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We've got two choices. | 0:00:00 | 0:00:01 | |
We sit back and watch Charlie die or we kidnap him | 0:00:01 | 0:00:04 | |
and give him chemo until he's cured. | 0:00:04 | 0:00:05 | |
Guess we'll find out the truth soon enough, won't we? | 0:00:05 | 0:00:07 | |
-What do you mean, the truth? -Well, the truth about where Charlie is. | 0:00:07 | 0:00:11 | |
Cos nobody knows. | 0:00:11 | 0:00:13 | |
He wouldn't kill himself. | 0:00:13 | 0:00:14 | |
-But what other explanation could there be? -He's in Scotland. | 0:00:14 | 0:00:18 | |
-What? -He's gone off with Tess. | 0:00:18 | 0:00:21 | |
How about we use some of your incredible computer skills | 0:00:21 | 0:00:25 | |
to fire off some e-mails from Charlie? | 0:00:25 | 0:00:27 | |
Are you sure this is good for your sex addiction sobriety? | 0:00:29 | 0:00:32 | |
It's not sex addiction if it's with someone you love. | 0:00:32 | 0:00:35 | |
I think I love you too. | 0:00:37 | 0:00:38 | |
I need evidence that you are not using me | 0:00:40 | 0:00:43 | |
like some kind of escape horse. | 0:00:43 | 0:00:45 | |
I see you! | 0:00:45 | 0:00:46 | |
Hey, come back here. | 0:00:47 | 0:00:49 | |
Oh, my God. | 0:00:56 | 0:00:58 | |
Charlie? | 0:01:08 | 0:01:10 | |
I'm so sorry. | 0:01:11 | 0:01:13 | |
Charlie? | 0:01:13 | 0:01:14 | |
-CHARLIE GROANS -Oh, thank Christ! | 0:01:16 | 0:01:19 | |
-Are you all right? -No, of course I'm not all right! | 0:01:19 | 0:01:22 | |
You fucking shot me, you arsehole! | 0:01:24 | 0:01:27 | |
My sperm, you smashed my sperm. | 0:01:29 | 0:01:30 | |
Well, it's your own fault, | 0:01:30 | 0:01:31 | |
you shouldn't have stolen it in the first place. | 0:01:31 | 0:01:33 | |
You stole it from me! | 0:01:33 | 0:01:35 | |
Crossbowing a bleeding cancer patient. Nice! | 0:01:35 | 0:01:38 | |
-Help me get it out. -No problem. | 0:01:38 | 0:01:40 | |
God, no, don't. Don't. That kills. Everything fucking kills. | 0:01:42 | 0:01:45 | |
-Does it? -That kills, don't fucking do that, please. -Really? | 0:01:45 | 0:01:47 | |
Cos it's incredibly hard to know when you're faking! | 0:01:47 | 0:01:50 | |
Aaaaarghhh! | 0:01:50 | 0:01:53 | |
"I've given up fucking." | 0:02:25 | 0:02:26 | |
Given up fucking me, more like. | 0:02:26 | 0:02:29 | |
-You're a liar and a traitor. -You just shot someone. | 0:02:29 | 0:02:31 | |
Yeah, by mistake. | 0:02:31 | 0:02:33 | |
-Nadia was just trying to... -Oh, shut up! | 0:02:33 | 0:02:35 | |
You stole her away from me. | 0:02:35 | 0:02:36 | |
No, I was just encouraging her to make some healthy life choices. | 0:02:36 | 0:02:39 | |
Oh, you mean dumping me like a bag of hot shit? | 0:02:39 | 0:02:43 | |
I bet you're happy. In fact, you probably helped him. | 0:02:43 | 0:02:46 | |
-You never liked Nadia. -I wouldn't say that. | 0:02:46 | 0:02:48 | |
I would. This is probably the longest conversation we've ever had. | 0:02:48 | 0:02:52 | |
-We just don't have much in common. -Because you're incredibly boring. | 0:02:52 | 0:02:55 | |
I thought it was more cos you're so self-obsessed. | 0:02:55 | 0:02:57 | |
If I were that self-obsessed, | 0:02:57 | 0:02:58 | |
I wouldn't have noticed how boring you are. | 0:02:58 | 0:03:00 | |
You didn't really think that he had feelings for you, did you? | 0:03:02 | 0:03:05 | |
He must have used his training to hypnotise me. | 0:03:09 | 0:03:12 | |
I'm a hypnotherapist, I'm not a hypnotist. | 0:03:12 | 0:03:15 | |
Give me a break. Like there's a difference! | 0:03:15 | 0:03:17 | |
You raped me and thought I loved you, | 0:03:17 | 0:03:18 | |
you're more delusional than I thought. | 0:03:18 | 0:03:20 | |
It was only hand rape. | 0:03:20 | 0:03:22 | |
It was for a good cause. | 0:03:22 | 0:03:25 | |
Joel. | 0:03:28 | 0:03:30 | |
Aah! Get out of my... | 0:03:30 | 0:03:32 | |
It's my car! | 0:03:32 | 0:03:34 | |
Come back! | 0:03:37 | 0:03:39 | |
-Fuck! -That's that, then. | 0:03:41 | 0:03:42 | |
She's going to go straight to the police, we're fucked. | 0:03:42 | 0:03:44 | |
She's not going to go to the police. She's an accomplice. | 0:03:44 | 0:03:47 | |
We are going to use whatever time we have left to save your life. | 0:03:47 | 0:03:50 | |
Whether you like it or not, you total fucking bastard! | 0:03:50 | 0:03:53 | |
Aargh! | 0:03:53 | 0:03:55 | |
Do you have any idea how much I've spent on curing you? | 0:04:00 | 0:04:03 | |
Would a little gratitude be too much to ask? And why now? | 0:04:03 | 0:04:06 | |
There's only two doses to go, you twat. | 0:04:06 | 0:04:08 | |
Argh! Agh! | 0:04:08 | 0:04:10 | |
Well, being cured...it's no thanks to you and your poisons. | 0:04:12 | 0:04:17 | |
It's because of Tess and her herbal remedies. | 0:04:17 | 0:04:20 | |
Tess's what? | 0:04:20 | 0:04:21 | |
Just a bit of horse paste to take the edge off. | 0:04:21 | 0:04:24 | |
-Et tu, Little Miss Turncoat? -Fuck you! | 0:04:24 | 0:04:27 | |
Oh, great, now when he's all better, | 0:04:27 | 0:04:29 | |
he's going to give the credit to some fucking herbs. | 0:04:29 | 0:04:32 | |
Looks like you're living in a nest of traitors. | 0:04:32 | 0:04:34 | |
-Or rather a nest of people who have my best interests at heart. -Yeah? | 0:04:34 | 0:04:38 | |
Prisoner privileges have been revoked. | 0:04:39 | 0:04:42 | |
You are going to be behind bars for the next four weeks. | 0:04:42 | 0:04:44 | |
And don't try seducing either of us. | 0:04:44 | 0:04:46 | |
What do I look like - Slaphead Casanova? | 0:04:46 | 0:04:49 | |
It was Nadia who was doing the seducing, not me. | 0:04:50 | 0:04:53 | |
Yeah? You didn't mind it, though, did you? | 0:04:53 | 0:04:55 | |
Didn't mind a little bit of hand relief, admit it. | 0:04:55 | 0:04:57 | |
I am sorry that you have feelings for her, but she is a drug addict, | 0:04:57 | 0:05:00 | |
an alcoholic and sex addict and you could do so much better. | 0:05:00 | 0:05:03 | |
A - the truth is you loved it. | 0:05:03 | 0:05:05 | |
And B... | 0:05:05 | 0:05:07 | |
Fuck you! | 0:05:07 | 0:05:08 | |
No doubt you were bullshitting about my book. | 0:05:17 | 0:05:20 | |
Trying to keep me sweet so you could get your herbs. | 0:05:20 | 0:05:22 | |
It's a good book. | 0:05:23 | 0:05:25 | |
It's got great characters, it's funny, it's gripping, it's sexy. | 0:05:25 | 0:05:30 | |
Do you want me to go on? | 0:05:32 | 0:05:34 | |
Yes. | 0:05:35 | 0:05:37 | |
Charlie's latest e-mail. | 0:05:43 | 0:05:45 | |
OK. | 0:05:45 | 0:05:46 | |
Well, at least he's having a nice time. | 0:05:49 | 0:05:51 | |
Although it doesn't seem like he's having THAT nice a time. | 0:05:51 | 0:05:54 | |
Well, where is he getting his medicine in all these remote places? | 0:05:54 | 0:05:57 | |
He doesn't mention his health at all. | 0:05:57 | 0:05:59 | |
Yeah, that's true, he should probably mention that more. | 0:05:59 | 0:06:02 | |
It is a bit weird, isn't it? But Charlie's alive. | 0:06:02 | 0:06:05 | |
I mean, that's the big picture, that is the headline, right? | 0:06:05 | 0:06:08 | |
-That butternut squash was so... -He's known Tess as long as he's known me. | 0:06:08 | 0:06:13 | |
Have they been together all of that time? | 0:06:13 | 0:06:16 | |
No, no, I'm sure it's a very, very recent thing. | 0:06:16 | 0:06:18 | |
But why would he get together with her now when he gets ill? | 0:06:18 | 0:06:21 | |
It doesn't make any sense. | 0:06:21 | 0:06:22 | |
A lot of us have secrets. | 0:06:24 | 0:06:26 | |
