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-MAN ON TV: -OK. Let the wood see the pecker! | 0:00:10 | 0:00:13 | |
"Let the wood see the pecker"! | 0:00:13 | 0:00:15 | |
I mean, he's basically saying penis. | 0:00:15 | 0:00:19 | |
He plays it so close to the line, but gets it just right every time. | 0:00:19 | 0:00:22 | |
Come on, Josh, it's Saturday night. Let's go out for a drink. | 0:00:24 | 0:00:27 | |
We're having a drink. Also, they don't show Take Me Out in the pub. | 0:00:27 | 0:00:31 | |
Shall we go out after Take Me Out? | 0:00:31 | 0:00:33 | |
What, and miss Take Me Out: The Gossip? Are you mad? | 0:00:33 | 0:00:35 | |
What the hell is Take Me Out: The Gossip? | 0:00:35 | 0:00:37 | |
It's only where you find out what really went down | 0:00:37 | 0:00:39 | |
on the Isle of Fernando's. Don't you want to know what happened | 0:00:39 | 0:00:42 | |
with Dean and Sophie after they bonded on the banana boat? | 0:00:42 | 0:00:45 | |
-Josh. -Mm-hm. -I feel like we're a middle-aged couple already. | 0:00:47 | 0:00:50 | |
Yeah, I know, it's amazing - | 0:00:50 | 0:00:52 | |
it's only taken us a month to get this comfortable. | 0:00:52 | 0:00:54 | |
It took my parents years. | 0:00:54 | 0:00:56 | |
Life is like a meal, and we have skipped to the pudding. | 0:00:56 | 0:00:59 | |
These are our apple crumble years. | 0:00:59 | 0:01:01 | |
I'm not getting up until Gemma and I are back together. | 0:01:04 | 0:01:07 | |
It's been three days. | 0:01:07 | 0:01:08 | |
You'll get bedsores. You'll end up like that bloke from Seven. | 0:01:08 | 0:01:12 | |
Kate, I'm upset, | 0:01:12 | 0:01:13 | |
I'm not going to chop her head off and put it in a box. | 0:01:13 | 0:01:16 | |
Anyway, she's worth waiting for. | 0:01:16 | 0:01:18 | |
She just said she needed some space. | 0:01:18 | 0:01:20 | |
You are aware that's not a thing, aren't you? | 0:01:20 | 0:01:22 | |
It's just a polite way to dump someone. | 0:01:22 | 0:01:24 | |
No, Gemma wouldn't do that. | 0:01:24 | 0:01:26 | |
She just needs some space, like a deep-lying midfielder. | 0:01:26 | 0:01:29 | |
Aw, I know. | 0:01:29 | 0:01:31 | |
She was perfect. | 0:01:31 | 0:01:32 | |
We had all the same reference points. | 0:01:32 | 0:01:34 | |
Do you know who Nicky Butt is? | 0:01:34 | 0:01:36 | |
-No idea. -He's a deep-lying midfielder. | 0:01:36 | 0:01:39 | |
Gemma knew that. | 0:01:39 | 0:01:40 | |
She knew everything. | 0:01:40 | 0:01:42 | |
Right, I'm opening the curtains. | 0:01:42 | 0:01:43 | |
-No! -Just a bit of sunlight in here, | 0:01:43 | 0:01:45 | |
I'm not putting a stake through your heart. | 0:01:45 | 0:01:47 | |
-Gemma's already done that. -Oh, God. | 0:01:47 | 0:01:50 | |
-Oh, you are kidding me. -What? | 0:01:52 | 0:01:55 | |
-You need to see this. -I'm not going anywhere. | 0:01:55 | 0:01:57 | |
A middle-aged woman has just dropped Owen off in a sports car | 0:01:57 | 0:02:00 | |
and, get this, he's wearing a leather racing jacket. | 0:02:00 | 0:02:03 | |
Kate, cheers for trying, but I'm not falling for that. | 0:02:03 | 0:02:06 | |
Oh, my God, they're kissing! | 0:02:07 | 0:02:09 | |
Yeah, at least make it believable. | 0:02:09 | 0:02:11 | |
They're really going for it. | 0:02:11 | 0:02:13 | |
Oh, that is disgusting. | 0:02:13 | 0:02:14 | |
Oh, that is demeaning. | 0:02:17 | 0:02:18 | |
Are you dating a cougar? | 0:02:24 | 0:02:25 | |
-No. -Who's that woman who dropped you off, then? | 0:02:25 | 0:02:27 | |
Er, "that woman" is Karen, and Karen's a woman | 0:02:27 | 0:02:30 | |
I've been cat-sitting for. | 0:02:30 | 0:02:32 | |
Oh, cat-sitting, overnight. | 0:02:32 | 0:02:35 | |
Yeah, well, I had to stay overnight, didn't I? | 0:02:35 | 0:02:37 | |
Because her cat is bulimic, so I needed to make sure | 0:02:37 | 0:02:39 | |
-she kept her food down. -OK, chinny. | 0:02:39 | 0:02:42 | |
Well, if you think the idea of a size zero Siamese is funny, Kate, | 0:02:42 | 0:02:45 | |
then you've got a sick mind, cos Cheetara has body issues, | 0:02:45 | 0:02:48 | |
so I needed to take down all the mirrors in the house | 0:02:48 | 0:02:50 | |
to make sure she didn't shove her paw down her throat, | 0:02:50 | 0:02:53 | |
so, yeah, ha-ha-ha, very funny. | 0:02:53 | 0:02:55 | |
Er, do you mind getting out of the way, please? | 0:02:55 | 0:02:57 | |
I've recorded a load of Flog Its. | 0:02:57 | 0:02:59 | |
I saw the two of you, together, having a Frenchie. | 0:02:59 | 0:03:01 | |
Sorry, do you think it's really believable that you would see me, | 0:03:01 | 0:03:04 | |
of all people, kissing a woman in her fifth decade? | 0:03:04 | 0:03:06 | |
No, that's why I took a photo. | 0:03:06 | 0:03:08 | |
You do realise there are laws against being a Peeping Tom? | 0:03:08 | 0:03:11 | |
Oh, so you admit there's something to peep at? | 0:03:11 | 0:03:13 | |
-So you admit you were peeping? -Well, I'll show you what I peeped. | 0:03:13 | 0:03:16 | |
Oh, you creepy peeper. | 0:03:16 | 0:03:17 | |
