The Ghost Affair House of Fools


The Ghost Affair

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This programme contains some strong language.

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# Today's the day that I locate the ghost that's haunting this flat

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# It won't take long with me extendable prong

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# As I poke it into nooks and crannies

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# Will you look at that tit

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# He thinks he's it

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# With his probe he bought from the pound store

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# It's just a can of Tile Well

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# With a fish slice for an aerial. #

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So, Vic, there's your le... WHOOPEE CUSHION PARPS

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-Ooh!

-Ooh, excuse me.

-There's your leg o' lamb.

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Thank you, well I'll have to eat it quick because the lads will be round

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-very shortly for the ghost hunt.

-Oh the ghost hunt, that's today, is it?

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-Yes.

-Yeah? What makes you think there's a ghost in this flat, Vic?

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Well, one, ectoplasm in the toilet.

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Yeah, no, that's just your night toffee, Vic, innit?

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Two, ghostly moanings in the middle of the night.

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Ooh, what do they sound like?

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Just like a...

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Oo-hoo! Whoooooo!

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-BOSH COUGHS

-Whoooooo!

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-All right, Bosh, you leaving today?

-What do you think?

-No?

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Correct, you twat.

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-Have a word.

-And three, Bob, and you can't deny this.

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-Go on, then.

-This flat is built above an ancient Indian burial ground.

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No, no, no, Vic,

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it's above an Asian-Indian balti house.

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Very different. Very different concepts altogether.

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Well, there is a ghost down here

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and tonight I'm going to prove it anyway.

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All right, then, what do you think of me dish?

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It's very nice, talk me through it.

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Well, as I say, it's a leg o' lamb, it's not a lamb made of Lego.

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No, the dish is...

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The dish is formally known as lamb tuxedo,

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as you can see by the bow tie there, yeah?

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Yeah, what about the scissors?

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Oh, the scissors, that's just an English twist on the chopstick.

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-Yeah.

-Thought you'd like that.

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It's nice, yeah. Where'd you get the idea?

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The idea? I got it from an episode of Come Dine With Me.

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From Preston?

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Well, they're all from Preston, aren't they?

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Well, they seem to be, yeah. I think I saw this one.

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Is this the one where there was like a middle-aged pole-dancing woman

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whose boobs were spilling out all over the table?

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All over the table, yeah.

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And she offered the other guests a mouth organ wrapped in bacon.

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I mean, what sort of idiot would present a mouth organ as food

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unless they're a complete moron?

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HE COUGHS AND PLAYS THE MOUTH ORGAN

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You all right, what's the matter?

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Get it out!

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You got a mouth organ in your mouth?

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MOUTH ORGAN SOUNDS

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Well, take it out.

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MOUTH ORGAN SOUNDS: Can't, it's stuck.

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I know.

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I'll use the miracle of suction, that usually works with most things.

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THEY LISTEN TO A JOLLY TUNE

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So, Vic, can you fill me in on this ghost scenario, what it's all about?

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Yes, of course, well, I read about it

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in my copy of Ghost Hunter Monthly.

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Oh, wow. How often do you get that magazine?

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-It's monthly.

-Oh, yes, it says monthly, yeah.

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Anyway, so... Oh, look, here's the advert here.

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It says, this month's competition, blah blah blah,

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fantastic prizes, your chance to win, blah blah blah blah, erm...

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-blah blah blah.

-HONKS HORN

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All entrants must provide a genuine photograph of a real living ghost

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-blah blah blah...

-HONKS HORN

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Blah blah blah blah,

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and the competition closes

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-tomorrow morning.

-Vic, give me the horn.

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-Blah Blah blah blah blah.

-Vic, give me the horn.

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-I'm not giving you the horn.

-You are giving me the horn.

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Eurgh! Eurgh! Eurgh!

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-All right, Erik.

-All right.

-Well, hey, Vic.

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-Yeah.

-I love the cool honking, can I borrow the hooter?

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Yeah, go ahead.

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-HONKS HORN

-That's good stuff.

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Ah!

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And can I bring it to my room maybe?

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Yeah, go on take it, you can borrow it, yeah.

