Browse content similar to Wild at Heart. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I told you, Dad, she went to her friend's house. | 0:00:22 | 0:00:25 | |
-You just let her walk off? -Dad, what am I supposed to do? | 0:00:25 | 0:00:28 | |
-Ah, Caroline. -You all right? -Your daughter is running wild again. | 0:00:28 | 0:00:31 | |
She's out of control. | 0:00:31 | 0:00:33 | |
But I don't blame her, it's not her fault. No, she's not the one I blame. | 0:00:33 | 0:00:37 | |
Do you blame us, Jim? | 0:00:37 | 0:00:38 | |
Yes, I blame you. | 0:00:38 | 0:00:40 | |
Yeah, I was going to say you as well, but he got there first. | 0:00:40 | 0:00:43 | |
It's all a big joke to you, innit? | 0:00:43 | 0:00:45 | |
Oh, can someone please just tell me what's happened? | 0:00:45 | 0:00:47 | |
This. | 0:00:47 | 0:00:49 | |
A driving licence? | 0:00:49 | 0:00:50 | |
I suppose it's too much to hope she's actually passed her driving test? | 0:00:50 | 0:00:54 | |
She's only 15! Even Lewis Hamilton had to wait till he was 17. | 0:00:54 | 0:00:58 | |
Well, girls develop faster than boys. | 0:00:58 | 0:01:01 | |
Yes, but that says she's 19, and her name's Chloe McVitie. | 0:01:01 | 0:01:05 | |
Heiress to the Jaffa Cake empire, no doubt. | 0:01:05 | 0:01:07 | |
So what are you going to do about it? | 0:01:07 | 0:01:09 | |
Well, maybe she wants to see if she can get into an 18 film. | 0:01:09 | 0:01:13 | |
-She had that rite of passage two years ago. -Look, we'll just ask her why she got it. | 0:01:13 | 0:01:17 | |
Oh, oh, we can't ask her. It was obtained under an illegal search. | 0:01:17 | 0:01:21 | |
-You went in Chloe's bedroom? -Oh, not me. He did. | 0:01:21 | 0:01:24 | |
-Oh! -I was after a pen. | 0:01:24 | 0:01:28 | |
Hey, write this down... | 0:01:28 | 0:01:30 | |
Spanish Flea in the 2:20 at Fontwell, | 0:01:30 | 0:01:34 | |
Dirty Haiku, the four o'clock at Redcar. | 0:01:34 | 0:01:37 | |
-You're not writing. -I ain't got a pen. | 0:01:37 | 0:01:39 | |
-Ask your brother. -Where are the pens? | 0:01:39 | 0:01:41 | |
-I don't live here. -Sorry, I just get confused cos you're always here eating my food. | 0:01:41 | 0:01:45 | |
It's an understandable mistake. | 0:01:45 | 0:01:48 | |
You're useless, the pair of you. Chloe? Have you got a pen? | 0:01:48 | 0:01:51 | |
Chloe? I'll call you back. | 0:01:53 | 0:01:55 | |
The Spanish Flea, Dirty Haiku... | 0:01:57 | 0:01:59 | |
Dirty Flea... No, Spanish Flea, Dirty Haiku. | 0:01:59 | 0:02:03 | |
Chloe? Just want a pen. | 0:02:03 | 0:02:05 | |
Not looking at anything else, just a pen. Blocking everything else out. | 0:02:07 | 0:02:11 | |
Not looking... Not looking... | 0:02:11 | 0:02:13 | |
Not looking... | 0:02:13 | 0:02:16 | |
What the bloody hell's this? | 0:02:16 | 0:02:18 | |
I can't believe you went in her room! | 0:02:18 | 0:02:20 | |
It's lucky someone did. | 0:02:20 | 0:02:22 | |
I'm putting it back. Anything you found that way is inadmissible. | 0:02:22 | 0:02:25 | |
What are you talking about, "inadmissible"? | 0:02:25 | 0:02:28 | |
Just stick it in her face and say, "Start talking!" | 0:02:28 | 0:02:31 | |
Oh, that's a good idea, Jim - a shouting match. | 0:02:32 | 0:02:34 | |
That'll be fun for everyone(!) | 0:02:34 | 0:02:36 | |
-So what's the problem? -Dad, it's all about boundaries. | 0:02:36 | 0:02:39 | |
I know that's hard to understand for someone who goes to the toilet with the door open. | 0:02:39 | 0:02:44 | |
Oh, I understand you perfectly. And if I can paraphrase... | 0:02:44 | 0:02:49 | |
HE CLUCKS | 0:02:49 | 0:02:51 | |
I'm not frightened of her. | 0:02:52 | 0:02:54 | |
It's just if we're going to confront her, | 0:02:54 | 0:02:56 | |
we need our case to be legally airtight. | 0:02:56 | 0:02:58 | |
-And you are a bit frightened of her. -Of course I'm frightened of her! | 0:02:58 | 0:03:01 | |
And anyway, I did... I did confront her, in a way. | 0:03:01 | 0:03:05 | |
Chlo? You all right, love? | 0:03:05 | 0:03:08 | |
Dad. | 0:03:08 | 0:03:10 | |
So what are you up to tonight? | 0:03:11 | 0:03:13 | |
Don't know. Going to Lucy's, probably. | 0:03:13 | 0:03:16 | |
Lucy's? Yeah. Lucy's the binge drinker, isn't she? | 0:03:16 | 0:03:19 | |
-No. -Oh? | 0:03:19 | 0:03:22 | |
-So the binge drinker is, er...? -Nobody. | 0:03:22 | 0:03:25 | |
