Browse content similar to Outtakes. Check below for episodes and series from the same categories and more!
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This programme contains strong language | 0:00:02 | 0:00:04 | |
Shit. No wine. | 0:00:04 | 0:00:06 | |
-Brrrr. -OK. Go again. | 0:00:08 | 0:00:10 | |
LAUGHTER | 0:00:12 | 0:00:13 | |
Steve. | 0:00:13 | 0:00:16 | |
Steve. Ooh! | 0:00:16 | 0:00:18 | |
Argh! Ouch! | 0:00:19 | 0:00:22 | |
Oh! | 0:00:22 | 0:00:24 | |
-Oh... -SHE BLOWS A RASPBERRY | 0:00:24 | 0:00:26 | |
-Grow up! -Oh! | 0:00:27 | 0:00:29 | |
SHE LAUGHS | 0:00:33 | 0:00:35 | |
Why are you laughing? | 0:00:35 | 0:00:36 | |
You bastard! | 0:00:42 | 0:00:43 | |
We've been filming Ideal. It's in the... | 0:00:56 | 0:00:58 | |
We've just hit the sixth series, haven't we? | 0:00:58 | 0:01:01 | |
So, it's six years by my reckoning. | 0:01:01 | 0:01:03 | |
It's gone very, very quickly, and that's probably a good thing. | 0:01:03 | 0:01:07 | |
I think one reason why there's so many outtakes from Ideal is, it's such a big cast. | 0:01:07 | 0:01:13 | |
In total, it's probably about 40 people. | 0:01:13 | 0:01:14 | |
So I think just exponentially, there's going to be more corpsing, | 0:01:14 | 0:01:17 | |
there's going to be more stupidity, there's going to be more people screwing up. | 0:01:17 | 0:01:22 | |
SHE SCREAMS | 0:01:22 | 0:01:24 | |
HE LAUGHS MANICALLY | 0:01:31 | 0:01:33 | |
It's a big daft playground, really. | 0:01:36 | 0:01:38 | |
Sorry. I farted at the start and it put me off. | 0:01:38 | 0:01:41 | |
LAUGHTER | 0:01:41 | 0:01:43 | |
How do? | 0:01:47 | 0:01:49 | |
Ah, fuck. Sorry. | 0:01:51 | 0:01:53 | |
LAUGHTER | 0:01:53 | 0:01:55 | |
Sorry. | 0:01:55 | 0:01:57 | |
Because this... | 0:01:57 | 0:01:58 | |
Give it to me, you fucker! | 0:01:58 | 0:02:00 | |
SHE LAUGHS | 0:02:00 | 0:02:02 | |
LAUGHTER | 0:02:02 | 0:02:04 | |
It could be a bright new life and a new start, a new... | 0:02:07 | 0:02:11 | |
This scene's gone to fucking rack and ruin. | 0:02:11 | 0:02:13 | |
You? | 0:02:16 | 0:02:17 | |
-Hetero? Really? -You bet ya. | 0:02:17 | 0:02:20 | |
You? | 0:02:22 | 0:02:23 | |
-Hetero? Really? -You bet ya. | 0:02:23 | 0:02:26 | |
I'll get it this time. | 0:02:26 | 0:02:28 | |
You? Hetero? Really? | 0:02:30 | 0:02:32 | |
-You bet ya. -Cut. | 0:02:32 | 0:02:35 | |
We probably smoke more in Ideal than just about any other programme going, I would think now. | 0:02:40 | 0:02:45 | |
Do you know how to scare folk? | 0:02:45 | 0:02:48 | |
-Nobody noticed. -Just going to spark up. | 0:02:51 | 0:02:55 | |
Fucking burning face! | 0:03:02 | 0:03:06 | |
The stuff that we use to smoke in bongs and joints is really, really horrible. | 0:03:06 | 0:03:10 | |
That attracted me to the show more than the script. | 0:03:10 | 0:03:15 | |
In your positions, please. | 0:03:15 | 0:03:17 | |
-Oh, f...! -I think it's like coal's foot, red clover, er, rose petals. | 0:03:17 | 0:03:23 | |
I mean, you might as well be smoking a bonfire. It's really noxious. | 0:03:23 | 0:03:26 | |
And who's in it? | 0:03:26 | 0:03:27 | |
Who's in what? | 0:03:29 | 0:03:31 | |
SHE LAUGHS | 0:03:34 | 0:03:37 | |
-Sorry. -It's great when you can see they've took it in | 0:03:37 | 0:03:39 | |
and it's that burning sensation and they've got a line coming up. You know, it's almost, | 0:03:39 | 0:03:44 | |
like, coming out their ears and everything. | 0:03:44 | 0:03:47 | |
