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-How's the writing going? -Not good. | 0:00:15 | 0:00:17 | |
-What's that? -That is a picture of an elephant | 0:00:19 | 0:00:21 | |
-that looks like Michael Carrick. -Oh! | 0:00:21 | 0:00:24 | |
You're good at trunks. | 0:00:24 | 0:00:25 | |
-Thank you. -Hey, if you're struggling to write material, | 0:00:25 | 0:00:29 | |
why don't you become an impressionist? | 0:00:29 | 0:00:30 | |
-Not my scene. -Do you know what? | 0:00:30 | 0:00:32 | |
I'm from a long line of impressionists, | 0:00:32 | 0:00:34 | |
my great-great-great-grandad did the first-ever impression. | 0:00:34 | 0:00:37 | |
No, he didn't. | 0:00:37 | 0:00:38 | |
Yes, he did. It was a superb William Pitt the Younger. | 0:00:38 | 0:00:40 | |
The Whigs lapped it up. | 0:00:40 | 0:00:42 | |
Oh! Here's one for you! | 0:00:44 | 0:00:45 | |
-IRISH ACCENT: -If you'd pass me a guitar, I'd play something. | 0:00:45 | 0:00:48 | |
-Bono? -No. | 0:00:48 | 0:00:49 | |
-The Edge. -Oh, you're jokin', aren't ya? | 0:00:49 | 0:00:51 | |
It's Jim Corr, who played guitar in The Corrs. | 0:00:51 | 0:00:53 | |
Do you know what? I'm going to write at home. | 0:00:53 | 0:00:55 | |
Oh, no problem. I'll see you later. | 0:00:55 | 0:00:57 | |
-IRISH ACCENT: -Look, half a blueberry muffin. No-one tips in this country, | 0:00:57 | 0:01:00 | |
they've got eyes bigger than their stomachs and arms shorter than their pockets. | 0:01:00 | 0:01:03 | |
I'm hungry, there's just something about cheese and pickle... Hello. | 0:01:03 | 0:01:06 | |
-AMERICAN ACCENT: -Hi, can I get a soya latte? -Yeah, coming right up. | 0:01:06 | 0:01:08 | |
I hope you don't mind me saying, but I love your accent. | 0:01:08 | 0:01:11 | |
Oh, much... Much obliged. | 0:01:11 | 0:01:12 | |
You're Irish, right? | 0:01:12 | 0:01:14 | |
Am I Irish? | 0:01:14 | 0:01:16 | |
Um... Yeah, yeah. | 0:01:17 | 0:01:20 | |
I'm Irish. | 0:01:20 | 0:01:21 | |
Take a seat, I'll bring it over. | 0:01:22 | 0:01:23 | |
Oh, Kate, have you got any stale bread? | 0:01:33 | 0:01:36 | |
What?! No. | 0:01:36 | 0:01:37 | |
I'll also accept seeds or mealworms. | 0:01:37 | 0:01:39 | |
And why do you need mealworms? | 0:01:39 | 0:01:41 | |
Cos I am nursing a sick bird back to health. | 0:01:41 | 0:01:44 | |
Ah, like that old bloke from Shawshank Redemption? | 0:01:44 | 0:01:47 | |
Yeah. But let's hope I don't go the same way as him - | 0:01:47 | 0:01:49 | |
no-one wants to see "Geoff was here" scratched into a beam. | 0:01:49 | 0:01:52 | |
Not least because it will impact on the value of the property. | 0:01:52 | 0:01:55 | |
OK, well, don't give the birds stale bread - | 0:01:55 | 0:01:57 | |
the mould can make them sick. | 0:01:57 | 0:01:59 | |
You need fresh bread soaked in milk. | 0:01:59 | 0:02:01 | |
How do you know that? | 0:02:01 | 0:02:02 | |
Look, keep it to yourself, but when I was a teenager, | 0:02:03 | 0:02:06 | |
I joined an ornithology club. | 0:02:06 | 0:02:08 | |
-Wow. -I just did it to flesh out my Ucas form. | 0:02:08 | 0:02:11 | |
Just don't tell Josh and Owen. | 0:02:11 | 0:02:12 | |
Why not? That is the coolest thing I've ever heard | 0:02:12 | 0:02:15 | |
-and I've heard Lose Yourself by Eminem. -It's not cool. | 0:02:15 | 0:02:18 | |
It is. He won the rap battle against Papa Doc. | 0:02:18 | 0:02:22 | |
Thank you so much for this, it's very gentlemanly of you. | 0:02:24 | 0:02:28 | |
Oh, don't worry - what are neighbours for? | 0:02:28 | 0:02:30 | |
Well, it's such a blessing having a strapping young man like you | 0:02:30 | 0:02:34 | |
turning up! So, what do you do - | 0:02:34 | 0:02:36 | |
weightlifter, international strongman... | 0:02:36 | 0:02:39 | |
beach hunk? | 0:02:39 | 0:02:40 | |
No, no, no, I'm a comedian. | 0:02:40 | 0:02:42 | |
Oh, that must be lovely making people laugh in the evenings. | 0:02:42 | 0:02:45 | |
You're writing all your new jokes at home during the day... | 0:02:45 | 0:02:49 | |
-Yeah, yeah. -You must have so many funny jokes. | 0:02:49 | 0:02:52 | |
-So, is this you? -The fourth floor, right up the top. | 0:02:54 | 0:02:57 | |
-Of course. -Follow me. | 0:02:57 | 0:02:59 | |
I am, yep. | 0:02:59 | 0:03:00 | |
What was in the box? | 0:03:04 | 0:03:05 | |
Well, I couldn't ask, I was in too much pain. | 0:03:05 | 0:03:08 | |
But I guess an anvil. | 0:03:08 | 0:03:10 | |
if it was that heavy, you should have just said something. | 0:03:10 | 0:03:12 | |