Nobody. Then I must be getting her mixed up with... | 0:03:25 | 0:03:27 | |
You? | 0:03:27 | 0:03:29 | |
Ooh, nice one. | 0:03:29 | 0:03:31 | |
Hey, it's fun, isn't it, eh, me and you? | 0:03:34 | 0:03:37 | |
We're like mates rather than father and daughter. | 0:03:37 | 0:03:40 | |
We can, you know, talk about anything. | 0:03:40 | 0:03:42 | |
Don't keep nothing from me. | 0:03:42 | 0:03:44 | |
Do you want to talk about my period? | 0:03:44 | 0:03:46 | |
Bye, Dad. | 0:03:46 | 0:03:48 | |
He let her walk away. See, that's the trouble with your generation, | 0:03:48 | 0:03:52 | |
you're so caught up with your "respect" and your "rights" | 0:03:52 | 0:03:55 | |
and "not hitting children". | 0:03:55 | 0:03:58 | |
How did you even get like this? You grew up in the Swinging Sixties. | 0:03:58 | 0:04:02 | |
The Swinging Sixties only happened for Lulu and The Monkees. | 0:04:02 | 0:04:05 | |
Everyone else had to work. | 0:04:05 | 0:04:07 | |
Oh, come on, Jim. Do you not think you're over-reacting just the tiniest bit? | 0:04:07 | 0:04:12 | |
Am I? Well, I wonder if you'll be quite so smug | 0:04:12 | 0:04:14 | |
when your beautiful little daughter, | 0:04:14 | 0:04:17 | |
who it seems only five minutes ago was playing with her dolls and dressing up as a fairy, | 0:04:17 | 0:04:23 | |
starts mainlining horse! | 0:04:23 | 0:04:25 | |
Yes, that's right - horse! | 0:04:25 | 0:04:30 | |
When he says horse, he means heroin. | 0:04:31 | 0:04:34 | |
Yes, I know. | 0:04:37 | 0:04:38 | |
Not the meat, which is actually not too bad. | 0:04:38 | 0:04:42 | |
-So, you're all right with this? -Well, I trust her. | 0:04:42 | 0:04:45 | |
We had fake IDs when we were kids. | 0:04:45 | 0:04:47 | |
Yeah, look what we did with them! | 0:04:47 | 0:04:50 | |
-Medical university's doing my head in. -Yeah, all those books we have to read. | 0:04:50 | 0:04:54 | |
All right? | 0:04:54 | 0:04:55 | |
Hiya. I'll have a pint of snakebite and black. | 0:04:55 | 0:04:58 | |
Yeah, two of them, like. And a Pernod. | 0:04:58 | 0:05:00 | |
-Got any ID? -"Got any ID?" | 0:05:00 | 0:05:03 | |
-It's been a long time since anyone asked me that! -It's flattering in a way, isn't it? | 0:05:03 | 0:05:07 | |
Yeah. There you are. | 0:05:07 | 0:05:09 | |
-All right, Miss Winfrey, Mr Depardieu, that'll be £6.52. -Not a problem. | 0:05:09 | 0:05:13 | |
-You won't have enough for the condom machine. -He's getting them now. | 0:05:15 | 0:05:18 | |
If only you hadn't had that Pernod, our lives could have been completely different. | 0:05:18 | 0:05:23 | |
You can't have a snakebite and black without a Pernod. | 0:05:23 | 0:05:26 | |
We're not Scousers. | 0:05:26 | 0:05:28 | |
Hey, Steve, I've got Ronaldo, Messi and Forlan! | 0:05:35 | 0:05:41 | |
-Who did you swap for that? -David James. | 0:05:41 | 0:05:44 | |
David James for those three? | 0:05:44 | 0:05:46 | |
When you say "swapped", do you actually mean "conned"? | 0:05:46 | 0:05:49 | |
Mikey Flynn doesn't do refunds. | 0:05:49 | 0:05:52 | |
Oh, I wish I could've taken you to Maine Road in the '60s. | 0:05:52 | 0:05:55 | |
The City team back then, they were like sky blue gods. | 0:05:55 | 0:05:59 | |
Oh, that reminds me, Jim, we had a bit of excitement at the hotel today. | 0:05:59 | 0:06:03 | |
-What? Avocado dip didn't come? -HE LAUGHS | 0:06:03 | 0:06:06 | |
Eh?! | 0:06:08 | 0:06:09 | |
-We've got one of those guys staying with us. -What guys? | 0:06:09 | 0:06:12 | |
You know, one them old Man City lot you're always on about. Somebody, oh, Bell, is it? | 0:06:12 | 0:06:17 | |
-Colin Bell? -That's him. He's one of your favourites, isn't he, Jim? | 0:06:17 | 0:06:22 | |
What's so good about Colin Bell, Granddad? | 0:06:22 | 0:06:25 | |
I've told you loads of times. | 0:06:25 | 0:06:28 | |
You take Messi's ball control, Ronaldo's shot and David Beckham's media savvy and you might, | 0:06:28 | 0:06:33 | |
you just might be getting close to King Colin. | 0:06:33 | 0:06:36 | |
Did he marry a pop star? | 0:06:36 | 0:06:38 | |
No, she was a hairdresser, I believe. Did you meet him? | 0:06:38 | 0:06:42 | |
Yeah, he's nice. I had a lovely chat with him. | 0:06:42 | 0:06:45 | |
About what? | 0:06:45 | 0:06:47 | |
Um, I can't remember. | 0:06:47 | 0:06:49 | |
