Browse content similar to The Riddle of the Sphinx. Check below for episodes and series from the same categories and more!
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This programme contains some strong language and contains scenes | 0:00:02 | 0:00:04 | |
which some viewers may find disturbing. | 0:00:04 | 0:00:07 | |
THUNDERCLAP | 0:00:07 | 0:00:09 | |
THUNDERCLAP | 0:00:16 | 0:00:18 | |
THUNDERCLAP | 0:00:22 | 0:00:24 | |
Whaa! Argh! | 0:01:07 | 0:01:09 | |
What's going on? Who are you? | 0:01:09 | 0:01:11 | |
Oh, for God's sake, you scared the living crap out of me then! Jesus! | 0:01:11 | 0:01:15 | |
-Are you all right? -Oh, I just need to sit down for a second. | 0:01:15 | 0:01:19 | |
Oh, shit! Oh! | 0:01:19 | 0:01:21 | |
Sorry, I didn't mean to startle you. | 0:01:21 | 0:01:23 | |
That's all right. Oh, you haven't got a towel, have you? | 0:01:23 | 0:01:25 | |
Um...yes. | 0:01:25 | 0:01:27 | |
Thanks. It's wetter than a nun's cucumber out there tonight. | 0:01:27 | 0:01:32 | |
Thanks. Can you, um...can you put the gun down, please? | 0:01:32 | 0:01:36 | |
Of course. It's not loaded, | 0:01:36 | 0:01:38 | |
it was just a prop from a student production of The Seagull. | 0:01:38 | 0:01:41 | |
Can I ask what you're doing in my rooms? | 0:01:41 | 0:01:45 | |
I presume you didn't break in for a towel. | 0:01:45 | 0:01:46 | |
Well, I-I didn't break in. Well, not technically. | 0:01:46 | 0:01:50 | |
My boyfriend told me all professors keep a key above their glory hole, | 0:01:50 | 0:01:53 | |
so I sort of just let myself in. | 0:01:53 | 0:01:55 | |
It was a stupid thing to do. I'm...I'm so sorry. | 0:01:55 | 0:01:58 | |
And you are? | 0:01:58 | 0:02:00 | |
Nina. Nina...Noonah. | 0:02:00 | 0:02:03 | |
Nina Noonah. | 0:02:03 | 0:02:05 | |
Well, not really, obviously, but I don't want to get in any trouble. | 0:02:05 | 0:02:09 | |
You're...you're not going to call the police, are you? | 0:02:09 | 0:02:12 | |
It's all right, Miss Noonah, my bark is worse than my bite. | 0:02:12 | 0:02:15 | |
Just tell me why you're here. | 0:02:15 | 0:02:17 | |
It's just Simon, my boyfriend, he studies at King's College | 0:02:17 | 0:02:21 | |
and he's properly clever. | 0:02:21 | 0:02:23 | |
He's got a bike and scarf and all the Harry Potter shit. | 0:02:23 | 0:02:28 | |
And he's sort of obsessed with doing the crossword. | 0:02:28 | 0:02:30 | |
And I don't mean the quick ones you get | 0:02:30 | 0:02:32 | |
with a picture of Vanessa Feltz in the middle in Chat magazine, | 0:02:32 | 0:02:34 | |
I mean, the cryptic. | 0:02:34 | 0:02:36 | |
I see. | 0:02:36 | 0:02:38 | |
And I try to help him sometimes | 0:02:38 | 0:02:40 | |
and I-I look at the clues and I feel like such a div | 0:02:40 | 0:02:42 | |
because I can't make head nor tail of them. | 0:02:42 | 0:02:44 | |
They may as well be written in Chinese! | 0:02:44 | 0:02:46 | |
In Mandarin, yes. And you're a student also? | 0:02:46 | 0:02:49 | |
Oh, God, no! No. I, er...I work at Greggs. | 0:02:49 | 0:02:53 | |
I'm what you call, um...emotionally intelligent. | 0:02:53 | 0:02:56 | |
Ah. Well, sadly, that won't help you with the cryptic. | 0:02:56 | 0:02:59 | |
Sorry. | 0:02:59 | 0:03:01 | |
Yeah, tell me about it. | 0:03:01 | 0:03:03 | |
Anyway, Simon reckons you're the Sphinx, or something. | 0:03:03 | 0:03:05 | |
-Do you write the crossword in the student paper? -That's correct. | 0:03:05 | 0:03:09 | |
Crossword-setters traditionally use a pseudonym, a made-up name. | 0:03:09 | 0:03:13 | |
-What, like Nina Noonah? -Yes. | 0:03:13 | 0:03:15 | |
And I am know as the Sphinx. | 0:03:15 | 0:03:18 | |
THUNDERCLAP | 0:03:18 | 0:03:20 | |
It's not exactly a secret, especially here on campus. | 0:03:20 | 0:03:23 | |
Anyway, I just thought that if I could maybe see the answers to this week's crossword, | 0:03:23 | 0:03:27 | |
then I could sit with Simon and be, like, | 0:03:27 | 0:03:29 | |
"Ooh, 18-down, do you think that's Parachute?" | 0:03:29 | 0:03:33 | |
And he'd be like, "Yeah. "Wow, you're so clever, and..." | 0:03:33 | 0:03:37 | |
It was only meant to be a joke. I'm really sorry. | 0:03:37 | 0:03:39 | |
No, no, no, I quite understand. | 0:03:39 | 0:03:42 | |
We all crave approbation on some level. | 0:03:42 | 0:03:44 | |
Tell me, what does your boyfriend study, Miss Noonah? | 0:03:46 | 0:03:49 | |