Talking of secrets, how did you get that sauce so...? | 0:06:27 | 0:06:31 | |
DOORBELL RINGS | 0:06:31 | 0:06:33 | |
Oh, Detective Talbot. | 0:06:37 | 0:06:38 | |
Hello, Mrs Taylor, sorry to come by unannounced. | 0:06:38 | 0:06:41 | |
Hope it's not a bad time. | 0:06:41 | 0:06:43 | |
No, no, no, it's fine. Come on in. | 0:06:43 | 0:06:45 | |
-Hi, Mr Jordan. -Hello...Detective. | 0:06:52 | 0:06:55 | |
We're just finishing dinner. | 0:06:55 | 0:06:57 | |
I've got the perfect pudding if you're not too full. | 0:06:57 | 0:07:00 | |
Red velvet cake. Baked it myself. | 0:07:03 | 0:07:06 | |
Oh, my God, that's so kind. | 0:07:06 | 0:07:08 | |
I don't live too far away, thought you might enjoy it. | 0:07:08 | 0:07:11 | |
Well, it's perfect. | 0:07:11 | 0:07:12 | |
I'm actually making a cup of tea, so why don't you take a seat | 0:07:12 | 0:07:15 | |
and I'll bring it through? | 0:07:15 | 0:07:16 | |
Do you bake? | 0:07:48 | 0:07:50 | |
No, I don't, actually. | 0:07:50 | 0:07:52 | |
I enjoy it. I find it relaxing. | 0:07:52 | 0:07:55 | |
-Yeah? -Red velvet cake's my speciality. | 0:07:55 | 0:07:58 | |
Great, it's a great cake. | 0:07:58 | 0:08:01 | |
If you get a shop-bought red velvet cake, | 0:08:03 | 0:08:05 | |
it's usually full of food colouring. | 0:08:05 | 0:08:07 | |
I prefer to use beetroot. | 0:08:07 | 0:08:09 | |
-Beetroot? -You can use paprika, | 0:08:12 | 0:08:15 | |
I prefer beetroot. | 0:08:15 | 0:08:17 | |
Here we go. | 0:08:18 | 0:08:20 | |
Thanks very much. | 0:08:21 | 0:08:22 | |
I wanted to give you an informal briefing of where we are. | 0:08:24 | 0:08:27 | |
There's an officer in the Hebrides looking for Charlie and Tess. | 0:08:27 | 0:08:32 | |
No sign of them yet. No sightings on any of the ferries | 0:08:32 | 0:08:36 | |
or in the hotels or... | 0:08:36 | 0:08:38 | |
..the wild places. | 0:08:40 | 0:08:42 | |
Sadly, we don't have infinite resources | 0:08:42 | 0:08:45 | |
for missing persons cases, | 0:08:45 | 0:08:47 | |
but I wanted to give you my personal assurance. | 0:08:47 | 0:08:49 | |
We will find Charlie... | 0:08:50 | 0:08:53 | |
wherever he is. | 0:08:53 | 0:08:54 | |
Thank you. | 0:08:54 | 0:08:56 | |
Shall I be Mother? | 0:09:00 | 0:09:02 | |
-What the hell are you doing? -Check out my lump album. | 0:09:17 | 0:09:20 | |
Sexier than a Kardashian selfie. | 0:09:20 | 0:09:23 | |
Now you see it... | 0:09:24 | 0:09:25 | |
..now you don't. | 0:09:29 | 0:09:30 | |
It's gone. Melted away like butter on a hot fucking griddle. | 0:09:34 | 0:09:38 | |
And me and Tess can administer the medicine perfectly well | 0:09:38 | 0:09:41 | |
without any help from Dr Evil. | 0:09:41 | 0:09:43 | |
Maybe it's worked a bit or maybe the Hoxsey Therapy's just kicked in. | 0:09:43 | 0:09:48 | |
No, it was blasted out of your system | 0:09:48 | 0:09:51 | |
using a carefully administered regimen of chemotherapy. | 0:09:51 | 0:09:55 | |
Face it, chamomile brain - science beats mumbo jumbo. | 0:09:55 | 0:10:00 | |
You are being cured by good old-fashioned, | 0:10:00 | 0:10:03 | |
cutting-edge medicine, and you can't handle it. | 0:10:03 | 0:10:06 | |
We'll see. | 0:10:06 | 0:10:07 | |
Because maybe it'll come back, maybe it's just temporary. | 0:10:07 | 0:10:10 | |
Bullshit. Admit it, you were wrong. I was right. | 0:10:10 | 0:10:13 | |
You've been sussed, twanged and thrown out the window. | 0:10:13 | 0:10:15 | |
All right, fine, maybe... | 0:10:15 | 0:10:18 | |
Maybe I will admit that it's good news. | 0:10:18 | 0:10:22 | |
Good news? | 0:10:22 | 0:10:24 | |
It's the best fucking news of all time. Look at you, you look great. | 0:10:24 | 0:10:28 | |
Well, you'd look better with hair, but still. | 0:10:28 | 0:10:30 | |
I do feel a bit better. | 0:10:30 | 0:10:32 | |
Yeah, of course you do, because I have cured your fucking cancer. | 0:10:32 | 0:10:37 | |
I win, you lose. | 0:10:37 | 0:10:39 | |
But also win. | 0:10:39 | 0:10:41 | |
Does this mean I get to go home? | 0:10:41 | 0:10:43 | |
One last dose? | 0:10:43 | 0:10:44 | |
I admit it - I was wrong, you were right. | 0:10:47 | 0:10:50 | |
You've saved my life. | 0:10:52 | 0:10:54 | |
I owe you everything. | 0:10:54 | 0:10:56 | |
Now, I promise I will take that next dose in hospital when I get home. | 0:10:59 | 0:11:03 | |
Yeah, I'd do exactly the same if I was you. | 0:11:06 | 0:11:09 | |
I'd say whatever I needed to say to get out of my cage. | 0:11:09 | 0:11:13 | |
Fine, you're not saving me. | 0:11:13 | 0:11:15 | |
You're killing me. | 0:11:15 | 0:11:16 | |
You think a hero, you're not. You're not, you're actually a murderer. | 0:11:16 | 0:11:19 | |
-Great, the truth, that's more like it. -Why are you doing this? | 0:11:19 | 0:11:23 | |
Why are you so obsessed with poisoning me? | 0:11:23 | 0:11:27 | |
Because I love you, you dick! | 0:11:27 | 0:11:30 | |
Do you? Do you really? Is that it? | 0:11:30 | 0:11:32 | |
Or is it just because you're a total fuck-up | 0:11:32 | 0:11:35 | |
and I am the only friend you've got? | 0:11:35 | 0:11:38 | |
METAL DOOR SLAMS | 0:11:38 | 0:11:39 | |
Joel... | 0:11:39 | 0:11:41 | |
Joel, I just want to see my girls. | 0:11:43 | 0:11:45 | |
"Thus did a poor student conquer the glass mountain. | 0:12:38 | 0:12:42 | |
"And by his wits accomplish what many brave knights | 0:12:42 | 0:12:46 | |
"failed to do by their strength." | 0:12:46 | 0:12:49 | |
Your audience is unconscious. | 0:12:49 | 0:12:51 | |
I have that effect on people. | 0:12:54 | 0:12:55 | |
-Thanks for reading to them. -Are you sure it's OK? | 0:13:05 | 0:13:08 | |
I don't want to cramp your style. | 0:13:08 | 0:13:10 | |
I don't think I have a style that runs the risk of being cramped. | 0:13:10 | 0:13:14 | |
You are a very stylish individual. | 0:13:14 | 0:13:17 | |
Your whole hippy housewife vibe. | 0:13:17 | 0:13:20 | |
It's a very happening look. | 0:13:20 | 0:13:22 | |
You know, the girls really love having someone around | 0:13:22 | 0:13:25 | |
that Charlie's so close to. | 0:13:25 | 0:13:27 | |
You know, I never in a million years thought he would do this. | 0:13:31 | 0:13:35 | |
I bet you wouldn't do something like this to your wife. | 0:13:40 | 0:13:43 | |
Of course not. | 0:13:43 | 0:13:45 | |
Especially if I was married to you. | 0:13:47 | 0:13:49 | |
I mean, I don't want to bad-mouth the guy, but what a selfish dick. | 0:13:51 | 0:13:57 | |
Oh, God. | 0:14:04 | 0:14:06 | |
PHONE BLEEPS | 0:14:13 | 0:14:15 | |
It's Charlie. | 0:14:21 | 0:14:23 | |
Really? At this time of night? | 0:14:23 | 0:14:25 | |
-This doesn't make any sense. -What is it? -He says he's eating aubergines. | 0:14:26 | 0:14:30 | |
He hates aubergines, why would he be eating aubergines? | 0:14:30 | 0:14:33 | |
That is a bit weird, isn't it? | 0:14:33 | 0:14:35 | |
Half of this doesn't even sound like Charlie. What the hell is going on? | 0:14:35 | 0:14:40 | |
-I'm calling Talbot. -No, don't. -Why? | 0:14:40 | 0:14:43 | |
Because it's not enough evidence, is it? | 0:14:43 | 0:14:46 | |
You'll be wasting valuable police time. | 0:14:46 | 0:14:48 | |
But none of this is right. It hasn't felt right from the start, Joel. | 0:14:48 | 0:14:51 | |
I don't know about that. | 0:14:51 | 0:14:52 | |
It felt pretty much on the money, at least to begin with. | 0:14:52 | 0:14:55 | |
Look, I know how much you want to believe that Charlie's coming back. | 0:14:56 | 0:14:59 | |
