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This programme contains some strong language. | 0:00:08 | 0:00:15 | |
CHEERS AND APPLAUSE | 0:00:20 | 0:00:24 | |
Hello, and welcome to Insert Name Here, | 0:00:24 | 0:00:27 | |
the show where we discover surprising facts about people | 0:00:27 | 0:00:30 | |
with just one thing in common - they've all got the same name. | 0:00:30 | 0:00:33 | |
Joining me are six of the best bespokely named people you could possibly wish to meet. | 0:00:33 | 0:00:37 | |
Please welcome James Acaster, Suzannah Lipscomb, and their team captain, Josh Widdicombe. | 0:00:37 | 0:00:41 | |
And over on the other side, Steph McGovern, Rob Beckett, and their captain, Richard Osman. | 0:00:41 | 0:00:47 | |
CHEERS AND APPLAUSE | 0:00:47 | 0:00:50 | |
-Now, hello, Steph. -Hello. | 0:00:54 | 0:00:56 | |
You must come across some really strange names in your line of work. | 0:00:56 | 0:00:59 | |
Oh, I certainly do. I've genuinely interviewed Theresa Green. | 0:00:59 | 0:01:04 | |
I genuinely have, media analyst. | 0:01:04 | 0:01:08 | |
And my best one is Dick Shoots. | 0:01:08 | 0:01:11 | |
He had the option of going with Richard. He's chosen his own... | 0:01:13 | 0:01:16 | |
-He has. -He's American. -Americans do it a lot. | 0:01:16 | 0:01:18 | |
Yeah, but they've still got dicks over there, haven't they? | 0:01:18 | 0:01:22 | |
They don't call them dicks, they call them Joshes. | 0:01:22 | 0:01:25 | |
LAUGHTER AND APPLAUSE | 0:01:25 | 0:01:27 | |
OK, so the all-important question - which name is going to be featuring tonight? | 0:01:31 | 0:01:35 | |
Well, they come as funny tramps, bonnie princes, or even long, | 0:01:35 | 0:01:39 | |
white lines, because tonight's name is Charlie. | 0:01:39 | 0:01:41 | |
CHEERS AND APPLAUSE | 0:01:41 | 0:01:45 | |
Yes, tonight we're going to be talking about people called Charlie, | 0:01:45 | 0:01:48 | |
which needless to say includes Charles, Charlotte and Chas. | 0:01:48 | 0:01:51 | |
Along the way, our teams will be collecting as many Charlies as they can and at the end of the show, | 0:01:51 | 0:01:55 | |
the winning team will have the honour of deciding who's | 0:01:55 | 0:01:57 | |
officially the greatest Charlie of all time and that person | 0:01:57 | 0:02:00 | |
will then be inducted into our Insert Name Here Hall of Fame. | 0:02:00 | 0:02:03 | |
Richard, any early thoughts about who the best Charlie or Charles might be? | 0:02:03 | 0:02:07 | |
It's quite a rich field because some of the greatest Britons of | 0:02:07 | 0:02:11 | |
-all time are Charlies. Charles Darwin... -Yes. | 0:02:11 | 0:02:14 | |
-Charles Babbage, the inventor of the computer. -Computer, yeah. | 0:02:14 | 0:02:16 | |
-Charles Hodge... -Who's Charles Hodge? | 0:02:16 | 0:02:18 | |
-Charles Hodge? -Oh, come now! -You might know him as Chas. | 0:02:18 | 0:02:21 | |
Stop being a Josh! Tell me. Come on. | 0:02:21 | 0:02:23 | |
LAUGHTER | 0:02:23 | 0:02:25 | |
He teamed up with Britain's greatest David, David Peacock, | 0:02:27 | 0:02:31 | |
-to form Chas and Dave. -Oh. AUDIENCE: Ah! | 0:02:31 | 0:02:33 | |
I think now we're in the room. | 0:02:33 | 0:02:35 | |
-Now you're talking, aren't you? -Now you're talking. -Yeah. | 0:02:35 | 0:02:38 | |
James, you look like a man of distinction. | 0:02:38 | 0:02:40 | |
Do you know any Charleses or Charlies? | 0:02:40 | 0:02:42 | |
My nephew's called Charlie. He's four. | 0:02:42 | 0:02:44 | |
I rang him before coming here for some advice on how to be funny. | 0:02:44 | 0:02:48 | |
Good advice. | 0:02:48 | 0:02:50 | |
He said, "Talk a lot about..." | 0:02:50 | 0:02:52 | |
He thinks it's funny when peacocks peck each other. | 0:02:52 | 0:02:55 | |
-So I'm going to get that in later. -Do it! | 0:02:55 | 0:02:58 | |
-To flag it up as well. -Yeah, at some point. | 0:03:02 | 0:03:04 | |
That's something to look forward to. | 0:03:04 | 0:03:07 | |
And he said also, "Make a joke about hot chocolate rice." | 0:03:07 | 0:03:11 | |
-Oh, yeah. -We'll look out for that as well. Hot chocolate rice. | 0:03:11 | 0:03:14 | |
I said to him, "What's that?" And he looked at me like I was an idiot. | 0:03:14 | 0:03:18 | |
-Which was odd, because you'd phoned him. -Yeah. | 0:03:18 | 0:03:20 | |
Listen, let's get on with the show. | 0:03:21 | 0:03:23 | |
Time to pick a Charlie, any Charlie you like. | 0:03:23 | 0:03:26 | |
Our panellists choose a category and behind each category lurks | 0:03:26 | 0:03:28 | |
