Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# Some people live a healthy lifestyle | 0:00:18 | 0:00:21 | |
# I don't | 0:00:21 | 0:00:24 | |
# Some people listen to advice | 0:00:24 | 0:00:26 | |
# I won't | 0:00:26 | 0:00:29 | |
# Some people ask me why doesn't that big arse make you cry? | 0:00:29 | 0:00:35 | |
# Well, yes, but I can still have cake and wine | 0:00:35 | 0:00:40 | |
# Goodbye, Slimming world | 0:00:40 | 0:00:43 | |
# I'm done with watching weight | 0:00:43 | 0:00:46 | |
# Fuck you, Dr Atkins | 0:00:46 | 0:00:48 | |
# Yes, that's bread rolls on my plate | 0:00:48 | 0:00:52 | |
# Who wants to be size 10 or a walk in a straight line? | 0:00:52 | 0:00:57 | |
# Not me I'd rather have my cake and wine | 0:00:57 | 0:01:03 | |
# Goodbye, extra sizing | 0:01:03 | 0:01:05 | |
# Like a dickhead in the park | 0:01:05 | 0:01:08 | |
# Come in, Mr White Wine | 0:01:08 | 0:01:11 | |
# Reality, piss off | 0:01:11 | 0:01:14 | |
# Who wants buns of steel or to be sober after nine? | 0:01:14 | 0:01:19 | |
# Not me I'd rather have my cake and wine | 0:01:19 | 0:01:24 | |
# This is not a cry for help | 0:01:24 | 0:01:27 | |
# I'm actually fine | 0:01:27 | 0:01:29 | |
# With love handles and my gout | 0:01:30 | 0:01:33 | |
# I'm in my prime | 0:01:33 | 0:01:36 | |
# I may get fat and drunk | 0:01:39 | 0:01:41 | |
# But I'll have a good time. # | 0:01:41 | 0:01:44 | |
CHEERING AND APPLAUSE | 0:01:44 | 0:01:47 | |
PHONE RINGS | 0:01:52 | 0:01:54 | |
'Hello, is that Ballyconnell PSNI station?' | 0:02:00 | 0:02:02 | |
It is. Sgt James speaking. | 0:02:02 | 0:02:04 | |
'Brilliant. Look, I have got a theoretical question.' | 0:02:04 | 0:02:07 | |
-A theoretical question? -'Yeah. | 0:02:07 | 0:02:09 | |
'So, I was wondering, just say, theoretically, | 0:02:09 | 0:02:12 | |
'I was on a cross-channel ferry with a couple of friends | 0:02:12 | 0:02:15 | |
'on a theoretical stag do...' | 0:02:15 | 0:02:17 | |
-Yes. -'..and then just say that we had a theoretical barbecue.' | 0:02:17 | 0:02:20 | |
Theoretical barbecue on a theoretical ferry? | 0:02:20 | 0:02:22 | |
'Yeah, I mean, you've got to have a theoretical barbecue | 0:02:22 | 0:02:26 | |
'on a theoretical stag do. | 0:02:26 | 0:02:28 | |
'You know, a few theoretical sausages stuck on a few theoretical baps, | 0:02:28 | 0:02:31 | |
'and maybe a few conjectural beers as well.' | 0:02:31 | 0:02:35 | |
I have a bad feeling where this is going. | 0:02:35 | 0:02:36 | |
'Yeah, well, let's just say that the theoretical barbecue | 0:02:36 | 0:02:40 | |
'gets knocked over because Marvin, | 0:02:40 | 0:02:42 | |
'being the theoretical arse that he is, | 0:02:42 | 0:02:44 | |
'has brought his theoretical basset hound on board with him | 0:02:44 | 0:02:47 | |
'and then got said basset hound theoretically drunk | 0:02:47 | 0:02:50 | |
'on a few conjectural beers.' | 0:02:50 | 0:02:52 | |
Oh, God, no. | 0:02:52 | 0:02:53 | |
'Oh, theoretically, yes. | 0:02:53 | 0:02:55 | |
'Now, if all that happened, it would be theoretically all right | 0:02:55 | 0:02:59 | |
'if the ferry theoretically caught fire, wouldn't it?' | 0:02:59 | 0:03:01 | |
