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Welcome to Lee Mack's All Star Cast, the show that takes ordinary people like me | 0:00:02 | 0:00:05 | |
and propels them to the level of ordinary people reading out loud! | 0:00:05 | 0:00:08 | |
Job done. Sort of. Roll titles! | 0:00:08 | 0:00:10 | |
LAUGHTER | 0:00:10 | 0:00:12 | |
APPLAUSE AND CHEERING | 0:00:27 | 0:00:29 | |
# Hip to be square | 0:00:34 | 0:00:36 | |
# Oh, hip to be square | 0:00:36 | 0:00:39 | |
# Oh, it's hip to be square | 0:00:39 | 0:00:42 | |
# Oh, it's hip to be square | 0:00:43 | 0:00:45 | |
# Oh, hip to be square! # | 0:00:47 | 0:00:49 | |
Ladies and gentlemen! My house choir, the Gospel Honest Truth! | 0:00:51 | 0:00:55 | |
APPLAUSE AND CHEERING | 0:00:55 | 0:00:59 | |
How do you fit ten choir singers on the back of a mini? | 0:00:59 | 0:01:02 | |
Not my problem, but good luck with tonight's taxi... | 0:01:02 | 0:01:05 | |
Yes, good evening and welcome to Lee Mack's All Star Cast, | 0:01:05 | 0:01:08 | |
the show that not only has fantastic celebrity guests, | 0:01:08 | 0:01:11 | |
but also gives the audience the chance to star. | 0:01:11 | 0:01:13 | |
In my all-star cast tonight, you'll find her face on bedroom walls across the land, | 0:01:13 | 0:01:17 | |
It's Katie Price! | 0:01:17 | 0:01:18 | |
APPLAUSE AND CHEERING | 0:01:18 | 0:01:22 | |
You'll find his phone number on toilet walls throughout the Cardiff area, | 0:01:23 | 0:01:25 | |
it's Rhod Gilbert! | 0:01:25 | 0:01:27 | |
APPLAUSE AND CHEERING | 0:01:27 | 0:01:30 | |
We've got stand-up from the brilliant Danny Boy... | 0:01:30 | 0:01:33 | |
APPLAUSE AND CHEERING | 0:01:33 | 0:01:37 | |
..and performing their brand new single, it's Scouting For Girls! | 0:01:37 | 0:01:41 | |
APPLAUSE AND CHEERING | 0:01:41 | 0:01:43 | |
Sadly, there were some people we weren't able to cast for the show this week. | 0:01:43 | 0:01:48 | |
We couldn't cast Kate Moss. | 0:01:48 | 0:01:49 | |
She's on her honeymoon, after getting married to lead singer of the Kills, Jamie Hince. | 0:01:49 | 0:01:54 | |
The wedding was a Class A affair, sorry, classy affair... | 0:01:54 | 0:01:57 | |
LAUGHTER | 0:01:57 | 0:01:59 | |
There he is, looking dashing in powder blue. | 0:01:59 | 0:02:01 | |
There she is, looking beautiful in powder white. | 0:02:01 | 0:02:03 | |
At £10,000, the cake was the talk of the reception. | 0:02:05 | 0:02:08 | |
Well, the supermodels kept bringing it up all night. | 0:02:08 | 0:02:11 | |
-LAUGHTER -Come on! | 0:02:11 | 0:02:14 | |
There were many celebrities there and the presents looked fantastic. | 0:02:15 | 0:02:18 | |
That's the perk of inviting Snoop Dogg, I suppose. | 0:02:18 | 0:02:20 | |
Well, he's world class "wrapper". | 0:02:20 | 0:02:21 | |
AUDIENCE GROANS | 0:02:21 | 0:02:23 | |
Be honest! | 0:02:23 | 0:02:24 | |
APPLAUSE AND LAUGHTER | 0:02:24 | 0:02:26 | |
Tom Cruise can't be with us tonight. | 0:02:28 | 0:02:30 | |
He's apparently been having trouble with his snoring. | 0:02:30 | 0:02:33 | |
Did you read about this? | 0:02:33 | 0:02:34 | |
According to reports, he's built a soundproofed room in his house which has been nicknamed the snoratorium. | 0:02:34 | 0:02:38 | |
He's done it because he doesn't want to trouble his wife at night. | 0:02:38 | 0:02:42 | |
We've all heard that rumour. | 0:02:42 | 0:02:43 | |
Victoria Beckham can't be here as she's about to give birth. She's looking forward to it, saying, | 0:02:45 | 0:02:50 | |
"It's not so much gaining a daughter as it is losing 9lb 6oz." | 0:02:50 | 0:02:53 | |
It's going to be the fourth caesarian for Victoria. | 0:02:55 | 0:02:57 | |
What's wrong with the old fashioned way like other celebrities | 0:02:57 | 0:03:00 | |
and adopting a child from the third world? | 0:03:00 | 0:03:03 | |
Luckily, we have been able to cast you, the studio audience! | 0:03:03 | 0:03:06 | |
APPLAUSE AND CHEERING | 0:03:06 | 0:03:10 | |
As ever, I'm looking to cast one of you to join me in my sketch later on. | 0:03:11 | 0:03:15 | |
Tonight I'm after someone to play the part of a great inventor. | 0:03:15 | 0:03:19 | |
We asked everyone before the show what genius innovations they could come up with. | 0:03:19 | 0:03:22 | |
For example, I've invented a great way of always getting a seat on the bus. | 0:03:22 | 0:03:26 | |
I just walk on and go, "Aargh! Ein! STEIN! Argh!" | 0:03:26 | 0:03:30 | |
Works every time. | 0:03:30 | 0:03:32 | |
Joking. | 0:03:32 | 0:03:33 | |
Me? On a bus? | 0:03:33 | 0:03:35 | |
Let's have a look at our first budding inventor! | 0:03:37 | 0:03:40 | |
LAUGHTER | 0:03:40 | 0:03:42 | |
That is an amazing face. | 0:03:44 | 0:03:45 | |
-What's your name? -Bernie Cook. | 0:03:45 | 0:03:47 | |
-Bernie Cooke? -Yes. | 0:03:47 | 0:03:48 | |
If your second name is Cook and your first name is Bernie... | 0:03:48 | 0:03:52 | |
I never thought of that! | 0:03:52 | 0:03:54 | |
That's like being called Inflammable Fireman. | 0:03:54 | 0:03:56 | |
There's a cartoon that didn't catch on. | 0:03:56 | 0:03:58 | |
What's your invention? | 0:03:59 | 0:04:01 | |
It's an intercommunication device for talking to children who are watching the television. | 0:04:01 | 0:04:06 | |
You don't know the audience, you might want to simplify. | 0:04:06 | 0:04:09 | |
-It's a box with a hole in it you stick on your head. -Nice. | 0:04:09 | 0:04:13 | |
How does that work? | 0:04:13 | 0:04:14 | |
Well, it's shaped cunningly like a television set... | 0:04:14 | 0:04:17 | |
-When you say, "cunningly"... -It looks like a television set. | 0:04:17 | 0:04:21 | |
Not very cunning, that. | 0:04:21 | 0:04:22 | |
Shaping it cunning like a television set, you'd shape it like a squirrel. | 0:04:22 | 0:04:25 | |
LAUGHTER | 0:04:25 | 0:04:26 | |
When you go to call the kids to dinner and they don't come because they're watching the television, | 0:04:26 | 0:04:30 | |
you sidle in front of the television wearing the communicator, | 0:04:30 | 0:04:34 | |
and are able to intercept the communication between the children and the television | 0:04:34 | 0:04:40 | |
and inject your own message, to whit, | 0:04:40 | 0:04:42 | |
"Your dinner's ready." | 0:04:42 | 0:04:43 | |
With or without a box on your head, I would be transfixed by you anyway. | 0:04:45 | 0:04:50 | |
Thank you. | 0:04:50 | 0:04:51 | |