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Hey, Erik, would you like me to do some cool honking?

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I'm pretty good at it.

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-MOCKING:

-"Oh, Erik, would you like me to do some cool honking?

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"I'm pretty good at it!"

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He's got you down there, hasn't he?

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I don't speak like that, do I?

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"Oh, I don't speak like that, do I?

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"Oh, this is how I talk, is it not?"

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-That's you.

-Is it?

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It is you!

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-Oh, about the ghost hunt, though...

-Yeah.

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Are there any prizes? You said something about prizes.

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Oh, yeah, the prizes...

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Third prize is, erm... Well, look, a day out with Andy Barker.

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Who's Andy Barker?

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I dunno, maybe Sue Barker's husband?

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-Yeah, or maybe Roy Barker's son?

-Who's Roy Barker?

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I dunno, I thought he might be Sue Barker's husband.

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Second prize, ooh, you'll like this, this is right up your street.

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-Go on, hit me. Go on.

-Look, a job in a loudspeaker shop.

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-Ohh! Cor, I would like that.

-I know you would.

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Can you not tick that box?

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-No, because the first prize is what I want.

-What?

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A chimp.

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-A chimp?

-A chimp at my beck and call. Get in!

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Vic, you're not having a chimp in this house,

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it's full of morons already.

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# I'm an exorcist with my crucifix

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# And my rosary made of mung beans

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# With my metal detector

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# I'll find the spectre

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# Cos mostly ghosts

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# Wear iron waistco-o-o-o-o-oats. #

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All right there, Beef, I like your hat.

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Yes, it's made from the melted windscreens of 17 Range Rovers.

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Let's catch a ghost and win ourselves a chimp.

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Ghosts, pitiful wraiths trapped in suspense

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amongst hoards of half-dead jezebels,

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clutching newspapers with wooden tits

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and cigarettes in the other hand.

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I've no idea what I'm talking about.

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-You lost your track, yeah?

-I did, I'm afraid, yes.

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Well, Beef, what's that in your belt there?

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This is my Sword of Draxos, would you like to see it in action?

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I'd love to, yeah.

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It's not, it's a clarinet.

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CLARINET MUSIC PLAYS

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So how exactly do you two intend to catch this ghost?

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Well, I was rather thinking we might use Vic's rather splendid

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quantum transducer detector.

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-Do you want to have a look at it? Shall I show you?

-Yeah.

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I've been looking forward to it all day.

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Great, yeah, course I can.

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Right, well, so when a ghost is in the area,

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this lights up here and what's this canister here, I hear you ask.

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Oh, what's that canister there, I ask?

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Right, good, well this canister here contains, erm...

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-Something funny, is it?

-No.

-No, not at all, no, I'm...

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It's a really impressive.

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Well, this canister here contains a mixture of talcum pooder

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-and plasma.

-Sorry, what was that? Tang vorder?

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It was just talcum powder, but I bought it in Dundee,

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so I call it talcum pooder.

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Anyway, so it's filled with talcum pooder and plasma...

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What's with the snakes there?

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Well, it's the armbands.

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Look, is there something funny about this?

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No, I-I, think it's a great...

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Cos if there is, you two can more or less F off.

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-Ooh!

-No, carry on, Vic, it's fascinating.

-Yeah?

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-It's quite a bit of kit that, innit?

-Yeah.

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Right, so anyway, when a ghost ends up in a nook or a cranny,

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I puff a bit of that into it, the ghost breathes it in...

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HE COUGHS

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..comes out for a breath of fresh air, and I take a photograph of it.

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Then...

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Then, using this thing here, I waft it to the custard tin.

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-Why a custard tin?

-That's a very good question.

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-Yeah, will you be answering it?

-No.

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I waft it into the custard tin, then I take it over to the sink,

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turn the tap on, tip it down the plug,

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put the plug in, and there we are,

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hey, presto, the problem's out of my hands, over to you Mr Dyno-Rod,

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I've secured the photograph of the ghost

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and the chimp is an inevitanbility.

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-A what?

-What is it?