-Architecture. -Architecture? | 0:03:49 | 0:03:51 | |
Well, I teach. | 0:03:52 | 0:03:54 | |
Yeah, I know. I didn't think you were a student. | 0:03:54 | 0:03:56 | |
Simon says you teach Classics. | 0:03:56 | 0:03:58 | |
Is that, like, Gone With The Wind and Pretty Woman and that? | 0:03:58 | 0:04:01 | |
I teach wild creature without hospital building. | 0:04:01 | 0:04:03 | |
-Sorry, what? -I teach... | 0:04:06 | 0:04:10 | |
wild creature... | 0:04:10 | 0:04:12 | |
without hospital building. | 0:04:12 | 0:04:15 | |
-12 letters. -Oh! It's a clue! | 0:04:17 | 0:04:20 | |
Yes. Not a very good one, I admit, since you put me on the spot. | 0:04:20 | 0:04:25 | |
So...a cryptic clue always offers up two means of solution. | 0:04:25 | 0:04:30 | |
The beginning or the end of the sentence | 0:04:30 | 0:04:32 | |
gives you the definition of the word. | 0:04:32 | 0:04:34 | |
Much as you might get in a standard vanilla crossword. | 0:04:34 | 0:04:37 | |
And the rest of the clue is the wordplay, if you like, | 0:04:37 | 0:04:40 | |
-which is a kind of riddle. -Like on Catchphrase? | 0:04:40 | 0:04:43 | |
Er...yes, in a manner of speaking. | 0:04:43 | 0:04:45 | |
So, here we have a 12-letter word, meaning "I teach", or "building". | 0:04:45 | 0:04:50 | |
Now, here we have the word "wild", | 0:04:50 | 0:04:52 | |
which is what we refer to as an anagram-indicator. | 0:04:52 | 0:04:56 | |
It suggests the letters can be jumbled up and rearranged. | 0:04:56 | 0:04:58 | |
So anything such as "upset", "excited", "insane". | 0:04:58 | 0:05:02 | |
-Mashed up! -Yes, if you like. | 0:05:02 | 0:05:04 | |
-Wankered! -That type of thing. | 0:05:04 | 0:05:07 | |
It's telling us to mix up the letters. | 0:05:07 | 0:05:09 | |
So if we take the words "I teach" and "creature" | 0:05:09 | 0:05:12 | |
and make them "wild", we might come up with a solution. | 0:05:12 | 0:05:17 | |
OK, but that's too many letters. | 0:05:17 | 0:05:18 | |
Yes, very good. We're two letters over. | 0:05:18 | 0:05:21 | |
So we look here, "without hospital". | 0:05:21 | 0:05:24 | |
Now, in terms of letters, what could "hospital" be? | 0:05:24 | 0:05:27 | |
-H? -Yeah, but we need two letters, remember. | 0:05:27 | 0:05:31 | |
If you were to have an accident, if I'd shot you here in the dark... | 0:05:31 | 0:05:35 | |
What, with an empty gun? Good luck. | 0:05:35 | 0:05:36 | |
But if I had, you'd head straight for which department? | 0:05:36 | 0:05:40 | |
-A&E? -Excellent! | 0:05:40 | 0:05:42 | |
So if we remove "A" and "E" from "creature" | 0:05:42 | 0:05:44 | |
ie "creature without hospital", | 0:05:44 | 0:05:47 | |
and mix it up with "I teach", then we get an anagram of 12 letters | 0:05:47 | 0:05:51 | |
-meaning "building", which is...? -Sorry, what? | 0:05:51 | 0:05:55 | |
-Architecture! -THUNDERCLAP | 0:05:55 | 0:05:58 | |
See? Not so hard, was it? | 0:05:58 | 0:06:00 | |
Is that in this week's crossword, then? | 0:06:00 | 0:06:02 | |
No, no, no, no. I haven't parsed it properly. | 0:06:02 | 0:06:05 | |
I buried the anagram-indicator in the fodder, but, er... | 0:06:05 | 0:06:08 | |
it was simply an illustration. | 0:06:08 | 0:06:09 | |
What, in Pictionary, you can draw it? | 0:06:09 | 0:06:12 | |
No. | 0:06:12 | 0:06:14 | |
No, I was... | 0:06:14 | 0:06:15 | |
I was just showing off. | 0:06:16 | 0:06:17 | |
Trying to give you some insight. | 0:06:18 | 0:06:20 | |
I'm sorry. | 0:06:20 | 0:06:22 | |
OK, then, Professor. | 0:06:25 | 0:06:26 | |
Sorry I woke you. | 0:06:27 | 0:06:29 | |
It's Nigel. | 0:06:29 | 0:06:30 | |
Nina. | 0:06:32 | 0:06:33 | |
Huh! | 0:06:33 | 0:06:35 | |
(Bye.) | 0:06:35 | 0:06:37 | |
If you like, I can show you the clues to tomorrow's crossword, | 0:06:41 | 0:06:44 | |
see if any of them make sense. | 0:06:44 | 0:06:46 | |
-You'd teach me? -Yes. | 0:06:46 | 0:06:48 | |
I teach wild creature? | 0:06:48 | 0:06:51 | |
It's not quite Pygmalion, but, er...I can give you some pointers. | 0:06:51 | 0:06:55 | |
Here. | 0:06:55 | 0:06:57 | |
Have a look. | 0:06:59 | 0:07:01 | |
The answers all go in this grid. | 0:07:01 | 0:07:03 | |
Have a look at one-across and I'll make us some tea. | 0:07:05 | 0:07:08 | |
"To wound and wander destitute. (4, 3, 3.)" | 0:07:11 | 0:07:16 | |
So, is this another nanagram? | 0:07:16 | 0:07:18 | |
Mm, possibly. Look for a verb or an adjective that suggests movement. | 0:07:18 | 0:07:23 | |