It's not a compliment. | 0:04:51 | 0:04:53 | |
LAUGHTER | 0:04:53 | 0:04:55 | |
-Thanks, Bernie. -Pleasure. | 0:04:55 | 0:04:56 | |
APPLAUSE | 0:04:56 | 0:04:58 | |
Right, let's look at someone else. | 0:04:58 | 0:05:00 | |
LAUGHTER | 0:05:01 | 0:05:02 | |
You've invented an imaginary phone? | 0:05:02 | 0:05:05 | |
Not quite. | 0:05:05 | 0:05:06 | |
What's your name, madam? | 0:05:06 | 0:05:08 | |
I'm Kelly, I'm from Darwen in Lancashire. | 0:05:08 | 0:05:10 | |
-I was brought up in Darwen. -Really? -Aye. -So was I. -I know, you've already told me that. | 0:05:10 | 0:05:14 | |
LAUGHTER | 0:05:14 | 0:05:16 | |
-Have you invented a deja vu machine? -It's better than that, you'll like it. | 0:05:16 | 0:05:19 | |
What about a deja vu machine? | 0:05:19 | 0:05:20 | |
LAUGHTER | 0:05:20 | 0:05:22 | |
Tell me, what's your invention? | 0:05:23 | 0:05:25 | |
-My wonderful invention is... -We'll be the judge of that. | 0:05:25 | 0:05:27 | |
It is! It is the nose sock. | 0:05:27 | 0:05:30 | |
-The what? -Nose sock. | 0:05:30 | 0:05:31 | |
-OK. -Basically... -We pretty much know how this is going to work. | 0:05:31 | 0:05:34 | |
-Does it involve a nose and a sock? -It's designed to fit on your nose to keep your nose warm in winter. | 0:05:34 | 0:05:39 | |
Why should your nose suffer in the cold? | 0:05:39 | 0:05:42 | |
You've got a good conk on you there, Lee. | 0:05:42 | 0:05:45 | |
AUDIENCE: Oooh! | 0:05:45 | 0:05:48 | |
It would benefit a nose sock! | 0:05:48 | 0:05:50 | |
It would make a good contraception as well. | 0:05:52 | 0:05:55 | |
People would look at you and go "She's mental, not going near her." | 0:05:55 | 0:05:58 | |
OK, let's have a look at someone else. | 0:05:58 | 0:06:01 | |
LAUGHTER | 0:06:02 | 0:06:03 | |
Why do I suddenly feel like I've been naughty? | 0:06:03 | 0:06:06 | |
Where are you, madam? | 0:06:06 | 0:06:07 | |
I'm here! | 0:06:07 | 0:06:09 | |
-What's your name? -Jo. -Jo. -Yeah. | 0:06:09 | 0:06:11 | |
What is your great idea? | 0:06:11 | 0:06:13 | |
My great idea is to have celebrity faces on toilet roll. | 0:06:13 | 0:06:18 | |
Right. | 0:06:18 | 0:06:19 | |
You could have celebrities that you like, or possibly dislike. | 0:06:19 | 0:06:22 | |
Why have celebrities you like? | 0:06:22 | 0:06:24 | |
-What do they get out of that? -You could wipe a smile on their faces. | 0:06:24 | 0:06:28 | |
LAUGHTER | 0:06:28 | 0:06:30 | |
-Is that a little tagline for the advert? -It is! | 0:06:30 | 0:06:33 | |
Thanks very much to all our budding inventors, it's time to make a decision. | 0:06:33 | 0:06:38 | |
I think that we have to pick... | 0:06:38 | 0:06:40 | |
..Bernie! | 0:06:40 | 0:06:41 | |
APPLAUSE AND CHEERING | 0:06:41 | 0:06:44 | |
Well done, Bernie, we'll see you later. | 0:06:47 | 0:06:49 | |
Should we crack on and meet my guests? | 0:06:49 | 0:06:52 | |
APPLAUSE AND CHEERING | 0:06:52 | 0:06:54 | |
# Move your body higher Higher h-h-higher | 0:06:54 | 0:06:57 | |
# Move your body higher, higher...# | 0:06:57 | 0:07:01 | |
APPLAUSE AND CHEERING | 0:07:01 | 0:07:03 | |
My first guest tonight is a woman who is an author, a model, a businesswoman and a TV star. | 0:07:03 | 0:07:09 | |
She's got fingers in more pies than Chris Moyles at a buffet with no cutlery. | 0:07:09 | 0:07:13 | |
My second guest is the best thing to happen to Wales since the UN banned harpoons. | 0:07:14 | 0:07:18 | |
Ladies and gentlemen, it's Katie Price and Rhod Gilbert! | 0:07:18 | 0:07:21 | |
APPLAUSE AND CHEERING | 0:07:21 | 0:07:23 | |
# I throw my hands up in the air sometimes | 0:07:23 | 0:07:26 | |
# Saying ayo Gotta let go | 0:07:26 | 0:07:30 | |
# I wanna celebrate and live my life | 0:07:30 | 0:07:34 | |
# Saying ayo Baby, let's go | 0:07:34 | 0:07:38 | |
# Ayo-o-o. # | 0:07:38 | 0:07:42 | |
-Hiya. -How are you? -I'm good. | 0:07:44 | 0:07:46 | |
Are we hugging? | 0:07:46 | 0:07:49 | |
I feel a bit awkward. | 0:07:49 | 0:07:50 | |
I'll do it, go on. | 0:07:50 | 0:07:51 | |
Ugh, ugh. | 0:07:52 | 0:07:54 | |
APPLAUSE AND CHEERING | 0:07:56 | 0:07:58 | |
I don't do the man-hug. | 0:08:00 | 0:08:02 | |
-No? -I don't like the man-hug. | 0:08:02 | 0:08:04 | |
-Why not? -I think it's odd. | 0:08:04 | 0:08:06 | |
-Do you? -It's become too... Like the kiss at the end of the text. | 0:08:06 | 0:08:10 | |
That's too casual now. | 0:08:10 | 0:08:11 | |
-Oh, you mean putting a little kiss? -Too much false love. | 0:08:11 | 0:08:15 | |
I thought you meant doing a text and kissing someone next to you. | 0:08:15 | 0:08:18 | |
This is the sexiest sofa we've had on the series so far. | 0:08:19 | 0:08:22 | |
Because, obviously, Katie, you are Loaded's cover girl of the decade. | 0:08:22 | 0:08:26 | |
That was years ago, when I was young. | 0:08:26 | 0:08:28 | |
Yeah, because you are pig ugly now(!) | 0:08:28 | 0:08:30 | |
-This is going to kill you. -You're pointing at me now! -You know where this is going! | 0:08:30 | 0:08:35 | |
-Rhod... -Shut your face. -Listen... | 0:08:35 | 0:08:38 | |
-Shut your face! -You accept the awards, you get them read out. -I... | 0:08:38 | 0:08:41 | |
Wales' Sexiest Male 2010. | 0:08:41 | 0:08:44 | |
AUDIENCE: Woooo! | 0:08:44 | 0:08:45 | |
Wales' Sexiest Male. Bear in mind, the other contenders where Huw Edwards, Neil Kinnock and Ian Rush. | 0:08:45 | 0:08:50 | |
LAUGHTER | 0:08:50 | 0:08:52 | |
I think we have shots of them, actually. | 0:08:52 | 0:08:54 | |
-Huw Edwards, he was up for it. -You joke, he was in the top 50! | 0:08:54 | 0:08:58 | |
-Was he? -He was! | 0:08:58 | 0:09:00 | |
Neil Kinnock. | 0:09:00 | 0:09:02 | |
LAUGHTER | 0:09:02 | 0:09:04 | |
And Ian Rush. | 0:09:04 | 0:09:05 | |
LAUGHTER | 0:09:05 | 0:09:08 | |
Recognise the body? | 0:09:08 | 0:09:09 | |
Its not yours! | 0:09:09 | 0:09:10 | |
LAUGHTER | 0:09:10 | 0:09:12 | |
-It's Leandro, your other half. -Is it? | 0:09:12 | 0:09:14 | |
-That's his body. -I was looking at the hands and I thought, | 0:09:14 | 0:09:18 | |
it's not an ex ex, because his hands are too big. | 0:09:18 | 0:09:21 | |
Have you committed him to ink? | 0:09:21 | 0:09:23 | |
I know, I'm sad. | 0:09:23 | 0:09:25 | |
Where have you got the tattoo? | 0:09:25 | 0:09:26 | |
Oh, there. | 0:09:26 | 0:09:28 | |
I'll bend over. | 0:09:28 | 0:09:29 | |
Aww, looks a bit like "Lee", actually. | 0:09:31 | 0:09:33 | |
