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This programme contains some strong language | 0:00:02 | 0:00:08 | |
My name is Warwick Davis. | 0:00:26 | 0:00:28 | |
I'm the UK's go-to dwarf. | 0:00:28 | 0:00:31 | |
I'm an actor. You will have seen me in the Harry Potter films, | 0:00:33 | 0:00:37 | |
Hitchhiker's Guide to the Galaxy, | 0:00:37 | 0:00:39 | |
Return of the Jedi. | 0:00:39 | 0:00:41 | |
Yup-yup! | 0:00:41 | 0:00:42 | |
That's Wicket the Ewok, my first ever character. | 0:00:42 | 0:00:45 | |
I'm still very good friends with George Lucas, | 0:00:45 | 0:00:47 | |
who created the Star Wars films, | 0:00:47 | 0:00:49 | |
though if I've got one criticism of George, he missed a trick. | 0:00:49 | 0:00:53 | |
Why did he disguise my face? | 0:00:53 | 0:00:55 | |
If you're paying good money for the actor Warwick Davis, | 0:00:55 | 0:00:58 | |
then let the people see the actor Warwick Davis. | 0:00:58 | 0:01:01 | |
George realised the error of his ways | 0:01:01 | 0:01:03 | |
because he went on to cast me in Willow there. | 0:01:03 | 0:01:06 | |
That film cost, I think it's 40 million, | 0:01:06 | 0:01:08 | |
and has...has made a lot of that back, since. | 0:01:08 | 0:01:13 | |
PHONE RINGS | 0:01:18 | 0:01:20 | |
Hello? Dwarves For Hire. Warwick Davis speaking. | 0:01:20 | 0:01:23 | |
'I am not only an actor.' | 0:01:23 | 0:01:25 | |
Yep. Just get a booking form. | 0:01:25 | 0:01:26 | |
'I'm also an agent.' | 0:01:26 | 0:01:28 | |
I represent other dwarves. | 0:01:28 | 0:01:29 | |
You know, I've had huge success, | 0:01:29 | 0:01:32 | |
and this is my chance to pay that forward and help them get work. | 0:01:32 | 0:01:36 | |
The director's furious. He wants to fire you. | 0:01:36 | 0:01:39 | |
-Not my fault I don't know the song. -You're a dwarf, how can you not know "Hi-Ho"? | 0:01:39 | 0:01:43 | |
-Something about whistling? -Whistle While You Work? -Never heard it. | 0:01:43 | 0:01:47 | |
-How is this possible? -I don't know. | 0:01:47 | 0:01:49 | |
That's one of my clients there. | 0:01:49 | 0:01:50 | |
So if you need anybody, I've got all sorts. | 0:01:50 | 0:01:54 | |
Got that sort of look. | 0:01:54 | 0:01:56 | |
That one. One that looks like that. | 0:01:56 | 0:01:58 | |
Someone who looks like that, | 0:01:58 | 0:02:00 | |
you know, with a hat on. Some with long hair. | 0:02:00 | 0:02:02 | |
All sorts of different ones. | 0:02:02 | 0:02:04 | |
I mean, they're all about that high, | 0:02:04 | 0:02:06 | |
but they've sort of got different... | 0:02:06 | 0:02:09 | |
fat, thin, you know, whatever you want, | 0:02:09 | 0:02:12 | |
I can provide. | 0:02:12 | 0:02:13 | |
Why am I doing this documentary? | 0:02:21 | 0:02:23 | |
Because normally you see a dwarf on TV, | 0:02:23 | 0:02:27 | |
and he's dancing around, making a fool of himself. | 0:02:27 | 0:02:30 | |
I want people to see a sophisticated dwarf about town | 0:02:30 | 0:02:33 | |
who carries himself with dignity. | 0:02:33 | 0:02:35 | |
I'm a role model. | 0:02:36 | 0:02:38 | |
I'm a bit like Martin Luther King. | 0:02:38 | 0:02:40 | |
Because I too have a dream | 0:02:42 | 0:02:44 | |
that one day dwarves will be treated equally, | 0:02:44 | 0:02:47 | |
and they will walk proud, hand in hand with the rest of mankind. | 0:02:47 | 0:02:51 | |
You say, "No, Warwick, it's not the same. | 0:02:51 | 0:02:53 | |
"The dwarf wasn't taken forcibly from his homeland | 0:02:53 | 0:02:56 | |
"and enslaved and whipped and forced to change his name." | 0:02:56 | 0:02:59 | |
No, maybe not. | 0:02:59 | 0:03:00 | |
But then, I've never seen a black man fired from a cannon... | 0:03:00 | 0:03:03 | |
..every day for a whole season and twice on Saturdays. | 0:03:04 | 0:03:07 | |
There we go. Come in. | 0:03:08 | 0:03:12 | |
The old homestead. | 0:03:12 | 0:03:14 | |
Yeah. | 0:03:14 | 0:03:15 | |
Oh. Don't worry, they're not mine! | 0:03:17 | 0:03:20 | |
Who's this handsome devil? | 0:03:20 | 0:03:22 | |
Nice suit there. | 0:03:22 | 0:03:25 | |
That's me and my wife Sue on our wedding day. | 0:03:25 | 0:03:27 | |
Sue's looking lovely there. | 0:03:27 | 0:03:29 | |
The dress she's wearing belonged to her mother. | 0:03:29 | 0:03:32 | |
Her mother had sadly passed over, | 0:03:32 | 0:03:33 | |
so it was our way of having her at the wedding, which was nice. | 0:03:33 | 0:03:37 | |
Sue had to lose a lot of weight to get it on. | 0:03:37 | 0:03:39 | |
Not as much as I'd have liked, | 0:03:39 | 0:03:40 | |
but enough to squeeze into her dead mum's dress. | 0:03:40 | 0:03:43 | |
This is my kitchen. Cooker, sink, usual. | 0:03:44 | 0:03:48 | |
I was going to get all this lowered | 0:03:48 | 0:03:50 | |