-Think, love, think. -Oh, yeah, I remember what we talked about. | 0:06:49 | 0:06:52 | |
Was it about Man City? | 0:06:52 | 0:06:53 | |
Strictly Come Dancing. Turns out he's a big fan. | 0:06:53 | 0:06:56 | |
-He's not! -He's one of those blokes who can talk about anything. | 0:06:56 | 0:07:00 | |
He's very intelligent, very funny. | 0:07:00 | 0:07:03 | |
Is he? I always knew he would be. | 0:07:03 | 0:07:06 | |
Oh, you've got to introduce me. | 0:07:06 | 0:07:08 | |
-Oh, I don't know about that. -Oh, come on. -I don't know. | 0:07:08 | 0:07:11 | |
I've probably said too much already. I'm meant to respect clients' confidentiality. | 0:07:11 | 0:07:16 | |
You're a receptionist, love, not a priest. | 0:07:16 | 0:07:19 | |
Pardon, Jim? | 0:07:19 | 0:07:21 | |
I'm sorry. I don't know why I said that. I'm so sorry. | 0:07:21 | 0:07:24 | |
I'll think about it. TEXT MESSAGE ALERT | 0:07:24 | 0:07:27 | |
Caz, | 0:07:27 | 0:07:28 | |
-I just got a text off Chloe, "Stopping out late. Don't wait up." -Well, ring her back. | 0:07:28 | 0:07:32 | |
-I tried. She's turned her phone off. -This just gets better and better. | 0:07:32 | 0:07:36 | |
You should've confronted her before. | 0:07:36 | 0:07:38 | |
No, we want a relationship built on trust | 0:07:38 | 0:07:41 | |
so she feels she can confide in us. | 0:07:41 | 0:07:43 | |
I was on his back from the word go and he still confides in me, | 0:07:43 | 0:07:46 | |
don't you? | 0:07:46 | 0:07:48 | |
Yeah, yeah. We had that chat about plumbing last September. | 0:07:48 | 0:07:51 | |
So she's stopping out late, you don't know where, with a fake ID. | 0:07:53 | 0:07:57 | |
No, we've got the ID, Jim. | 0:07:57 | 0:07:59 | |
You've got that one. But who knows what else she's got. | 0:07:59 | 0:08:01 | |
ID, fake passport, | 0:08:01 | 0:08:04 | |
dodgy credit cards. | 0:08:04 | 0:08:06 | |
What do you reckon? Should we phone round her friends? | 0:08:06 | 0:08:09 | |
Then she'd think we don't trust her. | 0:08:09 | 0:08:11 | |
We DON'T trust her! | 0:08:11 | 0:08:13 | |
I know. Yeah... | 0:08:13 | 0:08:14 | |
Oh, no, no, no, no, no! | 0:08:14 | 0:08:16 | |
-You can't go in her room. -Caroline, | 0:08:16 | 0:08:18 | |
this is something I never thought I'd say... but Dad might have a point. | 0:08:18 | 0:08:22 | |
-Thank you. -Oh, I suppose we could have a little look. | 0:08:23 | 0:08:27 | |
-Yes, we can. -Damn right we can! | 0:08:27 | 0:08:29 | |
OK, this is Chloe's private e-mail account. | 0:08:30 | 0:08:33 | |
I just want to go on record as saying this is wrong. | 0:08:33 | 0:08:36 | |
Right, right, do you want me to stop? | 0:08:36 | 0:08:39 | |
I just want it on the record. | 0:08:39 | 0:08:41 | |
All right. OK, um, password? What's her password? What's she into? | 0:08:42 | 0:08:46 | |
High School Musical? | 0:08:46 | 0:08:47 | |
When she was about ten! | 0:08:47 | 0:08:49 | |
Oh. What's that one with the gay vampires? | 0:08:49 | 0:08:52 | |
-Twilight. -That's it, yeah. | 0:08:52 | 0:08:53 | |
Try James Dean. | 0:08:55 | 0:08:57 | |
Jim, it's not 1954 any more. | 0:08:57 | 0:08:59 | |
James Dean. | 0:08:59 | 0:09:00 | |
We're in! | 0:09:03 | 0:09:05 | |
She's got some posters of him, and a book. | 0:09:08 | 0:09:11 | |
Exactly how long were you up here for? | 0:09:11 | 0:09:13 | |
Hey, what sort of thing is this for a young girl to be getting? | 0:09:13 | 0:09:17 | |
"Save pounds on Viagra." | 0:09:17 | 0:09:19 | |
It's just spam. Delete it. | 0:09:19 | 0:09:21 | |
-No, no, wait, wait, wait... -Oh, it's gone. | 0:09:21 | 0:09:24 | |
There's got to be something, be some clue or something... | 0:09:26 | 0:09:30 | |
Whoa, what's that? What's happening? | 0:09:30 | 0:09:32 | |
Someone called Wild@heart is messaging you. | 0:09:32 | 0:09:34 | |
They think we're Chloe. | 0:09:34 | 0:09:37 | |
"Chloe, er, what are you doing?" | 0:09:37 | 0:09:39 | |
Oh, maybe you should close it down. | 0:09:39 | 0:09:41 | |
No, no, wait. This Wild@heart person's going to give us the lead. | 0:09:41 | 0:09:46 | |
Er, "R U there?" | 0:09:47 | 0:09:49 | |
Er, "Yes." | 0:09:49 | 0:09:52 | |
"You know, hanging. | 0:09:52 | 0:09:54 | |
Just chillaxing." | 0:09:56 | 0:09:58 | |
"Chillaxing"? | 0:10:00 | 0:10:02 | |
-Yes, it's what all the kids are saying these days. -No, they're not. | 0:10:03 | 0:10:07 | |
