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-Welcome to Lee Mack's All Star Cast. The show that makes stars of people like me... -And me... | 0:00:02 | 0:00:06 | |
-And me... -And me. -Not you. | 0:00:06 | 0:00:08 | |
Roll titles. | 0:00:08 | 0:00:09 | |
LAUGHTER AND APPLAUSE | 0:00:09 | 0:00:10 | |
APPLAUSE | 0:00:28 | 0:00:31 | |
# Let's get it started Let's get it started in here | 0:00:33 | 0:00:37 | |
# Let's get it started Let's get it started in here | 0:00:37 | 0:00:42 | |
# Let's get it started Let's get it started in here | 0:00:42 | 0:00:46 | |
# Let's get it started Let's get it started in here | 0:00:46 | 0:00:51 | |
# Woo-hoo! # | 0:00:51 | 0:00:53 | |
Ladies and gentlemen, it's my house choir, the Gospel Honest Truth! | 0:00:53 | 0:00:56 | |
CHEERING AND APPLAUSE | 0:00:56 | 0:00:59 | |
They stand on the stairs in my house like that. | 0:01:01 | 0:01:03 | |
Makes going to the loo in the middle of the night a bit embarrassing! | 0:01:03 | 0:01:06 | |
Good evening, and welcome to the show. | 0:01:06 | 0:01:08 | |
In my All Star Cast tonight, she's Hollywood nobility, | 0:01:08 | 0:01:11 | |
it's Joan Collins! | 0:01:11 | 0:01:12 | |
CHEERING | 0:01:12 | 0:01:14 | |
He's Ross Nobility, it's Ross Noble! | 0:01:14 | 0:01:17 | |
CHEERING | 0:01:17 | 0:01:20 | |
We've got stand up from the brilliant Tom Stade! | 0:01:20 | 0:01:23 | |
CHEERING | 0:01:23 | 0:01:26 | |
And performing their latest single, we've got music from The Wanted! | 0:01:26 | 0:01:29 | |
CHEERING AND APPLAUSE | 0:01:29 | 0:01:31 | |
Sadly, there were some people | 0:01:34 | 0:01:35 | |
we weren't able to cast for the show this week, | 0:01:35 | 0:01:38 | |
like the Beckhams, of course, | 0:01:38 | 0:01:39 | |
as Victoria's taking it easy | 0:01:39 | 0:01:41 | |
after giving birth to a baby girl this week. | 0:01:41 | 0:01:44 | |
CHEERING AND APPLAUSE | 0:01:44 | 0:01:47 | |
Harper Seven. The middle name Seven | 0:01:47 | 0:01:49 | |
comes from the back of David's shirt. | 0:01:49 | 0:01:51 | |
I did the same thing with my kids, A Hundred Percent Acrylic | 0:01:51 | 0:01:53 | |
and Dry Clean Only. | 0:01:53 | 0:01:54 | |
Victoria had a cesarean, she was worried | 0:01:56 | 0:01:58 | |
about the paparazzi outside the front entrance. | 0:01:58 | 0:02:00 | |
Apparently it was a difficult pregnancy. | 0:02:03 | 0:02:05 | |
Victoria was constantly bothered by headache, back pain and bunions. | 0:02:05 | 0:02:08 | |
I think that's what the other kids are called. | 0:02:08 | 0:02:10 | |
-APPLAUSE -You're right to clap! | 0:02:13 | 0:02:15 | |
We couldn't catch Rebekah Brooks tonight. Apparently no-one at The News of the World saw this coming | 0:02:17 | 0:02:22 | |
which is particularly embarrassing for celebrity atstrologer Mystic Meg. | 0:02:22 | 0:02:25 | |
I'm starting to doubt her abilities! | 0:02:27 | 0:02:28 | |
To be fair, Rebekah Brooks has claimed she's been the victim of hacking too. | 0:02:29 | 0:02:33 | |
I can see that, look what they did to her hair! | 0:02:33 | 0:02:35 | |
In the final edition of The News of the World staff covertly had a dig at her in the crossword. | 0:02:36 | 0:02:41 | |
Right? Can't believe she missed them, they were pretty obvious. | 0:02:41 | 0:02:45 | |
Two across, looks like Mick Hucknall and hasn't got any integrity. | 0:02:45 | 0:02:48 | |
It turns out the answer to that is actually Mick Hucknall. | 0:02:48 | 0:02:52 | |
They obviously weren't very subtle with the crossword | 0:02:52 | 0:02:55 | |
but that's nothing compared to the spot the difference. | 0:02:55 | 0:02:58 | |
Sorry, if you're watching, it's just a joke. | 0:03:01 | 0:03:03 | |
They won't be watching, most of them live in Borneo. | 0:03:03 | 0:03:05 | |
LAUGHTER AND APPLAUSE | 0:03:05 | 0:03:08 | |
We also haven't been able to cast any of the residents of Congham in Norfolk | 0:03:10 | 0:03:14 | |
as they've all been watching the snail racing championships. | 0:03:14 | 0:03:17 | |
True story, did you hear about this? | 0:03:17 | 0:03:19 | |
The winning snail clocked up a record-breaking time of two minutes to complete the 30cm course, | 0:03:19 | 0:03:24 | |
although I regularly see snails do 20m in two seconds | 0:03:24 | 0:03:27 | |
when I chuck 'em over me neighbour's fence. | 0:03:27 | 0:03:30 | |
You do get the occasional cheats as well, apparently. | 0:03:30 | 0:03:33 | |
One snail tried to speed up by removing its shell | 0:03:33 | 0:03:35 | |
but it made him more sluggish. | 0:03:35 | 0:03:36 | |
The winning snail complained about only getting a small bit of lettuce as his prize, | 0:03:37 | 0:03:41 | |
but organisers said, "Don't worry, that's just the tip of the iceberg." | 0:03:41 | 0:03:45 | |
-AUDIENCE GROAN -Shut it! | 0:03:45 | 0:03:46 | |
But luckily we have been able to cast you, the student audience! | 0:03:46 | 0:03:50 | |
CHEERING AND APPLAUSE | 0:03:50 | 0:03:52 | |
Once again I'm looking for someone to join me in my sketch show | 0:03:54 | 0:03:57 | |
later in the show and tonight | 0:03:57 | 0:03:59 | |
I need someone who can play the part of an animal. | 0:03:59 | 0:04:01 | |
Now, it can be any animal but I'll be asking you why you thought of it | 0:04:01 | 0:04:04 | |
so think of your motivation. | 0:04:04 | 0:04:06 | |
In my case it would be the terrible day I found Nemo | 0:04:06 | 0:04:08 | |
floating in the top of the fish tank. | 0:04:08 | 0:04:10 | |
AUDIENCE: Aww! | 0:04:10 | 0:04:11 | |
Thinking about it, Nemo was a weird name for a dog! | 0:04:11 | 0:04:14 | |
So everyone, prepare your animal faces. Three, two, one, Jumanji! | 0:04:15 | 0:04:20 | |
MUSIC: "King of the Swingers" from The Jungle Book | 0:04:20 | 0:04:23 | |
It's like the waiting room at Animal Hospital! | 0:04:25 | 0:04:29 | |
OK, some great faces there, right let's have a look at our first animal. | 0:04:29 | 0:04:33 | |
Which animal are you trying to inflate and which end are you blowing it up from?! | 0:04:36 | 0:04:39 | |
-What's your name? -Claire. | 0:04:41 | 0:04:42 | |
-Hello, Claire. What animal was that? -A chicken! | 0:04:42 | 0:04:45 | |
