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This programme contains some strong language. | 0:00:02 | 0:00:09 | |
# Today's the day that I locate the ghost that's haunting this flat | 0:00:17 | 0:00:21 | |
# It won't take long with me extendable prong | 0:00:21 | 0:00:23 | |
# As I poke it into nooks and crannies | 0:00:23 | 0:00:26 | |
# Will you look at that tit | 0:00:28 | 0:00:29 | |
# He thinks he's it | 0:00:29 | 0:00:30 | |
# With his probe he bought from the pound store | 0:00:30 | 0:00:33 | |
# It's just a can of Tile Well | 0:00:33 | 0:00:35 | |
# With a fish slice for an aerial. # | 0:00:35 | 0:00:38 | |
So, Vic, there's your le... WHOOPEE CUSHION PARPS | 0:00:40 | 0:00:42 | |
-Ooh! -Ooh, excuse me. -There's your leg o' lamb. | 0:00:42 | 0:00:45 | |
Thank you, well I'll have to eat it quick because the lads will be round | 0:00:45 | 0:00:48 | |
-very shortly for the ghost hunt. -Oh the ghost hunt, that's today, is it? | 0:00:48 | 0:00:51 | |
-Yes. -Yeah? What makes you think there's a ghost in this flat, Vic? | 0:00:51 | 0:00:54 | |
Well, one, ectoplasm in the toilet. | 0:00:54 | 0:00:57 | |
Yeah, no, that's just your night toffee, Vic, innit? | 0:00:57 | 0:01:01 | |
Two, ghostly moanings in the middle of the night. | 0:01:01 | 0:01:05 | |
Ooh, what do they sound like? | 0:01:05 | 0:01:06 | |
Just like a... | 0:01:06 | 0:01:07 | |
Oo-hoo! Whoooooo! | 0:01:07 | 0:01:09 | |
-BOSH COUGHS -Whoooooo! | 0:01:09 | 0:01:12 | |
-All right, Bosh, you leaving today? -What do you think? -No? | 0:01:12 | 0:01:15 | |
Correct, you twat. | 0:01:15 | 0:01:16 | |
-Have a word. -And three, Bob, and you can't deny this. | 0:01:18 | 0:01:20 | |
-Go on, then. -This flat is built above an ancient Indian burial ground. | 0:01:20 | 0:01:25 | |
No, no, no, Vic, | 0:01:25 | 0:01:27 | |
it's above an Asian-Indian balti house. | 0:01:27 | 0:01:32 | |
Very different. Very different concepts altogether. | 0:01:32 | 0:01:35 | |
Well, there is a ghost down here | 0:01:35 | 0:01:36 | |
and tonight I'm going to prove it anyway. | 0:01:36 | 0:01:38 | |
All right, then, what do you think of me dish? | 0:01:38 | 0:01:40 | |
It's very nice, talk me through it. | 0:01:40 | 0:01:42 | |
Well, as I say, it's a leg o' lamb, it's not a lamb made of Lego. | 0:01:42 | 0:01:46 | |
No, the dish is... | 0:01:47 | 0:01:49 | |
The dish is formally known as lamb tuxedo, | 0:01:49 | 0:01:52 | |
as you can see by the bow tie there, yeah? | 0:01:52 | 0:01:55 | |
Yeah, what about the scissors? | 0:01:55 | 0:01:57 | |
Oh, the scissors, that's just an English twist on the chopstick. | 0:01:57 | 0:02:00 | |
-Yeah. -Thought you'd like that. | 0:02:00 | 0:02:02 | |
It's nice, yeah. Where'd you get the idea? | 0:02:02 | 0:02:04 | |
The idea? I got it from an episode of Come Dine With Me. | 0:02:04 | 0:02:07 | |
From Preston? | 0:02:07 | 0:02:08 | |
Well, they're all from Preston, aren't they? | 0:02:08 | 0:02:10 | |
Well, they seem to be, yeah. I think I saw this one. | 0:02:10 | 0:02:13 | |
Is this the one where there was like a middle-aged pole-dancing woman | 0:02:13 | 0:02:16 | |
whose boobs were spilling out all over the table? | 0:02:16 | 0:02:18 | |
All over the table, yeah. | 0:02:18 | 0:02:20 | |
And she offered the other guests a mouth organ wrapped in bacon. | 0:02:20 | 0:02:25 | |
I mean, what sort of idiot would present a mouth organ as food | 0:02:26 | 0:02:31 | |
unless they're a complete moron? | 0:02:31 | 0:02:33 | |
HE COUGHS AND PLAYS THE MOUTH ORGAN | 0:02:33 | 0:02:35 | |
You all right, what's the matter? | 0:02:35 | 0:02:37 | |
Get it out! | 0:02:37 | 0:02:38 | |
You got a mouth organ in your mouth? | 0:02:38 | 0:02:40 | |
MOUTH ORGAN SOUNDS | 0:02:40 | 0:02:43 | |
Well, take it out. | 0:02:43 | 0:02:45 | |
MOUTH ORGAN SOUNDS: Can't, it's stuck. | 0:02:45 | 0:02:47 | |
I know. | 0:02:47 | 0:02:49 | |
I'll use the miracle of suction, that usually works with most things. | 0:02:49 | 0:02:53 | |
THEY LISTEN TO A JOLLY TUNE | 0:02:53 | 0:02:56 | |
So, Vic, can you fill me in on this ghost scenario, what it's all about? | 0:03:13 | 0:03:18 | |
Yes, of course, well, I read about it | 0:03:18 | 0:03:20 | |
in my copy of Ghost Hunter Monthly. | 0:03:20 | 0:03:22 | |
Oh, wow. How often do you get that magazine? | 0:03:22 | 0:03:25 | |
-It's monthly. -Oh, yes, it says monthly, yeah. | 0:03:27 | 0:03:30 | |
Anyway, so... Oh, look, here's the advert here. | 0:03:30 | 0:03:32 | |
It says, this month's competition, blah blah blah, | 0:03:32 | 0:03:36 | |
fantastic prizes, your chance to win, blah blah blah blah, erm... | 0:03:36 | 0:03:40 | |
-blah blah blah. -HONKS HORN | 0:03:40 | 0:03:42 | |
