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It's actually really good to be up in Belfast, | 0:00:14 | 0:00:16 | |
because I like it. If anybody is wondering, | 0:00:16 | 0:00:19 | |
looking at me, "Is he? Isn't he?" | 0:00:19 | 0:00:23 | |
Obviously, I am, I'm from Dublin. | 0:00:23 | 0:00:25 | |
I like it because people in Dublin think that Belfast | 0:00:27 | 0:00:30 | |
has an intimidating accent, which I don't get, I don't see it, | 0:00:30 | 0:00:35 | |
because in Belfast, I think it's quite camp, | 0:00:35 | 0:00:38 | |
cos I spent so much time watching Coronation Street growing up | 0:00:38 | 0:00:42 | |
that when I see Gerry Adams, all I hear is Julian from UTV. | 0:00:42 | 0:00:46 | |
So it's given me a really interesting perspective | 0:00:48 | 0:00:50 | |
on Northern Ireland in a way, | 0:00:50 | 0:00:52 | |
because it doesn't matter to me if you're Catholic or Protestant - | 0:00:52 | 0:00:55 | |
you're all just continuity announcers to me. | 0:00:55 | 0:00:57 | |
To be honest, I would have been shit craic during the Troubles. | 0:00:57 | 0:01:00 | |
If you'd rang me and I was working in the Europa Hotel, | 0:01:00 | 0:01:03 | |
I just wouldn't have been able to take it seriously. | 0:01:03 | 0:01:06 | |
You would have been like, "There's a bomb in the hotel," | 0:01:06 | 0:01:08 | |
and I would have been like, "Ooh! Mavis is in trouble now!" | 0:01:08 | 0:01:11 | |
I love Julian, cos I think having a camp accent | 0:01:13 | 0:01:16 | |
lets you get away with murder. | 0:01:16 | 0:01:17 | |
There is a difference when you go abroad, though, | 0:01:17 | 0:01:20 | |
in the camp accent, cos I was over gigging in London | 0:01:20 | 0:01:23 | |
and I noticed that camp people in London speak very slowly. | 0:01:23 | 0:01:27 | |
LONDON ACCENT: "Very slow, dahling. | 0:01:27 | 0:01:29 | |
"Nothing to see here, just taking my time about being gay. | 0:01:29 | 0:01:32 | |
"No, it's wonderful, dahling." | 0:01:33 | 0:01:35 | |
STILL IN LONDON ACCENT: They kind of hiss at you like a snake charmer. | 0:01:35 | 0:01:39 | |
"Oh, 'ello, dahling. Ohhhhh." | 0:01:39 | 0:01:43 | |
OWN VOICE: Whereas in Ireland, camp people speak very quickly. | 0:01:43 | 0:01:46 | |
If you met a camp fella in Dublin and went, "How was your night, John?" | 0:01:46 | 0:01:49 | |
He'd say, "Oh, my God, I'll tell you all. | 0:01:49 | 0:01:51 | |
"I was out last night, the George, then the Dragon, | 0:01:51 | 0:01:53 | |
"then went for a couple of Blue WKDs. I was like, 'No more!' | 0:01:53 | 0:01:55 | |
"Then I said, 'Smirnoff! Hello!' | 0:01:55 | 0:01:56 | |
"I went dancing after that and I went, 'Hello! It's like Ibiza! | 0:01:56 | 0:01:59 | |
"'Would you be able? I'm not able,' but I was able." | 0:01:59 | 0:02:01 | |
I think that that's evolutionary. | 0:02:04 | 0:02:06 | |
Because I think if you didn't want people to know you were gay, | 0:02:06 | 0:02:10 | |
maybe in the '60s and '70s and more bigoted times, | 0:02:10 | 0:02:13 | |
CAMP ENGLISH ACCENT: in London, you'd get away | 0:02:13 | 0:02:15 | |
with this accent, wouldn't you, dahling? | 0:02:15 | 0:02:17 | |
Because there'd be very little difference between being gay | 0:02:17 | 0:02:20 | |
or just being very wealthy. | 0:02:20 | 0:02:23 | |
"Oh, no, I'm not gay! Nooo! I'm just rich! | 0:02:23 | 0:02:29 | |
"Stinking rich!" | 0:02:29 | 0:02:30 | |