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And inevitanbil... An inevitanbility,

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an indevatabil... It's a certainty.

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It's a certainty.

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Well, Vic, you know, now you've talked me through the machine,

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I've got to say, I reckon this house is going to remain chimp-free.

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All right, lads, what scene is being played out here?

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And have we won that chimp yet?

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Cos I've got a job I need it to do for me.

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Look, kids, I hope you have a really pleasant night

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hunting for your ghost, yeah, but let me make it perfectly clear,

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I am not having a chimp living in this house, no way, end of.

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Come on, lads, I've got a Ouija board set up in here.

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Vic, did you hear what I just said?

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I heard what you said, Bob, I took it all on board

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and I've dismissed it.

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Come on, lads, we've got to take a photograph of a ghost

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-and win us ourselves a chimp!

-Woo!

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Right, lads, when we conjure up the spirit,

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-who's going to take the photograph of it?

-Me.

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-Right.

-That's my job.

-There's a camera.

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Thank you.

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Take your cap off.

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Lens cap.

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I'm not wearing Len's cap, I'm not wearing anyone's cap.

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-The cap on the camera.

-Oh, I knew that.

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Turn it round.

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-No, you idiot.

-Oh, right, I'm an idiot, am I?

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Well, would an idiot be able to do this?

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That's impressive, yeah, I take it back.

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-Put the camera on.

-Thank you.

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Hang on, I want a slice of this action.

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Lads, lads, come on, come on.

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Do you want to win a chimp?

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BOTH: Yes!

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Right, well, come on, let's seance.

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BOTH: Ance.

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Right.

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Is anybody there?

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Oooh!

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Are you a Victorian whore with a 19th century price list?

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In heaven, do you get Homes Under The Hammer?

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-Are you are a carrot?

-Do you get Dickinson's Real Deal?

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Look, it's not 20 bloody questions, you pair of idiots.

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Oh, an idiot, you say? That's really rather interesting.

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Would an idiot be able to do this?

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Erik?

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ERIK HONKS HORN

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Hi, Erik. Wow, cool.

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Yeah, they're having they're having...

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They're having a seance down... ERIK HONKS HORN

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They're having a seance downstairs, and I wondered if I could just...

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ERIK HONKS HORN I wondered if I could...

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If I could come in and... ERIK HONKS HORN

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..watch your television? ERIK HONKS HORN

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You have to say it faster.

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They're having a seance downstairs and I wondered

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if I could pop in and watch your television?

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-Is that a no then?

-Yes.

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ERIK HONKS HORN

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I know him, he's a liar.

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He's not even dead, that's a hoax.

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-All right, mate, are you with them lot?

-Eh? Shut up.

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No, I'm a ghost they summoned up.

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Yeah, righto, mate, look, they're through there.

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Who is? I'm not with them, I am a ghost, look.

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Oohhhh!

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Ooohh!

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-That means you're a ghost, does it?

-Yes.

-Yeah, me too then.

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Yeahhh ohhhh!

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-Honestly.

-How about this, then?

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Ohh...

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-What's all that?

-Light, look at the light.

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-Yeah, you're just turning it on and off.

-No, I'm not!

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Yes, you are, well, do it from there then.

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And I should do that for you?

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I've got a brilliant mind, look at this. Automatic writing.

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L...

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Oh, don't write on me staircase, mate, I'll never get it off.

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What's the matter with you? It's water based -

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-that'll come off with a wet wipe.

-Yeah.

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You heard this, lads?

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I've got a fella here, he's got a water-based emulsion

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on a high-traffic area. Yeah, no the stairwell.

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He's not got a what? You're joking, where?

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He hasn't either. You ain't got a mat on your threshold.

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That's one of the most vulnerable areas in the entire property!

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They're killing themselves laughing with you up there.

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Yeah, well, can you tell them I am thinking about getting one...

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Hang on a minute, old timer, I've got more, have a look at this.

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-Well, it's a bit of magic, is it?

-No, it's supernatural.

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-Oh, righty-oh.

-Look at everything.

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-Well, I can't look at EVERYTHING.

-Yeah, well...

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Just look at as much as you can.