-Oh! Fucking... -Ha-ha! Sorry! | 0:03:47 | 0:03:50 | |
LAUGHTER | 0:03:54 | 0:03:57 | |
There are points when Ben Crompton looks like a warehouse on fire. | 0:03:57 | 0:04:01 | |
It really is like... | 0:04:03 | 0:04:04 | |
HE CHOKES | 0:04:04 | 0:04:07 | |
That's mint. | 0:04:09 | 0:04:10 | |
LAUGHTER | 0:04:10 | 0:04:13 | |
Hiya, Jenny. | 0:04:13 | 0:04:14 | |
I don't know what's in the coke, the substitute coke, | 0:04:16 | 0:04:20 | |
but it just feels like you're snorting a load of talcum powder. | 0:04:20 | 0:04:23 | |
It's lovely and freshening for your nose. | 0:04:23 | 0:04:25 | |
-It's baking soda, isn't it or something? -Is it? | 0:04:25 | 0:04:28 | |
Yeah. I always get these bubbles. | 0:04:28 | 0:04:30 | |
THEY LAUGH | 0:04:34 | 0:04:36 | |
-That was a fucking lot! -OK. And again. Thinner line. | 0:04:36 | 0:04:40 | |
I do. | 0:04:42 | 0:04:44 | |
I go home and I'm, sort of... | 0:04:44 | 0:04:46 | |
All my movements look like a badly done cake...for days after. | 0:04:46 | 0:04:50 | |
No. | 0:04:55 | 0:04:56 | |
LAUGHTER | 0:04:58 | 0:05:00 | |
I've just been down the offices and I'm their... Oh... | 0:05:03 | 0:05:08 | |
Valets. Silicone Valets, but it's... | 0:05:09 | 0:05:14 | |
-Shit! What is my line there? -It's valets with a T. | 0:05:14 | 0:05:16 | |
-I've said it so many times that I've forgotten it. -He wants to say vagina. | 0:05:16 | 0:05:20 | |
We've come to tidy our things out of your bathroom and to prepare your loft for... | 0:05:20 | 0:05:25 | |
I've got juice for break time. | 0:05:25 | 0:05:28 | |
And you, just let me finish my fucking line. | 0:05:28 | 0:05:30 | |
LAUGHTER | 0:05:30 | 0:05:32 | |
Is it gangland fight or gangland battle? | 0:05:32 | 0:05:34 | |
-Ganglang attack. -Ganglang! | 0:05:34 | 0:05:37 | |
Who'd take a chair to a ganglang attack? | 0:05:37 | 0:05:39 | |
A fucking ganglang... Sorry. | 0:05:39 | 0:05:42 | |
There have been a couple of points where I've thought, | 0:05:42 | 0:05:45 | |
"That probably isn't the right chemistry for a scene." | 0:05:45 | 0:05:48 | |
That combination of people with that much at stake. We were talking earlier... | 0:05:48 | 0:05:51 | |
And that much dialogue. | 0:05:51 | 0:05:52 | |
That's what he's dancing around. | 0:05:52 | 0:05:55 | |
With me, he's going, "Right. let's keep it to five... | 0:05:55 | 0:05:58 | |
"five word bursts, and then give him something to do in between. | 0:05:58 | 0:06:02 | |
"Or something to look at that he can write the rest of the script on." | 0:06:02 | 0:06:05 | |
-Why is it some days, all folk you... -HE MUTTERS | 0:06:06 | 0:06:10 | |
Why is it...? | 0:06:10 | 0:06:12 | |
If I ever catch myself trying to act, it's dreadful. | 0:06:12 | 0:06:14 | |
Nobody gets in... | 0:06:14 | 0:06:16 | |
There's a lovely point when you're just in a scene | 0:06:17 | 0:06:20 | |
and it's just flowing, and then again, it's just a horrendous thing | 0:06:20 | 0:06:24 | |
that you've gone one way... and your speech... | 0:06:24 | 0:06:26 | |
has just, you know, said goodbye. | 0:06:26 | 0:06:28 | |
Even a life clo, clo, clouch would struggle to tell you. | 0:06:28 | 0:06:31 | |
Put it away, fella. | 0:06:31 | 0:06:32 | |
That was Scottish that time. I don't know what that was. | 0:06:32 | 0:06:36 | |
Place names is another one that you give me these... You know I can't... To this day, I can't... | 0:06:36 | 0:06:41 | |
