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Elis James, comedian. | 0:00:02 | 0:00:04 | |
Born in Wales, lives in England. | 0:00:04 | 0:00:06 | |
Miles Jupp, comedian. | 0:00:06 | 0:00:08 | |
Born in England, lives in Wales. | 0:00:08 | 0:00:10 | |
These are our journeys across Wales by land, sea and rail. | 0:00:11 | 0:00:15 | |
-So you've moved to Wales. -That is right. | 0:00:18 | 0:00:19 | |
You've been on holidays here. | 0:00:19 | 0:00:21 | |
I've spent a lot of time here, but I'm hungry. | 0:00:21 | 0:00:23 | |
I want to know more, I want to see more, | 0:00:23 | 0:00:24 | |
-I want to feel more. -Well, guess who your ideal guide is. | 0:00:24 | 0:00:27 | |
Well, my ideal guide would be Rhod Gilbert. | 0:00:27 | 0:00:29 | |
Yes, he's unavailable. Guess who's available? | 0:00:29 | 0:00:31 | |
Stop, we've made a terrible mistake! | 0:00:32 | 0:00:34 | |
That is not what nature is for. | 0:00:37 | 0:00:39 | |
It's a classic one-two combination. | 0:00:39 | 0:00:40 | |
This man came up to me and said, "I don't like your... | 0:00:44 | 0:00:47 | |
BEEPING "..attitude!" | 0:00:47 | 0:00:49 | |
So welcome to... | 0:00:49 | 0:00:50 | |
So we're in a car, driving along the A48 away from Cardiff, | 0:00:59 | 0:01:03 | |
and all is well with the world. | 0:01:03 | 0:01:05 | |
Elis, where are you taking me? | 0:01:05 | 0:01:06 | |
I am taking you to the most unlikely talent hub for acting outside of | 0:01:06 | 0:01:11 | |
Hollywood, probably in the world. | 0:01:11 | 0:01:13 | |
Port Talbot. | 0:01:13 | 0:01:14 | |
-Oh, great, yeah. Yeah? -I am then taking you to Wales' second city, | 0:01:14 | 0:01:19 | |
-Swansea. Oh, yes. -OK. So it's... I have been... | 0:01:19 | 0:01:22 | |
-I've been to Swansea. -It's a classic one-two combination. | 0:01:22 | 0:01:25 | |
Port Talbot, Swansea. | 0:01:25 | 0:01:26 | |
-You can't get any better. -Are you softening me up | 0:01:26 | 0:01:28 | |
with Port Talbot and then hitting me with Swansea? | 0:01:28 | 0:01:30 | |
Yes. I'm going to knock you out with Swansea. | 0:01:30 | 0:01:32 | |
Swansea is the straight right. | 0:01:32 | 0:01:34 | |
So we're heading west towards the glories of Swansea Bay, | 0:01:35 | 0:01:39 | |
and as we join the M4 at junction 37, our first stop | 0:01:39 | 0:01:42 | |
is right next to us, the first of a few sporting challenges | 0:01:42 | 0:01:47 | |
I've lined up. | 0:01:47 | 0:01:48 | |
I have driven past that lake thousands of times. | 0:01:48 | 0:01:53 | |
But today we're going to stop. | 0:01:53 | 0:01:55 | |
Yes, turn off at junction 38 | 0:01:58 | 0:01:59 | |
and you arrive at the Tata Steel Sailing Club. | 0:01:59 | 0:02:02 | |
So this is Chloe, | 0:02:05 | 0:02:06 | |
who's going to show us the ropes and sails and rudders | 0:02:06 | 0:02:08 | |
and everything else, really, because we're going sailing. | 0:02:08 | 0:02:11 | |
I've never worn a wet suit before, but I really like it. | 0:02:11 | 0:02:17 | |
Although it's affected my posture and it's affecting the way I walk. | 0:02:18 | 0:02:22 | |
But, if anything, it's given me a new-found confidence. | 0:02:23 | 0:02:26 | |
I was so up for this, but before we depart, a quick lesson. | 0:02:29 | 0:02:32 | |
Dave here is helping us out by simulating the wind, apparently. | 0:02:34 | 0:02:38 | |
If you think that's my listening face, you'd be wrong. | 0:02:38 | 0:02:40 | |
Not a word of that is going in. | 0:02:40 | 0:02:42 | |
Yeah, and this is your treat, Elis, | 0:02:42 | 0:02:44 | |
and yet you seem to be the one yet again who's the most reluctant. | 0:02:44 | 0:02:48 | |
Well, it's all this technical stuff. It's not my strong suit. | 0:02:48 | 0:02:51 | |
I'll take the rudder, because I'm less obviously afraid than Elis. | 0:02:51 | 0:02:54 | |
-Yeah. -I think just for the general morale of the dinghy. | 0:02:54 | 0:02:57 | |
All you have to do to start sailing is pull your mainsheet in. | 0:02:57 | 0:03:01 | |
-Yes. -OK? And then slightly steer away from where the wind | 0:03:01 | 0:03:05 | |
is coming from. | 0:03:05 | 0:03:06 | |