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Well, that's reasonable, yeah, all right, here I am.

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THUNDER RUMBLES

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Ohh! Ohh! Ohh! Ohh! Ohh! Ohh!

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Three, two, one, powerball!

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Oh, missed!

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-Was that the finale, mate?

-No, I've got one more.

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-Oh, no, no...

-Three, two, one, powerball!

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Bob, do you mind?

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We're trying to summon up spirits in here.

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It's not me, it's that bloke over there.

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-What bloke?

-The bloke by the bookcase.

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There's no-one there. Now, look,

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if you're going to practise your looking up at the ceiling,

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can you do it a bit more quietly, please? Thank you.

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BONES CRUNCH

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Ah, urgh.

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Vic couldn't see you, so you are a ghost?

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Yeah, I told you, they summoned me up.

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Oh, the wankers!

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This is the last day I need a frickin' ghost in the house.

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-No offence, like.

-None taken.

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Honestly, you see the thing is, if THEY get a photograph of a ghost,

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right, there's a possibility I might have a chimp living in the house.

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-Ohh.

-God, could things get any worse?

0:14:340:14:36

Well, I think they're about to.

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# I've just popped in to borrow something

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# Maybe a pack of sultanas

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# It's just a ruse, a teeny excuse

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# To shine a torch on Vic's banana. #

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-Hiya, Julie.

-Hiya, Bob, how are you? Where's Vic?

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He's just through there. Hey, Julie, can you see that bloke over there?

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-Yeah, hi, Martin.

-Hello, Julie.

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Martin?

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-What, you're Martin?

-Oh, so the penny finally drops.

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Hi, guys, what's this, a game of truth or dare?

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-What are you doing, Julie?

-I'm giving you a One Direction.

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Look, we're in the middle of something really important

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as you can see.

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THEY MOAN

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So, it would be good for me, mate,

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if you could perhaps just nick off, you know?

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Yeah, I can see your problem.

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I'll nick off in a minute, but first of all, could I have a quick chat?

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I've not had a proper man chat since I died,

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so what's your favourite, shovel or spade?

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To be honest, I don't know the difference.

0:15:380:15:40

Oh, my God, we've got another one here, lads. Shovel is for

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shovelling, spade is for digging. What's your favourite estuary?

0:15:420:15:45

-Estuary, I don't know, The Thames?

-Thames?!

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Severn! Severn estuary, it's a pip,

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Thames estuary hasn't got a tidal bore, has it?

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Listen to yourself. You ask me a question now.

0:15:510:15:53

OK, erm... Where do you actually live?

0:15:530:15:55

Oh, terrible question, awful banter.

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All right, I'll try and answer it.

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I'm in that er, in-between place, you know,

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that halfway house twixt Heaven and Hell, oh, what's it called?

0:16:020:16:05

-Oh, Travelodge?

-Not a fucking Travelodge.

0:16:050:16:08

Not a Travelodge, Limbo. You don't use Travelodges, do you?

0:16:080:16:10

-Yeah, sometimes, yeah.

-You're joking, aren't you?

0:16:100:16:13

-You can go in a Road Chef, 29 quid!

-All right, forget I mentioned it.

0:16:130:16:15

-Don't worry about them lot seeing me.

-Yeah?

0:16:150:16:17

I can only be seen by animals, relatives,

0:16:170:16:19

and people close to death.

0:16:190:16:20

But I'm not a relative, yeah, I'm not an animal...

0:16:200:16:23

-What, are you saying I'm going to die?

-I'm afraid so.

0:16:230:16:26

Oh, no, do you know how I die?

0:16:260:16:27

All I can say is it's quick.

0:16:380:16:39

-Well, that's something, innit?

-It's not that quick.

0:16:400:16:43

Oh! Ooh, hottie! Hot, hot! Hot, hot, hottie.

0:16:440:16:49

Julie, please, we are trying to summon up a phantom

0:16:490:16:53

so we can take a photograph of it and win a chimp.

0:16:530:16:56

Just use Martin, you Silly Billy.

0:16:560:16:59

Martin, come through, meet the boys.

