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Welcome to Lee Mack's All Star Cast, the show that makes stars out of people like me. | 0:00:01 | 0:00:05 | |
Soon, everyone will know my name, and my name is... | 0:00:05 | 0:00:08 | |
Time's up. Roll titles. | 0:00:08 | 0:00:10 | |
APPLAUSE AND CHEERING | 0:00:26 | 0:00:30 | |
# Party hard is in the house tonight | 0:00:33 | 0:00:38 | |
# Everybody just have a good time | 0:00:38 | 0:00:42 | |
# We're gonna make you lose your mind | 0:00:42 | 0:00:46 | |
# We just wanna see you... Shake it. # | 0:00:46 | 0:00:49 | |
CHEERING AND WOLF WHISTLES | 0:00:49 | 0:00:52 | |
Shameless. Ladies and gentlemen, let's hear it for my choir, the Gospel Honest Truth! | 0:00:53 | 0:00:58 | |
CHEERING | 0:00:58 | 0:01:01 | |
The most popular stair-based entertainment act since Thora Hird. | 0:01:02 | 0:01:06 | |
Hello, and welcome to Lee Mack's All Star Cast, with celebrity guests | 0:01:08 | 0:01:12 | |
and you, the audience, starring. | 0:01:12 | 0:01:14 | |
CHEERING | 0:01:14 | 0:01:17 | |
In my All Star Cast tonight, he's got poison running through his veins, it's Alice Cooper! | 0:01:17 | 0:01:23 | |
CHEERING | 0:01:23 | 0:01:26 | |
She's got Newcastle Brown Ale in her veins, it's Sarah Millican! | 0:01:27 | 0:01:31 | |
CHEERING | 0:01:31 | 0:01:35 | |
We've got stand-up from the wonderful Rita Rudner! | 0:01:35 | 0:01:38 | |
CHEERING | 0:01:38 | 0:01:40 | |
And we've got music from the Kaiser Chiefs. | 0:01:42 | 0:01:44 | |
CHEERING | 0:01:44 | 0:01:47 | |
Sadly, there were some people we weren't able to cast. | 0:01:49 | 0:01:51 | |
We couldn't cast Andy Murray, cos he's sulking after being knocked out of Wimbledon. | 0:01:51 | 0:01:55 | |
-ALL: Aww. -It's happened again! | 0:01:55 | 0:01:58 | |
The last time a British male got to the final of Wimbledon, George V was king, | 0:01:58 | 0:02:02 | |
WWII was a year away, and Sue Barker had just started her third series of A Question Of Sport. | 0:02:02 | 0:02:06 | |
Andy's mum hit the news this week for putting messages on Twitter | 0:02:09 | 0:02:12 | |
about how attractive the other players are. Did you read this? | 0:02:12 | 0:02:16 | |
It's the last thing you need - your mum getting all sexy when you're trying to reach a semi. | 0:02:16 | 0:02:20 | |
APPLAUSE AND CHEERING | 0:02:23 | 0:02:26 | |
We also couldn't cast Wayne Rooney this week - he's recovering from Glastonbury. | 0:02:26 | 0:02:30 | |
Apparently he loved his new experience so much, | 0:02:30 | 0:02:33 | |
he's thinking of giving Reading a go. | 0:02:33 | 0:02:35 | |
Sorry, not Reading, reading. | 0:02:35 | 0:02:38 | |
We haven't been able to cast Ryan Giggs again. Three weeks in a row. | 0:02:43 | 0:02:47 | |
I'm starting to think the producers aren't even ringing him. | 0:02:47 | 0:02:51 | |
They're just bringing his name up so I can make cheap, shameless jokes. | 0:02:51 | 0:02:54 | |
Latest update - he's been too busy paying for his brother's divorce to join us. | 0:02:54 | 0:02:59 | |
He seems to be using the same idea as the China department in Debenham's - | 0:02:59 | 0:03:03 | |
you break it, you pay for it. | 0:03:03 | 0:03:05 | |
Ryan's wife has publicly stated she'll stay with him, but this is his last chance. | 0:03:05 | 0:03:10 | |
She said, "If he has just one more eight-year relationship with a family member, he's out." | 0:03:10 | 0:03:15 | |
Carol Vorderman couldn't be here tonight. She's too busy with her new toy-boy. | 0:03:15 | 0:03:19 | |
Carol's 50, he's 37, so that's an age gap of... | 0:03:19 | 0:03:22 | |
Well, I'm sure Carol can work it out. | 0:03:22 | 0:03:24 | |
When Carol asked him what he was looking for in a woman, he replied, "An M, I, L, F, and a consonant." | 0:03:24 | 0:03:30 | |
-We... -LAUGHTER | 0:03:30 | 0:03:33 | |
MILF, yeah? MILF. | 0:03:33 | 0:03:36 | |
Luckily we have been able to cast you, the studio audience. | 0:03:36 | 0:03:39 | |
Again, I'm looking for one of you to join me in my sketch later in the show. | 0:03:39 | 0:03:43 | |
And as ever, you need to prove you can act. Tonight, | 0:03:43 | 0:03:46 | |
I'm after someone who can portray pain. | 0:03:46 | 0:03:48 | |
Think of the most painful thing that's ever happened to you. | 0:03:48 | 0:03:52 | |
In my case, it was the time I got my hand caught in the dishwasher. | 0:03:52 | 0:03:54 | |
We had to sack her after that. | 0:03:54 | 0:03:57 | |
Everyone! Prepare your painful faces. | 0:03:57 | 0:04:01 | |
3... 2... | 0:04:01 | 0:04:03 | |
1... Pain! | 0:04:03 | 0:04:06 | |
MUSIC: Theme from "Casualty" | 0:04:06 | 0:04:09 | |
If anyone's tuned in now, they must be thinking, "The acting in Casualty's gone downhill" | 0:04:09 | 0:04:14 | |
I'm joking. They'd never think that. | 0:04:14 | 0:04:18 | |
Some great painful faces there! Let's have a closer look at some of you. | 0:04:19 | 0:04:23 | |
LAUGHTER | 0:04:23 | 0:04:25 | |
You actually look like you're enjoying the pain. | 0:04:25 | 0:04:28 | |
Where are you? | 0:04:28 | 0:04:30 | |
-And what's your name? -Mandy. -What was your motivation behind your painful face? | 0:04:30 | 0:04:34 | |
-I went to our local garden centre... -Right. | 0:04:34 | 0:04:38 | |
..walked into the aquatic centre and thought, "Oh, that's nice." | 0:04:38 | 0:04:41 | |
-There was a nice dish, about so big. -It was bigger when you did that. | 0:04:41 | 0:04:45 | |
-Definitely about that big. -I bet your husband's happy with that sort of measuring, but carry on! | 0:04:45 | 0:04:50 | |
He is. So I put my finger in the tank, and all of sudden it just came along and it bit my finger! | 0:04:50 | 0:04:55 | |
-What did? -The fish! | 0:04:55 | 0:04:57 | |
So I flicked my finger out, and the fish was attached. | 0:04:57 | 0:05:00 | |
I saw it fly across the room and land in a ladies' handbag! | 0:05:00 | 0:05:05 | |
-Can I just ask, are you sure this happened? -I promise you! | 0:05:07 | 0:05:10 | |