-Can't say Todmorden. -Todma... No. | 0:06:41 | 0:06:44 | |
Well, I suggested driving out and dumping them on Tomod... | 0:06:44 | 0:06:48 | |
Fucking twat! | 0:06:48 | 0:06:49 | |
I suggested driving out and dumping them on Tomod... | 0:06:49 | 0:06:52 | |
FUCK! | 0:06:52 | 0:06:54 | |
TWAT! | 0:06:54 | 0:06:56 | |
Osbaldeston. | 0:06:56 | 0:06:57 | |
Piss off. | 0:06:57 | 0:06:59 | |
She's seeing a bloke from Osbaldston, the fucking bastard. | 0:06:59 | 0:07:03 | |
Osbald... She's seeing a bloke from Osbald... Oh, fucking hell! | 0:07:03 | 0:07:07 | |
I can't say that twatting WORD! | 0:07:07 | 0:07:09 | |
She's seeing this bloke from Towin... No, no. Hang on. | 0:07:09 | 0:07:12 | |
You don't need a priest... for an nexonism. | 0:07:13 | 0:07:19 | |
You need a spelling teacher. Sorry. | 0:07:19 | 0:07:22 | |
You can see him sat there doing that kind of, "I sat and crafted... | 0:07:22 | 0:07:27 | |
"sweated blood and tears over this and who do we give it to? | 0:07:27 | 0:07:31 | |
"An idiot. A big rotund memory-less fool...in the corner." | 0:07:31 | 0:07:37 | |
That's quite perceptive. | 0:07:37 | 0:07:40 | |
-Are you busy? -Me? I'm always busy. | 0:07:40 | 0:07:43 | |
-Learning lines, doing stuff. -Time is money, right? | 0:07:45 | 0:07:49 | |
It's like Hancock after the car crash. | 0:07:49 | 0:07:51 | |
Come on, Nicki. | 0:07:52 | 0:07:54 | |
# I can't live... # Sorry. | 0:07:58 | 0:08:00 | |
-LAUGHTER -# If living is... # | 0:08:00 | 0:08:03 | |
-Hobnobs, two for one. -Ooh, packet each. | 0:08:10 | 0:08:13 | |
Nicely, nicely. | 0:08:13 | 0:08:15 | |
-What am I doing taking them off you? -I don't know! | 0:08:15 | 0:08:18 | |
HE LAUGHS | 0:08:18 | 0:08:20 | |
You know, before a scene, they're actually loathed to give me props. | 0:08:20 | 0:08:24 | |
They simply think, "He'll break them. | 0:08:24 | 0:08:25 | |
"Break them in the first scene." | 0:08:25 | 0:08:28 | |
And then make sure they've got no back-ups. | 0:08:28 | 0:08:31 | |
Little bastards! I'll give them what for! | 0:08:31 | 0:08:34 | |
LAUGHTER | 0:08:37 | 0:08:39 | |
A possessed egg box that you can't throw away. | 0:08:39 | 0:08:42 | |
Fucking bastards! | 0:08:42 | 0:08:43 | |
I'll give them what for! | 0:08:43 | 0:08:45 | |
LAUGHTER | 0:08:46 | 0:08:48 | |
LAUGHTER | 0:09:10 | 0:09:13 | |
Shooting. And... | 0:09:17 | 0:09:19 | |
Sorry. | 0:09:21 | 0:09:23 | |
We'd all have the afternoon off. | 0:09:24 | 0:09:26 | |
I've just stabbed myself with the handcuffs. I'm sorry. Hang on. | 0:09:26 | 0:09:30 | |
If I found the bullet... | 0:09:30 | 0:09:31 | |
Ray had been dead about nine month. | 0:09:33 | 0:09:36 | |
-In fact, some -BLEEP -keeps dropping fucking things behind my head. | 0:09:36 | 0:09:41 | |
-Cut. -I'm upset as it is. | 0:09:41 | 0:09:43 | |
SLEAZY DANCE MUSIC | 0:09:43 | 0:09:45 | |
Who's this then? | 0:09:52 | 0:09:54 | |
-Oh, fucking hell! -We'll never know. | 0:09:55 | 0:09:58 | |
I curse that scene. I've still got it in my wardrobe, that. | 0:09:58 | 0:10:01 | |
It's still hanging there. | 0:10:01 | 0:10:03 | |
You'll see it on eBay one day. | 0:10:03 | 0:10:05 | |
Amongst the hungry, needy and, er, profoundly deaf. | 0:10:05 | 0:10:10 | |
The huge side of beef that we had in series three is probably one of | 0:10:12 | 0:10:16 | |
the least convincing props we've had made. I don't know, it just... | 0:10:16 | 0:10:19 | |
