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Ladies and gentlemen, It's Kevin. | 0:00:01 | 0:00:05 | |
JAUNTY TUBA MUSIC | 0:00:05 | 0:00:07 | |
This programme contains some strong language | 0:00:07 | 0:00:11 | |
# Oh, welcome to the show | 0:00:11 | 0:00:12 | |
# This week we're starting loose and free | 0:00:12 | 0:00:14 | |
# We've decided to dispense with any continuity | 0:00:14 | 0:00:18 | |
# Now my face is hairless # And now I've got a beard | 0:00:18 | 0:00:21 | |
# And in the next shot that you see me, look, | 0:00:21 | 0:00:23 | |
# The beard has disappeared | 0:00:23 | 0:00:24 | |
# And now this man who's singing isn't actually me | 0:00:24 | 0:00:28 | |
# I think his name is Francis and he comes from Tewkesbury | 0:00:28 | 0:00:31 | |
# Oh, oh, it's the Kevin Eldon Show | 0:00:31 | 0:00:35 | |
# It's the Kevin, Kevin Eldon Show | 0:00:35 | 0:00:37 | |
# And that's the title | 0:00:37 | 0:00:38 | |
# Oh, oh, it's the Kevin Eldon Show | 0:00:38 | 0:00:41 | |
# It's the Kevin, Kevin Eldon Show | 0:00:41 | 0:00:44 | |
# Onwards with the show and continuity is back | 0:00:45 | 0:00:47 | |
# But just to keep it interesting, I'm standing in a sack. # | 0:00:47 | 0:00:51 | |
DEEP BREATHING | 0:00:51 | 0:00:56 | |
# Actually I'm not sure if that's interesting at all | 0:01:00 | 0:01:03 | |
# So watch me while I run this way headlong into a wall, go! | 0:01:03 | 0:01:07 | |
# Argh! Oh, it's the Affin Affon Sha | 0:01:13 | 0:01:16 | |
# It's the Aflinn Eogha Eflan Show | 0:01:16 | 0:01:19 | |
# As the taflagg... | 0:01:19 | 0:01:21 | |
-PUNKIER: -# Ah, it's the Kevin Eldon Show | 0:01:21 | 0:01:23 | |
# It's the... (Kevin, Kevin, Kevin) | 0:01:23 | 0:01:26 | |
# Kevin, Kevin, Kevin | 0:01:26 | 0:01:27 | |
# Kevin, Kevin, Kevin! | 0:01:27 | 0:01:29 | |
# Kevin, Kevin, Kevin | 0:01:29 | 0:01:30 | |
# Kevin Eldon | 0:01:30 | 0:01:33 | |
# Shoo-o-o-o-o-o-ow. # | 0:01:33 | 0:01:38 | |
KNOCK ON DOOR Come in. | 0:01:45 | 0:01:46 | |
What appears to be the trouble? | 0:01:52 | 0:01:54 | |
I think I might be suffering from depression. | 0:01:54 | 0:01:56 | |
It just flew into the studio. | 0:01:57 | 0:01:59 | |
Looks like it might be a rare red-tailed hedgehopper, | 0:01:59 | 0:02:02 | |
known for its highly unusual cry... | 0:02:02 | 0:02:04 | |
I'll see if I can get it to make a noise. | 0:02:04 | 0:02:06 | |
..which some say sounds like a human voice. | 0:02:06 | 0:02:09 | |
-VOICE IN BOX: -'Ere, stop shaking the box about, you prick! | 0:02:09 | 0:02:11 | |
Yeah, it does sound quite human, doesn't it? | 0:02:11 | 0:02:15 | |
Look, stop it or I'm going to peck my way out of here and crap in your eye! | 0:02:15 | 0:02:19 | |
It's lovely. | 0:02:19 | 0:02:20 | |
Makes you think of summer fields. | 0:02:20 | 0:02:22 | |
Arrgh! I warned you! | 0:02:22 | 0:02:24 | |
OK, I'm just going to pop outside and let it go. | 0:02:24 | 0:02:28 | |
You are dead mate, dead! What are you looking at? | 0:02:28 | 0:02:31 | |
I'm going to cut you! | 0:02:31 | 0:02:32 | |
Oh, it's hauntingly beautiful. | 0:02:32 | 0:02:35 | |
NONSENSE FRENCH LYRICS OVER POPPY GUITAR CHORDS | 0:02:37 | 0:02:39 | |
DRAMATIC GAMESHOW MUSIC | 0:02:53 | 0:02:58 | |
Can we have mobiles off, please? | 0:02:58 | 0:03:00 | |
-VOICE BEHIND CAMERA: Sorry! -Thank you. | 0:03:00 | 0:03:02 | |
Now, you hear a lot of people saying "Ooh, I'd love to be a king". | 0:03:02 | 0:03:07 | |
