:19:43 | |
MELANCHOLY MUSIC PLAYS | 0:19:43 | 0:19:46 | |
SUSAN SOBS | 0:19:49 | 0:19:52 | |
-What happened? -They're saying I'm a terrible manager. | 0:19:55 | 0:19:58 | |
I'm running the hospital into the ground. | 0:19:58 | 0:20:00 | |
OK. | 0:20:00 | 0:20:02 | |
It's out. Damage limitation time. | 0:20:02 | 0:20:05 | |
Who's saying this? | 0:20:05 | 0:20:07 | |
That stupid idiot choir and that psychopath Neville Burley. | 0:20:07 | 0:20:12 | |
Oh, OK. That... That's fine. | 0:20:12 | 0:20:15 | |
I thought you meant the Health Minister found out about the overspend. | 0:20:15 | 0:20:19 | |
-Oh. -Are you OK? | 0:20:19 | 0:20:20 | |
You're breathing very fast. | 0:20:20 | 0:20:22 | |
I've downed 11 lattes. I'm off my tits. | 0:20:22 | 0:20:25 | |
Another reason why I shouldn't be running a hospital. | 0:20:25 | 0:20:28 | |
Hey, come on, you're a gre... You're a good manager. | 0:20:28 | 0:20:33 | |
Hey, give me the cup. | 0:20:33 | 0:20:34 | |
Give me the cup. Give me the cup! | 0:20:34 | 0:20:37 | |
You do a fine job. | 0:20:37 | 0:20:39 | |
Oh, yeah? How? | 0:20:39 | 0:20:40 | |
Erm... OK. Give me a minute here, bit on the spot. | 0:20:40 | 0:20:44 | |
A lot of managers stay here for a couple of months and then get | 0:20:45 | 0:20:48 | |
promoted and leave but not you. | 0:20:48 | 0:20:51 | |
No, you've really stuck with this hospital. | 0:20:51 | 0:20:54 | |
-And you're the only one that can work that printer. -What printer? | 0:20:54 | 0:20:58 | |
That's not you, is it? | 0:20:58 | 0:20:59 | |
Oh... | 0:20:59 | 0:21:01 | |
You dream big dreams. | 0:21:01 | 0:21:03 | |
Most people look at what you're doing and think, | 0:21:03 | 0:21:05 | |
"She hasn't got a clue. She's massively out of her depth." | 0:21:05 | 0:21:07 | |
You're trying to make me feel better here, Sunny. Stay on message. | 0:21:07 | 0:21:10 | |
Because they don't understand what a good manager does and | 0:21:10 | 0:21:13 | |
-that's why you're at the top. -Yeah. | 0:21:13 | 0:21:17 | |
You're right. Who cares what they say? | 0:21:17 | 0:21:20 | |
I'm not going to wallow in here. | 0:21:20 | 0:21:22 | |
I feel great. | 0:21:22 | 0:21:24 | |
I don't know if it's your pep talk or the coffee, | 0:21:24 | 0:21:27 | |
but my heart is racing. | 0:21:27 | 0:21:28 | |
Dammit, I've got a hit single to produce. | 0:21:28 | 0:21:31 | |
Oh, it's the coffee. VOMITING | 0:21:31 | 0:21:34 | |
-Oh! Still a good manager, yeah. -SHE RETCHES | 0:21:34 | 0:21:37 | |
Right, I'm back and I'm buzzing and we've got a hit single to record. | 0:21:43 | 0:21:48 | |
No ifs, no buts, I don't care how angry you get. | 0:21:48 | 0:21:51 | |
-Well, it's all pretty much in the bag, Susan. -Great. | 0:21:51 | 0:21:53 | |
See what you can achieve when you don't lose your temper. | 0:21:53 | 0:21:56 | |
-I didn't lose my temper, Susan. -Don't snap at me, Neville. | 0:21:56 | 0:21:58 | |
Do you need to have five minutes to calm down? | 0:21:58 | 0:22:00 | |
No, I've got a denouement to record - the final solo. | 0:22:00 | 0:22:03 | |
While you...you're doing a s-solo, I've got a m-music video to produce. | 0:22:03 | 0:22:07 | |
A d-director to find... | 0:22:07 | 0:22:09 | |
A record company to g-get, a dis... d-distribution d-deal. | 0:22:09 | 0:22:12 | |
I've had so much coffee I can't slow down. | 0:22:12 | 0:22:14 | |
Don't tell me too slow down, Neville. I won't slow down. Oh! | 0:22:14 | 0:22:17 | |
SPLAT! | 0:22:17 | 0:22:19 | |
A great manager has to delegate, but you can still take the credit | 0:22:20 | 0:22:23 | |
for it. It's like the Mafia. | 0:22:23 | 0:22:24 | |
The Godfather at the top doesn't get his hands dirty doing any actual | 0:22:24 | 0:22:27 | |
killing but they do get the respect for it and it's the same here. | 0:22:27 | 0:22:30 | |