Whereas we didn't have that option in Ireland. | 0:02:32 | 0:02:34 | |
In Ireland, if you wanted to tell somebody you were gay, | 0:02:34 | 0:02:37 | |
you had to do that so quickly. | 0:02:37 | 0:02:39 | |
There were men in the 1980s in Dublin | 0:02:39 | 0:02:42 | |
standing outside bars going, | 0:02:42 | 0:02:44 | |
"Oh, yeah, it was brilliant, Tony, had a great time. | 0:02:44 | 0:02:47 | |
"Brilliant match, I tell ya. | 0:02:47 | 0:02:49 | |
"And the wedding yesterday - absolutely brilliant." | 0:02:49 | 0:02:52 | |
And then out of the corner of your eye, | 0:02:52 | 0:02:55 | |
you'd spot a fella that you just knew was gay. | 0:02:55 | 0:02:58 | |
And you'd go, "One second, Tony, I'll be back to you in a minute. | 0:02:58 | 0:03:00 | |
"No, wait there. I'll be back to you in a minute." | 0:03:00 | 0:03:03 | |
He'd go over and go... CAMP: "Listen, I'm gay as well, but you can't tell anyone, | 0:03:03 | 0:03:05 | |
so I'll meet you back here about 9pm, all right? | 0:03:05 | 0:03:07 | |
"Talk to you later. By the way, loved your service, Father. | 0:03:07 | 0:03:10 | |
"Thanks, bye." | 0:03:10 | 0:03:11 | |
BUTCH: "Go on, Tony." | 0:03:13 | 0:03:14 | |
Hi, we are Hudson and Gulliver Broux of Bro Broux's Coffee Company. | 0:03:19 | 0:03:23 | |
We recently literally left our jobs | 0:03:23 | 0:03:25 | |
as information technology consultants. | 0:03:25 | 0:03:27 | |
We literally asked ourselves, | 0:03:27 | 0:03:29 | |
"Are we happy earning seven figures per annum, pre-tax?" | 0:03:29 | 0:03:33 | |
The answer to that was literally, "Not really." | 0:03:33 | 0:03:35 | |
Once we left, we discovered there was a gap in the market for artisan, | 0:03:35 | 0:03:38 | |
free-range organic plaid-strained coffee, | 0:03:38 | 0:03:40 | |
which of course we sell to our customers in a gravy boat. | 0:03:40 | 0:03:44 | |
Obviously. | 0:03:44 | 0:03:45 | |
The thing that makes our business special | 0:03:51 | 0:03:53 | |
is that we like to keep it really exclusive, | 0:03:53 | 0:03:55 | |
so we only really brew one cup of plaid-strained coffee. | 0:03:55 | 0:03:58 | |
Then I'll tweet out the location | 0:03:58 | 0:03:59 | |
of where I'm going to sell said cup of coffee. | 0:03:59 | 0:04:02 | |
Yeah, prices start and end at £1,200 sterling. | 0:04:02 | 0:04:05 | |
Which isn't even... I think that's a fair price for this particular area. | 0:04:05 | 0:04:08 | |
-It's nothing. -It's nothing. | 0:04:08 | 0:04:10 | |
I've been known to pay upwards of four and a half grand for a mocha. | 0:04:10 | 0:04:12 | |
So we're here at the secret location that we tweeted about earlier. | 0:04:17 | 0:04:20 | |
We could probably expect to have a customer along any second now to pay | 0:04:20 | 0:04:23 | |
for this one-off plaid-strained coffee that we brewed earlier. | 0:04:23 | 0:04:26 | |
You did... You did tweet it, didn't you, Gulliver, yeah? | 0:04:26 | 0:04:29 | |
Dude, I deleted Twitter about seven years ago, before it became popular. | 0:04:29 | 0:04:33 | |
I thought you sent the tweet | 0:04:33 | 0:04:34 | |
and I was just supposed to bring cutlery and condiments. | 0:04:34 | 0:04:37 | |
You're absolutely ridiculous, man. Are you jesting me? | 0:04:37 | 0:04:40 | |
Nay. | 0:04:40 | 0:04:41 | |
Unbelievable. | 0:04:41 | 0:04:43 | |
You deleted Twitter? | 0:04:43 | 0:04:44 | |
Who have I've been sending portraits of my genitals to? | 0:04:44 | 0:04:46 | |