-I promise you. -You weren't watching Tom and Jerry? | 0:05:10 | 0:05:12 | |
No, I promise you it did! | 0:05:12 | 0:05:14 | |
-Did you not tell the woman? -No! | 0:05:14 | 0:05:17 | |
I would love to have seen the scene when she got home. | 0:05:19 | 0:05:21 | |
"Did you buy this?" | 0:05:24 | 0:05:26 | |
OK, let's have a look at another pained face. | 0:05:26 | 0:05:29 | |
LAUGHTER | 0:05:29 | 0:05:31 | |
I said "in pain", not "insane". | 0:05:31 | 0:05:34 | |
Where are you, sir? | 0:05:34 | 0:05:35 | |
-I'm here. -What's your name? -My name's Joey. -Joey. | 0:05:35 | 0:05:38 | |
-What do you do, Joey? -I'm a scientist. -A scientist. -Yeah. | 0:05:38 | 0:05:42 | |
-Are you, Joey? What kind of science? -Er, I study blood cell development. | 0:05:42 | 0:05:48 | |
I've got loads of gags on that, but I'm pressed for time. | 0:05:48 | 0:05:51 | |
-What was your motivation? -A couple of years ago, me and my mates went go-karting. | 0:05:51 | 0:05:55 | |
I was doing quite well until this guy cut me off, | 0:05:55 | 0:05:58 | |
and as a result I crashed into the barriers at full speed | 0:05:58 | 0:06:03 | |
and taking basically the full impact with my nuts on the steering wheel. | 0:06:03 | 0:06:07 | |
AUDIENCE: Oooh. | 0:06:07 | 0:06:09 | |
Literally every bloke in the audience crossed their legs then. | 0:06:09 | 0:06:13 | |
And a couple of women, actually. | 0:06:13 | 0:06:16 | |
-So you literally knackered the steering wheel! -Yeah! | 0:06:16 | 0:06:19 | |
Thanks, Joey. Let's have a look at another pained face. | 0:06:23 | 0:06:27 | |
LAUGHTER | 0:06:27 | 0:06:30 | |
I don't know where you are, but you can obviously sleep through pain. | 0:06:31 | 0:06:34 | |
-Where are you? ..What's your name? -It's David. | 0:06:34 | 0:06:37 | |
And what was your motivation? | 0:06:37 | 0:06:39 | |
Well, about four weeks ago I was hit by a horse. | 0:06:39 | 0:06:42 | |
-When you say "hit", punched, or...? -No. | 0:06:43 | 0:06:47 | |
It had actually broken from its stable and bolted down a bridleway, | 0:06:47 | 0:06:51 | |
and basically it took me out of my shoes and dragged me about four feet. | 0:06:51 | 0:06:55 | |
Took you out of your shoes? | 0:06:55 | 0:06:58 | |
-Did he lift you out of the shoe? -No, it was... | 0:06:58 | 0:07:01 | |
Did he go, "I'm sick of these metal ones, I'm having those comfortable ones"? | 0:07:01 | 0:07:05 | |
That's great, thanks for that. It's time for me to pick my winner. | 0:07:05 | 0:07:08 | |
It's a tough one, but I've made my decision. It's got to be Mandy! | 0:07:08 | 0:07:11 | |
APPLAUSE AND CHEERS | 0:07:11 | 0:07:14 | |
We'll be seeing you in the sketch. | 0:07:14 | 0:07:17 | |
Shall we crack on and meet the guests? | 0:07:17 | 0:07:19 | |
# I like to move it, move it I like to move it, move it | 0:07:21 | 0:07:25 | |
# I like to move it, move it I like to...move it! # | 0:07:25 | 0:07:30 | |
My first guest tonight forged a highly successful career | 0:07:30 | 0:07:33 | |
when he decided to start wearing make-up and give himself a girl's name. | 0:07:33 | 0:07:37 | |
Funny enough, I do the same at the weekends and I've been told I'm in danger of ruining my career. | 0:07:37 | 0:07:41 | |
My next guest is comedy's Angel of the North, by which I mean | 0:07:41 | 0:07:44 | |
she stands by motorways with her arms outstretched. | 0:07:44 | 0:07:47 | |
We couldn't afford to pay her train fare. | 0:07:47 | 0:07:49 | |
It's Alice Cooper and Sarah Millican! | 0:07:49 | 0:07:51 | |
# School's out for summer | 0:07:53 | 0:07:57 | |
# Summer, yeah | 0:07:57 | 0:08:00 | |
# School's out for ever | 0:08:00 | 0:08:05 | |
# For ever, yeah | 0:08:05 | 0:08:07 | |
# School's been blown to pieces... # | 0:08:07 | 0:08:15 | |
APPLAUSE AND CHEERS | 0:08:15 | 0:08:18 | |
You're both looking brill. Brilliant. | 0:08:21 | 0:08:24 | |
You've gone for very alternate colour schemes, | 0:08:24 | 0:08:27 | |
of the shocking bright red and the black. | 0:08:27 | 0:08:29 | |
I heard you were going to clean up tonight, and did the same thing. | 0:08:29 | 0:08:32 | |
I was going to clean up cos I'd done something you don't want to talk about. | 0:08:32 | 0:08:36 | |
-Did you see our pain faces back there? -Yes! -Yes! | 0:08:36 | 0:08:40 | |
-Have you had painful experiences? -Not much physical pain. | 0:08:40 | 0:08:42 | |
I mean, I've seen Dreamgirls, that was... | 0:08:42 | 0:08:45 | |
-Alice? -Oh, I... Yeah. | 0:08:46 | 0:08:48 | |
-My show is a painful experience, the whole thing. -For the audience, or you? | 0:08:48 | 0:08:52 | |
-For me and the audience, yeah! -Just checking. | 0:08:52 | 0:08:55 | |
I told the guys when they joined the band, "You're going to see the world, | 0:08:55 | 0:08:58 | |
"You're going to get paid, you're going to get stitches." | 0:08:58 | 0:09:02 | |
That sounds exactly like my blind date advert. | 0:09:02 | 0:09:05 | |
Isn't it true that you actually stabbed yourself in the leg? | 0:09:08 | 0:09:11 | |
-Yes. -With no other than Errol Flynn's sword. -Errol Flynn's sword. | 0:09:11 | 0:09:15 | |
That sounds like a euphemism! LAUGHTER | 0:09:15 | 0:09:18 | |
-I, uh... You're on stage... -Can I check before you tell this story, what were you doing with his sword? | 0:09:18 | 0:09:22 | |
Well, I took some fencing lessons and the guy gave me | 0:09:22 | 0:09:26 | |
the sword that was in Captain Blood. The movie, | 0:09:26 | 0:09:28 | |
with Basil Rathbone and everything. | 0:09:28 | 0:09:31 | |
So on stage, the fog's going, and after half a bottle of whisky | 0:09:31 | 0:09:35 | |
you stick it in the stage. | 0:09:35 | 0:09:38 | |
And it was through there, right through there. | 0:09:40 | 0:09:44 | |
And I thought, "Well, it's already in." | 0:09:44 | 0:09:47 | |
You know. | 0:09:47 | 0:09:50 | |
Leave it there, because the audience thought it was a trick. The band didn't! | 0:09:50 | 0:09:53 | |