OK, so I'm seeing a slightly older woman. | 0:03:17 | 0:03:20 | |
Have you got a problem with that, in your closed moral universe? | 0:03:20 | 0:03:23 | |
-So where'd you meet her? -If you must know, it was on a dating app. | 0:03:23 | 0:03:27 | |
Foxy Bingo is not a dating app. | 0:03:27 | 0:03:29 | |
-Morning, Owen. -Morning. | 0:03:31 | 0:03:33 | |
-Love the jacket. -Ah, thanks, it's a peach, isn't it? | 0:03:33 | 0:03:35 | |
Oh, yes, you look like a young Ayrton Senna. | 0:03:35 | 0:03:38 | |
Although hopefully you won't go the same way. | 0:03:38 | 0:03:40 | |
-Keep it light, Geoff. -I certainly will, Owen, my boy, | 0:03:40 | 0:03:43 | |
with these energy-saving light bulbs. | 0:03:43 | 0:03:45 | |
No, they really are a money saver, | 0:03:46 | 0:03:48 | |
I'll e-mail you a breakdown of the cost benefits. | 0:03:48 | 0:03:50 | |
To me! | 0:03:50 | 0:03:51 | |
So, did I hear that you've been enjoying an older woman? | 0:03:53 | 0:03:57 | |
Good work. All the middle-aged women that I have... | 0:03:57 | 0:04:01 | |
..lain beside have been like fine wines. | 0:04:03 | 0:04:05 | |
-What, alcoholic? -No, the really good ones are French. | 0:04:05 | 0:04:08 | |
Although I have been enjoying a rather fruity British number lately. | 0:04:08 | 0:04:11 | |
Is this still a metaphor? | 0:04:11 | 0:04:12 | |
I am currently seeing a younger lady. | 0:04:12 | 0:04:17 | |
Really? Well, well, well, Geoff, you old rogue. | 0:04:17 | 0:04:20 | |
How much younger is she? | 0:04:20 | 0:04:21 | |
-Six months. -Oh. | 0:04:21 | 0:04:23 | |
Different school year, Owen, I feel very naughty. | 0:04:23 | 0:04:25 | |
If I was 16, it wouldn't be legal. | 0:04:25 | 0:04:27 | |
Morning, Kate. | 0:04:31 | 0:04:33 | |
Aw, here he is. Congratulations for making it out of bed. | 0:04:33 | 0:04:36 | |
Well, I've got you to thank for that. | 0:04:36 | 0:04:38 | |
I'd still be under the duvet if it wasn't for you | 0:04:38 | 0:04:40 | |
-and your e-mail admin. -What are you talking about? | 0:04:40 | 0:04:42 | |
Your reply to us about Geoff's e-mail | 0:04:42 | 0:04:44 | |
about energy-saving light bulbs. | 0:04:44 | 0:04:46 | |
"No, we don't want your stupid light bulbs. | 0:04:46 | 0:04:47 | |
"Like you, they are dim and will never get screwed." | 0:04:47 | 0:04:50 | |
What can I say? I write a zingy e-mail. | 0:04:50 | 0:04:52 | |
I'm not questioning the zinginess, Kate, | 0:04:52 | 0:04:54 | |
the problem is with who you sent it to. | 0:04:54 | 0:04:57 | |
Me, Owen, and... | 0:04:57 | 0:04:58 | |
-No! -Yeah, Geoff. | 0:05:00 | 0:05:02 | |
Oh, no, this can't be happening. | 0:05:02 | 0:05:04 | |
Yeah, you replied to all. | 0:05:04 | 0:05:05 | |
You amateur, you are so digitally naive. | 0:05:05 | 0:05:08 | |
Oh, no, I'm great at this stuff. | 0:05:08 | 0:05:09 | |
I mean, I've never failed to include an attachment. | 0:05:09 | 0:05:12 | |
I even racially adapt my emojis depending on the recipient. | 0:05:12 | 0:05:16 | |
Isn't that MORE offensive? | 0:05:16 | 0:05:18 | |
Is it? Oh! | 0:05:18 | 0:05:20 | |
Look, Kate, don't worry about it, | 0:05:20 | 0:05:21 | |
all you've done is broken the heart of a lonely middle-aged man. | 0:05:21 | 0:05:25 | |
Oh, no, no, no. | 0:05:25 | 0:05:27 | |
Oh, God. I feel terrible. | 0:05:27 | 0:05:30 | |
He'll be OK, won't he? I mean, he's always so chipper. | 0:05:30 | 0:05:32 | |
I doubt he will ever laugh again. | 0:05:32 | 0:05:34 | |
To think, just last week he was telling me he'd been given | 0:05:34 | 0:05:36 | |
a book of rude road signs. I bet he's at home now, | 0:05:36 | 0:05:39 | |
failing to find the humour in a slip road that looks like a penis. | 0:05:39 | 0:05:43 | |
Oh, God, this is awful. | 0:05:43 | 0:05:45 | |
I'm a cyber bully. | 0:05:45 | 0:05:47 | |
Well, why don't you just press the button that deletes | 0:05:47 | 0:05:49 | |
-the e-mail from his inbox? -Can you do that? | 0:05:49 | 0:05:51 | |
Of course not! You are so digitally naive! | 0:05:51 | 0:05:54 | |
Here you go, one ham salad baguette. | 0:05:58 | 0:06:01 | |
Does that make up for you being brutally dumped? | 0:06:01 | 0:06:03 | |
-I'm vegetarian. -Oh, you should have said. | 0:06:03 | 0:06:05 | |
-I live with you. -Oh, God, waste not, want not. | 0:06:05 | 0:06:08 | |
Are you ever going to take that leather jacket off? | 0:06:11 | 0:06:13 | |
All right, you're a vegetarian, I get it. | 0:06:13 | 0:06:15 | |
No, I'm saying you've not taken it off since you got it. | 0:06:15 | 0:06:18 | |
And why would I take off Nigel Mansell's racing jacket? | 0:06:18 | 0:06:21 | |
As if it's Nigel Mansell's actual jacket. | 0:06:21 | 0:06:24 | |
One Rothmans-sponsored moustache comb. | 0:06:25 | 0:06:28 | |
No way, where did you get it? | 0:06:28 | 0:06:30 | |
Karen. She runs a sporting memorabilia website. | 0:06:30 | 0:06:32 | |
It is the ultimate friends with benefits. | 0:06:32 | 0:06:35 | |
I get my pick and she gets my... | 0:06:35 | 0:06:37 | |
-Don't say it. -My devotion! | 0:06:37 | 0:06:38 | |
