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This programme contains some strong language | 0:00:02 | 0:00:05 | |
'What's so great about him?' | 0:00:05 | 0:00:07 | |
Well, he's smart and reliable. | 0:00:07 | 0:00:10 | |
You sound like you're describing a car. | 0:00:10 | 0:00:12 | |
You know he likes you. | 0:00:12 | 0:00:14 | |
Finds you...fascinating. | 0:00:14 | 0:00:17 | |
SHE YELPS AND LAUGHS | 0:00:17 | 0:00:19 | |
I've really, really loved hanging out with you for the last few days. | 0:00:22 | 0:00:27 | |
Yeah, me too. | 0:00:27 | 0:00:29 | |
You're going to propose to her? | 0:00:29 | 0:00:31 | |
Yes, I'm going to pop the question at my birthday party. | 0:00:31 | 0:00:34 | |
-Why don't you go and tell her? -It's fancy dress. I don't have a costume. | 0:00:34 | 0:00:38 | |
Sorry, who are you meant to be? | 0:00:38 | 0:00:39 | |
We're Riggs and Murtaugh, you know, from Lethal Weapon. | 0:00:39 | 0:00:42 | |
What if she doesn't feel the same? It'll be awkward living with her. | 0:00:42 | 0:00:45 | |
-Well, it doesn't matter. If she says yes to him, she won't be living here. -What is it? | 0:00:45 | 0:00:50 | |
Brian's about to propose to you. | 0:00:50 | 0:00:53 | |
Don! | 0:00:53 | 0:00:55 | |
So, come on, did he propose? | 0:01:18 | 0:01:20 | |
-Yes. He did. -And what did you say? | 0:01:20 | 0:01:23 | |
I said I'd think about it. | 0:01:23 | 0:01:25 | |
-So, "no" then. -Not necessarily. | 0:01:25 | 0:01:27 | |
Well, "think about it" hardly suggests "yes", does it? | 0:01:27 | 0:01:30 | |
No, it suggests I'll think about it. | 0:01:30 | 0:01:32 | |
It must be killing him. | 0:01:32 | 0:01:34 | |
I bet he never thought he'd find someone like you at his age. | 0:01:34 | 0:01:37 | |
-Oh, Don, that joke is getting old! -It's not the only thing getting old. | 0:01:37 | 0:01:40 | |
Oh, you are so annoying. | 0:01:40 | 0:01:42 | |
No wonder your only friend is Rain Man over there. | 0:01:42 | 0:01:45 | |
Oi, cheekbones, that's not very nice. | 0:01:45 | 0:01:49 | |
He's not my ONLY friend. | 0:01:49 | 0:01:51 | |
Anyway, Eddie might be a bit half price, but he's nothing like Rain Man. | 0:01:51 | 0:01:55 | |
-AMERICAN ACCENT: -I'm an excellent driver. Excellent driver. | 0:01:55 | 0:01:58 | |
Look, I'm just saying, either you love Brian, or you don't. | 0:02:01 | 0:02:04 | |
I just want to make sure that we'd be doing it for the right reasons. | 0:02:04 | 0:02:07 | |
We've only been together for a few months. | 0:02:07 | 0:02:09 | |
Yeah, but at his age, time goes all skewiff. | 0:02:09 | 0:02:12 | |
It's like that dog years thing. When you're older, a year can seem like a week. | 0:02:12 | 0:02:16 | |
Or is it the other way around? | 0:02:16 | 0:02:18 | |
-You know, you're not so young yourself. -Yeah, but I'm not OLD. | 0:02:18 | 0:02:21 | |
No, it's just your receding hairline that makes you look it. | 0:02:21 | 0:02:25 | |
How could you be so evil and hurtful and spiteful? | 0:02:25 | 0:02:28 | |
SHE CHUCKLES | 0:02:28 | 0:02:31 | |
-AMERICAN ACCENT: -Of course, I get my underwear from K-Mart. From K-Mart. | 0:02:31 | 0:02:36 | |
-What are you freaks up to? -Just having a little line run ahead of tonight. | 0:02:36 | 0:02:40 | |
'Eddie belongs to the local theatre club. | 0:02:40 | 0:02:42 | |
'He's been in several productions since he joined.' | 0:02:42 | 0:02:45 | |
You can say it backwards, you know! | 0:02:47 | 0:02:49 | |
Which is docious-ali- expi-listic-fragi-cali-repus. | 0:02:49 | 0:02:53 | |
I need your clothes, your boots and your motorcycle. | 0:02:53 | 0:02:56 | |
There's just one more thing. My wife loves ya! | 0:02:56 | 0:03:00 | |
Why would I kill the man in the same way I wrote about it in my book? | 0:03:00 | 0:03:03 | |
