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Elis James, comedian. | 0:00:07 | 0:00:09 | |
Born in Wales, lives in England. | 0:00:09 | 0:00:11 | |
Miles Jupp, comedian. | 0:00:11 | 0:00:13 | |
Born in England, lives in Wales. | 0:00:13 | 0:00:15 | |
These are our journeys across Wales by land, sea and rail. | 0:00:16 | 0:00:20 | |
HORN BLOWS | 0:00:20 | 0:00:22 | |
So, you've moved to Wales... | 0:00:22 | 0:00:24 | |
-That is right. -You've been on holidays here. | 0:00:24 | 0:00:26 | |
I've spent a lot of time here. But I'm hungry. | 0:00:26 | 0:00:28 | |
You know, I want to know more. I want to see more. | 0:00:28 | 0:00:30 | |
-I want to feel more. -Well, guess who your ideal guide is. | 0:00:30 | 0:00:32 | |
Well, my ideal guide would be Rhod Gilbert. | 0:00:32 | 0:00:34 | |
Yes, he's unavailable. Guess who's available? | 0:00:34 | 0:00:36 | |
Stop. We made a terrible mistake. | 0:00:37 | 0:00:40 | |
That is not what nature is for. | 0:00:42 | 0:00:44 | |
It's a classic 1-2 combination. | 0:00:44 | 0:00:46 | |
HORN BLOWS | 0:00:46 | 0:00:48 | |
This man came up to be and said, "I don't like your..." | 0:00:49 | 0:00:51 | |
HORN BLOWS | 0:00:51 | 0:00:52 | |
"..attitude." | 0:00:52 | 0:00:53 | |
-So, welcome to James... -And Jupp. | 0:00:53 | 0:00:56 | |
OK, we're starting this adventure in my hometown of Carmarthen. | 0:01:02 | 0:01:06 | |
Look at you, yawning away. | 0:01:06 | 0:01:08 | |
I had to come up on the train the night before. | 0:01:08 | 0:01:12 | |
Good morning. | 0:01:12 | 0:01:14 | |
I'm in Carmarthen. It's very early in the morning. | 0:01:14 | 0:01:17 | |
Elis has asked me to meet. | 0:01:17 | 0:01:18 | |
I've just spent the night in a perfectly comfortable hotel but | 0:01:18 | 0:01:21 | |
one that did not offer complimentary shampoo, which is... | 0:01:21 | 0:01:24 | |
-That is unusual. -Hey, hey, hey. | 0:01:24 | 0:01:26 | |
-Morning. Hello. -Welcome to the town that never sleeps. | 0:01:26 | 0:01:29 | |
-Well, yeah. -Apart from at 6:26am. | 0:01:29 | 0:01:32 | |
The centre of the universe, Carmarthen. | 0:01:32 | 0:01:34 | |
-Come on. -It's very... Are we not getting...? | 0:01:34 | 0:01:35 | |
No, no, no. I've got something special planned for you, | 0:01:35 | 0:01:38 | |
as we're starting off in the jewel in West Wales' crown. | 0:01:38 | 0:01:41 | |
OK. | 0:01:41 | 0:01:42 | |
I stayed in a hotel were they didn't offer complimentary shampoo. | 0:01:43 | 0:01:47 | |
Time and tide wait for no man, Miles, | 0:01:47 | 0:01:49 | |
and that's the reason we're up so early because it's high tide at | 0:01:49 | 0:01:52 | |
Carmarthen quay and our transport today is by boat. | 0:01:52 | 0:01:55 | |
-Hello, Tony. -Morning. | 0:01:56 | 0:01:58 | |
-How are you doing? -Very well. | 0:01:58 | 0:02:00 | |
Could I have two singles to Laugharne, please? | 0:02:00 | 0:02:03 | |
-You certainly can. -One adult, one child, please. | 0:02:03 | 0:02:06 | |
You're always making that joke. | 0:02:06 | 0:02:08 | |
It is a joke with a purpose, Elis, to remind you to grow. | 0:02:08 | 0:02:11 | |
Thank you. That's not bad, is it? | 0:02:11 | 0:02:13 | |
Now, Carmarthen is quite a long way inland but on a high tide, Miles, | 0:02:17 | 0:02:20 | |
you can travel all the way out to sea and our destination today is | 0:02:20 | 0:02:23 | |
Laugharne, famous of course, you'll know this, | 0:02:23 | 0:02:26 | |
for its connection with Dylan Thomas. | 0:02:26 | 0:02:28 | |
I do know that. | 0:02:28 | 0:02:29 | |
This morning, the shower I was using, | 0:02:34 | 0:02:36 | |
there was no blind in the bathroom. | 0:02:36 | 0:02:38 | |
-Yeah. -It was only misted glass up to the halfway point. | 0:02:38 | 0:02:40 | |
So I reckon... I stood there in the shower for ages, | 0:02:40 | 0:02:43 | |
I didn't have my glasses on, so I couldn't see, | 0:02:43 | 0:02:45 | |
but I could not be sure that I couldn't be entirely seen. | 0:02:45 | 0:02:48 | |
There was a house there and there were some lights on. | 0:02:48 | 0:02:50 | |
And I thought, I am clearly, clearly visible. | 0:02:50 | 0:02:53 | |
So, I... Well, I'm afraid... | 0:02:53 | 0:02:55 | |
..red rag to a bull. | 0:02:56 | 0:02:57 | |
Did the full works. | 0:02:58 | 0:02:59 | |
-Good morning, Carmarthen. -Morning! | 0:03:01 | 0:03:04 | |