Listen, this is what you're missing out on. | 0:06:38 | 0:06:40 | |
You need to get back out there. | 0:06:40 | 0:06:42 | |
I'd told Karen all about you, and she's up for a double date. | 0:06:42 | 0:06:44 | |
Oh, God, that is disgusting. | 0:06:44 | 0:06:46 | |
Oh. No, not like that. No, she's got a friend. | 0:06:46 | 0:06:48 | |
We're not going to be custard cousins. | 0:06:48 | 0:06:50 | |
-Is that a phrase? -Yeah, yeah, it means when we both... | 0:06:50 | 0:06:53 | |
Yeah, I get what it means. | 0:06:53 | 0:06:54 | |
No, I'm sorry, but I'm not interested in dating a woman | 0:06:54 | 0:06:57 | |
-that remembers the three-day week. -But you haven't even met Valerie. | 0:06:57 | 0:07:00 | |
Valerie? What is she, a dinner lady? | 0:07:00 | 0:07:02 | |
I don't want extra servings of liver. | 0:07:02 | 0:07:04 | |
OK, you're a vegan, I get it. | 0:07:04 | 0:07:06 | |
No, I'm a vegetarian. | 0:07:06 | 0:07:07 | |
And you don't half love banging on about it. | 0:07:07 | 0:07:09 | |
Look, I'm sorry, but I'm waiting for Gemma. | 0:07:09 | 0:07:11 | |
Mate, you have been dumped, that is what "I need some space" means. | 0:07:11 | 0:07:15 | |
No, she is just a girlfriend on standby. | 0:07:15 | 0:07:18 | |
Her little red light is on. | 0:07:18 | 0:07:19 | |
What, she's become a prostitute? | 0:07:19 | 0:07:21 | |
What? No! | 0:07:21 | 0:07:23 | |
What I'm saying is we all need time on our own. | 0:07:23 | 0:07:25 | |
It just happens for me it is the length of a shower, | 0:07:25 | 0:07:28 | |
for her it is four to six weeks. | 0:07:28 | 0:07:30 | |
Come on the date. What is the worst that can happen? | 0:07:30 | 0:07:32 | |
You eat for free, you drink for free, and who knows? | 0:07:32 | 0:07:35 | |
You might end up with, um... | 0:07:35 | 0:07:36 | |
John Virgo's waistcoat. | 0:07:36 | 0:07:38 | |
Geoff, how nice to see you. | 0:07:46 | 0:07:49 | |
-Ah, Kate. -I was just thinking, actually, "I wonder how Geoff is." | 0:07:49 | 0:07:54 | |
Great. | 0:07:54 | 0:07:56 | |
Brought the rest of the energy savers over, but what's the point? | 0:07:56 | 0:08:00 | |
Oh, what's getting you down? | 0:08:00 | 0:08:02 | |
-Climate change? -No. Hate penguins. | 0:08:02 | 0:08:05 | |
-What? -One stole my wallet at the Cornwall Seal Sanctuary, | 0:08:05 | 0:08:08 | |
wouldn't give it back. | 0:08:08 | 0:08:10 | |
In fairness, I stopped chasing it after three lengths. | 0:08:10 | 0:08:12 | |
Look, Geoff, I am so sorry about what's happened. | 0:08:12 | 0:08:15 | |
I think we should talk about it. | 0:08:15 | 0:08:17 | |
I don't want to talk. | 0:08:17 | 0:08:19 | |
-I've been hurt. -I hate seeing you like this, Geoff. I feel awful. | 0:08:19 | 0:08:23 | |
Maybe I just don't understand people. | 0:08:23 | 0:08:25 | |
You think you know someone well enough | 0:08:26 | 0:08:28 | |
for them to tell you how they feel face-to-face. | 0:08:28 | 0:08:31 | |
Next thing you know, your phone dings | 0:08:31 | 0:08:34 | |
and you realise it is quite the opposite. | 0:08:34 | 0:08:37 | |
I am so, so sorry. | 0:08:37 | 0:08:39 | |
Why don't we go out tonight, make everything all right again? | 0:08:41 | 0:08:44 | |
-I don't know. -We could do whatever you want. | 0:08:44 | 0:08:45 | |
We could go to the cinema. Happy Feet 3 is on. | 0:08:45 | 0:08:48 | |
You know my views on penguins. | 0:08:48 | 0:08:50 | |
Oh, yeah, OK. What about a night of high culture? | 0:08:50 | 0:08:52 | |
We could go to that place down the road that does foreign cinema. | 0:08:52 | 0:08:56 | |
Has the snack bar got wasabi peas? | 0:08:56 | 0:08:58 | |
Um, probably. | 0:08:58 | 0:08:59 | |
It's just I saw a documentary about wasabi peas a few years ago | 0:08:59 | 0:09:03 | |
and I'm intrigued to know if they're really as moreish | 0:09:03 | 0:09:05 | |
as the narrator made out. | 0:09:05 | 0:09:06 | |
I can get you the peas, Geoff. | 0:09:06 | 0:09:08 | |
Well, maybe. | 0:09:08 | 0:09:10 | |
It would make a change from a night in writing introspective poetry. | 0:09:10 | 0:09:14 | |
-You write poetry? -Yeah. | 0:09:14 | 0:09:15 | |
That magnetic poetry set was the best present I ever got. | 0:09:17 | 0:09:20 | |
Got a very sad fridge at the moment, Kate. | 0:09:20 | 0:09:23 | |
And not just because it only contains one box of potato waffles. | 0:09:23 | 0:09:26 | |
God, I love double dates. It's like being in an American teen movie. | 0:09:28 | 0:09:31 | |
No, it's going to be like being taken to an American teen movie | 0:09:31 | 0:09:34 | |
-by our mothers. -Well, you'll be doing some things you wouldn't | 0:09:34 | 0:09:36 | |
want your mother to see, mate. Having sex being one of them. | 0:09:36 | 0:09:39 | |
I haven't even met Valerie yet. | 0:09:39 | 0:09:40 | |
Do you know, a woman, like a turtle, reaches her sexual peak at 40? | 0:09:40 | 0:09:44 | |
Let me to you, there are no cable cars to a sexual peak. | 0:09:44 | 0:09:46 | |
-What does that even mean? -It means you got to scale it. | 0:09:46 | 0:09:49 | |
