Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | 0:00:02 | 0:00:04 | |
Hi, Amy, er, it's Warwick here. I just want to say sorry | 0:00:04 | 0:00:07 | |
about what happened at the party the other night. Um, I'm an idiot. | 0:00:07 | 0:00:11 | |
Give us a call back sometime. | 0:00:11 | 0:00:13 | |
Thanks, bye. | 0:00:13 | 0:00:15 | |
This is the amount we've arrived at. | 0:00:41 | 0:00:44 | |
-Bloody hell. -It's like looting! | 0:00:48 | 0:00:51 | |
We feel it's a fair reflection of what Sue is owed, | 0:00:51 | 0:00:53 | |
given your years together and the sacrifices she's made. | 0:00:53 | 0:00:57 | |
-Sacrifices? -She gave up her career to help with yours. | 0:00:57 | 0:01:00 | |
She didn't do a very job, cos his career's at rock bottom. | 0:01:00 | 0:01:03 | |
Don't say that. What career did you give up? | 0:01:03 | 0:01:05 | |
I wanted to be a nurse. | 0:01:05 | 0:01:07 | |
Oh, come on! Do we really need any more nurses, really? | 0:01:07 | 0:01:10 | |
And you're not cut out for that sort of work. | 0:01:10 | 0:01:13 | |
I am, but you didn't want me to do it | 0:01:13 | 0:01:15 | |
because you thought it would be bad for your image. | 0:01:15 | 0:01:18 | |
Well, it would have. You can't have a film star whose wife spends her days emptying bed pans. | 0:01:18 | 0:01:23 | |
You don't see Brad Pitt with a wife who's a nurse. | 0:01:23 | 0:01:26 | |
"Hi, Brad, how's it going?" "Fine. I just won an Oscar." | 0:01:26 | 0:01:29 | |
"How's Angelina?" "She's great. She's just sticking a pill | 0:01:29 | 0:01:32 | |
"up an old man's arse." It's ridiculous. | 0:01:32 | 0:01:34 | |
Whatever your feelings, we'll give you 48 hours to consider, | 0:01:34 | 0:01:37 | |
or we shall have to take you to court. | 0:01:37 | 0:01:39 | |
Your face...when he said... | 0:01:44 | 0:01:48 | |
Oh... Sorry. | 0:01:48 | 0:01:50 | |
It's a little bit awkward, this. | 0:01:58 | 0:02:01 | |
Um, I don't want to put you on the spot | 0:02:01 | 0:02:04 | |
but I'm getting a bit desperate. | 0:02:04 | 0:02:07 | |
I wonder if you could maybe give me say five grand, just to live on? | 0:02:07 | 0:02:12 | |
You know, treat it like a charity donation. | 0:02:12 | 0:02:15 | |
But you're not a charity, Warwick. | 0:02:15 | 0:02:17 | |
As good as, you know. Got no work, no money. | 0:02:17 | 0:02:21 | |
You know, I am a charity case, really. | 0:02:21 | 0:02:23 | |
I know you do loads for charity so just, just treat me as one. | 0:02:23 | 0:02:27 | |
I do do a lot for charity. I've raised millions this year already. | 0:02:27 | 0:02:32 | |
Steve, though, doesn't do anything, ever. | 0:02:32 | 0:02:34 | |
He could probably give you five grand. | 0:02:34 | 0:02:36 | |
Let me tell you the problem there, let me tell you the problem. | 0:02:36 | 0:02:39 | |
I've got a blanket rule about never giving money to... | 0:02:39 | 0:02:42 | |
-Anyone. -To anyone. -Yeah. -Friends, family. | 0:02:42 | 0:02:45 | |
-Loved ones. -Loved ones. You know what I mean, | 0:02:45 | 0:02:47 | |
anyone I've ever encountered, so... | 0:02:47 | 0:02:50 | |
-I give too much away. -Too generous. -I'm too generous. | 0:02:50 | 0:02:53 | |