CROWD: Ooh I'd love to be a king! | 0:03:07 | 0:03:09 | |
But it's not easy being a king. Just ask Prince Charles. | 0:03:09 | 0:03:13 | |
KLAXON BLARES | 0:03:13 | 0:03:15 | |
I mean, personally, I'd hate to be a king. | 0:03:19 | 0:03:21 | |
For a start, you'd have to be nice to people you knew for a fact were scum. | 0:03:21 | 0:03:24 | |
You'd stink of velvet. You'd probably have syphilis. | 0:03:24 | 0:03:26 | |
All you'd get to eat would be gossamer omelettes. | 0:03:26 | 0:03:29 | |
Republicans would say "Your Majesty" to you all sarcastically. | 0:03:29 | 0:03:32 | |
Cardinals would be outside your bedroom door whispering all night. | 0:03:32 | 0:03:35 | |
There'd be a man in charge of cleaning your bottom | 0:03:35 | 0:03:37 | |
and all the pictures of you on stamps wouldn't have any irises. | 0:03:37 | 0:03:41 | |
Basically, you'd be so spoilt, you wouldn't be happy. Not really. | 0:03:41 | 0:03:45 | |
And what about all the bowing and the scraping, eh? | 0:03:45 | 0:03:48 | |
That's a mixed blessing. How can I put it? | 0:03:48 | 0:03:51 | |
ORNATE HARPSICHORD RIFF | 0:03:51 | 0:03:53 | |
# Some people dream of monarchy | 0:03:53 | 0:03:56 | |
# The very thought of royalty just fills their hearts with joy and glee | 0:03:56 | 0:04:00 | |
# They'd like to be a king | 0:04:00 | 0:04:02 | |
# Oh, yes, we yearn to wear a crown, | 0:04:02 | 0:04:04 | |
# Some silkened pants and an ermine gown | 0:04:04 | 0:04:07 | |
# Oh, being common gets us down, we'd love to be a king | 0:04:07 | 0:04:11 | |
# But do you think from misery you'd really be escaping? | 0:04:11 | 0:04:15 | |
# The bowing would be very ni-i-i-i-ice | 0:04:15 | 0:04:20 | |
# But what about the scraping? | 0:04:20 | 0:04:21 | |
# The bowing would be very ni-i-i-i... | 0:04:33 | 0:04:35 | |
# ..i-i-i-i-ce. # | 0:04:35 | 0:04:38 | |
But what about the scraping? | 0:04:39 | 0:04:41 | |
You've got to admit, though, haven't you? | 0:04:44 | 0:04:46 | |
Kings, they haven't exactly got a brilliant track record. | 0:04:46 | 0:04:49 | |
Henry VIII, for example. Destroyer of Monasteries. | 0:04:51 | 0:04:54 | |
Big man, but he was out of shape. | 0:04:54 | 0:04:56 | |
Hardly a candidate for spouse or partner of the millennium was he? | 0:04:56 | 0:05:00 | |
Thanks, Alison. | 0:05:00 | 0:05:01 | |
FERAL SCREAMING | 0:05:01 | 0:05:02 | |
KNOCKING | 0:05:03 | 0:05:04 | |
Come in. | 0:05:04 | 0:05:06 | |
-Morning, Anne. -Sire. -Anne. -Sire. | 0:05:06 | 0:05:09 | |
-Catherine. -Sire. -Catherine. -Sire. | 0:05:09 | 0:05:10 | |
-Catherine. -Sire. -Jane. -(MAN'S VOICE) -Sire. | 0:05:10 | 0:05:12 | |
Now, listen. I'm fed up with this six wives business, | 0:05:12 | 0:05:15 | |
it's giving me the hump. So I'm going to execute two of you, | 0:05:15 | 0:05:17 | |
divorce another two, one of you can die of natural causes and the other can survive my death. | 0:05:17 | 0:05:21 | |
I'm not bothered what happens to who. Sort it out yourselves. Ta-ta. | 0:05:21 | 0:05:24 | |
ARGUING | 0:05:27 | 0:05:29 | |
Even some of the lesser-known crowned heads | 0:05:29 | 0:05:31 | |
made a far from positive impact on British history. | 0:05:31 | 0:05:34 | |
-Thanks very much, Alison. -FERAL SCREAM | 0:05:34 | 0:05:37 | |
Take King Leonard. | 0:05:37 | 0:05:38 | |
In a reign lasting only five days he managed to ban crackling, | 0:05:38 | 0:05:42 | |
upset his tailor and had the population of Wales put to death, | 0:05:42 | 0:05:45 | |