a famous face, which our teams must then attempt to win. | 0:03:28 | 0:03:31 | |
So, we have got... | 0:03:31 | 0:03:33 | |
Richard, your team's going to go first. What do you fancy out of that lot? | 0:03:38 | 0:03:40 | |
I think maybe we'll go for Silent Charlie, please, Sue. | 0:03:40 | 0:03:43 | |
-You're going to go for Silent Charlie. -Yes. -It's Charlie Chaplin. | 0:03:43 | 0:03:47 | |
Oh! | 0:03:47 | 0:03:48 | |
So, let's have a look at his stats... | 0:03:48 | 0:03:51 | |
LAUGHTER | 0:03:59 | 0:04:01 | |
-He did a speech though, didn't he? -He spoke in real life. | 0:04:04 | 0:04:07 | |
In real life, yeah. | 0:04:07 | 0:04:10 | |
-Oh, leave it out! No! Was it The Great Dictator? -Yeah, The Great Dictator. | 0:04:10 | 0:04:14 | |
-The Great Dictator, there's a huge speech in that. -It's just a joke, Rob. | 0:04:14 | 0:04:17 | |
Who'd have thought Rob was here as the fact checker?! | 0:04:19 | 0:04:22 | |
That's the one I've seen, the one where he speaks, | 0:04:22 | 0:04:25 | |
so I was quite surprised he's silent! | 0:04:25 | 0:04:27 | |
I've always been very keen for Rob to try out silent comedy. | 0:04:27 | 0:04:31 | |
You should give it a go. | 0:04:31 | 0:04:33 | |
I'll do silent when you do actual comedy! | 0:04:35 | 0:04:38 | |
Wahey! | 0:04:38 | 0:04:39 | |
We can all sit at a desk with an iPad, Richard! | 0:04:40 | 0:04:43 | |
I tell you what, our team is really getting on. | 0:04:45 | 0:04:48 | |
-Yeah, we're all friends, it's really nice. -Exactly. | 0:04:49 | 0:04:52 | |
We're like three peacocks pecking each other, aren't we? | 0:04:52 | 0:04:56 | |
That's my material. You can't nick it. | 0:04:56 | 0:04:58 | |
With respect, it's not your material. | 0:05:00 | 0:05:02 | |
So, Chaplin was born on the 16th of April 1889 in London. | 0:05:03 | 0:05:08 | |
His father, a notorious drinker, abandoned Chaplin and his mother not long after his birth. | 0:05:08 | 0:05:12 | |
Aged ten, he's joined a touring troupe called Eight Lancashire Lads. | 0:05:12 | 0:05:16 | |
What was the act? | 0:05:16 | 0:05:18 | |
-So was it a talent like juggling, or...? -Yes. -Human pyramid? | 0:05:18 | 0:05:21 | |
-They were clog dancers. -Clog dancers?! | 0:05:22 | 0:05:24 | |
Yeah, he did clog dancing. | 0:05:24 | 0:05:26 | |
Here they are, sporting the classic Lancastrian look of large ruff and sombrero. | 0:05:26 | 0:05:30 | |
That's the kind of outfit a dead ghost child wears. | 0:05:32 | 0:05:36 | |
Most ghosts are dead, of course, aren't they? | 0:05:38 | 0:05:40 | |
Now, Chaplin stayed with the act for over two years, | 0:05:43 | 0:05:45 | |
occasionally attending school, but left education for good, aged 13. | 0:05:45 | 0:05:49 | |
He was then signed to Fred Karno's music hall company, | 0:05:49 | 0:05:52 | |
where he became a star. | 0:05:52 | 0:05:53 | |
Who was his understudy in those days at Fred Karno's? | 0:05:53 | 0:05:56 | |
-Was it Buster Keaton? -No, but think as famous. | 0:05:56 | 0:06:00 | |
-Was it Hitler? -LAUGHTER | 0:06:00 | 0:06:03 | |
Hold on! That means it might have been. | 0:06:03 | 0:06:07 | |
Of course, after Hitler left the Eight Lancashire Lads, | 0:06:07 | 0:06:10 | |
he carried on to Fred Karno's, before realising | 0:06:10 | 0:06:13 | |
-he wanted to adopt sort of quite hardcore German nationalism. -Well, they did look alike. | 0:06:13 | 0:06:17 | |
-It was actually Stan Laurel. -Oh, really? -No way. | 0:06:17 | 0:06:21 | |
Stan Laurel, or to give him his proper name, Laurel And. | 0:06:21 | 0:06:24 | |
He's obviously best known for his Little Tramp character, | 0:06:24 | 0:06:27 | |
which he developed in just his second film in 1914. | 0:06:27 | 0:06:30 | |
People loved him and his routines, | 0:06:30 | 0:06:31 | |
including this one - the classic Bread Roll Dance from Gold Rush. | 0:06:31 | 0:06:34 | |
How did audiences react to this scene when they first saw it? | 0:06:34 | 0:06:38 | |
Hungrily. | 0:06:38 | 0:06:39 | |
-Did they throw bread rolls at him? -They didn't. | 0:06:41 | 0:06:43 | |
But they were so excited that they made the theatres stop the film, | 0:06:43 | 0:06:47 | |
-roll it back, play it again. -I do that when I'm at the cinema. | 0:06:47 | 0:06:51 | |
-You do do that, or you'd like to? -Yeah, every time I'm at the cinema, | 0:06:51 | 0:06:54 | |
I just stand up and go, "Stop and rewind that!" | 0:06:54 | 0:06:57 | |
Everybody ignores me. I go, "I said stop, please! | 0:06:59 | 0:07:02 | |
"I like that scene! | 0:07:02 | 0:07:04 | |