I can't do that, Violet's a lovely old lady. | 0:03:12 | 0:03:14 | |
And possible blacksmith. | 0:03:14 | 0:03:16 | |
Ooh, Home Alone 2. | 0:03:16 | 0:03:18 | |
I actually think this is better than the first one. | 0:03:18 | 0:03:20 | |
No, that bird woman's weird. | 0:03:20 | 0:03:22 | |
-What do you mean by that? -Sorry? | 0:03:22 | 0:03:24 | |
DOOR CLOSES | 0:03:24 | 0:03:25 | |
-IRISH ACCENT: -Then Roy Keane told Mick McCarthy to stick it up his bollocks, | 0:03:25 | 0:03:28 | |
-which obviously can't be done. -Who's Roy Keane? | 0:03:28 | 0:03:30 | |
He's the greatest midfielder who ever lived, but then, I might say that, I'm biased. | 0:03:30 | 0:03:34 | |
Why are there people in our house? | 0:03:34 | 0:03:36 | |
Hey, guys! | 0:03:36 | 0:03:37 | |
-Oh, hi. -Hi. -This is Josh and this is Kate. | 0:03:37 | 0:03:41 | |
-Hi, guys! -Hi! -This is, er, Lauren, she's moved over from the Big Apple. | 0:03:41 | 0:03:44 | |
Right, and where have you moved from? | 0:03:44 | 0:03:47 | |
Well, Cork in Ireland. You know that, Josh, come on. | 0:03:47 | 0:03:50 | |
Um, do you mind if I...? | 0:03:51 | 0:03:52 | |
Of course, it's through there, you can't miss it. | 0:03:52 | 0:03:55 | |
Sorry. Sorry, why are you talking like an Irishman? | 0:04:00 | 0:04:03 | |
Well, I think national identity's an increasingly fluid concept | 0:04:03 | 0:04:07 | |
in today's day and age. Like, look at John Barrowman - is he American, | 0:04:07 | 0:04:10 | |
is he Scottish? Who cares? He's a consummate entertainer. | 0:04:10 | 0:04:13 | |
Sorry, I'll ask again. Why are you speaking in an Irish accent? | 0:04:15 | 0:04:18 | |
-NORMAL ACCENT: -All right, there's an off chance that when I first met | 0:04:20 | 0:04:23 | |
Lauren, I was talking in an Irish accent and there's an off chance | 0:04:23 | 0:04:26 | |
that she absolutely loved it, and there's an off chance | 0:04:26 | 0:04:28 | |
that when we went for a drink, | 0:04:28 | 0:04:30 | |
I had no option other than to keep it up. | 0:04:30 | 0:04:32 | |
Oh! Oh, dear, that is amazing! | 0:04:32 | 0:04:35 | |
Oh, we'll be fine, I'm good at doing accents, | 0:04:35 | 0:04:37 | |
I can keep it going for a few dates. | 0:04:37 | 0:04:39 | |
What about after that? | 0:04:39 | 0:04:40 | |
What do you mean? | 0:04:40 | 0:04:41 | |
Owen, some relationships go on for longer than three dates. | 0:04:41 | 0:04:44 | |
-IRISH ACCENT: -Well, I think we can cross that bridge when we come to it. | 0:04:44 | 0:04:47 | |
Right, would you like that Baileys I promised ya? | 0:04:47 | 0:04:50 | |
OK, off we go to the bar! | 0:04:50 | 0:04:52 | |
Got any ideas? | 0:05:04 | 0:05:06 | |
Something about cornflakes. | 0:05:06 | 0:05:07 | |
Spoons. | 0:05:09 | 0:05:10 | |
DOORBELL RINGS | 0:05:10 | 0:05:12 | |
Oh... | 0:05:12 | 0:05:13 | |
It's a pity. Did I tell you I'm something great | 0:05:14 | 0:05:17 | |
with that spoons stuff? | 0:05:17 | 0:05:18 | |
Oh, God. | 0:05:23 | 0:05:25 | |
"Murder On The Leyton Orient Express." | 0:05:25 | 0:05:27 | |
What does that even mean? | 0:05:28 | 0:05:30 | |
That's the third package already for Violet today. | 0:05:32 | 0:05:35 | |
It's not on, she's breaking the neighbour rules. | 0:05:35 | 0:05:37 | |
What are the neighbour rules? | 0:05:37 | 0:05:38 | |
Well, one - a maximum of two packages taken in per month. | 0:05:38 | 0:05:42 | |
Number two - no hoovering or step aerobics after 9pm. | 0:05:42 | 0:05:45 | |
Three - if you enjoy sex, move your bed away from the wall. | 0:05:45 | 0:05:49 | |
Who doesn't enjoy sex? | 0:05:49 | 0:05:51 | |
Me, when Owen doesn't move his bed away from the wall. | 0:05:51 | 0:05:54 | |
So why's she getting her packages delivered here? | 0:05:55 | 0:05:57 | |
She's having her bathroom done and I said I'd take her deliveries in, | 0:05:57 | 0:06:00 | |
but I didn't expect to become her Amazon pick-up point. | 0:06:00 | 0:06:02 | |
I'm just going forward and back to the door, | 0:06:02 | 0:06:04 | |
I feel like I'm doing a bleep test. | 0:06:04 | 0:06:06 | |
Bleep test. | 0:06:08 | 0:06:09 | |
TV ON | 0:06:14 | 0:06:15 | |
So, the teams put on a red or a blue fleece | 0:06:16 | 0:06:18 | |
and then they have to go round an antiques fair | 0:06:18 | 0:06:21 | |
and buy three items. | 0:06:21 | 0:06:22 | |
-IRISH ACCENT: -Then they take the items to auction | 0:06:22 | 0:06:24 | |