I want to believe it too, | 0:14:59 | 0:15:01 | |
but we both have to face up to the fact that maybe he isn't. | 0:15:01 | 0:15:05 | |
Detective Talbot, it's me, Kira. | 0:15:06 | 0:15:08 | |
Aubergines? | 0:15:10 | 0:15:11 | |
When have you ever seen Charlie eat a fucking aubergine? | 0:15:13 | 0:15:16 | |
-I'm sorry, I screwed up. -Yeah, damn right you screwed up. | 0:15:16 | 0:15:20 | |
Kira's going out of her mind. | 0:15:20 | 0:15:22 | |
I know Talbot suspects me. | 0:15:25 | 0:15:27 | |
What? | 0:15:27 | 0:15:29 | |
The other night, he told me | 0:15:29 | 0:15:31 | |
in detail, how to make a red velvet cake. | 0:15:31 | 0:15:34 | |
Right. | 0:15:34 | 0:15:36 | |
That sounds...nice. | 0:15:36 | 0:15:38 | |
No, you weren't there. | 0:15:38 | 0:15:39 | |
He said he puts beetroot in the mix. | 0:15:40 | 0:15:43 | |
Beetroot. | 0:15:43 | 0:15:44 | |
It was code. | 0:15:45 | 0:15:47 | |
He was letting me know that he'd got to the root | 0:15:47 | 0:15:50 | |
of what is going on and that he was going to beat me at my own game. | 0:15:50 | 0:15:55 | |
He knows something. Maybe everything. | 0:15:56 | 0:15:59 | |
Maybe he just knows everything about how to make red velvet cake. | 0:15:59 | 0:16:02 | |
Oh, bullshit! You can't dye a cake with beetroot. | 0:16:02 | 0:16:04 | |
-I think maybe you can. -I can't go back to Kira's now, can I? | 0:16:04 | 0:16:07 | |
Everything's on a knife edge, | 0:16:07 | 0:16:09 | |
I might say or do something that will tip her off to the truth. | 0:16:09 | 0:16:12 | |
Which is exactly why I told you | 0:16:12 | 0:16:14 | |
not to go round there in the first place. | 0:16:14 | 0:16:15 | |
You had to send that e-mail late at night, didn't you? | 0:16:15 | 0:16:18 | |
When you knew that I would be with Kira. | 0:16:18 | 0:16:20 | |
Were you discussing what colour to paint the shed | 0:16:20 | 0:16:23 | |
or what schools to put the twins down for? | 0:16:23 | 0:16:25 | |
All right, maybe I do have a remnant of feeling for Kira. | 0:16:29 | 0:16:34 | |
-A pretty big remnant, an overwhelming remnant. -Yes. | 0:16:34 | 0:16:37 | |
I was on the sofa having a glass of wine with Kira but nothing happened. | 0:16:39 | 0:16:43 | |
First it was talking, now it's wine. | 0:16:43 | 0:16:45 | |
-Wine is not a crime. -All right. | 0:16:45 | 0:16:48 | |
You've been cock-blocking me for months, haven't you? | 0:16:52 | 0:16:55 | |
I bet you egged Charlie on to get together with Nadia. | 0:16:55 | 0:16:57 | |
You were probably dripping poison into his ear as well as his arm. | 0:16:57 | 0:17:01 | |
-Don't be ridiculous. -You were match-maker for Charlie and Nadia | 0:17:01 | 0:17:04 | |
and now you are match-breaker for me and Kira. | 0:17:04 | 0:17:07 | |
I didn't match-make or match-break anyone. | 0:17:07 | 0:17:09 | |
-Match-break isn't even a word. -Admit it. | 0:17:09 | 0:17:11 | |
You were lobbying against Nadia from the moment she got here. | 0:17:11 | 0:17:15 | |
Of course I was, because it might surprise you to discover | 0:17:15 | 0:17:17 | |
that I actually give a shit about you and couldn't stand by | 0:17:17 | 0:17:20 | |
and watch you fall in love with a cock-addicted garbage head. | 0:17:20 | 0:17:23 | |
No. You're just jealous. | 0:17:23 | 0:17:25 | |
Because you haven't had any for years | 0:17:25 | 0:17:27 | |
and you couldn't bear to watch anyone else get some. | 0:17:27 | 0:17:29 | |
Yeah, you got me, I'm jealous. | 0:17:29 | 0:17:31 | |
You didn't notice me 20 years ago and you still don't notice me. | 0:17:33 | 0:17:36 | |
Well, I'm worth noticing, I'm noticeable. | 0:17:36 | 0:17:38 | |
Sorry, what? | 0:17:45 | 0:17:47 | |
I thought this might be a chance for us to get together. | 0:17:49 | 0:17:52 | |
Like we never did. | 0:17:52 | 0:17:54 | |
But you always screw it up by humping someone terrible. | 0:17:54 | 0:17:58 | |
You get together with lunatics like Steph or Nadia | 0:17:58 | 0:18:00 | |
or you try and fuck your best friend's wife. | 0:18:00 | 0:18:03 | |
Is that why you wanted to come here in the first place? So we could... | 0:18:03 | 0:18:07 | |
I don't know. | 0:18:07 | 0:18:08 | |
Sort of, maybe. | 0:18:09 | 0:18:11 | |
I don't want to talk about this any more. | 0:18:16 | 0:18:18 | |
# ..Plying very strange cargo | 0:18:26 | 0:18:29 | |
# Our soul ships pass by | 0:18:31 | 0:18:36 | |
# Solo trips to the stars | 0:18:38 | 0:18:41 | |
# In the sky | 0:18:43 | 0:18:45 | |
# Gliding so far | 0:18:45 | 0:18:48 | |
# That the eye cannot follow | 0:18:51 | 0:18:54 | |
# Where do they go? | 0:18:57 | 0:19:01 | |
# We'll never know. # | 0:19:04 | 0:19:07 | |
Russia invading Afghanistan. | 0:19:12 | 0:19:15 | |
History tragically repeating itself. | 0:19:16 | 0:19:19 | |
-Afghanistan? -Yes. | 0:19:19 | 0:19:21 | |
That's heavily fortified. Why not Scandinavia? | 0:19:21 | 0:19:23 | |
Scandinavia's a pushover. | 0:19:23 | 0:19:24 | |
Well, maybe I don't want to attack Scandinavia | 0:19:24 | 0:19:26 | |
because of its progressive attitude towards social security. | 0:19:26 | 0:19:29 | |
You're not taking the game seriously. | 0:19:29 | 0:19:30 | |
Just attack Scandinavia, that's the sensible move. | 0:19:30 | 0:19:33 | |
Who are you, Himmler all of a sudden? | 0:19:33 | 0:19:35 | |
You know what? I'm just going to surrender. Turn in. | 0:19:35 | 0:19:37 | |
You can't just surrender when I'm about to win, that's cheating. | 0:19:37 | 0:19:41 | |
It really isn't. | 0:19:41 | 0:19:43 | |
Your turn. | 0:19:45 | 0:19:46 | |
You can force me to be here, | 0:19:46 | 0:19:48 | |
you can't force me to play a bloody board game. | 0:19:48 | 0:19:51 | |
-Oh, I can't, can't I? -No, you can't. | 0:19:51 | 0:19:54 | |
D'you know what? | 0:19:54 | 0:19:55 | |
I just want to have a little bit of fun with my two best friends | 0:19:55 | 0:19:58 | |
in my last two weeks of freedom before I go to prison. | 0:19:58 | 0:20:01 | |
-Is that too much to ask? -Actually, yes, it is. | 0:20:01 | 0:20:04 | |
Oh, OK. | 0:20:04 | 0:20:05 | |
Oh, for fuck's sake! | 0:20:07 | 0:20:09 | |
By starting this game, you both signed implicit verbal contracts | 0:20:09 | 0:20:12 | |
to see it through to the end. | 0:20:12 | 0:20:14 | |
I am ordering you to invade Scandinavia. | 0:20:14 | 0:20:18 | |
It's a shame people don't just do what you want, isn't it? | 0:20:18 | 0:20:21 | |
Because it would be so which easier | 0:20:21 | 0:20:23 | |
if they were all just like your little plastic board game army | 0:20:23 | 0:20:25 | |
-and you could push them across Asia whenever you felt like it. -Yes! | 0:20:25 | 0:20:28 | |
People should take their medicine. | 0:20:30 | 0:20:32 | |
And when they start fucking you, they should carry on fucking you. | 0:20:33 | 0:20:36 | |
And when they've been your friend for 20 years, | 0:20:36 | 0:20:39 | |
they shouldn't suddenly reveal that they actually fancy you. | 0:20:39 | 0:20:42 | |
-Put the crossbow down, you dickhead. -Why shouldn't I shoot him? | 0:20:44 | 0:20:47 | |
He doesn't want us to cure him, so why the fuck are we curing him? | 0:20:47 | 0:20:50 | |
If he wants to die so much, let me put him out of his misery. | 0:20:50 | 0:20:54 | |
Calm down. | 0:20:54 | 0:20:56 | |
And just stop pointing a lethal weapon at my head. | 0:20:56 | 0:21:00 | |
-Because I don't want to die. -Oh, you don't want to die. | 0:21:02 | 0:21:05 | |
But you don't mind killing my dreams. | 0:21:05 | 0:21:08 | |