-What was your motivation? -Basically, I was on a first date | 0:04:45 | 0:04:48 | |
in a park, a picnic in a park, | 0:04:48 | 0:04:50 | |
and then randomly a lady selling live chickens walked past. | 0:04:50 | 0:04:53 | |
-So... -Whoa, sorry! | 0:04:53 | 0:04:55 | |
Where were you, Albania? | 0:04:55 | 0:04:56 | |
-I thought it would be a good idea, my date... -You bought them? | 0:04:58 | 0:05:01 | |
Yeah! I bought two little baby chickens. | 0:05:01 | 0:05:03 | |
So we carried on our date, but he thought I was a bit odd, | 0:05:03 | 0:05:06 | |
and then I remembered I was going out that night so it wasn't | 0:05:06 | 0:05:09 | |
-convenient for me to take them with me. -You're not still together are you? -No! | 0:05:09 | 0:05:13 | |
So I said to him, "Could you look after these until I next see you?" | 0:05:15 | 0:05:18 | |
So I gave them to him and left, | 0:05:18 | 0:05:20 | |
-and needless to say I didn't hear from him again. -What about the chickens? | 0:05:20 | 0:05:24 | |
Nor them either, which was sad! | 0:05:24 | 0:05:26 | |
-You didn't hear from the chickens either? -No! | 0:05:26 | 0:05:29 | |
That would have been odd if you'd never heard from him and three weeks later, cluck, cluck! | 0:05:29 | 0:05:33 | |
Cluck? | 0:05:33 | 0:05:34 | |
Cluck, cluck, cluck! | 0:05:34 | 0:05:36 | |
Thank you, Claire! | 0:05:36 | 0:05:38 | |
APPLAUSE | 0:05:38 | 0:05:40 | |
OK, let's have a look at another one of you. | 0:05:40 | 0:05:42 | |
Can I just check, are you house-trained? | 0:05:44 | 0:05:46 | |
-What's your name? -John. | 0:05:48 | 0:05:49 | |
What animal face were you pulling there? | 0:05:49 | 0:05:51 | |
-The cat. -The cat, yeah. | 0:05:51 | 0:05:52 | |
Why did you have to check with your wife? | 0:05:52 | 0:05:54 | |
How hen-pecked are you?! | 0:05:54 | 0:05:57 | |
Not as hen-pecked as Claire's ex boyfriend! | 0:05:57 | 0:05:59 | |
Has he done anything to you, this cat? | 0:06:01 | 0:06:03 | |
He sits on my computer desk just to attract attention. | 0:06:03 | 0:06:06 | |
-Yeah? -And one night for some reason he turned on me. | 0:06:06 | 0:06:10 | |
When you say turned on you... Did he go like this? | 0:06:12 | 0:06:14 | |
What do you mean he turned on you? | 0:06:21 | 0:06:23 | |
Yeah, he got a bit violent and attacked me. | 0:06:23 | 0:06:25 | |
A bit violent? | 0:06:25 | 0:06:27 | |
And were you OK, was everything OK? | 0:06:27 | 0:06:29 | |
No, he bit into my arm and he actually bit a muscle in my wrist. | 0:06:29 | 0:06:33 | |
The next morning I totally lost the use of my left arm. | 0:06:33 | 0:06:36 | |
Your left arm had gone numb? | 0:06:36 | 0:06:38 | |
For a week. | 0:06:38 | 0:06:39 | |
Did the cat really bite you? | 0:06:39 | 0:06:40 | |
Did this cat delete your internet browsing history just after? | 0:06:42 | 0:06:46 | |
LAUGHTER AND APPLAUSE | 0:06:46 | 0:06:48 | |
Thanks very much, John. | 0:06:50 | 0:06:52 | |
OK, it's time to pick a winner and I think it's just got to be | 0:06:53 | 0:06:56 | |
John and his cat face! | 0:06:56 | 0:06:58 | |
CHEERING AND APPLAUSE | 0:06:58 | 0:07:00 | |
Well done, John we'll be seeing you in the sketch later! | 0:07:00 | 0:07:03 | |
Shall we crack on and meet the guests? | 0:07:03 | 0:07:05 | |
# Way-oh, way-oh | 0:07:09 | 0:07:11 | |
# Walk like an Egyptian. # | 0:07:11 | 0:07:13 | |
My first guest tonight has a star on the Hollywood walk of fame. | 0:07:14 | 0:07:18 | |
That's nothing, I had two on my badge when I worked at McDonalds. | 0:07:18 | 0:07:21 | |
My second guest is a comedian and motorcycle-enthusiast who says | 0:07:21 | 0:07:25 | |
that what he loves most about bikes is that if you get it wrong, you die | 0:07:25 | 0:07:28 | |
which is coincidently what the BBC said to me when I got this show. | 0:07:28 | 0:07:32 | |
Ladies and gentlemen, it's Joan Collins and Ross Noble! | 0:07:32 | 0:07:34 | |
# Oh, don't you know don't you know? | 0:07:34 | 0:07:37 | |
# Oh, beautiful, don't you know? | 0:07:37 | 0:07:41 | |
# Oh, don't you know don't you know? | 0:07:41 | 0:07:45 | |
# Oh, beautiful, don't you know? | 0:07:45 | 0:07:49 | |
# Beautiful people. # | 0:07:49 | 0:07:51 | |
Oh! Well! | 0:07:51 | 0:07:54 | |
-So, hello! -Hello! | 0:07:54 | 0:07:56 | |
Welcome to the sofa, and well done Ross on getting the memo about getting the same haircut as Joan. | 0:07:56 | 0:08:02 | |
Yeah, it's nice isn't it? | 0:08:02 | 0:08:04 | |
We were arguing over the wigs out the back there. | 0:08:04 | 0:08:06 | |
So, Joan Collins and Ross Noble, or to give you your full titles, | 0:08:06 | 0:08:10 | |
Joan Collins OBE... | 0:08:10 | 0:08:12 | |
-That's right.. -And Ross Noble. | 0:08:12 | 0:08:13 | |
OBE? | 0:08:13 | 0:08:15 | |
-No? -Oh, my God! -You're too young. | 0:08:15 | 0:08:17 | |
-Ross Noble, WTF. -What does that mean? | 0:08:17 | 0:08:20 | |
I couldn't possibly say. | 0:08:20 | 0:08:22 | |
It's a family show and I'm dyslexic so it could mean anything! | 0:08:22 | 0:08:25 | |
Have you had any unfortunate animal experiences, Joan? | 0:08:25 | 0:08:29 | |
I have, actually. | 0:08:29 | 0:08:30 | |
I'm quite frightened of horses, and I was doing a movie in which they wanted me to ride a horse, | 0:08:30 | 0:08:36 | |
they brought out this huge black stallion that was really scary | 0:08:36 | 0:08:40 | |
and every time I went near him | 0:08:40 | 0:08:42 | |
he sort of reared up like this, but my handler was this old, weathered American cowboy-type. | 0:08:42 | 0:08:49 | |
He said, "Honey don't worry about it, horses are great, | 0:08:49 | 0:08:52 | |
"they'll never hurt you." | 0:08:52 | 0:08:54 | |
"Look, I'll show you." | 0:08:54 | 0:08:55 | |
So he went straight to the horse and the horse reared up, kicked him | 0:08:55 | 0:08:59 | |
on the ankle and broke his ankle. | 0:08:59 | 0:09:00 | |
And after that I said, "Bring my stunt double!" | 0:09:00 | 0:09:03 | |
And, Ross have you had any weird animal experiences? | 0:09:05 | 0:09:07 | |
-I have, you've seen those videos! -I have, yes! | 0:09:07 | 0:09:11 | |
Funnily enough also involves a black stallion. | 0:09:11 | 0:09:13 | |