and whatever profit they make, Tim Wonnacott gives them in cash. | 0:06:24 | 0:06:27 | |
If they make a profit on all the items, they win a golden gavel. | 0:06:27 | 0:06:30 | |
So what did that couple just win? | 0:06:30 | 0:06:31 | |
-20 quid. -Did they win the gavel? | 0:06:31 | 0:06:34 | |
No. | 0:06:35 | 0:06:36 | |
-TV: -You have an unhealthy obsession | 0:06:36 | 0:06:37 | |
-with Bargain Hunt, you two, I'm told. -Yes, I once dressed... | 0:06:37 | 0:06:41 | |
You should get Netflix. | 0:06:41 | 0:06:43 | |
PHONE RINGS | 0:06:43 | 0:06:44 | |
Ooh, I'm going to get this. | 0:06:46 | 0:06:48 | |
-Would you like us to pause it for you? -Um, I'm OK. | 0:06:48 | 0:06:50 | |
Hey! How are you? | 0:06:50 | 0:06:52 | |
So, I've got a problem. | 0:06:52 | 0:06:54 | |
Is this about the Good Friday Agreement? | 0:06:54 | 0:06:56 | |
Oh, sorry, force of habit. | 0:06:56 | 0:06:57 | |
No, my problem is - Lauren is amazing. | 0:06:57 | 0:06:59 | |
We've really clicked, we were talking all night. | 0:06:59 | 0:07:02 | |
Yeah, I could hear you. Sounded like an audience with Eamonn Holmes. | 0:07:02 | 0:07:05 | |
Albeit while he intermittently has sex with the guests. | 0:07:05 | 0:07:08 | |
She's funny, she's interesting, | 0:07:08 | 0:07:10 | |
she told me all about her life growing up in New York. | 0:07:10 | 0:07:12 | |
I told her all about mine. | 0:07:12 | 0:07:14 | |
Growing up in...Cork. | 0:07:14 | 0:07:16 | |
Sorry, have you gone insane? | 0:07:16 | 0:07:18 | |
Oh, Carmarthen, Cork. What difference does it make? | 0:07:18 | 0:07:20 | |
The facts remain the same, don't they? | 0:07:20 | 0:07:22 | |
You know, I did go to a small school, | 0:07:22 | 0:07:24 | |
I just played less hurling than I suggested. | 0:07:24 | 0:07:27 | |
Think I can keep this up for the rest of my life? | 0:07:27 | 0:07:29 | |
I reckon she might figure it out when she meets your parents. | 0:07:29 | 0:07:31 | |
Oh, no, I've thought about that and they're both very talented mimics. | 0:07:31 | 0:07:34 | |
Chinese takeaway in town gives Dad 15% off | 0:07:34 | 0:07:36 | |
because they genuinely think he comes from Beijing. | 0:07:36 | 0:07:39 | |
The problem is, he can't turn up to pick up the order. | 0:07:39 | 0:07:42 | |
Owen, that was my friend Siobhan. | 0:07:42 | 0:07:44 | |
She wants to have a drink with us tonight and, surprise, surprise... | 0:07:44 | 0:07:47 | |
she's from Cork as well. | 0:07:47 | 0:07:49 | |
Oh! | 0:07:49 | 0:07:50 | |
Oh! | 0:07:50 | 0:07:52 | |
Oh, that sounds absolutely great. | 0:07:52 | 0:07:55 | |
TV: That's what we're going for. | 0:07:55 | 0:07:56 | |
-Are you going to spend the lot, then? -We hope to spend quite a bit... | 0:07:56 | 0:07:59 | |
Kate, I've got a bit of a situation. | 0:08:03 | 0:08:05 | |
If you've trapped yourself in your shoes again, I'm not helping you. | 0:08:05 | 0:08:08 | |
You need to stop doing quadruple knots. | 0:08:08 | 0:08:10 | |
No, it's that bird I was nursing back to health... | 0:08:10 | 0:08:12 | |
Oh, no, has it died? | 0:08:12 | 0:08:13 | |
Worse, it's back to full strength and causing havoc in my house. | 0:08:13 | 0:08:17 | |
How is it causing havoc? | 0:08:17 | 0:08:18 | |
A fully fit swan is a powerful bird. | 0:08:18 | 0:08:20 | |
Sorry, you're nursing a swan back to health? | 0:08:20 | 0:08:23 | |
And not a very grateful one, it's pecked my sideboard into next week. | 0:08:23 | 0:08:27 | |
Looks like my TV is on a block of Emmental. | 0:08:27 | 0:08:29 | |
People will think I'm mentally unwell, | 0:08:29 | 0:08:31 | |
especially when they factor in I live with a swan. | 0:08:31 | 0:08:33 | |
It's not funny, Kate. | 0:08:33 | 0:08:35 | |
It's terrifying. | 0:08:35 | 0:08:36 | |
-Mm. -You know what a pigeon is like when it gets stuck in a room, | 0:08:36 | 0:08:39 | |
imagine that but with four times the wingspan. | 0:08:39 | 0:08:41 | |
Yeah, I know, sorry, that does sound really bad. | 0:08:41 | 0:08:43 | |
So you're the bird expert - what should I do? | 0:08:43 | 0:08:45 | |
Uh! I'm not a bird expert, I just did a few after-school sessions. | 0:08:45 | 0:08:49 | |
I only attained the level of "Chaffinch", so... | 0:08:49 | 0:08:51 | |
You must have some ideas! | 0:08:51 | 0:08:53 | |
You need to call the RSPB. | 0:08:53 | 0:08:55 | |
I've done that, but there's an oil slick off the Kent coast. | 0:08:55 | 0:08:58 | |