You're doing it, Miles. You're sailing. | 0:03:09 | 0:03:12 | |
-We're sailing. I'm a sailor. -We've set sail. | 0:03:12 | 0:03:15 | |
-Bye, chaps. -Just keep it straight, yeah. | 0:03:16 | 0:03:19 | |
# I am sailing | 0:03:20 | 0:03:23 | |
# I am sailing... # | 0:03:23 | 0:03:27 | |
If I'm being totally honest, I was absolutely petrified on this thing. | 0:03:27 | 0:03:31 | |
I mean, why would you design something so unstable? | 0:03:31 | 0:03:34 | |
-No. -Yes. | 0:03:44 | 0:03:46 | |
Look there's the pylon, how hard can it be? | 0:04:01 | 0:04:03 | |
# We are sailing | 0:04:07 | 0:04:10 | |
# We are sailing | 0:04:10 | 0:04:14 | |
# Home again... # | 0:04:14 | 0:04:15 | |
Yes, time to head back to dry land. | 0:04:20 | 0:04:23 | |
Do you know what? | 0:04:24 | 0:04:26 | |
I think the risk-to-pleasure ratio isn't high enough for me | 0:04:26 | 0:04:31 | |
to enjoy sailing. I just... | 0:04:31 | 0:04:33 | |
I kept thinking we were going to capsize. | 0:04:33 | 0:04:35 | |
We came quite close a few times. | 0:04:35 | 0:04:37 | |
I mean, Miles had the time of his life, but... | 0:04:37 | 0:04:40 | |
I think I'm a land lover. | 0:04:42 | 0:04:43 | |
Do you know what I was, Miles? | 0:04:49 | 0:04:50 | |
I was deeply out of my comfort zone. | 0:04:50 | 0:04:52 | |
I thought you were a sort of more... | 0:04:53 | 0:04:56 | |
I imagined you being sort of hardy. | 0:04:56 | 0:04:57 | |
I am, but I was out of my comfort zone. | 0:04:57 | 0:05:00 | |
That's the point I'm making. | 0:05:00 | 0:05:01 | |
On land, I'm as tough as they come, mate. | 0:05:01 | 0:05:04 | |
Yeah, you certainly... | 0:05:04 | 0:05:06 | |
To an extent, because I thrive on land. | 0:05:06 | 0:05:11 | |
Do you know what I'm like? | 0:05:11 | 0:05:14 | |
I'm like... I'm like polystyrene. | 0:05:14 | 0:05:17 | |
You don't want it in the bath, but it serves a purpose in the garage. | 0:05:17 | 0:05:20 | |
Michael Sheen, Anthony Hopkins, Richard Burton. | 0:05:25 | 0:05:30 | |
Port Talbot is the hometown of these three great actors, | 0:05:30 | 0:05:34 | |
and now we're going just a few miles up the Afan Valley | 0:05:34 | 0:05:36 | |
for a brief visit to the birthplace of one of those screen giants. | 0:05:36 | 0:05:41 | |
So this is it - Pontrhydyfen, birthplace of Richard Burton. | 0:05:43 | 0:05:48 | |
He was at one time the highest paid actor in all of Hollywood. | 0:05:48 | 0:05:51 | |
When was he born, then? | 0:05:51 | 0:05:52 | |
He was born in 1925. He was born down there. | 0:05:52 | 0:05:55 | |
He was one of 13 children. | 0:05:55 | 0:05:57 | |
All of his brothers went on to work in the colliery alongside their dad, | 0:05:57 | 0:06:01 | |
and that was over there, but this is where he grew up, in Pontrhydyfen. | 0:06:01 | 0:06:04 | |
-Which house is it? -The house is down there, | 0:06:04 | 0:06:06 | |
it's the one with the conservatory. | 0:06:06 | 0:06:08 | |
-Oh, yeah. -This bridge, in fact, was built to supply water | 0:06:08 | 0:06:13 | |
to blast furnaces in Oakwood. | 0:06:13 | 0:06:15 | |
There's a very, very famous photo of Richard Burton in the '50s with his | 0:06:15 | 0:06:19 | |
father. It's brilliant, | 0:06:19 | 0:06:20 | |
cos his father's this little collier and Burton's just this Hollywood | 0:06:20 | 0:06:24 | |
star, dressed in the best clothes that the '50s had to offer. | 0:06:24 | 0:06:28 | |
It's amazing. | 0:06:28 | 0:06:29 | |
-It's amazing, isn't it? -It's an extraordinary place. | 0:06:30 | 0:06:33 | |
It hasn't changed at all. | 0:06:33 | 0:06:34 | |
-Look at that. -Look at that. | 0:06:42 | 0:06:44 | |
You've got the steelworks, the cranes, heavy industry, | 0:06:44 | 0:06:47 | |
terraced houses. Certainly every south Walian cliche. | 0:06:47 | 0:06:50 | |
No, well, Ridley Scott was apparently inspired | 0:06:51 | 0:06:54 | |
to make Blade Runner based on that view, | 0:06:54 | 0:06:56 | |
although the people of Hull and Middlesbrough also claim that fact. | 0:06:56 | 0:07:00 | |
-Really? -So it's up for grabs. | 0:07:00 | 0:07:02 | |
Oh, that's a classic Port Talbot scene. | 0:07:06 | 0:07:08 | |