Beyonce probably wrote one of the most sexist songs | 0:04:48 | 0:04:51 | |
I've ever heard in my life - If I Was Boy, and it was all how, like, | 0:04:51 | 0:04:54 | |
"If I was a boy, I'd just be, like, | 0:04:54 | 0:04:56 | |
"doing my own thang," right? | 0:04:56 | 0:04:58 | |
I'm like, "That's grand, love." | 0:04:58 | 0:05:00 | |
I think if you were a fella, you might be a wee bit more dead-on, | 0:05:02 | 0:05:04 | |
so... | 0:05:04 | 0:05:05 | |
Controversial, maybe, | 0:05:10 | 0:05:12 | |
true, certainly. | 0:05:12 | 0:05:13 | |
This is my song called If You Were A Boy. | 0:05:14 | 0:05:16 | |
I hope yous enjoy it. Sing along if you know the words. | 0:05:16 | 0:05:19 | |
Yous won't know it. | 0:05:19 | 0:05:20 | |
# If you were a boy | 0:05:32 | 0:05:35 | |
# You'd be a wee bit more sound | 0:05:36 | 0:05:40 | |
# You'd be twice as buckin' likely | 0:05:43 | 0:05:46 | |
# To offer to go and buy a round | 0:05:46 | 0:05:50 | |
# If you were a boy | 0:05:53 | 0:05:56 | |
# You'd like more interesting things | 0:05:57 | 0:06:01 | |
# You wouldn't talk about your tampons | 0:06:04 | 0:06:07 | |
# And all your shitty friends' diamond rings | 0:06:07 | 0:06:10 | |
# If you were a boy | 0:06:13 | 0:06:18 | |
# You wouldn't bribe me with sex | 0:06:18 | 0:06:21 | |
# You wouldn't sit there passing judgment | 0:06:24 | 0:06:28 | |
# While I play Xbox One in my kecks | 0:06:28 | 0:06:31 | |
# If you were a boy | 0:06:34 | 0:06:36 | |
# You would have your own friends | 0:06:39 | 0:06:42 | |
# Like the kind that last forever. # | 0:06:45 | 0:06:48 | |
MUSIC STOPS And not just the sort of ones | 0:06:48 | 0:06:49 | |
that as soon as you meet them, you meet somebody on Tinder, | 0:06:49 | 0:06:52 | |
you just drop your friends and go to the Box with your new boy | 0:06:52 | 0:06:55 | |
that you've been talking to for what, ten minutes? | 0:06:55 | 0:06:57 | |
Then you come back here as soon as he dumps you | 0:06:57 | 0:07:00 | |
and you just expect me to go to Marmaris with ye? | 0:07:00 | 0:07:03 | |
I mean, I just can't! | 0:07:03 | 0:07:04 | |
APPLAUSE | 0:07:06 | 0:07:09 | |
MUSIC: Jackie Wilson Says by Dexy's Midnight Runners | 0:07:12 | 0:07:15 | |
SINGING ALONG: # Da-da-da-da-da, da-da-da-da-da | 0:07:15 | 0:07:18 | |
# Ska-ba-da-da-da, da-da-da-da-da | 0:07:18 | 0:07:20 | |
# Da-da-da-da-da, da-da-da-da-da... # | 0:07:20 | 0:07:23 | |
TURNING MUSIC OFF: As good as that song gets, I'm afraid. | 0:07:23 | 0:07:26 | |
MOBILE RINGS Oh, phone's going. | 0:07:26 | 0:07:28 | |
Better pull safely over. | 0:07:28 | 0:07:30 | |
TYRES SCREECH | 0:07:30 | 0:07:32 | |
Aye, I got a community service. | 0:07:32 | 0:07:34 | |
Did you hear about that? Unbelievable. | 0:07:34 | 0:07:36 | |
I have to go about and make sure dog owners pick up their dog muck. | 0:07:36 | 0:07:40 | |
All because one yobbo caught me on camera | 0:07:40 | 0:07:45 | |
driving whilst assembling my Airbus 380 model. | 0:07:45 | 0:07:48 | |
Oh, aye, I've got power, all right. | 0:07:50 | 0:07:52 | |
Aye, 80 quid maximum fine, or 40 quid concession | 0:07:52 | 0:07:55 | |
if the dog's in a wheelchair. | 0:07:55 | 0:07:56 | |
# I was only joking, my dear... # | 0:07:56 | 0:08:01 | |
Right, where are you for, mate? | 0:08:01 | 0:08:03 | |
Stormont. | 0:08:03 | 0:08:05 | |
Stormont, no problem. | 0:08:05 | 0:08:06 | |