No, it's old school. Now the kids are saying "stuka", | 0:10:07 | 0:10:10 | |
like, "It's, it's well stuka, man". | 0:10:10 | 0:10:12 | |
No, we're not. | 0:10:12 | 0:10:14 | |
You will be. | 0:10:16 | 0:10:17 | |
Er, | 0:10:19 | 0:10:21 | |
"I've just got that cobra tattoo on my bum, now we're like twins." | 0:10:21 | 0:10:24 | |
Chloe's got a tattoo on her bum? | 0:10:27 | 0:10:29 | |
-No way! -Steve, go downstairs. | 0:10:29 | 0:10:32 | |
Have we ever checked her bum? | 0:10:32 | 0:10:35 | |
How am I supposed to check her bum? | 0:10:35 | 0:10:37 | |
-What, so we're supposed to just sit back and not check her bum? -Well... -What kind of parents are we? | 0:10:37 | 0:10:42 | |
Right, whoa, let's just think. Um, right, hang on. I'm going to find out what's going on. | 0:10:42 | 0:10:46 | |
Um... "What's happening tonight?" | 0:10:46 | 0:10:49 | |
"U R still coming to that flash party, right?" | 0:10:54 | 0:10:57 | |
Flash party? | 0:10:57 | 0:10:58 | |
Let's go. Let's go to the flash party. | 0:10:58 | 0:11:01 | |
-What the hell's a flash party? -It's like an impromptu party, usually like in an old building. | 0:11:02 | 0:11:07 | |
It's what you used to call a rave. | 0:11:07 | 0:11:09 | |
Find out where this party is, go and get her and bring her home. | 0:11:09 | 0:11:13 | |
Right. | 0:11:13 | 0:11:14 | |
I thought you were supposed to be the casual, laidback one. | 0:11:14 | 0:11:17 | |
I am. That's why I'm sending Liam. | 0:11:17 | 0:11:20 | |
Do you think I look all right? | 0:11:20 | 0:11:22 | |
We're going to get my daughter, not pick up women. | 0:11:22 | 0:11:24 | |
It's all right, I can multi-task. | 0:11:24 | 0:11:27 | |
Come on. | 0:11:27 | 0:11:28 | |
I hope they get to her before she gets to her dealer. | 0:11:28 | 0:11:33 | |
Pack it in, Jim. She's not a bad girl. | 0:11:33 | 0:11:36 | |
Well, I'm sure that's what Amy Winehouse's mum used to say. | 0:11:36 | 0:11:39 | |
I'm sorry, she's nothing like Amy Winehouse. | 0:11:41 | 0:11:44 | |
She'd never take drugs or marry a criminal. | 0:11:44 | 0:11:47 | |
No, I'm sure you're right. | 0:11:47 | 0:11:49 | |
I was wondering if you'd, er, thought any more about Colin? | 0:11:49 | 0:11:54 | |
-Oh... No. -Why not? | 0:11:54 | 0:11:56 | |
You know why not. | 0:11:56 | 0:11:58 | |
Because you don't want the likes of me coming into your posh hotel. | 0:11:58 | 0:12:00 | |
-Er... pretty much. -You're a snob. | 0:12:00 | 0:12:03 | |
I am not a snob. I just don't want a repeat of last time. | 0:12:03 | 0:12:06 | |
It was an emergency situation. | 0:12:06 | 0:12:08 | |
We've missed the last bus, it's raining, we just need a place to crash out. | 0:12:08 | 0:12:13 | |
I can't just give you a free room, Jim. | 0:12:13 | 0:12:16 | |
We'll make our own beds and everything. You won't know we were here. | 0:12:16 | 0:12:20 | |
I'm sorry, it doesn't work that way. | 0:12:20 | 0:12:22 | |
Course it does. Barry, bring that dog in. It'll be soaked. | 0:12:22 | 0:12:26 | |
Not that. I'd actually forgotten that incident. | 0:12:29 | 0:12:32 | |
Ah, you mean the time when I dropped those sheets in for you to wash? | 0:12:34 | 0:12:37 | |
You're not helping your case by reminding me of these things. | 0:12:37 | 0:12:41 | |
So what are you talking about? | 0:12:41 | 0:12:43 | |
The time in the bar. | 0:12:43 | 0:12:44 | |
Caroline, there's a gentleman asking for you in the bar. | 0:12:46 | 0:12:49 | |
I've got family who work here. She's senior to you. Hey, that's her! | 0:12:49 | 0:12:54 | |
Caroline! | 0:12:54 | 0:12:56 | |
-Jim! -This joker's asking four quid for a pint of bitter. | 0:12:56 | 0:13:00 | |
Yep, that's the price, Jim. | 0:13:00 | 0:13:02 | |
Well, he could've told us that before we drank six each. | 0:13:02 | 0:13:05 | |
I'm afraid there's not much I can do about it now. | 0:13:05 | 0:13:08 | |
This is my daughter-in-law. I want staff discount. | 0:13:08 | 0:13:10 | |
-We don't do staff discount. -Unofficial. | 0:13:10 | 0:13:13 | |
Put it through as lemonade. | 0:13:13 | 0:13:14 | |
We don't do that kind of thing. | 0:13:14 | 0:13:17 | |
Oh, really? Then ask her why every towel in her wardrobe has this hotel's logo on it. | 0:13:17 | 0:13:22 | |
-All right, I was a bit... -Drunk? | 0:13:28 | 0:13:32 | |