-Wander? -Bingo! | 0:07:23 | 0:07:24 | |
So, how many of these have you done? | 0:07:35 | 0:07:37 | |
Crosswords? Four or five hundred. | 0:07:37 | 0:07:39 | |
Wow! You must have a very devious mind. | 0:07:39 | 0:07:43 | |
It has been said. | 0:07:43 | 0:07:45 | |
The Sphinx is a mythical creature of Greek legend. | 0:07:45 | 0:07:48 | |
A woman's head on a lion's body. | 0:07:50 | 0:07:52 | |
She guarded the gates of the ancient city of Thebes. | 0:07:52 | 0:07:56 | |
Any traveller wishing to pass through had first to solve her riddle. | 0:07:56 | 0:07:59 | |
If they failed the test, she would kill them | 0:07:59 | 0:08:01 | |
by means of asphyxiation and then...eat the remains. | 0:08:01 | 0:08:06 | |
THUNDERCLAP | 0:08:06 | 0:08:08 | |
-No pressure, then(!) -KETTLE WHISTLES | 0:08:08 | 0:08:10 | |
She was devious and deadly. | 0:08:10 | 0:08:12 | |
Perfect for a cryptic crossword-setter. | 0:08:12 | 0:08:16 | |
-"Down-and-out, meaning destitute." -Excellent! | 0:08:16 | 0:08:19 | |
By Jove, she's got it! | 0:08:19 | 0:08:21 | |
Well, put it up on the grid. | 0:08:21 | 0:08:22 | |
THUNDERCLAP | 0:08:25 | 0:08:26 | |
Is that what all the cups are for? | 0:08:30 | 0:08:32 | |
-Sorry? -In the cabinet. | 0:08:32 | 0:08:34 | |
Ah, yes. The Cambridge Cruciverbalist Club, the CCC. | 0:08:34 | 0:08:38 | |
Much like the KKK, only slightly less benevolent. | 0:08:38 | 0:08:41 | |
Oh. Is this...is this your wife? | 0:08:41 | 0:08:44 | |
Monica, yes. | 0:08:44 | 0:08:46 | |
Does she do the crossword? | 0:08:46 | 0:08:47 | |
She did. She died last year. | 0:08:47 | 0:08:49 | |
Oh. Sorry. Did you have kids? | 0:08:49 | 0:08:52 | |
No, no. | 0:08:52 | 0:08:54 | |
There is no more sombre enemy of good art than the pram in the hall. | 0:08:54 | 0:08:58 | |
Well, you've certainly won a lot. | 0:08:58 | 0:09:00 | |
It's not exactly the boat race, though, is it? | 0:09:00 | 0:09:03 | |
How do you mean? | 0:09:03 | 0:09:06 | |
Well, you can't beat someone at a crossword, can you? | 0:09:06 | 0:09:09 | |
I don't know, competitive solving can be quite combative, believe me. | 0:09:09 | 0:09:13 | |
Blood has been spilt. | 0:09:13 | 0:09:15 | |
Metaphorically, of course. | 0:09:15 | 0:09:17 | |
What's black and white and red all over? | 0:09:17 | 0:09:20 | |
The Cambridge crossword competition. | 0:09:20 | 0:09:22 | |
Or a nun chewing a razorblade. | 0:09:22 | 0:09:24 | |
Or a penguin with sunburn. | 0:09:24 | 0:09:26 | |
Oh, I've got one, but it's quite rude, though. | 0:09:26 | 0:09:29 | |
I teach Catullus, dear, I'm hardly a prude. | 0:09:29 | 0:09:31 | |
What's long and hard and full of seamen? A submarine. | 0:09:31 | 0:09:36 | |
-THEY CHUCKLE -Very good. | 0:09:36 | 0:09:38 | |
-And what's pink and hard in the mornings? The... -A cock? | 0:09:38 | 0:09:41 | |
..Financial Times' crossword. | 0:09:42 | 0:09:44 | |
Have a look at, um...two-down. | 0:09:47 | 0:09:49 | |
"This cover sounds like a 50 Cent song." | 0:09:49 | 0:09:53 | |
Is that, like, a cover version? | 0:09:53 | 0:09:54 | |
"Sounds like" indicates a homophone. | 0:09:54 | 0:09:56 | |
Do you know what a homophone is? | 0:09:56 | 0:09:58 | |
Is it an app for gays, like Grinder? | 0:09:58 | 0:10:01 | |
No. It's two words which sound the same, | 0:10:01 | 0:10:04 | |
but which are spelt differently, like "their" and "there". | 0:10:04 | 0:10:06 | |
-Where? -Think of a four-letter word meaning "to cover", | 0:10:06 | 0:10:10 | |
which sounds like a type of song. Beginning with W? | 0:10:10 | 0:10:14 | |
-Wrap! -Correct! That's two in two minutes! | 0:10:16 | 0:10:20 | |
You'll be challenging for the Cup before long. | 0:10:20 | 0:10:22 | |
And, of course, one-down, | 0:10:24 | 0:10:26 | |
"Indian national product of French-Italian agreement", | 0:10:26 | 0:10:28 | |
is simply "of" in French, | 0:10:28 | 0:10:30 | |
followed by an Italian form of agreement, | 0:10:30 | 0:10:33 | |
making "Desi" a person from India. | 0:10:33 | 0:10:36 | |
Why do you use such difficult words? | 0:10:36 | 0:10:39 | |
Every word is chosen for its letters, Nina. | 0:10:39 | 0:10:43 | |
For example, have a look at 18-across. | 0:10:43 | 0:10:46 | |
18-across. "Tory leader on board for English flower." | 0:10:49 | 0:10:53 | |
-So that's a five-letter word for Tory leader. -Or...? | 0:10:53 | 0:10:56 | |
English flower? Er...poppy! | 0:10:58 | 0:11:01 | |