All entrants must provide a genuine photograph of a real living ghost | 0:03:42 | 0:03:46 | |
-blah blah blah... -HONKS HORN | 0:03:46 | 0:03:47 | |
Blah blah blah blah, | 0:03:47 | 0:03:50 | |
and the competition closes | 0:03:50 | 0:03:52 | |
-tomorrow morning. -Vic, give me the horn. | 0:03:52 | 0:03:53 | |
-Blah Blah blah blah blah. -Vic, give me the horn. | 0:03:53 | 0:03:56 | |
-I'm not giving you the horn. -You are giving me the horn. | 0:03:56 | 0:04:00 | |
Eurgh! Eurgh! Eurgh! | 0:04:00 | 0:04:03 | |
-All right, Erik. -All right. -Well, hey, Vic. | 0:04:03 | 0:04:06 | |
-Yeah. -I love the cool honking, can I borrow the hooter? | 0:04:06 | 0:04:10 | |
Yeah, go ahead. | 0:04:10 | 0:04:11 | |
-HONKS HORN -That's good stuff. | 0:04:11 | 0:04:13 | |
Ah! | 0:04:13 | 0:04:15 | |
And can I bring it to my room maybe? | 0:04:15 | 0:04:16 | |
Yeah, go on take it, you can borrow it, yeah. | 0:04:16 | 0:04:19 | |
Hey, Erik, would you like me to do some cool honking? | 0:04:19 | 0:04:21 | |
I'm pretty good at it. | 0:04:21 | 0:04:22 | |
-MOCKING: -"Oh, Erik, would you like me to do some cool honking? | 0:04:22 | 0:04:26 | |
"I'm pretty good at it!" | 0:04:26 | 0:04:28 | |
He's got you down there, hasn't he? | 0:04:28 | 0:04:29 | |
I don't speak like that, do I? | 0:04:31 | 0:04:33 | |
"Oh, I don't speak like that, do I? | 0:04:33 | 0:04:35 | |
"Oh, this is how I talk, is it not?" | 0:04:35 | 0:04:37 | |
-That's you. -Is it? | 0:04:38 | 0:04:40 | |
It is you! | 0:04:40 | 0:04:42 | |
-Oh, about the ghost hunt, though... -Yeah. | 0:04:42 | 0:04:44 | |
Are there any prizes? You said something about prizes. | 0:04:44 | 0:04:46 | |
Oh, yeah, the prizes... | 0:04:46 | 0:04:47 | |
Third prize is, erm... Well, look, a day out with Andy Barker. | 0:04:47 | 0:04:52 | |
Who's Andy Barker? | 0:04:52 | 0:04:54 | |
I dunno, maybe Sue Barker's husband? | 0:04:54 | 0:04:56 | |
-Yeah, or maybe Roy Barker's son? -Who's Roy Barker? | 0:04:56 | 0:04:59 | |
I dunno, I thought he might be Sue Barker's husband. | 0:04:59 | 0:05:02 | |
Second prize, ooh, you'll like this, this is right up your street. | 0:05:03 | 0:05:05 | |
-Go on, hit me. Go on. -Look, a job in a loudspeaker shop. | 0:05:05 | 0:05:08 | |
-Ohh! Cor, I would like that. -I know you would. | 0:05:08 | 0:05:11 | |
Can you not tick that box? | 0:05:11 | 0:05:12 | |
-No, because the first prize is what I want. -What? | 0:05:12 | 0:05:15 | |
A chimp. | 0:05:15 | 0:05:16 | |
-A chimp? -A chimp at my beck and call. Get in! | 0:05:17 | 0:05:21 | |
Vic, you're not having a chimp in this house, | 0:05:29 | 0:05:31 | |
it's full of morons already. | 0:05:31 | 0:05:33 | |
# I'm an exorcist with my crucifix | 0:05:35 | 0:05:38 | |
# And my rosary made of mung beans | 0:05:38 | 0:05:42 | |
# With my metal detector | 0:05:42 | 0:05:44 | |
# I'll find the spectre | 0:05:44 | 0:05:46 | |
# Cos mostly ghosts | 0:05:46 | 0:05:48 | |
# Wear iron waistco-o-o-o-o-oats. # | 0:05:48 | 0:05:56 | |
All right there, Beef, I like your hat. | 0:05:56 | 0:05:58 | |
Yes, it's made from the melted windscreens of 17 Range Rovers. | 0:05:58 | 0:06:02 | |
Let's catch a ghost and win ourselves a chimp. | 0:06:03 | 0:06:06 | |
Ghosts, pitiful wraiths trapped in suspense | 0:06:06 | 0:06:11 | |
amongst hoards of half-dead jezebels, | 0:06:11 | 0:06:14 | |
clutching newspapers with wooden tits | 0:06:14 | 0:06:17 | |
and cigarettes in the other hand. | 0:06:17 | 0:06:19 | |
I've no idea what I'm talking about. | 0:06:19 | 0:06:22 | |
-You lost your track, yeah? -I did, I'm afraid, yes. | 0:06:22 | 0:06:25 | |
Well, Beef, what's that in your belt there? | 0:06:25 | 0:06:27 | |
This is my Sword of Draxos, would you like to see it in action? | 0:06:27 | 0:06:30 | |
I'd love to, yeah. | 0:06:30 | 0:06:32 | |
It's not, it's a clarinet. | 0:06:35 | 0:06:37 | |
CLARINET MUSIC PLAYS | 0:06:45 | 0:06:47 | |
So how exactly do you two intend to catch this ghost? | 0:06:49 | 0:06:53 | |
Well, I was rather thinking we might use Vic's rather splendid | 0:06:53 | 0:06:57 | |
quantum transducer detector. | 0:06:57 | 0:06:59 | |
-Do you want to have a look at it? Shall I show you? -Yeah. | 0:06:59 | 0:07:02 | |
I've been looking forward to it all day. | 0:07:02 | 0:07:03 | |
Great, yeah, course I can. | 0:07:03 | 0:07:05 | |
Right, well, so when a ghost is in the area, | 0:07:05 | 0:07:09 | |
this lights up here and what's this canister here, I hear you ask. | 0:07:09 | 0:07:14 | |
Oh, what's that canister there, I ask? | 0:07:14 | 0:07:16 | |
Right, good, well this canister here contains, erm... | 0:07:16 | 0:07:20 | |
-Something funny, is it? -No. -No, not at all, no, I'm... | 0:07:20 | 0:07:24 | |