by the population of Scotland. | 0:05:45 | 0:05:48 | |
On the plus side, he did legalise speed dating. | 0:05:48 | 0:05:51 | |
But generally, kings, | 0:05:51 | 0:05:53 | |
they can take their crowns and shove them right up their... | 0:05:53 | 0:05:57 | |
-Near. -Far! | 0:06:05 | 0:06:07 | |
-Near. -Far! | 0:06:07 | 0:06:09 | |
-Equidistant. -Equidistant. | 0:06:14 | 0:06:16 | |
-Equidistant. -Equidistant. | 0:06:16 | 0:06:17 | |
-Far! -Near. | 0:06:24 | 0:06:25 | |
-Far! -Near. | 0:06:25 | 0:06:27 | |
Oh, there's a really great bit coming up near the end of the show. | 0:06:33 | 0:06:37 | |
Let's have a quick look. | 0:06:37 | 0:06:38 | |
No, not that bit. Hang on. | 0:06:41 | 0:06:44 | |
No, not that bit. | 0:06:44 | 0:06:46 | |
Um, er... | 0:06:47 | 0:06:49 | |
Not that bit. | 0:06:52 | 0:06:53 | |
Not that bit. | 0:06:55 | 0:06:56 | |
Ooh, that bit. There you go. | 0:06:59 | 0:07:00 | |
Look at him, look at him. Look at him, look at him. | 0:07:00 | 0:07:04 | |
Look at him, look at him. Look at him, look at him. | 0:07:04 | 0:07:09 | |
I'm really looking forward to that bit. | 0:07:12 | 0:07:14 | |
Now then, my name is Stanley Dewthorpe. | 0:07:19 | 0:07:22 | |
I am a fictional man from the North of England, | 0:07:22 | 0:07:25 | |
a fantastical construct of some southern bastard's diseased mind. | 0:07:25 | 0:07:29 | |
T'other day I were down Griddle Wallop Arms having a pint of Southern Tussock | 0:07:29 | 0:07:33 | |
with Harry Peasbury. You know Harry, with the face. | 0:07:33 | 0:07:35 | |
The one the walks along, that sits down, that eats food. | 0:07:35 | 0:07:38 | |
The one that murdered Colonel Gaddafi. | 0:07:38 | 0:07:39 | |
Suddenly I noticed that all me adverbs | 0:07:39 | 0:07:41 | |
that I were using in conversation were physically manifesting themselves into trapeziums. | 0:07:41 | 0:07:46 | |
Is it trapeziums or trapezia? I don't care! | 0:07:46 | 0:07:49 | |
I were that embarrassed, I didn't know where to hide me face. | 0:07:49 | 0:07:52 | |
I tried the Breville toaster but they found it in three minutes, flat. | 0:07:52 | 0:07:56 | |
Thank you! Oh, Gerry the landlord, he were killing himself laughing. | 0:07:56 | 0:07:59 | |
He said "I'm sorry Stanley, I can see you're embarrassed." | 0:07:59 | 0:08:01 | |
He said, "It's just that Tony Bits were in here last Wednesday | 0:08:01 | 0:08:04 | |
"and his adjectives were nicking peoples pork scratchings", | 0:08:04 | 0:08:07 | |
"Whatever next? Arthur Beakstone's indefinite articles | 0:08:07 | 0:08:10 | |
"opening a nail shop in the High Street?" I had to laugh. | 0:08:10 | 0:08:13 | |
I had to, I had to, I had to, I had to - hoo - kill me, I had to, hee, | 0:08:13 | 0:08:18 | |
I had to - her - I had to - har - I had to - huay, | 0:08:18 | 0:08:21 | |
I had to haaa... | 0:08:21 | 0:08:24 | |
I'm on this special diet at the moment. | 0:08:32 | 0:08:35 | |
All I'm allowed to eat of an evening is one loaf of bread | 0:08:35 | 0:08:37 | |
and one measly leg of lamb. | 0:08:37 | 0:08:40 | |
Pathetic! Oh well. | 0:08:40 | 0:08:43 | |
And you join us here live for the finals | 0:08:48 | 0:08:50 | |
of the Outraged '70s Sitcom Vicar Playoff. | 0:08:50 | 0:08:52 | |
On the left here, Colin Snodgrass, | 0:08:52 | 0:08:54 | |
at 42, a comparatively young '70s sitcom vicar. | 0:08:54 | 0:08:58 | |