-He's not generous, he's a skinflint. -Nothing. | 0:02:53 | 0:02:55 | |
You won't get anything out of him. There's nothing we can do. | 0:02:55 | 0:02:59 | |
I don't know what I'm going to do. | 0:02:59 | 0:03:00 | |
Oh, Warwick, come on, you can't go round begging for money. | 0:03:00 | 0:03:04 | |
You're an actor and a businessman. | 0:03:04 | 0:03:07 | |
I know, there's just no work. I mean, the phone has stopped ringing. | 0:03:07 | 0:03:10 | |
-I bet your phone is always ringing. -Yeah, and I hate it. | 0:03:10 | 0:03:13 | |
It's usually someone asking me to do something I don't want to do. I've got to do a thing for Sting | 0:03:13 | 0:03:18 | |
next week, hosting a charity auction, because he calls | 0:03:18 | 0:03:21 | |
and I can't say no cos it's for charity. | 0:03:21 | 0:03:23 | |
Just cos he wants to save the world, we've all got to. | 0:03:23 | 0:03:26 | |
And I bet he's going to bring his fucking lute. | 0:03:26 | 0:03:28 | |
-He's never without it these days, is he? -Always with his lute. | 0:03:28 | 0:03:32 | |
I know. I had a party last year, right, and invited him, OK. | 0:03:32 | 0:03:35 | |
I said to the cloakroom staff, if he brings his lute, take it off him, | 0:03:35 | 0:03:38 | |
say you've got to have it. So he came with it, they took it off him, | 0:03:38 | 0:03:42 | |
he was a little bit crest-fallen, and we're sitting round, | 0:03:42 | 0:03:45 | |
and he was fidgety, and after about half an hour, | 0:03:45 | 0:03:49 | |
out of his top pocket, he'd smuggled in some pan pipes. | 0:03:49 | 0:03:52 | |
So he played those, so I couldn't win. | 0:03:52 | 0:03:54 | |
Be grateful the phone's not ringing. It might be Sting. | 0:03:54 | 0:03:57 | |
Oh, I'd love to meet Sting. | 0:03:57 | 0:03:59 | |
-Right. -Is there a way you could get me an invite to that event? | 0:03:59 | 0:04:02 | |
Yeah, I'll get someone to get in contact with you. | 0:04:02 | 0:04:05 | |
When did you have a party? | 0:04:05 | 0:04:07 | |
-I knew you'd say that. You were away. -Where was I? | 0:04:07 | 0:04:10 | |
You were down in Bristol, um, you had that sore throat | 0:04:10 | 0:04:13 | |
so you went home to your mum for a whole week, so that's... | 0:04:13 | 0:04:15 | |
It was way more than a sore throat, it was a proper major tonsillitis attack, like barbed wire in there. | 0:04:15 | 0:04:20 | |
-You couldn't have possibly gone to a party. -Nasty. | 0:04:20 | 0:04:23 | |
-It'd be nice to be invited. -Your mum wouldn't let you go, | 0:04:23 | 0:04:26 | |
-not with that... -It'd be nice to be invited and then say, "Sorry, I can't make it." | 0:04:26 | 0:04:30 | |
Just doing a typical day's admin. | 0:04:42 | 0:04:46 | |
What's that letter you've got there? | 0:04:46 | 0:04:48 | |
It's a letter from the offices of Sting. | 0:04:48 | 0:04:50 | |
Wow! From the offices of Sting? Oh, please read it. | 0:04:50 | 0:04:54 | |
Out loud! | 0:04:58 | 0:05:01 | |
"Dear Warwick, as you may know, I'm an ambassador | 0:05:01 | 0:05:04 | |
"for the Global Child Institute, the anti-poverty charity | 0:05:04 | 0:05:06 | |
"that works for the world's poorest children." | 0:05:06 | 0:05:09 | |