"Rewind the film! No! Excuse me, madam! | 0:07:04 | 0:07:09 | |
"Rewind the film, please!" | 0:07:11 | 0:07:14 | |
1931, Chaplin released what many considered to be his masterpiece, | 0:07:15 | 0:07:19 | |
City Lights, where the Little Tramp becomes involved | 0:07:19 | 0:07:22 | |
with a blind girl and an alcoholic millionaire. | 0:07:22 | 0:07:25 | |
Who did he invite to the premiere? | 0:07:25 | 0:07:26 | |
-Big in his time. Big in all times. -What's the year? -BFG. | 0:07:26 | 0:07:29 | |
-Alexander the Great. -Not him. | 0:07:31 | 0:07:34 | |
The Lord Jesus Christ. | 0:07:34 | 0:07:36 | |
He would have had a right laugh with those bread rolls! | 0:07:40 | 0:07:43 | |
LAUGHTER AND APPLAUSE | 0:07:45 | 0:07:48 | |
-If I was to give you a clue, I would say his appearance was all relative. -Albert Einstein. -Albert Einstein. | 0:07:51 | 0:07:56 | |
Albert Einstein, indeed, was invited to the premiere. | 0:07:56 | 0:07:59 | |
Time now to play for the Charlie. | 0:07:59 | 0:08:02 | |
One of the by-products of Chaplin's fame was that he was copied, | 0:08:02 | 0:08:05 | |
not just by the public, but by other actors. | 0:08:05 | 0:08:07 | |
There was a Mexican actor called Charles Amador, | 0:08:07 | 0:08:09 | |
who blatantly ripped off Chaplin and one of his movies. | 0:08:09 | 0:08:12 | |
There he is. | 0:08:12 | 0:08:13 | |
That's Charles Amador. Now, what name did Amador use for the movie? | 0:08:13 | 0:08:17 | |
-Bendy Cane. -Was it Charlie Choplin? | 0:08:17 | 0:08:21 | |
-Just to get people get in, like, a kind of...? -I'm going to give you that. | 0:08:21 | 0:08:23 | |
-It was Charlie Aplin. -No! | 0:08:23 | 0:08:25 | |
Charlie... | 0:08:25 | 0:08:26 | |
You know like when you go to Piri Piri Rooster's, instead of Nando's? | 0:08:26 | 0:08:31 | |
Josh, is there a Josh Iddicombe working, do you think, the circuit? | 0:08:31 | 0:08:35 | |
I don't think so. Are you about to reveal that there is? | 0:08:35 | 0:08:38 | |
LAUGHTER | 0:08:38 | 0:08:39 | |
Look to your right, my friend. Look to your right. | 0:08:39 | 0:08:42 | |
-AS JOSH: -What...are people doing?! | 0:08:42 | 0:08:44 | |
LAUGHTER AND APPLAUSE | 0:08:44 | 0:08:47 | |
Congratulations, Josh. You win. | 0:08:51 | 0:08:54 | |
CHEERS AND APPLAUSE | 0:08:54 | 0:08:57 | |
Right, Josh, my love, it's your turn to pick a Charlie. You've got... | 0:08:59 | 0:09:03 | |
I'm going to go with Fun-Loving Charlie. | 0:09:06 | 0:09:08 | |
Well, you've picked the merry monarch Charles II. | 0:09:08 | 0:09:12 | |
-There he is. -Ooh! | 0:09:12 | 0:09:13 | |
Let's have a look at Charles II's stats... | 0:09:13 | 0:09:16 | |
Charles's father, Charles I, naturally, | 0:09:29 | 0:09:31 | |
was executed and replaced by Lord Protector Oliver Cromwell, | 0:09:31 | 0:09:34 | |
so Charles II spent much of his early years abroad or in hiding. | 0:09:34 | 0:09:38 | |
After losing to Cromwell's army at the Battle of Worcester | 0:09:38 | 0:09:41 | |
in September of 1651, he needed to get somewhere safe. | 0:09:41 | 0:09:45 | |
-Where did he end up hiding? -Middlesbrough. | 0:09:45 | 0:09:47 | |
-It's a safe place. -It is a safe place. -It's not! | 0:09:49 | 0:09:52 | |
-I've been there on a Saturday night! -Not with me, you haven't, love! | 0:09:52 | 0:09:56 | |
-That's true. -That sounded like a threat! | 0:09:56 | 0:09:58 | |
Suzannah, I'm thinking you might know this. | 0:10:00 | 0:10:02 | |
Yeah, was a supporter of Theresa Green. | 0:10:02 | 0:10:05 | |
He was up in a royal oak, | 0:10:05 | 0:10:06 | |
which is why so many pubs were called Royal Oaks. | 0:10:06 | 0:10:09 | |
-What? He was in a tree?! -He was in a tree. He hid in a tree. | 0:10:09 | 0:10:11 | |
-How long did he stay there for? -He was there for a whole day. | 0:10:11 | 0:10:14 | |
Oh, right. I thought it was like a year or something! | 0:10:14 | 0:10:18 | |
A day?! I've been in a tree two weeks once. | 0:10:18 | 0:10:21 | |
Charles II was crowned king in 1660, | 0:10:21 | 0:10:24 | |
after Oliver Cromwell's intensely Puritanical rule. | 0:10:24 | 0:10:27 | |
How did he take revenge on Cromwell? | 0:10:27 | 0:10:29 | |
Did he kill him with a wig and a pen. | 0:10:29 | 0:10:32 | |
And that is why so many pubs are called Wig and Pen. | 0:10:32 | 0:10:35 | |
Did he wether him with some spoons? | 0:10:37 | 0:10:39 | |
LAUGHTER AND APPLAUSE | 0:10:41 | 0:10:43 | |
Suzannah, I think, might know. | 0:10:47 | 0:10:49 | |
He dug his body up and basically when Charles came back and | 0:10:49 | 0:10:53 | |