-Has Leo got a tattoo? -He has. | 0:09:34 | 0:09:36 | |
-Where's his? -Same place. | 0:09:36 | 0:09:38 | |
Is it there?! | 0:09:38 | 0:09:39 | |
LAUGHTER | 0:09:39 | 0:09:40 | |
Rhod, what about you, are you a tattoo man? | 0:09:40 | 0:09:42 | |
-I do have a tattoo. -Where? | 0:09:42 | 0:09:44 | |
It's on my shoulder. | 0:09:44 | 0:09:46 | |
I didn't want it, I hate it, it's horrible. | 0:09:46 | 0:09:48 | |
It's a cushion with a Battenburg on it, on fire. | 0:09:48 | 0:09:53 | |
LAUGHTER | 0:09:53 | 0:09:54 | |
-How have you got that? -I had that for a programme I do called Work Experience. | 0:09:54 | 0:09:58 | |
I do different jobs, and the thing I did that week | 0:09:58 | 0:10:01 | |
was be a tattoo artist. | 0:10:01 | 0:10:03 | |
They said if you do it on someone else, you need to experience what it's like... | 0:10:03 | 0:10:07 | |
S o I had to try and choose something. | 0:10:07 | 0:10:09 | |
I had a look through their charts on the wall, couldn't find anything, so I looked in the Argos catalogue. | 0:10:09 | 0:10:15 | |
You didn't! | 0:10:15 | 0:10:16 | |
Thought, "What do girls like?" So I ended up with a cushion, on fire to make it look a bit tough... | 0:10:16 | 0:10:21 | |
-Did it work? -I don't know how the Battenburg came about. | 0:10:21 | 0:10:25 | |
-Can I have a look? -Yeah. | 0:10:25 | 0:10:27 | |
-Let's have a look. -How much do I need to take down? | 0:10:27 | 0:10:29 | |
Take it off till we can see the tattoo! | 0:10:29 | 0:10:33 | |
That's Battenburg for you, it stays fresh. | 0:10:33 | 0:10:35 | |
LAUGHTER | 0:10:35 | 0:10:37 | |
I thought you were joking! | 0:10:37 | 0:10:39 | |
APPLAUSE AND CHEERING | 0:10:39 | 0:10:42 | |
Did you think I was joking to this point? | 0:10:43 | 0:10:46 | |
Do you know what the stupid thing is? They made me have one and... | 0:10:46 | 0:10:49 | |
The stupid thing is, you've got Battenburg on your back! | 0:10:49 | 0:10:51 | |
I should have had a tiny little one, they just said, "You've got to have one." | 0:10:51 | 0:10:57 | |
It didn't occur to me not to have something big. Halfway through I wanted him to stop | 0:10:57 | 0:11:02 | |
but I don't want half a Battenburg! | 0:11:02 | 0:11:04 | |
You'd be an idiot! | 0:11:04 | 0:11:05 | |
-Wouldn't you? -Who'd have half a Battenburg? | 0:11:05 | 0:11:07 | |
It was a very traumatic experience. | 0:11:07 | 0:11:10 | |
Katie, you've brought out your new book. | 0:11:10 | 0:11:12 | |
That one is out 27th July. | 0:11:12 | 0:11:15 | |
Have you read it? | 0:11:15 | 0:11:16 | |
I did sit down and write it! | 0:11:16 | 0:11:19 | |
-LAUGHTER -Oh, come on! | 0:11:19 | 0:11:21 | |
You are quite open about the fact that some of you write and some of them.... | 0:11:21 | 0:11:27 | |
-I've got 40 books out, with that one 41, and Christmas's one, Santa Baby... -41 books? -Yes. | 0:11:27 | 0:11:34 | |
You know Ghandi wrote one? | 0:11:34 | 0:11:35 | |
Soon I'll have 42 books out. | 0:11:35 | 0:11:38 | |
What are they about? | 0:11:38 | 0:11:40 | |
I've been doing them for over 10 years. I've got children's books, pony novels, | 0:11:40 | 0:11:43 | |
-the autobiographies... -Pony novels? What's a pony novel? -For kids. -Oh. | 0:11:43 | 0:11:47 | |
And picture books for the younger kids. | 0:11:47 | 0:11:50 | |
Is this one pony? | 0:11:50 | 0:11:51 | |
LAUGHTER | 0:11:51 | 0:11:53 | |
-This is fiction, this is not one of your autobiographies, is it? -No, that's a novel. | 0:11:53 | 0:11:57 | |
-I'm doing that for the Guinness Book of Records. -What's the record attempt? | 0:11:57 | 0:12:01 | |
The person I've got to beat is a chess player, | 0:12:01 | 0:12:04 | |
so only 2,000 people. | 0:12:04 | 0:12:05 | |
-You've got to beat him at the most amount of signings? -That is genuine. | 0:12:05 | 0:12:09 | |
All the people who turn up, their names will be in my Christmas novel, Santa Baby. | 0:12:09 | 0:12:14 | |
What about you, Rhod? Any records you're going for? | 0:12:14 | 0:12:16 | |
-Apart from being the world's sexiest man in Wales. -Leave it go! | 0:12:16 | 0:12:21 | |
"Let it go", as we say in England. | 0:12:21 | 0:12:23 | |
I haven't got a.... | 0:12:23 | 0:12:24 | |
LAUGHTER | 0:12:24 | 0:12:26 | |
You look at records, you think some of them look really doable. | 0:12:26 | 0:12:29 | |
I've always wanted to do one. | 0:12:29 | 0:12:31 | |
Some of them look more doable than others. The world record for eating Ferrero Rocher in one go is five. | 0:12:31 | 0:12:36 | |
-That sounds really... -Five? -You think, "That can't be right." | 0:12:36 | 0:12:39 | |
There's one with Jaffa Cakes. I can't do it, eat five Jaffa Cakes in a minute. | 0:12:39 | 0:12:46 | |
-That's easy! -It's not. -They sound easy, they're not. | 0:12:46 | 0:12:48 | |
Get five Jaffa Cakes, I'd like to see you do it in a minute. | 0:12:48 | 0:12:51 | |
-A £50 bet. -I'll do five Jaffa Cakes. | 0:12:51 | 0:12:53 | |
-I'll bet you £50. -Go on, shake on it. | 0:12:53 | 0:12:55 | |
-Are you sure it's Jaffa Cakes? -I'm telling you. | 0:12:55 | 0:12:59 | |
Jaffa Cakes. | 0:13:00 | 0:13:01 | |
-Do you want to bet too? -Yeah! -Come on then. There you go. | 0:13:01 | 0:13:05 | |
-We've done the bet, come on. -Get your money out! -I want 10 Jaffa Cakes, now! | 0:13:05 | 0:13:11 | |
There is loads written about you, I'm sure loads of it is not true, | 0:13:11 | 0:13:14 | |
-but the craziest thing I've heard... -Tell me, because I hear loads... | 0:13:14 | 0:13:18 | |
-..Is that you had silicon breast implants removed... -They're in my drawer. -And they're in your drawer. | 0:13:18 | 0:13:24 | |
-I've got two sets in my drawer. -Is that true? -Yeah. | 0:13:24 | 0:13:26 | |
-Up until today, I... -I was going to put them on eBay for a million pounds for charity. | 0:13:26 | 0:13:31 | |
But what idiot would pay a million pounds? | 0:13:31 | 0:13:34 | |
Me? | 0:13:34 | 0:13:35 | |
-Have you been in my drawers? -They're not yours, I got them for £50. | 0:13:35 | 0:13:39 | |
I had never seen silicon implants till today. | 0:13:39 | 0:13:41 | |
-Is that... -That is what's in there. | 0:13:41 | 0:13:43 | |
That's what's in there. | 0:13:43 | 0:13:44 | |
-Have you got any in there now or are they normal? -Course I've got them in there. | 0:13:44 | 0:13:48 | |