I don't want to scale anyone's sexual peak. | 0:09:49 | 0:09:51 | |
I'm quite happy at sexual base camp. | 0:09:51 | 0:09:53 | |
I'm OK with life in the slow lane. | 0:09:53 | 0:09:55 | |
Karen's got me in the sexual fast lane. | 0:09:55 | 0:09:57 | |
Well, apart from that incident on the hard shoulder. | 0:09:57 | 0:09:59 | |
I don't want to hear about that. | 0:09:59 | 0:10:01 | |
Oh, she really knows what she's doing, mate. | 0:10:01 | 0:10:02 | |
She used her other hand to turn on the hazards. | 0:10:02 | 0:10:04 | |
What a pro. Not in that sense. | 0:10:04 | 0:10:06 | |
I'm sorry, I can't do this. | 0:10:06 | 0:10:07 | |
What?! Oh, come on, don't be such a wuss. | 0:10:07 | 0:10:09 | |
No, I'm not comfortable with it. I miss Gemma. | 0:10:09 | 0:10:12 | |
Mate, "space" means you've been dumped. | 0:10:12 | 0:10:15 | |
The only phrase more devastating is, "I need thinking time." | 0:10:15 | 0:10:18 | |
Maybe if I just speak to her... | 0:10:18 | 0:10:20 | |
Oh, no, don't call her, Josh. No, seriously. | 0:10:20 | 0:10:22 | |
No, that's the right thing to do. | 0:10:22 | 0:10:23 | |
It's nothing to do with you. You leave me alone. | 0:10:23 | 0:10:26 | |
Hey, Gemma. Yeah. | 0:10:27 | 0:10:29 | |
Yeah, I know you said not to call, but, um... | 0:10:29 | 0:10:31 | |
Yeah, it's great to hear your voice as well. | 0:10:33 | 0:10:36 | |
Look, the reason I'm calling is I've been thinking, | 0:10:36 | 0:10:39 | |
and you're right, we are too young to turn into our parents. | 0:10:39 | 0:10:42 | |
I want to try new things. And I want to do them with you. | 0:10:42 | 0:10:45 | |
Yeah, yeah, of course, of course. | 0:10:49 | 0:10:51 | |
Speak soon, yeah? | 0:10:51 | 0:10:52 | |
-Does she need thinking time? -Yeah. | 0:10:56 | 0:10:58 | |
Ugh. Come on. | 0:10:58 | 0:10:59 | |
Are you seriously telling me | 0:11:06 | 0:11:07 | |
that those are Edgar Davids' glaucoma glasses? | 0:11:07 | 0:11:11 | |
Wow. Do you feel more Dutch in them, Josh? | 0:11:11 | 0:11:13 | |
I've already told you, I'm not going to split the food bill. | 0:11:13 | 0:11:16 | |
No, seriously. Who gets 20 wings? | 0:11:16 | 0:11:19 | |
Well, I am a growing boy. | 0:11:19 | 0:11:22 | |
Ooh, so I see. | 0:11:22 | 0:11:24 | |
I think they suit you. | 0:11:26 | 0:11:28 | |
I like a man in glasses. | 0:11:28 | 0:11:29 | |
You like a man in anything. | 0:11:29 | 0:11:31 | |
-Except his clothes! -KAREN LAUGHS | 0:11:31 | 0:11:33 | |
Well, I've got 20 years to catch up on, haven't I? | 0:11:33 | 0:11:36 | |
And you look like a short, blond Louis Theroux. | 0:11:36 | 0:11:39 | |
Did you ever see his documentary on hardcore pornography? | 0:11:39 | 0:11:43 | |
No, I'm not really into, um, Louis Theroux. | 0:11:43 | 0:11:46 | |
Can I just say that you look smoking hot, Karen? | 0:11:46 | 0:11:48 | |
Although I am looking at you through orange-tinted spectacles. | 0:11:48 | 0:11:53 | |
Why's she laughing at that for a third time? | 0:11:53 | 0:11:56 | |
That joke doesn't even work. | 0:11:56 | 0:11:58 | |
So, what did you get up to this weekend? | 0:11:58 | 0:12:00 | |
I just stayed in and watched Take Me Out: The Gossip. | 0:12:00 | 0:12:02 | |
-Did you, now? -Yeah. | 0:12:02 | 0:12:04 | |
So where are you going to take me? And the question is, will I come? | 0:12:04 | 0:12:07 | |
I don't know how to answer that. | 0:12:09 | 0:12:11 | |
It's an innuendo. | 0:12:11 | 0:12:12 | |
Hardly. | 0:12:12 | 0:12:14 | |
I tell you what, why don't you start by taking me to the bar? | 0:12:14 | 0:12:17 | |
And I said "to", not "over". | 0:12:17 | 0:12:19 | |
I know how your mind works. | 0:12:19 | 0:12:21 | |
GEOFF SNIVELS | 0:12:31 | 0:12:33 | |
It's quite moving, isn't it, Geoff? | 0:12:37 | 0:12:39 | |
I mean, she was so young, and the tide just took her, didn't it? | 0:12:39 | 0:12:42 | |
No, it's not that. | 0:12:42 | 0:12:43 | |
It's these wasabi peas playing havoc with my tear ducts. | 0:12:43 | 0:12:47 | |
Well, you have had five packets, Geoff. | 0:12:47 | 0:12:49 | |
Yeah, thanks for buying those, Kate. | 0:12:49 | 0:12:51 | |
You are treating me like Emperor Hirohito. | 0:12:51 | 0:12:54 | |
No worries. | 0:12:54 | 0:12:56 | |
Although, ironically, I do feel like I'm under a nuclear attack. | 0:12:56 | 0:12:59 | |
Probably find my shadow on the seat tomorrow morning. | 0:13:00 | 0:13:03 | |
SEXUAL NOISES IN FILM | 0:13:04 | 0:13:08 | |
FILM CHARACTERS SPEAK FRENCH | 0:13:14 | 0:13:18 | |
SEXUAL NOISES IN FILM | 0:13:18 | 0:13:22 | |
So, have you ever been with an older woman, Josh? | 0:13:30 | 0:13:34 | |
Well, I spent a lot of time with my gran as a child. | 0:13:34 | 0:13:38 | |
I reckon I could teach you a few things. | 0:13:38 | 0:13:41 | |
It's always good to learn. | 0:13:41 | 0:13:43 | |
I used to be a big fan of the BBC Early Learning Zone. | 0:13:43 | 0:13:46 | |
I'd watch it when I couldn't get to sleep. | 0:13:46 | 0:13:48 | |
That might be the case tonight. | 0:13:48 | 0:13:50 | |