-I wasn't aware of that, Sting, thanks for telling me. -"I'm hosting a dinner | 0:05:09 | 0:05:13 | |
"to raise money and awareness for our cause. | 0:05:13 | 0:05:15 | |
"I'd be delighted if you could attend." | 0:05:15 | 0:05:17 | |
Course I'll attend. Not many people get the chance to delight Sting. | 0:05:17 | 0:05:21 | |
"It'll be a fun evening, | 0:05:21 | 0:05:22 | |
"giving you the chance to mingle with the stars | 0:05:22 | 0:05:25 | |
"while supporting the vital work of the Institute. | 0:05:25 | 0:05:27 | |
-"Yours, Sting." -Huge honour. | 0:05:27 | 0:05:30 | |
That's one of the perks of fame. | 0:05:30 | 0:05:33 | |
I suppose all the other stuff, the press intrusion, | 0:05:33 | 0:05:37 | |
the paparazzi, being under the microscope 24/7, | 0:05:37 | 0:05:39 | |
you know, it's worth it when you get something like that. | 0:05:39 | 0:05:43 | |
Someone that you admire says "Yes, I'm also a huge fan of your work," | 0:05:43 | 0:05:46 | |
and invites you to dinner. | 0:05:46 | 0:05:48 | |
-It's £300 a ticket. -Three hundred pounds? | 0:05:48 | 0:05:52 | |
Yeah. | 0:05:52 | 0:05:54 | |
What an honour, though. Huge honour. | 0:05:54 | 0:05:56 | |
And if Sting personally invites you to dinner, who cares what it costs? | 0:05:56 | 0:06:00 | |
I don't think he's invited you personally. | 0:06:00 | 0:06:03 | |
It's just a standard letter, isn't it? | 0:06:03 | 0:06:06 | |
Look, that's his signature there, isn't it? | 0:06:06 | 0:06:08 | |
He's signed it and there's my name written in, | 0:06:08 | 0:06:11 | |
amongst the typing. And three hundred pounds, | 0:06:11 | 0:06:14 | |
you'd expect to pay that in a top restaurant. | 0:06:14 | 0:06:16 | |
-I wouldn't. -They wouldn't let you in a restaurant that charges £300, | 0:06:16 | 0:06:20 | |
so don't worry about it. Here's a cheque. | 0:06:20 | 0:06:23 | |
Get that in the post, please, and frame that. | 0:06:23 | 0:06:28 | |
It says you need that to get in. | 0:06:28 | 0:06:30 | |
That's what I need to get in. | 0:06:30 | 0:06:33 | |
Yeah, hi, Amy, it's, it's Warwick again. | 0:06:39 | 0:06:42 | |
I've left a couple of messages, don't know if you got them. | 0:06:42 | 0:06:45 | |
I'd really like to talk to you, so give us a call back. | 0:06:45 | 0:06:49 | |
OK, bye. | 0:06:49 | 0:06:51 | |
Oh, did I say it was Warwick? | 0:06:54 | 0:06:57 | |
You have to cut back. You can't afford three grand for the flat. | 0:07:01 | 0:07:04 | |
-I need somewhere to live. -Yeah, but you've got to downsize. I'm serious. | 0:07:04 | 0:07:08 | |
You owe the taxman a quarter of a million pounds. | 0:07:08 | 0:07:11 | |
-And this £300? What's that all about? -That's a ticket to a charity night. | 0:07:11 | 0:07:15 | |
-Charity? Oh! -It's important, all that stuff, you know, | 0:07:15 | 0:07:18 | |
it's good for networking. There'll be film and TV people there. | 0:07:18 | 0:07:23 | |
Raise the profile, and if I get a job off the back of it, | 0:07:23 | 0:07:25 | |
a good film role or something, then we're home free. | 0:07:25 | 0:07:28 | |
Well, you know, I'm glad you're still smiling. Got to smile, haven't you? | 0:07:28 | 0:07:32 | |
If you didn't, you'd hang yourself. | 0:07:32 | 0:07:34 | |