There's a Lloyds Bank ad they'll never show! | 0:09:13 | 0:09:17 | |
Now, Joan, you are bringing out another book aren't you? | 0:09:17 | 0:09:21 | |
I am, yes! It's my thirteenth. Thirteenth time lucky, yes! | 0:09:21 | 0:09:26 | |
And what is this book about? | 0:09:26 | 0:09:27 | |
Well this book is called The World According to Joan, | 0:09:27 | 0:09:31 | |
and as you may know I'm quite opinionated. | 0:09:31 | 0:09:34 | |
-I've heared rumours. -Yeah. | 0:09:34 | 0:09:36 | |
-I don't suffer fools gladly and... -Hello! | 0:09:36 | 0:09:39 | |
I think we're both in trouble! | 0:09:41 | 0:09:43 | |
It's about my opinions, | 0:09:44 | 0:09:46 | |
about things that are going on in the world, | 0:09:46 | 0:09:50 | |
it's about, um, men, morals, manners, everything. | 0:09:50 | 0:09:53 | |
For example, I really get offended | 0:09:53 | 0:09:55 | |
when I see somebody throwing a sweet wrapper or a wrapper of a hamburger | 0:09:55 | 0:09:59 | |
into the street, and people just, they don't even say anything, | 0:09:59 | 0:10:02 | |
they just walk around it. | 0:10:02 | 0:10:04 | |
Would you say anything to them? | 0:10:04 | 0:10:06 | |
Depends how tall they were. | 0:10:06 | 0:10:07 | |
LAUGHTER | 0:10:07 | 0:10:08 | |
That'd be a great image, wouldn't it? | 0:10:08 | 0:10:11 | |
So you're walking around looking for littering dwarves? | 0:10:11 | 0:10:15 | |
-Well, not exactly... -Grumpy, Sleepy, Dirty. Dirty Dwarf! | 0:10:15 | 0:10:18 | |
That's a great image, the idea of somebody dropping litter | 0:10:18 | 0:10:21 | |
and I see this big posh car with the electric window coming down and Joan going... | 0:10:21 | 0:10:25 | |
Your 13th book, that's amazing. | 0:10:25 | 0:10:27 | |
I know, it is actually, | 0:10:27 | 0:10:28 | |
considering how much work I've done in the theatre and on TV, etcetera, | 0:10:28 | 0:10:32 | |
and I just did some photographs because it's Dynasty's 30 year anniversary. | 0:10:32 | 0:10:37 | |
-Please tell me you were wearing the original clothes. -I was! -Were you? | 0:10:37 | 0:10:40 | |
-Yes, can you believe it? -That's amazing. | 0:10:40 | 0:10:42 | |
There was a certain amount of pinning at the back, I'm afraid. | 0:10:42 | 0:10:46 | |
-Shoulder pads? -Minimal. | 0:10:46 | 0:10:47 | |
How minimal? Could you still perch a bird on them? | 0:10:47 | 0:10:50 | |
About the size of yours, actually. | 0:10:50 | 0:10:52 | |
-I haven't got shoulder pads, these are my shoulders. -Oh, ha-ha! | 0:10:52 | 0:10:55 | |
All men...are there any men here with suits? No. | 0:10:55 | 0:10:58 | |
You don't know my audience, do you? | 0:10:58 | 0:11:00 | |
LAUGHTER | 0:11:00 | 0:11:01 | |
Surprised most of them have got trousers on. | 0:11:01 | 0:11:04 | |
-Bloke down there hasn't. -Did they let you keep all the clothes? -No. | 0:11:04 | 0:11:08 | |
-I stole them! -Did you? -No. | 0:11:08 | 0:11:09 | |
That's a great image of you shoving them in the binbags on the last day. | 0:11:09 | 0:11:13 | |
Sometimes I would say, "Can I wear this home?" | 0:11:13 | 0:11:15 | |
Cos I'm going to a drinks party or a premier or something, | 0:11:15 | 0:11:19 | |
and then it would just end up in my closet and I'd forget it. | 0:11:19 | 0:11:22 | |
-The most important thing is, it's still theft. -Yes. | 0:11:22 | 0:11:25 | |
All right, sue me already! | 0:11:25 | 0:11:27 | |
That could be your next book, How To Nick Stuff. | 0:11:27 | 0:11:30 | |
Dynasty is very famous for its fight scenes, | 0:11:31 | 0:11:34 | |
there was a lot of fight scenes between you and Linda Evans. | 0:11:34 | 0:11:37 | |
Lot of fight scenes. Yes. | 0:11:37 | 0:11:38 | |
Do you get on in real life? | 0:11:38 | 0:11:40 | |
Um... | 0:11:41 | 0:11:43 | |
LAUGHTER | 0:11:43 | 0:11:44 | |
You know, sometimes a silence can answer so much. | 0:11:44 | 0:11:47 | |
Did you not get on? | 0:11:47 | 0:11:48 | |
It isn't that we didn't get on, | 0:11:48 | 0:11:50 | |
it's that I think we were from different planets. | 0:11:50 | 0:11:53 | |
You know? We were just totally, totally different in every possible way. | 0:11:53 | 0:11:58 | |
Here we've got a still of you and Linda now in one of your famous scenes. | 0:11:58 | 0:12:02 | |
There's a lot of smiling in your face before you were going to do that. | 0:12:02 | 0:12:05 | |
I was going to hit her on the head with a vase. I was thrilled. | 0:12:05 | 0:12:08 | |
Is this an actually scene or is this your coffee break? | 0:12:08 | 0:12:13 | |
-What I love about Dynasty is the dialogue. -It is good. | 0:12:13 | 0:12:16 | |
It's brilliant and sometimes a little bit camp. | 0:12:16 | 0:12:19 | |
Oh, what, a little bit?! | 0:12:19 | 0:12:21 | |
-Yes. -I'm going to re-enact some of that dialogue for you. -Oh, my god. | 0:12:21 | 0:12:25 | |
With the help of Mr Ross Noble. | 0:12:25 | 0:12:27 | |
-Ross. -What am I supposed to do? | 0:12:27 | 0:12:28 | |
You tell me if this is real dialogue from the show, or fake. | 0:12:28 | 0:12:31 | |
I'm going to make it more realistic, if you could play Krystle. | 0:12:31 | 0:12:35 | |
-OK. -I'm being you, Joan. | 0:12:35 | 0:12:38 | |
Oh, my god. Lovely. You look like Peter Sellers in something. | 0:12:39 | 0:12:44 | |
-Peter Sellers? That's not a bad look. -Yeah. | 0:12:44 | 0:12:47 | |
I saw meself on the monitor | 0:12:47 | 0:12:49 | |
and thought it was Noel Edmonds from the '80s. | 0:12:49 | 0:12:51 | |
LAUGHTER | 0:12:51 | 0:12:53 | |
"Welcome to Telly Addicts!" | 0:12:53 | 0:12:56 | |
Here. | 0:12:56 | 0:12:57 | |
You've got quite a feminine face, haven't you, Ross? I never noticed before. | 0:12:57 | 0:13:01 | |
OK, I'll play Alexis, if that's OK. Ross will play Krystle. | 0:13:01 | 0:13:05 | |
-Can you give me some tips on Alexis? -You just sound like me. -OK. | 0:13:05 | 0:13:09 | |
-I know your problem. -I don't sound like that! | 0:13:09 | 0:13:13 | |
-I know your problem. -I don't sound like that. | 0:13:13 | 0:13:15 | |
-IN GEORDIE ACCENT: -I know your problem! -That's better. | 0:13:15 | 0:13:18 | |
-You've got her there. -I know your problem, | 0:13:18 | 0:13:21 | |