Nick? | 0:03:03 | 0:03:04 | |
We're doing Rain Man this week. I'm playing the Dustin Hoffman part. | 0:03:06 | 0:03:11 | |
Oh, I love it when I get cast against type. | 0:03:11 | 0:03:13 | |
SHE SNEERS | 0:03:13 | 0:03:14 | |
You are coming tonight, aren't you, Don? | 0:03:14 | 0:03:17 | |
To the theatre? I'd rather stay at home and staple-gun my dick to my balls. | 0:03:17 | 0:03:20 | |
Oh. | 0:03:20 | 0:03:22 | |
But hey, look. We don't have a stapler, | 0:03:22 | 0:03:25 | |
so of course I'll be there. | 0:03:25 | 0:03:27 | |
I've got a stapler I'd be happy to lend you. | 0:03:27 | 0:03:30 | |
Shush your mouth, Gollum. | 0:03:30 | 0:03:33 | |
'And so that night we all went to see Eddie in his silly little play.' | 0:03:33 | 0:03:38 | |
Amtrak train number 36, the Desert Wind, eastbound, now boarding, track number three. | 0:03:38 | 0:03:44 | |
-Very shiny train. -It sure is. | 0:03:44 | 0:03:47 | |
Now, listen, I'm comin' to see you in two weeks. How many days is that? | 0:03:47 | 0:03:51 | |
Fourteen days from today. Today's Wednesday. | 0:03:51 | 0:03:53 | |
Course, that's 336 hours. | 0:03:53 | 0:03:56 | |
20,160 minutes. 1,209,600 seconds. | 0:03:56 | 0:04:01 | |
Ray, I'll see you soon. | 0:04:01 | 0:04:03 | |
-Yeah. Bet one for bad, two for good. -Bet two for good. | 0:04:03 | 0:04:08 | |
-Three minutes to Wapner. -You'll make it. | 0:04:08 | 0:04:10 | |
TRAIN WHISTLES | 0:04:14 | 0:04:17 | |
CHEERING AND APPLAUSE | 0:04:19 | 0:04:21 | |
I will not wear that thong, Louis Walsh! | 0:04:21 | 0:04:24 | |
-Outstanding. Puts Hoffman to shame. -Talent like that is so attractive. | 0:04:31 | 0:04:35 | |
I'd really like to fuck him. | 0:04:35 | 0:04:36 | |
Strange. Does somebody need their laundry doing? | 0:04:42 | 0:04:47 | |
You were really enjoying yourself up there. | 0:04:50 | 0:04:52 | |
You should be so proud of yourself, Eddie. You were brilliant. | 0:04:52 | 0:04:55 | |
You all enjoyed it? You didn't think it was amateurish? | 0:04:55 | 0:04:58 | |
-Eddie, it made me cry. -Yeah, all right, Bri. It weren't that bad. | 0:04:58 | 0:05:01 | |
Because I was so moved. It was a wonderful piece of drama. | 0:05:01 | 0:05:04 | |
Yeah, and the women in the audience adored you. | 0:05:04 | 0:05:06 | |
You reminded me of a young Justin Hoffman. | 0:05:06 | 0:05:09 | |
I think you mean Dustin Hoffman. | 0:05:09 | 0:05:11 | |
No. Justin Hoffman! | 0:05:11 | 0:05:13 | |
He's the town drunk who shouts at pigeons outside Tesco's. You're right, he does a bit. | 0:05:13 | 0:05:18 | |
I'm not sure how to take that, Dot. | 0:05:18 | 0:05:20 | |
The poor man's an actual retard. | 0:05:20 | 0:05:23 | |
OK. Night, everyone. | 0:05:23 | 0:05:25 | |
Oh, and well done... Justin Hoffman. | 0:05:25 | 0:05:28 | |
Right, better quickly get all this washing on. | 0:05:29 | 0:05:32 | |
Eddie, this local theatre club of yours? | 0:05:33 | 0:05:38 | |
-Uh-huh? -Can anyone join? | 0:05:38 | 0:05:40 | |
Abso-lulu. Anyone from the local community, that is. | 0:05:40 | 0:05:44 | |
When do rehearsals start for the next show? | 0:05:44 | 0:05:46 | |
Next week. There's a rumour we're doing Cocktail - The Musical. | 0:05:46 | 0:05:49 | |
Rain Man? Cocktail? What, is it some sort of Tom Cruise season? | 0:05:49 | 0:05:53 | |
Exactly. Some sort of Tom Cruise season. | 0:05:53 | 0:05:56 | |
I wonder if they'll do Eyes Wide Shut? | 0:05:58 | 0:06:00 | |
Oh, no, no, no, no. We tried that a few months ago. | 0:06:00 | 0:06:03 | |
Didn't go down at all well. | 0:06:03 | 0:06:05 | |
AUDIENCE: That's the most disgusting thing I've ever seen! | 0:06:06 | 0:06:10 | |
This is an outrage! | 0:06:10 | 0:06:11 | |
SEXUAL MOANING | 0:06:11 | 0:06:13 | |
BOOING | 0:06:13 | 0:06:15 | |