-A kid doing a wheelie. -A kid doing a wheelie. | 0:07:08 | 0:07:10 | |
Not a care in the world. | 0:07:10 | 0:07:12 | |
Not a care in the world, boys. | 0:07:12 | 0:07:14 | |
I'll do a wheelie wherever I want! | 0:07:16 | 0:07:18 | |
Cos I'm 14 and I don't care! | 0:07:19 | 0:07:21 | |
Oi, mush! Watch this wheelie, then, mate. | 0:07:25 | 0:07:28 | |
What do you think of that? | 0:07:30 | 0:07:32 | |
OK, what next on our little tour? | 0:07:35 | 0:07:37 | |
So this is the Port Talbot Plaza cinema. | 0:07:40 | 0:07:43 | |
Oh, wow. This is great. Proper Art Deco. | 0:07:44 | 0:07:46 | |
Yeah. 1930 it was built, so Richard Burton might have come here. | 0:07:46 | 0:07:49 | |
I can't think of a closer cinema between here and Pontrhydyfen. | 0:07:49 | 0:07:52 | |
This is the one Anthony Hopkins comes to in his Southbank show. | 0:07:52 | 0:07:55 | |
Yes. Yeah, he definitely watched films here as a kid. | 0:07:55 | 0:07:57 | |
And there they are, there's the big three. | 0:07:57 | 0:07:59 | |
Sheen, Burton, Hopkins. | 0:07:59 | 0:08:01 | |
-Yeah. -That's not bad, is it? | 0:08:01 | 0:08:02 | |
Oh, it's great. No, but it's just very sad to think of it not, | 0:08:02 | 0:08:05 | |
you know, films not being shown here. | 0:08:05 | 0:08:06 | |
Yeah, well, hold that thought, Miles. | 0:08:07 | 0:08:10 | |
Hold that thought. | 0:08:10 | 0:08:11 | |
Consider it held. | 0:08:13 | 0:08:15 | |
It's absolutely beautiful. | 0:08:26 | 0:08:28 | |
I think everything we've seen today is beautiful, though. | 0:08:28 | 0:08:30 | |
-I think... -Pontrhydyfen is lovely. | 0:08:30 | 0:08:32 | |
The aqueduct is beautiful, but I think... | 0:08:32 | 0:08:34 | |
The sight, when you first... As you're approaching Port Talbot, | 0:08:34 | 0:08:38 | |
you see the sight of the steelworks on the skyline... | 0:08:38 | 0:08:41 | |
-Yes. -I think that is an amazing sight. | 0:08:41 | 0:08:43 | |
Well, that's Swansea over there. | 0:08:47 | 0:08:49 | |
That's Port Talbot back there. | 0:08:49 | 0:08:51 | |
It's the jewel in South Wales' crown. | 0:08:54 | 0:08:56 | |
Apart from Carmarthen. | 0:08:56 | 0:08:58 | |
-Shall we run to the sea? -Yes. | 0:08:58 | 0:09:00 | |
Elis James is the slowest eater that I have ever seen. | 0:09:30 | 0:09:35 | |
It is unbelievable. He says he's never had indigestion, | 0:09:35 | 0:09:39 | |
which I can well believe. There is literally no risk of it, I think. | 0:09:39 | 0:09:43 | |
There he is. Everyone else has clocked off hours ago. | 0:09:43 | 0:09:46 | |
Right, we've finally got Elis out of the hotel. | 0:09:48 | 0:09:50 | |
What is first on today's agenda? | 0:09:50 | 0:09:52 | |
Well, heading into Swansea, and to one of my favourite places | 0:09:52 | 0:09:56 | |
in the whole world. | 0:09:56 | 0:09:57 | |
You don't strike me as the kind of person who likes football grounds, | 0:09:59 | 0:10:01 | |
who would want to visit a football ground. | 0:10:01 | 0:10:03 | |
-BANG Oh! -So, I have... -Oh... | 0:10:03 | 0:10:06 | |
-Oh, well done, Mini. -So I am taking you... | 0:10:06 | 0:10:08 | |
-Yeah. -..to a demolished football ground. | 0:10:08 | 0:10:10 | |
-Right-hand lane. -Completely right-hand lane or this one? | 0:10:10 | 0:10:13 | |
Yeah. Actually, no, this is fine. | 0:10:13 | 0:10:16 | |
Sorry. | 0:10:16 | 0:10:17 | |
You all right, El? | 0:10:22 | 0:10:24 | |
Yeah, yeah, I'm fine. Just getting goose bumps. | 0:10:24 | 0:10:26 | |
That's cool. Men can feel emotion, Miles. | 0:10:26 | 0:10:30 | |
Welcome to sunny Swansea. | 0:10:30 | 0:10:31 | |
That's Swansea prison, but I haven't brought you here to show you that, | 0:10:31 | 0:10:34 | |
I've brought you here to show you this. | 0:10:34 | 0:10:38 | |
It's the site of the Vetch Field, | 0:10:38 | 0:10:40 | |
Miles, where Swansea played from 1912 to 2005. | 0:10:40 | 0:10:43 | |
-Yeah, that's glorious. -If you squint your eyes, | 0:10:43 | 0:10:45 | |
it's like you're paying to get into the east stand. | 0:10:45 | 0:10:48 | |
What were the key smells, then, when you were there? | 0:10:51 | 0:10:53 | |
The key smells... Onions, lager, fags, and urine. | 0:10:53 | 0:10:58 | |