but Sue enjoys doing the cooking, so I thought I'd leave it. Erm, good. | 0:03:50 | 0:03:55 | |
Here we are, look, this is Chewbacca. Hey, Chewie! | 0:03:55 | 0:03:58 | |
Good boy, ho-ho! | 0:03:58 | 0:03:59 | |
Oh, bit camera-shy. | 0:03:59 | 0:04:01 | |
Oh, here she is. | 0:04:02 | 0:04:03 | |
Sue Davis. Mrs Sue Davis, the old ball and chain. | 0:04:03 | 0:04:06 | |
-Hiya. -Hello. -You all right? | 0:04:06 | 0:04:09 | |
-I'm fine, thank you. -Nice to see you. | 0:04:09 | 0:04:11 | |
-What are you doing here, Warwick? -I just popped round to say hi. | 0:04:11 | 0:04:14 | |
You know you're not supposed to be here. You moved out. | 0:04:14 | 0:04:17 | |
-We're separated. -No, not really. -Oh, we are. -Temporarily. | 0:04:17 | 0:04:20 | |
You can't keep running that round. | 0:04:20 | 0:04:22 | |
-You were the one that walked out. -No, not really. -Yes, you did. | 0:04:22 | 0:04:25 | |
I didn't walk out. I was back and forth to Hollywood so much, | 0:04:25 | 0:04:28 | |
-it wasn't fair on you. -You weren't back and forth to Hollywood. | 0:04:28 | 0:04:31 | |
-Yes. -No, you weren't. The phone hasn't rung for years. | 0:04:31 | 0:04:34 | |
But if it started ringing, | 0:04:34 | 0:04:35 | |
if George Lucas rang and said we're doing another Star Wars | 0:04:35 | 0:04:38 | |
I had to be ready to go, on a plane, whoosh, here I come! | 0:04:38 | 0:04:41 | |
If that had happened, I could have come with you. | 0:04:41 | 0:04:44 | |
No, cos George Lucas isn't stupid, doesn't throw his money around. | 0:04:44 | 0:04:47 | |
"Why do you need two tickets? You're only three foot six!" | 0:04:47 | 0:04:50 | |
-Tell you what happened. -Oh, what? | 0:04:50 | 0:04:52 | |
-He thought... -Here we go, what did I think. Mystic Meg here! | 0:04:52 | 0:04:55 | |
-What he thought was... -Yeah, yeah. -He thought he could do better. | 0:04:55 | 0:04:58 | |
He thought he could trade me in for a taller, more beautiful model, | 0:04:58 | 0:05:02 | |
-but he couldn't. -No, I could, I didn't want to. -No, you couldn't. | 0:05:02 | 0:05:05 | |
I could! Just didn't want to, cos I'm, you know, faithful. | 0:05:05 | 0:05:08 | |
Now he's back with his tail between his legs. It's too late. | 0:05:08 | 0:05:11 | |
-Doesn't have to be. -It's over. | 0:05:11 | 0:05:12 | |
-I've moved on. -You haven't bloody moved on. You're still in a house that I own, | 0:05:12 | 0:05:16 | |
so I might as well move back in. | 0:05:16 | 0:05:18 | |
Know what you need to do, Warwick? | 0:05:18 | 0:05:20 | |
Get your stuff and move out, because we're separated. | 0:05:20 | 0:05:23 | |
We are getting divorced. | 0:05:23 | 0:05:25 | |
I don't know what part of that you don't understand. | 0:05:25 | 0:05:27 | |
All right, calm down. Showing off. | 0:05:27 | 0:05:30 | |
So. | 0:05:31 | 0:05:32 | |
'I know you're thinking. "Warwick, why did you marry beneath yourself?" ' | 0:05:32 | 0:05:36 | |
Why would a film star marry her | 0:05:36 | 0:05:37 | |
when he could have leggy blondes or Page Three girls? | 0:05:37 | 0:05:40 | |
Didn't want to. | 0:05:40 | 0:05:41 | |
If I'm walking down the street with a stunner on my arm, | 0:05:41 | 0:05:44 | |
everyone's going, "Oh, he's got the sexy bird cos he's a film star." | 0:05:44 | 0:05:48 | |
Right? So I went for a chick who...hasn't got it all out on show. | 0:05:48 | 0:05:53 | |
Yeah, she's not going to be in FHM magazine, | 0:05:53 | 0:05:55 | |
she's not going to win any Rear of the Year awards | 0:05:55 | 0:05:57 | |
or turn heads at an awards do, or a showbiz party, | 0:05:57 | 0:06:01 | |
or in the supermarket, but she's reliable. | 0:06:01 | 0:06:03 | |
She won't run to the papers, | 0:06:03 | 0:06:04 | |
"Know what Warwick likes sexually? He likes..." | 0:06:04 | 0:06:07 | |
It doesn't matter what Warwick likes sexually, | 0:06:07 | 0:06:09 | |
whatever it is, she won't write about it in her memoirs. | 0:06:09 | 0:06:12 | |
Not that anyone'd ask her for her memoirs, | 0:06:12 | 0:06:15 | |
cos she's a nobody, as I said before. | 0:06:15 | 0:06:17 | |
Can't reach! | 0:06:41 | 0:06:43 | |
Oh, excuse me. Sorry, sir, excuse me. | 0:06:44 | 0:06:46 | |
Could you press that top buzzer, please? | 0:06:46 | 0:06:48 | |
It's the top one there. | 0:06:50 | 0:06:52 | |
-This one? -Yep. | 0:06:52 | 0:06:53 | |
BUZZER RINGS | 0:06:53 | 0:06:54 | |
Thanks. | 0:06:54 | 0:06:55 | |
'Hello?' | 0:06:55 | 0:06:57 | |
It's Warwick. | 0:06:57 | 0:06:59 | |
'Hello?' | 0:06:59 | 0:07:00 | |
It's Warwick. | 0:07:00 | 0:07:02 | |
'There's no-one there.' | 0:07:02 | 0:07:03 | |
Can't hear me! | 0:07:03 | 0:07:05 | |
Excuse me. | 0:07:07 | 0:07:08 | |