Right, I want to join. What do you reckon? | 0:06:17 | 0:06:20 | |
But you hate the theatre. | 0:06:20 | 0:06:21 | |
You said you'd rather staple-gun your penis to its balls. | 0:06:21 | 0:06:24 | |
Look, Eddie, theatre's like male masturbation. | 0:06:24 | 0:06:27 | |
Fun to do, hideous to watch. | 0:06:27 | 0:06:29 | |
I saw all that attention you were getting back there. | 0:06:30 | 0:06:32 | |
There's something about men expressing their gayness on stage | 0:06:32 | 0:06:35 | |
that gives women a fizzy vagenie. I don't know why. | 0:06:35 | 0:06:38 | |
But can you act? | 0:06:38 | 0:06:39 | |
Since when did acting have anything to do with it? | 0:06:39 | 0:06:41 | |
It's about star quality, Eddie. | 0:06:41 | 0:06:43 | |
Not acting. Just take a look at some of the greatest screen legends of the last 30 years. | 0:06:43 | 0:06:48 | |
Arnold Schwarzenegger, Dolph Lundgren, that French Mastiff from Turner and Hooch. | 0:06:48 | 0:06:53 | |
All terrible actors, yet utterly mesmerising. | 0:06:53 | 0:06:57 | |
Man, that dog was good! | 0:06:57 | 0:07:00 | |
OK, Don. You can come along. | 0:07:00 | 0:07:02 | |
But please, no horseplay. | 0:07:02 | 0:07:04 | |
-Sorry, horseplay? -Yes, horseplay. | 0:07:04 | 0:07:08 | |
-You're actually genuinely using the phrase horseplay? -Yeah. | 0:07:08 | 0:07:12 | |
Jesus, Eddie. Sometimes I think you're from the turn of the century. | 0:07:12 | 0:07:15 | |
-What, the year 2000? -No, no. The one before that. | 0:07:15 | 0:07:19 | |
'I was very excited about becoming an actor. | 0:07:21 | 0:07:24 | |
'And I needed something to take my mind off the whole Brian and Sam situation.' | 0:07:24 | 0:07:28 | |
A special round of applause to Eddie and Randy for their extraordinary performances in Rain Man. | 0:07:28 | 0:07:33 | |
APPLAUSE | 0:07:33 | 0:07:35 | |
Oh, thank you. Thank you. | 0:07:35 | 0:07:37 | |
Really, there's no need for applause. | 0:07:37 | 0:07:39 | |
I'm just like you guys. | 0:07:39 | 0:07:41 | |
Well...a bit like you. | 0:07:43 | 0:07:46 | |
Rain Man was a triumph, but now on to our next production, my sweet little puppets! | 0:07:47 | 0:07:51 | |
Now, I have been thinking long and hard, and I've decided that our next production will be... | 0:07:51 | 0:07:57 | |
Wait for it... | 0:07:57 | 0:07:59 | |
Top Gun - The Musical! | 0:08:01 | 0:08:04 | |
Er, excuse me. Excuse me. Over here. | 0:08:06 | 0:08:10 | |
Don't you think we ought to wait for the director to arrive before you start deciding what's what? | 0:08:10 | 0:08:15 | |
Oh, right. Good idea. Yes. | 0:08:15 | 0:08:18 | |
Top Gun it is, then. | 0:08:18 | 0:08:19 | |
Don. That is the director. | 0:08:19 | 0:08:22 | |
Now, I sense a few newcomers... | 0:08:22 | 0:08:25 | |
Whoa, whoa. Sorry, sorry, guys, sorry. | 0:08:25 | 0:08:29 | |
Has no-one else noticed that he's...? | 0:08:29 | 0:08:33 | |
Well, you know he's, er... | 0:08:33 | 0:08:35 | |
-I'm not sure I see what you're saying. -Exactly my point. No? | 0:08:35 | 0:08:40 | |
Oh, never mind. Jesus! | 0:08:40 | 0:08:42 | |
Before we start divvying up the roles, | 0:08:42 | 0:08:44 | |
why don't we just loosen up and start with some exercises, OK? | 0:08:44 | 0:08:47 | |
So, on your feet, come on, come on. | 0:08:47 | 0:08:49 | |
Excuse me, er... Don Danbury. I'm new. | 0:08:52 | 0:08:55 | |
Ah, always a pleasure to have a newbie in the troupe. | 0:08:55 | 0:08:57 | |
A fresh puppet to place my proverbial hand inside. | 0:08:57 | 0:09:00 | |
I hope proverbial means you won't actually put your hand inside me? | 0:09:00 | 0:09:03 | |
Ha, ha, how funny. I'm Simon Simon Smith. | 0:09:03 | 0:09:05 | |
Nice to meet you. | 0:09:05 | 0:09:07 | |
-Hang on, Simon SIMON Smith? -Correct. | 0:09:07 | 0:09:10 | |