-Then you wouldn't have all these debts. -Mm. | 0:07:34 | 0:07:37 | |
Mm. Would you be better off dead, financially? Yes. | 0:07:37 | 0:07:41 | |
Don't listen to me, though, I got you into this mess. (CHUCKLES) | 0:07:41 | 0:07:46 | |
Be difficult for you to hang yourself, cos you couldn't reach the rafters to hang a rope up, so... | 0:07:46 | 0:07:51 | |
-Odd thing to say, isn't it? -It's a bit of no-no, isn't it? | 0:07:51 | 0:07:54 | |
-Definitely. -You could put your head in the oven. | 0:07:54 | 0:07:57 | |
-What? -You could get IN the oven, put the gas on, close the door, | 0:07:57 | 0:08:00 | |
nice and cosy. | 0:08:00 | 0:08:01 | |
You could do pills. Oh, no, they have those little childproof lids. | 0:08:03 | 0:08:07 | |
Take it off for you, the least I can do. | 0:08:07 | 0:08:09 | |
I'd probably balls that up, wouldn't I? Oh dear! | 0:08:09 | 0:08:13 | |
I'm useless, aren't I? | 0:08:13 | 0:08:16 | |
-Aren't I?! -Yup. -I'm the one who should kill myself, really. | 0:08:16 | 0:08:19 | |
Tell you what, let us know when you gas yourself, | 0:08:19 | 0:08:21 | |
I'll come round and get in with you, eh? | 0:08:21 | 0:08:23 | |
Oh! Mm, I'm actually getting genuinely depressed now. | 0:08:26 | 0:08:31 | |
Oh, I'm going to be like this for a couple of days, I think. | 0:08:31 | 0:08:34 | |
Oh, I hope I'm not like this when I go to the divorce court. | 0:08:36 | 0:08:39 | |
I'll probably just go, "Oh, give her the lot, I don't give a shit." | 0:08:39 | 0:08:43 | |
Good. Thanks for this little pep talk(!) | 0:08:46 | 0:08:50 | |
-ANNOUNCER: -Ricky Gervais. | 0:09:02 | 0:09:04 | |
Our host, Sting. | 0:09:09 | 0:09:10 | |
-Can I see your invitation, please, sir? -It's Warwick Davis. | 0:09:15 | 0:09:18 | |
I need to see your letter of invitation. | 0:09:18 | 0:09:21 | |
It's Warwick Davis, actor. Can you just check your list, please? | 0:09:21 | 0:09:24 | |
Jill, is there a Warwick Davis on the list? | 0:09:24 | 0:09:27 | |
-Where's your invitation? -I haven't got it, staff have lost it. | 0:09:27 | 0:09:32 | |
-You need it. -I haven't got it, but I have paid £300, | 0:09:32 | 0:09:35 | |
-so do you have a record of that? -Yes, there's a Warwick Davis | 0:09:35 | 0:09:38 | |
on the list, but how do we know that's you? | 0:09:38 | 0:09:41 | |
Look at my face. | 0:09:41 | 0:09:42 | |
-What about it? -I'm a famous actor. | 0:09:42 | 0:09:44 | |
I don't know you from Adam. Do you have ID? | 0:09:44 | 0:09:47 | |
-I don't have ID, didn't know I needed ID. -It says on the invite you need ID. | 0:09:47 | 0:09:51 | |
I haven't got the invite, have I? Put Warwick Davis into Google. | 0:09:51 | 0:09:56 | |
What's the first website that comes up? | 0:09:56 | 0:09:58 | |
"Warwick Davis: Where Is He Now?" | 0:09:58 | 0:10:00 | |
Not that one, that's just some prats. | 0:10:00 | 0:10:02 | |
Look at the Internet Movie Database. | 0:10:02 | 0:10:04 | |
"I met Warwick Davis and he's a total bell end." | 0:10:04 | 0:10:06 | |
-Don't go to the forums! Why are you in the forums? -I think it's him. | 0:10:06 | 0:10:10 | |
I mean, look at these comments. Who'd pretend to be him? | 0:10:10 | 0:10:13 | |
-Look at that one. -Jesus! | 0:10:13 | 0:10:15 | |