Cos it was spurting, you know, like this. | 0:09:53 | 0:09:55 | |
And it's just sort of going in the wind like that, | 0:09:55 | 0:09:58 | |
and I'm going, "Oh, this is going to hurt after the show." | 0:09:58 | 0:10:01 | |
So I pulled it out, then I took a bottle of whisky and poured it in. | 0:10:01 | 0:10:04 | |
-Cos I figured that's what James Bond would do. -If you were ever | 0:10:04 | 0:10:07 | |
involved in, like, a serious accident, | 0:10:07 | 0:10:09 | |
people would just go, "Oh, he's rehearsing." | 0:10:09 | 0:10:11 | |
-Yeah. -"Should I phone 999?" "No, he'll be getting ready for a gig." | 0:10:11 | 0:10:15 | |
-"It's Alice, leave him." -"He's always taking his arms off." | 0:10:15 | 0:10:19 | |
Now, Sarah, you're touring, or you're about to tour. | 0:10:20 | 0:10:22 | |
-In October, yes. -What do you do to fill the day? | 0:10:22 | 0:10:24 | |
Sit in hotel rooms all day waiting for the gig? How does that work? | 0:10:24 | 0:10:27 | |
-I have a lot of baths. -Right. How many? | 0:10:27 | 0:10:30 | |
Enough. I'm not very good at relaxing, | 0:10:30 | 0:10:34 | |
that's my problem. That's why I have baths. I went on holiday last week | 0:10:34 | 0:10:38 | |
and we had a hot tub, which is essentially having a bath on holiday, | 0:10:38 | 0:10:41 | |
and we were in the dark and I spotted a hedgehog and got quite excited | 0:10:41 | 0:10:44 | |
-cos I'd never seen a hedgehog before. I... -You've never seen a hedgehog? | 0:10:44 | 0:10:48 | |
Well, I'd seen them on the telly, and at children's parties with pineapple and cheese on... | 0:10:48 | 0:10:53 | |
LAUGHTER | 0:10:53 | 0:10:54 | |
-You know they're not real hedgehogs? -You didn't go to my party. | 0:10:54 | 0:10:57 | |
-Er... -My snake would love your hedgehog. -Oh, no! | 0:10:57 | 0:11:02 | |
No! | 0:11:02 | 0:11:04 | |
-LAUGHTER AND APPLAUSE -What? | 0:11:04 | 0:11:08 | |
Come on. | 0:11:08 | 0:11:10 | |
That's the best chat-up line I've ever heard! | 0:11:10 | 0:11:13 | |
As a euphemism, "snake" is good. I'm not sure "hedgehog" is that appealing. | 0:11:13 | 0:11:18 | |
You've not seen it. | 0:11:18 | 0:11:20 | |
"I'll just take that bit of cheese and onion off..." | 0:11:20 | 0:11:23 | |
There'd never be any of that left! | 0:11:23 | 0:11:25 | |
LAUGHTER | 0:11:25 | 0:11:27 | |
-Do you have a name for your snake? -Well... | 0:11:27 | 0:11:31 | |
Sorry! | 0:11:31 | 0:11:32 | |
It's rather personal, but... We had Boa Derek. | 0:11:32 | 0:11:35 | |
-Oh, nice! -Nice. -We had Julius Squeezer. | 0:11:35 | 0:11:39 | |
-And we had Eva Marie Snake. -You ran out of ideas there, didn't you? -Yeah, we did. | 0:11:39 | 0:11:43 | |
And Alice, you're in the UK to find some...freaks, I've heard? | 0:11:45 | 0:11:48 | |
Yeah. We come back on Halloween. | 0:11:48 | 0:11:51 | |
I don't think that London celebrates Halloween enough. | 0:11:51 | 0:11:55 | |
And it's the most fun holiday of the year. | 0:11:55 | 0:11:58 | |
We'll be doing shows at Ally Pally, and I auditioned Fireaxe this year. | 0:11:58 | 0:12:04 | |
-You know, freaky Fireaxe. -OK. | 0:12:04 | 0:12:06 | |
You wouldn't believe how many strange people there are in London. Well, I guess I would now. | 0:12:06 | 0:12:12 | |
-Have you got room for one more? -Yeah. Absolutely. | 0:12:12 | 0:12:14 | |
I'm happy to audition for the freak section. Not the fire one. | 0:12:14 | 0:12:18 | |
I know your show's pretty gruesome. | 0:12:18 | 0:12:20 | |
-This might shock you, even for you, OK? -Yeah. | 0:12:20 | 0:12:22 | |
Just close your eyes. It is pretty gruesome. | 0:12:22 | 0:12:25 | |
BANGING | 0:12:27 | 0:12:30 | |
-That's good! -I did that, I did that, look. -Very good. | 0:12:38 | 0:12:41 | |
APPLAUSE | 0:12:41 | 0:12:43 | |
Am I in? | 0:12:45 | 0:12:47 | |
Now, you're not just doing your Freak auditions, are you? | 0:12:47 | 0:12:50 | |
-You're actually here to... -Doing a film right now. | 0:12:50 | 0:12:53 | |
-With Johnny Depp. -With Johnny Depp, and, er... -What's that film? | 0:12:53 | 0:12:56 | |
-It's called Dark Shadows. -As opposed to what other type? -Well, this... | 0:12:56 | 0:13:00 | |
You have to remember... You didn't get this over here. | 0:13:00 | 0:13:02 | |
This was like Coronation Street... with vampires. | 0:13:02 | 0:13:05 | |
-Ha! It sounds brilliant. -It really... | 0:13:05 | 0:13:08 | |
Somehow it was a hit. In the '70s. | 0:13:08 | 0:13:12 | |
Tim Burton saw it and said "We've got to recreate this, | 0:13:12 | 0:13:15 | |
"and only Johnny Depp can play this," you know? | 0:13:15 | 0:13:17 | |
-And what part do you play? -I don't know. Really don't know yet. | 0:13:17 | 0:13:21 | |
Shooting it Friday. I guess... | 0:13:21 | 0:13:23 | |
-They'll tell me, I guess, by then. -To be honest with you, | 0:13:23 | 0:13:26 | |
I don't know what I'm doing on this show, I wouldn't worry about it. | 0:13:26 | 0:13:29 | |
-Can I ask about Johnny Depp? -Yeah. | 0:13:29 | 0:13:31 | |
What does he smell of? LAUGHTER | 0:13:31 | 0:13:34 | |
Fame. He smells of fame... No, he's the nicest guy. | 0:13:34 | 0:13:37 | |
We should have said cheese and onion. | 0:13:37 | 0:13:39 | |
He's the nicest guy you've ever met. | 0:13:41 | 0:13:43 | |
The bizarrest fact about you is that you were Keanu Reeves's babysitter. | 0:13:43 | 0:13:47 | |
-Yes. -What did HE smell of? LAUGHTER | 0:13:47 | 0:13:51 | |
-When was this? -Er, 1978. '76. -So you were totally Alice Cooper. | 0:13:51 | 0:13:55 | |
Oh, yeah, I was Alice. I was wearing make-up and... | 0:13:55 | 0:13:58 | |
I'd love to have seen that conversation - "We need someone to look after the baby." | 0:13:58 | 0:14:02 | |
"Have you tried Ozzy Osbourne and Charlie Manson?" | 0:14:02 | 0:14:06 | |
"Alice Cooper, of course!" | 0:14:07 | 0:14:09 | |
Right. Alice and Sarah, it's not just me asking the questions. | 0:14:09 | 0:14:13 | |