-What? -First with Kira, then with Nadia... | 0:21:08 | 0:21:12 | |
You stole them both off me. | 0:21:12 | 0:21:14 | |
Oh, my... Look, I think it's great, | 0:21:15 | 0:21:18 | |
it's great that you're trying to get over your mental ex-wife | 0:21:18 | 0:21:20 | |
and find someone new, but if it doesn't work out, | 0:21:20 | 0:21:23 | |
-you can't just blame me. -Of course I can blame you. | 0:21:23 | 0:21:25 | |
Cos you tricked Nadia into falling in love with you | 0:21:25 | 0:21:27 | |
and now she's gone and it's all your fault. | 0:21:27 | 0:21:30 | |
I didn't trick her, we just had... | 0:21:30 | 0:21:32 | |
We just had some good conversations. | 0:21:32 | 0:21:34 | |
Just because you lucked out with Kira | 0:21:34 | 0:21:36 | |
doesn't mean that you can ruin it for everyone else. | 0:21:36 | 0:21:38 | |
I didn't luck out with Kira. | 0:21:38 | 0:21:40 | |
She's my life. | 0:21:40 | 0:21:42 | |
She's a life that I worked bloody hard for. | 0:21:42 | 0:21:44 | |
Yeah? | 0:21:44 | 0:21:45 | |
Well, she doesn't need you. | 0:21:47 | 0:21:48 | |
She's getting on perfectly well without you. | 0:21:49 | 0:21:52 | |
What? | 0:21:52 | 0:21:53 | |
I mean, she misses you, a bit. | 0:21:54 | 0:21:57 | |
But her whole world didn't collapse the moment you left | 0:21:57 | 0:22:00 | |
as much as you'd love to think it would. | 0:22:00 | 0:22:02 | |
-She's fine. -Joel... | 0:22:04 | 0:22:06 | |
Have you spoken to Kira? | 0:22:06 | 0:22:07 | |
I've spoken to her, yeah. | 0:22:07 | 0:22:10 | |
-Have you seen her? -I've... | 0:22:10 | 0:22:12 | |
..been to see her... | 0:22:13 | 0:22:15 | |
once or twice. | 0:22:15 | 0:22:17 | |
-How is she? How are my girls? -They're fine. | 0:22:17 | 0:22:20 | |
They must be worried sick. | 0:22:20 | 0:22:22 | |
Hmm. Hmm. | 0:22:22 | 0:22:23 | |
Yeah, they have been extremely worried, | 0:22:23 | 0:22:26 | |
but then I reassured them that you're alive and well. | 0:22:26 | 0:22:30 | |
Where did you tell them that I am? | 0:22:30 | 0:22:32 | |
-Er, I told them that you're having an affair with Tess. -Joel... | 0:22:32 | 0:22:36 | |
You fucking...! | 0:22:45 | 0:22:46 | |
I was trying to help! She thought you'd killed yourself. | 0:22:49 | 0:22:53 | |
And now she thinks I'm shagging Tess, which is worse. | 0:22:54 | 0:22:57 | |
Thanks for that. Joel, off now! | 0:22:57 | 0:23:00 | |
Don't test me. | 0:23:00 | 0:23:02 | |
Tess was helping with the e-mails. | 0:23:10 | 0:23:12 | |
At least she was until she fucked it all up. | 0:23:12 | 0:23:15 | |
Fucking aubergine. | 0:23:15 | 0:23:16 | |
If you're in touch with Kira, can I at least send a message to her? | 0:23:17 | 0:23:20 | |
-No. -Why the fuck not? | 0:23:20 | 0:23:23 | |
Because you might put some sort of secret code in it | 0:23:23 | 0:23:25 | |
-that will lead the cops here. -Secret code? | 0:23:25 | 0:23:27 | |
Yeah, like all the first letters of the words join up to say, | 0:23:27 | 0:23:30 | |
"Joel's kidnapped me, the twat." | 0:23:30 | 0:23:32 | |
So you'd rather have her believe that I'm shagging another woman? | 0:23:32 | 0:23:35 | |
Actually, Tess and I have been talking about | 0:23:35 | 0:23:37 | |
fictional you dumping fictional her, | 0:23:37 | 0:23:39 | |
so there might be some good news on that front. | 0:23:39 | 0:23:41 | |
I'm trying to figure out which my personalities traits | 0:23:41 | 0:23:43 | |
-are the most annoying. -Right. | 0:23:43 | 0:23:44 | |
And where are we on our romantic adventure, just out of interest? | 0:23:44 | 0:23:48 | |
-BOTH: -The Outer Hebrides. | 0:23:48 | 0:23:50 | |
Oh, the Outer Hebrides, that's nice. | 0:23:50 | 0:23:52 | |
That's nice. Shame that, instead of being in the Outer Hebrides, | 0:23:52 | 0:23:55 | |
I'm actually chained up in a cage shitting in a bucket. | 0:23:55 | 0:23:59 | |
It's not a bucket, it's a porta-potty. | 0:23:59 | 0:24:02 | |
Don't be such a drama queen. | 0:24:02 | 0:24:04 | |
THUMPING MUSIC | 0:24:08 | 0:24:11 | |
That was great. | 0:24:22 | 0:24:24 | |
-You have got real talent. -Thanks. | 0:24:24 | 0:24:26 | |
Are you free later, | 0:24:26 | 0:24:28 | |
to maybe go see a movie or watch the Bake Off or something? | 0:24:28 | 0:24:32 | |
I'm not like a weirdo, I really, really admire what you do, | 0:24:32 | 0:24:35 | |
I think it is so empowering. I'm a feminist, | 0:24:35 | 0:24:38 | |
so I fully support sex workers' rights. | 0:24:38 | 0:24:41 | |
-I'm a dancer, not a sex worker. -Listen, you do you, OK? | 0:24:41 | 0:24:45 | |
Doesn't matter that you're probably deeply damaged in some way, | 0:24:45 | 0:24:49 | |
either drug issues or some kind of childhood molestation trauma | 0:24:49 | 0:24:53 | |
or both. | 0:24:53 | 0:24:54 | |
Look, I get paid to dance, | 0:24:54 | 0:24:56 | |
not to have strangers pass judgment on me, all right? | 0:24:56 | 0:25:00 | |
You need therapy. | 0:25:00 | 0:25:01 | |
-I've done something brilliant. -Don't tell me, let me guess. | 0:25:05 | 0:25:09 | |
You've snorted a huge line of cocaine. | 0:25:09 | 0:25:11 | |
Well, yeah, but more brilliant than that. | 0:25:11 | 0:25:13 | |
Come on, don't X Factor me. What is it? | 0:25:14 | 0:25:16 | |
I've extended the lease on this place for another six months. | 0:25:16 | 0:25:20 | |
-What? -Well, how do we know Charlie is really going to be cured | 0:25:20 | 0:25:22 | |
after three months? Why not make it six or 12? | 0:25:22 | 0:25:24 | |
You know, just to be sure. | 0:25:24 | 0:25:26 | |
-You want to keep Charlie hostage for a year? -Or maybe even forever. | 0:25:26 | 0:25:29 | |
He is sort of liking it here. He's sort of fine with it, a bit. | 0:25:29 | 0:25:33 | |
And you can write another novel. You could write a trilogy. | 0:25:33 | 0:25:36 | |
Leaving you free to move in with Kira. | 0:25:36 | 0:25:38 | |
I don't know about move in, but I could stay there most of the week. | 0:25:40 | 0:25:44 | |
Do the old school run and stuff and then be back here for weekends. | 0:25:44 | 0:25:47 | |
-We could do shifts. -Oh, you've completely fucking lost it. | 0:25:47 | 0:25:50 | |
Maybe. Maybe it is a crazy plan, but I miss Kira. | 0:25:50 | 0:25:54 | |
I just miss her way more than I ever miss Nadia. | 0:25:54 | 0:25:57 | |
I think I love Kira. | 0:25:59 | 0:26:01 | |
Oh, Jesus! | 0:26:01 | 0:26:02 | |
If I cure Charlie, my life with Kira is over. | 0:26:02 | 0:26:05 | |
You don't have a life with Kira. | 0:26:05 | 0:26:07 | |
Yes, I do. Vegan roasts. | 0:26:07 | 0:26:10 | |
Bedtime stories. Tearful hugs. | 0:26:10 | 0:26:13 | |
She's crying over the husband you've kidnapped. | 0:26:13 | 0:26:16 | |
I know. It's good times. Why can't we have more good times? | 0:26:16 | 0:26:20 | |
Go to bed. | 0:26:21 | 0:26:22 | |
Sleep it off. We'll talk it all through in the morning. | 0:26:22 | 0:26:25 | |
And my rock bottom was when I ended up in hospital | 0:26:29 | 0:26:32 | |
because I overdosed on methadone. | 0:26:32 | 0:26:34 | |
Which is really stupid | 0:26:35 | 0:26:37 | |
because you can't get properly high on methadone. | 0:26:37 | 0:26:40 | |
What an arsehole. | 0:26:40 | 0:26:42 | |
Thank you, Lionel. | 0:26:42 | 0:26:43 | |
Are there any newcomers who'd like to share or just say hello? | 0:26:43 | 0:26:48 | |
Hello. My name is Nadia. | 0:26:53 | 0:26:58 | |
And I'm an addict. | 0:26:58 | 0:27:00 | |
-Hi, Nadia. -ALL: -Hi, Nadia. | 0:27:00 | 0:27:03 | |