What, your first name's Simon and your middle name's Simon? | 0:09:10 | 0:09:13 | |
Yes. My mother had a stutter. What can I do for you, poppet? | 0:09:13 | 0:09:15 | |
Are you sure Top Gun's the right way forward here? | 0:09:15 | 0:09:18 | |
-What would you suggest? -I dunno. One Flew Over The Cuckoo's Nest? | 0:09:18 | 0:09:21 | |
Been there. It was a travesty! | 0:09:21 | 0:09:23 | |
I told them we should never have done it on ice! | 0:09:23 | 0:09:26 | |
I mean, how was the character in the wheelchair meant to know how to ice skate, huh? Answer me, Donald! | 0:09:26 | 0:09:31 | |
I don't know. | 0:09:31 | 0:09:32 | |
Theatre games! | 0:09:32 | 0:09:33 | |
'Was I being stupid? I mean, how does a blind man direct a musical?' | 0:09:33 | 0:09:37 | |
I get what you're saying. About him. | 0:09:37 | 0:09:39 | |
It's weird, innit? No-one else seems to have a problem with it. | 0:09:39 | 0:09:42 | |
Oh, I've got a problem with it, all right. | 0:09:42 | 0:09:44 | |
I wish his type would just go back home. | 0:09:44 | 0:09:48 | |
Where do blind people come from? Oh... | 0:09:48 | 0:09:52 | |
See you in a minute. | 0:09:53 | 0:09:56 | |
Time to reveal who will be playing whom. | 0:10:00 | 0:10:03 | |
Please be Maverick, please be Maverick. | 0:10:04 | 0:10:07 | |
Yes! I'm Tom Cruise. | 0:10:10 | 0:10:12 | |
I'm Tom mother-loving Cruise. | 0:10:12 | 0:10:15 | |
Oh, right. I'm Goose. | 0:10:15 | 0:10:17 | |
I feel the need. | 0:10:17 | 0:10:19 | |
-BOTH: -The need for speed! | 0:10:19 | 0:10:22 | |
I wonder who's playing Charlie? The Kelly McGillis role. She's really fit. | 0:10:24 | 0:10:28 | |
As in sexy, not healthy. | 0:10:28 | 0:10:31 | |
I'm just saying she looks nothing like Kelly McGillis. | 0:10:36 | 0:10:39 | |
This is community theatre, Donald. | 0:10:39 | 0:10:40 | |
What if the community don't buy me and her as a couple? | 0:10:40 | 0:10:43 | |
Fuck the community, then! Fuck them all. This is my production. | 0:10:43 | 0:10:46 | |
Too many times has the community interfered with my work. | 0:10:46 | 0:10:49 | |
I should never have done Cuckoo's Nest on ice. A boy died that night! | 0:10:49 | 0:10:52 | |
All right. I'm sure it weren't your fault. | 0:10:52 | 0:10:54 | |
I was the one who skated across his jugular. | 0:10:54 | 0:10:57 | |
-You were in the show? -Yes. I'm in all my productions. | 0:10:57 | 0:11:01 | |
Holy batty sleeves. | 0:11:01 | 0:11:03 | |
Actually, this tete-a-tete is quite useful. | 0:11:03 | 0:11:06 | |
I'm playing Iceman, you see? | 0:11:06 | 0:11:08 | |
Let's use this tension. | 0:11:08 | 0:11:10 | |
Let's use it! | 0:11:10 | 0:11:12 | |
My God, Don, you look just like Cruise. | 0:11:16 | 0:11:18 | |
Well, thank you very much. | 0:11:18 | 0:11:20 | |
-I want to kiss you on the mouth. -What? | 0:11:20 | 0:11:22 | |
On with rehearsals, my rancid little puppets! | 0:11:22 | 0:11:25 | |
# Watching in slow motion as you turn around and say | 0:11:28 | 0:11:34 | |
# Take my breath away... # | 0:11:35 | 0:11:40 | |
Wonderful. Exquisite. And now Margaret. | 0:11:40 | 0:11:44 | |
# Take my breath away... # | 0:11:44 | 0:11:47 | |
Good. Now Maverick moves in towards her. Come on, Don. | 0:11:47 | 0:11:52 | |
In for the kiss. In for the kiss, Don! In for the kiss! | 0:11:52 | 0:11:56 | |
-All right! -Kiss her. -I'm going to! | 0:11:56 | 0:11:59 | |
Kiss her, please. Kiss! | 0:11:59 | 0:12:01 | |
Kiss her. | 0:12:01 | 0:12:03 | |
And... | 0:12:03 | 0:12:04 | |
And cut. | 0:12:08 | 0:12:09 | |
THUD | 0:12:09 | 0:12:11 | |
Tea break? | 0:12:11 | 0:12:12 | |
I can't feel my arms. | 0:12:12 | 0:12:13 | |
Because, Goose, you're the only goddamn family I've got. | 0:12:19 | 0:12:22 | |
Goddamn family. | 0:12:22 | 0:12:24 | |