-I can see what they mean though. -Yes, the head. Oh, let him in. | 0:10:17 | 0:10:22 | |
What's the worst he can do? | 0:10:22 | 0:10:24 | |
Thank you. | 0:10:24 | 0:10:26 | |
-Sophie Ellis-Bextor. -Hi, guys. | 0:10:26 | 0:10:28 | |
-Sophie, over here, please. -Over here, Sophie. | 0:10:28 | 0:10:31 | |
Warwick Davis. | 0:10:37 | 0:10:39 | |
Hot in here, innit? | 0:10:50 | 0:10:52 | |
It is hot, yes. Phew. | 0:10:52 | 0:10:55 | |
OK, guys, got enough? | 0:11:01 | 0:11:02 | |
-ALL: -Yeah. | 0:11:02 | 0:11:04 | |
Don't get me on the way out. I'll be worse for wear then! | 0:11:06 | 0:11:09 | |
Warwick, thank you so much for your support. | 0:11:54 | 0:11:57 | |
Nice to see you. | 0:11:57 | 0:11:58 | |
I know you probably do loads for charity already. | 0:11:58 | 0:12:01 | |
-Yeah, hell of a lot. -I don't want to miss this opportunity | 0:12:01 | 0:12:04 | |
of asking someone like you, with your showbiz millions, for a favour. | 0:12:04 | 0:12:08 | |
-Yeah? -What are the chances of me getting you to sponsor a child in India? | 0:12:08 | 0:12:12 | |
Yeah. Yeah, not a problem. | 0:12:12 | 0:12:14 | |
This is Kalindi. | 0:12:14 | 0:12:15 | |
Great. Yeah. What, what's the usual donation? | 0:12:15 | 0:12:18 | |
-Five pounds a month. -Five pounds? Yeah, sure. | 0:12:18 | 0:12:20 | |
I would think, with your money, £30 a month would be more appropriate. | 0:12:20 | 0:12:25 | |
-Thirty pounds? -Warwick, £30, we spend that on daily pedicures! | 0:12:25 | 0:12:29 | |
-Definitely. Yeah. -Well, sometimes when we earn big money, | 0:12:29 | 0:12:33 | |
we have to give a little back. | 0:12:33 | 0:12:34 | |
Quite a lot back, let's be honest, thirty quid a month. | 0:12:34 | 0:12:38 | |
-I just fill that in here, do I? -Right here, yeah. -Ah, yes, I see. | 0:12:38 | 0:12:42 | |
(CLEARS THROAT) Let's see... | 0:12:42 | 0:12:44 | |
(Just filling it in...) | 0:12:44 | 0:12:46 | |
How long would you sponsor a child like this for? | 0:12:52 | 0:12:55 | |
-Usually till they're eighteen. -Eighteen? | 0:12:55 | 0:12:57 | |
-How old is she now? -She's seven. | 0:12:59 | 0:13:02 | |
Seven? Wow! A lot of them don't live till they're eighteen, do they? | 0:13:02 | 0:13:07 | |
That IS the tragedy. | 0:13:07 | 0:13:08 | |
Mm. So she might not last till she's, I don't know, twelve? | 0:13:08 | 0:13:13 | |
-Well, with your help, she will. -Will she? -Mm-hmm. | 0:13:13 | 0:13:16 | |
Good. That's good, isn't it? | 0:13:16 | 0:13:18 | |
OK. | 0:13:21 | 0:13:22 | |
Um, what are the big killers out there? | 0:13:25 | 0:13:27 | |
-Dysentery. -Dysentery. | 0:13:27 | 0:13:29 | |
So, you know, she could get dysentery any time and, | 0:13:29 | 0:13:33 | |
-and that's... -Well, again, not with your money. -Really? | 0:13:33 | 0:13:36 | |
-We can supply her with clean water. -Good. | 0:13:36 | 0:13:38 | |
So she's not going to die, which is obviously good news for her, | 0:13:38 | 0:13:42 | |
and I'm going to end up giving some kid I've never even met £30 | 0:13:42 | 0:13:45 | |
a month till she's eighteen, | 0:13:45 | 0:13:48 | |
so four grand down plus the £300 I spent on a bit of beef. | 0:13:48 | 0:13:51 | |