Morning! I'm just buffing the windows. | 0:03:04 | 0:03:07 | |
It didn't take long before the river widened out. | 0:03:15 | 0:03:18 | |
There's Llansteffan Castle on the left, | 0:03:19 | 0:03:21 | |
which is about two thirds of the way to Laugharne. | 0:03:21 | 0:03:24 | |
I think, as it's an estuary now, | 0:03:24 | 0:03:26 | |
it's wide enough for me to have a go at driving the boat. | 0:03:26 | 0:03:29 | |
That's what they say, isn't it? Driving the boat? | 0:03:29 | 0:03:33 | |
Yes, yes. | 0:03:33 | 0:03:34 | |
Tony, do you mind if I have a...? | 0:03:37 | 0:03:39 | |
Yeah, carry on. Right then, Elis. | 0:03:39 | 0:03:42 | |
OK, if we bear right now... | 0:03:42 | 0:03:44 | |
-Yeah. -Come around this buoy. | 0:03:44 | 0:03:47 | |
And we're going to head across to the green buoy and the stick. | 0:03:47 | 0:03:53 | |
I had no idea what was going on here. | 0:03:53 | 0:03:55 | |
Oh, my God! | 0:03:57 | 0:03:58 | |
HE LAUGHS | 0:03:58 | 0:04:00 | |
He just wants to get in the steering house because it's warmer in there. | 0:04:00 | 0:04:04 | |
Very, very transparent behaviour. He's pretending to be interested. | 0:04:05 | 0:04:08 | |
He's chatting away. | 0:04:08 | 0:04:09 | |
"Oh, do I turn this bit? Do I press this?" | 0:04:09 | 0:04:11 | |
He's literally just chasing some heat. | 0:04:11 | 0:04:13 | |
And I'm going to do exactly the same. | 0:04:15 | 0:04:17 | |
And once I'd gone in the cabin too, | 0:04:17 | 0:04:19 | |
well, the mood brightened considerably. | 0:04:19 | 0:04:22 | |
HORN BLOWS | 0:04:22 | 0:04:24 | |
It's sort of cheeky. | 0:04:24 | 0:04:27 | |
HORN BLOWS MULTIPLE TIMES | 0:04:27 | 0:04:31 | |
This man came up to me and he said, "I don't like your..." | 0:04:32 | 0:04:34 | |
HORN BLOWS | 0:04:34 | 0:04:35 | |
"..attitude." And I said, "Well, you, sir, you can go..." | 0:04:35 | 0:04:38 | |
-HORN BLOWS -"..yourself and your... | 0:04:38 | 0:04:41 | |
-HORN BLOWS -"..can do the same." | 0:04:41 | 0:04:43 | |
There is the destination ahead, the small white building right by the sea, | 0:04:48 | 0:04:51 | |
which is the Dylan Thomas boathouse. | 0:04:51 | 0:04:54 | |
And by this time, I did have a reason why I was quite keen to get | 0:04:54 | 0:04:57 | |
off the boat. | 0:04:57 | 0:04:59 | |
I tell you one thing, I really loved sailing from Carmarthen to Laugharne. | 0:04:59 | 0:05:03 | |
However, on a boat of this size... | 0:05:03 | 0:05:05 | |
..the toilet facilities leave a lot to be desired. | 0:05:07 | 0:05:11 | |
You try pooing in one of those. | 0:05:11 | 0:05:13 | |
LAUGHTER | 0:05:13 | 0:05:16 | |
So, the tide is going out all the time and the water is too shallow | 0:05:19 | 0:05:22 | |
for us to get off at the boat house itself. | 0:05:22 | 0:05:25 | |
So, Tony needs to take us to shore on the little tender. | 0:05:25 | 0:05:28 | |
Which gives us plenty of time to show you this lovely shot of the | 0:05:32 | 0:05:36 | |
boat and the Taf estuary. Because it took us about as long to get ashore | 0:05:36 | 0:05:40 | |
here as it did to come all the way from Carmarthen. | 0:05:40 | 0:05:42 | |
Still going... Still going... | 0:05:50 | 0:05:54 | |
Still going... | 0:05:56 | 0:05:57 | |
Oh, progress. | 0:05:59 | 0:06:02 | |
MUSIC PLAYS | 0:06:02 | 0:06:05 | |
-Right, Elis, thanks for organising that. -Hey. -What a lovely treat. | 0:06:11 | 0:06:14 | |
I am a logistics guy. | 0:06:14 | 0:06:15 | |
You really are, aren't you? | 0:06:15 | 0:06:17 | |
I might not be the funniest, Miles, but good grief, I'm good at admin. | 0:06:17 | 0:06:22 | |
I mean, you actually like Dylan Thomas, don't you? | 0:06:27 | 0:06:29 | |
-Yeah, I love him. -Oh, good. That's all right. | 0:06:29 | 0:06:31 | |
That could've been awful. "No, it's RS Thomas, I like." | 0:06:31 | 0:06:35 | |
I had been here before but I was monumentally hungover | 0:06:38 | 0:06:42 | |
and in a desperate hurry. So it was much less relaxing last time. | 0:06:42 | 0:06:45 | |
It is a tiny house but its location is superb. | 0:06:45 | 0:06:49 | |
Thomas lived here with his wife, Caitlin, and their three children. | 0:06:49 | 0:06:53 | |
They must have had some rows in here, mustn't they? | 0:06:54 | 0:06:57 | |
-Extraordinary to think of him being here, isn't it? -Yeah. | 0:07:02 | 0:07:05 | |