There's nothing you can say that will shock us. | 0:27:03 | 0:27:06 | |
We have heard it all before. | 0:27:06 | 0:27:07 | |
I guess my rock bottom was when I held this guy hostage | 0:27:11 | 0:27:17 | |
in a basement for two months and force-fed him drugs. | 0:27:17 | 0:27:21 | |
And jerked him off against his will. | 0:27:21 | 0:27:23 | |
God! | 0:27:27 | 0:27:28 | |
Sorry, I cannot even tell you how good it feels to say that out loud. | 0:27:31 | 0:27:36 | |
Oh, it's really great to be around people that have done | 0:27:38 | 0:27:42 | |
the same kind of bat-shit crazy stuff that I have. | 0:27:42 | 0:27:46 | |
He's here. In the supermarket. | 0:28:03 | 0:28:05 | |
-What are you talking about? Who? -Talbot. | 0:28:05 | 0:28:08 | |
The cop, he's tailing me. | 0:28:08 | 0:28:11 | |
He's buying food colouring. | 0:28:11 | 0:28:13 | |
His recipe, it's all a con, | 0:28:13 | 0:28:15 | |
it's food colouring, not fucking beetroot. | 0:28:15 | 0:28:17 | |
-Maybe he just happens to live nearby. -Yeah, like fuck! It's him. | 0:28:17 | 0:28:20 | |
Oh, my God, what if he questions me? What am I going to say? | 0:28:20 | 0:28:23 | |
-I'll probably crack and tell him everything. -Calm down. | 0:28:23 | 0:28:25 | |
-Are you sure it's him? -Yes, it's him. | 0:28:25 | 0:28:28 | |
I didn't see his face, but I know it's him. | 0:28:28 | 0:28:30 | |
It might be worth checking his actual face. | 0:28:30 | 0:28:33 | |
He's slipped away. | 0:28:36 | 0:28:37 | |
God, he's good. Slippery. | 0:28:40 | 0:28:43 | |
-I think the net's closing in. -Of course you do. | 0:28:45 | 0:28:47 | |
You'll carry on feeling that way until you run out of cocaine. | 0:28:47 | 0:28:50 | |
It's not the coke. | 0:28:50 | 0:28:52 | |
All right, maybe it's partly the coke, | 0:28:52 | 0:28:54 | |
but I saw a helicopter this morning. | 0:28:54 | 0:28:57 | |
Jesus, you're not in fucking Goodfellas! | 0:28:57 | 0:29:00 | |
RUSTLING SOUNDS | 0:29:00 | 0:29:01 | |
-What's that noise? -Nothing, I'm just making coffee. Bye, Joel. | 0:29:01 | 0:29:05 | |
Thank you so much for coming. | 0:29:19 | 0:29:20 | |
Have you had homoeopathic treatment before? | 0:29:26 | 0:29:29 | |
No. | 0:29:29 | 0:29:30 | |
I'm a qualified doctor, so I don't really believe in it. | 0:29:30 | 0:29:34 | |
-Right. -But I'm so fucking desperate that I don't give a shit any more. | 0:29:36 | 0:29:41 | |
OK, well, I'm sorry to hear that. | 0:29:41 | 0:29:45 | |
Can I ask what's been going on for you? | 0:29:46 | 0:29:48 | |
I got dumped recently. | 0:29:48 | 0:29:52 | |
He was married. | 0:29:52 | 0:29:54 | |
He pretended that he loved me, | 0:29:55 | 0:29:58 | |
but it turns out that he was only using me. | 0:29:58 | 0:30:01 | |
He got me sober. | 0:30:41 | 0:30:42 | |
I didn't even know what sober looked like before I met him. | 0:30:45 | 0:30:49 | |
Yeah, my husband, he got clean after years of struggling with alcoholism. | 0:30:49 | 0:30:53 | |
And he says you only need three things - | 0:30:53 | 0:30:55 | |
honesty, open-mindedness and willingness. | 0:30:55 | 0:30:58 | |
Yeah, I've heard...that. | 0:30:59 | 0:31:03 | |
He sounds like a really nice guy. | 0:31:03 | 0:31:06 | |
Your husband. | 0:31:07 | 0:31:09 | |
Yes, he is. | 0:31:09 | 0:31:11 | |
Well, what kind of stuff do you guys like to do together? | 0:31:11 | 0:31:14 | |
Well, um...we both like cooking. | 0:31:16 | 0:31:21 | |
What kind of TV shows do you like to watch? | 0:31:21 | 0:31:24 | |
Er...don't know really, um... | 0:31:25 | 0:31:28 | |
Game Of Thrones? | 0:31:28 | 0:31:29 | |
Game Of Thrones, it's so... It's great. | 0:31:29 | 0:31:32 | |
Isn't it, Game Of Thrones? | 0:31:32 | 0:31:35 | |
Loose lips sink ships. | 0:31:38 | 0:31:39 | |
-What the fuck? -You're a snitch, you're a stool pigeon. | 0:31:39 | 0:31:43 | |
-Joel! -You've ratted me out. | 0:31:43 | 0:31:44 | |
You have sent Charlie to his grave and me to the electric chair. | 0:31:46 | 0:31:49 | |
-Don't be a maniac. -And all for what? | 0:31:49 | 0:31:51 | |
-A nice juicy pardon from the lovely judge? -I haven't ratted out anyone. | 0:31:51 | 0:31:55 | |
Mm? Well, who was that cop you were just talking to? | 0:31:55 | 0:31:57 | |
A friend of a friend who just happens to be | 0:31:57 | 0:31:59 | |
a member of the Flying Squad? | 0:31:59 | 0:32:01 | |
It wasn't a cop, it was a publisher. His name is Patrick. | 0:32:01 | 0:32:04 | |
-A publisher. -Yes. | 0:32:04 | 0:32:07 | |
I sent out the first two chapters of my novel, | 0:32:07 | 0:32:09 | |
under a pseudonym, of course, | 0:32:09 | 0:32:10 | |
and he really liked it and offered me a book deal. | 0:32:10 | 0:32:14 | |
-Right. -I mean, it's an e-book and I have to pay for half the publishing | 0:32:14 | 0:32:17 | |
and marketing costs, but when we get arrested and famous, | 0:32:17 | 0:32:21 | |
there'll be a tonne of free publicity. | 0:32:21 | 0:32:23 | |
Might even be a bestseller. | 0:32:23 | 0:32:24 | |
So you've risked blowing our cover sky-high for your stupid book? | 0:32:24 | 0:32:28 | |
It's not a stupid book. It's a genre masterpiece. | 0:32:28 | 0:32:33 | |
According to Patrick. | 0:32:33 | 0:32:34 | |
He's really lucky to have you. | 0:32:42 | 0:32:44 | |
Thank you. | 0:32:45 | 0:32:47 | |
You're just like this lovely, lovely, lovely person. | 0:32:47 | 0:32:51 | |
-You're a lovely person too. -I'm a piece of shit. | 0:32:51 | 0:32:54 | |
If you knew me better, you would absolutely agree with that. | 0:32:54 | 0:32:57 | |
Oh, no, I'm sure I wouldn't. | 0:32:57 | 0:32:58 | |
But I do these...things, but I don't know why. | 0:32:58 | 0:33:03 | |
Thanks. | 0:33:09 | 0:33:10 | |
God, that's so unnecessarily nice of you. | 0:33:11 | 0:33:16 | |
Well, I've got two stray cats at home, | 0:33:19 | 0:33:21 | |
so I guess I've got a soft spot for lost souls. | 0:33:21 | 0:33:24 | |
Huh. | 0:33:24 | 0:33:25 | |
Look, erm, I know you think you're a weirdo and everything about you | 0:33:30 | 0:33:35 | |
is wrong and everyone else is happy and perfect, but it's not true. | 0:33:35 | 0:33:41 | |
My husband, he actually, um... | 0:33:42 | 0:33:45 | |
he ran off a few months ago. | 0:33:45 | 0:33:47 | |
Oh, my God, that's terrible. | 0:33:48 | 0:33:50 | |
Hm. With another woman. | 0:33:50 | 0:33:52 | |
Yeah? | 0:33:54 | 0:33:56 | |
One of his oldest friends. And apparently they're in love. | 0:33:56 | 0:34:01 | |
In Scotland. | 0:34:02 | 0:34:04 | |
-Really? -I think so. | 0:34:05 | 0:34:08 | |
But I don't know, I don't know, I don't know, | 0:34:09 | 0:34:12 | |
I don't know anything any more. | 0:34:12 | 0:34:13 | |
You see, the thing is, there's probably, er, definitely, | 0:34:25 | 0:34:29 | |
an explanation. | 0:34:29 | 0:34:30 | |
-SNORTS -He's not dead, that's the main thing. | 0:34:30 | 0:34:34 | |
MUTTERING | 0:34:43 | 0:34:46 | |
LAUGHTER | 0:34:57 | 0:35:00 | |
Hey, hey, hey. | 0:35:39 | 0:35:41 | |
I just wanted to say sorry, you know, for the other night. | 0:35:42 | 0:35:45 | |
Threatening you with a crossbow. | 0:35:45 | 0:35:47 | |
If you want to surrender, you should be allowed to surrender. | 0:35:47 | 0:35:49 | |
That's in the Geneva Convention, I imagine. | 0:35:49 | 0:35:52 | |
What about actually shooting me with the crossbow? | 0:35:52 | 0:35:55 | |
Oh, yeah. I'm sorry about that too. | 0:35:55 | 0:35:57 | |
And about Kira. I shouldn't have gone to see her. | 0:36:01 | 0:36:04 | |