Exuberant. It was the fishing club's AGM. | 0:13:32 | 0:13:35 | |
I know that's not much of an excuse but, Caroline, I've really got to meet Colin. | 0:13:37 | 0:13:43 | |
I'd behave myseIf. I love him. | 0:13:43 | 0:13:46 | |
I'm not ashamed to say it. | 0:13:46 | 0:13:48 | |
OK, you can tell him yourself. | 0:13:48 | 0:13:51 | |
Oh, thank you, thank you. | 0:13:51 | 0:13:53 | |
I'm not arranging it, Jim. It's more than my job's worth. | 0:13:53 | 0:13:56 | |
But here's his room number. | 0:13:56 | 0:13:58 | |
Send a note up to Mr Bell, tell him how you feel. | 0:13:58 | 0:14:01 | |
-The rest is up to you. -Oh, thank you. | 0:14:01 | 0:14:04 | |
Oh, me and Colin Bell. I can't believe it. | 0:14:04 | 0:14:07 | |
What will I talk to him about? | 0:14:07 | 0:14:09 | |
Football? | 0:14:09 | 0:14:11 | |
Of course! Yeah, brilliant. Oh, thanks, love! | 0:14:11 | 0:14:15 | |
Relax, he's just a man. | 0:14:21 | 0:14:23 | |
Yep, here we are. 320, the High Street. | 0:14:28 | 0:14:31 | |
Are you sure? Looks like a Turkish restaurant. | 0:14:31 | 0:14:34 | |
Yeah, well, the club'll be in the basement, won't it? | 0:14:34 | 0:14:37 | |
Then when the kids get the munchies bang, they're straight upstairs for a kebab. Double bubble. | 0:14:37 | 0:14:42 | |
What, you reckon? | 0:14:42 | 0:14:43 | |
Yeah. Do you know what the mark-up is on a kebab? | 0:14:43 | 0:14:46 | |
Let's have it. | 0:14:46 | 0:14:48 | |
TV PLAYS IN BACKGROUND | 0:14:49 | 0:14:50 | |
Chloe? Chloe! | 0:14:50 | 0:14:52 | |
-Are you all right? Where's Chloe? -Found the place, no Chloe. | 0:14:52 | 0:14:56 | |
Yeah, but that bloke's going to remember the Flynn brothers. | 0:14:56 | 0:14:59 | |
Every time he sees the spot where Gordon Burns used to be. | 0:14:59 | 0:15:03 | |
Sorry? You stole a photograph of Gordon Burns? | 0:15:03 | 0:15:05 | |
No, Caroline. I stole a SIGNED photograph of Gordon Burns. | 0:15:05 | 0:15:10 | |
But no Chloe? That girl is in so much trouble. | 0:15:10 | 0:15:13 | |
She's pushed it way too far this time. When I get hold of her... | 0:15:13 | 0:15:16 | |
Hiya. | 0:15:16 | 0:15:17 | |
Oh, Chloe... You all right, yeah? You look quite nice actually, love. You have a good time? | 0:15:17 | 0:15:22 | |
-Night. -She's had it. | 0:15:22 | 0:15:25 | |
I'm going to speak to her tomorrow. I'll tell her. | 0:15:25 | 0:15:28 | |
What? | 0:15:30 | 0:15:32 | |
See, it's half-eleven, she's still not up. | 0:15:36 | 0:15:38 | |
-I could go in her room and start hoovering. -No, we'll give her till twelve. | 0:15:38 | 0:15:43 | |
What are you going to say to her? | 0:15:43 | 0:15:45 | |
-I don't know. I can't let her know we've been in her room. -DOOR SHUTS > | 0:15:45 | 0:15:48 | |
Morning, campers. Who fancies a fry? | 0:15:48 | 0:15:50 | |
-Not in the mood, thanks, Tommy. -Huh? | 0:15:50 | 0:15:53 | |
Oh, cos of Chloe? | 0:15:53 | 0:15:54 | |
Yeah. She's still not up. | 0:15:54 | 0:15:56 | |
It's a tricky situation. D'you mind if I...? | 0:15:56 | 0:15:59 | |
No, go for it. | 0:15:59 | 0:16:00 | |
Where's your bacon and your eggs? I wouldn't mind a sausage. | 0:16:01 | 0:16:05 | |
What exactly have you brought round? | 0:16:05 | 0:16:07 | |
Paper. | 0:16:07 | 0:16:08 | |
Bit of washing for... | 0:16:11 | 0:16:12 | |
Oh, bingo! Now, what d'you reckon? | 0:16:15 | 0:16:18 | |
Should I make Chloe a bacon sarnie, pop it up to her? | 0:16:18 | 0:16:21 | |
No, you shouldn't take her up a bacon sarnie. | 0:16:21 | 0:16:23 | |
She did have a late night. | 0:16:23 | 0:16:25 | |
She's in trouble and we're all tiptoeing around her like she's Mariah-bloody-Carey. | 0:16:25 | 0:16:30 | |
You're right. You are absolutely right. | 0:16:30 | 0:16:32 | |
I'm going to go and sort this out. We might have looked in her drawer | 0:16:32 | 0:16:35 | |
and taken a little peek at her private emails, but what she's done is off the scale. | 0:16:35 | 0:16:39 | |
Yeah, WAY off the scale. | 0:16:39 | 0:16:40 | |
I'm her dad, for God's sake! | 0:16:40 | 0:16:42 | |
Her dad, who's thinking about her welfare. | 0:16:42 | 0:16:44 | |
Exactly. Exactly. That's...that... I'm going to go and sort this out. | 0:16:44 | 0:16:49 | |
You sure you don't want a...? | 0:16:49 | 0:16:52 | |
-Chloe? -Yeah, Dad? | 0:16:53 | 0:16:56 | |