I'm trying to break bread with a swan while they're dealing with | 0:08:58 | 0:09:01 | |
3,000 seagulls that look like the Fonz. | 0:09:01 | 0:09:03 | |
Just wait till they're available. | 0:09:03 | 0:09:04 | |
They said it could be two weeks, I could be dead in two weeks, Kate! | 0:09:04 | 0:09:08 | |
What if it attacks? | 0:09:08 | 0:09:09 | |
I can't fight a swan. | 0:09:09 | 0:09:10 | |
The Queen'll come down on me like a ton of bricks. | 0:09:10 | 0:09:12 | |
DOORBELL RINGS | 0:09:19 | 0:09:21 | |
-Hello, Josh. -Violet. | 0:09:22 | 0:09:24 | |
I think I've had a few packages delivered here. | 0:09:24 | 0:09:27 | |
Yeah, a few, yeah. | 0:09:27 | 0:09:28 | |
Ooh! | 0:09:29 | 0:09:31 | |
Santa's been! | 0:09:31 | 0:09:32 | |
-Yeah. -Although you're on the naughty list and I'm on the nice one. | 0:09:32 | 0:09:36 | |
Oh, I hope it hasn't been an inconvenience for you. | 0:09:36 | 0:09:39 | |
No, although I do need to be doing some writing | 0:09:39 | 0:09:41 | |
and the deliveries can interfere with my flow. | 0:09:41 | 0:09:44 | |
Completely understand. | 0:09:44 | 0:09:46 | |
-Great. -It's vital you get your important comedy writing done. | 0:09:46 | 0:09:50 | |
Right. | 0:09:50 | 0:09:51 | |
Ah! | 0:09:51 | 0:09:53 | |
-Can I help you with...? -Oh, thank you. | 0:09:54 | 0:09:56 | |
I think I might struggle. | 0:09:56 | 0:09:57 | |
Yeah, great. OK. | 0:09:57 | 0:09:59 | |
Er, lift from the knees. | 0:10:00 | 0:10:02 | |
-Sorry. -I was worried about your poor technique yesterday. | 0:10:02 | 0:10:04 | |
Right, OK. | 0:10:04 | 0:10:06 | |
That lot's a bit ambitious for your arms. | 0:10:06 | 0:10:09 | |
Let's maybe do them in several trips. | 0:10:09 | 0:10:12 | |
-OK. -Fourth floor, right at the top. | 0:10:12 | 0:10:15 | |
-So, where are you from in Cork? -Yeah, I am. | 0:10:21 | 0:10:24 | |
No, which bit? | 0:10:24 | 0:10:26 | |
Oh, sorry, I thought you were answering your own questions in, | 0:10:26 | 0:10:28 | |
-"Where am I from? In Cork." Anyway, did you see Bargain Hunt this morning? -No. No, I didn't. | 0:10:28 | 0:10:32 | |
Oh, that's a shame. | 0:10:32 | 0:10:34 | |
So, where did you grow up? | 0:10:34 | 0:10:35 | |
Oh, you know, the suburbs. | 0:10:35 | 0:10:37 | |
Which area? | 0:10:37 | 0:10:39 | |
-The east. -Oh, Sallybrook or Glanmire? | 0:10:39 | 0:10:42 | |
Glanmire, yeah, that's the one. Yeah, yeah. | 0:10:42 | 0:10:45 | |
That's where I'm from! | 0:10:45 | 0:10:46 | |
Oh, of course you are! | 0:10:46 | 0:10:48 | |
-Brilliant. -That's amazing! | 0:10:48 | 0:10:50 | |
-You'd thought you'd have crossed paths. -Yeah, you would. | 0:10:50 | 0:10:53 | |
-Which school did you go to? -Which school did you go to? | 0:10:53 | 0:10:55 | |
Sorry, I really want to know. | 0:10:55 | 0:10:56 | |
No, no, you first, I insist. | 0:10:56 | 0:10:58 | |
No, no, you first. | 0:10:58 | 0:10:59 | |
-I insist. -Oh, I went to St Aloysius. | 0:10:59 | 0:11:01 | |
No way? I went to St Aloysius! | 0:11:01 | 0:11:03 | |
-Shut up?! -Yeah, but probably at a different time. | 0:11:03 | 0:11:05 | |
It's a girls' school. | 0:11:05 | 0:11:07 | |
I know. | 0:11:08 | 0:11:10 | |
I got you there, a little bit of Cork humour style, | 0:11:10 | 0:11:12 | |
and there'll be no more Cork in-jokes, I promise. | 0:11:12 | 0:11:14 | |
-Right, I'm going to go and get a drink. -No, no, my round, actually. | 0:11:14 | 0:11:17 | |
-OK. -What are you guys having? -Murphy's, please. | 0:11:17 | 0:11:19 | |
Do you know what? I think I'll try one as well. | 0:11:19 | 0:11:21 | |
-Ooh! -Mm, nice. -Isn't this great? | 0:11:21 | 0:11:23 | |
It's great, yes, brilliant, yeah, but do you mind if we go home? | 0:11:23 | 0:11:26 | |
But we've only had one drink. | 0:11:26 | 0:11:27 | |
Yeah, well, um, I've got to be honest, | 0:11:27 | 0:11:29 | |
all this Cork talk's actually making me a bit sad, so... | 0:11:29 | 0:11:32 | |
Oh, I'm so sorry, I thought you'd like it. | 0:11:32 | 0:11:33 | |
Yeah, well, usually I would, I'd love it, | 0:11:33 | 0:11:35 | |
but I can't afford to go back very often, | 0:11:35 | 0:11:37 | |
so it's actually making me homesick. | 0:11:37 | 0:11:38 | |
Oh, Owen, that's so sweet. | 0:11:38 | 0:11:40 | |
Yeah, to be honest, even Siobhan's accent's making me a bit sad, | 0:11:40 | 0:11:43 | |
-so do you mind if we go? -Well, what about your Murphy's? | 0:11:43 | 0:11:45 | |
Uh, tell her to cancel it because it... | 0:11:45 | 0:11:46 | |