It's a really impressive. | 0:07:24 | 0:07:26 | |
Well, this canister here contains a mixture of talcum pooder | 0:07:27 | 0:07:32 | |
-and plasma. -Sorry, what was that? Tang vorder? | 0:07:32 | 0:07:35 | |
It was just talcum powder, but I bought it in Dundee, | 0:07:35 | 0:07:38 | |
so I call it talcum pooder. | 0:07:38 | 0:07:40 | |
Anyway, so it's filled with talcum pooder and plasma... | 0:07:40 | 0:07:44 | |
What's with the snakes there? | 0:07:44 | 0:07:46 | |
Well, it's the armbands. | 0:07:47 | 0:07:48 | |
Look, is there something funny about this? | 0:07:49 | 0:07:51 | |
No, I-I, think it's a great... | 0:07:51 | 0:07:53 | |
Cos if there is, you two can more or less F off. | 0:07:53 | 0:07:55 | |
-Ooh! -No, carry on, Vic, it's fascinating. -Yeah? | 0:07:55 | 0:07:58 | |
-It's quite a bit of kit that, innit? -Yeah. | 0:07:58 | 0:08:00 | |
Right, so anyway, when a ghost ends up in a nook or a cranny, | 0:08:00 | 0:08:05 | |
I puff a bit of that into it, the ghost breathes it in... | 0:08:05 | 0:08:09 | |
HE COUGHS | 0:08:09 | 0:08:10 | |
..comes out for a breath of fresh air, and I take a photograph of it. | 0:08:10 | 0:08:14 | |
Then... | 0:08:14 | 0:08:15 | |
Then, using this thing here, I waft it to the custard tin. | 0:08:18 | 0:08:23 | |
-Why a custard tin? -That's a very good question. | 0:08:23 | 0:08:25 | |
-Yeah, will you be answering it? -No. | 0:08:25 | 0:08:28 | |
I waft it into the custard tin, then I take it over to the sink, | 0:08:28 | 0:08:32 | |
turn the tap on, tip it down the plug, | 0:08:32 | 0:08:34 | |
put the plug in, and there we are, | 0:08:34 | 0:08:37 | |
hey, presto, the problem's out of my hands, over to you Mr Dyno-Rod, | 0:08:37 | 0:08:41 | |
I've secured the photograph of the ghost | 0:08:41 | 0:08:44 | |
and the chimp is an inevitanbility. | 0:08:44 | 0:08:47 | |
-A what? -What is it? | 0:08:47 | 0:08:48 | |
And inevitanbil... An inevitanbility, | 0:08:48 | 0:08:50 | |
an indevatabil... It's a certainty. | 0:08:50 | 0:08:53 | |
It's a certainty. | 0:08:53 | 0:08:54 | |
Well, Vic, you know, now you've talked me through the machine, | 0:08:56 | 0:08:59 | |
I've got to say, I reckon this house is going to remain chimp-free. | 0:08:59 | 0:09:03 | |
All right, lads, what scene is being played out here? | 0:09:03 | 0:09:06 | |
And have we won that chimp yet? | 0:09:06 | 0:09:08 | |
Cos I've got a job I need it to do for me. | 0:09:08 | 0:09:10 | |
Look, kids, I hope you have a really pleasant night | 0:09:10 | 0:09:12 | |
hunting for your ghost, yeah, but let me make it perfectly clear, | 0:09:12 | 0:09:16 | |
I am not having a chimp living in this house, no way, end of. | 0:09:16 | 0:09:19 | |
Come on, lads, I've got a Ouija board set up in here. | 0:09:19 | 0:09:21 | |
Vic, did you hear what I just said? | 0:09:21 | 0:09:23 | |
I heard what you said, Bob, I took it all on board | 0:09:23 | 0:09:26 | |
and I've dismissed it. | 0:09:26 | 0:09:27 | |
Come on, lads, we've got to take a photograph of a ghost | 0:09:27 | 0:09:29 | |
-and win us ourselves a chimp! -Woo! | 0:09:29 | 0:09:31 | |
Right, lads, when we conjure up the spirit, | 0:09:37 | 0:09:39 | |
-who's going to take the photograph of it? -Me. | 0:09:39 | 0:09:41 | |
-Right. -That's my job. -There's a camera. | 0:09:41 | 0:09:42 | |
Thank you. | 0:09:42 | 0:09:44 | |
Take your cap off. | 0:09:44 | 0:09:45 | |
Lens cap. | 0:09:47 | 0:09:48 | |
I'm not wearing Len's cap, I'm not wearing anyone's cap. | 0:09:48 | 0:09:51 | |
-The cap on the camera. -Oh, I knew that. | 0:09:51 | 0:09:54 | |
Turn it round. | 0:09:58 | 0:09:59 | |
-No, you idiot. -Oh, right, I'm an idiot, am I? | 0:10:01 | 0:10:05 | |
Well, would an idiot be able to do this? | 0:10:05 | 0:10:08 | |
That's impressive, yeah, I take it back. | 0:10:19 | 0:10:22 | |
-Put the camera on. -Thank you. | 0:10:22 | 0:10:24 | |
Hang on, I want a slice of this action. | 0:10:37 | 0:10:39 | |
Lads, lads, come on, come on. | 0:10:44 | 0:10:47 | |
Do you want to win a chimp? | 0:10:47 | 0:10:48 | |
BOTH: Yes! | 0:10:48 | 0:10:49 | |
Right, well, come on, let's seance. | 0:10:49 | 0:10:52 | |
BOTH: Ance. | 0:10:52 | 0:10:53 | |
Right. | 0:10:58 | 0:10:59 | |
Is anybody there? | 0:11:00 | 0:11:01 | |
Oooh! | 0:11:04 | 0:11:06 | |
Are you a Victorian whore with a 19th century price list? | 0:11:07 | 0:11:13 | |
In heaven, do you get Homes Under The Hammer? | 0:11:14 | 0:11:17 | |
-Are you are a carrot? -Do you get Dickinson's Real Deal? | 0:11:19 | 0:11:21 | |
Look, it's not 20 bloody questions, you pair of idiots. | 0:11:21 | 0:11:25 | |
Oh, an idiot, you say? That's really rather interesting. | 0:11:25 | 0:11:28 | |