Stormont, I was actually up there the other night. | 0:08:07 | 0:08:10 | |
Wee darts game. | 0:08:10 | 0:08:11 | |
Mm-hm! | 0:08:11 | 0:08:12 | |
Me and... Me and Sammy Wilson. | 0:08:12 | 0:08:15 | |
Sammy's great craic, so he is. | 0:08:16 | 0:08:19 | |
First three darts - 20, 5, 1, | 0:08:19 | 0:08:22 | |
and he goes, "37!" I'm like, "No, Sammy, that's 26. | 0:08:22 | 0:08:27 | |
"Were you not finance minister once?" | 0:08:27 | 0:08:29 | |
He's like, "Uh, might have been. Who knows?" | 0:08:29 | 0:08:32 | |
Then he goes off there about, "Here, | 0:08:32 | 0:08:35 | |
"check out the wee blonde up there in table seven. | 0:08:35 | 0:08:38 | |
"Wouldn't mind finishing on her doubles, | 0:08:38 | 0:08:40 | |
"you know what I'm talking about?!" | 0:08:40 | 0:08:42 | |
I said, "Sammy, that's Stevie Agnew of the Green Party. | 0:08:44 | 0:08:48 | |
"A dude. | 0:08:48 | 0:08:49 | |
"Have you been on the double vods?" | 0:08:49 | 0:08:51 | |
-ON CAR RADIO: -'So, we've been asking you all afternoon | 0:08:51 | 0:08:54 | |
'to get in contact with us here...' | 0:08:54 | 0:08:56 | |
DOG BARKS Oh, there we go. | 0:08:56 | 0:08:57 | |
Better pick that up, mate. | 0:08:57 | 0:08:59 | |
Your dog! | 0:08:59 | 0:09:01 | |
You're just pretending to use a plastic bag. | 0:09:02 | 0:09:04 | |
Full daylight. | 0:09:04 | 0:09:06 | |
You're not fooling me. | 0:09:06 | 0:09:07 | |
No. | 0:09:10 | 0:09:12 | |
This'll do. | 0:09:12 | 0:09:13 | |
HE BLOWS WHISTLE | 0:09:14 | 0:09:16 | |
Hands up, mate. | 0:09:16 | 0:09:18 | |
MUSIC: Sweet Caroline by Neil Diamond | 0:09:19 | 0:09:22 | |
Aye, see you in court, mate. | 0:09:23 | 0:09:26 | |
Oh! | 0:09:26 | 0:09:27 | |
HE WHIMPERS | 0:09:28 | 0:09:31 | |
Och, sweet God, no. | 0:09:31 | 0:09:33 | |
Oh, not the money maker! | 0:09:33 | 0:09:35 | |
So you're telling me you won't print this on a cake for me | 0:09:38 | 0:09:41 | |
because I'm a man? | 0:09:41 | 0:09:42 | |
You know what this is? This is homophobia. I cannot believe this. | 0:09:42 | 0:09:47 | |
The reason I won't print that picture on a cake for you isn't homophobia. | 0:09:47 | 0:09:50 | |
Well, why not, then? | 0:09:50 | 0:09:52 | |
Because it's a picture of my boyfriend. | 0:09:52 | 0:09:54 | |
Well...yes. | 0:09:55 | 0:09:58 | |
-Bollock-naked. -Right. | 0:09:58 | 0:10:00 | |
I... I have a telephoto lens. | 0:10:00 | 0:10:02 | |
Uh... | 0:10:05 | 0:10:06 | |
PHONE RINGS, HE GROANS | 0:10:10 | 0:10:13 | |
-Hello? -'Hello. | 0:10:17 | 0:10:19 | |
-'Is that Ballycrana PSNI station?' -It is. | 0:10:19 | 0:10:22 | |
-Sgt James speaking. -'Brilliant. | 0:10:22 | 0:10:24 | |
-'Look, I've got a theoretical question.' -Theoretical question? | 0:10:24 | 0:10:29 | |
'Yeah, yeah. | 0:10:29 | 0:10:30 | |
'Theoretically, | 0:10:30 | 0:10:32 | |
'theoretically, right? | 0:10:32 | 0:10:33 | |
'Just say a fella came to my door and was trying to sell me | 0:10:33 | 0:10:36 | |
'a packet of dusters, right? | 0:10:36 | 0:10:38 | |
'You know, and other sort of cleaning products.' | 0:10:38 | 0:10:40 | |
Sort of cleaning products? | 0:10:40 | 0:10:42 | |
-You mean, like mops and squeegees? -'Yeah, yeah, right. | 0:10:42 | 0:10:46 | |
'Theoretical mops and squeegees. | 0:10:46 | 0:10:48 | |
'Well, say that theoretically happened - and I really can't stress | 0:10:48 | 0:10:53 | |
'the theoretical part enough, here. | 0:10:53 | 0:10:56 | |