0:16:590:17:02

-Say cheese.

-CAMERA BEEPS

0:17:020:17:04

Oh, it's a good one.

0:17:060:17:07

What I'm going to do is I'm going to print this out and file them

0:17:090:17:13

in the miniature town hall where I keep these things,

0:17:130:17:15

-and I'm going to print out that copy of Martin for you.

-Whatever.

0:17:150:17:19

OK. Martin, look at our lovely selfie.

0:17:190:17:22

-I'm going to just print out a copy for Vic.

-Lovely.

0:17:230:17:25

-Ta-ta!

-See you.

0:17:250:17:27

Oh, God, she's got a photo.

0:17:270:17:29

Oh, yeah, that impacts on you, don't it?

0:17:290:17:31

Chimp-wise, yeah.

0:17:310:17:34

Hey, lads, look, the quantum particle detector's lit up.

0:17:340:17:36

That means that there's a spectre in the parish.

0:17:360:17:39

-Come on, daft lad, help us out.

-All right.

0:17:390:17:41

Get the probe on. Yeah.

0:17:410:17:43

What's with the snakes, like?

0:17:430:17:45

It's the armbands, what's the matter with you?

0:17:450:17:47

Right, come on.

0:17:470:17:49

Ooh, can't wait for this.

0:17:490:17:51

Yeah, you sshhh.

0:17:510:17:52

-VIC:

-Woooh!

0:17:520:17:54

Woooh!

0:17:540:17:56

Wooooh!

0:17:560:17:59

Woooh!

0:17:590:18:01

Woooh!

0:18:010:18:03

Oh, there, there, there! A ghost, look.

0:18:030:18:04

That's not a ghost, you clown, it's a hard-boiled egg.

0:18:040:18:07

But what the probe has done

0:18:090:18:10

-is located the ghost of an unborn chicken.

-Oh, yeah.

0:18:100:18:14

Yeah? So can I now confirm that no-one has a downer on the probe?

0:18:140:18:20

-No.

-Eh? Bob?

0:18:200:18:22

No, that's a nice bit of kit, Vic, well done.

0:18:220:18:24

I tell you what, Vic, I've got a feeling, I've got a good

0:18:240:18:27

feeling about this area here, it's got really cold really suddenly.

0:18:270:18:30

I think it might be worth checking here with your probe.

0:18:300:18:32

Yeah, I can do that.

0:18:320:18:33

Nice one.

0:18:330:18:34

Woooh!

0:18:340:18:36

Woooh! Woooh!

0:18:360:18:38

Woooooh!

0:18:380:18:40

You can cordon this area off... Brrr!

0:18:400:18:43

-..as a no-ghost area.

-Right.

0:18:430:18:45

That is a good unit that, Vic, whatever anyone says,

0:18:450:18:48

that's a neat probe, well done.

0:18:480:18:50

Thank you, do you hear that, lads? Right, let's carry on.

0:18:500:18:53

You see the snakes?

0:18:530:18:55

Well, they're armbands, aren't they?

0:18:550:18:57

VIC CONTINUES MAKING NOISES

0:18:580:19:01

NOISES GET LOUDER

0:19:010:19:04

It's gone berserk, it must be in here, this is the nest.

0:19:040:19:07

-Well, go on then.

-You get in there.

0:19:070:19:09

I'm not going in there, I'm Billy Elliot.

0:19:090:19:12

Get in there now.

0:19:120:19:13

Go on.

0:19:150:19:17

I'll need light.

0:19:170:19:18

Whoa!

0:19:190:19:21

Whoa, there's a ghost in there.

0:19:210:19:23

-What's it look like?

-A proper twat.

0:19:230:19:24

Get in and take a picture of it. Three, two, one...

0:19:260:19:29

-Ooh!

-Ah, it's horrible!

0:19:300:19:32

-It's evil.

-Ooh, it looks like Gary Barlow.

0:19:320:19:35

Oh, I know what that is, it's not a ghost, lads.

0:19:350:19:38

Come on - out the way.

0:19:380:19:39

-No, don't go in there, don't go in.

-Don't do it, Bob, you twat.