No, it wouldn't. | 0:03:01 | 0:03:03 | |
'Because we would be surrounded by all the theoretical water.' | 0:03:03 | 0:03:05 | |
It wouldn't, it would be an absolute disaster. | 0:03:05 | 0:03:07 | |
'Ah, it would be...' | 0:03:07 | 0:03:09 | |
It would be a theoretical disaster. | 0:03:09 | 0:03:11 | |
Look, listen, what I need you to - I need you to go and get | 0:03:11 | 0:03:14 | |
all the fire extinguishers and try to put the fire out. | 0:03:14 | 0:03:17 | |
'I would love to do that, | 0:03:17 | 0:03:18 | |
'but unfortunately Marvin theoretically used them | 0:03:18 | 0:03:21 | |
'to start the theoretical barbecue.' | 0:03:21 | 0:03:23 | |
What?! | 0:03:23 | 0:03:24 | |
How can he use a fire extinguisher to start a fire? | 0:03:24 | 0:03:27 | |
'Yeah, to be honest, | 0:03:27 | 0:03:29 | |
'we were very theoretically surprised by that as well. | 0:03:29 | 0:03:32 | |
'He's not the brightest man in the world, | 0:03:32 | 0:03:33 | |
'but when it comes to things like that, | 0:03:33 | 0:03:35 | |
'he is fiercely persistent, fiercely theoretically persistent.' | 0:03:35 | 0:03:39 | |
Right, look, what I need you to do... | 0:03:39 | 0:03:40 | |
'Listen, I am going to have to go now. | 0:03:40 | 0:03:42 | |
'Marvin's theoretical dog | 0:03:42 | 0:03:44 | |
'has just cast off in the last theoretical lifeboat. | 0:03:44 | 0:03:47 | |
'I can't even do the theoretical doggy paddle, | 0:03:47 | 0:03:50 | |
'so I'm off to theoretically find someone who can swim | 0:03:50 | 0:03:53 | |
'and can theoretically sticky-tape myself to the back of them. | 0:03:53 | 0:03:55 | |
'It has been a pleasure as always, Officer.' | 0:03:55 | 0:03:58 | |
I need to stop answering this phone. | 0:04:01 | 0:04:03 | |
All right, guys, this is my impression of myself | 0:04:06 | 0:04:09 | |
trying to sleep in my house in Belfast city centre | 0:04:09 | 0:04:11 | |
every single night. | 0:04:11 | 0:04:14 | |
WHIRRING, HE GROANS | 0:04:14 | 0:04:16 | |
LAUGHTER | 0:04:16 | 0:04:18 | |
The joke train is about to depart. Is everybody on board? | 0:04:23 | 0:04:26 | |
CHEERING | 0:04:26 | 0:04:27 | |
BELL RINGS | 0:04:27 | 0:04:28 | |
That's not the right tune. | 0:04:31 | 0:04:34 | |
Let's do this. | 0:04:34 | 0:04:36 | |
MID-TEMPO BEAT BEGINS | 0:04:36 | 0:04:37 | |
Oh, yeah. | 0:04:39 | 0:04:42 | |
I'm not even singing. | 0:04:42 | 0:04:44 | |
All right. HE CLEARS HIS THROAT | 0:04:46 | 0:04:49 | |
I invented a time machine next week. | 0:04:49 | 0:04:52 | |
LAUGHTER | 0:04:52 | 0:04:53 | |
HE PLAYS TUNE | 0:04:55 | 0:04:56 | |
I got the sack in work last week... | 0:05:08 | 0:05:10 | |
or as my boss calls it, teabagged. | 0:05:10 | 0:05:13 | |
LAUGHTER | 0:05:13 | 0:05:15 | |
HE PLAYS TUNE | 0:05:16 | 0:05:18 | |
Where is the worst place to hide in a hospital? | 0:05:24 | 0:05:27 | |
ICU! | 0:05:27 | 0:05:30 | |
LAUGHTER | 0:05:30 | 0:05:32 | |
HE PLAYS TUNE | 0:05:33 | 0:05:36 | |
I composed this jingle myself, | 0:05:37 | 0:05:39 | |
if you could not laugh over the top of it, that would be... | 0:05:39 | 0:05:42 | |
Otherwise I don't get paid, sort of thing. | 0:05:42 | 0:05:45 | |