Very calm but at the same time, it cannot have been. | 0:07:05 | 0:07:08 | |
So, now we're heading to the thing I actually like more than the | 0:07:14 | 0:07:17 | |
boathouse - Dylan Thomas' little writing shed. | 0:07:17 | 0:07:20 | |
So you've been to Laugharne before. | 0:07:21 | 0:07:23 | |
I have. | 0:07:23 | 0:07:24 | |
But I mean, for example, the shed, | 0:07:24 | 0:07:27 | |
it's never actually open. | 0:07:27 | 0:07:29 | |
You can just sort of look through the window. | 0:07:29 | 0:07:32 | |
Yeah. | 0:07:32 | 0:07:33 | |
Check that out. | 0:07:35 | 0:07:36 | |
-Where did you get that? -I just pinched it. | 0:07:38 | 0:07:41 | |
Dylan Thomas, he probably did his chin ups from here. | 0:07:49 | 0:07:52 | |
He used to do a lot of sort of upper-body stuff? | 0:07:53 | 0:07:56 | |
Yeah, mainly upper-body stuff. | 0:07:56 | 0:07:58 | |
That's what kept him in such good shape. | 0:07:58 | 0:08:00 | |
So this is where he wrote...? | 0:08:00 | 0:08:02 | |
-He wrote Under Milk Wood...? -Yes. | 0:08:02 | 0:08:04 | |
-In here. -In here. At this desk? | 0:08:04 | 0:08:05 | |
Well, who knows? Because, obviously, they're not going to keep actual | 0:08:06 | 0:08:10 | |
Dylan Thomas artefacts in this shed, but we'd been told there | 0:08:10 | 0:08:13 | |
was one object in here which was actually an original item. | 0:08:13 | 0:08:17 | |
Owned and touched by the great man himself. | 0:08:17 | 0:08:19 | |
So, was it this copy of Under Milk Wood? | 0:08:19 | 0:08:22 | |
"The cold streets silent and the hunched quarters and rabbits | 0:08:22 | 0:08:27 | |
"limping invisible down to the slow black, slow black, | 0:08:27 | 0:08:31 | |
"crow black fishing boat bobbing the sea." | 0:08:31 | 0:08:34 | |
I don't know if it can be original. | 0:08:36 | 0:08:38 | |
I'd like it to be. But I'm not sure. | 0:08:38 | 0:08:40 | |
-It could be...the curtains... -1953... | 0:08:40 | 0:08:42 | |
The curtains are a shout. | 0:08:42 | 0:08:43 | |
Oh, I know what's original. | 0:08:43 | 0:08:45 | |
I've spotted it. | 0:08:45 | 0:08:46 | |
There you are. | 0:08:48 | 0:08:50 | |
The old intruder alarm. | 0:08:50 | 0:08:52 | |
Yeah. He put that in himself. | 0:08:52 | 0:08:54 | |
The shelves are... Well, he used to be absolutely obsessed with DIY. | 0:08:54 | 0:08:57 | |
If he hadn't been, think about how much more productive he'd have been. | 0:08:58 | 0:09:01 | |
He was into all the latest gadgets. | 0:09:01 | 0:09:02 | |
Would you like to come to America and do a series of lectures? | 0:09:02 | 0:09:05 | |
I would like to but I'm screeding my shed. | 0:09:05 | 0:09:07 | |
-Very... -Creosoting the fence. | 0:09:07 | 0:09:09 | |
I don't want to say it held him back but it held him back. | 0:09:09 | 0:09:12 | |
And the real artefact was... | 0:09:12 | 0:09:15 | |
We never found out. Come on then, trouble. | 0:09:15 | 0:09:17 | |
-Where you taking me next? -Into Laugharne city centre. | 0:09:17 | 0:09:20 | |
Do you know what Laugharne needs? | 0:09:27 | 0:09:29 | |
Cybercafe. 24-hour gym. | 0:09:31 | 0:09:33 | |
-Gin bar? -Yeah. | 0:09:35 | 0:09:37 | |
-A Freeman Hardy Willis? -Oh, absolutely. | 0:09:38 | 0:09:41 | |
Perhaps a Jean Junction? | 0:09:41 | 0:09:42 | |
He used to live there. Seaview, it's for sale. | 0:09:42 | 0:09:46 | |
-Look at that. -Thomas did? | 0:09:46 | 0:09:48 | |
He actually lived there and you can buy it. Amazing. | 0:09:48 | 0:09:51 | |
First thing I'd do, if I bought that place, turn it into an NCP car park. | 0:09:51 | 0:09:55 | |
Just profit, then. | 0:09:55 | 0:09:57 | |
Just profit. | 0:09:57 | 0:09:58 | |
A quick walk around the sometimes narrow streets of Laugharne, | 0:10:00 | 0:10:04 | |
but basically this was just to work up a thirst because we wanted to | 0:10:04 | 0:10:07 | |
visit another well-known Thomas haunt. | 0:10:07 | 0:10:09 | |
The bar of Brown's Hotel. | 0:10:09 | 0:10:11 | |
Sat at the bar, it was like | 0:10:14 | 0:10:15 | |
Dylan Thomas was there right next to me, | 0:10:15 | 0:10:18 | |
so I came up with a belter of a TV programme idea. | 0:10:18 | 0:10:20 | |
Are you ready? Who do you think you look like? | 0:10:20 | 0:10:22 | |
Have you ever been told that you look like a young Dylan Thomas? | 0:10:22 | 0:10:26 | |
No. | 0:10:26 | 0:10:27 | |
A young Winston Churchill? | 0:10:28 | 0:10:29 | |