Would an idiot be able to do this? | 0:11:28 | 0:11:31 | |
Erik? | 0:11:39 | 0:11:40 | |
ERIK HONKS HORN | 0:11:40 | 0:11:41 | |
Hi, Erik. Wow, cool. | 0:11:41 | 0:11:43 | |
Yeah, they're having they're having... | 0:11:43 | 0:11:45 | |
They're having a seance down... ERIK HONKS HORN | 0:11:45 | 0:11:47 | |
They're having a seance downstairs, and I wondered if I could just... | 0:11:47 | 0:11:50 | |
ERIK HONKS HORN I wondered if I could... | 0:11:50 | 0:11:52 | |
If I could come in and... ERIK HONKS HORN | 0:11:52 | 0:11:53 | |
..watch your television? ERIK HONKS HORN | 0:11:53 | 0:11:55 | |
You have to say it faster. | 0:11:55 | 0:11:56 | |
They're having a seance downstairs and I wondered | 0:11:56 | 0:11:58 | |
if I could pop in and watch your television? | 0:11:58 | 0:12:00 | |
-Is that a no then? -Yes. | 0:12:00 | 0:12:02 | |
ERIK HONKS HORN | 0:12:02 | 0:12:03 | |
I know him, he's a liar. | 0:12:05 | 0:12:08 | |
He's not even dead, that's a hoax. | 0:12:10 | 0:12:13 | |
-All right, mate, are you with them lot? -Eh? Shut up. | 0:12:13 | 0:12:15 | |
No, I'm a ghost they summoned up. | 0:12:15 | 0:12:17 | |
Yeah, righto, mate, look, they're through there. | 0:12:17 | 0:12:20 | |
Who is? I'm not with them, I am a ghost, look. | 0:12:20 | 0:12:23 | |
Oohhhh! | 0:12:23 | 0:12:27 | |
Ooohh! | 0:12:27 | 0:12:30 | |
-That means you're a ghost, does it? -Yes. -Yeah, me too then. | 0:12:32 | 0:12:35 | |
Yeahhh ohhhh! | 0:12:35 | 0:12:38 | |
-Honestly. -How about this, then? | 0:12:38 | 0:12:39 | |
Ohh... | 0:12:39 | 0:12:41 | |
-What's all that? -Light, look at the light. | 0:12:41 | 0:12:43 | |
-Yeah, you're just turning it on and off. -No, I'm not! | 0:12:43 | 0:12:45 | |
Yes, you are, well, do it from there then. | 0:12:45 | 0:12:47 | |
And I should do that for you? | 0:12:47 | 0:12:48 | |
I've got a brilliant mind, look at this. Automatic writing. | 0:12:48 | 0:12:52 | |
L... | 0:12:52 | 0:12:53 | |
Oh, don't write on me staircase, mate, I'll never get it off. | 0:12:53 | 0:12:56 | |
What's the matter with you? It's water based - | 0:12:56 | 0:12:58 | |
-that'll come off with a wet wipe. -Yeah. | 0:12:58 | 0:12:59 | |
You heard this, lads? | 0:12:59 | 0:13:00 | |
I've got a fella here, he's got a water-based emulsion | 0:13:00 | 0:13:03 | |
on a high-traffic area. Yeah, no the stairwell. | 0:13:03 | 0:13:06 | |
He's not got a what? You're joking, where? | 0:13:06 | 0:13:08 | |
He hasn't either. You ain't got a mat on your threshold. | 0:13:08 | 0:13:12 | |
That's one of the most vulnerable areas in the entire property! | 0:13:12 | 0:13:14 | |
They're killing themselves laughing with you up there. | 0:13:14 | 0:13:17 | |
Yeah, well, can you tell them I am thinking about getting one... | 0:13:17 | 0:13:20 | |
Hang on a minute, old timer, I've got more, have a look at this. | 0:13:20 | 0:13:22 | |
-Well, it's a bit of magic, is it? -No, it's supernatural. | 0:13:22 | 0:13:25 | |
-Oh, righty-oh. -Look at everything. | 0:13:25 | 0:13:26 | |
-Well, I can't look at EVERYTHING. -Yeah, well... | 0:13:26 | 0:13:29 | |
Just look at as much as you can. | 0:13:30 | 0:13:32 | |
Well, that's reasonable, yeah, all right, here I am. | 0:13:32 | 0:13:35 | |
THUNDER RUMBLES | 0:13:36 | 0:13:38 | |
Ohh! Ohh! Ohh! Ohh! Ohh! Ohh! | 0:13:38 | 0:13:41 | |
Three, two, one, powerball! | 0:13:42 | 0:13:46 | |
Oh, missed! | 0:13:46 | 0:13:47 | |
-Was that the finale, mate? -No, I've got one more. | 0:13:47 | 0:13:49 | |
-Oh, no, no... -Three, two, one, powerball! | 0:13:49 | 0:13:52 | |
Bob, do you mind? | 0:13:55 | 0:13:57 | |
We're trying to summon up spirits in here. | 0:13:57 | 0:13:59 | |
It's not me, it's that bloke over there. | 0:13:59 | 0:14:01 | |
-What bloke? -The bloke by the bookcase. | 0:14:01 | 0:14:04 | |
There's no-one there. Now, look, | 0:14:05 | 0:14:07 | |
if you're going to practise your looking up at the ceiling, | 0:14:07 | 0:14:09 | |
can you do it a bit more quietly, please? Thank you. | 0:14:09 | 0:14:12 | |
BONES CRUNCH | 0:14:12 | 0:14:13 | |
Ah, urgh. | 0:14:13 | 0:14:15 | |
Vic couldn't see you, so you are a ghost? | 0:14:15 | 0:14:18 | |
Yeah, I told you, they summoned me up. | 0:14:18 | 0:14:20 | |
Oh, the wankers! | 0:14:20 | 0:14:22 | |
This is the last day I need a frickin' ghost in the house. | 0:14:22 | 0:14:25 | |
-No offence, like. -None taken. | 0:14:25 | 0:14:27 | |
Honestly, you see the thing is, if THEY get a photograph of a ghost, | 0:14:27 | 0:14:31 | |
right, there's a possibility I might have a chimp living in the house. | 0:14:31 | 0:14:34 | |
-Ohh. -God, could things get any worse? | 0:14:34 | 0:14:36 | |