And fast gaining the reputation of being thoroughly outraged | 0:08:58 | 0:09:01 | |
at the slightest lapse in moral propriety. | 0:09:01 | 0:09:03 | |
On the right, Desmond Winkleberry, 64 years old, | 0:09:03 | 0:09:07 | |
yet showing no signs of gaining any tolerance at all of anything | 0:09:07 | 0:09:10 | |
outside the narrow confines | 0:09:10 | 0:09:12 | |
of accepted 19th century Christian convention. | 0:09:12 | 0:09:14 | |
And now pouring the first tea of the competition, | 0:09:14 | 0:09:17 | |
here's tonight's official, Mrs Valerie Bainbridge of Weybridge. | 0:09:17 | 0:09:22 | |
A veteran of many occasions such as these. | 0:09:22 | 0:09:25 | |
And as she takes her place at the curtains, | 0:09:25 | 0:09:27 | |
final prayers have been said and... | 0:09:27 | 0:09:29 | |
-BELL RINGS -..there goes the bell. | 0:09:29 | 0:09:33 | |
And the first cups of the evening are raised to the lips. | 0:09:33 | 0:09:38 | |
A sip is taken. | 0:09:38 | 0:09:39 | |
Very tense. | 0:09:42 | 0:09:43 | |
Oh, that's quite a challenging opening salvo. | 0:09:46 | 0:09:49 | |
That's really rattled them. The word bum there, | 0:09:49 | 0:09:53 | |
a vulgar term for the buttocks or glutinous maximus. | 0:09:53 | 0:09:56 | |
Let's have a look at the replay and as to who had the edge, | 0:09:56 | 0:09:59 | |
it's hard to call. Lets see how they scored on the indignometer. | 0:09:59 | 0:10:04 | |
That's a dead heat. Both men of the cloth scandalised. | 0:10:04 | 0:10:07 | |
And that's three points apiece. Well, what an exciting start. | 0:10:07 | 0:10:11 | |
Both men fairly evenly matched, although Winkleberry, | 0:10:11 | 0:10:13 | |
a finalist for two years running, a favourite by an edge. | 0:10:13 | 0:10:17 | |
There's the bell. And let's see what is next behind the curtain. | 0:10:17 | 0:10:24 | |
They take their sips. | 0:10:24 | 0:10:25 | |
And here we go. | 0:10:26 | 0:10:28 | |
And I must say, at first glance there doesn't seem to be anything | 0:10:32 | 0:10:35 | |
here to cause consternation. | 0:10:35 | 0:10:37 | |
Oh, wait a minute! And, yes, they've seen it. There it is. | 0:10:37 | 0:10:41 | |
There are no wedding rings on this young couple's fingers | 0:10:41 | 0:10:44 | |
and that means their child was born out of wedlock. | 0:10:44 | 0:10:48 | |
And I must say that really has rattled their vicarial cages. | 0:10:48 | 0:10:51 | |
The institution of marriage, so important to these guys. | 0:10:51 | 0:10:55 | |
Here's the replay, look. | 0:10:55 | 0:10:57 | |
And yes, Snodgrass just registering his disapproval | 0:10:57 | 0:11:01 | |
of the bastard issue of an unblessed union | 0:11:01 | 0:11:03 | |
a split second before his opponent. | 0:11:03 | 0:11:05 | |
Here's the indignometer | 0:11:05 | 0:11:07 | |
And both at Outraged. | 0:11:07 | 0:11:08 | |
But that very slightly earlier demonstration of disapprobation from | 0:11:08 | 0:11:12 | |
Snodgrass just edging the younger parish leader ahead by half a point. | 0:11:12 | 0:11:17 | |
Winkleberry 7, Snodgrass 7 and a half. | 0:11:17 | 0:11:19 | |
So, thrills and spills in tonight's electrifying | 0:11:19 | 0:11:22 | |
standoff between these two dog-collared titans. | 0:11:22 | 0:11:25 | |
Join us for the decisive final round after the break. | 0:11:25 | 0:11:29 | |
Waaa! Bucket of Water Warehouse! | 0:11:29 | 0:11:32 | |
We've got buckets of water stacked to the rafters! | 0:11:32 | 0:11:34 | |