0:19:390:19:42

Oh, it's all right, I know exactly what it is.

0:19:420:19:44

Here, look.

0:19:440:19:45

-You see?

-I feel a proper Charlie.

0:19:470:19:49

Yeah, it's just items that have fallen in a particular manner

0:19:490:19:54

so as to resemble Gary Barlow.

0:19:540:19:56

Is he at a concert, or perhaps judging someone or something?

0:19:560:19:59

Simple as that, lads, that's all it is, it's not a ghost.

0:19:590:20:02

All right, now listen, I don't want to shift focus,

0:20:020:20:05

or undermine your quantum probe, but I actually bought one myself.

0:20:050:20:11

Ooh.

0:20:110:20:13

Didn't know this.

0:20:130:20:15

Oh-ho! Oh, Beef, look at the finish on that.

0:20:150:20:20

Wow, did you make that in the workshop?

0:20:200:20:22

-That's no concern of yours.

-Wow, what does it do, Beef?

0:20:220:20:25

-Want to see what it does?

-Yeah.

-Yeah.

0:20:250:20:27

Ooooh!

0:20:290:20:31

Ooh, did you see that, Vic?

0:20:310:20:32

Well, that's what I call a probe, Vic.

0:20:320:20:35

All right, well, I tell you what,

0:20:350:20:36

we'll forget about my probe, shall we?

0:20:360:20:38

-There.

-Oooh.

0:20:380:20:40

Can I just have a look at that?

0:20:400:20:42

Ooh.

0:20:420:20:43

Ooh.

0:20:430:20:44

Look at that.

0:20:440:20:45

-Ooh!

-How's this conflict going to resolve itself?

0:20:490:20:52

Yeah, who's going to make the next play?

0:20:520:20:54

Let's find out. Watch!

0:20:540:20:56

Whoa!

0:21:010:21:03

Poltergeist!

0:21:030:21:04

Watch out!

0:21:100:21:11

CLOCK CHIMES AND CUCKOOS

0:21:130:21:16

Wow, what just happened then?

0:21:200:21:22

In the light of what just happened then,

0:21:220:21:24

let's pull our pants up really nice and high and tight

0:21:240:21:27

and go and check out this manifestation in here.

0:21:270:21:29

-What do you think about that?

-What I think is, I'll tell you

0:21:310:21:33

what I think - can you stop trying to give yourself away, please?

0:21:330:21:36

Yeah, all right, never mind that,

0:21:360:21:38

-which one of them blokes are you going with?

-Eh? What? None of them.

0:21:380:21:41

Come on, course you are. Which one's your boyfriend?

0:21:410:21:43

Long-haired one?

0:21:430:21:44

If I had to choose one, yeah, the long-haired one I suppose.

0:21:440:21:47

-Yeah, all right. Let me go and ask him for you.

-No, please don't.

0:21:470:21:50

-And why not?

-No, you just behave, will you?

0:21:500:21:53

Martin? When am I going to die, Martin? The photo...

0:21:530:21:57

Photo!

0:21:570:21:59

Right, I'll regress one of you

0:22:030:22:04

-and see if you can find the ghost on your travels, who'll it be?

-Me.

0:22:040:22:07

What is it?

0:22:070:22:08

I'll take you back in time to a previous life.

0:22:080:22:10

Go on, get on with it.

0:22:100:22:11

-Are you ready?

-Yeah.

-Waaaaah!

0:22:110:22:14

Who are you, where are you, and what is your rank?

0:22:170:22:19

I am at the battle of Marston Moor,

0:22:190:22:22

my name is Edward Longbottom,

0:22:220:22:25

don't, I've heard them all before, I get it all the time.

0:22:250:22:28

Not as bad as my boss, General Dick Dangles, his life's a misery.

0:22:280:22:32

Anyway, the other day I'm walking through the marsh with Dick

0:22:320:22:35

and I tread in some dog dirt, and he says to me

0:22:350:22:37

"If you tread that into the tent, I shall hit the roof."

0:22:370:22:40

Shut him up, he's boring the tits off me.