I have fucked things up even worse than they already were, | 0:36:08 | 0:36:11 | |
which is a pretty impressive achievement. | 0:36:11 | 0:36:13 | |
Anyway, I found this great tattooist shop in town, | 0:36:14 | 0:36:18 | |
-got myself inked up. -I'm assuming you were drunk when you did this. | 0:36:18 | 0:36:22 | |
You can pretty much assume that I'm drunk all the time at the moment. | 0:36:22 | 0:36:25 | |
Isn't it illegal to tattoo someone when they're intoxicated? | 0:36:25 | 0:36:28 | |
Well, then I guess this tattoo guy is just a maverick outlaw | 0:36:28 | 0:36:31 | |
who's going to be on the run from the tattoo police. | 0:36:31 | 0:36:33 | |
But as far as I'm concerned, he's my personal hero. | 0:36:33 | 0:36:36 | |
And I think you will agree. | 0:36:36 | 0:36:38 | |
Da-dah! | 0:36:44 | 0:36:45 | |
What the fuck is that? | 0:36:47 | 0:36:49 | |
Titanic. | 0:36:50 | 0:36:52 | |
"Made it, Ma - top of the world!" | 0:36:52 | 0:36:55 | |
We went to see it when we were in sixth form, remember? | 0:36:55 | 0:36:58 | |
Double date, you and Bridget Woods, great tits, shame about the teeth. | 0:36:58 | 0:37:01 | |
Yeah, I think... | 0:37:01 | 0:37:02 | |
It was my first date with Kira, and my last as it turned out, | 0:37:02 | 0:37:05 | |
she spent more time looking at you, then she did at Leonardo. | 0:37:05 | 0:37:08 | |
-The quote... -But it was all three of us, | 0:37:08 | 0:37:10 | |
all together, having a great time. | 0:37:10 | 0:37:11 | |
The good old days. So, I thought I'd have it memorialised. | 0:37:11 | 0:37:15 | |
You know, try and remember why we've done all this crazy stuff | 0:37:15 | 0:37:17 | |
in the first place cos it's coming to an end soon. | 0:37:17 | 0:37:20 | |
We might not see each other for a while. | 0:37:20 | 0:37:21 | |
And if I'm going to prison, which, let's face it, | 0:37:21 | 0:37:23 | |
I definitely am, might be a good idea to get a tattoo in early. | 0:37:23 | 0:37:27 | |
I mean, the prisoners probably love Titanic, don't they? | 0:37:27 | 0:37:30 | |
I mean, who doesn't? It's only the biggest box office hit of all time | 0:37:30 | 0:37:34 | |
and won 11 fucking Oscars. | 0:37:34 | 0:37:36 | |
It's "I'm the king of the world," it's not top of the world. | 0:37:36 | 0:37:39 | |
-CHARLIE SNIGGERS -What? | 0:37:39 | 0:37:41 | |
The quote, I think that's from a James Cagney movie? | 0:37:41 | 0:37:44 | |
My dad had it on VHS. You probably watched it at our place. | 0:37:44 | 0:37:49 | |
Shit. | 0:37:49 | 0:37:50 | |
Well, maybe if I go back now, | 0:37:52 | 0:37:54 | |
I can, like, get the letters changed before... | 0:37:54 | 0:37:57 | |
Do they dry? | 0:37:58 | 0:37:59 | |
My advice would be don't go back | 0:37:59 | 0:38:01 | |
to the guy who tattooed a drunk maniac. | 0:38:01 | 0:38:04 | |
This is you all over, isn't it? | 0:38:07 | 0:38:10 | |
I try and do something nice for you and you piss all over it. | 0:38:10 | 0:38:14 | |
Oh, come on. | 0:38:14 | 0:38:16 | |
Do you know... | 0:38:20 | 0:38:21 | |
..you take away everything that's important to me? | 0:38:22 | 0:38:25 | |
I was the one who introduced you to Kira. | 0:38:27 | 0:38:29 | |
If it wasn't for me, you never would have met. | 0:38:29 | 0:38:33 | |
So this whole insane kidnap... | 0:38:37 | 0:38:41 | |
is due to the fact that you are so jealous of me, of my life... | 0:38:41 | 0:38:45 | |
..that you'd do anything you can to destroy it? | 0:38:47 | 0:38:50 | |
I'm not trying to destroy your life. | 0:38:50 | 0:38:54 | |
I'm trying to save it. | 0:38:54 | 0:38:55 | |
Oh, by the way, Kira said that my roast potatoes were better | 0:39:01 | 0:39:05 | |
than your roast potatoes. | 0:39:05 | 0:39:08 | |
"Crispy on the outside, fluffy on the inside." | 0:39:08 | 0:39:11 | |
That's an exact quote. | 0:39:11 | 0:39:13 | |
-Time to get up. -No. | 0:39:31 | 0:39:33 | |
We've got the last dose to administer. | 0:39:33 | 0:39:36 | |
Oh, screw the chemo. | 0:39:36 | 0:39:39 | |
Just get me some coke and maybe some heroin. | 0:39:40 | 0:39:44 | |
Forget about the coke, forget about Nadia, forget about Kira | 0:39:44 | 0:39:47 | |
and most importantly forget about yourself. | 0:39:47 | 0:39:49 | |
We're almost across the finish line. | 0:39:49 | 0:39:51 | |
I'm on the last chapter of my novel, | 0:39:51 | 0:39:53 | |
I never thought I could get a book published or save a man's life. | 0:39:53 | 0:39:56 | |
-Self-published. -But it turns out I can do both. | 0:39:56 | 0:40:00 | |
We're going to win this war, but first we've got to invade | 0:40:00 | 0:40:03 | |
Charlie's immune system with all the battalions we have. | 0:40:03 | 0:40:06 | |
OK, here, can you take this? | 0:40:35 | 0:40:37 | |
-Hm? -Joel. | 0:40:37 | 0:40:39 | |
Fuck! | 0:40:42 | 0:40:43 | |
That's the last vial. | 0:40:43 | 0:40:45 | |
-What? -We've no more dacarbazine left. | 0:40:45 | 0:40:48 | |
I'm hungover. | 0:40:49 | 0:40:51 | |
I told you to get me some more coke and you wouldn't listen, so... | 0:40:51 | 0:40:54 | |
The final drug of the final dose and you ruined it! | 0:40:54 | 0:40:57 | |
Fucking great! | 0:40:57 | 0:40:59 | |
Maybe I can source some black-market stuff from the Silk Road | 0:41:02 | 0:41:07 | |
or whatever they're calling it nowadays. | 0:41:07 | 0:41:08 | |
Right, hang on. | 0:41:08 | 0:41:10 | |
Hi, Nadia, it's Joel. | 0:41:18 | 0:41:20 | |
We miss you. | 0:41:20 | 0:41:22 | |
Anyway, no biggie, but I wondered whether you could give us a hand | 0:41:22 | 0:41:25 | |
cos we've sort of run out of dacarbazine. | 0:41:25 | 0:41:29 | |
Yeah, so give us a call back. Bye. | 0:41:29 | 0:41:32 | |
What about the pharmacist? | 0:41:32 | 0:41:34 | |
-Shazia? She seemed to basically hate us. -Do you have any better ideas? | 0:41:34 | 0:41:38 | |
Fine. | 0:41:38 | 0:41:39 | |
Can you do it? | 0:41:44 | 0:41:45 | |
Fuck. | 0:41:49 | 0:41:51 | |
Just play it cool, yeah? | 0:41:51 | 0:41:53 | |
The thing about having a secret hideout is that | 0:41:53 | 0:41:54 | |
if you tell everyone where it is, it's no longer a secret. | 0:41:54 | 0:41:57 | |
There's nowhere safe to meet. Talbot is following me everywhere. | 0:41:57 | 0:42:00 | |
-I saw him at the Post Office yesterday. -Did you? | 0:42:00 | 0:42:02 | |
Or did you see a man who resembled Talbot | 0:42:02 | 0:42:04 | |
by virtue of having face, arms and a body? | 0:42:04 | 0:42:06 | |
Found the place...eventually. | 0:42:07 | 0:42:10 | |
-Dacarbazine. -Imidazole Carboxamide? -Yep. | 0:42:10 | 0:42:13 | |
-Now, can I use your loo? -Do you mind if you don't? | 0:42:14 | 0:42:17 | |
-Oh, real mess in there. -We're pigs. -Yeah, her, right pig. | 0:42:17 | 0:42:21 | |
SHE OINKS | 0:42:21 | 0:42:23 | |
Ten grand, plus two more for the express delivery. | 0:42:25 | 0:42:28 | |
Never agreed to that much. | 0:42:28 | 0:42:29 | |
That's the outdoor price. | 0:42:29 | 0:42:31 | |
All right, fine. | 0:42:33 | 0:42:34 | |
Don't suppose you've got any coke while we're at it? | 0:42:34 | 0:42:37 | |
No, and I don't do cashback either. | 0:42:37 | 0:42:39 | |
Oh, fuck! | 0:42:43 | 0:42:45 | |
-Hey. -Hey. -Felt weird not helping you cross the finish line. | 0:42:48 | 0:42:53 | |
It's like spending months reading a book | 0:42:53 | 0:42:56 | |
and then skipping the final chapter. | 0:42:56 | 0:42:58 | |
Have you double booked dacarbazine? | 0:42:58 | 0:43:00 | |
Well, you know, belt and braces. | 0:43:00 | 0:43:02 | |