Thousands of bucket of waters, like this bucket of water! | 0:11:34 | 0:11:37 | |
Only 1.99! And this bucket of water, only 3.99! | 0:11:37 | 0:11:41 | |
And these end of line bucket of waters only 10.99 for four! | 0:11:41 | 0:11:45 | |
While stocks last, but hurry! Everything must go! | 0:11:45 | 0:11:49 | |
Including Bucket of Water Warehouse, which is on a hill and has wheels on each corner! | 0:11:49 | 0:11:53 | |
Bucket of Water Warehouse! | 0:11:53 | 0:11:54 | |
If it's buckets of water you're after, we're your warehouse! | 0:11:54 | 0:11:57 | |
Waaaa! | 0:11:57 | 0:12:00 | |
And a warm welcome back to the Outraged '70s Sitcom Vicars Playoff Final. | 0:12:00 | 0:12:05 | |
Well, this is edge of the pew stuff all right. | 0:12:05 | 0:12:08 | |
And right now I wouldn't like to lay a bet either way. | 0:12:08 | 0:12:10 | |
And if I did I'd do it very surreptitiously. | 0:12:10 | 0:12:12 | |
Both these chaps very down on gambling. There's the bell. | 0:12:12 | 0:12:16 | |
In this exciting finals of the Outraged '70s Sitcom Vicar Playoff. | 0:12:16 | 0:12:19 | |
And the last sip. | 0:12:21 | 0:12:22 | |
And, well, this is quite unusual. | 0:12:25 | 0:12:27 | |
Can't see anything morally untoward here at all. | 0:12:27 | 0:12:31 | |
Quite the opposite in fact. | 0:12:31 | 0:12:33 | |
Goodness gracious me! Well, we weren't expecting that! | 0:12:34 | 0:12:38 | |
And this has sent the two '70s vicars into outrage overdrive. | 0:12:38 | 0:12:42 | |
Oh, look at this! | 0:12:42 | 0:12:44 | |
Have you ever seen tea spat in such a forceful manner? | 0:12:44 | 0:12:51 | |
And they really don't know what to do with themselves. | 0:12:51 | 0:12:54 | |
And Snodgrass particularly | 0:12:54 | 0:12:57 | |
seems to... Oh, my goodness me! | 0:12:57 | 0:12:59 | |
He's stood up and his trousers have fallen down! | 0:12:59 | 0:13:02 | |
I don't believe it. | 0:13:02 | 0:13:03 | |
Snodgrass' trousers have fallen down and look at this, | 0:13:03 | 0:13:06 | |
look at this, oh, somebody pinch me! | 0:13:06 | 0:13:09 | |
He's looking faint! And he's fainted! | 0:13:09 | 0:13:14 | |
Straight into a Victoria sponge! | 0:13:14 | 0:13:16 | |
Goodness gracious! Let's have a look at the replay. | 0:13:16 | 0:13:20 | |
And look at the pressure! | 0:13:20 | 0:13:22 | |
The sheer force behind both of those tea spurts. | 0:13:22 | 0:13:24 | |
But look here, you can see Snodgrass, | 0:13:24 | 0:13:26 | |
he's finished his tea spurt. | 0:13:26 | 0:13:28 | |
He's up and then down come the trousers | 0:13:28 | 0:13:30 | |
and have you seen anybody look so appalled?! | 0:13:30 | 0:13:34 | |
Just when you think that's enough, | 0:13:34 | 0:13:36 | |
this happens, straight into a fresh Victoria sponge. | 0:13:36 | 0:13:40 | |
Winkleberry knows the game is over for him. | 0:13:40 | 0:13:43 | |
And so now a final look at the Indignometer, | 0:13:43 | 0:13:47 | |
and, goodness me, Winkleberry has top marks | 0:13:47 | 0:13:51 | |
but Snodgrass is off the scale. | 0:13:51 | 0:13:53 | |
And so the winner of this year's 1970s Sitcom Vicar Playoff, | 0:13:53 | 0:13:58 | |
Colin Snodgrass! | 0:13:58 | 0:13:59 | |
Well, that hardly touched the sides! | 0:14:01 | 0:14:04 | |
Here, it says in this book | 0:14:04 | 0:14:06 | |
that it's better to get shot by a firing squad at dawn than dusk. | 0:14:06 | 0:14:09 | |
But is that just an old wives' tale? | 0:14:09 | 0:14:12 | |