We asked our audience if they wanted to ask you anything, | 0:14:13 | 0:14:15 | |
-and Benedict Maher, where are you, Benedict? -Here! -What's your question? | 0:14:15 | 0:14:19 | |
What's the oddest thing you've ever done in a hotel room? | 0:14:19 | 0:14:23 | |
You're talking to her, right? | 0:14:23 | 0:14:25 | |
-Alice, I guess you've got nothing on this. -No, no, no. It's all about her. | 0:14:25 | 0:14:28 | |
The oddest thing in a hotel room. | 0:14:28 | 0:14:30 | |
I was in a hotel room once and we wanted a bath and there was only a shower, | 0:14:30 | 0:14:34 | |
and I rang downstairs and said, "Can I get a room that's got a bath?" | 0:14:34 | 0:14:37 | |
and they said "There are no baths in the building." | 0:14:37 | 0:14:40 | |
Shitty hotel. | 0:14:40 | 0:14:43 | |
So I put... | 0:14:43 | 0:14:45 | |
I don't know why I'm telling you this! | 0:14:45 | 0:14:47 | |
I put a glass over the plug hole in the shower, | 0:14:47 | 0:14:51 | |
and just sat in it and waited for it to fill up. | 0:14:51 | 0:14:54 | |
LAUGHTER AND APPLAUSE | 0:14:54 | 0:14:56 | |
That is marvellous. | 0:14:56 | 0:15:00 | |
So, Alice, have you got any interesting hotel stories? | 0:15:00 | 0:15:04 | |
Yeah, we had one night that was called Hell Night, | 0:15:04 | 0:15:08 | |
when in Biloxi, Mississippi, where I... Well, I didn't do it, | 0:15:08 | 0:15:14 | |
but one of our guys pulled back the sheets on one of this guy's beds | 0:15:14 | 0:15:19 | |
and he had already gone to the bathroom, | 0:15:19 | 0:15:22 | |
and he just kind of wrote his name - "Joe"... | 0:15:22 | 0:15:25 | |
AUDIENCE GASP | 0:15:25 | 0:15:28 | |
..and then made the bed... | 0:15:28 | 0:15:31 | |
and knowing this guy would come in drunk that night, he'd get in... | 0:15:31 | 0:15:34 | |
-get in bed like that. -That's disgusting. | 0:15:34 | 0:15:37 | |
That was a true story. | 0:15:37 | 0:15:41 | |
Did you go, "Quick, quick, wash the sheets in the bath." | 0:15:41 | 0:15:44 | |
And someone said, "There isn't a bath, put a cup on the thing, it'll be fine." | 0:15:44 | 0:15:48 | |
"I can't, Sarah's in there." | 0:15:48 | 0:15:50 | |
Now, tonight we've got a true stand-up legend. | 0:15:53 | 0:15:55 | |
All the way from Las Vegas, currently appearing at the Leicester Square Theatre, | 0:15:55 | 0:15:59 | |
please welcome the amazing Rita Rudner. | 0:15:59 | 0:16:02 | |
# Get up, stand up | 0:16:03 | 0:16:04 | |
# Stand up for your rights. # | 0:16:04 | 0:16:08 | |
APPLAUSE | 0:16:08 | 0:16:10 | |
Thank you, thank you so much. | 0:16:10 | 0:16:12 | |
It's very nice to be here. | 0:16:12 | 0:16:14 | |
I feel so at home in England, even though I'm not English, | 0:16:14 | 0:16:18 | |
because I have to tell you why - I've been married to an Englishman for 23 years. | 0:16:18 | 0:16:23 | |
APPLAUSE | 0:16:23 | 0:16:24 | |
Yes, it is...it's a long time. | 0:16:24 | 0:16:27 | |
The other day, I asked my husband if he wanted to renew our vows. | 0:16:27 | 0:16:30 | |
He got so excited cos he thought they had expired. | 0:16:30 | 0:16:33 | |
LAUGHTER | 0:16:33 | 0:16:36 | |
My mother gave me some very good advice about staying married a long time. | 0:16:36 | 0:16:40 | |
She said you must accept the other person for who they are | 0:16:40 | 0:16:44 | |
and pretend they're someone else. | 0:16:44 | 0:16:46 | |
They've been married for ever. They've passed their gold and silver anniversaries. | 0:16:46 | 0:16:50 | |
Their next one is rust. | 0:16:50 | 0:16:52 | |
I myself, I love being married because it's so great to find | 0:16:52 | 0:16:56 | |
that one special person you want to annoy for the rest of your life. | 0:16:56 | 0:17:01 | |
And since we've been married for 23 years, let me tell you, | 0:17:01 | 0:17:05 | |
I'm getting on his nerves quite a bit. | 0:17:05 | 0:17:07 | |
At least three times a day, he turns to an imaginary judge and says, | 0:17:07 | 0:17:12 | |
"And that's why I killed her, Your Honour." | 0:17:12 | 0:17:15 | |
LAUGHTER | 0:17:15 | 0:17:18 | |
He says I use his razor to shave my legs, | 0:17:18 | 0:17:20 | |
and I don't, I use it to shave the dog. | 0:17:20 | 0:17:22 | |
Women, I think we say we're wrong more than men, don't you think? | 0:17:24 | 0:17:28 | |
I say I'm wrong all the time. You know why? Cos I don't care. | 0:17:28 | 0:17:31 | |
I'll say it now. You want to hear? | 0:17:31 | 0:17:33 | |
I'm sorry, I was wrong. I'm sorry, I was wrong. | 0:17:33 | 0:17:36 | |
I can say it all day, it makes no difference to me. | 0:17:36 | 0:17:38 | |
I know I'm right. | 0:17:38 | 0:17:41 | |
Cos, men, you don't listen, and women listen too hard. | 0:17:41 | 0:17:44 | |
We hear things you're not even saying. | 0:17:44 | 0:17:47 | |
"You look tired." "Are you saying I look fat?" | 0:17:47 | 0:17:50 | |
I think women are more self-sufficient than men. Don't you think? | 0:17:50 | 0:17:55 | |
If a woman's thirsty, she gets a drink. | 0:17:55 | 0:17:57 | |
If a man is thirsty, he says, "I'm thirsty." | 0:17:57 | 0:17:59 | |
LAUGHTER | 0:17:59 | 0:18:01 | |
And he waits for something to appear. | 0:18:01 | 0:18:03 | |
I think men and women react differently to situations. | 0:18:04 | 0:18:07 | |
If a woman sees a mess, she cleans it up. | 0:18:07 | 0:18:10 | |
If a man sees a mess, he announces it. | 0:18:10 | 0:18:12 | |
"Rita, the dog just threw up at the top of the stairs." | 0:18:12 | 0:18:16 | |
"OK, I'll be there in a second. Try not to do anything about it." | 0:18:16 | 0:18:21 | |
We have pillow fights - not throwing pillows at each other. | 0:18:22 | 0:18:25 | |
We fight about why there are so many pillows on the bed. | 0:18:25 | 0:18:28 | |
And why he's not allowed to put his head on any of them. | 0:18:28 | 0:18:31 | |
But I've explained it to him. I've told him they're decorative pillows, | 0:18:33 | 0:18:37 | |
not pillows for sleeping, but pillows for show. | 0:18:37 | 0:18:40 | |