How much are you charging, out of interest? | 0:43:02 | 0:43:04 | |
I was thinking that it might be on the house. | 0:43:04 | 0:43:07 | |
For old times' sake. | 0:43:07 | 0:43:08 | |
How's...Chester? | 0:43:10 | 0:43:12 | |
He's good. Yeah, he's good. | 0:43:12 | 0:43:14 | |
Well, that seems like a very reasonable offer. | 0:43:14 | 0:43:16 | |
-MUFFLED CRIES -Sorry to waste your time, but... | 0:43:16 | 0:43:19 | |
-Everything all right? -Yeah, we've just got some creatures. | 0:43:21 | 0:43:25 | |
In the basement. | 0:43:25 | 0:43:27 | |
-Creatures? -Not creatures...dogs. | 0:43:27 | 0:43:31 | |
Dogs are creatures, that's why I said creatures. | 0:43:31 | 0:43:33 | |
-These guys train and breed dogs. -Exactly, that's exactly what we do. | 0:43:33 | 0:43:37 | |
-MUFFLED CRIES CONTINUE -Sorry, just going to go muzzle them. | 0:43:37 | 0:43:41 | |
Sorry about the mix-up, | 0:43:41 | 0:43:42 | |
but don't wait around any longer on our account. | 0:43:42 | 0:43:45 | |
Help! | 0:43:46 | 0:43:48 | |
Help! My name's Charlie Taylor. I've been kidnapped. Please help me. | 0:43:48 | 0:43:52 | |
On second thoughts, would you mind staying for a little bit? | 0:43:52 | 0:43:55 | |
-Grab her phone. -What? -Grab her phone! | 0:43:55 | 0:43:57 | |
-No! No! -Hurry. | 0:43:59 | 0:44:02 | |
-The keys. -I'm sorry about this. -No! | 0:44:02 | 0:44:05 | |
Help! | 0:44:05 | 0:44:07 | |
Help! | 0:44:08 | 0:44:09 | |
-Get the fuck off me! -Let's tie her up. Do you have any spare ropes? | 0:44:16 | 0:44:20 | |
No, I don't have any spare ropes. | 0:44:20 | 0:44:22 | |
It's not the most stupid question, you do have some rope. | 0:44:22 | 0:44:24 | |
-Let me go.... -We can pin her down with something heavy. | 0:44:24 | 0:44:27 | |
-The sofa. -What?! | 0:44:27 | 0:44:29 | |
-Pull the sofa away from the wall. -Could you do it? -Yes. | 0:44:29 | 0:44:33 | |
No, no, no, no! | 0:44:33 | 0:44:35 | |
For the record, I'm really sorry about all this. | 0:44:37 | 0:44:40 | |
-You're crushing me, let me go. -We're not really kidnappers. | 0:44:40 | 0:44:42 | |
That guy in the basement, he's actually an old friend of ours | 0:44:42 | 0:44:45 | |
and we're giving him chemotherapy because the NHS turned him down. | 0:44:45 | 0:44:48 | |
-Those dirty bastards. -Yeah, I mean, you'd better not tell anyone | 0:44:48 | 0:44:50 | |
because if we do get arrested, then he will die, OK? | 0:44:50 | 0:44:53 | |
I won't, I promise. | 0:44:53 | 0:44:54 | |
-OK, I've taken care of Charlie. Where's Shazia? -I'm down here. | 0:44:54 | 0:44:57 | |
Oh, for God's sake, let her go. | 0:44:57 | 0:44:59 | |
We can't just let her go, she'll run straight to the police. | 0:44:59 | 0:45:02 | |
-No, I won't. -She sells chemotherapy drugs illegally which means | 0:45:02 | 0:45:04 | |
she won't be going to the police. | 0:45:04 | 0:45:06 | |
Yeah, it also means she's dodgy as fuck and can't be trusted! | 0:45:06 | 0:45:09 | |
I'm not going to go to the police, I promise! | 0:45:09 | 0:45:12 | |
What are you doing? Get off! | 0:45:12 | 0:45:14 | |
We're prepared to give you five grand | 0:45:15 | 0:45:17 | |
-if you promise not to tell the cops. -Yes, I promise. | 0:45:17 | 0:45:19 | |
She already promised. Why are you giving her five grand | 0:45:19 | 0:45:22 | |
for a repeat promise? | 0:45:22 | 0:45:23 | |
Yeah, an envelope full of cash is hardly a legally binding contract. | 0:45:23 | 0:45:26 | |
What's your plan, then? Keep her behind the sofa like a pet tortoise? | 0:45:26 | 0:45:30 | |
Why not? Double kidnapping? Double or quits. | 0:45:30 | 0:45:32 | |
No, one kidnapping's fine. | 0:45:32 | 0:45:33 | |
No big deal. Doing the double is professional level. | 0:45:33 | 0:45:36 | |
There's always another option. | 0:45:36 | 0:45:38 | |
-Please! You don't have the balls to kill her. -Kill me? | 0:45:40 | 0:45:43 | |
I just wiped my last victim's blood off my crossbow. | 0:45:43 | 0:45:46 | |
-I reckon Bow-no could do with some fresh meat. -Jesus Christ! | 0:45:46 | 0:45:49 | |
First, you ruin everything by fucking off with Charlie, | 0:45:49 | 0:45:52 | |
then you ruin everything by fucking up his last dose. | 0:45:52 | 0:45:55 | |
I am the only one keeping this sinking ship afloat | 0:45:55 | 0:45:58 | |
and now you want to add murder to our problems? | 0:45:58 | 0:46:00 | |
You are such a pair of twats! | 0:46:00 | 0:46:02 | |
Look, I am the only one | 0:46:02 | 0:46:04 | |
who is prepared to do whatever it takes to save Charlie. | 0:46:04 | 0:46:07 | |
Your brilliant plan is to let the witness waltz into the cop shop | 0:46:07 | 0:46:10 | |
-with a pocket full of my money. -Your ex-wife's money. | 0:46:10 | 0:46:13 | |
-Fuck you! -Fuck you! -She was the one who helped Charlie escape! | 0:46:13 | 0:46:16 | |
I may have helped him escape but at least I didn't | 0:46:16 | 0:46:19 | |
-run off with him to Scotland. -What? How did you...? | 0:46:19 | 0:46:21 | |
A little bird told me. A little bird | 0:46:21 | 0:46:22 | |
with lovely feathers by the name of Kira. | 0:46:22 | 0:46:24 | |
-You went to see Kira? -Yeah, she's smoking hot. | 0:46:24 | 0:46:26 | |
I can totally see why you wanted to sneak off and bone her. | 0:46:26 | 0:46:29 | |
-Oh, jealous. -Please! -I did not sneak off and bone her! | 0:46:29 | 0:46:32 | |
She told me all about your little visits. They sound lovely. | 0:46:32 | 0:46:34 | |
-Look, Kira needed someone. I was there for her. -I get it. | 0:46:34 | 0:46:38 | |
She's the Madonna, I'm the whore. | 0:46:38 | 0:46:40 | |
You wanted me to suck your cock while she baked you spelt bread. | 0:46:40 | 0:46:43 | |
No, I didn't! I don't even know what spelt bread is. | 0:46:43 | 0:46:45 | |
-It's bread that tastes of lies. -Oh, it's perfect for you, then. | 0:46:45 | 0:46:48 | |
-No, actually, I prefer delicious truth loaf! -Guys. | 0:46:48 | 0:46:50 | |
-BOTH: What?! -Shazia! | 0:46:50 | 0:46:52 | |
-Shit. -Fuck! -Forget her. | 0:46:56 | 0:46:59 | |
Let's get on with saving Charlie. | 0:46:59 | 0:47:01 | |
First things first. Right. | 0:47:02 | 0:47:04 | |
Ugh! | 0:47:43 | 0:47:44 | |
Fuck! I wasn't going to run her over, I was trying to frighten her. | 0:47:47 | 0:47:51 | |
-I was going to swerve, I was going to swerve! -Oh, shit! | 0:47:51 | 0:47:55 | |
I am not going to be an accessory to murder. | 0:47:55 | 0:47:58 | |
Well, you will be when she runs straight to the cops | 0:47:58 | 0:48:00 | |
and they bust us and Charlie doesn't finish his treatment and dies. | 0:48:00 | 0:48:04 | |
-It'll take her hours to run back to civilisation. -Yeah? | 0:48:04 | 0:48:07 | |
Well, better use those hours to bleach the fuck out of Charlie | 0:48:07 | 0:48:09 | |
-before the cops haul us away to the gallows. -The gallows? | 0:48:09 | 0:48:12 | |
Who do you think you are? The Dick Turpin of chemo? | 0:48:12 | 0:48:15 | |
Yes. | 0:48:15 | 0:48:16 | |
Well, guess a party's not a party... | 0:48:20 | 0:48:22 | |
till the cops show up | 0:48:22 | 0:48:24 | |
and somebody's getting injected with illegal drugs. | 0:48:24 | 0:48:26 | |
-You're looking well. -Yeah, I know. | 0:48:42 | 0:48:44 | |
Don't think it's all thanks to you and your amazing wisdom. | 0:48:44 | 0:48:47 | |
-I don't need your help. -I know you don't. -Well, good. | 0:48:47 | 0:48:50 | |
-There's a car driving up. I think it's a police car. -What? | 0:48:50 | 0:48:54 | |