Well, George here was shot by a firing squad at dawn | 0:14:12 | 0:14:17 | |
and Richard here was shot by a firing squad at dusk. | 0:14:17 | 0:14:22 | |
Doesn't seem to make much difference, does it? | 0:14:22 | 0:14:24 | |
What do you say to that, old wives? | 0:14:24 | 0:14:26 | |
Bollocks! | 0:14:26 | 0:14:27 | |
Thanks, old wives. Thanks, guys. | 0:14:27 | 0:14:30 | |
Ladies and gentlemen, your respect please for Mr Crab Marley. | 0:14:32 | 0:14:36 | |
-ROOTS REGGAE MUSIC -This crustacean! Across the nation! | 0:14:36 | 0:14:41 | |
With specification! | 0:14:41 | 0:14:43 | |
# I am a crab in a tank | 0:14:43 | 0:14:46 | |
# I am a crab in a tank | 0:14:46 | 0:14:49 | |
# I'm not a cab in a rank. # No way! | 0:14:49 | 0:14:53 | |
# I am a crab in a tank | 0:14:53 | 0:14:57 | |
# I am a crab in a tank. # I won't be dressed! | 0:14:57 | 0:15:00 | |
# I am a crab in a tank | 0:15:00 | 0:15:03 | |
# I'm not a kebab in a bank. # | 0:15:03 | 0:15:06 | |
Ow! # I am a crab in a tank | 0:15:06 | 0:15:10 | |
# And my mind is sweet | 0:15:10 | 0:15:12 | |
# Cos I smoke a little seaweed. # | 0:15:12 | 0:15:14 | |
-ECHOING: -Waa-waa-waa-waa! | 0:15:14 | 0:15:15 | |
Cold. | 0:15:22 | 0:15:23 | |
Cold. | 0:15:23 | 0:15:25 | |
Warm. | 0:15:25 | 0:15:28 | |
Warmer! | 0:15:28 | 0:15:29 | |
Hot! | 0:15:30 | 0:15:32 | |
Boiling! Boiling! | 0:15:32 | 0:15:34 | |
Cold. | 0:15:46 | 0:15:49 | |
Warm. | 0:15:49 | 0:15:50 | |
Cold. | 0:15:52 | 0:15:53 | |
-You got any rubbish? -No. | 0:15:56 | 0:15:58 | |
-Well, you can have this then. -Oh, thanks, Bob! | 0:15:58 | 0:16:01 | |
-So, how are you? -Oh, very well, thanks, Kevin. | 0:16:01 | 0:16:04 | |
-Glad to hear it. -Well, I say very well, | 0:16:04 | 0:16:06 | |
you wouldn't know it, I've actually got ingrowing legs. | 0:16:06 | 0:16:08 | |
-Ingrowing legs? -Ingrowing legs. | 0:16:08 | 0:16:11 | |
The problem started while I was working as a buffet guard. | 0:16:11 | 0:16:15 | |
On a train. | 0:16:15 | 0:16:17 | |
No. | 0:16:17 | 0:16:18 | |
Oh. | 0:16:18 | 0:16:19 | |
-'I guarded buffets. -Oh, right. | 0:16:22 | 0:16:24 | |
'Three years training. | 0:16:24 | 0:16:26 | |
'Not everyone makes it through, but I stuck with it. | 0:16:26 | 0:16:28 | |
'I dealt with it all in my time. | 0:16:28 | 0:16:30 | |
'Everything from the threat of contamination of trifles | 0:16:31 | 0:16:35 | |
-'by pickled onions. -Ooh. | 0:16:35 | 0:16:36 | |
'To simple plate overloading. | 0:16:38 | 0:16:40 | |
'You'd be amazed at what some people would try and get away with. | 0:16:40 | 0:16:43 | |
'So, were you good at it then? | 0:16:43 | 0:16:45 | |
'I was a natural. Buffet Bob they called me. | 0:16:45 | 0:16:48 | |
-'Why did they call you that? -Oh, that would take too long to explain. | 0:16:48 | 0:16:52 | |
'It's a bit of an in-joke. Anyway, I couldn't do it forever. | 0:16:52 | 0:16:56 | |
'Dealing with bridesmaids who'd taken all the crudites. | 0:16:56 | 0:17:00 | |
'Well, it's a young man's game. | 0:17:00 | 0:17:02 | |
'There's more to you than meets the eye, isn't there, Bob? | 0:17:02 | 0:17:05 | |
Oh, yes, Kevin. I am a mysterious man, with hidden depths. | 0:17:05 | 0:17:11 | |
Right, I'd better crack on. Your toilet's blocked again! | 0:17:14 | 0:17:17 | |
MOUTHING GUNFIRE | 0:17:36 | 0:17:40 | |
MOUTHING SCREAMING AND EXPLOSIONS | 0:17:40 | 0:17:43 | |
-Big! -Small. | 0:17:53 | 0:17:55 | |
-Big! -Small. | 0:17:55 | 0:17:57 | |
-Same. -Same. | 0:17:59 | 0:18:02 | |