-I haven't looked! -Let him feel. -I haven't gone like this. -This is what I feel like. | 0:13:48 | 0:13:52 | |
-What do you do with the ones at home? -They're in the drawer. They're just there. | 0:13:52 | 0:13:57 | |
They make nice stress balls. | 0:13:57 | 0:13:59 | |
They're weird, don't you think? You can punch them and they don't break. | 0:13:59 | 0:14:02 | |
How did you find that out?! | 0:14:02 | 0:14:04 | |
Look, nothing. | 0:14:04 | 0:14:06 | |
-Don't burst or anything. -Who punched you in the tits? | 0:14:06 | 0:14:08 | |
-Throw me the other, I feel odd having one. -Sure. Have you got three? You can juggle. | 0:14:10 | 0:14:14 | |
-Are yours bigger than these? -What size are they? | 0:14:15 | 0:14:18 | |
-Rhod, let it go! -Fascinated! | 0:14:18 | 0:14:19 | |
I am bigger, their a 314. | 0:14:19 | 0:14:22 | |
What was it before? | 0:14:22 | 0:14:23 | |
The largest I had was 800. | 0:14:23 | 0:14:25 | |
500 bigger than this? | 0:14:27 | 0:14:28 | |
Rhod, I've got to stop you. News just in, | 0:14:28 | 0:14:31 | |
we have the Jaffa Cakes. | 0:14:31 | 0:14:34 | |
APPLAUSE AND CHEERING | 0:14:34 | 0:14:37 | |
-Look at the water I'm drinking! -Look at how many they've given you! | 0:14:39 | 0:14:43 | |
Right, boys, right, boys. | 0:14:43 | 0:14:44 | |
Explain the rules. | 0:14:44 | 0:14:45 | |
Five Jaffa Cakes each, so take your five. | 0:14:45 | 0:14:48 | |
-Five. -How long on the stop watch? -One minute. | 0:14:49 | 0:14:52 | |
-Whatever tactic... -Five? | 0:14:52 | 0:14:55 | |
-Five. -Do I shuffle them? -Let me count. | 0:14:55 | 0:14:57 | |
I could do five tic-tacs in a minute. | 0:14:57 | 0:14:59 | |
You're telling me I can't eat five in a minute? | 0:14:59 | 0:15:01 | |
People I've done it with can't eat it! Look at me, backing down. | 0:15:01 | 0:15:05 | |
Countdown from the audience, from five. | 0:15:05 | 0:15:07 | |
AUDIENCE: Five, four, three, two, one! | 0:15:07 | 0:15:11 | |
£100! My way. £100. | 0:15:11 | 0:15:15 | |
My £100 is not coming... | 0:15:15 | 0:15:18 | |
No water! | 0:15:21 | 0:15:22 | |
AUDIENCE CHEERS | 0:15:24 | 0:15:25 | |
Not enjoyable. | 0:15:29 | 0:15:30 | |
Easy! Easy! | 0:15:30 | 0:15:33 | |
-You're not going to do it. -Oh, my God! You are! | 0:15:33 | 0:15:36 | |
AUDIENCE CHEERS | 0:15:36 | 0:15:37 | |
He is! It's his last one! | 0:15:37 | 0:15:39 | |
He hasn't eaten them! | 0:15:39 | 0:15:40 | |
-AUDIENCE MEMBER: -Go on, Lee! | 0:15:40 | 0:15:41 | |
CHEERING No way! | 0:15:41 | 0:15:44 | |
KLAXON BLARES | 0:15:46 | 0:15:48 | |
-MUFFLED: -Absolutely simple! | 0:15:48 | 0:15:50 | |
He didn't eat all them! LAUGHTER | 0:15:50 | 0:15:53 | |
Ugh! | 0:15:53 | 0:15:54 | |
-MUFFLED: -See? Easy! | 0:15:56 | 0:15:57 | |
LAUGHTER | 0:15:57 | 0:15:59 | |
-I want my £50, guys, come on. -50 quid, right. | 0:16:01 | 0:16:04 | |
-Yeah, you can have it. -I love it when I prove people wrong! I love that! Thank you so much! | 0:16:04 | 0:16:09 | |
It's nice to see that the best thing we've done all night is choke on a Jaffa Cake. | 0:16:09 | 0:16:14 | |
Tonight we have a fantastic comedian on the show. | 0:16:14 | 0:16:16 | |
He's just completed a tour of the UK, New Zealand and Australia. | 0:16:16 | 0:16:19 | |
Please welcome the brilliant Danny Bhoy! | 0:16:19 | 0:16:22 | |
# Get up, stand up | 0:16:22 | 0:16:24 | |
# Stand up for your rights. # | 0:16:24 | 0:16:27 | |
Thank you. | 0:16:28 | 0:16:30 | |
I just got back from Australia where I went on a wine tour. | 0:16:30 | 0:16:33 | |
I've never been on a wine tour before. | 0:16:33 | 0:16:35 | |
I've been on pub crawls. | 0:16:35 | 0:16:38 | |
It's not quite the same thing. | 0:16:38 | 0:16:39 | |
If you get your willy out on a wine tour, nobody laughs. | 0:16:39 | 0:16:42 | |
And I mean nobody - the whole bus froze, I didn't know what to say. | 0:16:44 | 0:16:48 | |
"I seem to have misread the situation entirely. I'm very sorry. | 0:16:48 | 0:16:51 | |
"Of course I'll take my seat. Calm down." | 0:16:51 | 0:16:53 | |
People are obsessed by wine nowadays. | 0:16:53 | 0:16:55 | |
I was on the tour with two people from Surrey in England | 0:16:55 | 0:16:58 | |
and they were wine connoisseurs, | 0:16:58 | 0:17:00 | |
which I think is French for wankers. | 0:17:00 | 0:17:03 | |
It was only them two and me on the tour, | 0:17:03 | 0:17:05 | |
which made the whole willy-out thing more embarrassing. | 0:17:05 | 0:17:08 | |
And they're obsessed by wine because they're wine connoisseurs. | 0:17:08 | 0:17:13 | |
People are obsessed by wine - the age of a wine and the region it comes from is very important. | 0:17:13 | 0:17:17 | |
"Do come round. I've just picked up a cheeky little five-year-old." | 0:17:17 | 0:17:21 | |
What? Sorry? Can I speak to Mum, Dad? | 0:17:21 | 0:17:24 | |
"From the Dordogne region." Beer drinkers don't have the same pretentiousness, do they? | 0:17:26 | 0:17:31 | |
You don't go round to a beer drinker's house and he goes, "I'm glad you're here, | 0:17:31 | 0:17:35 | |
"I've just cracked open a three-day-old Special Brew... | 0:17:35 | 0:17:38 | |
"from the Motherwell region." | 0:17:38 | 0:17:39 | |
Do you think when Jesus turned water into wine, | 0:17:39 | 0:17:42 | |
do you think there were connoisseurs at that meeting? | 0:17:42 | 0:17:45 | |
"Bloody good show, Jesus. Well done with the whole trick thing, | 0:17:45 | 0:17:49 | |
"but actually it's white wine with fish, | 0:17:49 | 0:17:51 | |
"but never mind, you did... | 0:17:51 | 0:17:53 | |
"You did very well, you did very well." | 0:17:53 | 0:17:56 | |
I went on this wine tour in Australia | 0:17:56 | 0:17:58 | |
and there was this very posh couple with me | 0:17:58 | 0:18:01 | |
and I didn't really get on with them very well, particularly the bloke. | 0:18:01 | 0:18:05 | |
Dressed like a... He had a tweed suit on. | 0:18:05 | 0:18:07 | |
He looked like a couch, just prodding me every five minutes. | 0:18:07 | 0:18:10 | |
"What are you doing on my wine tour? What are you doing on my...? | 0:18:10 | 0:18:15 | |
"Are you poor? You look poor." | 0:18:15 | 0:18:16 | |
So I was quite... I was fairly nonplussed about the whole thing. | 0:18:16 | 0:18:23 | |
You can go on a tour of the actual vineyards. | 0:18:23 | 0:18:25 | |
We're really there for the wine tasting at the end | 0:18:25 | 0:18:28 | |