HE PLAYS TUNE | 0:05:45 | 0:05:48 | |
So myself and my girlfriend, we were talking about belly buttons. | 0:05:48 | 0:05:52 | |
She says, "I have an outie", | 0:05:52 | 0:05:53 | |
I said, "Bitch, I don't care what you drive, you need to shave that thing." | 0:05:53 | 0:05:57 | |
HE PLAYS TUNE | 0:06:01 | 0:06:02 | |
(Remix.) | 0:06:04 | 0:06:06 | |
HE PLAYS TUNE | 0:06:06 | 0:06:08 | |
There's no remix. | 0:06:09 | 0:06:12 | |
You know when couples are in bed at night | 0:06:12 | 0:06:13 | |
and one hugs the other from behind? | 0:06:13 | 0:06:16 | |
That is called spooning. | 0:06:16 | 0:06:17 | |
Do dwarfs call it teaspooning? | 0:06:17 | 0:06:19 | |
HE PLAYS TUNE | 0:06:23 | 0:06:24 | |
LAUGHTER | 0:06:33 | 0:06:35 | |
So I've got a six-year-old son. | 0:06:35 | 0:06:38 | |
God, he is too cool for school, you know? | 0:06:38 | 0:06:42 | |
But, according to social services, | 0:06:42 | 0:06:44 | |
that is not a legitimate reason to keep him off. | 0:06:44 | 0:06:47 | |
It is actually his birthday coming up. | 0:06:51 | 0:06:53 | |
I've got him a jigsaw. | 0:06:53 | 0:06:55 | |
Well, that laminate floor is not going to cut itself. | 0:06:55 | 0:06:58 | |
HE PLAYS JAUNTY TUNE | 0:07:01 | 0:07:03 | |
CHEERING AND APPLAUSE | 0:07:10 | 0:07:12 | |
My name, just to reiterate, is Fergus O'Queeff. | 0:07:18 | 0:07:23 | |
That is a capital Q and 2Fs. Thank you. | 0:07:23 | 0:07:26 | |
One of the things that people often ask me about would be lyrics. | 0:07:28 | 0:07:34 | |
That's the words in the songs. | 0:07:34 | 0:07:36 | |
People come to me and they ask, "What are your favourite lyrics? | 0:07:39 | 0:07:42 | |
"What lyrics have you given to people? | 0:07:42 | 0:07:44 | |
"How do you come up with these fabulous lyrics?" | 0:07:44 | 0:07:47 | |
I think the first time I wrote a lyric that made it onto an LP | 0:07:50 | 0:07:56 | |
was when a curly-haired fella... | 0:07:56 | 0:07:59 | |
Don't know if you remember him - Don Henley. | 0:07:59 | 0:08:02 | |
You might know him as the drummer and lead singer | 0:08:02 | 0:08:04 | |
of a little band called the Eagles. Yeah? | 0:08:04 | 0:08:06 | |
He came to me, we are talking the late '70s now. | 0:08:06 | 0:08:11 | |
Thatcher had just been voted in, | 0:08:11 | 0:08:12 | |
I was living in Drogheda to avoid...the North. | 0:08:12 | 0:08:16 | |
LAUGHTER | 0:08:16 | 0:08:17 | |
Don came to me. | 0:08:17 | 0:08:19 | |
He knew I was living down there, he was on tour of Ireland. | 0:08:19 | 0:08:23 | |
He brought a little ukulele with him, | 0:08:23 | 0:08:25 | |
a little uke, and he said... | 0:08:25 | 0:08:28 | |
He played this wonderful song, it was called Hotel California. | 0:08:28 | 0:08:31 | |
I said to him, "I really like that. It is very catchy. | 0:08:31 | 0:08:34 | |
"I'm not sure about the themes at the start." | 0:08:34 | 0:08:38 | |
If you think about the song, think about this part - | 0:08:38 | 0:08:41 | |
every time you hear this part, | 0:08:41 | 0:08:43 | |
there is a little bit of me dribbling into your head. Yeah? | 0:08:43 | 0:08:46 | |
Every time you hear the words "dark desert highway", | 0:08:46 | 0:08:49 | |