And he said, "Yes, Rita, but we are the only two people who go into the bedroom. | 0:18:40 | 0:18:45 | |
"Who do we do the little pillow show for?" | 0:18:45 | 0:18:48 | |
And I have to be honest with you, | 0:18:48 | 0:18:50 | |
I don't really know. | 0:18:50 | 0:18:53 | |
I only know that I love my pillows. | 0:18:53 | 0:18:56 | |
And I have to do the show. | 0:18:56 | 0:18:59 | |
I know I've been telling you all about our arguments, | 0:18:59 | 0:19:02 | |
but we do get along so well. | 0:19:02 | 0:19:03 | |
We are so close we don't even have to talk any more because we know what the other person is thinking. | 0:19:03 | 0:19:08 | |
Sometimes I'll be lying in bed and he'll roll over and whisper in my ear, "You're wrong." | 0:19:08 | 0:19:13 | |
LAUGHTER | 0:19:13 | 0:19:15 | |
And I don't care because I know I'm right. | 0:19:15 | 0:19:19 | |
And sometimes he'll be lying there and I'll whisper in his ear, | 0:19:19 | 0:19:22 | |
"Pick up your head, that's a decorative pillow." | 0:19:22 | 0:19:26 | |
Thank you so much for having me here. | 0:19:26 | 0:19:29 | |
CHEERING | 0:19:29 | 0:19:32 | |
Ladies and gentleman, Rita Rudner. | 0:19:32 | 0:19:34 | |
CHEERING AND APPLAUSE | 0:19:34 | 0:19:37 | |
As usual, I want to cast someone in the audience to star in our trailer for next week. | 0:19:39 | 0:19:43 | |
There are many ways to get noticed and climb the greasy pole of fame. | 0:19:43 | 0:19:46 | |
One way is talent, another is beauty. | 0:19:46 | 0:19:49 | |
Or you could do what I did and bribe your way to the top. | 0:19:49 | 0:19:52 | |
Yes, it's time for... | 0:19:52 | 0:19:54 | |
# Give it away, give it away Give it away now | 0:19:55 | 0:19:57 | |
# Give it away, give it away Give it away now. # | 0:19:57 | 0:20:00 | |
We asked everyone in our audience to bring in one item they think they can bribe Sarah or Alice with | 0:20:02 | 0:20:07 | |
to guarantee themselves a place on our sofa at the end of the show. | 0:20:07 | 0:20:11 | |
First, we've got Adelina Miller. Where are you, Adelina? | 0:20:11 | 0:20:14 | |
-Hello! -Hello. | 0:20:14 | 0:20:16 | |
-What have you got to offer? -I have made a giant cupcake | 0:20:16 | 0:20:20 | |
because I know Sarah likes cake. | 0:20:20 | 0:20:22 | |
-Aw! -And it's got a special chicken on top for Alice to bite the head off. | 0:20:22 | 0:20:27 | |
That is sweet, that is nice. | 0:20:27 | 0:20:29 | |
Well played. | 0:20:33 | 0:20:35 | |
You like a cake, though, don't you? | 0:20:35 | 0:20:38 | |
-Yeah. -You're obsessed with cakes, I know this. | 0:20:38 | 0:20:40 | |
-I'm not obsessed. -Obsessed enough to have taken photographs of cakes. | 0:20:40 | 0:20:43 | |
I do take photos... Well, they go so quickly - really quickly. | 0:20:43 | 0:20:47 | |
Um...so I take a photo... | 0:20:47 | 0:20:51 | |
-Before you eat them? -Yeah, or it's just an empty, licked-clean plate. | 0:20:51 | 0:20:56 | |
-Alice, are you a cake man? -No. I'm thinking about the chicken though. | 0:20:56 | 0:21:00 | |
Is it a marshmallow chicken? | 0:21:00 | 0:21:02 | |
Do you want it to be? | 0:21:02 | 0:21:05 | |
-LAUGHTER -Why are you turning this into some sort of Babestation? | 0:21:05 | 0:21:09 | |
This chicken can be anything you want it to be. | 0:21:09 | 0:21:12 | |
But it's not live. Do you eat them live? | 0:21:12 | 0:21:16 | |
No, I don't... It's not live, it's not worth it, really. | 0:21:16 | 0:21:20 | |
-To be fair, you've never actually eaten a live animal, have you? -No. | 0:21:20 | 0:21:23 | |
In the beginning of my career, they said don't deny it because they love the fact | 0:21:23 | 0:21:28 | |
that you killed this chicken. I never killed a chicken. The audience killed the chicken. | 0:21:28 | 0:21:32 | |
In fact, the first three rows, all in wheelchairs, killed the chicken. | 0:21:32 | 0:21:36 | |
Meals on wheels. | 0:21:36 | 0:21:38 | |
Yes, that's it, that's it. | 0:21:38 | 0:21:40 | |
LAUGHTER AND APPLAUSE | 0:21:40 | 0:21:44 | |
OK, Gavin Molloy, what have you got to offer? | 0:21:44 | 0:21:47 | |
My bribe to Sarah and Alice is to have a game of golf with me | 0:21:47 | 0:21:51 | |
using my special club which I believe was owned by Harry Vardon a mashie niblick, | 0:21:51 | 0:21:56 | |
-which I'm sure Alice is familiar with. -Oh, yeah. | 0:21:56 | 0:21:59 | |
-Are you aware of the mashie niblet? -Oh, absolutely. | 0:21:59 | 0:22:01 | |
-Niblet? -You can't eat that. | 0:22:01 | 0:22:03 | |
-Who did the club belong to? -Harry Vardon, one of the greatest British golfers ever. | 0:22:03 | 0:22:08 | |
So great that no-one in this room has heard of him. | 0:22:08 | 0:22:11 | |
I have heard of him. The Vardon Trophy. | 0:22:11 | 0:22:14 | |
-The Vardon Grip. -Yes, and the Vardon Grip. | 0:22:14 | 0:22:17 | |
What's the Vardon Grip? | 0:22:17 | 0:22:18 | |
-The Vardon Grip is an overlaid grip. -Show me. | 0:22:18 | 0:22:22 | |
Can we borrow the club to demonstrate the Vardon Grip? Can you bring it down? | 0:22:22 | 0:22:27 | |
-OK, demonstrate the grip for me, Alice. Are you a good teacher. -Yes. | 0:22:29 | 0:22:33 | |
-OK, your left hand... -I've got a left hand, yes. | 0:22:33 | 0:22:36 | |
Hold it like this - Harry Vardon Grip. | 0:22:36 | 0:22:40 | |
-It's like that. -Right. | 0:22:40 | 0:22:42 | |
Right there, that's... That's a very good club. | 0:22:42 | 0:22:44 | |
Go ahead, try it. Don't hurt yourself. | 0:22:44 | 0:22:47 | |
No, no, no. OK. | 0:22:47 | 0:22:48 | |
-Am I supposed to grip this with firm pressure? -No. Left hand firm. | 0:22:48 | 0:22:52 | |
-Right hand like you're holding a bird. -Which bird? | 0:22:52 | 0:22:55 | |
LAUGHTER | 0:22:55 | 0:22:57 | |
Posh Spice. | 0:22:57 | 0:22:58 | |
-So...like that? -LAUGHTER AND APPLAUSE | 0:22:58 | 0:23:02 | |
That's pretty good. | 0:23:03 | 0:23:05 | |
-Do you play golf? -I've had a couple of rounds, | 0:23:05 | 0:23:09 | |