-The big four. -Right. | 0:10:58 | 0:11:00 | |
If you smelled of onion, lager, fags, and urine, | 0:11:00 | 0:11:04 | |
Miles, I cannot begin to tell you what I'd be doing. | 0:11:04 | 0:11:08 | |
So what's really nice is that the council have kept the Vetch | 0:11:09 | 0:11:13 | |
as a park, and given a little area over to the community, | 0:11:13 | 0:11:17 | |
where the locals can grow fruit and veg. | 0:11:17 | 0:11:18 | |
And this is Colin, who's one of the founding members of Vetch Veg, | 0:11:19 | 0:11:22 | |
and like Elis, also a big Swansea City fan. | 0:11:22 | 0:11:26 | |
Colin, hello. Miles, how are you? | 0:11:26 | 0:11:27 | |
-Hi. How are you? -Hello, Colin. | 0:11:27 | 0:11:29 | |
-This is Elis James. -You all right? | 0:11:29 | 0:11:30 | |
-Nice to meet you. -What would be your greatest recollection | 0:11:30 | 0:11:34 | |
of on-field play at the Vetch? | 0:11:34 | 0:11:35 | |
My most famous recollection I think was George Best playing here | 0:11:35 | 0:11:41 | |
-for Ireland. -Northern Ireland. | 0:11:41 | 0:11:44 | |
In the Internationals. | 0:11:44 | 0:11:46 | |
He was a bit special then. | 0:11:46 | 0:11:47 | |
I can imagine. Were you at that game? | 0:11:48 | 0:11:50 | |
I was at that game, yeah. | 0:11:50 | 0:11:51 | |
-Oh, wow. -Yeah. -You come in via the old players' entrance? | 0:11:51 | 0:11:54 | |
-Yes. -So every day, do you come in and sort of...? | 0:11:54 | 0:11:58 | |
Cos that's what I'd be doing, | 0:11:58 | 0:11:59 | |
pretending I was Alan Curtis walking onto the pitch. | 0:11:59 | 0:12:03 | |
Yeah, but Alan Curtis is about two foot taller than you, isn't he? | 0:12:03 | 0:12:06 | |
-Yes. Yes. -You know, and a nice looking guy. | 0:12:06 | 0:12:11 | |
Yes. | 0:12:11 | 0:12:12 | |
Well, that put you in your place. | 0:12:13 | 0:12:15 | |
Here we go, planting potatoes in the sunshine. | 0:12:15 | 0:12:18 | |
Pam telling us what to do. | 0:12:18 | 0:12:19 | |
What if they're too deep? | 0:12:21 | 0:12:23 | |
-They'll still come up. -Think of it as a controlled experiment. | 0:12:23 | 0:12:26 | |
They'll still come up. | 0:12:26 | 0:12:27 | |
Do you know what, Miles, I think I've had my life changed. | 0:12:27 | 0:12:30 | |
I think I'm going to come off social media, | 0:12:30 | 0:12:33 | |
and I'm going to get into mindfulness and gardening. | 0:12:33 | 0:12:36 | |
I think I've got life wrong. | 0:12:36 | 0:12:38 | |
I think this is... This is where I want to be. | 0:12:38 | 0:12:41 | |
-This is excellent. -I'm going to start growing peaches, rosemary, | 0:12:41 | 0:12:47 | |
raspberries, they've got grapes. | 0:12:47 | 0:12:49 | |
I wouldn't have thought Swansea was warm enough for grapes. | 0:12:49 | 0:12:51 | |
But then again, I don't know anything about gardening. | 0:12:51 | 0:12:54 | |
What is the greatest goal that you saw at this ground? | 0:12:58 | 0:13:01 | |
2003, the Hull game, we had to beat Hull to prevent relegation | 0:13:02 | 0:13:06 | |
from the entire Football League. | 0:13:06 | 0:13:08 | |
Very important game, got to win it. | 0:13:08 | 0:13:10 | |
-Yeah. -Who scores a hat-trick? | 0:13:10 | 0:13:12 | |
Local boy James Thomas. | 0:13:12 | 0:13:13 | |
Oh, dear. The fourth goal, | 0:13:13 | 0:13:15 | |
the third of his hat-trick was an audacious chip. | 0:13:15 | 0:13:19 | |
-I mean... -Which... What end? | 0:13:19 | 0:13:21 | |
Was it at the away end? Home end? | 0:13:21 | 0:13:22 | |
It would have been... It would have been at that end. | 0:13:22 | 0:13:25 | |
We could recreate it. I'm happy to be a sort of Subbuteo player | 0:13:25 | 0:13:28 | |
-if you want. -OK. -I can be a flailing goalkeeper. | 0:13:28 | 0:13:30 | |
-You can be a flailing goalkeeper. -Yeah. -Flail over there. | 0:13:30 | 0:13:33 | |
-Yeah. -And I'll chip the ball over you. | 0:13:33 | 0:13:34 | |
And I'll be saying, you know, "Lads, spread out," | 0:13:34 | 0:13:36 | |
-all that stuff that they say. -Yeah. Push up! -Push up. | 0:13:36 | 0:13:39 | |
Lads, push out! Push out! | 0:13:39 | 0:13:40 | |
-COMMENTATOR: -James Thomas is through. Thomas against the keeper! | 0:13:41 | 0:13:44 | |