and because I'm a real woman I know how to please a man. | 0:13:21 | 0:13:24 | |
I know how to touch a man and make him quiver, unlike you, Krystle. | 0:13:24 | 0:13:28 | |
No man could ever want you. | 0:13:28 | 0:13:30 | |
Come here and say that to my face, you bitch! | 0:13:30 | 0:13:34 | |
-Fake! -Hang on. -Do we fight? | 0:13:35 | 0:13:38 | |
APPLAUSE | 0:13:45 | 0:13:47 | |
Got a bit of shrapnel on Joan Collins there, | 0:13:50 | 0:13:53 | |
-I'm so sorry about that. -Don't worry. | 0:13:53 | 0:13:55 | |
-So, fake or real? -I told you, it was fake. | 0:13:55 | 0:13:58 | |
She got it right, it's fake dialogue. | 0:13:58 | 0:14:01 | |
APPLAUSE | 0:14:01 | 0:14:02 | |
Did you at any point in your career think you'd ever go, | 0:14:02 | 0:14:06 | |
"Oh, he got a bit of shrapnel on Joan Collins."? | 0:14:06 | 0:14:08 | |
-Now, Joan, you are a big fan of Twitter, aren't you? -Yes, I am. | 0:14:10 | 0:14:14 | |
JoanCollinsOBE, if anybody wants to tweet me. | 0:14:14 | 0:14:17 | |
I can't lie, I don't do Twitter, I don't know anything about it, | 0:14:17 | 0:14:21 | |
but I made an effort cos you were coming on, | 0:14:21 | 0:14:23 | |
and I looked at your tweets... | 0:14:23 | 0:14:24 | |
-Oh, you looked at my what? -Hand on heart, lovely hydrangeas. | 0:14:24 | 0:14:28 | |
-Oh, the hydrangeas. -I loved them. -Yes, aren't they pretty? | 0:14:28 | 0:14:31 | |
They're very nice, yeah, cos I like a bit of gardening. Do you like a bit of composting? | 0:14:31 | 0:14:35 | |
Uh, no, I don't do compost. | 0:14:35 | 0:14:37 | |
You know toenails are compostable, I found out recently? | 0:14:37 | 0:14:40 | |
-And hair, chop off hair, all compostable. -Is this real? | 0:14:40 | 0:14:43 | |
Am I high? Can I just ask, am I actually... | 0:14:43 | 0:14:46 | |
-is this a dream? -No, it's all happening. | 0:14:46 | 0:14:48 | |
I'm sitting here, Joan Collins on one side, | 0:14:48 | 0:14:50 | |
and you're talking about putting your toenails in compost?! | 0:14:50 | 0:14:53 | |
-You're a big tweeter, Ross? -I do like a bit of a tweet. | 0:14:53 | 0:14:56 | |
-What's your tweet name? -I am RealRossNoble. | 0:14:56 | 0:14:59 | |
Is there a fake Ross Noble? | 0:14:59 | 0:15:00 | |
Don't go to RossNoble, | 0:15:00 | 0:15:02 | |
because that is a bloke in Canada just trying to live his life. | 0:15:02 | 0:15:05 | |
Ah. | 0:15:05 | 0:15:07 | |
And he keeps getting, like, hundreds of tweets from, you know, my fans, | 0:15:07 | 0:15:10 | |
it's hard to describe them, Joan, but they're, um, they're unusual people. | 0:15:10 | 0:15:14 | |
-Oh, like you? -Yes. -Oh, yes. | 0:15:14 | 0:15:18 | |
So they send me all kinds of unusual photographs and thoughts and ideas. | 0:15:18 | 0:15:24 | |
-Like what? -I sent a tweet out and I said, "Whoever sends me the best | 0:15:24 | 0:15:28 | |
"picture of themselves with a tin of beans on their head, I'll retweet it." | 0:15:28 | 0:15:32 | |
-You know people love a retweet, don't they? -Yes, absolutely. | 0:15:32 | 0:15:35 | |
-Hundreds of people... -Hundreds? | 0:15:35 | 0:15:37 | |
-Beans on their head. -No! My, god, I must try that. | 0:15:37 | 0:15:41 | |
-Yeah, do it, beans on the head. -I've been really missing out, haven't I? | 0:15:41 | 0:15:45 | |
I think my fans might be slightly different to yours. | 0:15:45 | 0:15:49 | |
Caviar on the head. | 0:15:50 | 0:15:52 | |
You can have that, no problem at all. | 0:15:52 | 0:15:55 | |
Please do that, Joan. Please do caviar on the head, that'd be great. | 0:15:55 | 0:15:58 | |
You know who I met, thanks to Twitter? | 0:15:58 | 0:16:02 | |
He now runs a candle shop in Chester. Only Bob Carolgees. | 0:16:02 | 0:16:07 | |
Eh? Joan, Bob Carolgees! | 0:16:07 | 0:16:12 | |
I think I've lived in America too long. | 0:16:12 | 0:16:15 | |
Bob Carolgees was a puppeteer that did Spit The Dog. | 0:16:15 | 0:16:19 | |
-Spit the Dog, Joan. Bob Carolgees! -And he runs a candle shop? | 0:16:19 | 0:16:22 | |
He runs a candle... | 0:16:22 | 0:16:24 | |
That'd be handy cos if the flames went up and it started burning, | 0:16:24 | 0:16:27 | |
he could go, "pttt" and put it out! | 0:16:27 | 0:16:29 | |
We've got a fantastic stand-up on the show, he's about to go back on the road for a huge UK tour. | 0:16:29 | 0:16:33 | |
Please welcome the brilliant Tom Stade! | 0:16:33 | 0:16:35 | |
# Get up, stand up | 0:16:35 | 0:16:37 | |
# Stand up for your rights. # | 0:16:39 | 0:16:40 | |
Good evening citizens of Britain. | 0:16:44 | 0:16:48 | |
LAUGHTER | 0:16:48 | 0:16:50 | |
I am a married man, I have been married for 16 years. | 0:16:50 | 0:16:55 | |
I'm going to be honest with you, I'm tired! | 0:16:55 | 0:16:58 | |
I am exhausted, I am way, I am over my head! | 0:16:59 | 0:17:03 | |
Nobody trained me for this, | 0:17:03 | 0:17:05 | |
I didn't think I was going to make it this far. | 0:17:05 | 0:17:08 | |
I'm sitting there, | 0:17:08 | 0:17:10 | |
I wished I had a marriage trainer, just somebody sitting there, | 0:17:10 | 0:17:13 | |
going, "All right, Tom! Give me 20 more 'I'm sorry's'!" | 0:17:13 | 0:17:17 | |
"Say it like you mean it! You sound insincere!" | 0:17:18 | 0:17:22 | |
Love being married! Things have changed for me, being married, too. | 0:17:22 | 0:17:28 | |
I have a lot more lists in my life, you know? I love lists. | 0:17:28 | 0:17:32 | |
I like my lists, but lists give me pressure, | 0:17:32 | 0:17:36 | |
because sometimes I will not be able to find what is on the list. | 0:17:36 | 0:17:41 | |
I will sit there in a store for about two hours, sitting there going, | 0:17:41 | 0:17:45 | |
"Oh, my god, I can't find this," then I'll have to ask somebody and say, | 0:17:45 | 0:17:49 | |
"Excuse me, ma'am, can you help me find what aisle the broccoli is in?" | 0:17:49 | 0:17:52 | |
She goes, "I would, but this is Ann Summers." | 0:17:52 | 0:17:55 | |
So I guess I'm just going to buy these glow in the dark cucumbers then. | 0:17:57 | 0:18:01 | |
Think it's going to make a pretty funky salad. | 0:18:04 | 0:18:06 | |
I love my lists, that's why I go to places like Argos, | 0:18:09 | 0:18:13 | |