but you've played a round with Tiger Woods... I'll re-phrase that. | 0:23:09 | 0:23:12 | |
But you've played a round with Tiger Woods. | 0:23:12 | 0:23:16 | |
I've hit golf balls with Tiger Woods. | 0:23:16 | 0:23:19 | |
Just to keep it even, would you demonstrate how to eat a cake, Sarah? | 0:23:19 | 0:23:24 | |
Yeah. | 0:23:24 | 0:23:26 | |
-Shall I go and... -I genuinely was only joking, but you're going, | 0:23:26 | 0:23:31 | |
"No way, I'm having a bit of cake." | 0:23:31 | 0:23:33 | |
But you've had a go with the bat. | 0:23:33 | 0:23:35 | |
The bat?! | 0:23:35 | 0:23:37 | |
It's not a bat. | 0:23:37 | 0:23:38 | |
-I'm having some icing. -Oh, I can't stop her, she wants some cake. | 0:23:38 | 0:23:42 | |
You can taste it, Millican, you can taste it. | 0:23:43 | 0:23:46 | |
Bloody hell! | 0:23:46 | 0:23:49 | |
I think she's made it with lead. | 0:23:49 | 0:23:51 | |
D'you know what? I've been genuinely told upstairs, | 0:23:51 | 0:23:55 | |
"Can you tell her we don't know this woman very well, don't eat it." | 0:23:55 | 0:23:59 | |
-Am I allowed to smell it? -You can smell it, yeah. | 0:24:00 | 0:24:03 | |
I'll have a taste. | 0:24:03 | 0:24:05 | |
Aw! | 0:24:07 | 0:24:09 | |
He's bit its head off. | 0:24:12 | 0:24:13 | |
Finally it's true. | 0:24:16 | 0:24:18 | |
-Finally you have bitten a chicken's head off. -There. | 0:24:18 | 0:24:21 | |
So, Alice and Sarah, what's it going to be - Adelina's cupcake | 0:24:21 | 0:24:26 | |
-or Gavin's golf club? -Do we have to decide it together? | 0:24:26 | 0:24:30 | |
Well, yes. You don't have to get married, but you get one prize. | 0:24:30 | 0:24:34 | |
I would say, since we both tasted the cake... | 0:24:34 | 0:24:39 | |
-It was good, wasn't it? -Yeah, and she may have the antidote. | 0:24:39 | 0:24:42 | |
Ladies and gentlemen, promoting next week's show is Adelina with her cupcake. | 0:24:46 | 0:24:51 | |
CHEERING AND APPLAUSE | 0:24:51 | 0:24:53 | |
It's that point in the evening when I say the words, "Do you want to come back to my place?" | 0:24:55 | 0:24:59 | |
-AUDIENCE: No! -It was rhetorical. | 0:24:59 | 0:25:02 | |
PHONE RINGS | 0:25:12 | 0:25:14 | |
Lee Mack's All-Star Cast. Oh, hello, Beyonce! | 0:25:16 | 0:25:19 | |
Yeah, loved you at Glastonbury last week. Had a great time. | 0:25:19 | 0:25:22 | |
Apart from overflowing loos, empty beer cans and smell of wee. | 0:25:22 | 0:25:25 | |
But that's the problem with watching it at home. Bye. | 0:25:25 | 0:25:28 | |
KNOCK AT DOOR | 0:25:28 | 0:25:30 | |
It's TV's Patsy Kensit. | 0:25:31 | 0:25:34 | |
First things first - can you sign my poster? | 0:25:37 | 0:25:40 | |
-I was in Lethal Weapon 2. -I know. I want you to sign Mel Gibson's name. | 0:25:40 | 0:25:45 | |
People on eBay can recognise my handwriting. | 0:25:45 | 0:25:48 | |
So, my agent said you wanted to have a chat about me possibly | 0:25:48 | 0:25:53 | |
-coming on your show. -Absolutely. | 0:25:53 | 0:25:56 | |
-If you can find a way of returning the favour. -What do you mean? | 0:25:56 | 0:25:59 | |
You scratch my back, I'll scratch your front...back! The thing is, | 0:25:59 | 0:26:03 | |
-I don't want to do comedy much longer. -That's a relief! I mean shock. | 0:26:03 | 0:26:08 | |
I've always wanted to be an actor in a medical drama. I thought you could help me. | 0:26:08 | 0:26:12 | |
How can I help you? | 0:26:12 | 0:26:13 | |
You're in one. You played Emma. | 0:26:13 | 0:26:15 | |
-What? -You played Emma Dale in Holby Farm. | 0:26:15 | 0:26:18 | |
I played Faye Morton. | 0:26:18 | 0:26:21 | |
And Holby isn't a farm, it's a city. | 0:26:21 | 0:26:24 | |
These urban developers are ruining the countryside. | 0:26:24 | 0:26:26 | |
Sorry, soap's not my strong point. | 0:26:26 | 0:26:28 | |
Yeah, I noticed that. | 0:26:28 | 0:26:30 | |
KNOCK AT DOOR | 0:26:30 | 0:26:32 | |
It's my beloved landlady, Miss Drent. | 0:26:35 | 0:26:37 | |
CHEERING AND APPLAUSE | 0:26:37 | 0:26:40 | |
-Have you been crying? -Yeah, I had a horrible nightmare | 0:26:45 | 0:26:48 | |
that I was a huge international rock star and they made me wear women's clothes just to get a cheap laugh. | 0:26:48 | 0:26:54 | |
-Pay the rent! -All right. | 0:26:55 | 0:26:57 | |
Don't bite my head off. | 0:26:57 | 0:26:59 | |
-I mean really, don't bite my head off. -You got one week. | 0:26:59 | 0:27:02 | |
Have you been talking to the head of BBC? | 0:27:02 | 0:27:06 | |
APPLAUSE | 0:27:08 | 0:27:11 | |
Come on, Patsy, I reckon my face will be perfect for a hospital drama. | 0:27:12 | 0:27:17 | |
It would work better on hospital radio. | 0:27:17 | 0:27:19 | |
I know, let's improvise a scene now. | 0:27:19 | 0:27:22 | |
Right, I'll be the patient, which means you are... | 0:27:22 | 0:27:26 | |
-The vet? -..the nurse. | 0:27:26 | 0:27:28 | |
Go on, play along. | 0:27:28 | 0:27:30 | |
OK, let's say you've been brought to the hospital with a broken bone. | 0:27:30 | 0:27:36 | |
-Funny bone? -Why not go with a bone that you actually use? | 0:27:36 | 0:27:39 | |
Pretend you've broken your coccyx. | 0:27:39 | 0:27:42 | |
Has that got a bone in it? | 0:27:44 | 0:27:46 | |
It's round the other side. | 0:27:46 | 0:27:48 | |
It's definitely broken if it's round the other side. | 0:27:48 | 0:27:51 | |
Think of your motivation. | 0:27:51 | 0:27:53 | |
Imagine a fish biting your finger and then chucking it in a bag. | 0:27:53 | 0:28:00 | |
As if that would happen! | 0:28:00 | 0:28:01 | |
But OK, no problem. Check this out for acting. | 0:28:01 | 0:28:06 | |
CHEERING AND APPLAUSE | 0:28:09 | 0:28:10 | |
-It's true, you know. -Yeah, right(!) | 0:28:11 | 0:28:14 | |
I've not been feeling myself recently. | 0:28:16 | 0:28:19 | |
Oh, come on, Patsy, it'll be perfect for me - getting paid to lie in bed all day with the occasional bed bath | 0:28:19 | 0:28:25 | |
and I can still claim incapacity benefit. | 0:28:25 | 0:28:27 | |