-No. -Daisy? | 0:11:01 | 0:11:03 | |
Don't guess, Nina, dear. Deduct! | 0:11:03 | 0:11:06 | |
And don't take anything for granted. | 0:11:07 | 0:11:10 | |
Now...what could "Tory leader" be? | 0:11:13 | 0:11:17 | |
-Boris? -No. Look at the word! | 0:11:17 | 0:11:20 | |
-T. -That's right! | 0:11:25 | 0:11:27 | |
The leader of Tory is T. | 0:11:27 | 0:11:29 | |
So put T on to a four-letter word for "board"... | 0:11:29 | 0:11:32 | |
-Er...plank! -Four letters. -Er...wood. T-wood! | 0:11:33 | 0:11:36 | |
A board has more than one meaning, remember. | 0:11:36 | 0:11:39 | |
-Fed up? -No. | 0:11:39 | 0:11:41 | |
-Cardboard? Snowboard? -What kind of board do you pay? | 0:11:41 | 0:11:43 | |
The exam board! | 0:11:43 | 0:11:45 | |
No. Rent! You pay to board somewhere. | 0:11:45 | 0:11:49 | |
So put Tory leader "T" onto "rent", it gives you... | 0:11:49 | 0:11:51 | |
Trent! But that...that's not a flower. | 0:11:51 | 0:11:54 | |
-Ah. Who said it was a flower? -You did! | 0:11:54 | 0:11:58 | |
No, you said flower. | 0:11:58 | 0:11:59 | |
What I actually wrote was "flow-er". | 0:11:59 | 0:12:03 | |
Something that flows. | 0:12:03 | 0:12:05 | |
In this instance, an English river called the Trent. | 0:12:05 | 0:12:09 | |
Oh, my God, that is... That's so clever! | 0:12:09 | 0:12:12 | |
-Hm! -I knew you were devious! -Mm! | 0:12:12 | 0:12:15 | |
-It's very satisfying, isn't it? -It is. | 0:12:20 | 0:12:22 | |
So, um...your boyfriend is reading Architecture at King's, is that correct? | 0:12:25 | 0:12:30 | |
-Yeah. -Is he studying under Pugh or Fairbrother? | 0:12:30 | 0:12:33 | |
Er...the first one. | 0:12:33 | 0:12:35 | |
And how's he getting on with old Pugh? | 0:12:35 | 0:12:38 | |
He likes him. | 0:12:38 | 0:12:39 | |
Gladys Pugh. | 0:12:39 | 0:12:41 | |
He likes her. | 0:12:41 | 0:12:43 | |
You do realise that Pugh and Fairbrother | 0:12:43 | 0:12:45 | |
are characters from the comedy series Hi-de-Hi? | 0:12:45 | 0:12:48 | |
I've, er...I've not seen it. | 0:12:50 | 0:12:52 | |
Well, lucky you. | 0:12:52 | 0:12:54 | |
So, Simon, if that's his real name, isn't a student at all. | 0:12:54 | 0:12:59 | |
He's a muggle, just like you. | 0:12:59 | 0:13:01 | |
(Why did you lie?) | 0:13:04 | 0:13:06 | |
Because I didn't think you'd take me seriously otherwise. | 0:13:06 | 0:13:09 | |
Hm. Does he work in Greggs also? | 0:13:09 | 0:13:12 | |
Don't patronise me, Professor, I...I only want to learn. | 0:13:12 | 0:13:15 | |
Of course. | 0:13:17 | 0:13:19 | |
Nine-across! | 0:13:19 | 0:13:21 | |
"Degas evacuated and bathed before putting big picture in bog." | 0:13:22 | 0:13:27 | |
-Oh, for fuck's sake! -Patience, Nina, dear. | 0:13:27 | 0:13:31 | |
Now, "Degas evacuated". | 0:13:31 | 0:13:32 | |
If you evacuate something, you clear it out. | 0:13:32 | 0:13:34 | |
So we remove the middle letters to leave "DS". With me? | 0:13:34 | 0:13:39 | |
"Bathed" is another word for "swam", | 0:13:39 | 0:13:40 | |
so "bathed before" means we put "swam" in front of "DS". | 0:13:40 | 0:13:46 | |
And "putting big picture in". | 0:13:46 | 0:13:48 | |
We need to insert another word for a big picture, a grand scheme, a... | 0:13:48 | 0:13:51 | |
-Plan. -Plan! Precisely! | 0:13:51 | 0:13:54 | |
So we put "plan" between "swam" and "DS" | 0:13:54 | 0:13:57 | |
to make "swamplands", meaning "bog"! Yes? | 0:13:57 | 0:14:00 | |
-Er... -Yes? -Well, shouldn't it be "bogs"? | 0:14:00 | 0:14:01 | |
-Not necessarily. -You said it has to be precise. | 0:14:01 | 0:14:04 | |
Yes, it is precise. Not a word wasted. | 0:14:04 | 0:14:07 | |
-Otherwise you'd be cheating, wouldn't you? -I never cheat. Never! | 0:14:07 | 0:14:10 | |
HE COUGHS | 0:14:10 | 0:14:12 | |
Oh. | 0:14:13 | 0:14:15 | |
Have...have something to drink. | 0:14:18 | 0:14:19 | |
Let's, er...let's have a bash at three-down, shall we? | 0:14:22 | 0:14:25 | |
That should be easy. | 0:14:25 | 0:14:26 | |
"A disturbed setter concealed a tiny amount. | 0:14:26 | 0:14:29 | |
"Why, it's enough to take one's breath away." | 0:14:29 | 0:14:32 | |
Hm. Well, the crossword-setter is you, | 0:14:33 | 0:14:36 | |
so, have you concealed a tiny amount, Mr Sphinx? Maybe. | 0:14:36 | 0:14:41 | |
So it's "A", followed by an anagram of "Sphinx" | 0:14:41 | 0:14:49 | |
and "tiny amount" is "iota", | 0:14:49 | 0:14:53 | |