-Yes. -A young Mick Hucknall? | 0:10:29 | 0:10:31 | |
No. | 0:10:31 | 0:10:33 | |
-Not, no... -A young John Sergeant? | 0:10:33 | 0:10:35 | |
No. No. | 0:10:35 | 0:10:37 | |
I could play Michael Gove in a sort of slightly cheap thing. | 0:10:37 | 0:10:41 | |
I'd have to go... | 0:10:41 | 0:10:42 | |
Yes, yes. | 0:10:43 | 0:10:45 | |
-Nice. -Now, because you've got this kind of... | 0:10:45 | 0:10:47 | |
You look like a sort of tiny Bradley Wiggins. | 0:10:47 | 0:10:50 | |
Oh, thank you. There was that time when he was very famous, | 0:10:50 | 0:10:54 | |
I had similar sideburns, even though I had them first. | 0:10:54 | 0:10:57 | |
And I used to get called Bradley a lot, especially at gigs and things. | 0:10:57 | 0:11:00 | |
-Really? -Yeah, especially stand-up gigs. -Very tedious. | 0:11:00 | 0:11:03 | |
-Bradley! -Oh, God. -And the tragic thing is... | 0:11:03 | 0:11:06 | |
Never once thought of a decent... | 0:11:06 | 0:11:07 | |
I never once thought of a decent comeback. | 0:11:07 | 0:11:09 | |
You always just put the mic back in the stand, | 0:11:09 | 0:11:11 | |
-sit on the front of the stage and cry. -Walk off. | 0:11:11 | 0:11:13 | |
Oh, well, that's that. Mic back in. | 0:11:13 | 0:11:15 | |
It's funny to think of Dylan Thomas here, isn't it? | 0:11:16 | 0:11:19 | |
Do you know what his drink of choice was? | 0:11:19 | 0:11:21 | |
-Asti Spumante. -Incorrect. | 0:11:21 | 0:11:24 | |
-Beer? -No, no. | 0:11:25 | 0:11:27 | |
It was vodka and Tizer. | 0:11:27 | 0:11:29 | |
-Was it? That was his thing? -Loved it. -Yeah. | 0:11:29 | 0:11:31 | |
If he couldn't get Tizer, he'd have Lilt or Rio. | 0:11:31 | 0:11:34 | |
-Yeah, basically he drank like he was on a hen do. -Right. | 0:11:34 | 0:11:38 | |
And, of course, dressed up... Deely-boppers. | 0:11:38 | 0:11:41 | |
-Big inflatable... -L plates on the back of his pants. | 0:11:41 | 0:11:44 | |
That was his modus operandi. | 0:11:44 | 0:11:47 | |
And yet when we went to the shop today, | 0:11:47 | 0:11:49 | |
they weren't selling any of that stuff. | 0:11:49 | 0:11:50 | |
They made him look like he was quite sensible. | 0:11:50 | 0:11:52 | |
Yeah, yeah. And he looked like a poet. | 0:11:52 | 0:11:54 | |
But actually, if you knew him... | 0:11:54 | 0:11:56 | |
No, no, that's absolutely not what he was... | 0:11:56 | 0:11:58 | |
-Yeah. -L plate and a big sash. | 0:11:58 | 0:11:59 | |
Yeah, yeah. | 0:11:59 | 0:12:00 | |
I have absolutely no idea what we were laughing at there but do drink responsibly. | 0:12:03 | 0:12:07 | |
Next morning, I'm trying to work out how the Mini | 0:12:17 | 0:12:19 | |
-got from Carmarthen to Laugharne. -I told you, | 0:12:19 | 0:12:22 | |
I'm a logistics man and we need the Mini today because it's going to see | 0:12:22 | 0:12:26 | |
some proper action. | 0:12:26 | 0:12:27 | |
And if the Mini had a swear box, | 0:12:27 | 0:12:29 | |
then it was about to see a lot of action. | 0:12:29 | 0:12:31 | |
MUSIC PLAYS | 0:12:32 | 0:12:34 | |
-BLEEP -My... -BLEEP -What's wrong with this? | 0:12:37 | 0:12:39 | |
-Piece of... -BLEEP | 0:12:39 | 0:12:41 | |
-What gear am I... -BLEEP -..in? | 0:12:43 | 0:12:44 | |
-Honestly. -I think I've mastered this Mini better. | 0:12:46 | 0:12:48 | |
-You have. -But I feel in complete synergy with the Mini. | 0:12:48 | 0:12:53 | |
-Do you really? -Yeah. | 0:12:53 | 0:12:54 | |
I can't believe you would feel synergy with something | 0:12:54 | 0:12:57 | |
that I find small and irritating. | 0:12:57 | 0:12:58 | |
-It's a... -How on earth has this happened? | 0:12:58 | 0:13:01 | |
It's a symbiotic relationship between the Mini and me. | 0:13:01 | 0:13:03 | |
Do you want to know what gear I'm in right now? | 0:13:06 | 0:13:08 | |
-Fourth. -I'm not in a gear. -Oh, right. Cruising? | 0:13:08 | 0:13:11 | |
-It was a trick question. -What, you are in neutral now? | 0:13:11 | 0:13:13 | |
No. No, now I'm in second gear. | 0:13:13 | 0:13:16 | |
So, we're now going from Laugharne just along the coast to Pendine, | 0:13:16 | 0:13:20 | |
famous for its long flat sandy beach where many land speed record | 0:13:20 | 0:13:23 | |
attempts have been made. | 0:13:23 | 0:13:25 | |
BABS. | 0:13:30 | 0:13:31 | |
In the museum just by the beach is the actual car that Welshman, | 0:13:31 | 0:13:36 | |