Why, are they repeating a special on stalactites? | 0:13:50 | 0:13:53 | |
Have YOU got a stalactite? | 0:13:53 | 0:13:55 | |
I'm sorry, I don't know. | 0:13:56 | 0:13:57 | |
I can't remember which goes up and which goes down. | 0:13:57 | 0:14:00 | |
Mites go up, so... | 0:14:00 | 0:14:02 | |
-..TITES go down? -Oh, you dirty dog. | 0:14:03 | 0:14:06 | |
-Oh! -Ding ding. -What? | 0:14:20 | 0:14:23 | |
Ready for round two, Lennox Lewis? | 0:14:23 | 0:14:25 | |
Oh, I think it's a bit early for that kind of thing. | 0:14:25 | 0:14:28 | |
Oh, by the looks of things, you're not wrong. | 0:14:28 | 0:14:29 | |
-Where's it gone? -It's very chilly, it's a draughty room. | 0:14:29 | 0:14:33 | |
And if you're wondering where your pants are, | 0:14:33 | 0:14:35 | |
one leg is on the floor and the other leg is in the corridor. | 0:14:35 | 0:14:38 | |
Yeah, it's all coming back to me now. | 0:14:38 | 0:14:40 | |
Someone's certainly earned themselves one shagger's breakfast. | 0:14:40 | 0:14:44 | |
Ah, I've got things to be getting on with, so I should go. | 0:14:44 | 0:14:47 | |
-It's your house. -Yeah, of course it is. | 0:14:47 | 0:14:49 | |
I tell you what, why don't I make us a fry-up, | 0:14:49 | 0:14:52 | |
seeing as you've given me your bed, and a bit more? | 0:14:52 | 0:14:56 | |
A couple of fried eggs. | 0:14:58 | 0:15:00 | |
No, thank you. | 0:15:00 | 0:15:01 | |
Cos you know I'm always up for sausage, don't you? | 0:15:01 | 0:15:04 | |
-OK. -Maybe we could even experiment with hash brown. | 0:15:04 | 0:15:08 | |
Oh, no thanks, very much not my scene. | 0:15:08 | 0:15:11 | |
We'll see. | 0:15:11 | 0:15:12 | |
You do realise those were all innuendos, right? | 0:15:19 | 0:15:21 | |
Yeah, I got that. | 0:15:21 | 0:15:22 | |
Here he is, the thinking man's Darren Day. | 0:15:29 | 0:15:33 | |
Yes, I know. | 0:15:33 | 0:15:34 | |
Heard about some of the things you got up to, mate. | 0:15:34 | 0:15:36 | |
Valerie called Karen as soon as she left. | 0:15:36 | 0:15:39 | |
Do you want me to talk to Geoff | 0:15:39 | 0:15:40 | |
-about fixing the draught in your room? -God, it was intense. | 0:15:40 | 0:15:43 | |
Felt like when I was moved up a year in maths, | 0:15:43 | 0:15:45 | |
I didn't have enough buttons on my calculator. | 0:15:45 | 0:15:47 | |
I never had you down as such a goer. | 0:15:47 | 0:15:48 | |
I'm on the rebound, I had a one-night stand, we've all done it. | 0:15:48 | 0:15:51 | |
What do you mean, one-night stand? We're all going out again tonight. | 0:15:51 | 0:15:54 | |
-No, we are not. -Yes, we are, I've promised Karen - | 0:15:54 | 0:15:56 | |
she'll kill me if you let her down. | 0:15:56 | 0:15:58 | |
Let me talk to her, she can ask Valerie to go easy on you. | 0:15:58 | 0:16:00 | |
Go easy on me? She's not the Harlem Globetrotters. | 0:16:00 | 0:16:03 | |
They're both on the veterans' circuit, mate. | 0:16:03 | 0:16:05 | |
No, I'm not cut out for this. | 0:16:05 | 0:16:06 | |
If I'm honest with you, it just made me miss Gemma more. | 0:16:06 | 0:16:09 | |
Hmm. | 0:16:09 | 0:16:10 | |
Would it change your mind if I offered to split the booty? | 0:16:10 | 0:16:13 | |
I do not want to be custard cousins. | 0:16:13 | 0:16:15 | |
No, I'm talking about giving you some of the things Karen gives me. | 0:16:15 | 0:16:17 | |
Some of the really good stuff. | 0:16:17 | 0:16:19 | |
I'm not interested in Audley Harrison's... | 0:16:19 | 0:16:21 | |
Oh, my God, is that what I think it is? | 0:16:21 | 0:16:23 | |
One England shirt, match-worn, by Teddy Sheringham at Euro '96. | 0:16:23 | 0:16:27 | |
-You are kidding me. -No lie. | 0:16:27 | 0:16:29 | |
Euro '96, I mean, he was three years away from his treble-winning pomp. | 0:16:29 | 0:16:33 | |
Great memories, but where were Wales? | 0:16:33 | 0:16:35 | |
I can already feel the extra yard in my head. | 0:16:35 | 0:16:37 | |
Go on, then, have a swing. | 0:16:37 | 0:16:39 | |
You know what that is? Setting up the third goal against Holland. | 0:16:39 | 0:16:42 | |
Danny Blind woefully out of position. | 0:16:42 | 0:16:44 | |
-Do you want to keep it? -Yes. | 0:16:44 | 0:16:46 | |
Then be ready for seven, Teddy. | 0:16:46 | 0:16:48 | |
DOORBELL RINGS | 0:16:52 | 0:16:53 | |
-Geoff. -Morning, Kate. | 0:17:00 | 0:17:02 | |
-These are for you. -Oh, thank you. | 0:17:02 | 0:17:05 | |
-You seem in a very good mood. -I am. | 0:17:05 | 0:17:07 | |
Because of yesterday, and I wanted to say thank you. | 0:17:07 | 0:17:10 | |
I can't remember the last time I had someone listen to me like that. | 0:17:10 | 0:17:13 | |
Oh, that's good to hear. | 0:17:13 | 0:17:15 | |
Actually, I tell a lie, I can. It was the 15th of October, 1987. | 0:17:15 | 0:17:19 | |
-OK. -The night of the great storm. | 0:17:19 | 0:17:22 | |
One handsome balloon seller, Geoff Jefferies, | 0:17:22 | 0:17:25 | |
had just lost his entire stock in five brutal seconds. | 0:17:25 | 0:17:28 | |
I stood crying, watching 16 Roland Rats gathering pace | 0:17:28 | 0:17:32 | |