took the throne, they said, "OK, you can take the throne, | 0:10:53 | 0:10:55 | |
"but you're not allowed to have revenge on everyone who went against you," | 0:10:55 | 0:10:58 | |
except the people who'd killed his dad. | 0:10:58 | 0:11:00 | |
And so Cromwell, and a few other people who'd been at the trial, | 0:11:00 | 0:11:04 | |
they were dug up and their rotting corpses taken along to the | 0:11:04 | 0:11:07 | |
Old Bailey and then a judge pronounced the death sentence | 0:11:07 | 0:11:10 | |
on them and then they were dragged through the streets on sleds | 0:11:10 | 0:11:13 | |
and taken to Tyburn to be hanged. | 0:11:13 | 0:11:15 | |
And then they took Cromwell's head off, | 0:11:15 | 0:11:17 | |
after that... After they'd hanged him for a bit, | 0:11:17 | 0:11:19 | |
and put it on a spike near Westminster... | 0:11:19 | 0:11:21 | |
Do you know what? The real answer was a bit bleak. | 0:11:21 | 0:11:24 | |
Although, it does remind me a lot of Wetherspoons. | 0:11:24 | 0:11:27 | |
LAUGHTER AND APPLAUSE | 0:11:28 | 0:11:31 | |
So, Charles was all about bringing back fun. | 0:11:31 | 0:11:34 | |
Cromwell had shut the theatres and Charles reopened them. | 0:11:34 | 0:11:37 | |
But how did he revolutionise the theatre? | 0:11:37 | 0:11:40 | |
-Oh, I actually think I know the answer to this. -Oh? | 0:11:40 | 0:11:42 | |
Did he invent pantomime? | 0:11:42 | 0:11:44 | |
-He didn't invent pantomime. -Aw! | 0:11:44 | 0:11:46 | |
LAUGHTER | 0:11:46 | 0:11:47 | |
-That sounded good! -Yeah, it did sound good. -He's behind you! | 0:11:47 | 0:11:51 | |
The head on a spike! | 0:11:51 | 0:11:52 | |
I've never been so sure that I'd got an answer! | 0:11:54 | 0:11:57 | |
-I think I know. Did he introduce royal boxes? -No. -Aw! | 0:11:57 | 0:12:02 | |
-That was good! -Did he...? -Go, James! Get in! | 0:12:04 | 0:12:07 | |
-I know the answer! -Here we go. | 0:12:07 | 0:12:09 | |
Did he make it OK to stand up and ask them to go back a scene | 0:12:09 | 0:12:12 | |
and start again? | 0:12:12 | 0:12:15 | |
LAUGHTER AND APPLAUSE | 0:12:15 | 0:12:17 | |
Do you know, Suzannah? Do you know? | 0:12:20 | 0:12:22 | |
-I think it's that he put women on the stage. -He did indeed. | 0:12:22 | 0:12:25 | |
He legalised acting for women and even today, | 0:12:27 | 0:12:29 | |
attractive women up to the age of 25 are allowed some parts. | 0:12:29 | 0:12:33 | |
LAUGHTER AND APPLAUSE So, thank you. | 0:12:35 | 0:12:39 | |
Going to the theatre enabled Charles to watch actresses, | 0:12:39 | 0:12:41 | |
but even more importantly, meet them and have sex with them. | 0:12:41 | 0:12:44 | |
He enjoyed a succession of mistresses, several of them actresses. | 0:12:44 | 0:12:48 | |
Small clues available to modern historians as to who were his | 0:12:48 | 0:12:51 | |
favourite mistresses... | 0:12:51 | 0:12:52 | |
Might it be Moll Davis? | 0:12:52 | 0:12:55 | |
Might it be Barbara Villiers? | 0:12:55 | 0:12:57 | |
Or could it possibly be Nell Gwyn? | 0:12:57 | 0:12:59 | |
Hm! LAUGHTER | 0:12:59 | 0:13:02 | |
What's the opposite of "hard to get"? | 0:13:02 | 0:13:04 | |
That was rather like when Judy Finnigan had that wardrobe malfunction. | 0:13:04 | 0:13:07 | |
Can you talk us through that...? I mean, is that a well-known sort of style of portraiture? | 0:13:11 | 0:13:15 | |
Well, it's because she was a mistress, so all of them had | 0:13:15 | 0:13:18 | |
-sort of low decollage and this one particularly low, and it's to show... -Non existent! | 0:13:18 | 0:13:23 | |
That is low! | 0:13:23 | 0:13:26 | |
I think if she turned up tonight, | 0:13:26 | 0:13:28 | |
we would describe that as particularly low. | 0:13:28 | 0:13:30 | |
Was that Charles essentially getting something that | 0:13:30 | 0:13:33 | |
he can show his mates? Is that essentially what he's doing? Yep! | 0:13:33 | 0:13:35 | |
Loads of people bought them. Pepys had one. He had a naked picture... | 0:13:35 | 0:13:38 | |
Peeps? I thought you meant loads of people. | 0:13:38 | 0:13:42 | |
That's actually, everybody in South London... | 0:13:42 | 0:13:46 | |
Yeah, just dropped out a posh for peeps there. | 0:13:46 | 0:13:49 | |
Surely his wife knew, | 0:13:49 | 0:13:50 | |
because he's not very good at having an affair, is he? | 0:13:50 | 0:13:54 | |
If that's on his phone and his wife takes a look, | 0:13:54 | 0:13:56 | |
she's going to go, "Wait a minute!" | 0:13:56 | 0:13:59 | |
That is your phone up there, isn't it, Richard? | 0:13:59 | 0:14:02 | |