Could you say into that intercom, "It's Warwick Davis." | 0:07:08 | 0:07:11 | |
-Why? -Because it is. | 0:07:11 | 0:07:13 | |
-No, it's not. -No, you're not, I am. I just... | 0:07:13 | 0:07:15 | |
Then why am I saying it? | 0:07:15 | 0:07:16 | |
-Cos when they answer they can't hear me. -Why can't you shout it? | 0:07:16 | 0:07:20 | |
Can't stand in the street shouting, "It's Warwick Davis." | 0:07:20 | 0:07:23 | |
-Why not? -I'm a famous actor, I've been in films. | 0:07:23 | 0:07:25 | |
-I never heard of you. -Haven't you? -No. | 0:07:25 | 0:07:27 | |
If I heard someone shout, "It's Warwick Davis!" | 0:07:27 | 0:07:30 | |
I'd be like, "Who's Warwick Davis?" | 0:07:30 | 0:07:32 | |
-I am. -Yeah, I know that now. | 0:07:32 | 0:07:33 | |
All right, let me tell you this. | 0:07:33 | 0:07:35 | |
If I start shouting, "It's Warwick Davis", it'll cause quite a stir. | 0:07:35 | 0:07:38 | |
-Right. -There'll be people wanting autographs, so let's... -Bruv, | 0:07:38 | 0:07:41 | |
I'll get real. Let me break it down for you. | 0:07:41 | 0:07:44 | |
No-one knows you. | 0:07:44 | 0:07:45 | |
If you were to say your name was like, Verne Troyer, | 0:07:45 | 0:07:48 | |
I'd be like, "Boom, Mini-Me, Austin Powers, sex tape." | 0:07:48 | 0:07:52 | |
-That guy's big in the game, you know. -Oh, yeah. | 0:07:52 | 0:07:54 | |
You've done none of those things. | 0:07:54 | 0:07:56 | |
I've never seen you bruv. What films you been in? | 0:07:56 | 0:07:58 | |
Have you seen Return Of The Jedi? | 0:07:58 | 0:08:00 | |
-Who was you in that? -I was an Ewok. | 0:08:00 | 0:08:02 | |
-Those little bears? -They're not bears. -Bruv, they're little bears. | 0:08:02 | 0:08:06 | |
-Right. Have you seen Willow? -No. | 0:08:06 | 0:08:08 | |
Look, just press the buzzer, please. | 0:08:09 | 0:08:11 | |
Thank you. | 0:08:11 | 0:08:12 | |
Top one there. | 0:08:14 | 0:08:16 | |
BUZZER RINGS | 0:08:16 | 0:08:17 | |
'Hello?' | 0:08:17 | 0:08:18 | |
Yo. Warren Davis. | 0:08:18 | 0:08:20 | |
-Warwick Davis. -Warwick Davis. | 0:08:20 | 0:08:23 | |
'Oh... OK...come up.' | 0:08:23 | 0:08:26 | |
Is that Ricky Gervais? | 0:08:26 | 0:08:27 | |
Oh, you recognise him? | 0:08:27 | 0:08:29 | |
That's got issues. You're welcome, bruv. | 0:08:30 | 0:08:33 | |
Chief! | 0:08:34 | 0:08:36 | |
Here we are. | 0:08:36 | 0:08:38 | |
Look at that. | 0:08:38 | 0:08:40 | |
-Comedy legends there, Ricky Gervais, Stephen Merchant. -Hmm. | 0:08:40 | 0:08:43 | |
We're all mates, aren't we? Always popping round for a chat. | 0:08:43 | 0:08:46 | |
You are always popping round, yeah. | 0:08:46 | 0:08:48 | |
I thought we made the buzzer high enough, but... | 0:08:48 | 0:08:50 | |
-I got a passer-by to press it. -Passer-by? Damn! | 0:08:50 | 0:08:53 | |
-We didn't think of everything. -Hmm. | 0:08:53 | 0:08:56 | |
Yeah, always nice to see you. | 0:08:56 | 0:08:58 | |
Yeah, it is, it's...it's good. | 0:08:58 | 0:09:00 | |
-What do you need, cos we're a bit conscious of... -Oh, I don't know, | 0:09:00 | 0:09:03 | |
just...just a chat really. | 0:09:03 | 0:09:05 | |
-Oh! -OK. -You know, I was... | 0:09:05 | 0:09:07 | |
'You've got to be resilient in this business. | 0:09:07 | 0:09:10 | |
'When the phone won't stop ringing you can be choosy, | 0:09:10 | 0:09:12 | |
'but when it's not ringing, | 0:09:12 | 0:09:14 | |
'then...it's at times like this' | 0:09:14 | 0:09:17 | |
when you find out who your friends are, and you call in a few favours. | 0:09:17 | 0:09:20 | |
'I'm good friends with Ricky Gervais and Stephen Merchant. When you're friends | 0:09:20 | 0:09:24 | |
'with writers, directors, producers, | 0:09:24 | 0:09:27 | |
'then what's wrong with saying, "All right, chaps, what's going on?' | 0:09:27 | 0:09:30 | |
"Have you got any work for me?" | 0:09:30 | 0:09:33 | |
I don't know where to turn, to be honest. There's no work coming in | 0:09:33 | 0:09:36 | |
-at the minute. I just... -OK. | 0:09:36 | 0:09:38 | |
Are you doing any more Extras? | 0:09:38 | 0:09:39 | |
-I mean maybe we could... -No. | 0:09:39 | 0:09:42 | |
-What else are you working on at the minute? -Just other TV and film. | 0:09:42 | 0:09:45 | |
-OK. -And, you know... | 0:09:45 | 0:09:47 | |
Any actors required, perhaps? | 0:09:47 | 0:09:49 | |
Actors? | 0:09:49 | 0:09:51 | |
Do you need actors? | 0:09:51 | 0:09:52 | |
We will need actors for the, um, at some point. | 0:09:52 | 0:09:55 | |
-But not necessarily... -Not... | 0:09:55 | 0:09:57 | |
Not..? | 0:09:57 | 0:09:58 | |
If we do, though, we would like... | 0:09:58 | 0:10:00 | |
-Yeah, cos you were brilliant in The Office. -Extras. | 0:10:00 | 0:10:03 | |
Extras. Yeah, whatever. | 0:10:03 | 0:10:04 | |