SHE SMIRKS | 0:12:24 | 0:12:26 | |
Oh, look, Noel Coward's back from the dead. | 0:12:26 | 0:12:29 | |
Ha-ha-ha. Funny. Not sure who that is exactly, but it's funny. | 0:12:29 | 0:12:33 | |
Right, finished with the jokes? Good. | 0:12:33 | 0:12:35 | |
Check this shit out. | 0:12:35 | 0:12:36 | |
I have just landed myself the lead role in the theatre club's latest production. | 0:12:36 | 0:12:41 | |
Congratulations, Don. | 0:12:41 | 0:12:43 | |
Thought it was time I got myself involved in some challenging theatre. | 0:12:43 | 0:12:47 | |
Top Gun - The Musical. It's hardly Chekhov, is it? | 0:12:47 | 0:12:50 | |
Oh, ha-ha-ha. | 0:12:50 | 0:12:52 | |
You are so naive, Samantha. | 0:12:52 | 0:12:54 | |
Top Gun's all about the subtext. | 0:12:54 | 0:12:56 | |
-Some of it's very Chekhovian. -Do you even know who Chekhov is? | 0:12:56 | 0:13:00 | |
Not a clue. Was he the bad guy in Beverly Hills Cop? | 0:13:00 | 0:13:03 | |
-No. -Who am I thinking of, then? | 0:13:03 | 0:13:05 | |
-Berkoff. -You berk off! | 0:13:05 | 0:13:07 | |
Anyway, I'm looking forward to seeing it, it'll be good for a laugh. | 0:13:07 | 0:13:11 | |
Top Gun's not a comedy, Samantha. | 0:13:11 | 0:13:14 | |
-Do you want tea? -Yes. | 0:13:14 | 0:13:15 | |
I'll just have a hot water and lemon. | 0:13:15 | 0:13:17 | |
Better keep an eye on this little fella, being on stage and whatnot. | 0:13:17 | 0:13:22 | |
There's some jammy doughnuts in the cupboard, bring them in. Good girl. | 0:13:22 | 0:13:27 | |
Psst. Don. Over here. | 0:13:30 | 0:13:32 | |
Can we have a quick mano-a-mano? | 0:13:37 | 0:13:40 | |
I hope that's not slang for sex. | 0:13:40 | 0:13:42 | |
No, no. It means a one-to-one. | 0:13:42 | 0:13:44 | |
Still sounds like sex. | 0:13:44 | 0:13:45 | |
I need some advice about Samantha. | 0:13:45 | 0:13:47 | |
You want advice? From me? | 0:13:47 | 0:13:50 | |
-All her other friends are students at the university where I teach. You're the only one left. -Right. | 0:13:50 | 0:13:55 | |
-Am I being a dick? -I don't know. But I'm desperate to say yes. -Waiting for Sam like this. | 0:13:55 | 0:14:00 | |
-Give her a chance to let the kettle boil! -No, no. I'm talking about my proposal. | 0:14:00 | 0:14:04 | |
-Ah, yeah. -It's been almost two weeks since I asked her. | 0:14:04 | 0:14:07 | |
When I push for an answer, she says she needs more time. How much does she need? | 0:14:07 | 0:14:11 | |
-Either she loves me or she doesn't. -Well, that's what I said. | 0:14:11 | 0:14:14 | |
-What does it look like to other people? -Like you've landed on your feet. | 0:14:14 | 0:14:17 | |
Well, look she's funny, smart, good-looking, intelligent, genuine, fit. | 0:14:17 | 0:14:23 | |
Oh, man, I would love to have sex with her. | 0:14:23 | 0:14:26 | |
Is what people probably think. | 0:14:26 | 0:14:29 | |
Which is good. It's a compliment. | 0:14:29 | 0:14:31 | |
So I shouldn't just walk away? | 0:14:31 | 0:14:34 | |
Because, well, I've been thinking about it. | 0:14:34 | 0:14:36 | |
Honestly, Bri? You wait as long as it takes. | 0:14:40 | 0:14:43 | |
Because if you walked away you'd be a making a terrible mistake. | 0:14:43 | 0:14:47 | |
And believe me, I know a lot about terrible mistakes. | 0:14:47 | 0:14:51 | |
Thanks, Don. You're a really good guy, you know? | 0:14:51 | 0:14:55 | |
-Well... -I don't care what other people say. | 0:14:55 | 0:14:58 | |
What do you mean, "what other people say?" | 0:15:00 | 0:15:02 | |
OK, listen up, puppets. I have some terrible, terrible news. | 0:15:02 | 0:15:07 | |
Margaret is in hospital. | 0:15:07 | 0:15:10 | |
Apparently she'd been having trouble feeling anything in her arms all day, | 0:15:11 | 0:15:15 | |
and last night lost control of her car and drove into a shop. Splat. | 0:15:15 | 0:15:20 | |