0:22:400:22:43

I am Bonor, son of Bollock, husband of Tittybus,

0:22:460:22:50

guardian of the parish pub.

0:22:500:22:52

Spare me this Lord of the Rings shit, no offence, Vic.

0:22:520:22:55

-Hi, Julie.

-Hello, Bob, what a lovely surprise, isn't it though?

0:23:000:23:03

Isn't it though? Hey, look, is Martin about?

0:23:030:23:06

It's just he told me earlier that I was going to die

0:23:060:23:08

and I just wanted to see if he was telling the truth.

0:23:080:23:10

Sorry about that, mate, just bullshit.

0:23:100:23:13

Oh, well that's a relief, Julie, innit?

0:23:140:23:16

All round, that is a relief.

0:23:160:23:18

Julie, the photograph there, do you see, of Martin and yourself...

0:23:180:23:21

-Yeah.

-Could I have a look at that, please?

0:23:210:23:23

-Yeah, but first I want to ask you a little question.

-Yeah, go on.

0:23:230:23:26

Do you notice anything different about me?

0:23:260:23:28

Um, no, I don't think so.

0:23:280:23:30

Perhaps if I present you with my silhouette.

0:23:300:23:32

No, nothing, nothing at all.

0:23:340:23:36

I had my bum plumped up, you know, like the black girls do,

0:23:360:23:39

with a little shelf.

0:23:390:23:41

Oh, right, oh I see, yeah.

0:23:410:23:43

Yeah, I got it done at WH Smith at the bum department.

0:23:430:23:45

Yeah. They don't have a bum department, Julie.

0:23:450:23:48

It's actually a fully functioning shelf. Just stick something on.

0:23:480:23:51

OK, well, I tell you what, I'll dress it for you.

0:23:510:23:53

Do me up. Dress it for me.

0:23:530:23:54

-Yeah.

-Make me look pretty. What have you chosen?

0:23:540:23:57

-Not the bonsai?

-Yeah.

-You're crazy!

0:23:570:24:00

But you said you wanted it pretty.

0:24:000:24:02

-Are you ready, is it on?

-Yeah.

-Is it good to go?

0:24:030:24:06

It's good to go, go.

0:24:060:24:07

Check it out.

0:24:070:24:08

-Wow.

-Check it out.

0:24:080:24:11

It's an actual working shelf, Julie.

0:24:110:24:13

-Goodbye, handbag.

-Yeah.

0:24:130:24:15

-I'm really happy with it.

-I'm really pleased for you.

0:24:150:24:18

Look, Julie, you know that photograph?

0:24:180:24:20

Vic has asked me if I can come and fetch it for him,

0:24:200:24:23

so could I take it, please?

0:24:230:24:25

Yes, but only if you do one thing for me in return.

0:24:250:24:27

Ooh, ouch, yeah, what is it?

0:24:270:24:29

Well, what I want you to do is pull up beside me,

0:24:290:24:32

wind your window down and ask me for directions.

0:24:320:24:35

What, like so I'm driving a car, yeah?

0:24:350:24:36

-Like you're in a car.

-OK, here goes.

0:24:360:24:38

Vrrrr-oooom.

0:24:380:24:40

OK, I'm waiting for the bus.

0:24:400:24:42

Hey, excuse me now, I can see you're busy,

0:24:430:24:45

but could you give me directions to the library, please?

0:24:450:24:48

I'm so sorry, I'm not from round here.

0:24:480:24:50

Ha, ha, ha!

0:24:530:24:54

Oh, it gets them every time.

0:24:560:24:59

-Go on, take the picture.

-I can take the picture?

0:24:590:25:01

-Yeah, you can take it.

-Thanks, Julie.

0:25:010:25:03

-Thank you.

-OK, bye, Bob!

0:25:030:25:05

-See you, Julie.

-Oh, tosser.

0:25:050:25:07

Look, you've regressed him too far, you fool. Cro-Magnon man.

0:25:090:25:14

What is laminate wood flooring?

0:25:140:25:17

Ugh, woman!

0:25:180:25:20

No, no, no I'm just a tobacconist.