It's another good day for me(!) Where do I sign, Stingbo? | 0:13:51 | 0:13:54 | |
Just there. | 0:13:54 | 0:13:56 | |
-ANNOUNCER: -Ladies and gentlemen, please welcome Ricky Gervais. -Thank you, thank you. | 0:13:56 | 0:14:01 | |
Yes, thank you very much and welcome to this charity auction, | 0:14:01 | 0:14:05 | |
which basically means that anything you bid for you'll pay about five times as much as it's worth. | 0:14:05 | 0:14:10 | |
That's all that that means. Right, let's get on with it. | 0:14:10 | 0:14:13 | |
OK, this is a big, slimy purple thing. | 0:14:13 | 0:14:16 | |
-Is it Charlie Sheen's liver? -LAUGHTER | 0:14:16 | 0:14:20 | |
Start the bidding at £100. £100. | 0:14:20 | 0:14:23 | |
Thank you. Anyone two hundred? | 0:14:23 | 0:14:25 | |
Thank you. It'll look good on you. What I am bid? Six hundred. | 0:14:25 | 0:14:29 | |
Seven hundred. | 0:14:29 | 0:14:30 | |
Yes, a thousand pounds from the lady at the back. | 0:14:33 | 0:14:36 | |
-Thank you so much. -APPLAUSE | 0:14:36 | 0:14:38 | |
Next up, here's a nice one. | 0:14:40 | 0:14:42 | |
Eleven thousand pounds! | 0:14:49 | 0:14:50 | |
APPLAUSE | 0:14:50 | 0:14:53 | |
Gentleman at the back there, thank you, sir. | 0:14:53 | 0:14:55 | |
This is the last lot. | 0:14:57 | 0:15:00 | |
This is a meal for ten people at a top, | 0:15:00 | 0:15:02 | |
Michelin-starred restaurant in Mayfair. | 0:15:02 | 0:15:06 | |
-ALL: Ooh! -Yes. OK, so anyone who hasn't bid yet? | 0:15:06 | 0:15:11 | |
This little fellow hasn't bid yet. What's your name? | 0:15:11 | 0:15:13 | |
-Warwick Davis. We've met. -Warwick hasn't bid yet. | 0:15:13 | 0:15:16 | |
Sting, grassing me up. You're not actually in the police, you know. | 0:15:16 | 0:15:20 | |
-Start at five hundred? -£50, surely, to start with? | 0:15:20 | 0:15:23 | |
-You know, work our way up. -Five hundred. -One thousand. | 0:15:23 | 0:15:27 | |
-Well done, very generous, that's terrific. -£1,500, Warwick? | 0:15:27 | 0:15:30 | |
-You said bid, you didn't say I had to win. -Are you in? -He's in. | 0:15:30 | 0:15:34 | |
-Sting, getting involved again. -£2,000. -£2,000, thank you. £3,000? | 0:15:34 | 0:15:38 | |
It was going up in 500s a minute ago, now it's 1000s. Can we have some consistency? | 0:15:38 | 0:15:42 | |
Four thousand, Sophie? | 0:15:42 | 0:15:44 | |
No, sorry, I'm out. | 0:15:44 | 0:15:46 | |
What do you mean you're out? Come on, let her have it. | 0:15:46 | 0:15:48 | |
Look how thin she is, she could do with the meal more than me. | 0:15:48 | 0:15:51 | |
It's on Warwick at three thousand. Going, going... | 0:15:51 | 0:15:54 | |
-Just like my money. -Gone! -APPLAUSE | 0:15:54 | 0:15:57 | |
Good. Wife's getting me house, | 0:16:03 | 0:16:06 | |
Sophie Ellis-Bextor's stitched me right up | 0:16:06 | 0:16:08 | |
and little Kalindi's loaded now. | 0:16:08 | 0:16:11 | |
There's always some skinny bird bleeding me dry. | 0:16:11 | 0:16:14 | |
-Hello. -Oh, hello. -I'm Warwick. | 0:16:24 | 0:16:26 | |
Nice to meet you, Warwick. Congratulations on your winning bid. | 0:16:26 | 0:16:30 | |
Just wondering if perhaps you wanted to join me for the dinner. | 0:16:30 | 0:16:33 | |
That's really sweet of you. | 0:16:33 | 0:16:35 | |