I think you're getting reality mixed up with fiction. | 0:28:27 | 0:28:31 | |
No, I'm not. But whilst you're here, can you have a look at this? | 0:28:31 | 0:28:36 | |
I'm not a real nurse. | 0:28:36 | 0:28:37 | |
That's all right, I'm not a real patient. | 0:28:37 | 0:28:40 | |
Is that what this is all about? | 0:28:40 | 0:28:42 | |
Getting me round here so that we can play doctors and nurses? | 0:28:42 | 0:28:47 | |
Course not. I was thinking more mummies and daddies. | 0:28:47 | 0:28:51 | |
You know what? You are sick! | 0:28:51 | 0:28:54 | |
See? I told you I was convincing. | 0:28:54 | 0:28:56 | |
Right, Kensit! | 0:28:56 | 0:28:58 | |
Back away from the bloke with the bad hair and the dodgy skin and the body odour. | 0:28:58 | 0:29:04 | |
-I wish people would stop improvising. -What the hell... | 0:29:04 | 0:29:08 | |
is going on? | 0:29:08 | 0:29:10 | |
Sorry, just really wanted a part in Lethal Weapon 5. | 0:29:10 | 0:29:15 | |
No doors were harmed in the making of that sketch, but a choir member may have lost the will to live. | 0:29:19 | 0:29:24 | |
Right, let's meet the final members of tonight's cast. | 0:29:24 | 0:29:28 | |
Yes, it's time for... | 0:29:28 | 0:29:30 | |
# When will I, will I be famous | 0:29:30 | 0:29:35 | |
# For 15 seconds? # | 0:29:35 | 0:29:41 | |
Marvellous. | 0:29:45 | 0:29:46 | |
Yes, 15 seconds of fame, and first up, she's back. | 0:29:46 | 0:29:50 | |
It's our reigning champion, Anna Devitt. Hello, Anna, are you there? | 0:29:50 | 0:29:54 | |
-Hi, Lee, I'm here. -Has it been a good week for you? | 0:29:54 | 0:29:57 | |
-It has, actually. I got recognised on Saturday. -Did you? | 0:29:57 | 0:30:02 | |
-Where? -A car-boot sale. -Well, it's going from strength to strength! | 0:30:02 | 0:30:06 | |
-What did they say to you? -"Are you the singing belly off the telly?" | 0:30:07 | 0:30:12 | |
LAUGHTER | 0:30:12 | 0:30:14 | |
-What did you say? -"Yes, I am!" | 0:30:14 | 0:30:16 | |
I'll tell you what, it's a hell of an anecdote. | 0:30:16 | 0:30:20 | |
And...wow. | 0:30:20 | 0:30:22 | |
Anna Devitt, once again, it's time for your 15 seconds of fame. | 0:30:22 | 0:30:27 | |
# Somethin' kinda ooh | 0:30:30 | 0:30:32 | |
# Jumpin' on my toot-toot | 0:30:32 | 0:30:34 | |
# Somethin' 'side of me | 0:30:34 | 0:30:36 | |
# Wants some part of you-oo | 0:30:36 | 0:30:38 | |
# Somethin' kind ooh | 0:30:38 | 0:30:40 | |
# Makes my heart go boom, boom | 0:30:40 | 0:30:42 | |
# Somethin' 'side of me | 0:30:42 | 0:30:43 | |
# Wants a part of you-oo. # | 0:30:43 | 0:30:47 | |
KLAXON | 0:30:47 | 0:30:48 | |
-APPLAUSE -Have you ever thought of singing out of any other holes | 0:30:48 | 0:30:54 | |
and forming a barber-shop quartet? | 0:30:54 | 0:30:56 | |
Ladies and gentlemen, Anna Devitt! | 0:30:56 | 0:31:00 | |
-Our next contender, it's Graham Cowling. Are you there, Graham? -I am. | 0:31:03 | 0:31:07 | |
Where are you calling from tonight? | 0:31:07 | 0:31:10 | |
-I'm calling from my front room. -Right. | 0:31:10 | 0:31:12 | |
It could have been a train station! | 0:31:12 | 0:31:15 | |
I'm trying to work out if that clock is normal size, | 0:31:15 | 0:31:19 | |
or you're a Borrower. | 0:31:19 | 0:31:20 | |
So tell me, what are you going to do for us? | 0:31:21 | 0:31:25 | |
-I am the human klaxon. -You're a human klaxon? | 0:31:25 | 0:31:29 | |
OK, at the end of the 15 seconds, we usually have a klaxon. | 0:31:29 | 0:31:32 | |
Why don't we just get rid of the klaxon and you can be the klaxon | 0:31:32 | 0:31:35 | |
-at the end of the 15 seconds? -Yeah. -OK. | 0:31:35 | 0:31:39 | |
Not sure what you'll do in the 15 seconds but we'll go with that. | 0:31:39 | 0:31:42 | |
Here we go. Graham Cowling, this is your 15 seconds of fame. | 0:31:42 | 0:31:47 | |
Here we go, then. | 0:31:47 | 0:31:48 | |
One banana, two banana... | 0:31:48 | 0:31:51 | |
There isn't a second hand on that clock. | 0:31:55 | 0:31:57 | |
I don't know why he's looking at it. | 0:31:57 | 0:31:59 | |
HE IMITATES KLAXON | 0:31:59 | 0:32:01 | |
-APPLAUSE -That's quite good! | 0:32:01 | 0:32:04 | |
I'm impressed with that. I like that. Well done, Graham. | 0:32:04 | 0:32:07 | |
Can he do a bike-horn noise? | 0:32:09 | 0:32:12 | |
-Sarah's got a question for you. -Can you do a bike-horn noise? | 0:32:12 | 0:32:16 | |
A bike-horn noise? What's that? | 0:32:16 | 0:32:19 | |
LAUGHTER | 0:32:19 | 0:32:21 | |
-Like a..."Ah-ha". Like that. -That's nice. That's nice. | 0:32:21 | 0:32:25 | |
-Ah-ha! -It's like going out for a drink with the Muppets with you two! | 0:32:25 | 0:32:28 | |
We could form a double-act! | 0:32:28 | 0:32:31 | |
OK. Have we got Jordan? | 0:32:31 | 0:32:33 | |
Hello. The angle of this is looking a bit suspect. | 0:32:33 | 0:32:38 | |
Where you calling us from? Prison? | 0:32:38 | 0:32:42 | |
LAUGHTER DROWNS SPEECH | 0:32:42 | 0:32:44 | |
Sorry, say it again. | 0:32:44 | 0:32:45 | |
-It's like a prison. -Right, where are you? | 0:32:45 | 0:32:48 | |
I'm in Wales. | 0:32:48 | 0:32:49 | |
LAUGHTER | 0:32:49 | 0:32:51 | |
-Before anyone complains, HE said it. -I -didn't! | 0:32:51 | 0:32:55 | |
Jordan, what are you doing for us tonight? | 0:32:55 | 0:32:57 | |
-Er... I'm in a band called The Rookz. -OK, band called The Rookz. Yeah. | 0:32:57 | 0:33:03 | |
I've Got A Monster In My Pants. | 0:33:03 | 0:33:05 | |
-You've got a monster in your pants? -I have. -That's the name of the song? | 0:33:05 | 0:33:09 | |
-That is the name of the song. -Right. | 0:33:09 | 0:33:12 | |
What could possibly go wrong? You look half-naked. | 0:33:12 | 0:33:15 | |
You're telling me you've got a monster in your pants. | 0:33:15 | 0:33:19 | |
This is your 15 seconds of fame. | 0:33:19 | 0:33:21 | |
Okey-doke. | 0:33:21 | 0:33:22 | |
# I've got a monster in my pants Do you wanna dance with me? # | 0:33:24 | 0:33:29 | |
LAUGHTER | 0:33:31 | 0:33:32 | |
APPLAUSE | 0:33:32 | 0:33:34 | |