above the pier when a soft gentle female hand cupped mine | 0:17:32 | 0:17:36 | |
and took me to the pub. | 0:17:36 | 0:17:38 | |
And she sat me by the fire and we drank all night, | 0:17:38 | 0:17:40 | |
before she kissed me goodbye and ventured out into the storm. | 0:17:40 | 0:17:44 | |
Aw. That's beautiful. | 0:17:45 | 0:17:47 | |
Unfortunately, it was at that point I realised she'd nicked my wallet. | 0:17:47 | 0:17:51 | |
-Oh. -And my helium pump. | 0:17:51 | 0:17:53 | |
Oh. Well, suppose you didn't need it any more. | 0:17:53 | 0:17:56 | |
Oh, I still enjoy a funny voice as much as the next person. | 0:17:56 | 0:17:59 | |
Anyway, I'm rambling. I'll cut to the chase. | 0:17:59 | 0:18:02 | |
Kate, spending time with you yesterday, it was very nice. | 0:18:04 | 0:18:08 | |
And the scales fell from my eyes | 0:18:08 | 0:18:10 | |
and it got me thinking that a life shared is a life lived. | 0:18:10 | 0:18:14 | |
And I... I need to make this happen. | 0:18:14 | 0:18:17 | |
-Right. -Can I read you something? | 0:18:18 | 0:18:21 | |
Er.... | 0:18:21 | 0:18:22 | |
if you want to. | 0:18:22 | 0:18:23 | |
In love with a special woman, beautiful and kind | 0:18:32 | 0:18:34 | |
Her words of wisdom soothed me, and what a nice behind | 0:18:34 | 0:18:39 | |
One night was all I had with that pure and perfect dove | 0:18:39 | 0:18:44 | |
I wish to take her by the hand, for she's my one true piano. | 0:18:44 | 0:18:48 | |
That should obviously be "love," | 0:18:50 | 0:18:51 | |
but I used that fridge magnet in the first verse. | 0:18:51 | 0:18:54 | |
The point is, there's this person... | 0:18:54 | 0:18:56 | |
-I see. -And I want to tell her how I feel. | 0:18:56 | 0:18:59 | |
No! No, no, no. | 0:18:59 | 0:19:01 | |
Don't do that. | 0:19:01 | 0:19:02 | |
In my experience, it's best to just bottle these things up. | 0:19:02 | 0:19:05 | |
I've bottled up too much, Kate. | 0:19:05 | 0:19:07 | |
I'm like an Oddbins in here. | 0:19:07 | 0:19:08 | |
Geoff, you know what? I've got things to get on with. | 0:19:08 | 0:19:10 | |
So, my advice is, go home, bury your feelings, and enjoy your life. | 0:19:10 | 0:19:13 | |
Didn't you like the poem? It was the piano, wasn't it? | 0:19:13 | 0:19:15 | |
-I could change that. -Geoff, a life without love is a life without pain. | 0:19:15 | 0:19:19 | |
Ow! | 0:19:19 | 0:19:21 | |
Sorry. | 0:19:21 | 0:19:22 | |
-LAUGHING: -I can't believe you went on a date with Geoff! | 0:19:23 | 0:19:26 | |
It was not a date, I just took him out | 0:19:26 | 0:19:27 | |
to apologise for my offensive e-mail. | 0:19:27 | 0:19:29 | |
Although, here's my problem - after one evening in my company, | 0:19:29 | 0:19:32 | |
-he has inevitably fallen in love with me. -Ah, congratulations. | 0:19:32 | 0:19:36 | |
Your first ever successful date. | 0:19:36 | 0:19:38 | |
I mean, who can blame a man like him falling for a girl like me? | 0:19:38 | 0:19:41 | |
It's the ultimate Beauty And The Beast story. | 0:19:41 | 0:19:42 | |
Yeah, I don't think Disney are going to turn this one into a cartoon, | 0:19:42 | 0:19:45 | |
-Kate. -Oh, come on, they'll take anything. | 0:19:45 | 0:19:47 | |
We've all seen Chicken Little. | 0:19:47 | 0:19:49 | |
Oh, come on, let it go, that movie was fine. | 0:19:49 | 0:19:52 | |
Do you know who was in the cinema when I saw Chicken Little? | 0:19:52 | 0:19:54 | |
Ralf Little. And then, three seats away from me, | 0:19:54 | 0:19:56 | |
I saw the ex-Aston Villa manager, Brian Little. | 0:19:56 | 0:19:59 | |
I thought, "I wonder if the Odeon | 0:19:59 | 0:20:00 | |
"are doing some sort of deal or something." | 0:20:00 | 0:20:02 | |
Owen, I don't care. My issue is Geoff. | 0:20:02 | 0:20:05 | |
He's had a taste of the sweet, sweet honey. | 0:20:05 | 0:20:06 | |
If I tell him I'm cutting it off now, it's going to destroy him. | 0:20:06 | 0:20:09 | |
You do realise that nobody's that into honey? | 0:20:09 | 0:20:11 | |
Well, they should be. It's an excellent sugar substitute, | 0:20:11 | 0:20:13 | |
and it's packed with antioxidants. That's what makes it so sticky. | 0:20:13 | 0:20:16 | |
That's not true, is it? | 0:20:16 | 0:20:17 | |
Listen, the way I see it, you've got one option. | 0:20:17 | 0:20:19 | |
You've already crushed his tiny heart via e-mail once. | 0:20:19 | 0:20:22 | |
You need to do it again, but this time, face-to-face. | 0:20:22 | 0:20:25 | |
Oh, no, I can't. I can't face the guilt. | 0:20:25 | 0:20:27 | |
Oh, here's an idea. | 0:20:27 | 0:20:29 | |
You come on too strong and you scare him off. | 0:20:29 | 0:20:31 | |
It's worked with literally every other man you've met. | 0:20:31 | 0:20:33 | |
OWEN LAUGHS | 0:20:33 | 0:20:34 | |
Here we go. | 0:20:38 | 0:20:40 | |
An original 1977 Kevin Keegan's Brut. | 0:20:40 | 0:20:43 | |
Karen says this stuff's like catnip. | 0:20:43 | 0:20:45 | |
Though it was tested on animals, | 0:20:45 | 0:20:47 | |
so probably best not to think too hard about that. | 0:20:47 | 0:20:49 | |