And so there is a strong possibility she will not be able to perform tomorrow. | 0:15:20 | 0:15:24 | |
Yes! Yes! Whoo! Whoo! Whoo! Yes! | 0:15:24 | 0:15:29 | |
I mean, oh, poor Margaret. I hope she's all right. | 0:15:34 | 0:15:38 | |
Which means that we need to find ourselves a new starlet, otherwise this production shuts down. | 0:15:38 | 0:15:43 | |
-Either that or we go the Shakespeare route and I'll play the love interest. -What?! No, no. | 0:15:43 | 0:15:49 | |
You're playing Iceman. | 0:15:49 | 0:15:51 | |
-Are you questioning my ability to dupliact? -No? -Good. | 0:15:51 | 0:15:55 | |
Then find me my local ingenue or fetch me my frock. You decide! | 0:15:55 | 0:15:58 | |
Please choose the frock. | 0:15:58 | 0:16:00 | |
We need to find a new leading lady quick sharp. | 0:16:01 | 0:16:06 | |
-What are you going to have? -I'm not sure. | 0:16:09 | 0:16:12 | |
-Say "ah." -Ah. | 0:16:15 | 0:16:17 | |
SHE MOANS | 0:16:20 | 0:16:22 | |
What's up with you? Someone stolen your corset? | 0:16:39 | 0:16:42 | |
SHE SMIRKS | 0:16:42 | 0:16:44 | |
They'd bloody better not have. | 0:16:44 | 0:16:47 | |
We've got a problem with the show. | 0:16:47 | 0:16:49 | |
Is the problem called Top Gun - The Musical? | 0:16:49 | 0:16:53 | |
Do you mind? Jesus, I never give YOU grief. | 0:16:53 | 0:16:57 | |
The lead actress has pulled out. | 0:16:57 | 0:17:00 | |
-Why? -Well, she's in a coma. | 0:17:00 | 0:17:03 | |
Right, well, she hasn't exactly dropped out, then, has she? | 0:17:03 | 0:17:06 | |
Well, she's hardly going ahead with it, is she? | 0:17:06 | 0:17:09 | |
I'm having trouble finding a replacement. | 0:17:09 | 0:17:12 | |
Needs to be a girl, obviously. | 0:17:12 | 0:17:15 | |
Someone from the local area. | 0:17:15 | 0:17:17 | |
-Preferably someone sexy. -I'll do it. | 0:17:17 | 0:17:19 | |
Resist, resist, resist. I can't. | 0:17:19 | 0:17:22 | |
I said, "someone sexy". | 0:17:22 | 0:17:24 | |
She needs to be confident enough to get up on stage. | 0:17:27 | 0:17:30 | |
It would help if she was blonde. | 0:17:34 | 0:17:37 | |
Mid 20s-ish. | 0:17:37 | 0:17:39 | |
Maybe if her name was like Anne, or Pam, | 0:17:39 | 0:17:42 | |
which is short for Pamantha, I believe. | 0:17:42 | 0:17:44 | |
Do you know anyone who fits that description? | 0:17:44 | 0:17:47 | |
-Nope. -Oh, go on. You'd be perfect. | 0:17:47 | 0:17:49 | |
Not as good as I'd be. | 0:17:49 | 0:17:51 | |
Shush, Gollum, adults are talking. | 0:17:51 | 0:17:53 | |
I don't even know if I can act, Don. | 0:17:53 | 0:17:55 | |
You'll be in perfect company. Nobody in the show can act. | 0:17:55 | 0:17:58 | |
Oh, go on. I don't want to do kissing scenes with Simon Simon. | 0:18:00 | 0:18:02 | |
-Wait, there are kissing scenes? -No, no. | 0:18:02 | 0:18:06 | |
-I'll think about it, OK? -OK, yeah. OK. | 0:18:08 | 0:18:11 | |
So, what do you reckon? Are you in? | 0:18:15 | 0:18:17 | |
Thanks for doing this, by the way. You have totally saved the show. | 0:18:25 | 0:18:29 | |
Sorry, are you running lines? | 0:18:31 | 0:18:33 | |
I think I'm going to say yes. | 0:18:33 | 0:18:35 | |
Really? In which scene? | 0:18:35 | 0:18:37 | |
-No, to Brian. -Oh. | 0:18:37 | 0:18:41 | |
Why? | 0:18:41 | 0:18:44 | |
Because I do love him, Don. | 0:18:44 | 0:18:46 | |
Yeah, but are you IN love with him? | 0:18:46 | 0:18:49 | |
I just want to be with somebody who's not going to let me down. | 0:18:49 | 0:18:52 | |
Right. Someone like me, you mean? | 0:18:52 | 0:18:54 | |
No, that's not what I mean. | 0:18:54 | 0:18:57 | |
OK. Two minutes, puppets! | 0:18:57 | 0:18:59 | |
Samantha, you're confident that you remember everything, yes? | 0:18:59 | 0:19:02 | |