Not when people die, obviously, that's nothing to do with me. | 0:22:30 | 0:22:33 | |
That's the doctors' fault. | 0:22:33 | 0:22:35 | |
-See you tomorrow, Ivan. -Yeah. | 0:22:43 | 0:22:45 | |
-Are you OK? -Erm, no. | 0:22:45 | 0:22:48 | |
Can you sit down? I've got something really important to tell you, Shaz. | 0:22:48 | 0:22:51 | |
-Sure. -Right. Erm... | 0:22:51 | 0:22:53 | |
I-I've been here over 23 years and sometimes, you know... | 0:22:53 | 0:22:59 | |
Oh, my rabbit, I've been looking for that. Brilliant, great. | 0:22:59 | 0:23:04 | |
-..and sometimes it's just time to move on. -Oh, Ivan, you're not? | 0:23:04 | 0:23:09 | |
Well, I don't think you and me are working, Shaz. | 0:23:09 | 0:23:11 | |
There's a presenting job going over at Radio Zenith | 0:23:13 | 0:23:16 | |
and I've been thinking... | 0:23:16 | 0:23:17 | |
-You've got to take it. -What? | 0:23:17 | 0:23:20 | |
-No arguing, it's for the best. -But... That's amazing, Ivan. | 0:23:20 | 0:23:23 | |
-An actual job? -Mm. -At Radio Zenith? | 0:23:23 | 0:23:25 | |
-Mm. -They're massive. -Mm. | 0:23:25 | 0:23:28 | |
Thank you. Thank you, thank you, thank you. | 0:23:29 | 0:23:31 | |
Yeah, the bunny's in me tummy. | 0:23:32 | 0:23:35 | |
Yeah, I do feel bad about forcing Shaz to sell out to | 0:23:35 | 0:23:38 | |
commercial radio, but in this business, | 0:23:38 | 0:23:40 | |
you've sometimes just got to think of yourself, haven't you? | 0:23:40 | 0:23:43 | |
This new digital studio thing isn't working either. | 0:23:43 | 0:23:46 | |
Digital is a passing fad. It's like CDs. | 0:23:46 | 0:23:50 | |
They were supposed to be the big new thing, weren't they? | 0:23:50 | 0:23:53 | |
But they kept getting scratched and that's why I'm using | 0:23:53 | 0:23:55 | |
cassettes still. | 0:23:55 | 0:23:57 | |
C90s - you get more on 'em. | 0:23:57 | 0:24:00 | |
Hi! Ivan Brackenbury here. | 0:24:03 | 0:24:05 | |
Great to have you listening, whatever you're doing today. | 0:24:05 | 0:24:08 | |
I've got my old desk back from the skip. | 0:24:08 | 0:24:11 | |
You know, people put some yucky things in hospital skips. | 0:24:11 | 0:24:14 | |
You'd be absolutely surprised, | 0:24:14 | 0:24:16 | |
but I'm going to be all right as long as I breathe through my mouth. | 0:24:16 | 0:24:19 | |
Ooh, nope. | 0:24:19 | 0:24:21 | |
Now it's time for the answer to What Am I? | 0:24:21 | 0:24:24 | |
JINGLE: What am I? | 0:24:24 | 0:24:26 | |
Big shout to Shaz for preparing her last ever one of those. | 0:24:26 | 0:24:29 | |
"You'll find me at the top of a Christmas tree. | 0:24:29 | 0:24:33 | |
"You'll see me out at night. | 0:24:33 | 0:24:35 | |
"I am held together by my own gravity. | 0:24:35 | 0:24:39 | |
-"What am I?" -What am I? | 0:24:39 | 0:24:41 | |
Well, no-one got it. Oh! | 0:24:41 | 0:24:43 | |
I am a star! Brilliant. | 0:24:43 | 0:24:46 | |
Thanks again to Shaz for her very last one of those. | 0:24:46 | 0:24:51 | |
OK. | 0:24:51 | 0:24:52 | |
Remember, we've got the very first play of the Brimlington Hospital | 0:24:52 | 0:24:56 | |
choir single coming up. | 0:24:56 | 0:24:58 | |
But before that, here's some proper music from a radio legend, | 0:24:58 | 0:25:02 | |
Mr Terry Wogan and The Floral Dance. | 0:25:02 | 0:25:05 | |
# I thought I could hear the curious tone | 0:25:05 | 0:25:09 | |
# Of the cornet, clarinet and big trombone | 0:25:09 | 0:25:12 | |
# Fiddle, cello, big bass drum | 0:25:12 | 0:25:15 | |
# Bassoon, flute and euphonium | 0:25:15 | 0:25:17 | |
# Each one making the most of his chance | 0:25:17 | 0:25:20 | |
# All together in the Floral Dance... # | 0:25:20 | 0:25:21 | |
Hello, Mr D Montford, we've been looking for you. | 0:25:21 | 0:25:24 | |
Yes. I sensed that. | 0:25:24 | 0:25:26 | |