If it turns out that's what you're in to, no-one will be surprised. | 0:14:05 | 0:14:09 | |
LAUGHTER AND APPLAUSE | 0:14:09 | 0:14:13 | |
Degree of rivalry between the mistresses. | 0:14:16 | 0:14:18 | |
On one occasion, Nell sabotaged Moll Davis' visit to the King. | 0:14:18 | 0:14:22 | |
How did she do that? | 0:14:22 | 0:14:23 | |
Sabotage? So did she, like, leave something in the house? | 0:14:23 | 0:14:26 | |
-She gave her a cake with laxative in. -She did. -No! | 0:14:26 | 0:14:30 | |
-Oh, that's brilliant! -Oh, no! | 0:14:30 | 0:14:32 | |
I bet that's what Mary Berry's just done to Paul Hollywood as well! | 0:14:32 | 0:14:36 | |
LAUGHTER AND APPLAUSE | 0:14:36 | 0:14:38 | |
I think you'll find this is quite the show stopper! | 0:14:42 | 0:14:45 | |
LAUGHTER AND APPLAUSE | 0:14:45 | 0:14:48 | |
Time to play now for the Charlie. | 0:14:48 | 0:14:51 | |
So, Charles was also known to drink a kind of medicine known as | 0:14:51 | 0:14:55 | |
the King's Drops. | 0:14:55 | 0:14:56 | |
What were the main ingredients of the King's Drops? | 0:14:56 | 0:14:59 | |
Was it Calpol? | 0:14:59 | 0:15:01 | |
Absinthe? | 0:15:01 | 0:15:03 | |
-It was alcohol, so that was one of the ingredients. -WKD. | 0:15:03 | 0:15:06 | |
What do you...? I'll just accept alcohol, | 0:15:06 | 0:15:09 | |
but when you want a bit of texture in your drink, what would you...? | 0:15:09 | 0:15:12 | |
Oh, hot chocolate rice. | 0:15:12 | 0:15:14 | |
Goddamn it! | 0:15:14 | 0:15:16 | |
That was a sitter and I missed it. | 0:15:19 | 0:15:21 | |
What would you put in there? | 0:15:26 | 0:15:28 | |
-Isn't it part of the human body? -Yes, it's a little bit of skull. | 0:15:28 | 0:15:33 | |
-Just a crumble of skull. -What?! -You're right, Suzannah. | 0:15:33 | 0:15:36 | |
In the 16th and 17th centuries, | 0:15:36 | 0:15:38 | |
Europeans drank remedies containing human bones and blood and fat | 0:15:38 | 0:15:41 | |
as a cure for everything from headaches to epilepsy. | 0:15:41 | 0:15:44 | |
Congratulations, Josh's team. You win the Charlie. Well done. | 0:15:44 | 0:15:48 | |
CHEERS AND APPLAUSE | 0:15:48 | 0:15:50 | |
Right, Richard, your turn. A couple of Charlies left. | 0:15:52 | 0:15:54 | |
What would you fancy out of these two? | 0:15:54 | 0:15:57 | |
-Shall we go Vocal Charlie? -Let's go vocal. | 0:15:59 | 0:16:01 | |
Let's go Vocal Charlie because that'll be a singer, right? | 0:16:01 | 0:16:03 | |
Yes, it is. It's Welsh opera star | 0:16:03 | 0:16:05 | |
turned pop star turned political activist, | 0:16:05 | 0:16:08 | |
-the wonderful Charlotte Church. AUDIENCE: -Ooh! | 0:16:08 | 0:16:11 | |
Right. Let's have a look at her stats... | 0:16:11 | 0:16:13 | |
SAYS NAME IN WELSH ACCENT | 0:16:14 | 0:16:16 | |
Charlotte was first heard singing down | 0:16:22 | 0:16:24 | |
the line to Richard and Judy in a phone in and made her first | 0:16:24 | 0:16:26 | |
TV appearance on the Big Big Talent Show in 1997. | 0:16:26 | 0:16:30 | |
Why was she on the show? | 0:16:30 | 0:16:31 | |
I think she wasn't on the show. I think her aunt was on the show. | 0:16:31 | 0:16:33 | |
Very good, yes. She wasn't the booking, basically. She came on to introduce her aunt Caroline, | 0:16:33 | 0:16:37 | |
who was a contestant on the show. Jonathan Ross asked her to sing a little to the audience before | 0:16:37 | 0:16:41 | |
her aunt came on. | 0:16:41 | 0:16:42 | |
Take a look at this. | 0:16:42 | 0:16:44 | |
# Pie Jesu | 0:16:46 | 0:16:50 | |
# Pie Jesu | 0:16:50 | 0:16:55 | |
# Qui tollis peccata mundi | 0:16:55 | 0:17:02 | |
# Dona eis requiem | 0:17:02 | 0:17:09 | |
# Dona eis requiem. # | 0:17:09 | 0:17:15 | |
-Wow! What about that! -CHEERS AND APPLAUSE | 0:17:15 | 0:17:18 | |
Effortless. Effortless. | 0:17:18 | 0:17:19 | |
What you can't quite hear there is her aunt crying backstage. | 0:17:19 | 0:17:24 | |
Charlotte Church has travelled the world with her singing and | 0:17:24 | 0:17:27 | |
has performed for two US Presidents, Bill Clinton and George W Bush. | 0:17:27 | 0:17:31 | |
What did Bush ask her? | 0:17:31 | 0:17:32 | |
-Did he ask her where Wales was? -I'll give you that. | 0:17:32 | 0:17:36 | |
He asked her which state Wales was in, | 0:17:36 | 0:17:38 | |
to which the answer of course is, a bit of a mess actually. | 0:17:38 | 0:17:42 | |
Like everywhere else at the moment. | 0:17:43 | 0:17:45 | |
Like everywhere else. APPLAUSE | 0:17:45 | 0:17:47 | |