and we got to the very first wine tasting and I was sort of here, | 0:18:28 | 0:18:31 | |
his wife was here and he was there. | 0:18:31 | 0:18:34 | |
And he picks up his wine. | 0:18:34 | 0:18:37 | |
"Oh," he says. "That's marvellous! Absolutely marvellous! | 0:18:37 | 0:18:40 | |
"Overtones of blueberry and raspberry and strawberry, | 0:18:40 | 0:18:44 | |
"banana, coconut, lime, | 0:18:44 | 0:18:47 | |
"lemon... Is there lemon? I think there's a lemon." | 0:18:47 | 0:18:51 | |
I'm thinking, "Has this guy got a smoothie?" | 0:18:51 | 0:18:53 | |
Then his wife, she picks up hers. She's got the Chardonnay. | 0:18:56 | 0:19:00 | |
"Very dry, very oaky, very nutty, very almondy." | 0:19:00 | 0:19:04 | |
HE SNIGGERS | 0:19:04 | 0:19:05 | |
And we drink that, then it's my turn, right? | 0:19:05 | 0:19:08 | |
I said, "Maybe skip me out, I don't really know what I'm doing here." | 0:19:08 | 0:19:11 | |
He's very offended. "Don't be ridiculous, monkey boy! | 0:19:11 | 0:19:16 | |
"Are you poor? You look poor. | 0:19:16 | 0:19:18 | |
"Just say the essence of what you smell. You smell and you say. | 0:19:18 | 0:19:22 | |
"It's very instinctive." | 0:19:22 | 0:19:23 | |
I said, "All right, I'll give it a go." | 0:19:23 | 0:19:25 | |
-I picked up my wine and I went... -HE INHALES DEEPLY | 0:19:25 | 0:19:29 | |
"Mmm! Crushed grapes!" | 0:19:29 | 0:19:31 | |
LAUGHTER | 0:19:31 | 0:19:34 | |
And I was right! | 0:19:34 | 0:19:35 | |
I was the only one that was right. Thank you very much for listening. | 0:19:35 | 0:19:39 | |
CHEERING AND APPLAUSE | 0:19:39 | 0:19:41 | |
Ladies and gentlemen, Danny Bhoy! | 0:19:43 | 0:19:45 | |
CHEERING | 0:19:45 | 0:19:48 | |
It's not just celebrity guests on the sofa tonight. | 0:19:48 | 0:19:51 | |
There's also a chance for the studio audience to join us. It's time to... | 0:19:51 | 0:19:54 | |
# Give it away, give it away Give it away now | 0:19:56 | 0:19:58 | |
# Give it away, give it away Give it away now. # | 0:19:58 | 0:20:01 | |
Yes, once again we asked everyone in our studio audience | 0:20:01 | 0:20:04 | |
to bring something to bribe our guests with. | 0:20:04 | 0:20:07 | |
The winner as judged by Katie and Rhod | 0:20:07 | 0:20:09 | |
will guarantee themselves a place on the sofa to promote next week's show. | 0:20:09 | 0:20:13 | |
First up, we have Peter Adams. | 0:20:13 | 0:20:15 | |
What have you got to offer? | 0:20:15 | 0:20:17 | |
I am a part-time horse psychologist and I have a session to offer. | 0:20:17 | 0:20:21 | |
Hold that up. What's that in your hand? | 0:20:21 | 0:20:23 | |
He's obviously already been to the shrink. | 0:20:23 | 0:20:26 | |
LAUGHTER | 0:20:26 | 0:20:28 | |
I don't understand why we would want horse psychology. | 0:20:28 | 0:20:31 | |
Surely you normally analyse horses, don't you? | 0:20:31 | 0:20:34 | |
And that may be of interest to Katie. | 0:20:34 | 0:20:37 | |
To be honest, you're so stressed, Rhod, it'd be good for you too. | 0:20:37 | 0:20:40 | |
Katie, are you interested in psychology for your horses. | 0:20:40 | 0:20:43 | |
I am cos quite a lot of my horses are naughty and everyone says it's me. | 0:20:43 | 0:20:47 | |
When you ride... You'd probably know the term, they say I have an electric arse. | 0:20:47 | 0:20:53 | |
We call it a hot arse, you call it an electric arse, | 0:20:53 | 0:20:55 | |
but whatever sort of mood you're in will transfer through to the horse. | 0:20:55 | 0:20:59 | |
How do you turn a sad horse into a happy horse? | 0:20:59 | 0:21:01 | |
-It depends on why he's sad. -Let's say he's got a wooden leg. | 0:21:01 | 0:21:07 | |
-LAUGHTER -He'd be glue probably! | 0:21:07 | 0:21:10 | |
You're a great psychologist(!) Is that what you whisper to him? | 0:21:10 | 0:21:13 | |
"You're going to be glue soon." | 0:21:13 | 0:21:15 | |
Cheers, Peter! | 0:21:15 | 0:21:16 | |
OK, Franco Chiara Valotti. Where are you? | 0:21:16 | 0:21:21 | |
Here. I come from Argentina. | 0:21:21 | 0:21:23 | |
I am a Spanish teacher | 0:21:23 | 0:21:24 | |
-and I came here to offer both some Spanish lessons. -Spanish lessons? | 0:21:24 | 0:21:28 | |
-Can you speak Spanish? -I can say, "Como estas?" | 0:21:28 | 0:21:31 | |
-Bien, y tu? -Muchos gracias. | 0:21:31 | 0:21:33 | |
Dos cola, por favor? | 0:21:33 | 0:21:35 | |
Very good. I speak Spanish too. | 0:21:35 | 0:21:37 | |
We both speak Spanish. | 0:21:37 | 0:21:39 | |
Do you speak much Spanish? | 0:21:39 | 0:21:40 | |
I've had one Spanish lesson. | 0:21:40 | 0:21:42 | |
How do you communicate, you and Leo? | 0:21:42 | 0:21:44 | |
Em, he speaks English now. | 0:21:44 | 0:21:45 | |
-Does he speak it well? -He has lessons all the time. | 0:21:45 | 0:21:48 | |
-So it would be good to improve your Spanish? -It's just finding the time. | 0:21:48 | 0:21:51 | |
-Tell you what, help us out here. -I've got some questions to ask, | 0:21:51 | 0:21:54 | |
-but in Spanish. -You ask questions in Spanish, Rhod can interpret, | 0:21:54 | 0:21:58 | |
-Katie can answer. -Go on then. | 0:21:58 | 0:22:00 | |
FRANCO SPEAKS SPANISH | 0:22:00 | 0:22:03 | |
I know what he said. "Do you prefer cups of teas in Argentina than in England?" | 0:22:03 | 0:22:07 | |
-I prefer them in England. -He didn't say that. | 0:22:07 | 0:22:09 | |
He does, didn't he? | 0:22:09 | 0:22:10 | |
No, he said, basically, | 0:22:10 | 0:22:12 | |
"Do you like a bit of Argentinian meat?" | 0:22:12 | 0:22:14 | |
-Specifically... -Did you really ask that? | 0:22:14 | 0:22:17 | |
-He's just talking about Argentinian steak, aren't you? -Yes. | 0:22:17 | 0:22:21 | |
-What sort of Argentinian steak do you like? -I adore Argentinian steak. | 0:22:21 | 0:22:25 | |
It was very tasty when I was out there. | 0:22:25 | 0:22:27 | |
-Thank you very much to Franco. -CHEERING AND APPLAUSE | 0:22:27 | 0:22:30 | |
-Martin Lee, where are you? -I'm here. -How are you, Martin? | 0:22:30 | 0:22:33 | |
-I'm good, mate. -And what have you got to offer? | 0:22:33 | 0:22:36 | |
I'm a pro photographer, so I'm going to offer Jordan...Katie, sorry, | 0:22:36 | 0:22:39 | |
if she gets married, I'll do you wedding. | 0:22:39 | 0:22:42 | |
-I'm not getting married again. -You sure? | 0:22:42 | 0:22:45 | |
It's too expensive to get married and more expensive to divorce. Trust me! | 0:22:45 | 0:22:49 | |
And to be fair, it's... Are you offering it as a free service? | 0:22:49 | 0:22:53 | |