cos they have a catalogue which is just a really big list. | 0:18:13 | 0:18:19 | |
My woman loves catalogues, all women love catalogues, | 0:18:19 | 0:18:23 | |
cos women are good with catalogues. | 0:18:23 | 0:18:25 | |
My woman will walk into Argos, | 0:18:25 | 0:18:27 | |
she'll flip through that catalogue like she was a Jedi Knight. | 0:18:27 | 0:18:32 | |
She walked up to the catalogue and go... | 0:18:32 | 0:18:36 | |
"That's what I want," and I'm looking at her going, "How did you do that?" | 0:18:36 | 0:18:40 | |
She goes, "I'll show you something else, Tom." | 0:18:40 | 0:18:44 | |
"That's what you want." | 0:18:44 | 0:18:45 | |
And I'm like, "I don't even know what I want," | 0:18:45 | 0:18:48 | |
then I look at it and go, "Holy shit, that is what I want. | 0:18:48 | 0:18:52 | |
"A trampoline." | 0:18:53 | 0:18:55 | |
Cos I didn't want a trampoline for 129.95. | 0:18:56 | 0:19:01 | |
But for 79.95? | 0:19:01 | 0:19:04 | |
I NEEDED a trampoline. | 0:19:04 | 0:19:06 | |
You can't just buy no trampoline. | 0:19:07 | 0:19:09 | |
You've got to get all your trampoline trimmings. | 0:19:09 | 0:19:12 | |
You've got to get that safety cage, | 0:19:12 | 0:19:14 | |
in case you're a moron and you don't know how to bounce up and down. | 0:19:14 | 0:19:18 | |
Turns out I'm a moron! | 0:19:20 | 0:19:22 | |
Cos I was bouncing from side to side in my safety cage, | 0:19:23 | 0:19:27 | |
and I smashed my head against that safety bar, | 0:19:27 | 0:19:29 | |
and I'm bleeding in the safety cage, thinking, | 0:19:29 | 0:19:32 | |
"Thank God that safety bar was there | 0:19:32 | 0:19:35 | |
"to stop me from landing on that soft grass!" | 0:19:35 | 0:19:37 | |
Thank you very much, Britain, you've been excellent. Thank you! | 0:19:40 | 0:19:43 | |
CHEERS AND APPLAUSE | 0:19:43 | 0:19:46 | |
Ladies and gentlemen, Tom Stade! | 0:19:49 | 0:19:52 | |
CHEERS AND APPLAUSE | 0:19:52 | 0:19:54 | |
Do you know what? I think, once again, it's time for... | 0:19:55 | 0:19:59 | |
# You've got the look | 0:20:00 | 0:20:02 | |
# You've got the look. # | 0:20:02 | 0:20:04 | |
Yes, before tonight's show, we asked our audience | 0:20:04 | 0:20:07 | |
which famous person they think they look like | 0:20:07 | 0:20:09 | |
and the winner, as judged by Joan and Ross, will join us on the sofa | 0:20:09 | 0:20:12 | |
to promote next week's show. | 0:20:12 | 0:20:14 | |
Now, this should be easy for you this week, Joan, | 0:20:14 | 0:20:17 | |
-because every one of our celebrities tonight has actually met you. -Oh. | 0:20:17 | 0:20:20 | |
-First of all, we've got Dominic Vines. Where are you, Dominic? -Yep. | 0:20:20 | 0:20:24 | |
-How are you? -Very good, thanks. | 0:20:24 | 0:20:26 | |
OK. Ross, Joan, do we know who Dominic thinks he looks like? | 0:20:26 | 0:20:30 | |
Tintin? A bit of Tintin in there. | 0:20:30 | 0:20:33 | |
Is it the...? Oh, no. He's not famous. | 0:20:34 | 0:20:37 | |
It's just a bloke I know. | 0:20:37 | 0:20:38 | |
He can't be a bloke you know. | 0:20:38 | 0:20:40 | |
Hang on! I know who that... Oh, no. | 0:20:40 | 0:20:42 | |
Can I just check, are you Dave from the chippy? | 0:20:42 | 0:20:45 | |
Have you got any clues you can give us? | 0:20:45 | 0:20:47 | |
Used to be married to Sienna Miller. | 0:20:47 | 0:20:50 | |
-Jude Law! -So, Dominic, who do you think you look like? | 0:20:50 | 0:20:53 | |
-Well, my wife thinks I look like Jude Law. -OK, let's have a look. | 0:20:53 | 0:20:56 | |
APPLAUSE | 0:20:56 | 0:20:58 | |
It is Jude Law. | 0:20:58 | 0:21:00 | |
-I think that's quite good. -Yeah, it is. | 0:21:00 | 0:21:02 | |
-It's Jude Law, yeah. -But he doesn't have hair like that. | 0:21:02 | 0:21:06 | |
He doesn't have a face like that! | 0:21:06 | 0:21:07 | |
He looks nothing like Jude Law. | 0:21:07 | 0:21:10 | |
-So you've met Jude Law? -I have met Jude Law, at Cilla Black's birthday party. | 0:21:10 | 0:21:14 | |
-OK. -Are you a big pal of Cilla's? | 0:21:14 | 0:21:17 | |
I am, yes. | 0:21:17 | 0:21:18 | |
You know who used to be Cilla's show, Surprise, Surprise, | 0:21:18 | 0:21:21 | |
as the roving reporter? | 0:21:21 | 0:21:23 | |
Bob Carolgees! | 0:21:23 | 0:21:24 | |
He is, he is. That is true. | 0:21:24 | 0:21:26 | |
I'd swear to it, I'm not making that up. | 0:21:26 | 0:21:28 | |
I bet you Bob Carolgees... | 0:21:28 | 0:21:30 | |
There's not one anecdote that you can say that he can't crowbar in Bob Carolgees. | 0:21:30 | 0:21:34 | |
OK. Thank you very much. That was Dominic Vines. Thank you very much, Dominic. | 0:21:34 | 0:21:39 | |
Now, Parviz Ghodsi. Where are you, Parviz? | 0:21:39 | 0:21:41 | |
"Ghodsi" - have I got that right? | 0:21:41 | 0:21:43 | |
-AUDIENCE MURMUR -OK, Parviz... | 0:21:43 | 0:21:45 | |
-Blimey, the audience have it already! -George Clooney! | 0:21:45 | 0:21:47 | |
-I don't think we need any clues. -APPLAUSE | 0:21:47 | 0:21:50 | |
Hang on, don't clap - we don't know it's right yet! Who do you think you look like? | 0:21:50 | 0:21:54 | |
Brad Pitt! | 0:21:54 | 0:21:56 | |
-It's George Clooney. -Let's have a look. | 0:21:57 | 0:21:59 | |
AUDIENCE: Yeah! | 0:21:59 | 0:22:01 | |
APPLAUSE | 0:22:01 | 0:22:04 | |
-Are you a professional lookalike? -No, I'm not. | 0:22:06 | 0:22:09 | |
-What do you do? -I've got a pizza shop. | 0:22:09 | 0:22:11 | |
-Where's that? -In Essex, Harlow. | 0:22:11 | 0:22:14 | |
-Do you get mistaken for George Clooney? -Yes, I do. All the time. | 0:22:14 | 0:22:17 | |
What, working in a pizza shop in Harlow? | 0:22:17 | 0:22:19 | |
What, people go, "That's definitely George Clooney"? | 0:22:19 | 0:22:22 | |
You're going, "Oh, yeah. I am George Clooney." | 0:22:22 | 0:22:24 | |
I'm doing the big pepper pot, if you're wondering. | 0:22:24 | 0:22:27 | |
I'm doing the big pepper pot. | 0:22:27 | 0:22:29 | |
Have you met George? | 0:22:29 | 0:22:31 | |
-I've met him a couple of times at a party in New York. -Nice man? | 0:22:31 | 0:22:34 | |
Very, very charming. | 0:22:34 | 0:22:36 | |
He's got a lot going for him. | 0:22:36 | 0:22:37 | |