In 2005, Charlotte started a high-profile relationship | 0:17:49 | 0:17:52 | |
with Welsh rugby player Gavin Henson. Here they are. | 0:17:52 | 0:17:56 | |
In 2010, following Gavin's departure, | 0:17:56 | 0:17:58 | |
what did Ospreys Rugby Club ban? | 0:17:58 | 0:18:01 | |
Hair. | 0:18:01 | 0:18:02 | |
Not hair. | 0:18:02 | 0:18:04 | |
-No, "her"(!) -LAUGHTER | 0:18:04 | 0:18:08 | |
SHE MOUTHS | 0:18:12 | 0:18:14 | |
-I'm a dick. -You feel like a massive Josh now! | 0:18:15 | 0:18:18 | |
No, obviously, we've moved beyond RP accents at the BBC! | 0:18:20 | 0:18:24 | |
Allcomers, from all parts from this magnificent kingdom! | 0:18:25 | 0:18:30 | |
Stephanie, your answer please. | 0:18:30 | 0:18:32 | |
Imagine if the answer had been "hair" and you'd given it. | 0:18:32 | 0:18:35 | |
Right, what did they ban? | 0:18:37 | 0:18:39 | |
-Was it spray tan? -It was indeed spray tan. Well done. | 0:18:39 | 0:18:42 | |
Congratulations. Spray tan. | 0:18:42 | 0:18:44 | |
All right. Time to play for the Charlie. | 0:18:46 | 0:18:50 | |
So, we're going to play | 0:18:50 | 0:18:51 | |
Who Is Charlotte Being Totally Honest About Now? | 0:18:51 | 0:18:54 | |
The team who gets the most right wins the Charlie. | 0:18:54 | 0:18:57 | |
So, who is she talking about here? | 0:18:57 | 0:18:59 | |
Who did she say that about? | 0:19:03 | 0:19:04 | |
Is it one of the fembots from Austin Powers? | 0:19:04 | 0:19:08 | |
-Was it Hopkins? -No, not Hopkins. Another Katie. | 0:19:10 | 0:19:14 | |
Katie Price. She's had loads of fights with Katie, hasn't she? | 0:19:14 | 0:19:18 | |
CHEERS AND APPLAUSE | 0:19:18 | 0:19:19 | |
I don't hate anybody... | 0:19:23 | 0:19:25 | |
Trump. | 0:19:25 | 0:19:27 | |
Trump, it is. | 0:19:27 | 0:19:28 | |
APPLAUSE | 0:19:28 | 0:19:30 | |
-I actually interviewed him once. -No way! -Shut the front door! | 0:19:32 | 0:19:35 | |
When he arrived, he walked into the room and he looked | 0:19:35 | 0:19:38 | |
me in the eye and he went, "Oh, my God. | 0:19:38 | 0:19:39 | |
"You're so beautiful that I'm going to have to leave this room to | 0:19:39 | 0:19:42 | |
"make myself look better because if we do this interview now, | 0:19:42 | 0:19:46 | |
"everyone's just going to be staring at you." | 0:19:46 | 0:19:48 | |
Never saw him again. | 0:19:48 | 0:19:50 | |
It took him that long! | 0:19:50 | 0:19:52 | |
As a good northern girl, | 0:19:52 | 0:19:53 | |
I literally couldn't control my laughter and I went to him. | 0:19:53 | 0:19:56 | |
"Listen, mate, I've heard better lines than that down Club Bongo," | 0:19:56 | 0:19:59 | |
-which I actually have. -LAUGHTER AND APPLAUSE | 0:19:59 | 0:20:02 | |
And finally, "When you get close to her..." | 0:20:06 | 0:20:08 | |
Is it Mel? | 0:20:13 | 0:20:15 | |
No! | 0:20:15 | 0:20:17 | |
Aw! | 0:20:19 | 0:20:21 | |
I've even given them my favourite Charlie Brown! | 0:20:22 | 0:20:26 | |
But, yes, Mel is quite a bit older than I am. | 0:20:26 | 0:20:29 | |
All right, so, who do you think is this one? | 0:20:33 | 0:20:35 | |
-The Queen. -Margaret Thatcher? -The Queen is right. Well done. | 0:20:40 | 0:20:43 | |
APPLAUSE | 0:20:43 | 0:20:46 | |
Congratulations, Richard's team. You win the Charlie. Well done, Richard. | 0:20:46 | 0:20:50 | |
Time now to fire up our Charlie-flavoured fruit machine. | 0:20:50 | 0:20:53 | |
Each time I spin, out will pop three faces. | 0:20:53 | 0:20:56 | |
Our team have to match the extraordinary facts to the | 0:20:56 | 0:20:58 | |
extraordinary Charlie. So, let's spin. | 0:20:58 | 0:21:01 | |
We have got, Public Enemy frontman Chuck D, | 0:21:01 | 0:21:04 | |
we've got Charlie Sheen, | 0:21:04 | 0:21:06 | |
and we've got Charlie Simpson, AKA Charlie from Busted. | 0:21:06 | 0:21:09 | |
The question is, who published a volume of poetry called | 0:21:09 | 0:21:12 | |
A Piece Of My Mind? Josh, what do you think? | 0:21:12 | 0:21:15 | |
I actually know quite a lot about Charlie Simpson from Busted. | 0:21:15 | 0:21:19 | |
LAUGHTER | 0:21:19 | 0:21:21 | |
-So do I. -Do you? -I'm a huge fan of Busted. | 0:21:21 | 0:21:24 | |
When I was travelling around America, | 0:21:24 | 0:21:27 | |
the only thing we had to do on the train was that we had... | 0:21:27 | 0:21:30 | |
We'd bought some Smash Hits Top Trumps at the airport, | 0:21:30 | 0:21:33 | |
so I can tell you that Charlie Simpson from Busted is 193cm tall. | 0:21:33 | 0:21:38 | |
And he has a phwoar factor of 97. | 0:21:40 | 0:21:44 | |
Phwoar! | 0:21:44 | 0:21:45 | |
Yeah. | 0:21:45 | 0:21:46 | |