So, it seems that a lot of the information you provided us | 0:25:26 | 0:25:29 | |
-has checked out. -Brilliant. | 0:25:29 | 0:25:31 | |
So you've come to give me a new case? | 0:25:31 | 0:25:33 | |
Well, we were going to ask you to accompany us to the station, Ian. | 0:25:33 | 0:25:37 | |
Great. I will need my own office so I can practise my practice. | 0:25:37 | 0:25:41 | |
No, what we're saying is your leads implicate you with possible | 0:25:41 | 0:25:44 | |
involvement in the crimes. | 0:25:44 | 0:25:45 | |
Officers, I think I know what might have happened here. | 0:25:47 | 0:25:51 | |
A malicious spirit has fed me information that's quite | 0:25:51 | 0:25:54 | |
general and vague and can be interpreted in different ways. | 0:25:54 | 0:25:57 | |
Ian DEAN Montford... | 0:25:57 | 0:26:00 | |
-One minute... -You're under arrest. -No, listen, think about it. | 0:26:00 | 0:26:03 | |
It's not me... | 0:26:03 | 0:26:05 | |
It's the malicious spirit I was telling you about. Honestly... | 0:26:05 | 0:26:09 | |
Right, here it is. Hot off the press. | 0:26:09 | 0:26:11 | |
The brand-new single from the Brimlington Hospital choir. | 0:26:11 | 0:26:14 | |
Here we go. | 0:26:14 | 0:26:16 | |
-JINGLE: -1969! | 0:26:16 | 0:26:18 | |
Oh, bear with me, I'm still getting used to the old desk being back. | 0:26:18 | 0:26:22 | |
One second. Is that it? | 0:26:22 | 0:26:25 | |
# Oh | 0:26:25 | 0:26:27 | |
# Oh | 0:26:29 | 0:26:31 | |
# Oh | 0:26:33 | 0:26:35 | |
# Oh | 0:26:37 | 0:26:39 | |
-# I try to discover -Oh oh | 0:26:39 | 0:26:43 | |
# A little something to make me sweeter | 0:26:43 | 0:26:47 | |
# Oh oh | 0:26:47 | 0:26:48 | |
# Oh, baby, refrain | 0:26:48 | 0:26:51 | |
# From breaking my heart | 0:26:51 | 0:26:54 | |
# I'm so in love with you | 0:26:54 | 0:26:59 | |
# I'll be forever blue | 0:26:59 | 0:27:03 | |
# That you gimme no reason | 0:27:03 | 0:27:06 | |
# Why you make-a-me work so hard | 0:27:06 | 0:27:08 | |
# That you gimme no | 0:27:08 | 0:27:10 | |
# That you gimme no That you gimme no | 0:27:10 | 0:27:12 | |
# That you gimme no | 0:27:12 | 0:27:13 | |
# Soul, I hear you calling | 0:27:13 | 0:27:19 | |
# Oh, baby, please | 0:27:19 | 0:27:23 | |
# Give a little respect... # | 0:27:23 | 0:27:24 | |
You've got to let me go. There's been a terrible mistake. | 0:27:24 | 0:27:26 | |
I've got important healing work to do. | 0:27:26 | 0:27:28 | |
# ..to me... # | 0:27:28 | 0:27:31 | |
GUITAR FLOURISH | 0:27:31 | 0:27:33 | |
# And if I should falter | 0:27:36 | 0:27:40 | |
# Would you open your arms out to me? | 0:27:40 | 0:27:44 | |
# We can make love not war | 0:27:44 | 0:27:47 | |
# And live in peace in our hearts | 0:27:47 | 0:27:52 | |
# I'm so in love with you | 0:27:52 | 0:27:56 | |
# I'll be forever blue | 0:27:56 | 0:28:00 | |
# What religion or reason could drive a man to forsake his lover? # | 0:28:00 | 0:28:05 | |
Sunny! | 0:28:05 | 0:28:06 | |
# Don't you tell me no | 0:28:06 | 0:28:08 | |
-# No, don't you tell me no... # -Come down here! | 0:28:08 | 0:28:10 | |
# Ohhhhhhhh! | 0:28:10 | 0:28:18 | |
# Don't you tell me no | 0:28:18 | 0:28:19 | |
# Don't you tell me no Don't you tell me no | 0:28:19 | 0:28:21 | |
# Don't you tell me no | 0:28:21 | 0:28:23 | |
# Soul, I hear you calling | 0:28:23 | 0:28:29 | |
# Oh, baby, please | 0:28:29 | 0:28:31 | |
# Give a little respect | 0:28:31 | 0:28:35 | |
# Give a little respect to me | 0:28:35 | 0:28:41 | |
# Oh, baby, please | 0:28:41 | 0:28:44 | |
# Give a little respect to me! | 0:28:44 | 0:28:51 | |
# Soul, I hear you calling | 0:28:55 | 0:29:00 | |
# Oh, baby, please | 0:29:00 | 0:29:04 | |
# Give a little respect to me | 0:29:04 | 0:29:12 | |
# Oh, baby, please | 0:29:12 | 0:29:14 | |
# Give a little respect to me. # | 0:29:14 | 0:29:20 |