which is also the ninth letter of the Greek alphabet, | 0:14:53 | 0:14:56 | |
which I'm sure you know, Professor Squires. | 0:14:56 | 0:14:59 | |
And "why" is a homophone of the letter "Y". | 0:14:59 | 0:15:03 | |
Meaning...to take one's breath away. | 0:15:03 | 0:15:08 | |
THUNDERCLAP | 0:15:08 | 0:15:10 | |
It's rather prescient, don't you think? | 0:15:10 | 0:15:12 | |
I spotted it as soon as I saw the clues. | 0:15:12 | 0:15:15 | |
Some fairly easy ones this week, I thought. | 0:15:15 | 0:15:17 | |
A little bit vanilla for the King of the Cambridge Cruciverbalists. | 0:15:17 | 0:15:21 | |
"Dickens character undertakes to be a cabinet maker." | 0:15:21 | 0:15:24 | |
Well, that's obviously Sowerberry from Oliver Twist. | 0:15:24 | 0:15:27 | |
You'll be needing his services before long. | 0:15:27 | 0:15:30 | |
"Some smart aleck, no wit, allegedly." | 0:15:30 | 0:15:33 | |
Know-it-all. | 0:15:33 | 0:15:36 | |
But you don't know it all, do you, Prof? | 0:15:37 | 0:15:40 | |
You didn't know, for example, that I study Marine Biology. | 0:15:40 | 0:15:43 | |
And what's the porpoise of that, you might ask? | 0:15:43 | 0:15:46 | |
Well, for one, I could get my hands on some tetrodotoxin | 0:15:46 | 0:15:49 | |
from the liver of a puffer fish. | 0:15:49 | 0:15:51 | |
Highly toxic, as all the best sushi chefs know. | 0:15:51 | 0:15:53 | |
And, if consumed in, say, a cup of tea, | 0:15:53 | 0:15:57 | |
could lead to the gradual paralysis of the internal organs, | 0:15:57 | 0:16:01 | |
starting with the diaphragm. | 0:16:01 | 0:16:03 | |
Resulting in respiratory failure and death by three-down, | 0:16:03 | 0:16:07 | |
the asphyxiation of the Sphinx. | 0:16:07 | 0:16:09 | |
Simon was my brother. | 0:16:13 | 0:16:15 | |
He got to the final of the crossword competition six years ago. | 0:16:15 | 0:16:19 | |
And he won! He beat you fair and square! | 0:16:19 | 0:16:24 | |
But you challenged him on a word. Do you remember? | 0:16:24 | 0:16:27 | |
"Auteur" saying the first U looked more like a V. | 0:16:27 | 0:16:30 | |
And the committee found in your favour. | 0:16:30 | 0:16:32 | |
The old boys' network looking after their own. | 0:16:32 | 0:16:34 | |
And Simon was disqualified. | 0:16:34 | 0:16:36 | |
Do you know what he did? | 0:16:36 | 0:16:39 | |
Do you, you pathetic old man? | 0:16:39 | 0:16:41 | |
He went to his room and took off his belt and hung himself. | 0:16:43 | 0:16:47 | |
I'm afraid that's incorrect, Miss Noonah. | 0:16:49 | 0:16:51 | |
Pictures can be hung, people are hanged. | 0:16:51 | 0:16:53 | |
"He hanged himself", is the correct conjugation, | 0:16:53 | 0:16:55 | |
for which, of course, you have my deepest sympathy. | 0:16:55 | 0:16:57 | |
What the fuck?! You're supposed to be dead! | 0:16:57 | 0:16:59 | |
On the contrary. I am very much alive. | 0:16:59 | 0:17:02 | |
SHE GASPS | 0:17:02 | 0:17:04 | |
It's you who are dead. | 0:17:04 | 0:17:06 | |
Will you permit me? | 0:17:07 | 0:17:10 | |
22-down - "What is a frankfurter's number-one bun? Don't start." | 0:17:10 | 0:17:14 | |
Well, if we don't start "one" or "bun" we get "neun", | 0:17:14 | 0:17:18 | |
which is a number, if you happen to come from Frankfurt. | 0:17:18 | 0:17:21 | |
And 23-down - "The origins of a species popularised savage serpents". | 0:17:21 | 0:17:26 | |
"Origins" telling us to take the first letters of, | 0:17:26 | 0:17:29 | |
"a species popularised savage", giving us the serpents. | 0:17:29 | 0:17:33 | |
So? | 0:17:33 | 0:17:34 | |
So there it is, hiding in plain sight. | 0:17:34 | 0:17:37 | |
I...swapped...cups. | 0:17:39 | 0:17:46 | |
THUNDERCLAP | 0:17:46 | 0:17:48 | |
Very prescient, as you say, | 0:17:48 | 0:17:50 | |
but the individual's urge for self-preservation is a strong one. | 0:17:50 | 0:17:53 | |
You bastard! | 0:17:53 | 0:17:55 | |
Oh, please! | 0:17:55 | 0:17:56 | |
No unnecessary violence. | 0:17:56 | 0:17:58 | |
SHE RETCHES | 0:18:00 | 0:18:01 | |
It's me. | 0:18:07 | 0:18:09 | |
Yes, she is. | 0:18:09 | 0:18:10 | |
Your services will soon be required. | 0:18:10 | 0:18:13 | |
SHE GASPS FOR BREATH | 0:18:13 | 0:18:15 | |
That was Dr Tyler, your personal tutor and confidant. | 0:18:15 | 0:18:19 | |
He's on his way over now with the vaccine. | 0:18:19 | 0:18:22 | |
-He told you? -Yes. | 0:18:22 | 0:18:24 | |
He...he wouldn't do that. | 0:18:25 | 0:18:27 | |
Well, I'm afraid he felt it was his duty. | 0:18:27 | 0:18:29 | |