I think they're trying to lure us in with Chuck D just because he's a rapper. | 0:21:46 | 0:21:49 | |
I think Charlie Sheen is the kind of person, | 0:21:49 | 0:21:52 | |
he's done lots of unlikely things, hasn't he? | 0:21:52 | 0:21:54 | |
-He's done everything else. -And he's quite outspoken. He'd give people a piece of his mind. | 0:21:54 | 0:21:58 | |
He would give people a piece of his mind. I'm going to... | 0:21:58 | 0:22:01 | |
-We're going to go for Sheen. -Sheen, for you. OK. | 0:22:01 | 0:22:04 | |
-And how about your team, Richard? -Charlie took himself very seriously, | 0:22:04 | 0:22:07 | |
but didn't write the lyrics in Busted, that was James. | 0:22:07 | 0:22:10 | |
-Thank you. -LAUGHTER | 0:22:10 | 0:22:12 | |
My secret is out! | 0:22:13 | 0:22:16 | |
I have been to the year 3000. | 0:22:16 | 0:22:18 | |
LAUGHTER AND APPLAUSE | 0:22:20 | 0:22:24 | |
I once met James from Busted and Tom who leads McFly and they | 0:22:25 | 0:22:29 | |
wrote the songs together and I talked about The Year 3000, | 0:22:29 | 0:22:32 | |
because it says, "I've been to the year 3000..." | 0:22:32 | 0:22:33 | |
And it says, "Your great-great-great granddaughter is pretty fine." | 0:22:33 | 0:22:37 | |
And I said, "Your great-great-great granddaughter's not going to be there in the year 3000, James, | 0:22:37 | 0:22:41 | |
"because it'd be like your great-great-great-great-great-great great-great-great granddaughter." | 0:22:41 | 0:22:45 | |
He said, "Advances in medical science, mate." | 0:22:45 | 0:22:48 | |
-So, Chuck D or Charlie from Busted? -Chuck D, please. -Chuck D. | 0:22:49 | 0:22:52 | |
You want to go for a bit of Chuck D. Let's see the right answer. | 0:22:52 | 0:22:57 | |
It's Charlie Sheen. | 0:22:57 | 0:22:58 | |
APPLAUSE | 0:22:58 | 0:23:00 | |
Published in 1988 under the name Charles Sheen. | 0:23:00 | 0:23:04 | |
Of course, one of Sheen's favourite lines is...cocaine. | 0:23:04 | 0:23:07 | |
Josh, you win. Congratulations. You win the Charlie. | 0:23:09 | 0:23:12 | |
CHEERS AND APPLAUSE | 0:23:12 | 0:23:14 | |
So, next up, we've got B movie muscleman Chuck Norris, | 0:23:16 | 0:23:20 | |
EastEnders star Charlie Brooks, and Carry On star Charles Hawtrey. | 0:23:20 | 0:23:24 | |
The question is - who had to be rescued naked from their home | 0:23:24 | 0:23:28 | |
by firemen when someone set fire to their sofa? | 0:23:28 | 0:23:30 | |
-I had to be rescued by firemen from my bedroom. -Did you? -Yeah. | 0:23:30 | 0:23:33 | |
I had a sliding door and my girlfriend at the time got up | 0:23:33 | 0:23:36 | |
to open it and it came off of its feet and just blocked the door. | 0:23:36 | 0:23:39 | |
We couldn't get out. So we had to get the fire brigade and they climbed through the window | 0:23:39 | 0:23:42 | |
and the first thing the fireman said when he got into our house was, "Bit hot in here." | 0:23:42 | 0:23:46 | |
And I was like, "Most of the houses you're in are on fire, mate!" | 0:23:46 | 0:23:50 | |
My initial feeling would be that it would be Charlie Brooks, | 0:23:51 | 0:23:55 | |
Janine from EastEnders, | 0:23:55 | 0:23:57 | |
because I don't think they'd have chosen her as one of the options, | 0:23:57 | 0:24:00 | |
would they? I haven't thought about her in 15 years! | 0:24:00 | 0:24:04 | |
So you're going to go for Charlie Brooks. Richard's team, who do you think? | 0:24:04 | 0:24:07 | |
-What do you think? -We should go Chuck, shouldn't we? Because when you get an action man, | 0:24:07 | 0:24:11 | |
they're normally the ones who muck up on their real life. | 0:24:11 | 0:24:15 | |
What do you think, Rob? | 0:24:15 | 0:24:16 | |
-Maybe he might have dropped one of his Uzis down the sofa. -His what?! | 0:24:16 | 0:24:20 | |
His Uzis. He's got an Uzi. We're clashing with accents here, | 0:24:20 | 0:24:23 | |
-aren't we? -We'll be subtitled, don't worry. | 0:24:23 | 0:24:25 | |
Every time Richard speaks, it just says "normal". | 0:24:29 | 0:24:32 | |
-We're going to go for Chuck Norris. -You've gone for Chuck Norris. | 0:24:34 | 0:24:37 | |
The correct answer is... | 0:24:37 | 0:24:40 | |
Charles Hawtrey. | 0:24:40 | 0:24:42 | |
Charles Hawtrey had to be rescued by the fire brigade naked and without his toupee | 0:24:42 | 0:24:47 | |
after an enraged rent boy, whom Hawtrey had refused to pay, | 0:24:47 | 0:24:50 | |
set fire to his sofa. | 0:24:50 | 0:24:51 | |
-He was notoriously tight, Charles Hawtrey. -Oh, yeah? | 0:24:51 | 0:24:55 | |