-INHALES -I don't know about that. | 0:22:53 | 0:22:54 | |
So your bribe is to turn up professionally and take photos for money? | 0:22:54 | 0:22:59 | |
-Well...yeah. -Brilliant! | 0:22:59 | 0:23:00 | |
You haven't thought that through. That's no bribe. | 0:23:00 | 0:23:03 | |
You're just charging us. | 0:23:03 | 0:23:05 | |
-Are you really not getting married again? -No. | 0:23:05 | 0:23:08 | |
I'm not. Definitely not. | 0:23:08 | 0:23:10 | |
It's so expensive. Costs me money to get married | 0:23:10 | 0:23:12 | |
and it costs me more to divorce. | 0:23:12 | 0:23:14 | |
Also, if he asked you, you wouldn't understand him. | 0:23:14 | 0:23:16 | |
-He speaks English! -You'll say, "Earl Grey, please." -I promise you, | 0:23:16 | 0:23:20 | |
-You could always go in optimistically and think you might not get divorced. -No. | 0:23:20 | 0:23:24 | |
Honestly, I'm not getting married again. If I did... | 0:23:24 | 0:23:27 | |
I've contradicted myself. ..it'd be very, have to be someone... | 0:23:27 | 0:23:31 | |
You're going to get married again?! | 0:23:31 | 0:23:33 | |
-I'm not. At the moment I'm not, no. -Not even with a free photographer? | 0:23:33 | 0:23:36 | |
-No. -Not enough to sway it? -No. | 0:23:36 | 0:23:38 | |
You've got to make your decision. What's it going to be? | 0:23:38 | 0:23:40 | |
I'd like the horsy, but cos it's both of us, we'd benefit from the Spanish lessons. | 0:23:40 | 0:23:45 | |
Cos you already speak it, it'd be good to do more. | 0:23:45 | 0:23:48 | |
Me, I can't speak it. | 0:23:48 | 0:23:49 | |
I think you're right and he's come all the way from...Buenos Aires. | 0:23:49 | 0:23:53 | |
Well done, Franco, we'll see you at the end of the show. | 0:23:53 | 0:23:56 | |
APPLAUSE | 0:23:56 | 0:23:58 | |
You may think my life is a series of endless parties, and you'd be right, | 0:23:59 | 0:24:03 | |
but as well as moonlighting as a children's entertainer, | 0:24:03 | 0:24:06 | |
I also do all the bookings for this show. | 0:24:06 | 0:24:08 | |
PHONE RINGS | 0:24:21 | 0:24:23 | |
Lee Mack's all star cast. | 0:24:23 | 0:24:25 | |
Ah, Daniel Radcliffe. | 0:24:25 | 0:24:27 | |
What are you going to do for work now that you're unemployed? | 0:24:27 | 0:24:30 | |
It's ironic, you spend your childhood playing a wizard | 0:24:30 | 0:24:33 | |
then, as if by magic, career opportunitiesvanish. | 0:24:33 | 0:24:36 | |
Anyway, it's not just you with problems, | 0:24:36 | 0:24:38 | |
we've now even got dragons roaming round looking for work. | 0:24:38 | 0:24:41 | |
KNOCK AT DOOR | 0:24:49 | 0:24:51 | |
Lee, it's Theo Paphitis. | 0:24:51 | 0:24:53 | |
Lee, it's Theo from Dragon's Den. | 0:24:54 | 0:24:56 | |
I've listened to what you have to say and I've got to tell you, | 0:24:56 | 0:24:59 | |
I'm out. | 0:24:59 | 0:25:00 | |
Oi! | 0:25:01 | 0:25:03 | |
Are we going to talk about me coming on your show, or what? | 0:25:07 | 0:25:10 | |
Yeah, sure. Hang on a second. | 0:25:10 | 0:25:11 | |
Next up, it's London based entrepreneur, Theo Paphitis. | 0:25:17 | 0:25:21 | |
He's looking for 40 minutes of BBC One air time | 0:25:21 | 0:25:24 | |
in exchange for some witty conversation | 0:25:24 | 0:25:26 | |
and interesting anecdotes about how filthy rich he is. | 0:25:26 | 0:25:28 | |
So, you want to come on the show? | 0:25:33 | 0:25:35 | |
What can you offer us? | 0:25:38 | 0:25:40 | |
I can talk to you about my book - Enter The Dragon, | 0:25:40 | 0:25:43 | |
-it's my autobiography. -What's is about? | 0:25:43 | 0:25:46 | |
What do you think it's about? | 0:25:49 | 0:25:50 | |
Err, about 2.99? | 0:25:50 | 0:25:53 | |
It's about me! | 0:25:53 | 0:25:56 | |
All right, 1.99. | 0:25:56 | 0:25:57 | |
So, let's assume I've investedmoney in this book. | 0:25:59 | 0:26:01 | |
What do I get in return? | 0:26:01 | 0:26:03 | |
Well, you'll learn how I bought a lingerie business for a pound | 0:26:03 | 0:26:06 | |
and took packets of fags and sold it for 100 million. | 0:26:06 | 0:26:10 | |
There's money in knickers. | 0:26:10 | 0:26:12 | |
Yeah, I go to those types of clubs too. | 0:26:12 | 0:26:15 | |
Oh, I am a knicker magnet. | 0:26:15 | 0:26:17 | |
It's a good job you don't sell fridges. | 0:26:17 | 0:26:19 | |
You learn about other businesses as well. | 0:26:21 | 0:26:24 | |
Like stationary. Some call me the stationary king. | 0:26:24 | 0:26:28 | |
Don't you mean the ruler? | 0:26:28 | 0:26:30 | |
KNOCK AT DOOR | 0:26:30 | 0:26:32 | |
It's my beloved landlady, Miss Dent! | 0:26:34 | 0:26:37 | |
What's with the double knockers? | 0:26:43 | 0:26:44 | |
Are you trying to get a cheap laugh? | 0:26:44 | 0:26:46 | |
No. | 0:26:46 | 0:26:48 | |
Yes. | 0:26:49 | 0:26:50 | |
Well, I haven't had it for four weeks so can you give it to me now? | 0:26:50 | 0:26:54 | |
I know you mean the rent, but give me a few more seconds. | 0:26:56 | 0:26:59 | |
Huh, I thought that's all it takes you. | 0:26:59 | 0:27:01 | |
Well, I'll give you another week or I'll do what they do on I'm A Celebrity. | 0:27:01 | 0:27:05 | |
Get me out of here? | 0:27:05 | 0:27:06 | |
No, I'm gonna eat your nuts for lunch. | 0:27:06 | 0:27:08 | |
Hang on, why am I having to pitch to come on your show? | 0:27:17 | 0:27:20 | |
I've had all the big business men pitching to me. That Virgin fella. | 0:27:20 | 0:27:23 | |
What, Branson? | 0:27:23 | 0:27:24 | |
No, Peter Jones. | 0:27:24 | 0:27:26 | |
He's a big lad for 14, isn't he? | 0:27:26 | 0:27:28 | |
He'd probably get a girlfriend | 0:27:28 | 0:27:30 | |
if he stopped letting his mum cut his hair. | 0:27:30 | 0:27:33 | |
Look, am I coming on your poxy show or not? | 0:27:33 | 0:27:35 | |
OK, Theo, this is where I'm at. | 0:27:35 | 0:27:37 | |
I'll say to you what I said to Deborah Meaden, | 0:27:37 | 0:27:40 | |
I like you, you've got balls. | 0:27:40 | 0:27:42 | |
Big balls. | 0:27:42 | 0:27:43 | |
I would rather stick sharp implements in parts of my anatomy which I hold dear than come on your show. | 0:27:43 | 0:27:52 | |
I want 0% involvement. | 0:27:52 | 0:27:54 | |
I'm out. | 0:27:54 | 0:27:56 | |
Fine, if you don't want to be on my show | 0:27:56 | 0:27:58 | |
you won't get to hear about my new business proposition. | 0:27:58 | 0:28:00 | |
Listen, mate, I get propositioned on every street corner. | 0:28:00 | 0:28:04 | |