We did have someone like that in The Office, though? | 0:10:04 | 0:10:07 | |
-Wheelchair. -We had a wheelchair one. | 0:10:07 | 0:10:09 | |
-Same ballpark. -Oh, yeah. | 0:10:09 | 0:10:11 | |
-But, um...no. -OK, well, | 0:10:11 | 0:10:13 | |
remember me when you're writing. | 0:10:13 | 0:10:15 | |
-Definitely. -Oh, yeah. | 0:10:15 | 0:10:17 | |
Oh, yeah, you know I mentioned | 0:10:17 | 0:10:19 | |
things weren't so good between myself and my wife? | 0:10:19 | 0:10:21 | |
Well, recently, it took a turn for the worse, I'm afraid. | 0:10:21 | 0:10:25 | |
She's going through with a divorce. I don't know what went wrong. | 0:10:25 | 0:10:29 | |
Always delivered in the bedroom department, I think, you know? | 0:10:29 | 0:10:33 | |
Um... | 0:10:33 | 0:10:34 | |
-No, it's... -You know, | 0:10:34 | 0:10:35 | |
several times a week, | 0:10:35 | 0:10:37 | |
which is unusual, I think, | 0:10:37 | 0:10:39 | |
this far into a marriage. What was it? Ten years almost, yeah. | 0:10:39 | 0:10:42 | |
But um, always had a good go. | 0:10:42 | 0:10:44 | |
Ah. That's... | 0:10:44 | 0:10:47 | |
that's the main thing, innit? | 0:10:47 | 0:10:48 | |
I want to tell you this, Ricky, | 0:10:48 | 0:10:50 | |
I always took care of her needs before I moved on to mine. | 0:10:50 | 0:10:53 | |
RICKY CLEARS THROAT | 0:10:53 | 0:10:55 | |
I could tell you some of the things we did. | 0:10:55 | 0:10:57 | |
No! No point. | 0:10:57 | 0:10:59 | |
It's just...it's, um... | 0:10:59 | 0:11:01 | |
No, I could take your word for it. | 0:11:01 | 0:11:03 | |
All a bit sad really. | 0:11:03 | 0:11:04 | |
Yeah. | 0:11:04 | 0:11:06 | |
Right, um, | 0:11:06 | 0:11:07 | |
-good to see you chaps. -It is! Always nice to see you. Cheers. | 0:11:07 | 0:11:11 | |
-Thanks for coming. -See you soon. -OK. | 0:11:11 | 0:11:14 | |
-Oh, yeah, just one more thing. -Go on. | 0:11:14 | 0:11:17 | |
Just getting back to the divorce situation, I wondered, | 0:11:17 | 0:11:20 | |
have you got any advice? | 0:11:20 | 0:11:22 | |
Um, well, | 0:11:22 | 0:11:24 | |
my advice would be, ask Steve | 0:11:24 | 0:11:26 | |
cos he's great at that sort of...thing. | 0:11:26 | 0:11:29 | |
About what? | 0:11:31 | 0:11:32 | |
Just the divorce. | 0:11:32 | 0:11:33 | |
-The divorce thing. -You know, it's all new to me so I don't know what to... | 0:11:33 | 0:11:37 | |
My advice would probably be just to, um, | 0:11:37 | 0:11:40 | |
do whatever you think is the right thing to do in this situation. | 0:11:40 | 0:11:44 | |
What good advice that is. | 0:11:44 | 0:11:45 | |
-Do whatever? -Yeah. | 0:11:45 | 0:11:46 | |
You agree with that, yeah? | 0:11:46 | 0:11:48 | |
If Steve says so, yeah. | 0:11:48 | 0:11:50 | |
Just do whatever. OK, yeah. | 0:11:50 | 0:11:53 | |
-All right, chaps. Cheers. -Are you definitely off? -See you. -Bye. | 0:11:53 | 0:11:56 | |
Do whatever! | 0:11:57 | 0:11:59 | |
-What do I know? I didn't even realise he was married. -Oh, God! | 0:11:59 | 0:12:02 | |
Erm...well, that went well. | 0:12:05 | 0:12:07 | |
It's always good to get their perspective on things, | 0:12:07 | 0:12:10 | |
and, you know, now I'm in their minds for any future... | 0:12:10 | 0:12:13 | |
Shaun! | 0:12:13 | 0:12:14 | |
Shaun Williamson, from Extras. | 0:12:15 | 0:12:18 | |
-Hello. -What are you doing here, then? | 0:12:18 | 0:12:20 | |
Oh, just seeing the boys about a few things. | 0:12:20 | 0:12:22 | |
So they are doing more Extras? | 0:12:22 | 0:12:24 | |
-I don't know, I'm just returning their dry cleaning. -Oh. | 0:12:24 | 0:12:27 | |
-Doing a few errands for 'em, you know? -Yeah. | 0:12:27 | 0:12:30 | |
It's all cash and just, you know, it keeps me busy, | 0:12:30 | 0:12:32 | |
gets me out the house, so, um... | 0:12:32 | 0:12:34 | |
-Work's dried up a bit since Extras, to be honest. -Yeah, same here. | 0:12:34 | 0:12:37 | |
What is this, then? | 0:12:39 | 0:12:40 | |
Documentary. | 0:12:40 | 0:12:43 | |
-What, about...? -About me, yeah. | 0:12:43 | 0:12:45 | |
-That's good exposure for you. -That's what I thought, | 0:12:49 | 0:12:52 | |
it's all good. | 0:12:52 | 0:12:53 | |
-See you later. -Yeah, see you later, yeah. | 0:12:56 | 0:12:58 | |
BUZZER RINGS | 0:12:58 | 0:12:59 | |
'Hello?' | 0:12:59 | 0:13:00 | |
Right, what was I saying? | 0:13:00 | 0:13:02 | |
'Oh, hi, come up.' | 0:13:02 | 0:13:03 | |
Yeah, now I'm in their minds for any future work and stuff, | 0:13:03 | 0:13:06 | |
cos they're always writing and er, and producing stuff, | 0:13:06 | 0:13:09 | |
so they're the people to know. | 0:13:09 | 0:13:11 | |
Cheryl Wilkins. That's you. | 0:13:17 | 0:13:21 | |
Bit of background on me before we start. | 0:13:21 | 0:13:23 | |