Well, I think they're about to. | 0:14:36 | 0:14:37 | |
# I've just popped in to borrow something | 0:14:39 | 0:14:41 | |
# Maybe a pack of sultanas | 0:14:41 | 0:14:44 | |
# It's just a ruse, a teeny excuse | 0:14:44 | 0:14:46 | |
# To shine a torch on Vic's banana. # | 0:14:46 | 0:14:49 | |
-Hiya, Julie. -Hiya, Bob, how are you? Where's Vic? | 0:14:51 | 0:14:55 | |
He's just through there. Hey, Julie, can you see that bloke over there? | 0:14:55 | 0:14:59 | |
-Yeah, hi, Martin. -Hello, Julie. | 0:14:59 | 0:15:01 | |
Martin? | 0:15:01 | 0:15:03 | |
-What, you're Martin? -Oh, so the penny finally drops. | 0:15:03 | 0:15:07 | |
Hi, guys, what's this, a game of truth or dare? | 0:15:09 | 0:15:12 | |
-What are you doing, Julie? -I'm giving you a One Direction. | 0:15:12 | 0:15:15 | |
Look, we're in the middle of something really important | 0:15:17 | 0:15:20 | |
as you can see. | 0:15:20 | 0:15:23 | |
THEY MOAN | 0:15:23 | 0:15:25 | |
So, it would be good for me, mate, | 0:15:26 | 0:15:28 | |
if you could perhaps just nick off, you know? | 0:15:28 | 0:15:30 | |
Yeah, I can see your problem. | 0:15:30 | 0:15:31 | |
I'll nick off in a minute, but first of all, could I have a quick chat? | 0:15:31 | 0:15:34 | |
I've not had a proper man chat since I died, | 0:15:34 | 0:15:36 | |
so what's your favourite, shovel or spade? | 0:15:36 | 0:15:38 | |
To be honest, I don't know the difference. | 0:15:38 | 0:15:40 | |
Oh, my God, we've got another one here, lads. Shovel is for | 0:15:40 | 0:15:42 | |
shovelling, spade is for digging. What's your favourite estuary? | 0:15:42 | 0:15:45 | |
-Estuary, I don't know, The Thames? -Thames?! | 0:15:45 | 0:15:47 | |
Severn! Severn estuary, it's a pip, | 0:15:47 | 0:15:48 | |
Thames estuary hasn't got a tidal bore, has it? | 0:15:48 | 0:15:51 | |
Listen to yourself. You ask me a question now. | 0:15:51 | 0:15:53 | |
OK, erm... Where do you actually live? | 0:15:53 | 0:15:55 | |
Oh, terrible question, awful banter. | 0:15:55 | 0:15:57 | |
All right, I'll try and answer it. | 0:15:57 | 0:15:59 | |
I'm in that er, in-between place, you know, | 0:15:59 | 0:16:02 | |
that halfway house twixt Heaven and Hell, oh, what's it called? | 0:16:02 | 0:16:05 | |
-Oh, Travelodge? -Not a fucking Travelodge. | 0:16:05 | 0:16:08 | |
Not a Travelodge, Limbo. You don't use Travelodges, do you? | 0:16:08 | 0:16:10 | |
-Yeah, sometimes, yeah. -You're joking, aren't you? | 0:16:10 | 0:16:13 | |
-You can go in a Road Chef, 29 quid! -All right, forget I mentioned it. | 0:16:13 | 0:16:15 | |
-Don't worry about them lot seeing me. -Yeah? | 0:16:15 | 0:16:17 | |
I can only be seen by animals, relatives, | 0:16:17 | 0:16:19 | |
and people close to death. | 0:16:19 | 0:16:20 | |
But I'm not a relative, yeah, I'm not an animal... | 0:16:20 | 0:16:23 | |
-What, are you saying I'm going to die? -I'm afraid so. | 0:16:23 | 0:16:26 | |
Oh, no, do you know how I die? | 0:16:26 | 0:16:27 | |
All I can say is it's quick. | 0:16:38 | 0:16:39 | |
-Well, that's something, innit? -It's not that quick. | 0:16:40 | 0:16:43 | |
Oh! Ooh, hottie! Hot, hot! Hot, hot, hottie. | 0:16:44 | 0:16:49 | |
Julie, please, we are trying to summon up a phantom | 0:16:49 | 0:16:53 | |
so we can take a photograph of it and win a chimp. | 0:16:53 | 0:16:56 | |
Just use Martin, you Silly Billy. | 0:16:56 | 0:16:59 | |
Martin, come through, meet the boys. | 0:16:59 | 0:17:02 | |
-Say cheese. -CAMERA BEEPS | 0:17:02 | 0:17:04 | |
Oh, it's a good one. | 0:17:06 | 0:17:07 | |
What I'm going to do is I'm going to print this out and file them | 0:17:09 | 0:17:13 | |
in the miniature town hall where I keep these things, | 0:17:13 | 0:17:15 | |
-and I'm going to print out that copy of Martin for you. -Whatever. | 0:17:15 | 0:17:19 | |
OK. Martin, look at our lovely selfie. | 0:17:19 | 0:17:22 | |
-I'm going to just print out a copy for Vic. -Lovely. | 0:17:23 | 0:17:25 | |
-Ta-ta! -See you. | 0:17:25 | 0:17:27 | |
Oh, God, she's got a photo. | 0:17:27 | 0:17:29 | |
Oh, yeah, that impacts on you, don't it? | 0:17:29 | 0:17:31 | |
Chimp-wise, yeah. | 0:17:31 | 0:17:34 | |
Hey, lads, look, the quantum particle detector's lit up. | 0:17:34 | 0:17:36 | |
That means that there's a spectre in the parish. | 0:17:36 | 0:17:39 | |
-Come on, daft lad, help us out. -All right. | 0:17:39 | 0:17:41 | |
Get the probe on. Yeah. | 0:17:41 | 0:17:43 | |
What's with the snakes, like? | 0:17:43 | 0:17:45 | |
It's the armbands, what's the matter with you? | 0:17:45 | 0:17:47 | |
Right, come on. | 0:17:47 | 0:17:49 | |
Ooh, can't wait for this. | 0:17:49 | 0:17:51 | |
Yeah, you sshhh. | 0:17:51 | 0:17:52 | |
-VIC: -Woooh! | 0:17:52 | 0:17:54 | |