-I think we should have a little talk about last night. -What about it? -Turning your phone off. | 0:16:56 | 0:17:00 | |
-The battery died. -Oh. | 0:17:00 | 0:17:02 | |
-Staying out late. -I was at Lucy's. | 0:17:02 | 0:17:04 | |
-I don't think so. -Why not? Could it be because you were in my room?! | 0:17:06 | 0:17:10 | |
You violated my privacy, you trampled my trust because you were in my room! | 0:17:10 | 0:17:14 | |
-No, I wasn't. -Yes, you were! | 0:17:15 | 0:17:18 | |
All right, I was. But it wasn't just me. It was your mum, and Steve and Tommy. It was your granddad! | 0:17:20 | 0:17:24 | |
-Your granddad was the one who came up first! -Oh, Dad, move! -Granddad started this off... | 0:17:24 | 0:17:29 | |
Really struck gold with this lot. | 0:17:29 | 0:17:32 | |
Cannon and Ball... | 0:17:32 | 0:17:34 | |
Tess Daly... | 0:17:35 | 0:17:36 | |
Samir Rashid. He's well Stuka. | 0:17:37 | 0:17:40 | |
-Who? -Deirdre Barlow's Moroccan husband. | 0:17:40 | 0:17:43 | |
-..No right to go into my room! -This is my house, I'll go into any room I want. | 0:17:44 | 0:17:48 | |
-Well, why don't you go into the toilet and flush your head down the bog? -Well, maybe I will. | 0:17:48 | 0:17:52 | |
-That's it! I'm finished with this family. I'm disowned. -You can't disown yourself. -Fine! I resign! | 0:17:52 | 0:17:57 | |
Whoa, whoa, hold it right there, young lady, this has gone far enough. | 0:17:57 | 0:18:00 | |
-I'm not chasing you to any more dodgy flash parties. -What? -That's right. | 0:18:00 | 0:18:04 | |
-We know all about it. -You actually went? | 0:18:04 | 0:18:07 | |
Yes, me and Tommy... | 0:18:08 | 0:18:10 | |
What'd you mean "actually"? | 0:18:11 | 0:18:13 | |
I was at Lucy's house, like I said. | 0:18:13 | 0:18:16 | |
-That's weird. -What? | 0:18:17 | 0:18:20 | |
-You're online. -No, I'm not. | 0:18:20 | 0:18:22 | |
You are. Your name's just come up, look. | 0:18:22 | 0:18:24 | |
Don't believe it. Has someone signed on with my name? | 0:18:24 | 0:18:28 | |
No! | 0:18:28 | 0:18:29 | |
Yeah. Message them "What are you doing?" | 0:18:29 | 0:18:32 | |
It's probably my little brother or something. | 0:18:32 | 0:18:34 | |
No answer. | 0:18:37 | 0:18:39 | |
Put "Are you there?" | 0:18:39 | 0:18:40 | |
"Yeah, just hanging, you know, chillaxing." | 0:18:45 | 0:18:48 | |
Oh, my God, it's my dad! | 0:18:48 | 0:18:50 | |
How do you know? | 0:18:50 | 0:18:53 | |
-It's him. I know it! -Should we sign off? | 0:18:53 | 0:18:55 | |
No way! Budge up. I'm going to mess with his head. | 0:18:55 | 0:19:00 | |
Lucy is Wild@heart. | 0:19:01 | 0:19:02 | |
I knew it! | 0:19:03 | 0:19:05 | |
No, no. There was an address, in Rusholme. | 0:19:05 | 0:19:08 | |
And a...and a password to get in. | 0:19:08 | 0:19:10 | |
A password? No! | 0:19:10 | 0:19:12 | |
Was it something along the lines of... Cheeky-Bum? | 0:19:12 | 0:19:14 | |
-Cheeky-Bum! Chee... That was it, weren't it? -Cheeky... | 0:19:14 | 0:19:18 | |
Did you like it when you got there? Cos I thought you might. | 0:19:19 | 0:19:22 | |
It certainly was an experience, yeah. | 0:19:22 | 0:19:24 | |
Hey, quite a celebrity clientele. | 0:19:29 | 0:19:32 | |
Oh, yeah? | 0:19:32 | 0:19:35 | |
Hey, Liam. Cannon and Ball. | 0:19:35 | 0:19:36 | |
"To Mehmet, you've got a great sense of hummus." | 0:19:36 | 0:19:41 | |
That's very clever. Very clever indeed. | 0:19:41 | 0:19:44 | |
Table for two, gentlemen? | 0:19:44 | 0:19:46 | |
Er, no. No, we're more interested in your other business. | 0:19:46 | 0:19:49 | |
Ah, you want a suit altered? | 0:19:49 | 0:19:51 | |
No, come on. Your other business. | 0:19:51 | 0:19:53 | |
You know... Cheeky-Bum? | 0:19:53 | 0:19:55 | |
Pardon? | 0:19:55 | 0:19:57 | |
Cheeky-Bum. | 0:19:57 | 0:19:59 | |
-Why did you just wink at me? -Oh, come on, we're not here for the dolmades. | 0:19:59 | 0:20:03 | |
Cheeky-Bum. | 0:20:03 | 0:20:05 | |
Gentlemen, I'm afraid I do not appreciate being called "Cheeky Bum". | 0:20:05 | 0:20:08 | |
Look, mate, let's just stop messing about, yeah? | 0:20:08 | 0:20:11 | |
See, I'm pretty sure you're Wild@heart. | 0:20:11 | 0:20:14 | |
-What did you just say? -I said, you're Wild@heart. | 0:20:14 | 0:20:18 | |
You've got a cobra on your arse. | 0:20:18 | 0:20:19 | |