Well, he's like one of the top actors at the moment, | 0:22:37 | 0:22:40 | |
but it's, um... | 0:22:40 | 0:22:41 | |
I don't know, he didn't marry that beautiful girl he was going with | 0:22:41 | 0:22:45 | |
for two or three years. | 0:22:45 | 0:22:46 | |
To be fair, he's busy running his pizza shop. | 0:22:46 | 0:22:48 | |
Yes, that's true. | 0:22:49 | 0:22:51 | |
OK. Phil Gamble! Where are you, Phil? | 0:22:51 | 0:22:54 | |
Hi, Phil. | 0:22:54 | 0:22:56 | |
Phil Gamble, there. | 0:22:58 | 0:23:00 | |
And, er... | 0:23:00 | 0:23:01 | |
I'm telling you, if it is, I'm going to kill you. | 0:23:02 | 0:23:06 | |
Joan and Russ. Joan first. | 0:23:06 | 0:23:08 | |
Do we know who Phil thinks he looks like? | 0:23:08 | 0:23:11 | |
Er, well... | 0:23:11 | 0:23:14 | |
Maybe Leonard Rossiter? | 0:23:14 | 0:23:15 | |
-AS LEONARD ROSSITER: -"My God!" | 0:23:18 | 0:23:20 | |
-Give us a clue! -Whoever it is... | 0:23:22 | 0:23:24 | |
I tell you what, whoever it is, he's an ugly bastard! | 0:23:24 | 0:23:29 | |
APPLAUSE | 0:23:29 | 0:23:31 | |
He's doing some acting there. He's doing acting faces and stuff. | 0:23:38 | 0:23:43 | |
I have to say, and I don't know if it's a clue or not, | 0:23:43 | 0:23:45 | |
but I personally find him very attractive. | 0:23:45 | 0:23:48 | |
I'm a heterosexual man but I honestly say I would. | 0:23:48 | 0:23:52 | |
In fact, if I've got to be honest, I have! | 0:23:52 | 0:23:54 | |
Can I just ask you, are you...? | 0:23:56 | 0:23:58 | |
He DOES look like somebody. | 0:23:58 | 0:24:00 | |
Should I give you a clue? | 0:24:00 | 0:24:01 | |
What about Peter Sellers as a clue? | 0:24:01 | 0:24:04 | |
Peter Sellers? | 0:24:04 | 0:24:05 | |
You look a bit like Peter Sellers. | 0:24:09 | 0:24:11 | |
APPLAUSE | 0:24:12 | 0:24:14 | |
-I look like Peter Sellers... -A little bit. | 0:24:14 | 0:24:16 | |
..I think he looks like Peter Sellers. Here's a clue - | 0:24:16 | 0:24:19 | |
it's me. | 0:24:19 | 0:24:20 | |
Oh, it's you! | 0:24:20 | 0:24:23 | |
APPLAUSE | 0:24:23 | 0:24:26 | |
Right, let's have a look. | 0:24:26 | 0:24:27 | |
CHEERS AND APPLAUSE | 0:24:28 | 0:24:31 | |
If you two had moustaches on, it'd be the Chuckle Brothers! | 0:24:33 | 0:24:37 | |
Go on, do it. You say, "To you." And you say, "To me." Go on. | 0:24:38 | 0:24:44 | |
To you. | 0:24:44 | 0:24:45 | |
-BLEEP -off. | 0:24:45 | 0:24:47 | |
LAUGHTER AND APPLAUSE | 0:24:47 | 0:24:51 | |
-Sorry, Phil, do you actually get recognised as me? -All the time, yeah. | 0:24:52 | 0:24:55 | |
-And has it ever helped you in any situation? -Er... | 0:24:55 | 0:24:59 | |
It's been a hindrance to me most of my life. | 0:24:59 | 0:25:02 | |
I did manage to nick your car-parking space out the front. | 0:25:02 | 0:25:05 | |
Ladies and gentlemen, it's Phil Gamble from West Sussex. | 0:25:07 | 0:25:10 | |
AKA Lee Mack. | 0:25:10 | 0:25:14 | |
-So, Joan and Ross, the decision's in your hands. -It's got to be you. It's got to be. | 0:25:14 | 0:25:18 | |
-It's got to be him. -I think it's got to be George Clooney. -We're off again! | 0:25:18 | 0:25:22 | |
Why do I have to agree with you? | 0:25:22 | 0:25:24 | |
-You don't have to agree. I make the final decision, you can have your opinion. -You make this... | 0:25:24 | 0:25:28 | |
-You're going for George? -Yeah. -You're going for me? -Yeah. | 0:25:28 | 0:25:31 | |
I tell you what, why don't we have both? | 0:25:31 | 0:25:33 | |
-OK. -OK. George Clooney and Lee Mack! | 0:25:33 | 0:25:35 | |
APPLAUSE | 0:25:35 | 0:25:37 | |
We'll be seeing you both on the sofa at the end of the show. | 0:25:37 | 0:25:41 | |
Hey, talking of lookalikes, I had a woman round my house the other day | 0:25:41 | 0:25:45 | |
that didn't half look like one of those dancing judges. | 0:25:45 | 0:25:47 | |
APPLAUSE | 0:25:49 | 0:25:53 | |
PHONE RINGS | 0:26:00 | 0:26:02 | |
Hello, Lee Mack's All-Star Cast. | 0:26:02 | 0:26:04 | |
Ah, Rebecca Brooks. | 0:26:04 | 0:26:05 | |
Oh, no, I can't have you on the show now, after what's happened. | 0:26:05 | 0:26:09 | |
I did leave you a message. | 0:26:09 | 0:26:10 | |
Not on your phone, on Hugh Grant's but I thought you'd still get it. | 0:26:10 | 0:26:14 | |
TAPPING | 0:26:14 | 0:26:16 | |
Come in! | 0:26:16 | 0:26:17 | |
TAPPING | 0:26:17 | 0:26:18 | |
Come in! | 0:26:18 | 0:26:20 | |
RHYTHMIC TAPPING | 0:26:20 | 0:26:24 | |
CHEERS AND APPLAUSE | 0:26:27 | 0:26:30 | |
Take a day off, love. | 0:26:34 | 0:26:36 | |
Come in, Arlene. Make yourself at home. I'll get you a chair. | 0:26:36 | 0:26:38 | |
Thanks for inviting me on your show. I don't usually do this sort of thing. | 0:26:40 | 0:26:43 | |
Since the Strictly Come Dancing incident, | 0:26:43 | 0:26:46 | |
some comedians just use these shows to make cheap jokes about my age. | 0:26:46 | 0:26:49 | |
To be honest, if I hear one more joke about my age, | 0:26:51 | 0:26:55 | |
I'm liable to punch somebody. | 0:26:55 | 0:26:58 | |
LAUGHTER AND APPLAUSE | 0:27:01 | 0:27:03 | |
So Arlene Phillips, you were born in... | 0:27:07 | 0:27:12 | |
Don't say the year! | 0:27:12 | 0:27:14 | |
-I wasn't saying the year, I was saying, "Prestwich, Manchester..." -OK. | 0:27:14 | 0:27:17 | |
"..68 years ago." | 0:27:17 | 0:27:19 | |
Look, if I agreed to come on your show, | 0:27:20 | 0:27:23 | |
could we talk about So You Think You Can Dance? | 0:27:23 | 0:27:26 | |
Of course. Cat Deeley... | 0:27:26 | 0:27:27 | |
is she single? | 0:27:27 | 0:27:28 | |
I don't think she'd be interested! | 0:27:28 | 0:27:31 | |
Fine. Doesn't bother me. | 0:27:31 | 0:27:33 | |
I wouldn't want her round here, She'd scratch the furniture. | 0:27:33 | 0:27:36 | |
I think she's sick to death of cat jokes. | 0:27:37 | 0:27:41 | |
Doesn't matter if she is sick to death, she has another eight lives. | 0:27:41 | 0:27:45 | |
Got any other cat jokes you want to get off your chest? | 0:27:45 | 0:27:48 | |
How do you think I feel? | 0:27:49 | 0:27:51 | |
I have to put up with them all! | 0:27:51 | 0:27:53 | |
APPLAUSE | 0:27:55 | 0:27:57 | |
I'll tell you what, I'm all for getting into character, | 0:27:59 | 0:28:02 | |