Woooh! | 0:17:54 | 0:17:56 | |
Wooooh! | 0:17:56 | 0:17:59 | |
Woooh! | 0:17:59 | 0:18:01 | |
Woooh! | 0:18:01 | 0:18:03 | |
Oh, there, there, there! A ghost, look. | 0:18:03 | 0:18:04 | |
That's not a ghost, you clown, it's a hard-boiled egg. | 0:18:04 | 0:18:07 | |
But what the probe has done | 0:18:09 | 0:18:10 | |
-is located the ghost of an unborn chicken. -Oh, yeah. | 0:18:10 | 0:18:14 | |
Yeah? So can I now confirm that no-one has a downer on the probe? | 0:18:14 | 0:18:20 | |
-No. -Eh? Bob? | 0:18:20 | 0:18:22 | |
No, that's a nice bit of kit, Vic, well done. | 0:18:22 | 0:18:24 | |
I tell you what, Vic, I've got a feeling, I've got a good | 0:18:24 | 0:18:27 | |
feeling about this area here, it's got really cold really suddenly. | 0:18:27 | 0:18:30 | |
I think it might be worth checking here with your probe. | 0:18:30 | 0:18:32 | |
Yeah, I can do that. | 0:18:32 | 0:18:33 | |
Nice one. | 0:18:33 | 0:18:34 | |
Woooh! | 0:18:34 | 0:18:36 | |
Woooh! Woooh! | 0:18:36 | 0:18:38 | |
Woooooh! | 0:18:38 | 0:18:40 | |
You can cordon this area off... Brrr! | 0:18:40 | 0:18:43 | |
-..as a no-ghost area. -Right. | 0:18:43 | 0:18:45 | |
That is a good unit that, Vic, whatever anyone says, | 0:18:45 | 0:18:48 | |
that's a neat probe, well done. | 0:18:48 | 0:18:50 | |
Thank you, do you hear that, lads? Right, let's carry on. | 0:18:50 | 0:18:53 | |
You see the snakes? | 0:18:53 | 0:18:55 | |
Well, they're armbands, aren't they? | 0:18:55 | 0:18:57 | |
VIC CONTINUES MAKING NOISES | 0:18:58 | 0:19:01 | |
NOISES GET LOUDER | 0:19:01 | 0:19:04 | |
It's gone berserk, it must be in here, this is the nest. | 0:19:04 | 0:19:07 | |
-Well, go on then. -You get in there. | 0:19:07 | 0:19:09 | |
I'm not going in there, I'm Billy Elliot. | 0:19:09 | 0:19:12 | |
Get in there now. | 0:19:12 | 0:19:13 | |
Go on. | 0:19:15 | 0:19:17 | |
I'll need light. | 0:19:17 | 0:19:18 | |
Whoa! | 0:19:19 | 0:19:21 | |
Whoa, there's a ghost in there. | 0:19:21 | 0:19:23 | |
-What's it look like? -A proper twat. | 0:19:23 | 0:19:24 | |
Get in and take a picture of it. Three, two, one... | 0:19:26 | 0:19:29 | |
-Ooh! -Ah, it's horrible! | 0:19:30 | 0:19:32 | |
-It's evil. -Ooh, it looks like Gary Barlow. | 0:19:32 | 0:19:35 | |
Oh, I know what that is, it's not a ghost, lads. | 0:19:35 | 0:19:38 | |
Come on - out the way. | 0:19:38 | 0:19:39 | |
-No, don't go in there, don't go in. -Don't do it, Bob, you twat. | 0:19:39 | 0:19:42 | |
Oh, it's all right, I know exactly what it is. | 0:19:42 | 0:19:44 | |
Here, look. | 0:19:44 | 0:19:45 | |
-You see? -I feel a proper Charlie. | 0:19:47 | 0:19:49 | |
Yeah, it's just items that have fallen in a particular manner | 0:19:49 | 0:19:54 | |
so as to resemble Gary Barlow. | 0:19:54 | 0:19:56 | |
Is he at a concert, or perhaps judging someone or something? | 0:19:56 | 0:19:59 | |
Simple as that, lads, that's all it is, it's not a ghost. | 0:19:59 | 0:20:02 | |
All right, now listen, I don't want to shift focus, | 0:20:02 | 0:20:05 | |
or undermine your quantum probe, but I actually bought one myself. | 0:20:05 | 0:20:11 | |
Ooh. | 0:20:11 | 0:20:13 | |
Didn't know this. | 0:20:13 | 0:20:15 | |
Oh-ho! Oh, Beef, look at the finish on that. | 0:20:15 | 0:20:20 | |
Wow, did you make that in the workshop? | 0:20:20 | 0:20:22 | |
-That's no concern of yours. -Wow, what does it do, Beef? | 0:20:22 | 0:20:25 | |
-Want to see what it does? -Yeah. -Yeah. | 0:20:25 | 0:20:27 | |
Ooooh! | 0:20:29 | 0:20:31 | |
Ooh, did you see that, Vic? | 0:20:31 | 0:20:32 | |
Well, that's what I call a probe, Vic. | 0:20:32 | 0:20:35 | |
All right, well, I tell you what, | 0:20:35 | 0:20:36 | |
we'll forget about my probe, shall we? | 0:20:36 | 0:20:38 | |
-There. -Oooh. | 0:20:38 | 0:20:40 | |
Can I just have a look at that? | 0:20:40 | 0:20:42 | |
Ooh. | 0:20:42 | 0:20:43 | |
Ooh. | 0:20:43 | 0:20:44 | |
Look at that. | 0:20:44 | 0:20:45 | |
-Ooh! -How's this conflict going to resolve itself? | 0:20:49 | 0:20:52 | |
Yeah, who's going to make the next play? | 0:20:52 | 0:20:54 | |
Let's find out. Watch! | 0:20:54 | 0:20:56 | |
Whoa! | 0:21:01 | 0:21:03 | |
Poltergeist! | 0:21:03 | 0:21:04 | |
Watch out! | 0:21:10 | 0:21:11 | |
CLOCK CHIMES AND CUCKOOS | 0:21:13 | 0:21:16 | |
Wow, what just happened then? | 0:21:20 | 0:21:22 | |
In the light of what just happened then, | 0:21:22 | 0:21:24 | |
let's pull our pants up really nice and high and tight | 0:21:24 | 0:21:27 | |
and go and check out this manifestation in here. | 0:21:27 | 0:21:29 | |
-What do you think about that? -What I think is, I'll tell you | 0:21:31 | 0:21:33 | |