0:25:200:25:22

Me want woman.

0:25:220:25:24

Strike him before he gets wind of our backsides.

0:25:240:25:27

Ah, bloody hell.

0:25:300:25:33

Well? Did it work?

0:25:330:25:35

No, it didn't work.

0:25:350:25:38

No ghost...

0:25:380:25:39

-No photo.

-No chimp.

0:25:390:25:41

-All right, lads?

-Twat.

0:25:420:25:46

What's the matter with you lot?

0:25:460:25:47

What's the matter? I'll tell you what's the matter.

0:25:470:25:50

We had a dream, a dream to own a chimp at our beck and call,

0:25:500:25:54

and now that dream's in tatters.

0:25:540:25:56

And like Icarus, we tried to fly too high to kiss the moon.

0:25:560:26:01

I mean come on, lads, life goes on, you know?

0:26:010:26:04

No, life doesn't go on, life without a chimp's no life for me,

0:26:040:26:07

I wish I was dead.

0:26:070:26:08

-Me too.

-Me too.

0:26:080:26:10

All right. Hey, Vic, here, I've got something for you, there you are.

0:26:110:26:15

-Aaaaah!

-Ahhh!

0:26:170:26:18

It's a picture of a ghost, we will get that chimp.

0:26:200:26:23

Bob, you big, beautiful bastard!

0:26:240:26:28

Bob, I always thought you were a major league asshole.

0:26:290:26:32

But you're not, you're a real stand-up guy.

0:26:320:26:35

Here it is, folks, it's the letter from Ghost Hunter magazine.

0:26:420:26:46

I think you all know what this is.

0:26:460:26:48

-You ready?

-Yeah.

-Yes.

0:26:510:26:53

Thank you for entering our recent photo competition.

0:26:530:26:56

-Come on.

-So, yeah, all right!

0:26:560:26:57

We are pleased to inform you that your photograph of the ghost,

0:26:570:27:00

Martin Cooper, has won...

0:27:000:27:02

THEY CHEER Whoa! Whoa! Whoa!

0:27:020:27:03

..third prize, a day out with Andy Barker.

0:27:050:27:09

KNOCK AT DOOR

0:27:090:27:10

Come in!

0:27:100:27:12

Hi, I'm Andy Barker, and this is my bicycle,

0:27:120:27:15

and I'm going to blow your minds!

0:27:150:27:17

Who the hell are you? Sue Barker's husband?

0:27:180:27:22

No, I'm Linda Barker's brother.

0:27:220:27:24

Hang on. Yeah, I'm just going to have to use your toilet, sorry.

0:27:250:27:30

What a shit prize, why didn't we get the chimp?

0:27:300:27:33

I don't know.

0:27:330:27:34

Right, there's no easy way in saying this, is there going to be lots

0:27:340:27:37

and lots and lots of toilet paper?

0:27:370:27:40

-Just use the curtain.

-Curtain.

0:27:400:27:42

Oh, people, get him a bog roll, come on.

0:27:420:27:45

No, this is why we need a chimp.

0:27:450:27:46

Yeah. Hang on a minute, got an idea.

0:27:460:27:49

Take man toilet paper, you savage brute.

0:27:520:27:56

What is toilet paper?

0:27:560:27:58

Find me an African woman.

0:27:580:28:00

What is the...

0:28:000:28:01

HE MUMBLES

0:28:010:28:03

Yeah, and go and get me some strawberries.

0:28:030:28:06

Strawberries I know.

0:28:060:28:08

And while you're at it,

0:28:080:28:09

I've got a Barnaby Rudge that needs buffing, you monstrosity.

0:28:090:28:12

Oooh!

0:28:120:28:14

# Didn't we have a lovely day

0:28:150:28:17

# The day we created an ape slave

0:28:170:28:20

# So what happens next?

0:28:200:28:21

# We get on our knees

0:28:210:28:23

# And worship this full fat Turkish cheese... #

0:28:230:28:25

Ooh!

0:28:250:28:26

THEY HUM

0:28:300:28:33

Thank you.

0:28:390:28:41

APPLAUSE

0:28:420:28:45

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