Blimey, don't you make enough money? | 0:28:04 | 0:28:05 | |
-I'm telling you, this could make millions. -Go on then, let's hear it. | 0:28:06 | 0:28:10 | |
LEE CLAPS | 0:28:10 | 0:28:12 | |
I've stolen a really good idea. | 0:28:16 | 0:28:20 | |
Not my face. | 0:28:20 | 0:28:21 | |
Hold on, hold on, I like this. I'm in. | 0:28:21 | 0:28:24 | |
I'll be in my office if anybody wants me. | 0:28:26 | 0:28:28 | |
That's left a bad smell in the room. Absorbent stuff. | 0:28:37 | 0:28:41 | |
Let's meet the final members of tonight's cast. | 0:28:41 | 0:28:43 | |
Yes, it's time for... | 0:28:43 | 0:28:46 | |
# When will I, will I be famous? | 0:28:46 | 0:28:50 | |
DEEP VOICE # For 15 seconds. # | 0:28:50 | 0:28:54 | |
First up, our reigning champion, The Rux. How are you, lads? | 0:29:00 | 0:29:03 | |
Very good thank you, Lee. | 0:29:03 | 0:29:05 | |
Is this Jordan I'm speaking to? | 0:29:05 | 0:29:07 | |
It is Jordan, but I'm thinking of changing my name to Katy Price. | 0:29:07 | 0:29:11 | |
Right, nice touch. | 0:29:11 | 0:29:13 | |
Are they underpants or incontinent pants? | 0:29:13 | 0:29:16 | |
You'll find out now. | 0:29:16 | 0:29:17 | |
Please don't tell me. | 0:29:17 | 0:29:19 | |
What are you going to do for us, lads. | 0:29:20 | 0:29:21 | |
This song is called Get It Off. | 0:29:21 | 0:29:23 | |
Well, The Rux, this is your 15 seconds of fame. | 0:29:23 | 0:29:26 | |
# Just get it off, just get it off | 0:29:28 | 0:29:31 | |
# Just get it off, just get it off | 0:29:31 | 0:29:34 | |
# What's with the fuss? | 0:29:34 | 0:29:35 | |
# Just get it off | 0:29:35 | 0:29:36 | |
# You're very pretty, we discussed | 0:29:36 | 0:29:39 | |
# Whoa! Stop being such a tease... # | 0:29:39 | 0:29:42 | |
BUZZER | 0:29:42 | 0:29:44 | |
Katie, Rhod, what are we thinking? | 0:29:47 | 0:29:49 | |
You don't want to know, mate. | 0:29:49 | 0:29:51 | |
-They sound like they're from near where I'm from. -Where are you from, guys? | 0:29:53 | 0:29:56 | |
We're from Swansea. | 0:29:56 | 0:29:58 | |
I'm about 15 miles away. Very proud, boys, very proud. | 0:29:58 | 0:30:01 | |
-Yeah, very proud. -Thank you very much. | 0:30:01 | 0:30:03 | |
We wore the Welsh colours for you. | 0:30:03 | 0:30:05 | |
Very nice touch. Just to let you know, | 0:30:05 | 0:30:07 | |
you're looking at the second, third, fourth, fifth and sixth | 0:30:07 | 0:30:10 | |
sexiest men in Wales. | 0:30:10 | 0:30:11 | |
Thanks a lot Jordan and The Rux. | 0:30:14 | 0:30:16 | |
Thank you. | 0:30:16 | 0:30:17 | |
OK, Rudy Barrow. Are we there, Rudy? | 0:30:19 | 0:30:21 | |
-Hello. -What's that moving behind you? | 0:30:23 | 0:30:25 | |
-Moving? -There's something moving behind you. | 0:30:25 | 0:30:28 | |
-That's the fish. -Oh, right. Scared the life out of me. | 0:30:28 | 0:30:31 | |
What's your fish called? | 0:30:31 | 0:30:32 | |
It hasn't got a name. | 0:30:32 | 0:30:35 | |
You haven't got a name for your fish? | 0:30:35 | 0:30:36 | |
-How does he know to look at you when you're talking? -He's a fish. | 0:30:36 | 0:30:40 | |
There's something else moving. One of the fish is escaping! | 0:30:40 | 0:30:44 | |
In a dress. | 0:30:44 | 0:30:45 | |
There's a human being behind you or am I going mad? | 0:30:45 | 0:30:48 | |
That's my girlfriend. | 0:30:48 | 0:30:50 | |
Has she got a name? | 0:30:50 | 0:30:52 | |
-Dolcie. -Dolcie. Right. | 0:30:52 | 0:30:54 | |
Does she live behind the banister? | 0:30:54 | 0:30:57 | |
Hello, Dolcie. | 0:30:57 | 0:30:59 | |
Rudy, what are you going to do for us? | 0:30:59 | 0:31:01 | |
I'm going to sing you a song. | 0:31:01 | 0:31:02 | |
Oh, beautiful. Rudy Barrow, this is your 15 seconds of fame. | 0:31:02 | 0:31:07 | |
BADLY OUT OF TUNE: # You're once... | 0:31:21 | 0:31:23 | |
KLAXON | 0:31:23 | 0:31:25 | |
APPLAUSE | 0:31:25 | 0:31:26 | |
LEE LAUGHS | 0:31:26 | 0:31:29 | |
Ever get the feeling some people don't FULLY understand the format? | 0:31:32 | 0:31:38 | |
He's the only singer I've seen who hasn't bothered standing up. | 0:31:38 | 0:31:41 | |
LAUGHTER | 0:31:41 | 0:31:42 | |
I've never seen a singer just perform from a desk chair before! | 0:31:42 | 0:31:47 | |
Ladies and gentlemen, Rudy and his 15 seconds of fame. Thanks, Rudy! | 0:31:47 | 0:31:52 | |
"Lilak" Chen...? Have we got you there, Lilak? | 0:31:55 | 0:31:57 | |
-Lilach. I know it's weird. -Lilachh! You don't want me doing that tonight | 0:31:57 | 0:32:01 | |
with the Jaffa Cakes I'VE got in me throat. | 0:32:01 | 0:32:03 | |
-What are you going to do for us tonight? -I'm going to finger-dance. | 0:32:03 | 0:32:07 | |
Don't say anything... | 0:32:07 | 0:32:09 | |
-Don't say it? OK. -Don't say it. | 0:32:09 | 0:32:12 | |
Lilach Chen - this is your 15 seconds of fame. | 0:32:12 | 0:32:14 | |
OK... | 0:32:14 | 0:32:16 | |
MUSIC: "It's Like That" by Run-DMC | 0:32:17 | 0:32:19 | |
KLAXON | 0:32:29 | 0:32:31 | |
-APPLAUSE -Lilach Chen there! | 0:32:31 | 0:32:34 | |
-That's good, isn't it? Pretty impressive. -I liked that. Different. | 0:32:37 | 0:32:41 | |
I'd give you a bit of advice, your fingers are like Take That - | 0:32:41 | 0:32:45 | |
I like the four of them, but I'd lose the little fat one. | 0:32:45 | 0:32:48 | |
AUDIENCE: Ohhh! | 0:32:48 | 0:32:49 | |
Lilach Chen. Let's hear it for Lilach. | 0:32:49 | 0:32:52 | |
OK, Hank...Osasuna? | 0:32:55 | 0:32:57 | |
Yes. | 0:32:57 | 0:33:00 | |
-Is that your collection of teddy bears? -Only some of them. | 0:33:00 | 0:33:03 | |
-How many have you got? -About a thousand. | 0:33:03 | 0:33:07 | |
Very slowly... What's in the cupboard? | 0:33:07 | 0:33:09 | |
LAUGHTER | 0:33:09 | 0:33:12 | |
If that's what he's PREPARED to show us, | 0:33:12 | 0:33:14 | |
God knows what's behind those doors! | 0:33:14 | 0:33:17 | |
What are you going to do for us? | 0:33:17 | 0:33:18 | |
I'm going to do an impression of an old blues man. | 0:33:18 | 0:33:22 | |
OK. Which blues man? | 0:33:22 | 0:33:23 | |
It's me - pretending to be an old blues man. | 0:33:23 | 0:33:26 | |
LAUGHTER | 0:33:26 | 0:33:29 | |
At least he's explained it... | 0:33:30 | 0:33:31 | |
I was wondering what you meant by "impression". | 0:33:31 | 0:33:34 | |
LAUGHTER | 0:33:34 | 0:33:36 | |
OK. This is your 15 seconds of fame. | 0:33:36 | 0:33:37 | |
UNINTELLIGIBLE "BLUES SINGING" | 0:33:38 | 0:33:41 | |