Chips in! Oh, yes! Superb goal by James Thomas! | 0:13:44 | 0:13:48 | |
The hat-trick for Thomas and it's his hat-trick | 0:13:48 | 0:13:54 | |
that could ensure survival for Swansea City! | 0:13:54 | 0:13:58 | |
CROWD CHEERS | 0:13:58 | 0:13:59 | |
There is the final whistle, | 0:13:59 | 0:14:01 | |
Swansea City will stay in the Football League. | 0:14:01 | 0:14:06 | |
That ground is wetter than I imagined it was. | 0:14:07 | 0:14:09 | |
-But hey-ho. -Do you know what today proved to me? | 0:14:10 | 0:14:14 | |
You... Erm, what? | 0:14:15 | 0:14:17 | |
That if I had a time machine, | 0:14:17 | 0:14:21 | |
the thing I would do is I would go back in time to watch a night game | 0:14:21 | 0:14:24 | |
-at the Vetch. -A night game? | 0:14:24 | 0:14:26 | |
Yeah. I mean, pathetic, really. | 0:14:26 | 0:14:28 | |
If you've got access to a time machine, | 0:14:28 | 0:14:29 | |
you should be going back to kill Hitler, | 0:14:29 | 0:14:31 | |
not watch Oxford United at home. | 0:14:31 | 0:14:33 | |
Right, my turn for a sporting fantasy now, | 0:14:37 | 0:14:40 | |
because this is St Helens, | 0:14:40 | 0:14:42 | |
where cricket legend Garry Sobers famously hit six sixes | 0:14:42 | 0:14:46 | |
off on over back in 1968. | 0:14:46 | 0:14:48 | |
-COMMENTATOR: -It's the right distance. | 0:14:52 | 0:14:54 | |
He's hit that...out of the ground. | 0:14:54 | 0:14:56 | |
OK, the reason we're here, Elis, | 0:14:57 | 0:14:58 | |
I want to recreate Garry Sobers's six sixes that he hit here. | 0:14:58 | 0:15:01 | |
Or even just one of the six sixes. | 0:15:01 | 0:15:03 | |
-Right. -For me, that would be quite an achievement, I think. | 0:15:03 | 0:15:06 | |
Elis, you should go on the boundary. | 0:15:06 | 0:15:08 | |
-The boundary? -Yes, I just think for a man of your outfield temperament. | 0:15:08 | 0:15:12 | |
Just come on. | 0:15:12 | 0:15:14 | |
Teamwork! I haven't done this for quite a long time. | 0:15:14 | 0:15:19 | |
The last time I played cricket, proper cricket, | 0:15:19 | 0:15:23 | |
I was out first ball. | 0:15:23 | 0:15:24 | |
Actually, no, I had to pay for two taxis, | 0:15:26 | 0:15:27 | |
I had to pay for childcare all day, I was out first ball, | 0:15:27 | 0:15:30 | |
and I was concussed while fielding. | 0:15:30 | 0:15:32 | |
Madison from Swansea Cricket Club is going to send me up some easy ones. | 0:15:37 | 0:15:41 | |
OK, Madison, I'm ready. | 0:15:41 | 0:15:42 | |
BLEEP! BLEEP! | 0:15:46 | 0:15:48 | |
OK, sorry, that is me warming up. | 0:15:48 | 0:15:51 | |
That's all that is. | 0:15:51 | 0:15:52 | |
Oh! | 0:15:57 | 0:15:58 | |
Oh, BLEEP! | 0:15:58 | 0:15:59 | |
We're warming up, I guess. | 0:16:05 | 0:16:07 | |
There's another one. | 0:16:07 | 0:16:08 | |
That's another one up at the enclosure. | 0:16:10 | 0:16:12 | |
Oh, he's got that. Up again. | 0:16:14 | 0:16:15 | |
He's going to bowl this one. | 0:16:20 | 0:16:22 | |
And that will just carry. No, it's going to be out. | 0:16:25 | 0:16:28 | |
Caught out. Dropped it over the boundary. | 0:16:28 | 0:16:30 | |
Six it is! | 0:16:30 | 0:16:33 | |
Five on the trot. | 0:16:33 | 0:16:34 | |
70 on the board. | 0:16:35 | 0:16:36 | |
And he's done it! He's done it. And my goodness, | 0:16:40 | 0:16:44 | |
it's gone way down to Swansea. | 0:16:44 | 0:16:46 | |
That was remarkable, actually. | 0:17:01 | 0:17:03 | |
So many times when I was a child I watched that clip | 0:17:03 | 0:17:05 | |
shown on television. | 0:17:05 | 0:17:07 | |
It's amazing to be here, | 0:17:07 | 0:17:08 | |
to see what happened, but also, yeah, to have a go myself. | 0:17:08 | 0:17:12 | |
Just a middle one here, I would take that, very definitely. | 0:17:13 | 0:17:16 | |
All right, what have you been doing? | 0:17:19 | 0:17:21 | |
Well, you very kindly gave me this shirt, which I asked for, | 0:17:21 | 0:17:25 | |
because it makes me feel like a real cricketer. | 0:17:25 | 0:17:27 | |
-Right. -But I just donated a little something to the club. | 0:17:27 | 0:17:30 | |
What did you give them? Money? | 0:17:31 | 0:17:32 | |