THUNDERCLAP | 0:18:29 | 0:18:31 | |
A brilliant student midway through a master's degree in Marine Biology, | 0:18:31 | 0:18:34 | |
but driven by a dark desire for revenge. | 0:18:34 | 0:18:38 | |
You needed his expertise to extract the poison from the poisson, | 0:18:38 | 0:18:42 | |
and he came straight around to tell me. | 0:18:42 | 0:18:45 | |
We go back a long way, Tyler and I. | 0:18:46 | 0:18:48 | |
Here! Let me help you. | 0:18:52 | 0:18:54 | |
Why...why don't you call the police? | 0:18:59 | 0:19:01 | |
Sorry, what was that? | 0:19:01 | 0:19:02 | |
Why...don't you call the police? | 0:19:02 | 0:19:05 | |
Well, why call the police when we can have a little bit of fun with the crossword? | 0:19:05 | 0:19:09 | |
It's these kind of challenges that keep one's mind active. | 0:19:09 | 0:19:13 | |
Let's have a crack at five-down. | 0:19:13 | 0:19:16 | |
"Knocked back beer and wine, then put on one French undergarment." | 0:19:18 | 0:19:22 | |
Any thoughts? Hm? | 0:19:22 | 0:19:25 | |
Well, "knocked back" is telling us to write something in reverse. | 0:19:25 | 0:19:30 | |
In this instance, a type of beer, "pils", | 0:19:30 | 0:19:34 | |
and a type of wine, "red". | 0:19:34 | 0:19:37 | |
Then, if we put on "one" in French, which is "un", | 0:19:37 | 0:19:40 | |
we get our undergarment. See? | 0:19:40 | 0:19:44 | |
"Un-der-slip." | 0:19:44 | 0:19:47 | |
Do young women still wear underslips, I wonder? | 0:19:48 | 0:19:51 | |
I always found it quite sexy, having an extra layer to tackle. | 0:19:53 | 0:19:57 | |
Made the game rather more interesting. | 0:19:59 | 0:20:02 | |
-HE INHALES -Mm! | 0:20:10 | 0:20:12 | |
Now, if you'll excuse me, nature calls. | 0:20:12 | 0:20:15 | |
THUNDERCLAP | 0:20:24 | 0:20:26 | |
THUNDERCLAP | 0:20:28 | 0:20:30 | |
DOOR CREAKS OPEN | 0:20:33 | 0:20:35 | |
FOOTSTEPS | 0:20:36 | 0:20:39 | |
Charlotte? | 0:20:43 | 0:20:45 | |
You hang on in there, OK? | 0:20:45 | 0:20:47 | |
Won't be long now. | 0:20:49 | 0:20:51 | |
Ooh! Crossword. | 0:20:52 | 0:20:54 | |
"I hear American poet solved the riddle of the pseudo-hotel patron." | 0:20:58 | 0:21:02 | |
The American poet is Edgar Guest. Mr E Guest. | 0:21:02 | 0:21:06 | |
"A riddle solved" is a mystery guessed | 0:21:06 | 0:21:09 | |
and a "pseudo-hotel patron" is a...? | 0:21:09 | 0:21:12 | |
Mystery guest. Very clever. | 0:21:12 | 0:21:15 | |
Where have you been? You said you'd be waiting outside. | 0:21:15 | 0:21:18 | |
I had to go via my office to pick up some things. | 0:21:18 | 0:21:21 | |
A bit bloody dangerous, leaving me alone with a girl in this condition. | 0:21:23 | 0:21:26 | |
It was all I could do not to slip her one. | 0:21:28 | 0:21:30 | |
Oh, no, I don't think that would be appropriate. | 0:21:30 | 0:21:32 | |
I'm a red-blooded mammal, Tyler, | 0:21:32 | 0:21:34 | |
not like those bloody molluscs you spend half your time with. | 0:21:34 | 0:21:37 | |
She's still breathing, I take it? | 0:21:37 | 0:21:39 | |
Yes. The body can survive in this state for up to six hours. | 0:21:39 | 0:21:44 | |
She can still see and feel and hear everything, | 0:21:44 | 0:21:47 | |
she just...can't move. | 0:21:47 | 0:21:49 | |
It's horrible. | 0:21:49 | 0:21:51 | |
Yes. Well, let's not feel too sorry for her, | 0:21:51 | 0:21:53 | |
that's what she wanted to do to me, remember? | 0:21:53 | 0:21:55 | |
-Well, go on, then. -Sorry? | 0:21:57 | 0:21:59 | |
Give her the antidote. | 0:21:59 | 0:22:00 | |
Oh, there is no antidote. | 0:22:00 | 0:22:02 | |
THUNDERCLAP | 0:22:02 | 0:22:04 | |
-What? -For tetrodotoxin poisoning. She needs her stomach pumped. | 0:22:04 | 0:22:07 | |
Some aggressive airway management | 0:22:07 | 0:22:09 | |
and an intravenous drip as soon as possible, | 0:22:09 | 0:22:11 | |
otherwise she'll be dead within half an hour. | 0:22:11 | 0:22:13 | |
But...but you said six hours! | 0:22:13 | 0:22:15 | |
Only with hospital treatment. | 0:22:15 | 0:22:17 | |
Shit! Right, well, let's do it, then. | 0:22:17 | 0:22:20 | |
No. | 0:22:21 | 0:22:23 | |
There's something I want you to do first. | 0:22:23 | 0:22:26 | |
-Is that going in this week's Varsity? -What?! | 0:22:26 | 0:22:29 | |
-The crossword. -Yes. | 0:22:29 | 0:22:31 | |
W-W-W-What's going on? What are you doing?! | 0:22:31 | 0:22:34 | |
I want you to eat her. | 0:22:36 | 0:22:38 | |