For me, when I watch that on screen, I think, "It doesn't look right. | 0:10:19 | 0:10:23 | |
"It doesn't really look like meat." | 0:10:23 | 0:10:25 | |
-But it caused trouble as soon as it arrived on set. -Nice bottom. | 0:10:25 | 0:10:28 | |
Yeah, well, with your brain and my bottom, we've always got... Oh, shit! | 0:10:28 | 0:10:32 | |
Fucking hell! I very much doubt that Rocky Balboa would have won had he practised on that piece of meat. | 0:10:32 | 0:10:38 | |
It wasn't your standard foam. It was some industrial... | 0:10:41 | 0:10:45 | |
-I don't know what it was. -..strength machine that they brought in. | 0:10:45 | 0:10:50 | |
-Cut. Cut. Um... -Sorry. -HE CHOKES AND COUGHS | 0:10:53 | 0:10:58 | |
Ordinarily, you wouldn't get that reaction from just covering your head in Fairy Liquid, but I think | 0:11:00 | 0:11:05 | |
they'd bought this off the back of a truck that had just left Chernobyl. | 0:11:05 | 0:11:09 | |
You're on probation. | 0:11:14 | 0:11:16 | |
I know. Listen to this. HE FARTS | 0:11:16 | 0:11:19 | |
LAUGHTER | 0:11:19 | 0:11:22 | |
I'm just embarrassed | 0:11:28 | 0:11:29 | |
that I laughed so hard at a man farting. | 0:11:29 | 0:11:33 | |
There's that healthy bit of competition, isn't there? Who can crack somebody else up. | 0:11:33 | 0:11:37 | |
Yeah. And sometimes it's within the rules, | 0:11:37 | 0:11:40 | |
i.e. within the script, and sometimes it isn't. | 0:11:40 | 0:11:42 | |
-I'll fucking shoot this fucker! -Is that Pakistani? -I'm a fucking funny guy? You fucking mook. | 0:11:42 | 0:11:46 | |
If there was a ringleader, it probably would be Ben Crompton. | 0:11:46 | 0:11:50 | |
Dirty. | 0:11:50 | 0:11:53 | |
Dirty! Dirty! I don't like bumming. | 0:11:53 | 0:11:56 | |
Crompton is one of those... He'll thrown something in that's fantastically funny...but so crude. | 0:11:56 | 0:12:03 | |
She's with that Enrique. | 0:12:03 | 0:12:05 | |
The big...cockhead. | 0:12:05 | 0:12:08 | |
I don't think the script | 0:12:09 | 0:12:12 | |
included big fat cockhead, or whatever he came up with, but then the minute he did it... | 0:12:12 | 0:12:18 | |
She was with that Enrique. | 0:12:18 | 0:12:20 | |
The slimy cockhead! | 0:12:20 | 0:12:22 | |
-Fucking bastard! -She's with that Enrique. | 0:12:26 | 0:12:29 | |
You're laughing, I'm not. | 0:12:30 | 0:12:32 | |
Or to give it it's real... Oh, fucking... You're a twat! | 0:12:32 | 0:12:38 | |
It's not always the people you expect, and also, | 0:12:38 | 0:12:40 | |
it's not always the scenes or the lines that you expect that make you laugh. | 0:12:40 | 0:12:44 | |
Sometimes it's a line that, on paper, is just a bit of connective tissue. | 0:12:44 | 0:12:47 | |
It's just a little line, no gag in there, and somehow it's the funniest thing in the world. | 0:12:47 | 0:12:51 | |
Can you flog us some skunk weed? | 0:12:51 | 0:12:54 | |
Keep your voice down! | 0:12:54 | 0:12:56 | |
LAUGHTER | 0:12:56 | 0:12:59 | |
I'm not dealing to anyone I don't know. | 0:12:59 | 0:13:02 | |
I'm Craig. | 0:13:02 | 0:13:03 | |
Can you sell us some skunk weed? | 0:13:03 | 0:13:05 | |
One of the days, he was... he was doing stuff with his eyes. | 0:13:05 | 0:13:09 | |
Even his silhouette was making me laugh. You know what's coming | 0:13:09 | 0:13:13 | |
and the anticipation, so there was times I'd gone before I'd even opened the door. | 0:13:13 | 0:13:16 | |
Can I come in? | 0:13:16 | 0:13:18 | |