Well, it was an IOU more than money, but still, | 0:17:32 | 0:17:34 | |
-I think it's the thought that counts. -Oh, very much so, yeah. | 0:17:34 | 0:17:37 | |
It was actually, it's a slightly longer run to him | 0:17:37 | 0:17:39 | |
than I'd anticipated when I... | 0:17:39 | 0:17:41 | |
When I started running from the car with puppy dog enthusiasm, | 0:17:42 | 0:17:47 | |
the dog I was became older and older... | 0:17:47 | 0:17:49 | |
-Yeah. -As I got to give him an IOU for £20. | 0:17:49 | 0:17:51 | |
Well, perhaps we should take you to the vet now | 0:17:51 | 0:17:53 | |
-as part of our afternoon's activities. -And have me destroyed? | 0:17:53 | 0:17:56 | |
Well, at least kept in overnight. | 0:17:56 | 0:17:58 | |
Next I asked Elis if we could have | 0:18:00 | 0:18:02 | |
a little look at one of my favourite theatres. | 0:18:02 | 0:18:04 | |
Just pop in, not stay long. | 0:18:04 | 0:18:06 | |
Now I know why he brought me here, | 0:18:09 | 0:18:11 | |
it's all part of Miles Jupp's hidden agenda. | 0:18:11 | 0:18:13 | |
I get it, mate, you're a big TV comedian and you played the Grand, | 0:18:13 | 0:18:17 | |
you're on their window display. Absolutely pathetic. | 0:18:17 | 0:18:19 | |
-Whoa! -I think this is really one of the most beautiful auditoriums | 0:18:28 | 0:18:32 | |
-in the country. -Yes, fantastic, isn't it? | 0:18:32 | 0:18:34 | |
Absolutely glorious. | 0:18:34 | 0:18:35 | |
I've done lots of gigs here, | 0:18:35 | 0:18:37 | |
but I had a near-death experience at the Swansea Grand, about there. | 0:18:37 | 0:18:40 | |
-As an audience member? -Yeah. | 0:18:40 | 0:18:41 | |
I was watching a pantomime when I is about nine, | 0:18:41 | 0:18:43 | |
and I was giving a boiled sweet, | 0:18:43 | 0:18:45 | |
far too young for that level of responsibility, | 0:18:45 | 0:18:47 | |
because it's bigger than a child's windpipe. | 0:18:47 | 0:18:49 | |
I was about to go, you know, "He's behind you!" | 0:18:49 | 0:18:51 | |
I thought, "I'll really enjoy this," head tipped back, | 0:18:51 | 0:18:53 | |
it blocked my gullet, right. | 0:18:53 | 0:18:55 | |
Now, no way it was going in, no way it was going out, | 0:18:55 | 0:18:57 | |
so I couldn't even shout for help. I just went... | 0:18:57 | 0:19:02 | |
HE WHEEZES | 0:19:02 | 0:19:03 | |
And I was like that for a couple of minutes. | 0:19:03 | 0:19:05 | |
My mum took me out and she didn't realise how bad it was, | 0:19:05 | 0:19:07 | |
so she just rubbed it better. | 0:19:07 | 0:19:09 | |
-Yeah. -Gently rubbed my back and said, "Bring it up, bring it up." | 0:19:09 | 0:19:12 | |
At which point, my dad realised what had happened, | 0:19:12 | 0:19:15 | |
slapped me so hard on the back that it practically snapped my spine, | 0:19:15 | 0:19:19 | |
and then I spewed it up onto the street. | 0:19:19 | 0:19:21 | |
The thing didn't even break. | 0:19:21 | 0:19:22 | |
-Really? -Yeah, yeah. | 0:19:22 | 0:19:24 | |
Did you pick it up and eat it with some confidence after that? | 0:19:24 | 0:19:27 | |
No. But I... The manager saw what happened, | 0:19:27 | 0:19:29 | |
and I got given a free carton of Um Bongo. | 0:19:29 | 0:19:31 | |
So we are now going to sample the latest craze, footgolf, | 0:19:35 | 0:19:38 | |
which is golf with footballs, | 0:19:38 | 0:19:40 | |
which you can play on the seafront in Swansea. | 0:19:40 | 0:19:42 | |
Are you looking for a good time, mister? | 0:19:48 | 0:19:50 | |
-OK. -Come on, let's have some fun. | 0:19:50 | 0:19:52 | |
One adult and one child, please. | 0:19:55 | 0:19:57 | |
So the first hole, best of three. | 0:20:01 | 0:20:03 | |
Nice. Good approach. | 0:20:03 | 0:20:05 | |
In fact, I think you won this hole. Very nice. | 0:20:05 | 0:20:07 | |
So I had to do a good tee shot on the next one. | 0:20:07 | 0:20:09 | |
Relatively safe. | 0:20:12 | 0:20:14 | |
Am I even going to be able to get that? | 0:20:14 | 0:20:18 | |
No, Miles, that's what they call unplayable. | 0:20:18 | 0:20:20 | |
Following the rules, I'm allowed to drop my ball away from the hazard. | 0:20:22 | 0:20:25 | |
If you were the Brazilian, Jairzinho, you'd bend it round. | 0:20:27 | 0:20:30 | |