'Say that in trying to sell me those dusters, | 0:10:56 | 0:11:00 | |
'I thought that maybe he was insulting me | 0:11:00 | 0:11:02 | |
'by implying I was a big girl's blouse.' | 0:11:02 | 0:11:05 | |
-Theoretically? -'Oh, yeah. | 0:11:05 | 0:11:08 | |
'And say I theoretically lost my temper a bit | 0:11:08 | 0:11:12 | |
'and then theoretically beat him theoretically to death | 0:11:12 | 0:11:16 | |
'with a can of Mr Sheen.' | 0:11:16 | 0:11:18 | |
A theoretical can of Mr Sheen? | 0:11:18 | 0:11:20 | |
'Yes, yes, yes, as you say, with a theoretical can of Mr Sheen. | 0:11:20 | 0:11:24 | |
'Now, if all that happened... | 0:11:24 | 0:11:27 | |
'theoretically, would I get off with a plea of self-defence?' | 0:11:27 | 0:11:31 | |
No. That would pretty much be murder in the first degree. | 0:11:32 | 0:11:36 | |
'Ah, right. | 0:11:36 | 0:11:38 | |
-WHISPERING: -'Mervin! | 0:11:40 | 0:11:41 | |
'He says it's murder! | 0:11:43 | 0:11:44 | |
'So, apparently, | 0:11:45 | 0:11:47 | |
'a plea of self-defence isn't on the cards.' | 0:11:47 | 0:11:50 | |
'Should I get the shovels, then?' | 0:11:52 | 0:11:54 | |
'Yeah, better get the shovels. | 0:11:54 | 0:11:57 | |
'Thanks for that. | 0:12:01 | 0:12:03 | |
'You've been very, very helpful. | 0:12:03 | 0:12:05 | |
'Very theoretically helpful.' | 0:12:05 | 0:12:07 | |
I need to stop answering this phone. | 0:12:10 | 0:12:12 | |
Bad news! | 0:12:23 | 0:12:24 | |
Pound and a half on this week! | 0:12:24 | 0:12:27 | |
I mean, that means I'm half a pound heavier than I was | 0:12:27 | 0:12:30 | |
before I started my "amazing" weight loss journey. | 0:12:30 | 0:12:33 | |
The class leader, old Grotbags, was all, "Think thin, Sammie." | 0:12:34 | 0:12:38 | |
Yeah, well, I thunk thin through my pulled pork baguette | 0:12:38 | 0:12:41 | |
with extra barbecue sauce, but, er, nope! | 0:12:41 | 0:12:44 | |
Still fat! | 0:12:44 | 0:12:45 | |
I have been thinking thin all week! | 0:12:45 | 0:12:49 | |
It's not my fault I have takeaway Tourette's. | 0:12:49 | 0:12:51 | |
You know when you phone your Chinese | 0:12:53 | 0:12:55 | |
for your vegetable chow mein - eight points - | 0:12:55 | 0:12:56 | |
but you end up ordering all this other shite as well? | 0:12:56 | 0:12:59 | |
"Hello, can I have a vegetable chow mein, please? | 0:13:01 | 0:13:03 | |
"And six chicken balls, Peking duck, spare ribs | 0:13:03 | 0:13:05 | |
"and a carton of curry sauce." | 0:13:05 | 0:13:08 | |
Takeaway Tourette's! | 0:13:08 | 0:13:10 | |
It's a real thing. | 0:13:10 | 0:13:11 | |
Yeah, well, Grotbags doesn't seem to think it is either. | 0:13:12 | 0:13:15 | |
She looked at me as though I was two sandwiches short of a picnic. | 0:13:15 | 0:13:19 | |
Oh, God. | 0:13:19 | 0:13:21 | |
Oh, God, I'd love a sandwich. | 0:13:21 | 0:13:24 | |
SHE SIGHS | 0:13:24 | 0:13:26 | |
What's up? MC Beezer. | 0:13:31 | 0:13:33 | |
Hit me with a topic, any topic, and I'll just roll with it. | 0:13:33 | 0:13:36 | |
-All right, mate, what about culture? -# Culture | 0:13:36 | 0:13:39 | |
# Vulture | 0:13:39 | 0:13:41 | |
# It's still all good | 0:13:41 | 0:13:42 | |
# In the hood | 0:13:44 | 0:13:46 | |
# Culture might even involve an event with food. | 0:13:46 | 0:13:48 | |
# Or drink | 0:13:48 | 0:13:50 | |
# Culture makes you think. # | 0:13:51 | 0:13:53 | |
-Done? -I think that's great there. | 0:13:54 | 0:13:56 |