LAUGHTER | 0:13:18 | 0:13:21 | |
Keep your voice down! | 0:13:23 | 0:13:25 | |
No. I had a... | 0:13:25 | 0:13:26 | |
LAUGHTER | 0:13:26 | 0:13:28 | |
I've decided I'm not dealing... | 0:13:32 | 0:13:34 | |
LAUGHTER | 0:13:34 | 0:13:36 | |
-Keep going. -The worst bit is, he's turning round and going, | 0:13:36 | 0:13:39 | |
"I don't know what's wrong", and he knew exactly what he was doing. | 0:13:39 | 0:13:42 | |
He was...just being a git. | 0:13:42 | 0:13:43 | |
Can you sell us some skunk weed? | 0:13:43 | 0:13:45 | |
-LAUGHTER -I'll get it. I'm angry now. | 0:13:47 | 0:13:50 | |
Keep your voice down! | 0:13:50 | 0:13:53 | |
No. I had a... bad experience yesterday. | 0:13:53 | 0:13:57 | |
LAUGHTER | 0:13:57 | 0:13:58 | |
It's sod's law that you... | 0:13:58 | 0:14:00 | |
you'll get the giggles, you'll start corpsing | 0:14:00 | 0:14:03 | |
when we're pretty much up against it from day one, whenever we started. | 0:14:03 | 0:14:06 | |
It almost feels like we are behind schedule before we even started | 0:14:06 | 0:14:09 | |
cos there's so many actors, so little time. | 0:14:09 | 0:14:12 | |
I'm, I'm, I'm... I was. | 0:14:12 | 0:14:14 | |
Mick Miller, to me, has got the funniest face without doing anything. | 0:14:14 | 0:14:20 | |
Just wondered if that prozzie... | 0:14:20 | 0:14:22 | |
LAUGHTER | 0:14:22 | 0:14:25 | |
Sorry. Don't look at me like that. | 0:14:25 | 0:14:29 | |
I just wondered if that prozzie had had a change of heart? | 0:14:29 | 0:14:32 | |
-I brought my money back. -SNIGGERING | 0:14:32 | 0:14:35 | |
That wasn't fucking me, by the way! | 0:14:36 | 0:14:39 | |
Sorry! | 0:14:39 | 0:14:40 | |
I'm gay. | 0:14:41 | 0:14:43 | |
I thought you played for Wigan. | 0:14:43 | 0:14:44 | |
You look dead weird. | 0:14:51 | 0:14:53 | |
Sorry! | 0:14:58 | 0:15:00 | |
I tell you who's the easiest one to make corpse, is... | 0:15:02 | 0:15:06 | |
-Ryan. -Yeah. -Yeah. | 0:15:06 | 0:15:07 | |
Come on, lads... | 0:15:08 | 0:15:09 | |
Let's go! | 0:15:12 | 0:15:13 | |
He genuinely seems hard on himself when it happens, and that's the most fun, | 0:15:21 | 0:15:25 | |
because not only is he not doing his job properly, but it's causing him some emotional turmoil. | 0:15:25 | 0:15:30 | |
Sorry! | 0:15:33 | 0:15:34 | |
What's in t'boxes? | 0:15:38 | 0:15:39 | |
Porno! | 0:15:39 | 0:15:41 | |
1,000 DVDs. Three big boxes of filth. | 0:15:41 | 0:15:45 | |
Shut it, bollock head! | 0:15:45 | 0:15:46 | |
OK, reset from the top. | 0:15:47 | 0:15:51 | |
We're not doing that sort of film. | 0:15:51 | 0:15:53 | |
Yeah, we are. We're doing soft-core too. | 0:15:53 | 0:15:56 | |
You know, for the pensioners. | 0:15:56 | 0:15:59 | |
Fucking hell, sorry. | 0:15:59 | 0:16:00 | |
There was the mellow side, | 0:16:00 | 0:16:02 | |
the thoughtful side of Psycho Paul, doing soft-core for the pensioners, | 0:16:02 | 0:16:08 | |
that I just couldn't get over. | 0:16:08 | 0:16:11 | |
-We're not doing that sort of film. -Yeah, we are. | 0:16:11 | 0:16:14 | |
We're doing soft-core too. | 0:16:14 | 0:16:16 | |
You know, for the pensioners! Sorry. | 0:16:16 | 0:16:20 | |
We're not doing that sort of film. | 0:16:20 | 0:16:22 | |
Yeah, we are. We're doing soft... | 0:16:22 | 0:16:26 | |
-Fucking hell! -Action. | 0:16:26 | 0:16:28 | |
Right, and again. | 0:16:30 | 0:16:31 | |
JOHNNY TAKES DEEP BREATHS | 0:16:31 | 0:16:34 | |
Right, go on, I can do it! | 0:16:35 | 0:16:37 | |