-OK. -Maybe outside of the boot. | 0:20:30 | 0:20:32 | |
Outside? I mean... God. | 0:20:32 | 0:20:33 | |
Think audacious. | 0:20:33 | 0:20:35 | |
ELIS GIGGLES | 0:20:38 | 0:20:40 | |
This shot to win the hole and the competition. | 0:20:40 | 0:20:42 | |
We're all rooting for you. | 0:20:42 | 0:20:47 | |
Oh! | 0:20:47 | 0:20:49 | |
Argh! | 0:20:49 | 0:20:50 | |
Argh! | 0:20:52 | 0:20:53 | |
So, can I redeem myself and claim a tie? | 0:20:53 | 0:20:57 | |
Come on! Oh, my word. | 0:21:05 | 0:21:07 | |
Is that a comeback? That's a tie. | 0:21:07 | 0:21:09 | |
-Best of luck. -What do you mean "best of luck"? | 0:21:10 | 0:21:12 | |
I actually now think I hate footgolf, | 0:21:12 | 0:21:14 | |
because if you can't beat Miles Jupp, you've got big problems. | 0:21:14 | 0:21:18 | |
Back round the bay to Port Talbot and to a cinema, | 0:21:33 | 0:21:36 | |
whose glory days are now behind her. | 0:21:36 | 0:21:38 | |
So I've done a little bit of organising, made a few phone calls, | 0:21:40 | 0:21:44 | |
to arrange what I hoped would be a fitting tribute to the Plaza cinema | 0:21:44 | 0:21:48 | |
and to the Hollywood stars who called Port Talbot home. | 0:21:48 | 0:21:51 | |
Do bear in mind that I'm a logistics man. | 0:21:54 | 0:21:57 | |
I'm not only a logistics man, I'm a man who has big ideas. | 0:21:57 | 0:22:01 | |
-Yeah. -You know what you said about holding that thought, | 0:22:01 | 0:22:04 | |
how you'd like to see films at this Plaza cinema again? | 0:22:04 | 0:22:07 | |
Well... Take a seat. | 0:22:07 | 0:22:10 | |
Enjoy your popcorn. | 0:22:10 | 0:22:11 | |
Take it away, please. | 0:22:13 | 0:22:14 | |
Oh, yes. Do you know what... | 0:22:30 | 0:22:32 | |
Nice touch. Well done. | 0:22:32 | 0:22:34 | |
-Nice touch. -One of my rules for a first date, Miles... | 0:22:36 | 0:22:39 | |
-Yeah. -You should be on a garage forecourt and a bit cold. | 0:22:39 | 0:22:43 | |
This is back in the days when cinema adverts were very local. | 0:22:43 | 0:22:46 | |
Yeah. | 0:22:46 | 0:22:47 | |
Here we go, here we go. | 0:22:47 | 0:22:48 | |
Oh, I hoped it was going to be a still picture of, you know, | 0:22:50 | 0:22:53 | |
a curry house or something, a restaurant. | 0:22:53 | 0:22:55 | |
Look at this. There he is. | 0:23:08 | 0:23:11 | |
Broadsword calling Danny Boy, Broadsword calling Danny Boy. Over. | 0:23:11 | 0:23:14 | |
-Crikey. -They are all extras. None of that is computer-generated. | 0:23:19 | 0:23:22 | |
-Acting their little hearts out. -A fine figure of a man. | 0:23:23 | 0:23:28 | |
I'd like to think that I've got something of a Richard Burton | 0:23:28 | 0:23:31 | |
about me. | 0:23:31 | 0:23:32 | |
Do you think I've got something of a Liz Taylor about me? | 0:23:32 | 0:23:35 | |
Mr Revie never made us do that. | 0:23:37 | 0:23:39 | |
Oh, I love this bit. | 0:23:39 | 0:23:40 | |
Well, I'm not Mr Revie! | 0:23:41 | 0:23:42 | |
From now on, I don't want to hear that name again. | 0:23:42 | 0:23:46 | |
Ever. Next player who mentions it, | 0:23:46 | 0:23:48 | |
or what he did or didn't bloody do in the good old days, | 0:23:48 | 0:23:50 | |
will spend a week cleaning my boots. | 0:23:50 | 0:23:52 | |
Tony Hopkins. | 0:23:57 | 0:23:59 | |
It was so nice to see you again. | 0:23:59 | 0:24:00 | |
It was a pleasure to see you again, Mrs Benn. | 0:24:00 | 0:24:03 | |
Remains Of The Day. | 0:24:03 | 0:24:05 | |
Goodbye. Take care. | 0:24:05 | 0:24:07 | |
Great tache. | 0:24:07 | 0:24:08 | |
-Very Swansea look, the tache. -Is this Bridge Too Far? | 0:24:08 | 0:24:11 | |
Tell them to go to hell. | 0:24:11 | 0:24:13 | |
Wasn't that amazing? | 0:24:22 | 0:24:23 | |
Elis, what a lovely, lovely thing for you to organise. | 0:24:23 | 0:24:25 | |
Aren't I amazing for organising that? | 0:24:25 | 0:24:27 | |
Right, then, Miles, first thing's first, | 0:24:49 | 0:24:52 | |
why are you dressed like a roadie? | 0:24:52 | 0:24:54 | |
I'm dressed like a roadie... | 0:24:54 | 0:24:55 | |
I had a nice T-shirt, but it got wet when the went sailing, | 0:24:55 | 0:24:58 | |