I'm an entrepreneur, | 0:13:23 | 0:13:25 | |
and hoping to expand my operation here. | 0:13:25 | 0:13:29 | |
That's partly why I need new staff. | 0:13:29 | 0:13:31 | |
Also, my wife used to work here | 0:13:31 | 0:13:34 | |
but she's currently going through a divorce situation | 0:13:34 | 0:13:38 | |
with me, | 0:13:38 | 0:13:39 | |
so um, so I need a new secretary, | 0:13:39 | 0:13:42 | |
which could be you. | 0:13:42 | 0:13:43 | |
I'm looking at your CV, and I see | 0:13:43 | 0:13:47 | |
not a lot of experience. | 0:13:47 | 0:13:48 | |
-No. -That will mean I can't pay you a lot initially. | 0:13:48 | 0:13:52 | |
That's fine. Mum just wants me out the house. | 0:13:52 | 0:13:54 | |
I can live rent-free if I don't come home till six at night. | 0:13:54 | 0:13:57 | |
Right. | 0:13:57 | 0:13:58 | |
What are your interests? You know, tell me a bit about Cheryl. | 0:13:58 | 0:14:02 | |
-Do you have a pet? -I've got two pets that are related to each other. | 0:14:02 | 0:14:05 | |
-They're dogs. -Ah! | 0:14:05 | 0:14:08 | |
But we sort of call them | 0:14:08 | 0:14:11 | |
different things, like, | 0:14:11 | 0:14:13 | |
they've got names. | 0:14:13 | 0:14:15 | |
Oh, yeah, obviously, they're dogs, | 0:14:15 | 0:14:19 | |
and you've given them names, | 0:14:19 | 0:14:21 | |
which is not unusual, I don't think you'll find. It's just... | 0:14:21 | 0:14:24 | |
OK, what are your hopes for the future? | 0:14:24 | 0:14:28 | |
Sales and marketing. | 0:14:28 | 0:14:30 | |
And that's it? That's your dream? | 0:14:30 | 0:14:32 | |
No. My dream is to sort of establish | 0:14:33 | 0:14:36 | |
that people that go to the moon are actually going to the moon | 0:14:36 | 0:14:39 | |
and they're not just pretending. | 0:14:39 | 0:14:41 | |
I've got a few more people to see. | 0:14:43 | 0:14:45 | |
Actually there's no-one else to see. You're hired. | 0:14:45 | 0:14:48 | |
Yeah, we do have people that can do leprechauns. | 0:14:57 | 0:15:00 | |
How many do you want? | 0:15:00 | 0:15:01 | |
'Being restricted in height does not make you restricted in talent.' | 0:15:01 | 0:15:05 | |
I wouldn't go for seven, cos seven tends to make people think dwarves. | 0:15:05 | 0:15:09 | |
If they're meant to be leprechauns I'd go with six or eight. | 0:15:09 | 0:15:11 | |
There's loads of little people with immense talent, | 0:15:11 | 0:15:15 | |
and that's what I'm trying to show the world. | 0:15:15 | 0:15:17 | |
DUET: # Ebony and Ivory | 0:15:17 | 0:15:23 | |
# Live together in perfect harmony... # | 0:15:23 | 0:15:28 | |
Can I be honest? | 0:15:30 | 0:15:31 | |
Um...awful, obviously. | 0:15:31 | 0:15:33 | |
That's the least of our worries. | 0:15:33 | 0:15:35 | |
A lot of boxes ticked. We've got dwarves, | 0:15:35 | 0:15:38 | |
blacking up, and you know, | 0:15:38 | 0:15:39 | |
I may be wrong but I don't think you can do that any more. | 0:15:39 | 0:15:42 | |
Maybe in the North. So, we've got dwarves, | 0:15:42 | 0:15:44 | |
blacking up, singing "Ebony and Ivory". It's a very mixed message. | 0:15:44 | 0:15:48 | |
And I'm a lesbian. | 0:15:48 | 0:15:49 | |
I didn't even know one of you was a girl. | 0:15:49 | 0:15:51 | |
-So, here we are at the offices of my accountant. -Yep. | 0:16:02 | 0:16:06 | |
-Eric. -Biddle. Mr Biddle. | 0:16:06 | 0:16:08 | |
Yeah, he's not only my accountant, he's a friend. | 0:16:08 | 0:16:10 | |
Yeah, we go way back, don't we? | 0:16:10 | 0:16:12 | |
-Um... -Long way, yeah. -Years and years, isn't it? | 0:16:12 | 0:16:15 | |
It smells a bit iffy in here today. | 0:16:15 | 0:16:17 | |
-It's like something rotting. You know that smell of... -Is it that? | 0:16:17 | 0:16:20 | |
Oh! What is it? | 0:16:20 | 0:16:22 | |
It's a chicken. I had it for lunch. | 0:16:22 | 0:16:23 | |
-When? -About a week ago. | 0:16:23 | 0:16:25 | |
Then empty the bloody bin! | 0:16:25 | 0:16:27 | |
It's not my job to empty the bins. | 0:16:27 | 0:16:29 | |
I'm an accountant, not a bloody cleaner. | 0:16:29 | 0:16:32 | |
Right. | 0:16:32 | 0:16:33 | |
Have you spoken to the Inland Revenue? What's the latest? | 0:16:33 | 0:16:36 | |
Yes. They are not pressing charges. | 0:16:36 | 0:16:39 | |
They don't think it's fraud. I've told them you didn't know what you were doing. | 0:16:39 | 0:16:43 | |
It's you who didn't know what he was doing. You're my accountant. | 0:16:43 | 0:16:46 | |
-You're supposed to tell me if I owe tax. -Yeah, I know, but... | 0:16:46 | 0:16:49 | |
The original figure they said I owed was 250,000. Where are we now? | 0:16:49 | 0:16:53 | |
Well, I was cheeky, I said, "he won't do it again," | 0:16:53 | 0:16:56 | |
there was a bit of back and forth, | 0:16:56 | 0:16:57 | |