John Parry Thomas, was driving on Pendine Sands when he set the land | 0:13:36 | 0:13:40 | |
speed record of 170mph in 1926. | 0:13:40 | 0:13:44 | |
Basically, you'd be able to run very small errands with it, | 0:13:44 | 0:13:47 | |
posting a letter, that sort of thing. | 0:13:47 | 0:13:48 | |
-You wouldn't be able to do your weekly shop in it. -No. | 0:13:48 | 0:13:51 | |
Because if oranges came out of your bag, | 0:13:51 | 0:13:52 | |
they'd roll around by the pedals. | 0:13:52 | 0:13:54 | |
Like all West Walians, I had my first driving lesson | 0:14:04 | 0:14:07 | |
on Pendine Sands. I think it was illegal then. | 0:14:07 | 0:14:09 | |
It's certainly illegal now. | 0:14:09 | 0:14:11 | |
That is where you learnt to drive? | 0:14:11 | 0:14:13 | |
Well, my first lesson, but Dad played fast and loose with the rules. | 0:14:13 | 0:14:16 | |
-So, are we breaking the rules again today? -Big-time. | 0:14:21 | 0:14:24 | |
Thank you, Frank. | 0:14:24 | 0:14:25 | |
Right then. This is extraordinary. So just driving down onto the beach? | 0:14:30 | 0:14:33 | |
-Yeah. -It feels like incredibly reckless behaviour. | 0:14:33 | 0:14:36 | |
-Left or right, would you like? -Left, please. | 0:14:36 | 0:14:39 | |
Left turn. So this is very much like your driving lessons, then. | 0:14:39 | 0:14:42 | |
Driving on a beach. That's crazy behaviour, isn't it? | 0:14:48 | 0:14:51 | |
So there it is, seven miles of uninterrupted beautiful beach but | 0:14:57 | 0:15:01 | |
you can't drive along it normally because it's used as a firing range | 0:15:01 | 0:15:04 | |
by the MOD. | 0:15:04 | 0:15:06 | |
Have you seen Thelma and Louise? | 0:15:07 | 0:15:09 | |
Strap in. | 0:15:11 | 0:15:12 | |
I think Thelma and Louise probably | 0:15:21 | 0:15:23 | |
went a little bit faster than 19mph though. | 0:15:23 | 0:15:26 | |
I'm very happy at this pace. | 0:15:26 | 0:15:27 | |
Always indicate. | 0:15:30 | 0:15:32 | |
LAUGHTER | 0:15:32 | 0:15:34 | |
Come on. I think it's my turn now. | 0:15:40 | 0:15:42 | |
Are you ready? Three, two, one, out. | 0:15:42 | 0:15:45 | |
What tiny legs you have, tiny. | 0:15:53 | 0:15:55 | |
Your legs are weirdly long... | 0:15:55 | 0:15:58 | |
# Shut up and drive... # | 0:15:58 | 0:16:01 | |
OK, already, this is terrifying. | 0:16:01 | 0:16:03 | |
Oh, I just squished a jellyfish. | 0:16:14 | 0:16:17 | |
-But it was already dead. -We don't know that. | 0:16:17 | 0:16:21 | |
You really like the gearbox to sort of run the gamut of emotional | 0:16:21 | 0:16:24 | |
sounds, don't you? | 0:16:24 | 0:16:25 | |
Oh, my word! | 0:16:29 | 0:16:30 | |
I am enjoying this...so little. | 0:16:32 | 0:16:35 | |
Elis, that was only about 90 seconds | 0:16:37 | 0:16:39 | |
but I found it absolutely sick making. | 0:16:39 | 0:16:41 | |
# Now shut up and drive... # | 0:16:42 | 0:16:45 | |
So, Miles, I've organised the vast majority of this trip. | 0:16:48 | 0:16:51 | |
But tonight is a mystery, so where are we staying? | 0:16:52 | 0:16:55 | |
We are going to... | 0:16:56 | 0:16:58 | |
..a campsite... | 0:17:00 | 0:17:01 | |
..where they have caravans. | 0:17:03 | 0:17:05 | |
Oh, great. | 0:17:05 | 0:17:06 | |
And the crew will stay in a caravan. | 0:17:08 | 0:17:09 | |
We, however, are going to sleep in a tent together. | 0:17:10 | 0:17:14 | |
Why? I hate camping. | 0:17:15 | 0:17:17 | |
I absolutely hate it. | 0:17:17 | 0:17:19 | |
What sort of tent...? Is it one of those glamping tents where | 0:17:19 | 0:17:22 | |
everything is really flash and modern and nice? | 0:17:22 | 0:17:25 | |
Um... | 0:17:25 | 0:17:27 | |
I... I don't want to reveal too much in advance. | 0:17:27 | 0:17:30 | |
Oh, it's going to be a rubbish little 15 pounder, isn't it? | 0:17:30 | 0:17:33 | |
Er... Yes. | 0:17:38 | 0:17:40 | |
So far, I'm extremely happy with the way things are going. | 0:17:57 | 0:18:00 | |
It's lovely here. It's very busy, there's lots of other people around. | 0:18:00 | 0:18:04 | |
Um... | 0:18:04 | 0:18:05 | |
Um... | 0:18:10 | 0:18:12 | |
HE LAUGHS | 0:18:12 | 0:18:14 | |
You were loving it, weren't you? | 0:18:15 | 0:18:17 | |
Camping in the driving rain, you weird man. | 0:18:17 | 0:18:20 | |
I mean... He's on about cooking on the gas stove. | 0:18:21 | 0:18:26 | |
He thinks he's in The Famous Five. | 0:18:26 | 0:18:27 | |