but you can clean that up yourself! | 0:28:02 | 0:28:05 | |
KNOCK ON DOOR | 0:28:05 | 0:28:06 | |
Ooh! | 0:28:06 | 0:28:07 | |
It's my beloved landlady, Miss Drent! | 0:28:09 | 0:28:11 | |
CHEERS AND APPLAUSE | 0:28:11 | 0:28:14 | |
We need to have words. | 0:28:15 | 0:28:17 | |
Why, didn't you get the script? | 0:28:17 | 0:28:18 | |
I mean about the rent. | 0:28:20 | 0:28:22 | |
You are five weeks behind, unlike the script, | 0:28:22 | 0:28:26 | |
which is 30 years behind. | 0:28:26 | 0:28:27 | |
Look, I promise, I'll have it for you next week. Scout's honour. | 0:28:27 | 0:28:31 | |
Don't believe him! He's not even a real scout! | 0:28:31 | 0:28:34 | |
Bit old to be doing that, aren't you? | 0:28:36 | 0:28:38 | |
Not you! | 0:28:38 | 0:28:39 | |
This is your final warning, ferret-face. | 0:28:41 | 0:28:45 | |
MUSIC: "Theme From Dynasty" | 0:28:45 | 0:28:48 | |
How old are you? | 0:28:50 | 0:28:51 | |
12. | 0:28:51 | 0:28:52 | |
Got something wrong with your hormones? | 0:28:52 | 0:28:55 | |
-I can tell you how to make a -whore moan. -Go. | 0:28:55 | 0:28:58 | |
I tell you what, you're good, but you're no Bob Carolgees. | 0:29:01 | 0:29:04 | |
LAUGHTER AND APPLAUSE | 0:29:04 | 0:29:06 | |
Oi, oi! Where you going? | 0:29:06 | 0:29:08 | |
To be honest, I still think you're going to make lots of stupid jokes about my age. | 0:29:08 | 0:29:12 | |
Oh, don't be silly. Come on, sit down! | 0:29:12 | 0:29:15 | |
You of all people shouldn't give up your seat. | 0:29:15 | 0:29:18 | |
That was an accident, I promise. | 0:29:18 | 0:29:20 | |
Arlene, don't go. I promise when you come on the show, | 0:29:20 | 0:29:23 | |
-I won't even mention your age. -MUSIC STARTS | 0:29:23 | 0:29:26 | |
-What's that? -Nothing. | 0:29:26 | 0:29:29 | |
# Grandma, we love you | 0:29:30 | 0:29:34 | |
# Grandma, we do | 0:29:34 | 0:29:37 | |
# Though you may be far away | 0:29:39 | 0:29:41 | |
# We think of you. # | 0:29:41 | 0:29:44 | |
Oi, you, stop licking your balls. | 0:29:47 | 0:29:49 | |
Thanks to David Haye for the loan of the mobility scooter. | 0:29:56 | 0:30:00 | |
Let's meet the final members of tonight's cast. | 0:30:00 | 0:30:02 | |
Yes, it's time for... | 0:30:02 | 0:30:05 | |
# When will I, will I be famous? | 0:30:05 | 0:30:09 | |
# For 15 seconds! # | 0:30:09 | 0:30:13 | |
First up, it's last week's winner, Rudy. Are you there, Rudy Barrow? | 0:30:16 | 0:30:20 | |
-Hey. How are you doing? -Have you named those fish yet? -Yes, I have. | 0:30:20 | 0:30:27 | |
-Good, what have we called them? -Right, I've got GI Joe. -Nice. | 0:30:27 | 0:30:32 | |
Ghost, Goldie, The Godfather, Gatekeeper, | 0:30:32 | 0:30:37 | |
and I've named the little tiddler, Lee. | 0:30:37 | 0:30:39 | |
Good job I've got a three-second memory or I'd have you for that. | 0:30:41 | 0:30:45 | |
Good job I've got a three-second memory or I'd have you for that. | 0:30:45 | 0:30:49 | |
So, what are you going to do for us tonight? | 0:30:49 | 0:30:51 | |
Last week I only got out about two words of my song, | 0:30:51 | 0:30:54 | |
so I'm going to do 15 songs in 15 seconds. | 0:30:54 | 0:30:59 | |
Pretty impressive. Rudy Barrow, this is your 15 seconds of fame. | 0:30:59 | 0:31:03 | |
# You can tell everybody | 0:31:05 | 0:31:08 | |
# You're once, Fame, 21 Seconds, I believe, Holiday, Sweetness | 0:31:08 | 0:31:13 | |
# Billie Jean, True Colours, I Just Called, Beautiful, Jammin' | 0:31:13 | 0:31:18 | |
# Sexy Eye, Sonny, Hello... # | 0:31:18 | 0:31:20 | |
KLAXON SOUNDS | 0:31:20 | 0:31:22 | |
APPLAUSE | 0:31:22 | 0:31:24 | |
Not bad, that's pretty good. | 0:31:24 | 0:31:26 | |
Do you know what, I think you've found your true calling. | 0:31:26 | 0:31:31 | |
Looking after goldfish. | 0:31:31 | 0:31:33 | |
Is he a potential winner, Joan? | 0:31:33 | 0:31:35 | |
I think he's very good. | 0:31:35 | 0:31:37 | |
Very original to do 15 songs in 15 seconds. | 0:31:37 | 0:31:40 | |
You have got the thumbs up from Joan Collins. | 0:31:40 | 0:31:42 | |
Thank you very much, Joan. | 0:31:42 | 0:31:44 | |
Thank you, Rudy Barrow. Let's hear it for Rudy. | 0:31:44 | 0:31:47 | |
APPLAUSE | 0:31:47 | 0:31:49 | |
-Kia Maxfield. Are you there, Kia? -Hi there, Lee. -How are you doing? | 0:31:49 | 0:31:55 | |
-I'm fine, Lee. -What are you going to do for us? | 0:31:55 | 0:31:58 | |
I'm going to sing a song made famous by Mr Louis Armstrong and his mother. | 0:31:58 | 0:32:02 | |
OK, Kia Maxfield, this is your 15 seconds of fame. | 0:32:02 | 0:32:06 | |
AS LOUIS # The colours of the rainbow | 0:32:06 | 0:32:08 | |
AS HIS MOTHER # So pretty in the sky | 0:32:10 | 0:32:12 | |
AS LOUIS # Are also on the faces | 0:32:12 | 0:32:15 | |
MOTHER # Of people passing by | 0:32:15 | 0:32:19 | |
LOUIS: # I see friends shaking hands... # | 0:32:19 | 0:32:22 | |
KLAXON SOUNDS | 0:32:22 | 0:32:24 | |
APPLAUSE | 0:32:24 | 0:32:26 | |
Kia, did you do that live or were you miming? | 0:32:26 | 0:32:30 | |
I was singing it live. | 0:32:30 | 0:32:32 | |
Can you talk that way as well? | 0:32:32 | 0:32:36 | |
AS LOUIS: I can if you want me to. | 0:32:33 | 0:32:36 | |
APPLAUSE | 0:32:36 | 0:32:37 | |
That's amazing. | 0:32:37 | 0:32:39 | |
That's an amazing voice. | 0:32:39 | 0:32:40 | |
Puberty must have been awful for you. | 0:32:40 | 0:32:43 | |
She's a very talented bloke. | 0:32:43 | 0:32:44 | |
You could have some fun with that. | 0:32:47 | 0:32:49 | |
Waking up the next morning after a one night stand. | 0:32:49 | 0:32:51 | |
"Thanks for last night, it were absolutely great!" | 0:32:51 | 0:32:54 | |
"Honestly I can't thank you enough." | 0:32:54 | 0:32:56 | |
Kia Maxfield, let's hear to for Kia! | 0:32:56 | 0:33:00 | |
Thank you. APPLAUSE | 0:33:00 | 0:33:01 | |
Scott Shortland, are you there, Scott? | 0:33:01 | 0:33:04 | |
-Hello, Lee, how are you doing? -Hi, Joan. | 0:33:04 | 0:33:07 | |
Are you some sort of cult? | 0:33:07 | 0:33:09 | |
Why are the ladies wearing sunglasses? | 0:33:11 | 0:33:13 | |
Having a rough day, Joan, you understand. | 0:33:13 | 0:33:17 | |
-Ooh! -What did she say? | 0:33:17 | 0:33:18 | |