It tastes better in Ireland. See you outside. | 0:11:46 | 0:11:48 | |
Get me coat. | 0:11:52 | 0:11:53 | |
DOORBELL RINGS | 0:11:57 | 0:11:58 | |
All right, mate, just dropping this off. | 0:12:03 | 0:12:05 | |
One cashmere, pocket-sprung deluxe mattress. | 0:12:05 | 0:12:08 | |
I think you've got the wrong address. | 0:12:08 | 0:12:10 | |
Well, it says here, "Violet Robbins, care of flat seven." | 0:12:10 | 0:12:13 | |
Care of! That's a bit much, isn't it? | 0:12:13 | 0:12:16 | |
I'm sure she'll let you have a go on it. | 0:12:16 | 0:12:18 | |
I don't want to go on a mattress with a granny, I'm not... | 0:12:18 | 0:12:22 | |
-Not what? -I was going to make a Wayne Rooney joke, but I lost faith. | 0:12:22 | 0:12:26 | |
Correct decision. | 0:12:26 | 0:12:27 | |
If you are thinking of subletting the living room, | 0:12:30 | 0:12:32 | |
I will have you arrested. | 0:12:32 | 0:12:34 | |
He's taken the upstairs, Kate. | 0:12:39 | 0:12:42 | |
-Sorry? -The swan, I can't go up there. | 0:12:42 | 0:12:45 | |
Each time I try, he pecks me through the banisters, | 0:12:45 | 0:12:47 | |
it's like that bit with the boxing gloves in Total Wipeout. | 0:12:47 | 0:12:50 | |
I need sleeping pills - have you got any? | 0:12:50 | 0:12:53 | |
-No. -That's a pity, I thought I'd put some in his hot chocolate. | 0:12:53 | 0:12:57 | |
You're giving him hot chocolate? | 0:12:57 | 0:12:58 | |
I've tried everything, Kate. | 0:12:58 | 0:13:00 | |
I even made a nest for him in the front room out of branches, | 0:13:00 | 0:13:03 | |
but he won't come down from my bedroom. | 0:13:03 | 0:13:05 | |
So I ended up sleeping in it myself. | 0:13:05 | 0:13:07 | |
I haven't been this sleep deprived since the days of acid house. | 0:13:07 | 0:13:11 | |
You were a raver? | 0:13:11 | 0:13:12 | |
I bought a flat above the Ministry of Sound. | 0:13:12 | 0:13:15 | |
It was my fault, I thought they were government offices. | 0:13:15 | 0:13:18 | |
OK, well, there's nothing I can do about this. | 0:13:18 | 0:13:21 | |
Well, can I at least use your toilet? | 0:13:21 | 0:13:23 | |
Mine's in enemy territory. | 0:13:23 | 0:13:25 | |
I can't go in the pond again, my carp hate me. | 0:13:25 | 0:13:28 | |
They probably just think you're one of those fountains. | 0:13:28 | 0:13:31 | |
Fountains don't do what I was doing. | 0:13:31 | 0:13:33 | |
Oh! | 0:13:37 | 0:13:38 | |
Ooh, hello, sweetie! | 0:14:02 | 0:14:04 | |
-Your mattress. -Oh, thank you. | 0:14:04 | 0:14:07 | |
Aren't you an angel? | 0:14:07 | 0:14:09 | |
Don't suppose it was heavy, though. | 0:14:09 | 0:14:11 | |
Oh, lovely! | 0:14:11 | 0:14:13 | |
I thought you said it was your bathroom you were getting done. | 0:14:13 | 0:14:16 | |
It was, but it went so well, now I've moved on to the rest of the flat. | 0:14:16 | 0:14:20 | |
Right, and I notice you've put, "Care of flat seven". | 0:14:20 | 0:14:23 | |
In case I was out. | 0:14:23 | 0:14:24 | |
-But you're in. -I might have been out. | 0:14:24 | 0:14:26 | |
-I might have been out. -Seems unlikely. | 0:14:26 | 0:14:29 | |
No, it seemed sensible to send them to you, I'm out all the time! | 0:14:29 | 0:14:34 | |
Now, today I went to aqua aerobics, | 0:14:34 | 0:14:36 | |
a tea morning and then I met Iris for a pint. | 0:14:36 | 0:14:39 | |
Yeah, it's just I do need to be writing. | 0:14:39 | 0:14:41 | |
Of course! Your precious comedy writing time. | 0:14:41 | 0:14:44 | |
Look, I know I said I'd take in your packages, | 0:14:44 | 0:14:47 | |
but I did mean one or two a week, | 0:14:47 | 0:14:49 | |
not, like, a full flat's worth, so... | 0:14:49 | 0:14:51 | |
this is going to need to stop. | 0:14:51 | 0:14:53 | |
Well, I'm sorry, but that isn't going to happen. | 0:14:53 | 0:14:56 | |
-Sorry? -I said that isn't going to happen. | 0:14:56 | 0:14:59 | |
You're going to keep taking my deliveries whenever I need you to, | 0:14:59 | 0:15:03 | |
otherwise you can kiss goodbye to your free Wi-Fi. | 0:15:03 | 0:15:06 | |
Sorry, what are you talking about? | 0:15:06 | 0:15:08 | |
Do the words, "Violet's Internet Hub" ring any bells? | 0:15:08 | 0:15:12 | |
Yeah, it's what Owen called our Wi-Fi... | 0:15:12 | 0:15:14 | |
Oh, God, we're using your Wi-Fi. | 0:15:14 | 0:15:15 | |
Yep. I gave your little Welsh friend the password, | 0:15:15 | 0:15:18 | |
said you could all use my Wi-Fi as a favour when you moved in. | 0:15:18 | 0:15:22 | |