-Same. -Same. | 0:18:02 | 0:18:03 | |
-Small. -Big! | 0:18:06 | 0:18:09 | |
-Small. -Big! | 0:18:09 | 0:18:10 | |
Lets meet somebody who's written a book about music hall. | 0:18:23 | 0:18:26 | |
And it's a young man by the name of Mark Woods. | 0:18:26 | 0:18:28 | |
Hello, Mark, how old are you? | 0:18:28 | 0:18:30 | |
-I'm 37. -37? Wow! | 0:18:30 | 0:18:33 | |
And you've got a family connection to music hall, haven't you? | 0:18:33 | 0:18:36 | |
Yes, I do. My great grandfather, Al Woods, | 0:18:36 | 0:18:39 | |
was one half of the comedy duo Whitstable Al and Adaptable Hal. | 0:18:39 | 0:18:43 | |
Do you want some juice? | 0:18:43 | 0:18:45 | |
-No. -OK. | 0:18:46 | 0:18:48 | |
And now we've got a fantastic clip of your great-grandfather | 0:18:48 | 0:18:51 | |
-and his comedy partner from 1929, haven't we? -Yes, we do. | 0:18:51 | 0:18:54 | |
-Shall we have a look? -OK. | 0:18:54 | 0:18:56 | |
Do you want another cushion so you're sitting a bit higher? | 0:18:56 | 0:18:59 | |
-I'm fine. -OK. | 0:19:00 | 0:19:02 | |
LAUGHTER | 0:19:06 | 0:19:07 | |
-But wait a minute, Al. -What's that, Hal? | 0:19:07 | 0:19:09 | |
I have a leg where me arm should be and an arm where me leg should be. | 0:19:09 | 0:19:12 | |
LAUGHTER | 0:19:12 | 0:19:14 | |
Tell you what, how about... | 0:19:18 | 0:19:20 | |
..I take this over there... | 0:19:23 | 0:19:24 | |
..and take this off here... | 0:19:30 | 0:19:32 | |
..then put this on here... | 0:19:37 | 0:19:39 | |
..and this on here? | 0:19:43 | 0:19:44 | |
Now, what do you reckon to that? | 0:19:48 | 0:19:51 | |
Yes, I am, I really do. | 0:19:51 | 0:19:54 | |
You want to do what now? | 0:19:54 | 0:19:56 | |
-I really do feel... -Really do feel what now? | 0:19:56 | 0:19:59 | |
I really do feel like me old self again. | 0:19:59 | 0:20:03 | |
LAUGHTER AND APPLAUSE | 0:20:03 | 0:20:06 | |
JAUNTY MUSIC | 0:20:06 | 0:20:09 | |
Whitstable Al and Adaptable Hal there. | 0:20:15 | 0:20:18 | |
Now you mention lots of different acts in your book? | 0:20:18 | 0:20:20 | |
-Yeah. -Don't say "Yeah". It's yes. | 0:20:20 | 0:20:23 | |
Yes. | 0:20:27 | 0:20:28 | |
There were some wonderfully original performers out there. | 0:20:30 | 0:20:35 | |
'There was Hobson and Pugh. | 0:20:35 | 0:20:36 | |
'Now, we've got a clip of them. | 0:20:36 | 0:20:38 | |
'They would shoot each other in the stomach with rifles. | 0:20:38 | 0:20:41 | |
'Are you warm enough? | 0:20:42 | 0:20:43 | |
-'Yeah. -Yes. -Yes! Really. | 0:20:44 | 0:20:47 | |
'There was Brawny Betty. | 0:20:48 | 0:20:50 | |
'She could pick herself up by her own hair. | 0:20:50 | 0:20:54 | |
'Amazing.' | 0:20:54 | 0:20:55 | |
Just a few of the characters featured in this, | 0:20:55 | 0:20:57 | |
'The Golden Years Of Music Hall' by Mark Woods. | 0:20:57 | 0:21:00 | |
Available is what book shops there are still left. Well done, Mark. | 0:21:00 | 0:21:04 | |
You all right? | 0:21:06 | 0:21:07 | |
Where's my mother? | 0:21:09 | 0:21:10 | |
It's all right, she's just over there. | 0:21:10 | 0:21:12 | |
Mrs Woods, could you...? | 0:21:14 | 0:21:16 | |
-Is he all right? -I think he's just tired. | 0:21:21 | 0:21:24 | |
Hi, my name is Paul Hamilton and I am a poet. | 0:21:34 | 0:21:40 | |
Poetry on TV. It's like a bishop on crack. | 0:21:40 | 0:21:43 | |
Do you drive a car? You do. Well, shame on you. | 0:21:46 | 0:21:50 | |
Roadside, roadside genocide. | 0:21:51 | 0:21:53 | |