That bitch must have called them as soon as she found a phone box! | 0:48:54 | 0:48:57 | |
I knew it. I'm going to kill you. | 0:48:57 | 0:48:59 | |
-As soon as we've saved this twat's life. -I'm going home. | 0:48:59 | 0:49:03 | |
-I'm actually going home. -Get the drugs in him while I hold them off. | 0:49:03 | 0:49:07 | |
Hold them off? | 0:49:07 | 0:49:09 | |
Let's finish this. | 0:49:11 | 0:49:13 | |
This is an outlaw hospital and you do not have an appointment. | 0:49:58 | 0:50:02 | |
-Shit! -Don't shoot, I've got kids! -Oh, kids, kids! | 0:50:03 | 0:50:07 | |
Everyone's got fucking kids! | 0:50:07 | 0:50:09 | |
As if that instantly makes you a worthwhile human being! | 0:50:09 | 0:50:12 | |
SIRENS WAIL | 0:50:12 | 0:50:15 | |
Go, go, go! Into position! | 0:50:18 | 0:50:21 | |
Support! | 0:50:24 | 0:50:25 | |
TURNS ON MEGAPHONE | 0:50:32 | 0:50:34 | |
Joel... | 0:50:37 | 0:50:38 | |
..come down. | 0:50:39 | 0:50:41 | |
This has got to end. | 0:50:41 | 0:50:43 | |
Now. | 0:50:43 | 0:50:45 | |
No! | 0:50:45 | 0:50:46 | |
I'm finally doing something good with my life. | 0:50:46 | 0:50:48 | |
You're not going to ruin it! | 0:50:48 | 0:50:49 | |
-Give me my husband back, you fucking arsehole! -I'm trying to! | 0:50:49 | 0:50:54 | |
That's the whole idea! I'm trying to give him back to you as good as new! | 0:50:54 | 0:50:58 | |
Shit, the end is fucked. | 0:50:58 | 0:51:00 | |
-You fucked up my hand with your driving! -Let me do it. | 0:51:00 | 0:51:03 | |
I am the doctor. I'm going to save him. | 0:51:03 | 0:51:06 | |
It's over, Joel. Come down. | 0:51:06 | 0:51:08 | |
Yeah, come down, Joel. Jump! You know you deserve it, jump! | 0:51:08 | 0:51:14 | |
Charlie would be dead if it wasn't for me. | 0:51:14 | 0:51:17 | |
If anyone's the villain around here, it's not me! It's you! | 0:51:17 | 0:51:21 | |
And just because I've put you through hell | 0:51:21 | 0:51:23 | |
and you're beautiful and I am madly in love with you doesn't mean | 0:51:23 | 0:51:26 | |
you're not a deluded, New Age lunatic with blood on your hands! | 0:51:26 | 0:51:30 | |
-Are you drunk? -No, I'm sober as a fucking judge. | 0:51:31 | 0:51:34 | |
Right, well, you're going to mess up everything so give it to me. | 0:51:34 | 0:51:36 | |
Fuck off! | 0:51:36 | 0:51:38 | |
-POLICE: -Open up! | 0:51:43 | 0:51:44 | |
-Just give it to me, please! -I can do it! Get your hands off me! | 0:51:44 | 0:51:48 | |
For God's sake, let me do it! | 0:51:48 | 0:51:50 | |
What? | 0:51:50 | 0:51:52 | |
You were right. | 0:51:52 | 0:51:53 | |
The drugs are curing me, I want to see my girls grow up, | 0:51:53 | 0:51:56 | |
just let me do it. | 0:51:56 | 0:51:58 | |
-POLICE: -Open up! | 0:51:58 | 0:51:59 | |
POLICE RAM DOOR | 0:52:02 | 0:52:05 | |
We are armed police. Put down your weapons. | 0:52:07 | 0:52:10 | |
-We don't have any weapons. -We don't have any weapons! | 0:52:10 | 0:52:13 | |
-No weapons. -Zero weapons, officer! | 0:52:13 | 0:52:15 | |
It's OK, Mr Taylor, you're safe now. You're going to be OK. | 0:52:17 | 0:52:21 | |
Yeah. I am. | 0:52:21 | 0:52:24 | |
Tess. | 0:52:27 | 0:52:28 | |
Tess, is it in? | 0:52:28 | 0:52:30 | |
-It's in! -It's done! | 0:52:30 | 0:52:33 | |
-Kira, I'm so sorry about everything. -Hi, Kira. | 0:52:36 | 0:52:41 | |
I'm sorry, too. Except for what I said about homoeopathy. | 0:52:41 | 0:52:44 | |
It's total bullshit. | 0:52:44 | 0:52:45 | |
Did you hear that? | 0:52:47 | 0:52:48 | |
The drugs are in his system and there's nothing you can do about it. | 0:52:48 | 0:52:52 | |
I made it, Ma - top of the world! | 0:52:52 | 0:52:56 | |
Armed police, put the weapon down. | 0:52:56 | 0:52:58 | |
-KIRA: -Charlie! Charlie! | 0:53:09 | 0:53:12 | |
ORGANIST PLAYS ABIDE WITH ME | 0:53:50 | 0:53:54 | |
Such a shame about Andrew Bennett topping himself. | 0:54:27 | 0:54:30 | |
Well, he liked all that. The grim darkness. | 0:54:30 | 0:54:33 | |
So, how would you rate Wormwood Scrubs on PrisonAdvisor? | 0:54:33 | 0:54:36 | |
Do you know what? The service is a bit lacking. | 0:54:36 | 0:54:38 | |
I'd probably give it minus stars. | 0:54:38 | 0:54:40 | |
I wouldn't give Holloway repeat business, either. | 0:54:40 | 0:54:43 | |
Hey, it's those crazy chemo assholes from the news. | 0:54:43 | 0:54:46 | |
-Oh, hey, it's Dr Cool! -I heard about this cheery little get-together. | 0:54:46 | 0:54:50 | |
I got the bad case of the FOMO. | 0:54:50 | 0:54:52 | |
-So, what have you been up to since you got out? -I got fired. | 0:54:52 | 0:54:56 | |
Struck off. Probably best to put everybody out of their misery. | 0:54:56 | 0:54:59 | |
I'm actually training to be a massage therapist. | 0:54:59 | 0:55:02 | |
Of course you are. | 0:55:02 | 0:55:03 | |
Hey. | 0:55:03 | 0:55:05 | |
-Hey. -Hey. -Hey! | 0:55:07 | 0:55:10 | |
-You look great. -Yeah, thank you. | 0:55:13 | 0:55:15 | |
I feel... I actually feel great. | 0:55:15 | 0:55:19 | |
-I had a PET scan last week and got the all clear. -Brilliant! | 0:55:19 | 0:55:23 | |
-And Kira's pregnant. -Wow! | 0:55:26 | 0:55:28 | |
She's...due in May. | 0:55:28 | 0:55:31 | |
Amazing. | 0:55:31 | 0:55:34 | |
Congratulations. | 0:55:34 | 0:55:35 | |
Look, I just want to explain, what I said about Kira on the roof, | 0:55:43 | 0:55:46 | |
-it wasn't... -Don't. | 0:55:46 | 0:55:48 | |
Just... | 0:55:48 | 0:55:50 | |
..don't. | 0:55:51 | 0:55:52 | |
-Listen, there's two things that I need to say to you. -Right. | 0:55:56 | 0:56:01 | |
One - thank you for saving my life. | 0:56:01 | 0:56:06 | |
And two... | 0:56:07 | 0:56:09 | |
..goodbye. | 0:56:14 | 0:56:15 | |
Don't mention it. | 0:56:27 | 0:56:28 | |
-What's this? -It's coming out next year before Synthezoid. | 0:56:32 | 0:56:35 | |
-You did it! -Yeah, I did. | 0:56:37 | 0:56:40 | |
And the second Synthezoid book will come out straight after that. | 0:56:40 | 0:56:44 | |
It's going to be a trilogy. It's going to be amazing. | 0:56:44 | 0:56:48 | |
-Yeah, it's going to be good. -Come along, Mr Jordan. -Right. | 0:56:48 | 0:56:52 | |
Going to make a move. | 0:56:52 | 0:56:54 | |
Yeah. Don't want to get more grounded than you already are. | 0:56:55 | 0:56:59 | |
Listen, I've been reading about this teenager in Plymouth who's been | 0:56:59 | 0:57:03 | |
diagnosed with leukaemia but the poor bastard's a Jehovah's Witness. | 0:57:03 | 0:57:07 | |
He's refusing a blood transfusion. | 0:57:07 | 0:57:09 | |
I'll be Category D in, like, a few weeks. | 0:57:09 | 0:57:12 | |
What do we say we try an intervention? Maybe we could... | 0:57:12 | 0:57:14 | |
-Joel, we're not the fucking A-Team. -Yeah, not yet. | 0:57:14 | 0:57:17 | |
# You know I said it's true | 0:57:19 | 0:57:21 | |
# I can feel the love Can you feel it too? | 0:57:21 | 0:57:23 | |
# I can feel it ah-ah I can feel it ah-ah | 0:57:23 | 0:57:28 | |
# You know I said it's true | 0:57:29 | 0:57:30 | |
# I can feel the love Can you feel it too? | 0:57:30 | 0:57:33 | |
# I can feel it, ah-ah I can feel it, ah-ah | 0:57:33 | 0:57:38 | |
# You know I said it's true | 0:57:39 | 0:57:41 | |
# I can feel the love Can you feel it too? | 0:57:41 | 0:57:45 | |
# I can feel it, ah, yeah | 0:57:45 | 0:57:48 | |
# I can feel it, ah-ah | 0:57:48 | 0:57:50 | |
# You know I said it's true | 0:57:52 | 0:57:55 | |
# I can feel the love Can you feel it too? | 0:57:55 | 0:57:59 | |
# I can feel it, ah-ah | 0:57:59 | 0:58:02 | |
# And you can take it, oh-ah. # | 0:58:02 | 0:58:05 |