what I think - can you stop trying to give yourself away, please? | 0:21:33 | 0:21:36 | |
Yeah, all right, never mind that, | 0:21:36 | 0:21:38 | |
-which one of them blokes are you going with? -Eh? What? None of them. | 0:21:38 | 0:21:41 | |
Come on, course you are. Which one's your boyfriend? | 0:21:41 | 0:21:43 | |
Long-haired one? | 0:21:43 | 0:21:44 | |
If I had to choose one, yeah, the long-haired one I suppose. | 0:21:44 | 0:21:47 | |
-Yeah, all right. Let me go and ask him for you. -No, please don't. | 0:21:47 | 0:21:50 | |
-And why not? -No, you just behave, will you? | 0:21:50 | 0:21:53 | |
Martin? When am I going to die, Martin? The photo... | 0:21:53 | 0:21:57 | |
Photo! | 0:21:57 | 0:21:59 | |
Right, I'll regress one of you | 0:22:03 | 0:22:04 | |
-and see if you can find the ghost on your travels, who'll it be? -Me. | 0:22:04 | 0:22:07 | |
What is it? | 0:22:07 | 0:22:08 | |
I'll take you back in time to a previous life. | 0:22:08 | 0:22:10 | |
Go on, get on with it. | 0:22:10 | 0:22:11 | |
-Are you ready? -Yeah. -Waaaaah! | 0:22:11 | 0:22:14 | |
Who are you, where are you, and what is your rank? | 0:22:17 | 0:22:19 | |
I am at the battle of Marston Moor, | 0:22:19 | 0:22:22 | |
my name is Edward Longbottom, | 0:22:22 | 0:22:25 | |
don't, I've heard them all before, I get it all the time. | 0:22:25 | 0:22:28 | |
Not as bad as my boss, General Dick Dangles, his life's a misery. | 0:22:28 | 0:22:32 | |
Anyway, the other day I'm walking through the marsh with Dick | 0:22:32 | 0:22:35 | |
and I tread in some dog dirt, and he says to me | 0:22:35 | 0:22:37 | |
"If you tread that into the tent, I shall hit the roof." | 0:22:37 | 0:22:40 | |
Shut him up, he's boring the tits off me. | 0:22:40 | 0:22:43 | |
I am Bonor, son of Bollock, husband of Tittybus, | 0:22:46 | 0:22:50 | |
guardian of the parish pub. | 0:22:50 | 0:22:52 | |
Spare me this Lord of the Rings shit, no offence, Vic. | 0:22:52 | 0:22:55 | |
-Hi, Julie. -Hello, Bob, what a lovely surprise, isn't it though? | 0:23:00 | 0:23:03 | |
Isn't it though? Hey, look, is Martin about? | 0:23:03 | 0:23:06 | |
It's just he told me earlier that I was going to die | 0:23:06 | 0:23:08 | |
and I just wanted to see if he was telling the truth. | 0:23:08 | 0:23:10 | |
Sorry about that, mate, just bullshit. | 0:23:10 | 0:23:13 | |
Oh, well that's a relief, Julie, innit? | 0:23:14 | 0:23:16 | |
All round, that is a relief. | 0:23:16 | 0:23:18 | |
Julie, the photograph there, do you see, of Martin and yourself... | 0:23:18 | 0:23:21 | |
-Yeah. -Could I have a look at that, please? | 0:23:21 | 0:23:23 | |
-Yeah, but first I want to ask you a little question. -Yeah, go on. | 0:23:23 | 0:23:26 | |
Do you notice anything different about me? | 0:23:26 | 0:23:28 | |
Um, no, I don't think so. | 0:23:28 | 0:23:30 | |
Perhaps if I present you with my silhouette. | 0:23:30 | 0:23:32 | |
No, nothing, nothing at all. | 0:23:34 | 0:23:36 | |
I had my bum plumped up, you know, like the black girls do, | 0:23:36 | 0:23:39 | |
with a little shelf. | 0:23:39 | 0:23:41 | |
Oh, right, oh I see, yeah. | 0:23:41 | 0:23:43 | |
Yeah, I got it done at WH Smith at the bum department. | 0:23:43 | 0:23:45 | |
Yeah. They don't have a bum department, Julie. | 0:23:45 | 0:23:48 | |
It's actually a fully functioning shelf. Just stick something on. | 0:23:48 | 0:23:51 | |
OK, well, I tell you what, I'll dress it for you. | 0:23:51 | 0:23:53 | |
Do me up. Dress it for me. | 0:23:53 | 0:23:54 | |
-Yeah. -Make me look pretty. What have you chosen? | 0:23:54 | 0:23:57 | |
-Not the bonsai? -Yeah. -You're crazy! | 0:23:57 | 0:24:00 | |
But you said you wanted it pretty. | 0:24:00 | 0:24:02 | |
-Are you ready, is it on? -Yeah. -Is it good to go? | 0:24:03 | 0:24:06 | |
It's good to go, go. | 0:24:06 | 0:24:07 | |
Check it out. | 0:24:07 | 0:24:08 | |
-Wow. -Check it out. | 0:24:08 | 0:24:11 | |
It's an actual working shelf, Julie. | 0:24:11 | 0:24:13 | |
-Goodbye, handbag. -Yeah. | 0:24:13 | 0:24:15 | |
-I'm really happy with it. -I'm really pleased for you. | 0:24:15 | 0:24:18 | |
Look, Julie, you know that photograph? | 0:24:18 | 0:24:20 | |
Vic has asked me if I can come and fetch it for him, | 0:24:20 | 0:24:23 | |
so could I take it, please? | 0:24:23 | 0:24:25 | |
Yes, but only if you do one thing for me in return. | 0:24:25 | 0:24:27 | |
Ooh, ouch, yeah, what is it? | 0:24:27 | 0:24:29 | |
Well, what I want you to do is pull up beside me, | 0:24:29 | 0:24:32 | |
wind your window down and ask me for directions. | 0:24:32 | 0:24:35 | |
What, like so I'm driving a car, yeah? | 0:24:35 | 0:24:36 | |
-Like you're in a car. -OK, here goes. | 0:24:36 | 0:24:38 | |
Vrrrr-oooom. | 0:24:38 | 0:24:40 | |