KLAXON | 0:33:39 | 0:33:41 | |
That is marvellous! | 0:33:41 | 0:33:43 | |
Do you know what? | 0:33:44 | 0:33:46 | |
McFly have let themselves go. | 0:33:46 | 0:33:48 | |
Hello, lads! I say "lads" - with those man boobs, it's hard to tell! | 0:33:50 | 0:33:53 | |
Are you actually a band or just friends who can't afford clothes? | 0:33:53 | 0:33:58 | |
-We ARE a serious band... -No, you're not! You're not! | 0:33:58 | 0:34:02 | |
Let me stop you there. You're not a serious band! Do you do professional gigs? | 0:34:02 | 0:34:07 | |
We do professional gigs. We've done gigs for The Saturdays. | 0:34:07 | 0:34:12 | |
You've done gigs for The Saturdays? Have you done gigs ON Saturday? | 0:34:12 | 0:34:17 | |
-Yeah? -We've done gigs on Saturday, Friday, Sunday, Monday. | 0:34:17 | 0:34:21 | |
Every day. Weekly. | 0:34:21 | 0:34:22 | |
It's like talking to Craig David over the Internet! | 0:34:22 | 0:34:25 | |
Listen. Thanks, guys. That was very different, I think you'll agree. | 0:34:25 | 0:34:29 | |
-That was Jordan and The Rookz. -Thank you. | 0:34:29 | 0:34:32 | |
-I like them. -I like them, too. -I like them. A lot! | 0:34:34 | 0:34:37 | |
OK, Alice and Sarah, who do you want to crown as this week's Famous For 15 Seconds winner? | 0:34:37 | 0:34:42 | |
-What do you think? -I still like the cup cake. | 0:34:42 | 0:34:44 | |
Stay with the cup cake. | 0:34:44 | 0:34:46 | |
It's like being out with your granddad, isn't it! | 0:34:46 | 0:34:48 | |
-I like the boys in their pants but maybe for the wrong reasons! -Right. | 0:34:48 | 0:34:52 | |
-You like the boys in their pants. OK. -I'd go with that. -You'll go with the boys in their pants? -Yeah. | 0:34:52 | 0:34:57 | |
Ladies and gentlemen, our winner of 15 Seconds Of Fame. Congratulations, The Rookz! You are the champions! | 0:34:57 | 0:35:02 | |
Lads, how does it feel - firstly that you'll be back next week | 0:35:06 | 0:35:10 | |
but, more importantly, you were chosen by Sarah Millican | 0:35:10 | 0:35:12 | |
-and rock legend Alice Cooper? -Oh, we're over the moon. | 0:35:12 | 0:35:15 | |
Don't mention the word "moon" in those pants! | 0:35:15 | 0:35:18 | |
LAUGHTER | 0:35:18 | 0:35:19 | |
Are you available next week? | 0:35:19 | 0:35:21 | |
-Yeah, probably. -A minute ago, you were busy every day! | 0:35:21 | 0:35:25 | |
Monday, Tuesday. Can you make next week? | 0:35:25 | 0:35:27 | |
-WELSH ACCENT: -Oh, aye, we can do that! Any time you like! | 0:35:27 | 0:35:30 | |
Brilliant! Let's hear it for The Rookz. | 0:35:30 | 0:35:31 | |
If you want to be in Famous For 15 Seconds | 0:35:35 | 0:35:38 | |
and take part in All Star Cast next week, go to... | 0:35:38 | 0:35:42 | |
That's all we've got time for tonight. Big thanks to all the members of my cast. | 0:35:42 | 0:35:46 | |
-Alice Cooper! Sarah Millican! -CHEERING AND APPLAUSE | 0:35:46 | 0:35:49 | |
Rita Rudner! | 0:35:49 | 0:35:51 | |
Patsy Kensit! | 0:35:51 | 0:35:52 | |
And of course, Mandy! | 0:35:52 | 0:35:55 | |
And our wonderful studio audience. | 0:35:55 | 0:35:57 | |
Playing us out with Kinda Girl You Are, give it up for the Kaiser Chiefs! | 0:35:57 | 0:36:01 | |
CHEERING | 0:36:01 | 0:36:03 | |
# I only wanna see the | 0:36:05 | 0:36:07 | |
# I only wanna see the kinda girl you are | 0:36:08 | 0:36:12 | |
# I only wanna see the | 0:36:12 | 0:36:13 | |
# I only wanna see the kinda girl you are | 0:36:14 | 0:36:17 | |
# I only wanna see the | 0:36:18 | 0:36:19 | |
# I only wanna see the kinda girl you are | 0:36:20 | 0:36:23 | |
# I only wanna see the | 0:36:23 | 0:36:25 | |
# I only wanna see the kinda girl you are | 0:36:26 | 0:36:29 | |
# I first heard you on the radio | 0:36:35 | 0:36:37 | |
# I felt my heart explode | 0:36:37 | 0:36:38 | |
# I heard a voice, no other choice I fell in love with you | 0:36:38 | 0:36:41 | |
# Through St Bartholomew To Baxter Avenue | 0:36:41 | 0:36:44 | |
# No-one can do what you do, oh | 0:36:44 | 0:36:46 | |
# I thought you were American Oh, oh, oh | 0:36:46 | 0:36:50 | |
# I loved you, American Oh, oh, oh | 0:36:50 | 0:36:56 | |
# I only wanna see the | 0:36:58 | 0:37:00 | |
# I only wanna see the kinda girl you are | 0:37:01 | 0:37:03 | |
# I only wanna see the | 0:37:03 | 0:37:05 | |
# I only wanna see the kinda girl you are | 0:37:07 | 0:37:09 | |
# Then I saw you in the centre-fold | 0:37:09 | 0:37:11 | |
# But you were looking cold | 0:37:11 | 0:37:13 | |
# In just an awfully-positioned piece of mistletoe | 0:37:13 | 0:37:16 | |
# Mentally dressing you I wanna rescue you | 0:37:16 | 0:37:19 | |
# To make you mine, oh Mine, oh, yeah | 0:37:19 | 0:37:21 | |
# I thought you were a miracle Oh, oh, oh | 0:37:21 | 0:37:24 | |
# I thought you were a miracle Oh, oh, oh | 0:37:27 | 0:37:31 | |
# Hey! | 0:37:31 | 0:37:32 | |
# I thought you were incredible Oh, oh, oh | 0:37:55 | 0:37:59 | |
# I thought you were incredible Oh, oh, oh | 0:38:01 | 0:38:05 | |
# I only wanna see the | 0:38:07 | 0:38:08 | |
# I only wanna see the kinda girl you are | 0:38:10 | 0:38:12 | |
# I only wanna see the | 0:38:12 | 0:38:14 | |
# I only wanna see the kinda girl you are | 0:38:15 | 0:38:18 | |
# I only wanna see the | 0:38:18 | 0:38:20 | |
# I only wanna see the kinda girl you are | 0:38:21 | 0:38:24 | |
# I only wanna see the | 0:38:24 | 0:38:26 | |
# I only wanna see the kinda girl you are. # | 0:38:27 | 0:38:29 | |
CHEERING AND APPLAUSE | 0:38:37 | 0:38:39 | |
Subtitles by Red Bee Media Ltd | 0:38:39 | 0:38:42 | |
On next week's show, Katie Price, Rhod Gilbert and Scouting For Girls. | 0:38:42 | 0:38:46 | |
As ever, I'll be making stars of the audience - for a price! | 0:38:46 | 0:38:49 | |
I gave Alice Cooper a marzipan chicken and now he's my friend! | 0:38:49 | 0:38:53 | |
I'm so sorry, Alice. | 0:38:53 | 0:38:55 | |
LAUGHTER | 0:38:55 | 0:38:57 | |
E-mail [email protected] | 0:38:57 | 0:38:58 |