I accept that there are worse things going on in the world, | 0:18:29 | 0:18:33 | |
but I've been happier. That is how I feel about it. | 0:18:33 | 0:18:36 | |
I... For God's sake. | 0:18:36 | 0:18:39 | |
So, I thought I'd take Elis to meet the neighbours. | 0:18:42 | 0:18:44 | |
-Hello. -Hello. | 0:18:44 | 0:18:45 | |
How are you doing? Very nice to meet you. | 0:18:45 | 0:18:48 | |
-Nice to meet you. -Hello. | 0:18:48 | 0:18:50 | |
-I'm Elis. -I'm Sarah. | 0:18:50 | 0:18:51 | |
Are we having fun? | 0:18:51 | 0:18:53 | |
-We are having fun. -All of you are having fun? | 0:18:53 | 0:18:55 | |
In the cold and the rain. | 0:18:55 | 0:18:56 | |
More importantly, who is the person who is not having fun? | 0:18:56 | 0:18:59 | |
-Him. -Yes! | 0:18:59 | 0:19:00 | |
What would you prefer to be doing? | 0:19:01 | 0:19:03 | |
I'd prefer to be back in Cardiff, where I live. | 0:19:03 | 0:19:05 | |
-Yes! -I've got a house made of bricks. | 0:19:05 | 0:19:07 | |
Yes! | 0:19:07 | 0:19:08 | |
When my wife booked the holiday... | 0:19:09 | 0:19:11 | |
I think when she checked the BBC weather app, instead of Narberth, | 0:19:11 | 0:19:14 | |
she looked at Nairobi for the temperature. | 0:19:14 | 0:19:16 | |
And got all confused and here we are. | 0:19:16 | 0:19:20 | |
This is quite nice, though. | 0:19:20 | 0:19:21 | |
-It's lovely. -This is... | 0:19:21 | 0:19:23 | |
This is better than what we've got. | 0:19:23 | 0:19:26 | |
This is the dining room. | 0:19:26 | 0:19:28 | |
This is good. | 0:19:30 | 0:19:32 | |
I don't... I'm not sure I want Elis seeing this | 0:19:32 | 0:19:34 | |
because he's going to sort of bemoan our facility. | 0:19:34 | 0:19:38 | |
It even says home. | 0:19:40 | 0:19:42 | |
-What is it? Is that an air bed? -Yeah. | 0:19:42 | 0:19:45 | |
But eventually, it was time to turn in. | 0:19:45 | 0:19:47 | |
Right, OK. | 0:19:49 | 0:19:50 | |
Just open it all up and then we'll be... | 0:19:52 | 0:19:54 | |
Let's get in there properly and we'll get nice and warm, | 0:19:54 | 0:19:57 | |
nice and quickly. | 0:19:57 | 0:19:59 | |
OK. | 0:19:59 | 0:20:00 | |
It's essentially very roomy, I think. | 0:20:01 | 0:20:03 | |
OK. Right, night-night. | 0:20:05 | 0:20:07 | |
There. There we go. Super. | 0:20:10 | 0:20:13 | |
Right, pass me that. Pass me my phone. | 0:20:15 | 0:20:17 | |
The minute they've gone, I'm going to phone a hotel, | 0:20:17 | 0:20:20 | |
-because this is unbearable. -We could go back to Laugharne, it's not far. | 0:20:20 | 0:20:24 | |
That's true. | 0:20:24 | 0:20:25 | |
Anyway, where are we off to now? | 0:20:34 | 0:20:35 | |
Well, today, we've gone further west to Neyland. | 0:20:37 | 0:20:40 | |
There it is. And we're on another boat because this time, we're going | 0:20:40 | 0:20:43 | |
up the Daugleddau estuary. | 0:20:43 | 0:20:45 | |
It's an amazing tidal area of rivers and backwaters. | 0:20:45 | 0:20:49 | |
It's like a hidden world up here because a lot of places are easier | 0:20:49 | 0:20:52 | |
to get to by boat than by road. | 0:20:52 | 0:20:54 | |
It's called the Daugleddau because there are two Cleddau rivers. | 0:20:54 | 0:20:57 | |
They join together further upstream. | 0:20:57 | 0:20:59 | |
We're going up as far as Llangwm or Langem as the locals call it. | 0:20:59 | 0:21:02 | |
And this is the Cleddau Bridge, which actually collapsed when it was | 0:21:05 | 0:21:09 | |
being built and you go under that and head inland. | 0:21:09 | 0:21:12 | |
Elis, I popped to the chandlers shop earlier. | 0:21:16 | 0:21:19 | |
-Oh, yeah? -And bought... | 0:21:19 | 0:21:21 | |
-Ooh! -..a commercial chocolate bar. | 0:21:21 | 0:21:23 | |
And I thought you could have some of it provided you were prepared to | 0:21:23 | 0:21:27 | |
answer some trivia questions. | 0:21:27 | 0:21:29 | |
OK. | 0:21:29 | 0:21:30 | |
What is the most demeaning thing that you have ever done? | 0:21:30 | 0:21:34 | |
Most demeaning thing I've ever done... | 0:21:34 | 0:21:36 | |
I did warm up on the Welsh language Mastermind and an old man came up to | 0:21:37 | 0:21:44 | |
me in the toilets and he said in Welsh... | 0:21:44 | 0:21:46 | |
Oh, no. I thought the first it was the demeaning bit. | 0:21:46 | 0:21:49 | |
No, no, he said, "You have got nothing." | 0:21:49 | 0:21:51 | |
LAUGHTER | 0:21:51 | 0:21:53 | |