Not all of her, of course, just a sliver. | 0:22:39 | 0:22:42 | |
Just enough that you can say you devoured your victim. | 0:22:42 | 0:22:45 | |
Jacob, what...? Have you lost your mind?! | 0:22:47 | 0:22:50 | |
When the Sphinx posed her riddle to the Thebans, | 0:22:52 | 0:22:55 | |
she strangled and ate anyone who failed to answer correctly. | 0:22:55 | 0:22:58 | |
That's right, isn't it? I haven't misremembered it? | 0:22:58 | 0:23:01 | |
Yes. | 0:23:01 | 0:23:02 | |
What was the riddle again? | 0:23:02 | 0:23:04 | |
I won't do this, Jacob. | 0:23:06 | 0:23:07 | |
"What creature walks on four legs in the morning, | 0:23:07 | 0:23:10 | |
"two at noon and three in the evening?" | 0:23:10 | 0:23:13 | |
It's like something out of a Christmas cracker rather than a Greek tragedy, isn't it? | 0:23:13 | 0:23:17 | |
And it was Oedipus who gave the correct answer - man. | 0:23:17 | 0:23:20 | |
He crawls as a baby, | 0:23:20 | 0:23:22 | |
then walks on two legs, | 0:23:22 | 0:23:24 | |
before needing a stick in his old age. | 0:23:24 | 0:23:26 | |
A bit like you, Nigel. | 0:23:28 | 0:23:30 | |
So...do you prefer leg or breast? | 0:23:31 | 0:23:36 | |
That's it, I'm calling the police. | 0:23:36 | 0:23:37 | |
Oh, and tell them what exactly? | 0:23:37 | 0:23:39 | |
That you're the victim of a student prank? | 0:23:39 | 0:23:41 | |
In 25 minutes, you'll have a dead girl in your rooms | 0:23:41 | 0:23:44 | |
in the middle of the night. | 0:23:44 | 0:23:45 | |
You found out who she was, she threatened you, so you killed her. | 0:23:45 | 0:23:48 | |
No! I'll tell them the truth. Er...I'll say it was an accident. | 0:23:48 | 0:23:52 | |
Well, then, how do you explain this? | 0:23:52 | 0:23:54 | |
You compiled this crossword two days ago. | 0:23:54 | 0:23:57 | |
It proves premeditation. | 0:23:57 | 0:23:59 | |
The know-it-all received a mystery guest at number neun | 0:23:59 | 0:24:04 | |
and before long, there's an asphyxiation. | 0:24:04 | 0:24:08 | |
What's seven-down? | 0:24:08 | 0:24:09 | |
"Catch a train before a poisonous bite." | 0:24:09 | 0:24:11 | |
Well, "catch" usually stands for "fish", I know that much. | 0:24:11 | 0:24:15 | |
"A train before" could be "puffer". | 0:24:15 | 0:24:17 | |
So, yeah, "puffer fish". | 0:24:17 | 0:24:23 | |
You even concealed the murder weapon. | 0:24:25 | 0:24:28 | |
I knew you wouldn't be able to resist. | 0:24:28 | 0:24:29 | |
This was just a bit of fun, I was trying to teach the girl! | 0:24:29 | 0:24:32 | |
You're publishing this in the student paper for everyone to see. | 0:24:32 | 0:24:35 | |
It's classic psychopathic behaviour. | 0:24:35 | 0:24:37 | |
Tomorrow morning, it'll be in every cubbyhole in Cambridge. | 0:24:37 | 0:24:40 | |
And on the inside back page is your confession. | 0:24:40 | 0:24:43 | |
And when a "down-and-out" finds the girl | 0:24:44 | 0:24:47 | |
"wrapped" in her "underslip" floating in the "swamplands", | 0:24:47 | 0:24:52 | |
well, the police won't have to look very far for the culprit, will they? | 0:24:52 | 0:24:55 | |
-That isn't what happened! -No, but it could do. | 0:24:55 | 0:24:57 | |
A little drive out to the Fens, acquaint our brilliant student | 0:24:57 | 0:25:00 | |
with some of the marine life she loves so much. | 0:25:00 | 0:25:03 | |
You see, you're not in charge of this situation. | 0:25:03 | 0:25:06 | |
You can't fit it all neatly into a 15-squared grid. | 0:25:06 | 0:25:09 | |
This is messy and illogical and out of control. | 0:25:09 | 0:25:13 | |
This is my revenge, Nigel. | 0:25:13 | 0:25:14 | |
So sit down whilst I prepare your food! | 0:25:14 | 0:25:17 | |
But she's your student, for God's sake! | 0:25:19 | 0:25:22 | |
-SHE WHIMPERS -No! | 0:25:22 | 0:25:23 | |
I think I'll take a bit off the rump. | 0:25:28 | 0:25:30 | |
THUNDERCLAP | 0:25:33 | 0:25:35 | |
THUNDERCLAP | 0:25:41 | 0:25:43 | |
THUNDERCLAP | 0:25:48 | 0:25:49 | |
Why don't you tell Nina the story? | 0:26:02 | 0:26:05 | |
I bet she'd like to hear it. | 0:26:05 | 0:26:06 | |
Keep her mind active as her body seizes up. | 0:26:06 | 0:26:09 | |
Jacob and I were...students here almost 30 years ago. | 0:26:12 | 0:26:17 | |
We roomed together for a while, | 0:26:18 | 0:26:21 | |
then he met Monica, a physicist from Keeble. | 0:26:21 | 0:26:25 | |
They were madly in love. | 0:26:25 | 0:26:26 | |
They were madly in love, they...married, | 0:26:26 | 0:26:29 | |