Whoa, smell that! | 0:20:49 | 0:20:52 | |
Those rabbits must have been irresistible. | 0:20:52 | 0:20:54 | |
Oh, that is awful. | 0:20:54 | 0:20:55 | |
-Oh, God. Give it a rest, Adolf Hitler. -What? | 0:20:55 | 0:20:57 | |
I'm trying to think of a famous vegetarian. | 0:20:57 | 0:20:59 | |
That wasn't his defining characteristic. | 0:20:59 | 0:21:01 | |
I hope you're going to be cheerier than this on the date. | 0:21:01 | 0:21:04 | |
Look, just to be clear, | 0:21:04 | 0:21:05 | |
I'm coming for two drinks, and then I'm out of there. | 0:21:05 | 0:21:07 | |
I can't face having another one of Valerie's breakfasts. | 0:21:07 | 0:21:10 | |
A lot of guys would kill to be in your position. | 0:21:10 | 0:21:13 | |
Not this guy. This guy doesn't want to find out | 0:21:13 | 0:21:15 | |
what she means by "black pudding". DOORBELL RINGS | 0:21:15 | 0:21:17 | |
-Is Kate here? -I think she's in her room. | 0:21:19 | 0:21:21 | |
She'll be delighted to see you, | 0:21:21 | 0:21:23 | |
-she's been talking about you nonstop, Geoff. -I must speak to her. | 0:21:23 | 0:21:26 | |
PHONE VIBRATES Oh, my God, it's Gemma. | 0:21:26 | 0:21:29 | |
Hello? | 0:21:30 | 0:21:32 | |
Yeah, yeah, I've been fine, yeah. | 0:21:32 | 0:21:34 | |
Ask her if she knows what black pudding is. | 0:21:34 | 0:21:35 | |
Sorry about that. Yeah, no, you're correct, | 0:21:35 | 0:21:38 | |
although I think it's mainly oatmeal. | 0:21:38 | 0:21:40 | |
Haggis? No, I've not tried it. | 0:21:41 | 0:21:43 | |
Yeah, yeah, cos I'm vegetarian. | 0:21:43 | 0:21:44 | |
Oh, Morrissey's on the phone. | 0:21:44 | 0:21:46 | |
What, right now? Yeah, yeah, of course, yeah. | 0:21:46 | 0:21:49 | |
All right, see you then. Brilliant! | 0:21:50 | 0:21:53 | |
Who was that? Linda McCartney? | 0:21:53 | 0:21:54 | |
Better reference. | 0:21:54 | 0:21:56 | |
Gemma wants to come round and talk. | 0:21:56 | 0:21:58 | |
-I'm sorry, but I'm going to have to cancel tonight. -Oh, what? | 0:21:58 | 0:22:00 | |
Can you just tell Valerie that I've got to attend an important function? | 0:22:00 | 0:22:04 | |
Come on, mate, you're not Ban Ki-moon. | 0:22:04 | 0:22:05 | |
Listen, if you're going to dump Valerie, | 0:22:05 | 0:22:07 | |
just be a man - say it like it is. | 0:22:07 | 0:22:09 | |
No, you're right. I'll tell her I need some space. | 0:22:09 | 0:22:11 | |
Ugh. | 0:22:11 | 0:22:13 | |
Kate, the time has come for me to uncork my feelings. | 0:22:13 | 0:22:16 | |
No, keep the cork in, let the wine mature. | 0:22:16 | 0:22:18 | |
It's too late, the corkscrew's out. | 0:22:18 | 0:22:20 | |
I'm twisting the bottle. Its little arms are in the air. | 0:22:20 | 0:22:23 | |
No, you need to keep everything bottled up. | 0:22:23 | 0:22:25 | |
Imagine your feelings like a little ship inside a bottle. | 0:22:25 | 0:22:27 | |
I can't, I... How do they make those? | 0:22:27 | 0:22:30 | |
I know, it's amazing, isn't it? | 0:22:30 | 0:22:32 | |
I suppose if the masts bend or something. | 0:22:32 | 0:22:34 | |
Yeah, I imagine the rigging's on a hinge. | 0:22:34 | 0:22:35 | |
Yeah, that would do it, rigging on a hinge, yeah. | 0:22:35 | 0:22:37 | |
You're distracting me. Kate, I'm in love. | 0:22:37 | 0:22:40 | |
-I don't see you in that way. -What? | 0:22:40 | 0:22:43 | |
Look, I was just being extra nice because I felt bad about the e-mail. | 0:22:44 | 0:22:47 | |
And I flashed you this beguiling smile and looked at you | 0:22:47 | 0:22:50 | |
-with these huge eyes and... -What e-mail? | 0:22:50 | 0:22:54 | |
My reply to your e-mail about the energy-saving light bulbs. | 0:22:54 | 0:22:58 | |
Sorry, I haven't got a clue what you're talking about. | 0:22:58 | 0:23:00 | |
I have all e-mails from tenants automatically forwarded to junk. | 0:23:00 | 0:23:03 | |
No, but you said you were sad about a message. | 0:23:03 | 0:23:05 | |
Yes, I'd been dumped. | 0:23:05 | 0:23:07 | |
-What, by who? -By the most wonderful woman in the world. | 0:23:07 | 0:23:10 | |
We met on the number 29. | 0:23:10 | 0:23:12 | |
Both reached for the same pole, next stop, love. | 0:23:12 | 0:23:15 | |
If you discount all the stops on the way to Wood Green. | 0:23:15 | 0:23:17 | |
Well, what happened next? | 0:23:17 | 0:23:19 | |
She dumped me. | 0:23:19 | 0:23:21 | |
And then, for some reason, you took me to a French porn film. | 0:23:21 | 0:23:23 | |
No, it's the real deal, | 0:23:27 | 0:23:29 | |
apparently he wore it in Euro '96 against Holland. | 0:23:29 | 0:23:31 | |
Set up the third goal, Danny Blind woefully out of position. | 0:23:31 | 0:23:34 | |
Oh, God, you're great. you know so many facts. | 0:23:34 | 0:23:37 | |
Can't believe you won this in a raffle. | 0:23:37 | 0:23:39 | |
I know! It's hard to believe, isn't it? | 0:23:39 | 0:23:42 | |
Here's a fact. Did you know Teddy Sheringham was the Premier League's | 0:23:42 | 0:23:45 | |
oldest ever outfield player? | 0:23:45 | 0:23:47 | |
40 years, 272 days. | 0:23:47 | 0:23:49 | |