and the figure I arrived at was £50,000. | 0:16:57 | 0:17:00 | |
£50,000? That's great! | 0:17:00 | 0:17:02 | |
Wait, no. They said no to that. | 0:17:02 | 0:17:04 | |
A very definite no. | 0:17:04 | 0:17:06 | |
So what was the figure you agreed on? | 0:17:06 | 0:17:09 | |
£250,000. | 0:17:09 | 0:17:10 | |
-That's what they wanted to start with! -Yes, but... | 0:17:10 | 0:17:13 | |
That's not negotiating! You just agreed with them! | 0:17:13 | 0:17:15 | |
But the tax people know what they're talking about. | 0:17:15 | 0:17:18 | |
They understand your accounts better than me. | 0:17:18 | 0:17:21 | |
I'm not going to argue with them. | 0:17:21 | 0:17:22 | |
-You're supposed to argue! -And piss off the Inland Revenue? | 0:17:22 | 0:17:25 | |
I've got other clients to think of, better clients. | 0:17:25 | 0:17:28 | |
I don't want them tarred by your bloody mistakes. | 0:17:28 | 0:17:30 | |
-That you made. -Yeah, exactly! | 0:17:30 | 0:17:32 | |
'I've known Eric for about 25 years now.' | 0:17:32 | 0:17:35 | |
He wanted to be a top accountant. I wanted to be a Hollywood star. | 0:17:35 | 0:17:38 | |
I have to earn £250,000 by January? | 0:17:38 | 0:17:41 | |
More actually, | 0:17:41 | 0:17:43 | |
cos you have to pay 40% tax on what you earn, so... | 0:17:43 | 0:17:47 | |
I never realised, back then, what a poor accountant he would become. | 0:17:47 | 0:17:51 | |
Hang on, I'm confused, sorry. | 0:17:51 | 0:17:54 | |
-Am I being thick? -No, no, it is confusing, | 0:17:54 | 0:17:57 | |
tax, percentages and everything, | 0:17:57 | 0:17:58 | |
I always get stuff wrong. I get letters! | 0:17:58 | 0:18:00 | |
And the smell makes it hard to concentrate, to be honest. | 0:18:00 | 0:18:03 | |
He really is shit at it. | 0:18:03 | 0:18:06 | |
How much do I need to earn? | 0:18:06 | 0:18:08 | |
Let's have a look. 250,000 | 0:18:08 | 0:18:11 | |
times... | 0:18:11 | 0:18:12 | |
CALCULATOR WHIRRS | 0:18:12 | 0:18:13 | |
Oop! Er, times... | 0:18:13 | 0:18:15 | |
Does this do percentages? | 0:18:15 | 0:18:16 | |
It should do. Where is it? Ah, there. | 0:18:16 | 0:18:19 | |
Now, do I press times percentage? | 0:18:19 | 0:18:21 | |
'If he wasn't a mate, I'd have fired him 24 years ago, but...' | 0:18:21 | 0:18:24 | |
250,000... | 0:18:24 | 0:18:26 | |
'..he is a mate, and I can't fire him.' | 0:18:26 | 0:18:29 | |
Is 0.4 the same? Isn't that like saying 40% of something? | 0:18:29 | 0:18:32 | |
'In fact, he's more like a stray dog than a mate' | 0:18:32 | 0:18:35 | |
cos I've been feeding him for so long, | 0:18:35 | 0:18:37 | |
you know, I can't stop now, | 0:18:37 | 0:18:39 | |
cos if I do, I know he'll just sit outside | 0:18:39 | 0:18:42 | |
waiting, and...and starve to death. | 0:18:42 | 0:18:44 | |
Pounds. | 0:18:45 | 0:18:47 | |
Then pay the tax on that. | 0:18:47 | 0:18:49 | |
Um... pay off the 250 grand, | 0:18:49 | 0:18:54 | |
and you'll be left with...£20,000. | 0:18:54 | 0:18:58 | |
I'd have 20 grand? I can live on that, | 0:18:59 | 0:19:02 | |
that's not so bad... Hang on. | 0:19:02 | 0:19:03 | |
Didn't higher rate tax go up from 40% to 50% in the UK recently? | 0:19:03 | 0:19:08 | |
Gee, ohh.... | 0:19:14 | 0:19:16 | |
Ohhh... | 0:19:16 | 0:19:18 | |
Wuh-wuh-buh-buh-buh.... | 0:19:18 | 0:19:20 | |
Can I ask you something, Warwick? | 0:19:28 | 0:19:30 | |
How do you keep getting into this office? | 0:19:30 | 0:19:32 | |
'The great thing about being friends with influential people | 0:19:32 | 0:19:36 | |
'is that through them, you get to meet other influential people.' | 0:19:36 | 0:19:40 | |
I mean if either of you, or both, could come along, | 0:19:40 | 0:19:43 | |
-it'd really help. -I can't... | 0:19:43 | 0:19:44 | |
'That's how this business operates. It's all about networking.' | 0:19:44 | 0:19:47 | |
-You'd enjoy it. -I wouldn't, trust me. | 0:19:47 | 0:19:49 | |
BUZZER RINGS Warwick, you've got to go. | 0:19:49 | 0:19:51 | |
-Hello? -'It's Liam Neeson.' | 0:19:51 | 0:19:53 | |
-Come in. -I've worked with him. -OK, but you've got to go. Sorry, guys. | 0:19:53 | 0:19:57 | |
DOOR CLOSES | 0:19:57 | 0:20:00 | |
I could just... | 0:20:00 | 0:20:01 | |
-There is he. -Hello! | 0:20:01 | 0:20:03 | |
-Hi. -That's Warwick, he's just going. | 0:20:03 | 0:20:05 | |
Hiya. We worked together on Star Wars, Phantom Menace. | 0:20:05 | 0:20:08 | |
-Oh yeah? -We had a scene together. | 0:20:08 | 0:20:10 | |
-It was cut, though. Remember? -OK. | 0:20:10 | 0:20:12 | |
Thanks for seeing me. | 0:20:12 | 0:20:13 | |
I'm here because I'm thinking of, uh, | 0:20:13 | 0:20:16 | |
I'm thinking of doing some comedy. | 0:20:16 | 0:20:18 | |