Well, you've got something now, Elis. | 0:21:53 | 0:21:55 | |
-Oh, thank you. -Congratulations. | 0:21:55 | 0:21:58 | |
I got sacked in the car park. | 0:21:58 | 0:22:00 | |
I hadn't even got to my car. | 0:22:00 | 0:22:02 | |
I must have done about 30 paces when my phone rang and it was the | 0:22:02 | 0:22:05 | |
producer and he said, "We've seen enough." | 0:22:05 | 0:22:09 | |
-Wow! -Yeah. -Is that all he said? | 0:22:11 | 0:22:13 | |
-Yeah. -And then the line went dead. | 0:22:13 | 0:22:15 | |
You'd better have another of these. That sounds quite traumatic. | 0:22:15 | 0:22:18 | |
Didn't you go on Celebrity Mastermind once? | 0:22:18 | 0:22:20 | |
-I did, yes. -And how did you get on? | 0:22:20 | 0:22:22 | |
-I won. -Ooh! Specialist subject? | 0:22:22 | 0:22:25 | |
The cricketing career of former England captain, Michael Atherton. | 0:22:25 | 0:22:28 | |
-I beat Rachel Riley. -God, you're amazing. | 0:22:28 | 0:22:30 | |
You do know that, don't you? | 0:22:30 | 0:22:32 | |
I do. | 0:22:33 | 0:22:34 | |
So, just past this bend of the river is the tiny hamlet of Coedcanlas, | 0:22:35 | 0:22:40 | |
which is about five miles from Neyland by river but 15 miles by road. | 0:22:40 | 0:22:44 | |
And we need to get ashore. | 0:22:44 | 0:22:45 | |
Hi there, how's it going? | 0:22:48 | 0:22:50 | |
-Good. How are you? -Yeah, we're all right. | 0:22:50 | 0:22:52 | |
Is it hard, that row? | 0:22:53 | 0:22:55 | |
Are you well practised? | 0:22:55 | 0:22:57 | |
This boat just glides along like a dream. | 0:22:57 | 0:23:00 | |
-How'd you do, Miles. -How do you do, Nick. | 0:23:00 | 0:23:03 | |
-This is Elis. -Hello, Nick. -How are you doing? | 0:23:03 | 0:23:06 | |
So, Nick wasn't just a kindly passing stranger in a rowing boat. | 0:23:14 | 0:23:17 | |
We'd come here to meet him and his family, | 0:23:17 | 0:23:19 | |
wife Annette and daughters Josie and Moki. | 0:23:19 | 0:23:24 | |
Did you just pick this place at random? | 0:23:24 | 0:23:26 | |
I mean, what drew you here? | 0:23:26 | 0:23:28 | |
I was actually born in Carmarthen. | 0:23:28 | 0:23:30 | |
Yes! | 0:23:30 | 0:23:31 | |
-Congratulations. -And I came back here with an old boat | 0:23:33 | 0:23:37 | |
I was hoping to do up and sail off on. | 0:23:37 | 0:23:40 | |
But I got stranded here and started a family and... | 0:23:40 | 0:23:44 | |
Wow! You make it sound like it was against your will. | 0:23:44 | 0:23:47 | |
-Yeah. -I think it probably was, actually. Yeah. | 0:23:47 | 0:23:50 | |
What is it that draws you to the landscape here? | 0:23:51 | 0:23:54 | |
It's definitely the connection with the sea. | 0:23:55 | 0:23:57 | |
The beauty of it is you can get in a boat and sail down to the heads, | 0:23:57 | 0:24:01 | |
St Ann's Head, and then you can go anywhere in the world. | 0:24:01 | 0:24:04 | |
So, we should probably tell everyone what Nick and family do. | 0:24:07 | 0:24:10 | |
They make honey on this farmland on the banks of the River Cleddau. | 0:24:10 | 0:24:14 | |
Inside this little unit, | 0:24:16 | 0:24:17 | |
they process the honey and also make marmalade when the bees are | 0:24:17 | 0:24:21 | |
having a rest. | 0:24:21 | 0:24:23 | |
And Josie was on hand to answer a honey related question. | 0:24:23 | 0:24:27 | |
It keeps for years. It can crystallise sometimes over time. | 0:24:27 | 0:24:30 | |
There's nothing wrong with it when it crystallises? | 0:24:30 | 0:24:32 | |
No, not at all, it's just the sugar crystals. | 0:24:32 | 0:24:34 | |
If you heat it really gently... | 0:24:34 | 0:24:36 | |
Good, that's settled a domestic dispute I've had with my girlfriend | 0:24:36 | 0:24:39 | |
for about ten years. There's nothing wrong with it. | 0:24:39 | 0:24:41 | |
It's perfectly safe to apply honey in all areas... | 0:24:41 | 0:24:44 | |
And she should relax. | 0:24:44 | 0:24:45 | |
So, we wanted to see the bees. | 0:24:49 | 0:24:51 | |
And for that, you need to get suited up. | 0:24:51 | 0:24:53 | |
But... This is a Queen wasp that Nick has found in the suit that I | 0:24:53 | 0:24:56 | |
was about to put on. | 0:24:56 | 0:24:58 | |
It was in the crotch area as well. | 0:24:58 | 0:24:59 | |
-Was it? -It could've been nasty. | 0:24:59 | 0:25:01 | |
Don't worry, I'm double bagged. | 0:25:01 | 0:25:04 | |
He's also got five kids. It will be a blessing. | 0:25:04 | 0:25:06 | |