You know that kind of... | 0:16:37 | 0:16:39 | |
HE WHEEZES | 0:16:39 | 0:16:41 | |
That mild asthmatic attack - that's me having fun. | 0:16:41 | 0:16:45 | |
The main set, outside Moz's front door, doesn't actually have a set of steps that goes down. | 0:16:50 | 0:16:57 | |
-It's a flat surface. -Farewell, St Brian. | 0:16:57 | 0:17:00 | |
Come on. | 0:17:00 | 0:17:03 | |
So people, when they leave the flat, they have to act as if they're walking down the steps, | 0:17:03 | 0:17:07 | |
and some people can do it, and some people can't. | 0:17:07 | 0:17:10 | |
Mugs. So, hey, can I still be your best mate, then? | 0:17:14 | 0:17:19 | |
You're one of my bestest mates. | 0:17:19 | 0:17:21 | |
Has it all gone to shit behind us? | 0:17:21 | 0:17:24 | |
-See ya. -Goodnight. | 0:17:27 | 0:17:29 | |
Thanks for your Irish jigging! | 0:17:31 | 0:17:33 | |
A lot of people believe that that part of the set, that hallway, | 0:17:33 | 0:17:36 | |
is haunted by an actor who had a wooden leg. | 0:17:36 | 0:17:39 | |
Oh, fuck! | 0:17:41 | 0:17:42 | |
It's mainly me, but a lot of people trip there. | 0:17:44 | 0:17:46 | |
Sorry! Sorry! | 0:17:48 | 0:17:50 | |
You've not even moved out yet, he's got a train track here! | 0:17:54 | 0:17:57 | |
It's funny watching yourself trip time after time. You think, "Could have been a dancer." | 0:17:57 | 0:18:02 | |
Moz, where are you, you useless bastard? | 0:18:02 | 0:18:05 | |
This is the... Fucking hell, the door's open! | 0:18:06 | 0:18:09 | |
Sorry, I fell over there! | 0:18:11 | 0:18:13 | |
All right, cut camera number two, please. | 0:18:15 | 0:18:17 | |
LAUGHTER | 0:18:21 | 0:18:23 | |
I'm down! | 0:18:26 | 0:18:28 | |
I am cocking furious! | 0:18:29 | 0:18:32 | |
I sense that! | 0:18:35 | 0:18:36 | |
I can't get up! | 0:18:37 | 0:18:38 | |
Are you all right, babe?! | 0:18:42 | 0:18:43 | |
SQUEAKING | 0:18:49 | 0:18:51 | |
It's the noise that my jacket made! | 0:18:51 | 0:18:54 | |
Filming a sex scene is one of the least-sexy experiences, I think. | 0:18:54 | 0:18:58 | |
Fuck off! | 0:19:02 | 0:19:03 | |
I think you come away from it with great admiration for porn stars, how they can keep that romantic mood. | 0:19:05 | 0:19:13 | |
PANTING AND GROANING | 0:19:13 | 0:19:15 | |
-Your feet are too low. -Feet up the bed. | 0:19:16 | 0:19:20 | |
I'll move her with my penis! | 0:19:20 | 0:19:23 | |
It's borderline traumatic for me, because I really feel for the actress involved! | 0:19:25 | 0:19:31 | |
Oh! | 0:19:37 | 0:19:40 | |
If was the actress put in a room and told to kiss me, I would let my house go. | 0:19:43 | 0:19:48 | |
I'd just go onto social benefits. | 0:19:48 | 0:19:51 | |
Say something in Welsh! | 0:19:53 | 0:19:55 | |
Go on! | 0:19:55 | 0:19:57 | |
Just a castle! | 0:19:57 | 0:19:59 | |
I almost feel the need to go to the other actors involved beforehand and apologise, | 0:19:59 | 0:20:06 | |
make sure there was counselling set up for them afterwards, | 0:20:06 | 0:20:09 | |
and just a safe room they can go to. | 0:20:09 | 0:20:11 | |
I'm not really impressed with this. | 0:20:14 | 0:20:16 | |
Jenny. | 0:20:19 | 0:20:21 | |
Jenny, you're all right. | 0:20:23 | 0:20:24 | |
No, not all right. I'm shocked. | 0:20:24 | 0:20:27 | |
When you do that first kiss and you can sense how much they're struggling. | 0:20:27 | 0:20:31 | |
Once the... | 0:20:31 | 0:20:33 | |