-Yes, I think so. -Think? Think? I need you to know, my dear! | 0:19:02 | 0:19:06 | |
OK, I know. | 0:19:06 | 0:19:08 | |
And Donald, you remember what I said earlier? | 0:19:09 | 0:19:12 | |
Look, I told you before, I don't want you to give me a pre-show blowie. | 0:19:12 | 0:19:16 | |
-No, not that. Earlier, before that? -Oh, right. Er? -Come on, puppet. | 0:19:16 | 0:19:20 | |
The secret to great acting? | 0:19:20 | 0:19:22 | |
The golden code to a truly mesmerising performance? | 0:19:22 | 0:19:25 | |
Oh, yeah, yeah. Say the words from the script. | 0:19:25 | 0:19:27 | |
Correct. Now fly, my puppet! | 0:19:27 | 0:19:29 | |
Take to the stage! You've got it. | 0:19:29 | 0:19:31 | |
You're sure I can't give you a quick pre-show blowie? | 0:19:31 | 0:19:34 | |
You are a hell of a pilot, Maverick. | 0:19:51 | 0:19:54 | |
So I am going to write a dream ticket. | 0:19:54 | 0:19:57 | |
You two jokers are going to Top Gun. | 0:19:58 | 0:20:01 | |
-# We're flying to... -Top Gun! | 0:20:05 | 0:20:08 | |
-# We're flying to... -Top Gun! | 0:20:08 | 0:20:11 | |
-# We're flying to... -Top Gun! | 0:20:11 | 0:20:14 | |
-# We're flying to... -Top Gun! | 0:20:14 | 0:20:17 | |
-# We're flying to... -Top Gun! | 0:20:17 | 0:20:18 | |
# Top Gun! Top Gun! Top Gun! Top Gun! | 0:20:18 | 0:20:22 | |
# My name is Maverick | 0:20:23 | 0:20:25 | |
# And I'm a maverick pilot | 0:20:25 | 0:20:27 | |
# Pilot! | 0:20:27 | 0:20:29 | |
# My name is Goose, and I'm a... | 0:20:29 | 0:20:31 | |
# Goosey pilot | 0:20:31 | 0:20:34 | |
# My daddy was a fighter pilot too | 0:20:36 | 0:20:38 | |
# But I never met him because he died when I was small | 0:20:38 | 0:20:41 | |
# And I'm living in his shadow | 0:20:41 | 0:20:46 | |
# Shadow | 0:20:46 | 0:20:48 | |
# I'm living in my dead daddy's shadow | 0:20:48 | 0:20:50 | |
# He's living in his dead daddy's shadow | 0:20:50 | 0:20:54 | |
# Shh-shh-shh-shadow. # | 0:20:54 | 0:20:58 | |
APPLAUSE | 0:21:10 | 0:21:14 | |
I'm a guy. And you're a guy. | 0:21:15 | 0:21:18 | |
And there's tension between us. Can you feel it? | 0:21:18 | 0:21:21 | |
# We're guys Guys in the showers | 0:21:21 | 0:21:24 | |
# We're guys Competing with each other | 0:21:24 | 0:21:26 | |
# We're guys | 0:21:26 | 0:21:27 | |
# Not gays | 0:21:27 | 0:21:29 | |
# But guys | 0:21:29 | 0:21:30 | |
# We're very manly and definitely not homosexual | 0:21:32 | 0:21:37 | |
# Well, maybe just a tiny little bit homoerotic, oh! | 0:21:37 | 0:21:42 | |
# We're just guys who really love to shower with other guys | 0:21:42 | 0:21:48 | |
# Guys G-U-Y-S | 0:21:48 | 0:21:50 | |
# Guys Guys | 0:21:50 | 0:21:52 | |
# G-U-Y-S Guys. # | 0:21:52 | 0:21:55 | |
APPLAUSE | 0:21:55 | 0:21:57 | |
BANG | 0:22:07 | 0:22:08 | |
No, Goose! Don't leave me, Goose! | 0:22:19 | 0:22:23 | |
No! | 0:22:23 | 0:22:25 | |
# We're changing the set now We're changing the set | 0:22:28 | 0:22:31 | |
# We're changing the set now We're changing the set | 0:22:31 | 0:22:34 | |
# What are you doing? We just told you | 0:22:34 | 0:22:36 | |
# We're changing, we're changing, we're changing... # | 0:22:36 | 0:22:39 | |
-That was amazing! -Really? I wasn't too over the top? | 0:22:39 | 0:22:42 | |
No. It was amazing. | 0:22:42 | 0:22:43 | |
Quick, it's the big scene! | 0:22:43 | 0:22:45 | |
APPLAUSE | 0:22:48 | 0:22:50 | |
PIANIST PLAYS "TAKE MY BREATH AWAY" | 0:22:50 | 0:22:54 | |
# Watching every motion in my foolish lover's game | 0:22:59 | 0:23:05 | |
# On this endless ocean finally lovers know no shame | 0:23:08 | 0:23:14 | |
# Turning and returning to some secret place inside | 0:23:18 | 0:23:24 | |
# Watching in slow motion as you turn around and say... | 0:23:28 | 0:23:33 | |
# Take my breath away | 0:23:36 | 0:23:40 | |
# Hey, hey | 0:23:40 | 0:23:44 | |
# Take my breath away | 0:23:46 | 0:23:49 | |
# Hey, hey... # | 0:23:49 | 0:23:54 | |
What's going on? | 0:24:24 | 0:24:25 | |