thank your lucky stars that it was changed from | 0:08:49 | 0:08:52 | |
"the A1 between Newry and Dublin." | 0:08:52 | 0:08:54 | |
LAUGHTER | 0:08:54 | 0:08:56 | |
This is pre-toll bridge era we are talking about. | 0:08:56 | 0:08:59 | |
An arduous trek. | 0:08:59 | 0:09:01 | |
I fixed that. | 0:09:04 | 0:09:06 | |
"The warm smell of colitas" that has become memorable | 0:09:06 | 0:09:10 | |
was originally "a faint whiff of Lynx Africa | 0:09:10 | 0:09:13 | |
"rising up through the air." | 0:09:13 | 0:09:14 | |
Have you ever smelt Lynx Africa | 0:09:16 | 0:09:18 | |
rising out of a man's heated crotch on a tour bus? | 0:09:18 | 0:09:23 | |
Let me tell you something - you dodged a bullet. It's not great. | 0:09:25 | 0:09:30 | |
A lot of people don't know when they look at me | 0:09:30 | 0:09:32 | |
they are looking at the man that gave the world "zig-a-zig-ah". | 0:09:32 | 0:09:36 | |
LAUGHTER | 0:09:36 | 0:09:37 | |
The original lyric was much more racist. | 0:09:40 | 0:09:43 | |
Girl Power would have a very different meaning in that context. | 0:09:47 | 0:09:52 | |
But really, you know, when I think of lyrics really, | 0:09:52 | 0:09:56 | |
the words in songs, the sentences, | 0:09:56 | 0:09:57 | |
the commas, the punctuation, the feeling... | 0:09:57 | 0:10:01 | |
the balls, | 0:10:01 | 0:10:02 | |
I think about one man and one man only. | 0:10:02 | 0:10:07 | |
That is Mr Craig David. | 0:10:07 | 0:10:08 | |
Because when Craig came to me, he said "Fergus", | 0:10:08 | 0:10:13 | |
he said, "can you fill me in?" | 0:10:13 | 0:10:16 | |
I said, "I can fill your little world right up, friend". | 0:10:16 | 0:10:20 | |
He didn't like that. | 0:10:20 | 0:10:21 | |
But it went on to be a hit for The Feeling a few years later. | 0:10:21 | 0:10:25 | |
I said to Craig, "We need more time to work on your first album." | 0:10:25 | 0:10:28 | |
I says, "Go away and come back to me". | 0:10:28 | 0:10:30 | |
He said, "Give me a week." I said, "Sure, take seven days." | 0:10:30 | 0:10:33 | |
LAUGHTER | 0:10:33 | 0:10:36 | |
And he did. | 0:10:36 | 0:10:37 | |
He took that and he came back with a wonderful description, | 0:10:37 | 0:10:41 | |
a descriptive tale, a ballad, of meeting, you know... | 0:10:41 | 0:10:46 | |
a tart, really. | 0:10:46 | 0:10:48 | |
Bumping uglies with her all week, in one week. | 0:10:48 | 0:10:51 | |
Intensive sex. | 0:10:51 | 0:10:53 | |
It was very well meant. | 0:10:53 | 0:10:56 | |
He came to me in a few days later with another song. | 0:10:56 | 0:10:59 | |
Strap in for this one. He said to me, "Fergus, I'm walking away." | 0:10:59 | 0:11:04 | |
I said, "After the week you have just had with your woman..." | 0:11:04 | 0:11:07 | |
"very doubtful", he was torn to shreds down there. | 0:11:07 | 0:11:10 | |
LAUGHTER | 0:11:10 | 0:11:12 | |
And we laughed. | 0:11:12 | 0:11:14 | |
I digress, I think of Craig David, | 0:11:19 | 0:11:21 | |
but I've just thought of something else. | 0:11:21 | 0:11:24 | |
It is very personal and dear to me. | 0:11:24 | 0:11:26 | |
CHAIR CREAKS | 0:11:26 | 0:11:28 | |