Oh, right like a comedy movie? | 0:20:18 | 0:20:21 | |
No, on stage. | 0:20:21 | 0:20:22 | |
Stand-up comedy, live comedy of some kind. | 0:20:22 | 0:20:26 | |
Wow! | 0:20:26 | 0:20:28 | |
I'm a funny guy - aren't I? | 0:20:28 | 0:20:29 | |
I'm funny, right? | 0:20:32 | 0:20:33 | |
Yeah. | 0:20:33 | 0:20:35 | |
Definitely. | 0:20:35 | 0:20:37 | |
Here's some of the stuff I'd like to work on. | 0:20:37 | 0:20:40 | |
Improv, stand-up comedy, | 0:20:40 | 0:20:43 | |
funny monologues, | 0:20:43 | 0:20:45 | |
crazy characters, sketches, | 0:20:45 | 0:20:47 | |
slapstick, anecdotes, parody, yeah? | 0:20:47 | 0:20:51 | |
Yeah. | 0:20:51 | 0:20:53 | |
You notice this list, huh? I'm always making lists. | 0:20:53 | 0:20:56 | |
Oh, right. | 0:20:56 | 0:20:57 | |
In fact, that's probably why Steven Spielberg cast me | 0:20:57 | 0:21:01 | |
as Oskar Schindler in Schindler's List. | 0:21:01 | 0:21:03 | |
I said, "Steven, I make lists all the time." | 0:21:03 | 0:21:08 | |
And he said, "That's exactly what I'm looking for." | 0:21:08 | 0:21:12 | |
What? What's funny? | 0:21:13 | 0:21:14 | |
Sorry, I thought you were joking | 0:21:14 | 0:21:16 | |
about being cast as Schindler cos you made lists. | 0:21:16 | 0:21:18 | |
No. | 0:21:18 | 0:21:20 | |
As an actor, you need stuff to draw on, | 0:21:20 | 0:21:22 | |
and I drew on that. | 0:21:22 | 0:21:24 | |
OK. Wow. | 0:21:24 | 0:21:26 | |
OK, let's do some improvisational comedy. | 0:21:26 | 0:21:30 | |
-I can't now, Liam. -It's a bad time... | 0:21:30 | 0:21:32 | |
Let's do some improvisational comedy, now. | 0:21:32 | 0:21:35 | |
OK... | 0:21:37 | 0:21:39 | |
Give us a scenario, Warwick. | 0:21:39 | 0:21:40 | |
Um, right, OK, er... | 0:21:40 | 0:21:42 | |
You're a hypochondriac and Ricky's a doctor. | 0:21:42 | 0:21:45 | |
Excellent. | 0:21:47 | 0:21:48 | |
OK. | 0:21:48 | 0:21:50 | |
-Knock knock. -Come in. | 0:21:53 | 0:21:55 | |
-Hello. -Oh no, not you again! | 0:21:55 | 0:21:58 | |
I've never been here before. | 0:21:59 | 0:22:00 | |
Sorry, I thought... | 0:22:00 | 0:22:03 | |
as you're a hypochondriac, you'd have been to the doctor before. | 0:22:03 | 0:22:06 | |
Don't presume. That's a backstory we didn't agree on beforehand. | 0:22:06 | 0:22:10 | |
No, I know, | 0:22:10 | 0:22:12 | |
-but that's improv, you go with the flow. -I don't take notes. | 0:22:12 | 0:22:15 | |
OK. | 0:22:15 | 0:22:17 | |
-Can we go again, because you ruined that? -Sorry. | 0:22:17 | 0:22:21 | |
-Knock knock. -Come in. | 0:22:21 | 0:22:22 | |
-Hi. -Hi, how's it going? What seems to be the problem? | 0:22:22 | 0:22:25 | |
I've contracted AIDS. | 0:22:25 | 0:22:27 | |
-How did you get that? -From an African prostitute. | 0:22:30 | 0:22:35 | |
I'm...I'm riddled with it. | 0:22:35 | 0:22:39 | |
The prostitute's from an African country that's, | 0:22:39 | 0:22:43 | |
that's ravaged by starvation, so... | 0:22:43 | 0:22:45 | |
..so selling her body was the only financial recourse she had left. | 0:22:46 | 0:22:50 | |
-Do you mind if I interject? -Go on. | 0:22:50 | 0:22:52 | |
I think it's getting quite heavy, this sketch, | 0:22:52 | 0:22:54 | |
and I just wonder if perhaps, just for the sake of comedy, | 0:22:54 | 0:22:58 | |
you might not want to have contracted AIDs | 0:22:58 | 0:23:00 | |
from an African prostitute. Just... | 0:23:00 | 0:23:02 | |
OK. | 0:23:02 | 0:23:04 | |
All right. | 0:23:05 | 0:23:06 | |
Knock knock. | 0:23:06 | 0:23:07 | |
Come in. | 0:23:07 | 0:23:08 | |
-Hi. -Hi, what seems to be the problem? | 0:23:08 | 0:23:11 | |
-As I said before, I've got full-blown AIDS. -Right. | 0:23:11 | 0:23:14 | |
-Do you want to know how I got it? -Sure. | 0:23:14 | 0:23:17 | |
From a well known homosexual actor. | 0:23:17 | 0:23:18 | |
Wow. OK. | 0:23:18 | 0:23:20 | |
-It was -(BLEEP). | 0:23:20 | 0:23:22 | |
I wouldn't say the name, cos of... | 0:23:22 | 0:23:24 | |
I got it from an unspecific actor. | 0:23:24 | 0:23:26 | |
-Does he know he has AIDS? -Who, -(BLEEP) -? | 0:23:26 | 0:23:29 | |
Again, sorry, I just wouldn't name them. And also, I just think | 0:23:29 | 0:23:33 | |
AIDS is, as I've said before, just a really heavy subject for comedy. | 0:23:33 | 0:23:37 | |
Ah. OK. | 0:23:37 | 0:23:39 | |
Hmm. | 0:23:39 | 0:23:41 | |
I could have bowel cancer. | 0:23:41 | 0:23:42 | |
Yeah, | 0:23:42 | 0:23:44 | |
cancer though, and AIDS, and famine, | 0:23:44 | 0:23:46 | |
-aren't really subjects for comedy. -How does he get away with it, then? | 0:23:46 | 0:23:50 | |
We don't know. | 0:23:50 | 0:23:52 | |
We shouldn't have a doctor in the sketch | 0:23:52 | 0:23:55 | |
-if I can't talk about AIDS. -OK. | 0:23:55 | 0:23:56 | |