I think she meant that in a very nice way. | 0:33:18 | 0:33:21 | |
You know how to win over the judges, don't you? | 0:33:22 | 0:33:25 | |
So what are you going to do? | 0:33:25 | 0:33:26 | |
Basically, I'm going to shave my hair off with a new style. | 0:33:26 | 0:33:30 | |
OK, Scott Shortland, this is your 15 seconds of fame. | 0:33:30 | 0:33:33 | |
Thank you, Lee. | 0:33:33 | 0:33:34 | |
Absolute idiot. | 0:33:47 | 0:33:48 | |
KLAXON SOUNDS | 0:33:51 | 0:33:52 | |
APPLAUSE | 0:33:52 | 0:33:54 | |
Let's have a look, come close, closer to the camera. | 0:33:54 | 0:33:57 | |
And the other side. Oh! | 0:33:57 | 0:34:01 | |
Blimey! The last of the Mohicans has gone very middle class. | 0:34:01 | 0:34:05 | |
If you win what will you shave for us next week? | 0:34:07 | 0:34:09 | |
I wondered where Spit the Dog had gone. | 0:34:11 | 0:34:14 | |
If you are picked as the winner, will you promise to spend | 0:34:15 | 0:34:18 | |
all week with that and don't touch your hair? | 0:34:18 | 0:34:21 | |
-Is that a deal? -That's a deal. -OK, it's a deal. | 0:34:21 | 0:34:23 | |
-Let's hear it for Scott Shortland. -APPLAUSE | 0:34:23 | 0:34:27 | |
-OK, decision time. Joan, what do we think? -Kia and Louis Armstrong. | 0:34:27 | 0:34:30 | |
-The audience aren't disagreeing. -APPLAUSE | 0:34:30 | 0:34:34 | |
-Ross? -Well, I will go with Joan. | 0:34:37 | 0:34:41 | |
But to be fair, I think he should stay like that all week. | 0:34:41 | 0:34:44 | |
Congratulations, Kia, you are now the champion of 15 seconds of fame! | 0:34:45 | 0:34:48 | |
APPLAUSE | 0:34:48 | 0:34:51 | |
How do you feel, Kia? | 0:34:53 | 0:34:55 | |
AS LOUIS: I feel fantastic. | 0:34:55 | 0:34:58 | |
-It's brilliant. -Let's hear it for Kia Maxfield. Thank you! | 0:34:58 | 0:35:01 | |
APPLAUSE | 0:35:01 | 0:35:03 | |
See you next week. | 0:35:03 | 0:35:04 | |
If you want to be in 15 seconds of fame | 0:35:04 | 0:35:07 | |
or take part in the all-star cast next week, go to - | 0:35:07 | 0:35:09 | |
That's it. Thanks to all my members of the cast. Joan Collins! | 0:35:13 | 0:35:16 | |
APPLAUSE | 0:35:16 | 0:35:18 | |
Ross Noble. Tom Staves. Arlene Phillips. | 0:35:18 | 0:35:21 | |
And of course, John. | 0:35:21 | 0:35:23 | |
And our wonderful studio audience. | 0:35:23 | 0:35:25 | |
Playing us out with their new single, Glad You Came, it's The Wanted! | 0:35:27 | 0:35:32 | |
# The sun goes down, the stars come out | 0:35:35 | 0:35:40 | |
# And all that counts is here and now | 0:35:40 | 0:35:44 | |
# My universe will never be the same | 0:35:44 | 0:35:48 | |
# I'm glad you came | 0:35:48 | 0:35:50 | |
# You cast a spell on me, spell on me | 0:36:08 | 0:36:11 | |
# You hit me like the sky fell on me, fell on me | 0:36:11 | 0:36:14 | |
# I decided you look well on me, well on me | 0:36:14 | 0:36:19 | |
# So let's go somewhere no one else can see you and me | 0:36:19 | 0:36:22 | |
# Turn the lights out now | 0:36:22 | 0:36:24 | |
# Now I'll take you by the hand | 0:36:24 | 0:36:26 | |
# Hand you another drink | 0:36:26 | 0:36:28 | |
# Drink it if you can | 0:36:28 | 0:36:30 | |
# Can you spend a little time | 0:36:30 | 0:36:31 | |
# Time is slipping away | 0:36:31 | 0:36:34 | |
# Away from us so stay | 0:36:34 | 0:36:35 | |
# Stay with me I can make | 0:36:35 | 0:36:38 | |
# Make you glad you came | 0:36:38 | 0:36:39 | |
# The sun goes down, the stars come out | 0:36:39 | 0:36:43 | |
# And all that counts is here and now | 0:36:43 | 0:36:47 | |
# My universe will never be the same | 0:36:47 | 0:36:51 | |
# I'm glad you came | 0:36:51 | 0:36:53 | |
# I'm glad you came | 0:36:53 | 0:36:54 | |
# You cast a spell on me, spell on me | 0:37:09 | 0:37:11 | |
# You hit me like the sky fell on me, fell on me | 0:37:11 | 0:37:15 | |
# And I decided you look well on me, well on me | 0:37:15 | 0:37:19 | |
# So let's go somewhere no on else can see you and me | 0:37:19 | 0:37:22 | |
# Turn the lights down now | 0:37:22 | 0:37:25 | |
# Now I take you by the hand | 0:37:25 | 0:37:27 | |
# Hand you another drink | 0:37:27 | 0:37:28 | |
# Drink it if you can | 0:37:28 | 0:37:30 | |
# Can you spend a little time | 0:37:30 | 0:37:32 | |
# Time is slipping away | 0:37:32 | 0:37:34 | |
# Away from us so stay | 0:37:34 | 0:37:36 | |
# Stay with me I can make | 0:37:36 | 0:37:38 | |
# Make you glad you came | 0:37:38 | 0:37:39 | |
# The sun goes down, the stars come out | 0:37:39 | 0:37:44 | |
# And all that counts is here and now | 0:37:44 | 0:37:47 | |
# My universe will never be the same | 0:37:47 | 0:37:51 | |
# I'm glad you came | 0:37:51 | 0:37:53 | |
# I'm glad you came | 0:37:53 | 0:37:55 | |
# Whoa-oh-oh-oh | 0:37:55 | 0:37:57 | |
# Oh-oh-oh-oh | 0:37:57 | 0:37:59 | |
# Who-oh-oh-oh | 0:37:59 | 0:38:01 | |
# I'm glad you came | 0:38:01 | 0:38:02 | |
# Whoa-oh-oh-oh | 0:38:02 | 0:38:04 | |
# Oh-oh-oh-oh | 0:38:04 | 0:38:06 | |
# Whoa-oh-oh-oh | 0:38:06 | 0:38:08 | |
# I'm glad you came | 0:38:08 | 0:38:10 | |
# Whoa-oh-oh-oh | 0:38:10 | 0:38:12 | |
# Oh-oh-oh-oh | 0:38:12 | 0:38:14 | |
# Whoa-oh-oh-oh | 0:38:14 | 0:38:16 | |
# So glad you came | 0:38:16 | 0:38:17 | |
# Whoa-oh-oh-oh | 0:38:17 | 0:38:19 | |
# Oh-oh-oh-oh | 0:38:19 | 0:38:22 | |
# Oh-oh-oh-oh | 0:38:22 | 0:38:23 | |
# I'm glad you came | 0:38:23 | 0:38:25 | |
# The sun goes down, the stars come out | 0:38:25 | 0:38:30 | |
# And all that counts is here and now | 0:38:30 | 0:38:33 | |
# My universe will never be the same | 0:38:33 | 0:38:37 | |
# I'm glad you came | 0:38:37 | 0:38:40 | |
# I'm glad you came. # | 0:38:40 | 0:38:42 | |
Thank you very much. | 0:38:45 | 0:38:46 | |
CHEERING AND APPLAUSE | 0:38:46 | 0:38:49 | |
Join me, Lee Mack, on my show Lee Mack's All-star Cast, | 0:38:51 | 0:38:55 | |
when my guests will be Ugly Betty star, Ashley Jensen, | 0:38:55 | 0:38:58 | |
and pop sensation JLS. | 0:38:58 | 0:39:00 | |
Right, you're a fake, you're a fake, you're a fake. Go. | 0:39:00 | 0:39:03 | |
It's just me and you, Joan. | 0:39:05 | 0:39:07 | |
-I'm not a fake. -I'll get my coat. | 0:39:07 | 0:39:10 | |
Subtitles by Red Bee Media Ltd | 0:39:10 | 0:39:14 |