LAUGHTER | 0:25:06 | 0:25:08 | |
MUSIC: Theme From A-Team | 0:25:08 | 0:25:10 | |
And now it was time to get the team together for one last job. | 0:25:11 | 0:25:16 | |
Which team? The bee team. | 0:25:16 | 0:25:19 | |
God, I love slow-mo. | 0:25:23 | 0:25:24 | |
And I love you. | 0:25:26 | 0:25:27 | |
Let's go to work. | 0:25:29 | 0:25:30 | |
We look like we're testing their farm for radiation. | 0:25:34 | 0:25:37 | |
We do. Nick's clearly a bit more relaxed about life. | 0:25:37 | 0:25:39 | |
It's quite cool out here today but inside the brood nest, | 0:25:39 | 0:25:43 | |
it's 35 degrees. | 0:25:43 | 0:25:45 | |
You can feel the heat coming off... | 0:25:45 | 0:25:47 | |
35 degrees in there? | 0:25:47 | 0:25:48 | |
Yeah, you can put your hand in... | 0:25:48 | 0:25:50 | |
No, that's insanity. Why would I do that? | 0:25:50 | 0:25:52 | |
I've felt warm things before. | 0:25:53 | 0:25:55 | |
I feel indestructible in this outfit. | 0:25:55 | 0:25:58 | |
-Oh, wow! -That is extraordinary. | 0:25:58 | 0:26:00 | |
This is a feeder on the top. | 0:26:00 | 0:26:02 | |
At the end of last year, in October November time, | 0:26:02 | 0:26:05 | |
we get a lot of ivy around here. | 0:26:05 | 0:26:07 | |
And they've got a lot of ivy honey. | 0:26:07 | 0:26:09 | |
So there's the Queen, you can see here. | 0:26:11 | 0:26:12 | |
Terrifying but beautiful sight, I would say. | 0:26:14 | 0:26:17 | |
Would you like to try some of the honey? | 0:26:17 | 0:26:18 | |
-Oh, yes, please. -I'd love some, yeah. | 0:26:18 | 0:26:20 | |
Which bit of a bead does the honey come out of? | 0:26:20 | 0:26:22 | |
Is it a teat or some sort of...? | 0:26:22 | 0:26:24 | |
Some sort of duct that we don't have? | 0:26:24 | 0:26:26 | |
I'm laughing but I don't know. | 0:26:26 | 0:26:27 | |
We've got, obviously, netting between our fingers and our mouths. | 0:26:29 | 0:26:32 | |
Yeah, good point. | 0:26:32 | 0:26:33 | |
It's nice to look at. | 0:26:35 | 0:26:36 | |
We can go and eat it somewhere else where you can take your veils off, | 0:26:37 | 0:26:40 | |
-if you like. -Yes. -Yeah, yeah, yeah. | 0:26:40 | 0:26:42 | |
If you and I are going to break bread together, | 0:26:42 | 0:26:44 | |
I have to undress first. | 0:26:44 | 0:26:45 | |
Is that your golden rule? | 0:26:46 | 0:26:48 | |
Very much so, yes. Passed down through my mother's side. | 0:26:48 | 0:26:52 | |
So, this is a bit of honeycomb? | 0:27:04 | 0:27:06 | |
It is. A bit of honeycomb that came out of the feeder just now. | 0:27:06 | 0:27:08 | |
-And I can eat this? -You can, yes. | 0:27:08 | 0:27:11 | |
OK. | 0:27:11 | 0:27:12 | |
That's ivy honey from the end of last year. | 0:27:14 | 0:27:16 | |
Isn't ivy poisonous? | 0:27:16 | 0:27:18 | |
It is, yeah. | 0:27:18 | 0:27:19 | |
-It's very nice. -We forgot to tell you that. | 0:27:21 | 0:27:23 | |
Having been at the more dangerous end of the honey making process, | 0:27:23 | 0:27:26 | |
can we enjoy something safely out of a jar? | 0:27:26 | 0:27:28 | |
Yes, so we've got a range here. We've got the clear, | 0:27:28 | 0:27:33 | |
set heather honey and then on the left, there, | 0:27:33 | 0:27:36 | |
next to the heather honey is last year's early honey, | 0:27:36 | 0:27:38 | |
so that's largely from Sycamore, May... | 0:27:38 | 0:27:41 | |
OK. And this is orange... | 0:27:41 | 0:27:44 | |
This is Seville orange. | 0:27:44 | 0:27:45 | |
That is bees that have been on a mainly marmalade diet. | 0:27:45 | 0:27:49 | |
Yes, largely. Feed them oranges all year and see what comes out. | 0:27:49 | 0:27:53 | |
Is your honey organic? | 0:27:53 | 0:27:55 | |
It's about as close as you can get organic. | 0:27:55 | 0:27:58 | |
Organically produced. | 0:27:58 | 0:27:59 | |
Just because in my experience, | 0:27:59 | 0:28:01 | |
pesticides actually taste quite nice. | 0:28:01 | 0:28:03 | |
I probably wouldn't bother with the whole organic thing. | 0:28:04 | 0:28:07 | |
It tastes... If anything, it tastes better. | 0:28:07 | 0:28:09 | |
I'm afraid it's time to leave the happy group, | 0:28:12 | 0:28:15 | |
breaking bread and spreading honey. | 0:28:15 | 0:28:17 | |
This is James and Jupp signing off. | 0:28:22 | 0:28:25 | |
Till we meet again... | 0:28:26 | 0:28:28 | |
..in Cairo. | 0:28:30 | 0:28:32 | |
HE SMIRKS | 0:28:32 | 0:28:33 |