they even had two children, twins. | 0:26:29 | 0:26:31 | |
But Monica and I...we began an affair. | 0:26:33 | 0:26:36 | |
I didn't mean for it to end up the way it did! | 0:26:38 | 0:26:40 | |
I was about to begin my doctorate, | 0:26:40 | 0:26:42 | |
which probably would have led to a teaching post, | 0:26:42 | 0:26:45 | |
a room of my own, very much like this one. | 0:26:45 | 0:26:48 | |
But instead, I divorced my wife, | 0:26:48 | 0:26:51 | |
took my babies away, | 0:26:51 | 0:26:54 | |
to bring them up by myself, in the Brecon Beacons. | 0:26:54 | 0:26:56 | |
Here. I haven't seasoned it, | 0:26:59 | 0:27:01 | |
I didn't want to take away from the...natural flavour. | 0:27:01 | 0:27:05 | |
Jacob, this is... | 0:27:07 | 0:27:08 | |
..this is preposterous! | 0:27:10 | 0:27:12 | |
Eat it, or else I let the girl die and you rot in prison. | 0:27:12 | 0:27:17 | |
It tastes like chicken, apparently. | 0:27:30 | 0:27:32 | |
But, then, doesn't everything? | 0:27:34 | 0:27:36 | |
HE GAGS | 0:27:45 | 0:27:47 | |
And so, the mighty Sphinx | 0:27:52 | 0:27:55 | |
consumes the flesh of his conquest. | 0:27:55 | 0:27:58 | |
THUNDERCLAP | 0:27:58 | 0:28:00 | |
I always hated cryptic crosswords. | 0:28:02 | 0:28:05 | |
Why can't people just say what they mean, rather than trying to trick you all the time? | 0:28:06 | 0:28:09 | |
It's when my son started getting into them I wasn't happy. | 0:28:09 | 0:28:12 | |
Became obsessed with entering the stupid Cambridge crossword competition. | 0:28:12 | 0:28:16 | |
Perhaps he thought he could re-earn his mother's love | 0:28:18 | 0:28:21 | |
by beating her new husband, I don't know. | 0:28:21 | 0:28:24 | |
Simon was your son? | 0:28:24 | 0:28:26 | |
He entered the competition under a pseudonym. | 0:28:26 | 0:28:28 | |
You knew him as Rex. | 0:28:28 | 0:28:30 | |
After Oedipus Rex, the play by Sophocles. | 0:28:30 | 0:28:33 | |
But you cheated him out of his victory. | 0:28:33 | 0:28:35 | |
But that means... | 0:28:35 | 0:28:37 | |
Charlotte and I, we hatched our revenge plan, didn't we? | 0:28:37 | 0:28:41 | |
We said we would bring down that cheating Professor Squires | 0:28:41 | 0:28:44 | |
if it was the last thing we did. | 0:28:44 | 0:28:46 | |
And it may well be. | 0:28:46 | 0:28:48 | |
At least for her. | 0:28:49 | 0:28:51 | |
-She's your daughter? -Mm. | 0:28:51 | 0:28:53 | |
It's crazy, isn't it, what the unhinged mind is capable of? | 0:28:54 | 0:28:57 | |
But she came here tonight to kill me, to poison me! | 0:28:57 | 0:29:01 | |
That was the plan. | 0:29:01 | 0:29:02 | |
So, why did you tell me about it? | 0:29:02 | 0:29:04 | |
Just so I'd do the crossword? | 0:29:06 | 0:29:08 | |
Pretty much, yes. I needed leverage. | 0:29:08 | 0:29:10 | |
You sacrificed your only daughter just to get at me? | 0:29:12 | 0:29:15 | |
Well, that's the thing, you see. | 0:29:15 | 0:29:19 | |
When Simon died, there was an autopsy. | 0:29:19 | 0:29:22 | |
Quite a thorough investigation. | 0:29:22 | 0:29:24 | |
It turns out they're not my kids. | 0:29:24 | 0:29:26 | |
They're yours. | 0:29:28 | 0:29:29 | |
I always suspected that affair started before you said it did. | 0:29:31 | 0:29:34 | |
Oh, God! | 0:29:34 | 0:29:35 | |
So there I was. | 0:29:35 | 0:29:37 | |
I'd given up everything. | 0:29:39 | 0:29:41 | |
My wife... | 0:29:41 | 0:29:42 | |
..my home, my job. | 0:29:44 | 0:29:45 | |
My entire life. | 0:29:45 | 0:29:47 | |
All for a lie. | 0:29:47 | 0:29:49 | |
So I'm sure you understand, Nigel, why I had to seek my revenge. | 0:29:49 | 0:29:53 | |
Help me get her to a hospital, please! | 0:29:53 | 0:29:55 | |
Oh, I think we're past that now. | 0:29:55 | 0:29:57 | |
Just enjoy the time you have left together. | 0:29:58 | 0:30:01 | |
A little present for you there, Nigel. | 0:30:02 | 0:30:05 | |
You know what Anton said. | 0:30:06 | 0:30:09 | |
Never show a gun in Act One | 0:30:09 | 0:30:10 | |
if you're not going to fire it by Act Five. | 0:30:10 | 0:30:13 | |
Otherwise people feel cheated. | 0:30:14 | 0:30:16 | |
Isn't your middle name Hector, by the way? | 0:30:23 | 0:30:25 | |
Yes. | 0:30:25 | 0:30:27 | |
How funny. | 0:30:27 | 0:30:28 | |
HE SNIFFS | 0:30:41 | 0:30:43 | |
DOOR CREAKS SHUT | 0:30:43 | 0:30:45 | |
HE SNIFFS | 0:30:59 | 0:31:01 | |
GUNSHOT | 0:31:06 | 0:31:08 | |
THUD | 0:31:08 | 0:31:09 |