Any suggestions? | 0:23:56 | 0:23:58 | |
Oh, um...you're a greengrocer | 0:23:58 | 0:24:01 | |
and Ricky comes in to complain. | 0:24:01 | 0:24:03 | |
I've played Rob Roy MacGregor, Michael Collins, Oskar Schindler, | 0:24:03 | 0:24:07 | |
Zeus, for God's sake. | 0:24:07 | 0:24:08 | |
-No-one will believe me as a grocer. -Change your accent. | 0:24:08 | 0:24:11 | |
-Lots of actors do it. -He doesn't. How does he get away with it? | 0:24:11 | 0:24:14 | |
Again, we don't know. | 0:24:14 | 0:24:16 | |
Let's just do our own accents and get this done, shall we? | 0:24:16 | 0:24:19 | |
OK, greengrocer. | 0:24:19 | 0:24:20 | |
Tring! | 0:24:21 | 0:24:23 | |
We're closed. | 0:24:23 | 0:24:24 | |
-I think the shop has to be open for us to do the sketch. -OK. -Sorry. | 0:24:24 | 0:24:27 | |
Tring! | 0:24:29 | 0:24:30 | |
Yes? | 0:24:30 | 0:24:32 | |
Um, I'd like to make a complaint. | 0:24:32 | 0:24:33 | |
I bought some fruit yesterday. When I got home, some of it was rotten. | 0:24:33 | 0:24:37 | |
That's not my fault. | 0:24:37 | 0:24:39 | |
Well, it's your shop and it was sold on your premises, so... | 0:24:39 | 0:24:43 | |
Uh-uh. I wasn't here. | 0:24:43 | 0:24:45 | |
-Doesn't matter, you've got to... -I was at the doctor's. -OK. | 0:24:45 | 0:24:48 | |
-I've got AIDS. -Thought you might have. | 0:24:48 | 0:24:50 | |
Yep, that's it, that's really good. | 0:24:52 | 0:24:54 | |
-Yeah. -You're going to storm it, boy. | 0:24:54 | 0:24:56 | |
-OK, brilliant, good luck with that. -Well done. | 0:24:56 | 0:24:59 | |
-Don't forget your little list. -Yeah. | 0:24:59 | 0:25:02 | |
You're off as well, aren't you, Warwick? | 0:25:02 | 0:25:05 | |
-Oh, yeah, yeah. -OK, see you guys. | 0:25:05 | 0:25:07 | |
-OK. -All right. Cheers. | 0:25:07 | 0:25:09 | |
Everything that happens, happens for a reason. | 0:25:23 | 0:25:25 | |
Some things are sent to test you. | 0:25:26 | 0:25:29 | |
I'm not the sort of bloke who lives in the past, who goes, | 0:25:29 | 0:25:32 | |
"Oh, I wish it was still the 1980s, those were the glory days. | 0:25:32 | 0:25:35 | |
"I was doing Willow, Return of the Jedi, work was rolling in." | 0:25:35 | 0:25:39 | |
I'm not like that. | 0:25:39 | 0:25:41 | |
I'm going to list all the positives. | 0:25:41 | 0:25:43 | |
I'm not destitute, | 0:25:45 | 0:25:47 | |
not a drug addict, | 0:25:47 | 0:25:49 | |
not riddled with AIDS. | 0:25:49 | 0:25:51 | |
And there was a chance of catching that in the '80S, | 0:25:53 | 0:25:57 | |
from a woman. | 0:25:57 | 0:25:58 | |
Right? If I'd caught it from anyone it would have been a woman. | 0:25:58 | 0:26:01 | |
But, to be honest, I wasn't really shagging in the '80s. | 0:26:01 | 0:26:05 | |
In the '90s | 0:26:05 | 0:26:07 | |
I dipped my wick a few times, | 0:26:07 | 0:26:10 | |
so watch this space. | 0:26:10 | 0:26:11 | |
Plenty more wick dipping to come. | 0:26:11 | 0:26:14 | |
In women. Just want to make that totally clear. | 0:26:15 | 0:26:19 | |
I'm not a homosexual. | 0:26:21 | 0:26:22 | |
So, where are you staying? | 0:26:26 | 0:26:28 | |
Just probably a guest house. | 0:26:28 | 0:26:31 | |
You got everything? | 0:26:31 | 0:26:33 | |
-Yeah. -You got your special shampoo? | 0:26:33 | 0:26:35 | |
Yes. | 0:26:35 | 0:26:36 | |
Don't worry, it's almost cleared up anyway. | 0:26:36 | 0:26:39 | |
So, yeah. | 0:26:39 | 0:26:40 | |
OK, well, bye. | 0:26:40 | 0:26:42 | |
-See you. -See you. | 0:26:42 | 0:26:43 | |
Lovely day. | 0:26:49 | 0:26:51 | |
Do you want to go into the toilet with me? | 0:26:59 | 0:27:01 | |
-You getting all this? -Fuck off! | 0:27:01 | 0:27:04 | |
Would you be guest of honour at our wedding? | 0:27:04 | 0:27:06 | |
Do you believe in aliens? | 0:27:06 | 0:27:08 | |
Be grateful the phone doesn't ring. It might be Sting. | 0:27:08 | 0:27:11 | |
His real name's Gordon! | 0:27:11 | 0:27:12 | |
You're a disgusting little creature and I want to squash you. | 0:27:12 | 0:27:17 | |
He can't afford a solicitor. I'm his accountant! | 0:27:17 | 0:27:20 | |
Give me a kiss. | 0:27:20 | 0:27:22 | |
Hmm... | 0:27:22 | 0:27:23 | |
She's changed the locks! | 0:27:31 | 0:27:33 | |
She's changed the back door too. | 0:27:35 | 0:27:37 | |
What were you thinking? | 0:27:37 | 0:27:38 | |
I was thinking, I put over £400,000 into this house | 0:27:42 | 0:27:47 | |
and, er, the dog, bless it, | 0:27:47 | 0:27:49 | |
has contributed very little to the mortgage, yet | 0:27:49 | 0:27:52 | |
it can come and go as it pleases. | 0:27:52 | 0:27:54 | |
And I thought, I'll have a bit of that. | 0:27:54 | 0:27:57 | |
Subtitles by Red Bee Media Ltd | 0:27:57 | 0:27:59 | |
E-mail [email protected] | 0:27:59 | 0:28:01 |