Roadside Genocide is the title of this week's poem. | 0:21:53 | 0:21:57 | |
Hey. What's black and white and red all over? | 0:21:58 | 0:22:01 | |
A magpie that's been hit by a Rover. | 0:22:01 | 0:22:02 | |
And that's not funny, it's a bird all runny. | 0:22:02 | 0:22:05 | |
And what about the others all now gone? | 0:22:05 | 0:22:07 | |
The list goes on and on and on | 0:22:07 | 0:22:09 | |
and on and on and on and on and on and on and on. | 0:22:09 | 0:22:12 | |
A rook with both its eyes washed out. | 0:22:12 | 0:22:14 | |
An owl with entrails strewn about. | 0:22:14 | 0:22:16 | |
What once was a mouse is now a stain and, ooh, what's that? It's a puppy dog's brain. | 0:22:16 | 0:22:20 | |
A rabbit in the habit of being alive. | 0:22:20 | 0:22:22 | |
Yeah, until it got hit by a Mazda 5. | 0:22:22 | 0:22:24 | |
And on and on and on and on and on and on, but wait. | 0:22:24 | 0:22:27 | |
What's that up in the road ahead? | 0:22:28 | 0:22:30 | |
A car crash and the driver's dead. | 0:22:30 | 0:22:32 | |
And by the road stands an orphaned vole, | 0:22:32 | 0:22:34 | |
and he laughs and he shouts from the depths of his soul. | 0:22:34 | 0:22:37 | |
"Ah, ha ha ha ha ha ha, death to the driver, death to the car." | 0:22:37 | 0:22:41 | |
Roadside, roadside genocide. Roadside genocide. | 0:22:41 | 0:22:44 | |
Drive care-ful-ly. | 0:22:44 | 0:22:47 | |
LOW-PITCHED LAUGHTER | 0:23:02 | 0:23:04 | |
Ah, there you go. Another show's just flown by. | 0:23:56 | 0:24:00 | |
Lets see what's coming up next week. | 0:24:00 | 0:24:02 | |
I'll be demonstrating that a little knowledge is a dangerous thing. | 0:24:04 | 0:24:07 | |
Yeah, buy. No, sell. Sell. Sell. | 0:24:07 | 0:24:11 | |
No, yeah, sell. Sell. | 0:24:11 | 0:24:13 | |
It's the semi finals of the Zulu Darts Championships. | 0:24:16 | 0:24:20 | |
DISTANT BATTLE CHANTING | 0:24:20 | 0:24:22 | |
And I'll be asking international peace envoy Tony Blair | 0:24:22 | 0:24:25 | |
some probing questions. | 0:24:25 | 0:24:27 | |
POPPING SOUND | 0:24:31 | 0:24:32 | |
Care for some pop? | 0:24:32 | 0:24:33 | |
# I fell in love with a pretty little girl | 0:24:37 | 0:24:39 | |
# And she makes me feel so fine | 0:24:39 | 0:24:41 | |
# All the other guys fell in love with her too | 0:24:41 | 0:24:44 | |
# But I know that girl is mine | 0:24:44 | 0:24:47 | |
# Now I'm jumping up and down. # | 0:24:47 | 0:24:49 | |
-Jump! -# I'm jumping up and down. # | 0:24:49 | 0:24:52 | |
-Jump! -# I'm jump, jump, jump | 0:24:52 | 0:24:55 | |
# Yes, I'm jumping up and down. # | 0:24:55 | 0:24:57 | |
Here we go! | 0:24:57 | 0:24:58 | |
Jump! | 0:25:02 | 0:25:03 | |
Jump! | 0:25:07 | 0:25:08 | |
# I killed the other guys with me own bare hands | 0:25:08 | 0:25:10 | |
# And I made sure she could see | 0:25:10 | 0:25:13 | |
# Then I ate their brains and now she knows | 0:25:13 | 0:25:16 | |
# I'm superior genetically | 0:25:16 | 0:25:18 | |
# Now I'm jumping up and down. # | 0:25:18 | 0:25:21 | |
-Jump! -# Jumping up and down. # | 0:25:21 | 0:25:23 | |
-Jump! -# Jump, jump, jump | 0:25:23 | 0:25:26 | |
# Yes, I'm jump, jump, jump | 0:25:26 | 0:25:29 | |
-# Jumping up and down. # -Jump! | 0:25:29 | 0:25:31 | |
NONSENSE FRENCH LYRICS OVER POPPY GUITAR CHORDS | 0:25:33 | 0:25:36 | |
Quoi? | 0:25:39 | 0:25:41 | |
WASHING MACHINE BEGINS CYCLE | 0:25:42 | 0:25:45 | |
Subtitles by Red Bee Media Ltd | 0:25:53 | 0:25:56 |