That sounds wrong, doesn't it?! | 0:20:33 | 0:20:35 | |
A little bit. | 0:20:38 | 0:20:39 | |
There's been some mistake. It's not my birthday. | 0:20:39 | 0:20:42 | |
Sorry! I didn't mean to punch you! | 0:20:42 | 0:20:44 | |
It's all right! | 0:20:44 | 0:20:46 | |
I actually like being physically manhandled on camera for laughs. | 0:20:46 | 0:20:51 | |
That was great! | 0:20:55 | 0:20:57 | |
You get somebody like Sinead who hits you when you don't need to, when it's absolutely unnecessary. | 0:20:57 | 0:21:02 | |
I may be stupid, but I'm not an idiot. | 0:21:02 | 0:21:05 | |
I don't need the first bit, I just want the end, so just skip to the end and stop doing the slapping! | 0:21:10 | 0:21:14 | |
Seven... No, I'll take six. | 0:21:14 | 0:21:16 | |
Put 'em back. They're not for sale. | 0:21:16 | 0:21:20 | |
It felt like you were genuinely hurt! | 0:21:23 | 0:21:25 | |
You've grown them on your windowsill. | 0:21:25 | 0:21:27 | |
What's he mean...? | 0:21:28 | 0:21:30 | |
I'm sorry! I caught you so hard! | 0:21:30 | 0:21:32 | |
SNORING | 0:21:32 | 0:21:34 | |
I have tried waking him up. | 0:21:38 | 0:21:40 | |
It's like trying to wake a cushion! | 0:21:42 | 0:21:45 | |
So what's the word on the street? | 0:21:47 | 0:21:49 | |
Cut camera, please. | 0:21:51 | 0:21:53 | |
Any guest star that's come on the show has left with a sense of superiority | 0:21:58 | 0:22:04 | |
that we've gifted to them. | 0:22:04 | 0:22:06 | |
-Our ineptness proves to be quite a nice ice-breaker. -It's charming, I think. | 0:22:06 | 0:22:12 | |
I think they find it charming, the cottage industry that is Ideal. | 0:22:12 | 0:22:16 | |
And this is Nathaniel. | 0:22:16 | 0:22:18 | |
-In't he scrummy? -Hi... | 0:22:18 | 0:22:20 | |
Sorry! | 0:22:23 | 0:22:24 | |
My ineptitude is a sacrifice for other people's egos. | 0:22:24 | 0:22:29 | |
I give and I give. | 0:22:29 | 0:22:31 | |
I fail and I fail. | 0:22:31 | 0:22:34 | |
But, I no longer. | 0:22:34 | 0:22:36 | |
Do you like... | 0:22:36 | 0:22:38 | |
-I fucked that up with my pacing! -Did you see me? I just... | 0:22:38 | 0:22:41 | |
Janeane Garofalo, probably the most unprofessional set she's ever worked on. | 0:22:41 | 0:22:49 | |
LAUGHTER | 0:22:50 | 0:22:52 | |
Could I have been a fucking worse actor on that take? That was so awful. | 0:22:56 | 0:23:00 | |
Mark E Smith as Jesus. | 0:23:00 | 0:23:02 | |
Yeah, not the most obvious casting, but it paid off. | 0:23:02 | 0:23:06 | |
I didn't mean to doubt you. | 0:23:06 | 0:23:08 | |
Of course you did. | 0:23:08 | 0:23:09 | |
Oh. | 0:23:12 | 0:23:13 | |
You're right about that Moz, anyway. | 0:23:17 | 0:23:19 | |
Xavier, can you pop to my Citroen Berlingo | 0:23:19 | 0:23:22 | |
and get my box of organs? | 0:23:22 | 0:23:26 | |
My Citroen Berlingo. | 0:23:26 | 0:23:28 | |
Oh, come on! Sorry, I realise you can't cut in the middle of that, can you? | 0:23:28 | 0:23:32 | |
-Graham Fellows, a hero of mine. -Yeah. | 0:23:32 | 0:23:36 | |
-That was real quality. -Dr Persil. | 0:23:36 | 0:23:38 | |
I believe that it's inside is the... Oh, bollocks! | 0:23:38 | 0:23:42 | |
And this is Nathaniel. | 0:23:44 | 0:23:47 | |
In't he scrummy? | 0:23:47 | 0:23:49 | |
LAUGHTER | 0:23:49 | 0:23:50 | |
And a bit startled! | 0:23:50 | 0:23:51 | |
The Sean Lock one was the worst, or the best, depending on how you look at it. | 0:23:51 | 0:23:56 | |