He moved to... LAUGHTER | 0:24:55 | 0:24:58 | |
Are you saying that's how the fire started? | 0:24:59 | 0:25:02 | |
LAUGHTER AND APPLAUSE | 0:25:06 | 0:25:08 | |
He didn't pay cab drivers, he didn't pay rent boys, so one set fire to his sofa. | 0:25:11 | 0:25:15 | |
By the way, that's not just a normal list. Cab drivers, rent boys... That's a hell of a jump. | 0:25:15 | 0:25:19 | |
-Do you tip your cab driver, Richard? -Oh, yeah. | 0:25:19 | 0:25:23 | |
What about your rent boys? | 0:25:23 | 0:25:25 | |
Well, he lets me come on the show. | 0:25:25 | 0:25:27 | |
LAUGHTER AND APPLAUSE | 0:25:27 | 0:25:31 | |
Can you imagine if you'd hired a rent boy and Rob turned up? | 0:25:35 | 0:25:38 | |
-Do you spoon? -I do whatever he wants. | 0:25:38 | 0:25:43 | |
There's no way that you are ever the big spoon in that situation! | 0:25:43 | 0:25:47 | |
Sometimes big men need to be vulnerable. | 0:25:47 | 0:25:51 | |
That's nice, that's quite sweet. | 0:25:51 | 0:25:52 | |
Let's not start it now though. Let's move on with the questions. | 0:25:52 | 0:25:56 | |
It's your money, Richard. I'll do what you want. | 0:25:58 | 0:26:01 | |
LAUGHTER AND APPLAUSE | 0:26:01 | 0:26:04 | |
Sadly, no-one's going to win the Charlie, | 0:26:07 | 0:26:09 | |
but we have had a massive window into Richard Osman's personal life. | 0:26:09 | 0:26:13 | |
Now it's time to play Finish The Fact. | 0:26:13 | 0:26:16 | |
I'm going to start by reading out a Charlie-based gem. | 0:26:16 | 0:26:18 | |
You're going to buzz in when you think you know how it ends. | 0:26:18 | 0:26:21 | |
First up, we've got wealthy art hoarder Charles Saatchi. | 0:26:21 | 0:26:24 | |
-BUZZER -The least of their worries. | 0:26:27 | 0:26:31 | |
-BUZZER -Was it...? Did she have to do it? | 0:26:34 | 0:26:37 | |
Yes, she did. She did. | 0:26:37 | 0:26:38 | |
I don't know if she had to do it, but she did do it. | 0:26:38 | 0:26:41 | |
Yeah, it was done by Nigella. | 0:26:41 | 0:26:43 | |
-BUZZER -In evidence. | 0:26:43 | 0:26:47 | |
BELL James. | 0:26:47 | 0:26:48 | |
On Ready Steady Cook. | 0:26:48 | 0:26:51 | |
-When she got married, where were they going? -Holiday. -Honeymoon. | 0:26:51 | 0:26:54 | |
Honeymoon. Absolutely. The leftovers were taken... | 0:26:54 | 0:26:58 | |
And only then did he try and strangle her. | 0:26:58 | 0:27:01 | |
So, well done. You win the Charles. APPLAUSE | 0:27:03 | 0:27:06 | |
Next up, we've got Death Wish actor Charles Bronson. | 0:27:08 | 0:27:11 | |
-BELL -Disciple. | 0:27:13 | 0:27:15 | |
LAUGHTER AND APPLAUSE | 0:27:18 | 0:27:21 | |
No, he was the 11th, it's more prosaic than that... | 0:27:24 | 0:27:27 | |
-BELL -In his imagination. | 0:27:31 | 0:27:33 | |
-BUZZER -In the backpack of the 14th. | 0:27:34 | 0:27:37 | |
Well, it has something to do with hand-me-downs. | 0:27:39 | 0:27:41 | |
More to do with clothing. | 0:27:41 | 0:27:43 | |
-BELL -Older sister's school uniform? | 0:27:43 | 0:27:45 | |
-Correct. Yes. -Wow! | 0:27:45 | 0:27:47 | |
He had to go to school in his sister's dress. | 0:27:47 | 0:27:49 | |
-AUDIENCE: -Aw! | 0:27:49 | 0:27:51 | |
It was then he realised what a death wish was. | 0:27:51 | 0:27:54 | |
Well done, Josh. You win the Charles. | 0:27:54 | 0:27:57 | |
APPLAUSE | 0:27:57 | 0:27:59 | |
And so we've come to the end of the show and I can tell you that | 0:28:01 | 0:28:04 | |
tonight's winners, with the most Charlies...Josh's team! | 0:28:04 | 0:28:07 | |
Well done! CHEERS AND APPLAUSE | 0:28:07 | 0:28:10 | |
APPLAUSE DROWNS OUT SPEECH | 0:28:11 | 0:28:13 | |
So, big moment now. Big moment, Josh. | 0:28:17 | 0:28:19 | |
Who are you going to nominate as the greatest Charlie of all time? | 0:28:19 | 0:28:22 | |
I was thinking - British hero, and also she slags people off, | 0:28:22 | 0:28:25 | |
I want to be on her good side, Charlotte Church. | 0:28:25 | 0:28:28 | |
I'm very happy with that. CHEERS AND APPLAUSE | 0:28:28 | 0:28:30 | |
So, let's put her in our Insert Name Here Hall Of Fame. | 0:28:33 | 0:28:36 | |
That is a house party right there. | 0:28:38 | 0:28:41 | |
Charles Darwin is sitting at home now going, "What the fuck?!" | 0:28:41 | 0:28:44 | |
LAUGHTER AND APPLAUSE My thanks to all of my guests, | 0:28:46 | 0:28:49 | |
special thanks to all the Charlies here, there and everywhere, but | 0:28:49 | 0:28:52 | |
mainly a massive thank you to you at home for sitting and watching. | 0:28:52 | 0:28:55 | |
Thank you. Good night. CHEERS AND APPLAUSE | 0:28:55 | 0:28:58 |