Well, now I'm calling that favour in. | 0:15:22 | 0:15:25 | |
Sorry, I... What?! | 0:15:25 | 0:15:27 | |
You keep collecting and delivering my packages... | 0:15:27 | 0:15:30 | |
..or I'll change the password. | 0:15:31 | 0:15:33 | |
No?! | 0:15:33 | 0:15:34 | |
In fact, I've got a NutriBullet on the way and if there's so much as | 0:15:34 | 0:15:37 | |
a chip on it, well, I'm sorry... | 0:15:37 | 0:15:39 | |
Sorry, what is this, The Godfather? | 0:15:39 | 0:15:41 | |
Oh, it's far worse. | 0:15:41 | 0:15:42 | |
In The Godfather, | 0:15:44 | 0:15:45 | |
they never threatened to rename their router Josh's Porn Box, | 0:15:45 | 0:15:49 | |
so that everyone in the building could see. | 0:15:49 | 0:15:52 | |
-You wouldn't dare. -Try me. | 0:15:54 | 0:15:55 | |
I don't think it's viable to keep doing the accent. | 0:16:01 | 0:16:04 | |
What if I said I was losing it due to time living away from home? | 0:16:04 | 0:16:07 | |
Surely you'd be developing a London accent. | 0:16:07 | 0:16:09 | |
Or, where's equidistant between Cork and London? | 0:16:09 | 0:16:12 | |
Wales. I could say my accent had naturally found a halfway point. | 0:16:12 | 0:16:15 | |
Just tell her. | 0:16:16 | 0:16:18 | |
First time in years I end up properly liking summat | 0:16:18 | 0:16:20 | |
and I'm stuck doing a fake accent, this is just my luck. | 0:16:20 | 0:16:24 | |
Owen, why didn't you tell me we've been using Violet's Wi-Fi? | 0:16:24 | 0:16:27 | |
Oh, she approached me on the first day and offered. I thought it was nice of her. | 0:16:27 | 0:16:30 | |
She says if I stop accepting her packages, | 0:16:30 | 0:16:32 | |
she's going to change the password. | 0:16:32 | 0:16:34 | |
She's giving out favours and now she's calling them in. | 0:16:34 | 0:16:37 | |
Have you not seen The Godfather and learnt its lessons? | 0:16:37 | 0:16:40 | |
-What, are you worried you're going to wake up and find a router in your bed? -What's the problem? | 0:16:40 | 0:16:44 | |
Look, just keep accepting her packages, she's a lovely old lady and we need Wi-Fi. | 0:16:44 | 0:16:47 | |
-Mm. -No, because I am not Mrs Goggins and she is not a lovely old lady. | 0:16:47 | 0:16:51 | |
Mrs Goggins? Yes, she is. | 0:16:51 | 0:16:53 | |
No, Violet. | 0:16:53 | 0:16:54 | |
She's off out down at aqua aerobics and getting hammered with Iris. | 0:16:54 | 0:16:57 | |
Meanwhile, I'm trying to push her mattress up two flights of stairs. | 0:16:57 | 0:17:01 | |
Are you having a breakdown? | 0:17:01 | 0:17:02 | |
No, I'm thinking very clearly. | 0:17:02 | 0:17:04 | |
I'm going to go and sort us out our own Wi-Fi. | 0:17:04 | 0:17:06 | |
Wait a minute, Owen, | 0:17:10 | 0:17:11 | |
I've been paying you for Wi-Fi for the last three years! | 0:17:11 | 0:17:14 | |
Have you guys seen there's a wireless router in this building | 0:17:14 | 0:17:17 | |
-called Josh's Porn Box?! -Really? -What?! No! -Yeah. | 0:17:17 | 0:17:20 | |
Oh, God, she's done it already. | 0:17:21 | 0:17:22 | |
Here we go. | 0:17:27 | 0:17:28 | |
It's on the house, I'll say I dropped it on the floor. | 0:17:28 | 0:17:30 | |
-Did you drop it on the floor? -No, no, I caught it on me foot. | 0:17:30 | 0:17:33 | |
Like George Best? | 0:17:33 | 0:17:34 | |
Yeah, yeah, yeah. Well, technically, he was Northern Irish, but still... | 0:17:34 | 0:17:37 | |
Anyway, um... About that, actually. | 0:17:37 | 0:17:39 | |
Um, I've got something to tell you. | 0:17:39 | 0:17:42 | |
-OK. -Oh, no, no, it's not bad, it's good. | 0:17:42 | 0:17:44 | |
H-Hopefully it'll bring us closer together. | 0:17:44 | 0:17:47 | |
-Great. -Yeah, um... | 0:17:47 | 0:17:49 | |
Listen, I really like you. | 0:17:49 | 0:17:50 | |
And I really like you too. | 0:17:50 | 0:17:52 | |
Oh, great. | 0:17:52 | 0:17:53 | |
When I moved here, I had no idea what I was doing | 0:17:53 | 0:17:56 | |
and you've made it feel like home, | 0:17:56 | 0:17:58 | |
despite the fact that this isn't your home either. | 0:17:58 | 0:18:00 | |
-Well... -I mean, I was a mess when I moved here, | 0:18:00 | 0:18:03 | |
and I hope you don't mind hearing this, | 0:18:03 | 0:18:05 | |
but the reason I left New York was because I discovered | 0:18:05 | 0:18:08 | |
that the man that I fell in love with wasn't who he said he was. | 0:18:08 | 0:18:12 | |
-Oh, dear. -Yeah. I was humiliated. | 0:18:12 | 0:18:15 | |
I felt broken and... | 0:18:15 | 0:18:16 | |