Oh, my God, it is so good to see you. | 0:23:49 | 0:23:51 | |
I'm sorry about what happened. I just needed some space. | 0:23:56 | 0:23:59 | |
And time to think? | 0:23:59 | 0:24:01 | |
-Yeah, time to think. -That's what I thought. | 0:24:01 | 0:24:04 | |
DOORBELL RINGS KNOCK AT DOOR | 0:24:05 | 0:24:09 | |
Oh, ignore that, it's probably just Jehovah's Witnesses. | 0:24:09 | 0:24:12 | |
DOORBELL RINGS KNOCK AT DOOR | 0:24:12 | 0:24:13 | |
Very keen to spread the word. | 0:24:13 | 0:24:15 | |
-VALERIE: -Come on, Josh, I know you're in there. | 0:24:15 | 0:24:18 | |
-They know your name? -Oh, they've probably just got a database. | 0:24:18 | 0:24:20 | |
DOORBELL RINGS KNOCK AT DOOR | 0:24:20 | 0:24:22 | |
Josh, I think you should... | 0:24:22 | 0:24:24 | |
OK, fine, I'll go and sort it. | 0:24:24 | 0:24:26 | |
KNOCKING CONTINUES | 0:24:27 | 0:24:30 | |
Oh, look, there he is, my date for the evening. | 0:24:30 | 0:24:32 | |
Ah, Valerie, did you get my text? | 0:24:32 | 0:24:34 | |
I don't like being stood up, Josh. | 0:24:34 | 0:24:35 | |
I think there's been a misunderstanding. | 0:24:35 | 0:24:37 | |
Oh, I understand perfectly. | 0:24:37 | 0:24:38 | |
No, Valerie, no. No, Valerie! | 0:24:38 | 0:24:40 | |
-And who are you? -Hi, I'm Gemma, Josh's girlfriend. | 0:24:40 | 0:24:44 | |
Bloody hell, you move fast. | 0:24:44 | 0:24:46 | |
I was only making you breakfast 12 hours ago. | 0:24:46 | 0:24:48 | |
Breakfast? Josh, who is this? | 0:24:48 | 0:24:50 | |
Oh, she works at the local cafe, and I think she's having a breakdown. | 0:24:50 | 0:24:55 | |
Works in the local cafe? | 0:24:55 | 0:24:56 | |
Is that an innuendo? | 0:24:56 | 0:24:58 | |
Actually, I can tell you it's not, | 0:24:58 | 0:24:59 | |
cos I wrote the bloody book on them. | 0:24:59 | 0:25:01 | |
Did he happen to mention that last night we had the full English, | 0:25:01 | 0:25:04 | |
and by that I mean sex? | 0:25:04 | 0:25:06 | |
Josh, what the hell is going on? | 0:25:06 | 0:25:08 | |
No, you have to remember you said you needed some space, | 0:25:08 | 0:25:11 | |
and that is shorthand for dumping someone. | 0:25:11 | 0:25:13 | |
You told ME you needed some space! | 0:25:13 | 0:25:15 | |
You little shit. | 0:25:15 | 0:25:16 | |
Is this what you meant by trying something new? | 0:25:16 | 0:25:18 | |
No, I was just very confused, and people kept telling me | 0:25:18 | 0:25:21 | |
to get back on the horse. And that is not an innuendo, Valerie. | 0:25:21 | 0:25:25 | |
-It is. -I can't believe you've cheated on me. | 0:25:25 | 0:25:27 | |
Look, I tried to explain... | 0:25:27 | 0:25:29 | |
Oh, hey guys, just in time to catch a two-timer red-handed. | 0:25:29 | 0:25:31 | |
Gemma. Valerie. | 0:25:31 | 0:25:33 | |
-Oh, dear. -Er, excuse me, Owen, | 0:25:33 | 0:25:36 | |
what is SHE doing wearing the Teddy Sheringham shirt I gave you? | 0:25:36 | 0:25:39 | |
You've been selling on my merch? | 0:25:39 | 0:25:41 | |
No, this is Josh's. | 0:25:41 | 0:25:42 | |
You gave it to Josh? Why? | 0:25:42 | 0:25:44 | |
Because I wanted him to go out with Valerie. | 0:25:46 | 0:25:48 | |
You were paid to sleep with me? | 0:25:49 | 0:25:51 | |
No, he gave it to me afterwards. | 0:25:51 | 0:25:52 | |
I don't care if the money was paid up front or in lieu. | 0:25:52 | 0:25:55 | |
You're making me wear the trophy you were paid for sex with? | 0:25:55 | 0:25:59 | |
What kind of a pervert are you? | 0:25:59 | 0:26:00 | |
Quite a pedestrian one, actually. | 0:26:00 | 0:26:02 | |
What the hell is going on in here? | 0:26:02 | 0:26:04 | |
Oh, another member of your harem. | 0:26:04 | 0:26:06 | |
Valerie! | 0:26:06 | 0:26:07 | |
-Geoff? -What are you doing here? Have you come to win me back? | 0:26:07 | 0:26:11 | |
Kate, this is Valerie, the woman I was telling you about. | 0:26:11 | 0:26:13 | |
I tell you what, Josh. | 0:26:13 | 0:26:14 | |
Here's a man who didn't say no to a bit of hash brown. | 0:26:14 | 0:26:17 | |
-I love a good breakfast, me. -And the rest. | 0:26:17 | 0:26:20 | |
Oh, it's good to see, Valerie. I've missed you. | 0:26:20 | 0:26:23 | |
Course you have, Geoff. | 0:26:23 | 0:26:24 | |
Come on, you can take me for coffee. | 0:26:24 | 0:26:26 | |
Do you actually mean coffee this time? | 0:26:26 | 0:26:28 | |
No, of course I don't. You like black pudding, don't you? | 0:26:28 | 0:26:31 | |
Oh, my God. | 0:26:34 | 0:26:36 | |
You and Geoff are custard cousins! | 0:26:37 | 0:26:39 | |
# Valerie | 0:26:41 | 0:26:44 | |
# Call on me | 0:26:44 | 0:26:45 | |
# Call on me... # | 0:26:45 | 0:26:47 | |
LOUD CHEWING | 0:26:47 | 0:26:50 | |
Mmm. | 0:26:52 | 0:26:53 | |
-Hash brown? -Oh, God. | 0:26:55 | 0:26:58 | |
Suit yourself. | 0:26:58 | 0:27:00 | |
# Love songs fill the night | 0:27:04 | 0:27:08 | |
# But they don't tell it all | 0:27:08 | 0:27:11 | |
# Not how lovers cry out | 0:27:12 | 0:27:15 | |
# Just like they're dying | 0:27:16 | 0:27:19 | |
# Her cries hang there | 0:27:22 | 0:27:24 | |
# In time, somewhere... # | 0:27:25 | 0:27:28 |