unfortunately, which is why I've got this slightly... | 0:24:58 | 0:25:01 | |
What I'd normally considered as more of the sleeping T-shirt. | 0:25:01 | 0:25:03 | |
-Yeah. -Cos you look like you're about to talk to me about amps. | 0:25:03 | 0:25:06 | |
But anyway, I hope you enjoyed last night. | 0:25:07 | 0:25:11 | |
Oh, yeah, yeah. That was one of the... | 0:25:11 | 0:25:12 | |
One of the best experiences I've ever had | 0:25:12 | 0:25:14 | |
on a petrol station forecourt. | 0:25:14 | 0:25:15 | |
Yes, because forecourts have potential, but anyway, | 0:25:15 | 0:25:18 | |
we're not in the mini today. | 0:25:18 | 0:25:20 | |
This is Swansea Bay. That's Port Talbot, Swansea in the middle. | 0:25:21 | 0:25:24 | |
Mumbles in this direction. | 0:25:24 | 0:25:26 | |
One of the things you learn from living in Wales | 0:25:26 | 0:25:27 | |
is that we are famous for our superb public transport. | 0:25:27 | 0:25:31 | |
I've got a little treat in store for you. | 0:25:31 | 0:25:32 | |
-Wow. Can we go upstairs? -Yeah. | 0:25:43 | 0:25:45 | |
One adult, one child, please. | 0:25:49 | 0:25:51 | |
-Same joke. -Still funny, it's not like you've grown. | 0:25:51 | 0:25:53 | |
# We're going where the sun shines brightly | 0:25:56 | 0:25:59 | |
# We're going where the sea is blue | 0:25:59 | 0:26:02 | |
# We've seen it in the movies | 0:26:02 | 0:26:05 | |
# Now let's see if it's true... # | 0:26:05 | 0:26:09 | |
Yeah, cos we've had a beautiful weather these last few days. | 0:26:09 | 0:26:12 | |
-We have, yeah. -Have I had an unrepresentative experience? | 0:26:12 | 0:26:14 | |
Yes, it's not usually like this. | 0:26:14 | 0:26:15 | |
Both of the weather and presumably of your personality. | 0:26:15 | 0:26:18 | |
I imagine when it's raining, you are a very different person? | 0:26:18 | 0:26:20 | |
-Oh, yeah. -Almost difficult. | 0:26:20 | 0:26:22 | |
Just imagine all of this, but with constantly wet trousers. | 0:26:22 | 0:26:25 | |
But the wet trousers are not your fault. | 0:26:26 | 0:26:29 | |
When the Swans got promoted to the Premier League, there was no... | 0:26:33 | 0:26:36 | |
They celebrated with a new one way system | 0:26:36 | 0:26:38 | |
to absolutely cripple the city centre. | 0:26:38 | 0:26:40 | |
There was an open top bus parade through town. | 0:26:40 | 0:26:42 | |
There were 50,000 people there. | 0:26:42 | 0:26:44 | |
It must have taken about five hours. | 0:26:44 | 0:26:46 | |
Yeah. | 0:26:46 | 0:26:47 | |
The problem is, they couldn't get hold of an open top bus in time, | 0:26:47 | 0:26:52 | |
so they had to borrow one from Bath. | 0:26:52 | 0:26:53 | |
It was one of those Bath sightseeing buses. | 0:26:53 | 0:26:55 | |
But they didn't cover up the sign that said "Bath Sightseeing Bus". | 0:26:57 | 0:27:00 | |
-"Visit Bath" it said on it? -It said "Visit Bath" on it, yeah. | 0:27:00 | 0:27:03 | |
Did you notice how my voice went all bouncy then with the bus? | 0:27:06 | 0:27:08 | |
VOICE SHAKING: Yeah. | 0:27:08 | 0:27:09 | |
There we are, look at that, journey's end. | 0:27:11 | 0:27:13 | |
Mumbles seafront. | 0:27:13 | 0:27:15 | |
Perfect. | 0:27:15 | 0:27:16 | |
Look how blue that sky is. | 0:27:17 | 0:27:18 | |
It's usually on days like that my father says, | 0:27:19 | 0:27:21 | |
"Why bother going to Barbados? | 0:27:21 | 0:27:23 | |
"Why would you bother going abroad | 0:27:25 | 0:27:27 | |
when you've got this on your doorstep?" | 0:27:27 | 0:27:29 | |
Thank you very much. | 0:27:35 | 0:27:37 | |
Oh, you've got some money. Where's that come from? | 0:27:38 | 0:27:41 | |
I borrowed it from the producer. | 0:27:41 | 0:27:43 | |
Oh, do you know what, Miles, this is such a stunning view. | 0:27:47 | 0:27:51 | |
I could enjoy this with wet trousers. | 0:27:52 | 0:27:54 | |
Absolutely sopping. | 0:27:56 | 0:27:57 | |
The toilet facilities leave a lot to be desired. | 0:28:15 | 0:28:19 | |
You try pooing in one of those. | 0:28:19 | 0:28:20 | |
Have you seen Thelma and Louise? | 0:28:21 | 0:28:24 | |
There's ivy honey from the end of last year. | 0:28:24 | 0:28:27 | |
-Isn't ivy poisonous? -It is, yeah. | 0:28:27 | 0:28:29 |