I said, "That'll be funny, Sean Lock there with big breasts, that'll be very funny." | 0:23:56 | 0:24:00 | |
Too funny. The main thing is, now we can just get on with being a nice, normal family. | 0:24:00 | 0:24:05 | |
That was completely my fault, sorry! | 0:24:08 | 0:24:11 | |
So you've... | 0:24:11 | 0:24:14 | |
Sorry. | 0:24:14 | 0:24:15 | |
The important thing is, now we can just get on | 0:24:17 | 0:24:19 | |
with being a nice, normal family! | 0:24:19 | 0:24:22 | |
'We said, "It'll just take you half a day."' | 0:24:22 | 0:24:24 | |
-That's right, cos he was going to the football. -Yeah. | 0:24:24 | 0:24:27 | |
He had tickets for a match, and it was never going to happen. | 0:24:27 | 0:24:30 | |
The main thing is, now we can just get on with being a nice... | 0:24:30 | 0:24:35 | |
SEAN CLEARS HIS THROAT | 0:24:37 | 0:24:39 | |
It was just like, "Have we got one with all the... Can we edit?" | 0:24:43 | 0:24:46 | |
"Is there one where the man says the words?!" | 0:24:46 | 0:24:50 | |
That's all you're looking for! | 0:24:50 | 0:24:52 | |
The main thing is, now we can just get on with being a nice... | 0:24:52 | 0:24:56 | |
His Cherobics. | 0:24:58 | 0:25:00 | |
Ah, when he starts doing the Cherobics, yeah. | 0:25:00 | 0:25:03 | |
It's a cardio-muscular workout using a full Cher costume and wig. | 0:25:03 | 0:25:08 | |
The fat just... | 0:25:10 | 0:25:13 | |
It's a high-impact, cardio-muscular workout in full Cher costume and wig. | 0:25:14 | 0:25:20 | |
Is there some sort of gag I could wear once he stands up? Sorry. | 0:25:20 | 0:25:25 | |
Come on. We'll do it. We can do it. | 0:25:27 | 0:25:29 | |
Hey, we'd best shoot. | 0:25:32 | 0:25:35 | |
-Oh, my God! -I think you should have booked two days for these scenes! | 0:25:45 | 0:25:49 | |
He's gone all moral since he found Jesu. | 0:25:56 | 0:25:58 | |
Too gay? | 0:26:04 | 0:26:05 | |
I suppose my abiding feeling is thinking, we had a lot of fun, | 0:26:05 | 0:26:10 | |
but if we hadn't, we could have probably done it in half the time. | 0:26:10 | 0:26:14 | |
You know, we could have gone home to our families a lot sooner, probably. | 0:26:14 | 0:26:18 | |
Don't tell them that! | 0:26:18 | 0:26:21 | |
Agh! | 0:26:21 | 0:26:22 | |
Argh! | 0:26:23 | 0:26:24 | |
Sorry! | 0:26:25 | 0:26:26 | |
Hang on, just one sec! | 0:26:26 | 0:26:29 | |
HE SINGS A FANFARE | 0:26:29 | 0:26:31 | |
-That's good without the laugh. -Sorry! | 0:26:36 | 0:26:38 | |
It's like going back to the special school in the summer holidays. | 0:26:38 | 0:26:41 | |
This is exactly the same. | 0:26:41 | 0:26:43 | |
It's a summer school for washed-up actors and thespians and comics. I'm home. | 0:26:43 | 0:26:49 | |
Are you sure that is all finished? | 0:26:49 | 0:26:52 | |
-Yeah. -Aw! | 0:26:52 | 0:26:54 | |
-You can lick out t'bowl if you... Lick out t'bowl! Is that right? -Yeah. -Oh, fucking hell! | 0:26:54 | 0:26:58 | |
Ooh, it's them again! Fuck! | 0:27:04 | 0:27:06 | |
It's very emotional, but you're not fucking hugging me with that! | 0:27:12 | 0:27:15 | |
Everyone within the show are friends. | 0:27:15 | 0:27:19 | |
It's not just a colleague thing. | 0:27:19 | 0:27:21 | |
You shouldn't technically be able to have that much fun at work. | 0:27:22 | 0:27:27 | |
Oh... Hang on. | 0:27:57 | 0:27:59 | |
Can I start again? | 0:27:59 | 0:28:00 | |
Subtitles by Red Bee Media Ltd | 0:28:21 | 0:28:24 | |
E-mail [email protected] | 0:28:24 | 0:28:27 |