I'm sorry, you don't want to hear about that. | 0:18:17 | 0:18:20 | |
Um... What was it you wanted to say? | 0:18:20 | 0:18:22 | |
Right. Well, um... | 0:18:22 | 0:18:24 | |
This is hard to say and, um, it may sound weird, actually, | 0:18:25 | 0:18:30 | |
but it's about being Irish. | 0:18:30 | 0:18:33 | |
I... | 0:18:33 | 0:18:34 | |
..think Siobhan's pretending to be Irish. | 0:18:38 | 0:18:40 | |
-Sorry? -I'm afraid so. | 0:18:41 | 0:18:44 | |
Um, just a lot of the stuff she said about being from Cork, like, | 0:18:45 | 0:18:48 | |
you know, none of it made sense. | 0:18:48 | 0:18:50 | |
Oh, God! Why would she do that? | 0:18:50 | 0:18:53 | |
-God only knows. -That's so weird. | 0:18:53 | 0:18:55 | |
Yeah, it's bad form, like, sorry you had to hear it from me. | 0:18:55 | 0:18:58 | |
No, it was the right thing to do. | 0:18:58 | 0:19:00 | |
-Let me make you a coffee. -Listen, Owen, | 0:19:00 | 0:19:01 | |
I don't want to come on too strong, | 0:19:01 | 0:19:03 | |
but I've done something kind of impulsive. | 0:19:03 | 0:19:05 | |
Are you pretending to be an American? | 0:19:05 | 0:19:07 | |
No. No! | 0:19:07 | 0:19:08 | |
Uh, when we met Siobhan, | 0:19:08 | 0:19:10 | |
-it made me so sad to see you feeling so homesick... -Oh. | 0:19:10 | 0:19:14 | |
And it just didn't seem fair that you don't have the money to go back. | 0:19:14 | 0:19:17 | |
Which is why I booked us two tickets to go back to Cork this weekend! | 0:19:17 | 0:19:22 | |
-Sweet Jesus. -You're going home! | 0:19:22 | 0:19:25 | |
Great. | 0:19:26 | 0:19:27 | |
DOORBELL RINGS | 0:19:29 | 0:19:30 | |
Kate, no, no, no! | 0:19:31 | 0:19:32 | |
It might be a delivery for Violet. | 0:19:32 | 0:19:34 | |
I have to be able to answer the door, | 0:19:34 | 0:19:36 | |
I can't be under house arrest with you and your porn box. | 0:19:36 | 0:19:38 | |
It is not my porn box. | 0:19:38 | 0:19:39 | |
-That's not what they're saying on the ground floor. -Oh, does it reach that far?! | 0:19:39 | 0:19:43 | |
Yeah. Rumour is you stream six videos at the same time | 0:19:43 | 0:19:46 | |
like Minority Report. | 0:19:46 | 0:19:47 | |
It's Geoff. I know you're in there. | 0:19:47 | 0:19:49 | |
I can hear you talking about Josh's porn box. | 0:19:49 | 0:19:52 | |
-Oh, my God. -My God, what happened? | 0:19:55 | 0:19:57 | |
You know how they say a swan can break your arm? | 0:19:57 | 0:20:00 | |
Well, they can also really batter your face. | 0:20:00 | 0:20:02 | |
Oh, I can't believe this has happened, I'm so sorry. | 0:20:02 | 0:20:04 | |
When he attacked, I held my hands behind my back, | 0:20:04 | 0:20:06 | |
presuming they were most at risk - | 0:20:06 | 0:20:08 | |
if anything, that just left my face as an open goal. | 0:20:08 | 0:20:11 | |
Sorry, have you been attacked by a swan? | 0:20:11 | 0:20:13 | |
To quickly explain, I found an injured swan, | 0:20:13 | 0:20:16 | |
took him home to nurse him back to health using Kate's advice, | 0:20:16 | 0:20:19 | |
as she was once in Ornithology Club. | 0:20:19 | 0:20:21 | |
And once the bird was back to full strength, | 0:20:21 | 0:20:23 | |
he took over my house before exacting his bloody revenge | 0:20:23 | 0:20:27 | |
for my kindness. What a week. | 0:20:27 | 0:20:29 | |
Oh, my God. | 0:20:29 | 0:20:31 | |
You were in Ornithology Club? | 0:20:31 | 0:20:33 | |
I just did it to flesh out my Ucas form. | 0:20:33 | 0:20:36 | |
Don't play it down, Kate, you made it up to Chaffinch. | 0:20:36 | 0:20:39 | |
-Chaffinch?! -Now, I just need one more piece of advice. | 0:20:39 | 0:20:42 | |
Josh, would you mind giving me a hand? | 0:20:42 | 0:20:44 | |
Yeah, of course. | 0:20:44 | 0:20:45 | |
Lift from the knees. | 0:20:47 | 0:20:48 | |
OK. | 0:20:48 | 0:20:49 | |
Steady, quite heavy. | 0:20:49 | 0:20:51 | |
Yes, I know. | 0:20:51 | 0:20:52 | |
-Mind my door. -Sorry. | 0:20:52 | 0:20:53 | |
So, is the swan still in your house? | 0:20:53 | 0:20:55 | |
No, Josh is holding him. | 0:20:55 | 0:20:56 | |
-What?! -Well, I tried wrapping him round my neck, | 0:20:56 | 0:20:59 | |
but I looked like Bjork going to the Oscars. | 0:20:59 | 0:21:01 | |
So that's when I put him in the box. | 0:21:01 | 0:21:02 | |
God, is he dead? | 0:21:02 | 0:21:04 | |
Sedated, I put a sleeping pill in his Bovril. | 0:21:04 | 0:21:06 | |
-His Bovril? -Well, he wasn't drinking his hot chocolate. | 0:21:06 | 0:21:09 | |
God knows what he'll be like when he wakes up! | 0:21:09 | 0:21:11 | |