I used to think often about my good friend, | 0:11:30 | 0:11:35 | |
a fantastic lyricist and songwriter, | 0:11:35 | 0:11:40 | |
Mr Freddie Mercury. | 0:11:40 | 0:11:42 | |
Freddie Mercury, he was a misunderstood prophet | 0:11:42 | 0:11:47 | |
in his own time. | 0:11:47 | 0:11:48 | |
He came to me with a few ideas. | 0:11:48 | 0:11:51 | |
We didn't like them. | 0:11:51 | 0:11:54 | |
We decided to just start beating ideas around the room, | 0:11:54 | 0:11:57 | |
just back and forth, back and forth. | 0:11:57 | 0:11:59 | |
He would often say that I gave him a great sense of calm and inspiration. | 0:11:59 | 0:12:05 | |
He said to me, he said to me one time, he said, | 0:12:05 | 0:12:10 | |
"I could pretend I like fat bottomed girls." | 0:12:10 | 0:12:13 | |
I said "Freddie, you are a champion. I have got no time for losers." | 0:12:13 | 0:12:18 | |
It came to a point where there was this huge public backlash | 0:12:18 | 0:12:21 | |
about his personal life. | 0:12:21 | 0:12:23 | |
They were going to take him off the radio. | 0:12:23 | 0:12:25 | |
Now, you can't do that to Freddie Mercury. | 0:12:25 | 0:12:27 | |
He was absolutely gaga for it. | 0:12:27 | 0:12:29 | |
I told him that. I told him that. | 0:12:29 | 0:12:31 | |
If Freddie had one vision in this life, | 0:12:31 | 0:12:34 | |
I said to him, I said, | 0:12:34 | 0:12:35 | |
"He will rock you", you know? | 0:12:35 | 0:12:39 | |
He came to me with some trouble one time. | 0:12:39 | 0:12:41 | |
He had put a gun against a man's head and pulled the trigger | 0:12:41 | 0:12:44 | |
and, you know, that was that. | 0:12:44 | 0:12:46 | |
Essentially, he needed me to hide him. | 0:12:46 | 0:12:49 | |
I said, "Freddie, you are a killer queen." | 0:12:49 | 0:12:52 | |
He said, "Yes, I am, Fergus." He said, "Thank you." | 0:12:52 | 0:12:54 | |
He said, he said to me, "I don't know what I am going to do." | 0:12:54 | 0:12:57 | |
I said, "You have to stop this." | 0:12:57 | 0:12:59 | |
He just looked deep into my eyes, dead as you like, and said, | 0:12:59 | 0:13:01 | |
"Don't stop me now." | 0:13:01 | 0:13:03 | |
You know, it went on to be a major, major platinum-selling hit. | 0:13:03 | 0:13:08 | |
I suppose... | 0:13:08 | 0:13:10 | |
You know, I still live off the royalties | 0:13:10 | 0:13:13 | |
of the work we did with Freddie at that time. | 0:13:13 | 0:13:16 | |
It fills my three fridges. | 0:13:16 | 0:13:18 | |
LAUGHTER | 0:13:18 | 0:13:20 | |
MC Beezer, back up at you. | 0:13:25 | 0:13:27 | |
Right, subject - shoot. | 0:13:27 | 0:13:29 | |
What about terrorism an' all? | 0:13:29 | 0:13:32 | |
MID-TEMPO BEAT BEGINS HE RAPS: # Yo, yo | 0:13:32 | 0:13:34 | |
# Terrorism, people with guns | 0:13:34 | 0:13:36 | |
# Shooting nuns | 0:13:36 | 0:13:37 | |
# People all over the world fighting | 0:13:37 | 0:13:39 | |
# Over different gods | 0:13:39 | 0:13:41 | |
# In Northern Ireland it's the Catholics versus the Jews...? # | 0:13:41 | 0:13:47 | |
Protestants. | 0:13:47 | 0:13:48 | |
# Prods | 0:13:48 | 0:13:50 | |
# Isis are... # | 0:13:50 | 0:13:51 | |
BEAT STOPS | 0:13:51 | 0:13:53 | |
BEAT BEGINS # ..not n-Isis. # | 0:13:53 | 0:13:55 |