Right. Both of you, out! | 0:20:19 | 0:20:22 | |
Oh, I get it. I get the picture. You want to hang out all night with underage girls, is that it? | 0:20:22 | 0:20:26 | |
-I have never been spoken to before like this. -Listen, mate, | 0:20:26 | 0:20:30 | |
we just want some information, that's all. | 0:20:30 | 0:20:32 | |
You know what? You've got a lovely place here. | 0:20:32 | 0:20:35 | |
It's very nice. | 0:20:35 | 0:20:38 | |
Be a shame if, you know, say, something were to happen to it. | 0:20:38 | 0:20:41 | |
Oops! | 0:20:46 | 0:20:47 | |
Mint Imperials. Hard to replace. | 0:20:49 | 0:20:52 | |
Why don't you... | 0:20:53 | 0:20:55 | |
Why don't you just tell us where the action is? | 0:20:55 | 0:20:59 | |
Faruk? | 0:20:59 | 0:21:00 | |
SPEAKS IN TURKISH | 0:21:00 | 0:21:02 | |
Oh... | 0:21:02 | 0:21:04 | |
Whoa, whoa, whoa, no need to get your curly sword out. | 0:21:04 | 0:21:07 | |
Yeah, and then it all went a bit "Midnight Express". | 0:21:08 | 0:21:12 | |
Two of you against a waiter? That's hardly fair. | 0:21:12 | 0:21:15 | |
We actually could've done with a few more blokes. | 0:21:15 | 0:21:17 | |
All right, all right, calm down... | 0:21:23 | 0:21:25 | |
-Whoa! -Hold him there! | 0:21:25 | 0:21:27 | |
Tommy! Tommy he's got... Tommy, Tommy! | 0:21:27 | 0:21:30 | |
Tommy! I think we've got the wrong place. I'm sorry. | 0:21:30 | 0:21:33 | |
I'll get your pictures back. I will. Sorry. Please, let me go. | 0:21:33 | 0:21:37 | |
Sounds like you could've done with a bit of help. | 0:21:39 | 0:21:41 | |
Yeah, a bit of help from me brother would've been nice. | 0:21:41 | 0:21:43 | |
What? No, I was busy nicking stuff. | 0:21:43 | 0:21:46 | |
-We're taking them back, by the way. -Yeah, most of them. We'll just keep Gordon Burns. | 0:21:46 | 0:21:50 | |
We're taking them all back, Tommy. | 0:21:50 | 0:21:52 | |
So you actually believe I'd go all the way across Manchester for some weird party? | 0:21:52 | 0:21:57 | |
How stupid do you think I am? | 0:21:57 | 0:21:59 | |
Well, now you're asking. | 0:21:59 | 0:22:00 | |
Look, Chloe, we remember what it was like when we were teenagers. | 0:22:00 | 0:22:04 | |
Yeah, and just because you missed your GCSEs to watch Happy Mondays in a field, doesn't mean I will. | 0:22:04 | 0:22:09 | |
It was the Inspiral Carpets. | 0:22:09 | 0:22:11 | |
Look, maybe, just maybe on this one occasion | 0:22:11 | 0:22:16 | |
your father and I may've been slightly in the...wrong. | 0:22:16 | 0:22:20 | |
Pardon? | 0:22:20 | 0:22:21 | |
Yeah, we, erm... we were wrong, sorry. | 0:22:21 | 0:22:24 | |
Didn't hear that. | 0:22:24 | 0:22:25 | |
Sorry, sorry. | 0:22:26 | 0:22:28 | |
You have to hold your head up when you're talking. | 0:22:28 | 0:22:31 | |
We're sorry we went into your room, all right? God! | 0:22:31 | 0:22:34 | |
I suppose that counts as an apology. Mum? | 0:22:34 | 0:22:36 | |
-Get lost. -OK. | 0:22:36 | 0:22:39 | |
Have you looked at her pupils! I told you she was on drugs. | 0:22:44 | 0:22:48 | |
Oh, leave it, Dad. | 0:22:48 | 0:22:50 | |
Hiya, Jim. How was this morning's meeting with King Colin? | 0:22:50 | 0:22:54 | |
No! You went to meet Colin Bell? Why didn't you tell me? | 0:22:54 | 0:22:56 | |
Sorry, love, I didn't think you'd be interested. | 0:22:56 | 0:22:59 | |
-What does he think of the England team? -Does he fancy Cheryl Cole? | 0:22:59 | 0:23:01 | |
I don't want to talk about it. | 0:23:01 | 0:23:03 | |
Can I help you at all, sir? | 0:23:06 | 0:23:09 | |
I'm just waiting for someone. | 0:23:09 | 0:23:11 | |
We usually ask minicab drivers to wait outside. | 0:23:12 | 0:23:15 | |
No, I was hoping to see Mr Bell. | 0:23:15 | 0:23:18 | |
Oh, Mr Bell's meeting you? | 0:23:18 | 0:23:20 | |
Well, I don't know. He might be. | 0:23:20 | 0:23:22 | |
Mr Bell! | 0:23:22 | 0:23:23 | |
Hi, are you Jim? | 0:23:26 | 0:23:28 | |
-Yeah. -Oh, that was a really sweet letter that you sent me. Thank you so much. -Right. | 0:23:29 | 0:23:33 | |
I didn't understand the references to the 1969 FA Cup Final, but it was really sweet, nonetheless. | 0:23:33 | 0:23:39 | |
Very glad you liked it. | 0:23:39 | 0:23:41 | |
Will you excuse me a moment? | 0:23:41 | 0:23:43 | |
-Who the bloody hell's this? -It's Andy Bell, sir. From Erasure - | 0:23:43 | 0:23:48 | |