OK, I'm waiting for the bus. | 0:24:40 | 0:24:42 | |
Hey, excuse me now, I can see you're busy, | 0:24:43 | 0:24:45 | |
but could you give me directions to the library, please? | 0:24:45 | 0:24:48 | |
I'm so sorry, I'm not from round here. | 0:24:48 | 0:24:50 | |
Ha, ha, ha! | 0:24:53 | 0:24:54 | |
Oh, it gets them every time. | 0:24:56 | 0:24:59 | |
-Go on, take the picture. -I can take the picture? | 0:24:59 | 0:25:01 | |
-Yeah, you can take it. -Thanks, Julie. | 0:25:01 | 0:25:03 | |
-Thank you. -OK, bye, Bob! | 0:25:03 | 0:25:05 | |
-See you, Julie. -Oh, tosser. | 0:25:05 | 0:25:07 | |
Look, you've regressed him too far, you fool. Cro-Magnon man. | 0:25:09 | 0:25:14 | |
What is laminate wood flooring? | 0:25:14 | 0:25:17 | |
Ugh, woman! | 0:25:18 | 0:25:20 | |
No, no, no I'm just a tobacconist. | 0:25:20 | 0:25:22 | |
Me want woman. | 0:25:22 | 0:25:24 | |
Strike him before he gets wind of our backsides. | 0:25:24 | 0:25:27 | |
Ah, bloody hell. | 0:25:30 | 0:25:33 | |
Well? Did it work? | 0:25:33 | 0:25:35 | |
No, it didn't work. | 0:25:35 | 0:25:38 | |
No ghost... | 0:25:38 | 0:25:39 | |
-No photo. -No chimp. | 0:25:39 | 0:25:41 | |
-All right, lads? -Twat. | 0:25:42 | 0:25:46 | |
What's the matter with you lot? | 0:25:46 | 0:25:47 | |
What's the matter? I'll tell you what's the matter. | 0:25:47 | 0:25:50 | |
We had a dream, a dream to own a chimp at our beck and call, | 0:25:50 | 0:25:54 | |
and now that dream's in tatters. | 0:25:54 | 0:25:56 | |
And like Icarus, we tried to fly too high to kiss the moon. | 0:25:56 | 0:26:01 | |
I mean come on, lads, life goes on, you know? | 0:26:01 | 0:26:04 | |
No, life doesn't go on, life without a chimp's no life for me, | 0:26:04 | 0:26:07 | |
I wish I was dead. | 0:26:07 | 0:26:08 | |
-Me too. -Me too. | 0:26:08 | 0:26:10 | |
All right. Hey, Vic, here, I've got something for you, there you are. | 0:26:11 | 0:26:15 | |
-Aaaaah! -Ahhh! | 0:26:17 | 0:26:18 | |
It's a picture of a ghost, we will get that chimp. | 0:26:20 | 0:26:23 | |
Bob, you big, beautiful bastard! | 0:26:24 | 0:26:28 | |
Bob, I always thought you were a major league asshole. | 0:26:29 | 0:26:32 | |
But you're not, you're a real stand-up guy. | 0:26:32 | 0:26:35 | |
Here it is, folks, it's the letter from Ghost Hunter magazine. | 0:26:42 | 0:26:46 | |
I think you all know what this is. | 0:26:46 | 0:26:48 | |
-You ready? -Yeah. -Yes. | 0:26:51 | 0:26:53 | |
Thank you for entering our recent photo competition. | 0:26:53 | 0:26:56 | |
-Come on. -So, yeah, all right! | 0:26:56 | 0:26:57 | |
We are pleased to inform you that your photograph of the ghost, | 0:26:57 | 0:27:00 | |
Martin Cooper, has won... | 0:27:00 | 0:27:02 | |
THEY CHEER Whoa! Whoa! Whoa! | 0:27:02 | 0:27:03 | |
..third prize, a day out with Andy Barker. | 0:27:05 | 0:27:09 | |
KNOCK AT DOOR | 0:27:09 | 0:27:10 | |
Come in! | 0:27:10 | 0:27:12 | |
Hi, I'm Andy Barker, and this is my bicycle, | 0:27:12 | 0:27:15 | |
and I'm going to blow your minds! | 0:27:15 | 0:27:17 | |
Who the hell are you? Sue Barker's husband? | 0:27:18 | 0:27:22 | |
No, I'm Linda Barker's brother. | 0:27:22 | 0:27:24 | |
Hang on. Yeah, I'm just going to have to use your toilet, sorry. | 0:27:25 | 0:27:30 | |
What a shit prize, why didn't we get the chimp? | 0:27:30 | 0:27:33 | |
I don't know. | 0:27:33 | 0:27:34 | |
Right, there's no easy way in saying this, is there going to be lots | 0:27:34 | 0:27:37 | |
and lots and lots of toilet paper? | 0:27:37 | 0:27:40 | |
-Just use the curtain. -Curtain. | 0:27:40 | 0:27:42 | |
Oh, people, get him a bog roll, come on. | 0:27:42 | 0:27:45 | |
No, this is why we need a chimp. | 0:27:45 | 0:27:46 | |
Yeah. Hang on a minute, got an idea. | 0:27:46 | 0:27:49 | |
Take man toilet paper, you savage brute. | 0:27:52 | 0:27:56 | |
What is toilet paper? | 0:27:56 | 0:27:58 | |
Find me an African woman. | 0:27:58 | 0:28:00 | |
What is the... | 0:28:00 | 0:28:01 | |
HE MUMBLES | 0:28:01 | 0:28:03 | |
Yeah, and go and get me some strawberries. | 0:28:03 | 0:28:06 | |
Strawberries I know. | 0:28:06 | 0:28:08 | |
And while you're at it, | 0:28:08 | 0:28:09 | |
I've got a Barnaby Rudge that needs buffing, you monstrosity. | 0:28:09 | 0:28:12 | |
Oooh! | 0:28:12 | 0:28:14 | |
# Didn't we have a lovely day | 0:28:15 | 0:28:17 | |
# The day we created an ape slave | 0:28:17 | 0:28:20 | |
# So what happens next? | 0:28:20 | 0:28:21 | |
# We get on our knees | 0:28:21 | 0:28:23 | |
# And worship this full fat Turkish cheese... # | 0:28:23 | 0:28:25 | |
Ooh! | 0:28:25 | 0:28:26 | |
THEY HUM | 0:28:30 | 0:28:33 | |
Thank you. | 0:28:39 | 0:28:41 | |
APPLAUSE | 0:28:42 | 0:28:45 |