-He'll be livid. -So why did you bring him here? | 0:21:11 | 0:21:13 | |
Because I needed expert advice on where to leave him. | 0:21:13 | 0:21:16 | |
Well, not in our flat! | 0:21:16 | 0:21:18 | |
DOORBELL RINGS | 0:21:18 | 0:21:19 | |
No. Who is it? | 0:21:19 | 0:21:21 | |
Delivery. | 0:21:21 | 0:21:22 | |
-What are you delivering? -Wi-Fi router. | 0:21:22 | 0:21:25 | |
-Really? -Yeah. | 0:21:25 | 0:21:28 | |
Are you sure it isn't a NutriBullet? | 0:21:28 | 0:21:30 | |
Sorry, what's happening? | 0:21:31 | 0:21:32 | |
-Here you go. -Ah, thank you. | 0:21:34 | 0:21:36 | |
-Violet. -I thought you weren't going to take any more of my deliveries. | 0:21:38 | 0:21:42 | |
Well, actually, this is for me. | 0:21:42 | 0:21:44 | |
You pay a man £10, he'll say anything's a Wi-Fi router. | 0:21:44 | 0:21:48 | |
Now, hand over my NutriBullet. | 0:21:48 | 0:21:50 | |
-No, it's got my address on it. -Just saving time, Joshua. | 0:21:50 | 0:21:53 | |
-No. -I warned you. | 0:21:55 | 0:21:56 | |
Well, seeing as it's got my name on it, I'm going to assume it's mine. | 0:21:58 | 0:22:01 | |
So I can do what I like with it. | 0:22:01 | 0:22:03 | |
Don't do anything stupid. | 0:22:03 | 0:22:04 | |
Oh, I could go into my kitchen and put some spinach in it. | 0:22:04 | 0:22:07 | |
Or I could knock up a carrot juice, or I could... | 0:22:07 | 0:22:10 | |
-Soup? -I could make a soup. | 0:22:11 | 0:22:13 | |
-Josh. -OR I could throw it out the window. | 0:22:13 | 0:22:16 | |
No, Josh! Joshua! | 0:22:16 | 0:22:17 | |
It's stuck. | 0:22:17 | 0:22:18 | |
-Push and turn. -No, Joshua. | 0:22:18 | 0:22:20 | |
-Push and turn. -I am! | 0:22:20 | 0:22:22 | |
We could come to an arrangement. | 0:22:22 | 0:22:24 | |
I could change the name of your porn box. | 0:22:24 | 0:22:26 | |
-Too late! -Oh, no! | 0:22:26 | 0:22:28 | |
Oh, dear. Looks like I just smashed your NutriBullet. | 0:22:28 | 0:22:32 | |
SHE CRIES | 0:22:32 | 0:22:33 | |
CRIES TURN TO GIGGLES | 0:22:37 | 0:22:38 | |
Oh, dear. You've just smashed your new Wi-Fi router. | 0:22:40 | 0:22:44 | |
-Oh, that's a pity. -What? | 0:22:44 | 0:22:46 | |
No-one over 40 would be stupid enough | 0:22:46 | 0:22:48 | |
to waste their money on a fad like a NutriBullet! | 0:22:48 | 0:22:51 | |
I had one. Swan broke it. | 0:22:53 | 0:22:56 | |
I've tricked people into smashing their own Wi-Fi routers before now | 0:22:56 | 0:23:00 | |
and I'll do it again. | 0:23:00 | 0:23:02 | |
-No. -My God, you were right. | 0:23:02 | 0:23:06 | |
She is an evil Mrs Goggins. | 0:23:06 | 0:23:08 | |
I'd beat the shit out of Mrs Goggins. | 0:23:08 | 0:23:10 | |
Now, it's probably best if you just accept your lot | 0:23:13 | 0:23:17 | |
and toe the line in this building from now on. | 0:23:17 | 0:23:20 | |
Ooh! I presume this box is for me? | 0:23:23 | 0:23:25 | |
Well, no, actually that... Yeah, yeah. | 0:23:25 | 0:23:27 | |
-I'll just grab it and bring it up. -If you would. | 0:23:27 | 0:23:29 | |
From the knees. | 0:23:30 | 0:23:32 | |
And then I thought we could go to your local for a pint | 0:23:40 | 0:23:42 | |
and maybe you could introduce me to some of your old friends, | 0:23:42 | 0:23:45 | |
and then I would love to go see the Ballycotton cliffs. | 0:23:45 | 0:23:48 | |
Oh, the Ballycotton cliffs. | 0:23:48 | 0:23:49 | |
Bloody hell, what have you packed in here? | 0:23:49 | 0:23:52 | |
-An elephant? -Oh, my God, I love your accent, where's that from? | 0:23:52 | 0:23:55 | |
-Wales. -Oh, wow! | 0:23:55 | 0:23:57 | |
Did you hear, babe? He's from Wales! | 0:23:57 | 0:23:59 | |
That's amazing, I love Wales. | 0:23:59 | 0:24:01 | |
It's like the most beautiful place I've ever been to | 0:24:01 | 0:24:03 | |
and the men are so incredibly good-looking, right? | 0:24:03 | 0:24:06 | |
There must be something in the water there. | 0:24:06 | 0:24:08 | |
Are you completely Welsh, or are you like half-Welsh, half-English? | 0:24:08 | 0:24:12 | |
Cos that's like a thing, right? | 0:24:12 | 0:24:14 | |
HISSING | 0:24:20 | 0:24:21 | |
RATTLING AND THUMPING | 0:24:23 | 0:24:25 | |
Argh! | 0:24:27 | 0:24:28 | |
MUSIC: Runaway by The Corrs | 0:24:28 | 0:24:30 | |
# I'm falling in love with you | 0:24:32 | 0:24:38 | |
# No, never | 0:24:38 | 0:24:41 | |
# I'm never gonna stop falling in love with you | 0:24:41 | 0:24:48 | |
# Cos I am falling in love... # | 0:24:48 | 0:24:54 |