LAUGHTER | 0:33:42 | 0:33:43 | |
Heh-heh-hehhh! | 0:33:48 | 0:33:50 | |
Yeah! | 0:33:50 | 0:33:51 | |
KLAXON | 0:33:51 | 0:33:53 | |
WHOOPING AND APPLAUSE | 0:33:53 | 0:33:55 | |
Katie - first impressions. | 0:33:57 | 0:33:58 | |
Well, I wasn't expecting that, put it that way... | 0:33:58 | 0:34:02 | |
Not many of us were. Rhod? | 0:34:02 | 0:34:04 | |
-Where did you first realise that you could do that? -LAUGHTER | 0:34:04 | 0:34:06 | |
I was in Tesco's. | 0:34:07 | 0:34:10 | |
Tesco's! | 0:34:10 | 0:34:11 | |
Hank, that was your 15 seconds of fame. Thank you very much. | 0:34:11 | 0:34:15 | |
Who are we going to have? | 0:34:15 | 0:34:16 | |
I would say the er...the breakdancer. Only because she actually did her 15 minutes and not just once. | 0:34:16 | 0:34:22 | |
That was 15 MINUTES(?) I must have had a blackout halfway through that! | 0:34:22 | 0:34:26 | |
-15 seconds! -She did her 15 seconds. | 0:34:26 | 0:34:27 | |
I'm going to go with the fella... I just think he's really cool, the way he just sits in an office chair. | 0:34:27 | 0:34:33 | |
-It's a split decision - I'm going to make the decision for you. -Go on. | 0:34:33 | 0:34:37 | |
It's going to have to be Rudy. | 0:34:37 | 0:34:39 | |
Ladies and gentlemen - it's Rudy, and his 15 seconds of fame! | 0:34:39 | 0:34:43 | |
APPLAUSE AND CHEERING | 0:34:43 | 0:34:44 | |
-Will you come back and join us next week? -I will indeed! | 0:34:46 | 0:34:48 | |
When you have a name for all your goldfish, | 0:34:48 | 0:34:51 | |
let your girlfriend out from under the stairs. | 0:34:51 | 0:34:53 | |
LAUGHTER She's over there. Come 'ere... | 0:34:53 | 0:34:56 | |
Yeah, let me prove you're real cos she sounds imaginary. | 0:34:56 | 0:34:59 | |
-Where is she? -Hello. -Hello there, how are you doing? | 0:34:59 | 0:35:02 | |
-I'm fine, thank you. -Is that Mickey Mouse on your T-shirt? | 0:35:02 | 0:35:05 | |
-Yes. -See - that mouse has got a name, do the same for the fish! | 0:35:05 | 0:35:08 | |
LAUGHTER | 0:35:08 | 0:35:10 | |
Right, we'll see you next week, Rudy! | 0:35:10 | 0:35:12 | |
He's the champion of 15 Seconds of Fame! | 0:35:12 | 0:35:15 | |
See you, Rudy. | 0:35:15 | 0:35:17 | |
And if you want to take part in the All Star Cast next week, go to: | 0:35:17 | 0:35:24 | |
That's it for tonight, so big thanks to all the members of my cast - | 0:35:24 | 0:35:27 | |
-Katie Price... -CHEERING AND APPLAUSE | 0:35:27 | 0:35:29 | |
Rhod Gilbert... | 0:35:29 | 0:35:30 | |
Theo Paphitis... Danny Bhoy... | 0:35:30 | 0:35:34 | |
And of course Bernie - and our wonderful studio audience. | 0:35:34 | 0:35:40 | |
Playing us out with their new single Love How It Hurts, it's Scouting For Girls! | 0:35:40 | 0:35:43 | |
CHEERING, APPLAUSE AND WHISTLING | 0:35:43 | 0:35:45 | |
# I've been waiting | 0:35:46 | 0:35:49 | |
# All my life | 0:35:49 | 0:35:50 | |
# For someone like you to come mess with my mind | 0:35:50 | 0:35:54 | |
# Someone crazy | 0:35:55 | 0:35:57 | |
# Someone who | 0:35:57 | 0:35:59 | |
# Someone who'll love me the way I loved you | 0:35:59 | 0:36:03 | |
# I keep searching | 0:36:04 | 0:36:05 | |
# And what's worse | 0:36:05 | 0:36:07 | |
# Now that you're gone all that's left is the hurt | 0:36:07 | 0:36:12 | |
# And three little words | 0:36:12 | 0:36:14 | |
# It's all that I've got | 0:36:14 | 0:36:16 | |
# Three little words | 0:36:16 | 0:36:18 | |
# Like it or not | 0:36:18 | 0:36:20 | |
# Tell me you noticed Tell me you heard | 0:36:20 | 0:36:25 | |
# For you I'd have run to the ends of the earth | 0:36:25 | 0:36:29 | |
# I couldn't keep you But I'll keep my word | 0:36:29 | 0:36:34 | |
# It's the most beautiful pain in the world | 0:36:34 | 0:36:38 | |
# I love how it hurts | 0:36:38 | 0:36:40 | |
# I've been trying | 0:36:40 | 0:36:43 | |
# Since you left | 0:36:43 | 0:36:45 | |
# Trying to fix all the bits that you wrecked | 0:36:45 | 0:36:49 | |
# I'm just waiting | 0:36:49 | 0:36:51 | |
# Till it mends | 0:36:52 | 0:36:54 | |
# Then I'll let you break it again and again | 0:36:54 | 0:36:57 | |
# And three little words | 0:36:57 | 0:37:00 | |
# It's all that I've got | 0:37:00 | 0:37:02 | |
# Three little words | 0:37:02 | 0:37:04 | |
# Like it or not | 0:37:04 | 0:37:07 | |
# Tell me you noticed Tell me you heard | 0:37:07 | 0:37:11 | |
# For you I'd have run to the ends of the earth | 0:37:11 | 0:37:15 | |
# I couldn't keep you But I'll keep my word | 0:37:15 | 0:37:20 | |
# It's the most beautiful pain in the world | 0:37:20 | 0:37:24 | |
# And I love how it hurts | 0:37:24 | 0:37:26 | |
# I've been losing my mind | 0:37:26 | 0:37:28 | |
# I pretend that it's fine | 0:37:28 | 0:37:30 | |
# Trying to keep it together while I crumble inside | 0:37:30 | 0:37:35 | |
# You got a friend at the end of the line... | 0:37:35 | 0:37:39 | |
# Well, give me a moment Give me a chance | 0:37:46 | 0:37:51 | |
# Give me the hurt I know we can last | 0:37:51 | 0:37:55 | |
# Give me a moment Give me a chance | 0:37:55 | 0:38:00 | |
# Give me the hurt I know we can last | 0:38:00 | 0:38:03 | |
# Tell me you noticed Tell me you heard | 0:38:03 | 0:38:08 | |
# For you I'd have run to the ends of the earth | 0:38:08 | 0:38:13 | |
# I couldn't keep you But I'll keep my word | 0:38:13 | 0:38:17 | |
# It's the most beautiful pain in the world | 0:38:17 | 0:38:21 | |
# And I love how it hurts | 0:38:21 | 0:38:24 | |
# I love how it hurts | 0:38:24 | 0:38:26 | |
# I love how it hurts | 0:38:26 | 0:38:28 | |
# I love how it hurts | 0:38:28 | 0:38:30 | |
# I love how it hurts | 0:38:30 | 0:38:32 | |
# I love how it hurts | 0:38:32 | 0:38:35 | |
# I love how it hurts | 0:38:35 | 0:38:37 | |
# I love how it hurts | 0:38:37 | 0:38:39 | |
# This is my journey | 0:38:39 | 0:38:41 | |
# This ain't the end | 0:38:41 | 0:38:44 | |
# I'm waiting here till I see you again. # | 0:38:44 | 0:38:48 | |
APPLAUSE, CHEERING AND WHISTLING | 0:38:50 | 0:38:53 | |
On next week's show we've got Joan Collins and Ross Noble. | 0:38:54 | 0:38:57 | |
Take it away, Franco! | 0:38:57 | 0:38:58 | |
HE SPEAKS SPANISH | 0:38:58 | 0:39:02 | |
-Katie, you speak Spanish - what did he say? -He wants a cuppa. | 0:39:02 | 0:39:05 | |
Tea. LAUGHTER | 0:39:06 | 0:39:08 | |
Subtitles by Red Bee Media Ltd | 0:39:08 | 0:39:10 |