-They're still kissing. -Oh. | 0:24:25 | 0:24:27 | |
HE PLAYS FINAL CHORD QUICKLY | 0:24:31 | 0:24:33 | |
APPLAUSE | 0:24:33 | 0:24:35 | |
# Fly, fly, fly, fly | 0:24:40 | 0:24:44 | |
# You can fly, fly, fly, fly | 0:24:44 | 0:24:49 | |
# You can fly with me any time | 0:24:49 | 0:24:51 | |
# In time | 0:24:51 | 0:24:53 | |
# Time | 0:24:53 | 0:24:55 | |
# You can fly with me any time | 0:24:55 | 0:24:57 | |
# Time | 0:24:57 | 0:24:59 | |
# Time | 0:24:59 | 0:25:00 | |
# You can fly with me any time | 0:25:00 | 0:25:03 | |
# Any time | 0:25:03 | 0:25:04 | |
# Any time you like! # | 0:25:04 | 0:25:06 | |
CHEERING AND APPLAUSE | 0:25:06 | 0:25:08 | |
BOTTLE SMASHES | 0:25:16 | 0:25:18 | |
I don't get it. I played Tom Cruise, and yet he still gets all the attention. | 0:25:23 | 0:25:27 | |
He had the death scene. You can't top that. Death scenes. | 0:25:27 | 0:25:30 | |
Simpletons. Blacking up. He's an awards magnet. | 0:25:30 | 0:25:33 | |
-Can I have a word? -Yeah, of course. | 0:25:33 | 0:25:36 | |
I always thought you'd be shit on stage. | 0:25:38 | 0:25:41 | |
Great. Thanks, Gollum. | 0:25:41 | 0:25:43 | |
But you were quite good, actually. | 0:25:43 | 0:25:45 | |
Oh. Thanks, Dot. | 0:25:45 | 0:25:48 | |
-I can't believe how much fun that was. -You were amazing. | 0:25:48 | 0:25:51 | |
-Oh, thank you. -You always are. | 0:25:51 | 0:25:53 | |
Look, I was going to wait until we got back, but I want to tell you something. | 0:25:53 | 0:25:58 | |
Me too. | 0:25:58 | 0:25:59 | |
OK, well, you first. | 0:25:59 | 0:26:01 | |
Ah. How do I say this? | 0:26:01 | 0:26:04 | |
I saw you up there with Don. You were really convincing. | 0:26:05 | 0:26:08 | |
-Yeah, but we were just acting, you know that, right? -Were you? | 0:26:08 | 0:26:11 | |
Yes. | 0:26:11 | 0:26:14 | |
Even if that kiss was just acting, | 0:26:14 | 0:26:16 | |
even if you considered him to be just another actor, and not Don. | 0:26:16 | 0:26:22 | |
Well, you still had more chemistry with that person than you do with me. | 0:26:22 | 0:26:26 | |
I watched the way you both kissed and thought, | 0:26:26 | 0:26:28 | |
"She has never, ever kissed me like that." | 0:26:28 | 0:26:33 | |
Don't be sad. | 0:26:38 | 0:26:40 | |
Better we found this out now, hey? | 0:26:40 | 0:26:43 | |
I'll leave you all to celebrate. | 0:26:44 | 0:26:48 | |
More washing. How exciting! | 0:26:54 | 0:26:57 | |
Puppets! I'd like you to meet my beloved wife. | 0:26:57 | 0:27:00 | |
-Er, sorry. Wife? -Yes, wife. | 0:27:00 | 0:27:03 | |
Everything OK, Samantha? | 0:27:03 | 0:27:05 | |
Ah, Samantha, my heroine. | 0:27:05 | 0:27:07 | |
You are truly a talent. And what chemistry you and Donald have. | 0:27:07 | 0:27:11 | |
You must do more together, you must. | 0:27:11 | 0:27:12 | |
Well, I do keep trying to tell her, Simon Simon. | 0:27:12 | 0:27:15 | |
But I think she'd rather act opposite Uncle Brian. | 0:27:15 | 0:27:19 | |
Actually, where is Bri? | 0:27:19 | 0:27:20 | |
Erm, he's gone. He had to leave. | 0:27:20 | 0:27:23 | |
Well, I would like to propose a toast. To Donald and Samantha. | 0:27:23 | 0:27:28 | |
The perfect Maverick and Charlie! | 0:27:28 | 0:27:31 | |
-Cheers! -Cheers. | 0:27:31 | 0:27:34 | |
Cheers! | 0:27:34 | 0:27:35 | |
Cheers. | 0:27:36 | 0:27:38 | |
# Times, we've had some good ones | 0:27:41 | 0:27:46 | |
# Lines, we've drawn a few | 0:27:46 | 0:27:50 | |
# But it's gonna be all right | 0:27:52 | 0:27:55 | |
# Yes, we're gonna be all right. # | 0:27:55 | 0:27:58 | |
Subtitles by Red Bee Media Ltd | 0:27:58 | 0:28:01 | |
E-mail [email protected] | 0:28:01 | 0:28:04 |