-the seminal electro-synth pop duo. -Right. | 0:23:48 | 0:23:50 | |
About half them words made sense. | 0:23:50 | 0:23:52 | |
How's about that drink? Come on, I'll tell you about our new album. | 0:23:52 | 0:23:57 | |
So it wasn't Colin Bell after all. It was Andy Bell from Erasure! | 0:24:00 | 0:24:05 | |
What team does he play for? | 0:24:05 | 0:24:06 | |
Let's not get into that! | 0:24:06 | 0:24:09 | |
-How can you get them two mixed up? -I know! It's almost impossible, you'd think. | 0:24:12 | 0:24:17 | |
Oh, I see... I get the picture. | 0:24:17 | 0:24:20 | |
You tried to humiliate me just because I once got a little bit tiddly in your hotel. | 0:24:20 | 0:24:25 | |
Well, thank you very much. | 0:24:25 | 0:24:27 | |
Oh, come on, it's just a bit of fun. Now we're even. | 0:24:27 | 0:24:30 | |
-Actually, I ended up having quite a nice time. -No! | 0:24:30 | 0:24:35 | |
-How long was you with him? -Couple of hours, you know. | 0:24:36 | 0:24:39 | |
-Well, what did you talk about? -Football. Music. | 0:24:43 | 0:24:47 | |
He's moving in a more soulful direction these days, | 0:24:48 | 0:24:51 | |
less chart-oriented. | 0:24:51 | 0:24:53 | |
Erm, did I leave my specs in there? | 0:24:55 | 0:24:57 | |
Oh! That's a belter. | 0:24:59 | 0:25:02 | |
Ooh, hello? Where'd you think you're going? | 0:25:04 | 0:25:06 | |
Still don't trust me then? | 0:25:06 | 0:25:08 | |
We're just asking. And by the way, trust has to be earned. | 0:25:08 | 0:25:12 | |
But you've already admitted that YOU were in the wrong. | 0:25:12 | 0:25:14 | |
-Why'd you always have to be so suspicious? -Oh, I don't know...Miss McVitie? | 0:25:14 | 0:25:18 | |
-Excuse me? -Ooh, yes. Miss Chloe McVitie? | 0:25:18 | 0:25:23 | |
-That's not mine. -Ooh, it's not? | 0:25:23 | 0:25:25 | |
-Well, it's not my name. -It's got your picture on it. | 0:25:25 | 0:25:27 | |
Oh, it was a joke, OK. Everyone at school's got them. I haven't even used mine yet. | 0:25:28 | 0:25:33 | |
Yet?! Yes, that's the word that scares us. | 0:25:33 | 0:25:36 | |
Yeah, keep it! Be nice for you to have a driving licence without any points on it. | 0:25:36 | 0:25:40 | |
Oh, ho ho! | 0:25:40 | 0:25:41 | |
You can just hold on right there. | 0:25:41 | 0:25:43 | |
This isn't just about the fake driving licence. | 0:25:43 | 0:25:46 | |
-What do you mean? -Well, this wasn't the only thing I found. | 0:25:46 | 0:25:50 | |
-What else did you find? -You know exactly what I found. | 0:25:50 | 0:25:55 | |
That's not even mine. I was just holding it for Lucy. | 0:25:56 | 0:25:59 | |
Your mother and I are so disappointed in you, aren't we? | 0:26:05 | 0:26:09 | |
Disappointed doesn't even begin to describe how we feel. | 0:26:09 | 0:26:12 | |
I'm so sorry. It'll never happen again, I promise. | 0:26:12 | 0:26:16 | |
Oh, no? Well, you get up them stairs and you get that thing, | 0:26:16 | 0:26:19 | |
and you bring it right down here and then, maybe, we can put this thing behind us, | 0:26:19 | 0:26:24 | |
and then maybe I can look at you like I used to look at you. | 0:26:24 | 0:26:27 | |
Like the daughter I loved. | 0:26:27 | 0:26:28 | |
OK. | 0:26:30 | 0:26:31 | |
-Scared the crap out of her. -Yeah, you did. -Felt fantastic! | 0:26:39 | 0:26:42 | |
-Hey, what do you think the thing is? -Don't know. | 0:26:42 | 0:26:45 | |
Find out in a minute. | 0:26:46 | 0:26:48 | |
Oops! | 0:26:49 | 0:26:51 | |
-Chloe! -Chloe! Grab it! | 0:26:53 | 0:26:56 | |
Listen, there is no need for you to do this. | 0:26:56 | 0:26:59 | |
I can hang them myself. | 0:26:59 | 0:27:01 | |
Oh, not at all, Mehmet. We've put you through enough inconvenience already. | 0:27:01 | 0:27:05 | |
I hope the, er, Mint Imperials meet your approval. | 0:27:05 | 0:27:08 | |
Good, so we can put this behind us, yeah? | 0:27:08 | 0:27:11 | |
-Yes, I suppose. -Great. Ciao. | 0:27:11 | 0:27:15 | |
Who's this? | 0:27:19 | 0:27:21 | |
Where is my Gordon Burns? | 0:27:22 | 0:27:24 | |
Faruk? | 0:27:24 | 0:27:25 | |
# I know it's going to be all right | 0:27:31 | 0:27:36 | |
# Forever, I'll be by your side | 0:27:39 | 0:27:43 | |
# For everyone you love | 0:27:45 | 0:27:49 | |
# For everyone you feel | 0:27:49 | 0:27:51 | |
# I'm never giving up | 0:27:52 | 0:27:56 | |
# Until the dream is real # | 0:27:56 | 0:27:57 |