-Ten places and everything, so... -I really appreciate it, | 0:16:35 | 0:16:38 | |
-I'd love to, that's lovely. -That's terrific. -Can I bring my husband? | 0:16:38 | 0:16:42 | |
-So there'll be two of you? -Yeah. | 0:16:42 | 0:16:44 | |
Broken down, it's £300 per ticket, so, that'll be £600, | 0:16:44 | 0:16:47 | |
and that's at cost. I'm not making anything. | 0:16:47 | 0:16:49 | |
-Sorry, you're charging me? -Yeah, I mean, it's just... | 0:16:49 | 0:16:52 | |
You know what, take people that you really want to be there. | 0:16:52 | 0:16:55 | |
Your mum, she was my favourite Blue Peter presenter. | 0:16:55 | 0:16:58 | |
Nice to meet you. | 0:16:58 | 0:17:00 | |
Michelin-starred restaurant. Three hundred pounds. | 0:17:02 | 0:17:05 | |
-You're selling them? -You're selling it now? -£300 each. | 0:17:05 | 0:17:09 | |
I'm not making anything on that, that's cost price to both of you. | 0:17:09 | 0:17:12 | |
I'd love to have you there. | 0:17:12 | 0:17:14 | |
It's not offloading! It's really just sort of sharing the generosity. | 0:17:14 | 0:17:18 | |
-Three hundred pounds per seat. -Warwick, can I have a word with you? | 0:17:18 | 0:17:21 | |
-Course you can. -I don't know how to broach this, | 0:17:21 | 0:17:24 | |
but I've been told you've been bothering people for money. | 0:17:24 | 0:17:27 | |
I've not been bothering people, I've been collecting for your charity. | 0:17:27 | 0:17:30 | |
No, as I understand it you've been asking people to donate to you. | 0:17:30 | 0:17:34 | |
-It's still going to charity. -I'm grateful for your contribution, | 0:17:34 | 0:17:38 | |
but you're asking for money for yourself. | 0:17:38 | 0:17:40 | |
-I'm trying to recoup my losses. -It's inappropriate to scrounge money. | 0:17:40 | 0:17:45 | |
You're the one scrounging if anyone is. | 0:17:45 | 0:17:47 | |
I spunked £300 to get in here, three grand on a meal I don't even want, | 0:17:47 | 0:17:51 | |
and four grand to some kid in India so she can live better than me. | 0:17:51 | 0:17:54 | |
I mean, it's madness! | 0:17:54 | 0:17:55 | |
I'm sorry you feel that way but you can't go round scrounging. | 0:17:55 | 0:17:58 | |
Oh, take your lute and your stupid made-up name | 0:17:58 | 0:18:01 | |
and fuck off back to Newcastle, you coconut-headed git! | 0:18:01 | 0:18:05 | |
GUESTS' CHATTER STOPS | 0:18:05 | 0:18:07 | |
Oh, NOW they're taking pictures! | 0:18:13 | 0:18:16 | |
Fucking Sting! His real name's Gordon! | 0:18:16 | 0:18:19 | |
Yeah, that's it. | 0:18:42 | 0:18:45 | |
So, had to move out of my flat for various reasons. | 0:18:45 | 0:18:50 | |
-You can't afford it, can you? -Can't afford it because of you. | 0:18:50 | 0:18:54 | |
But, yeah, well, I've got a prime location here | 0:18:54 | 0:18:59 | |
so I thought I'm going to use it and popped a bed in over there. | 0:18:59 | 0:19:02 | |
-That is pathetic. -You're pathetic. | 0:19:04 | 0:19:06 | |
What are you doing? | 0:19:08 | 0:19:10 | |
-Nothing. -You can't move in here. | 0:19:10 | 0:19:13 | |
-Well, why not? -Because I'm the landlord and I say so. | 0:19:13 | 0:19:16 | |
-It's my office. -It's a place of business, not a squat. | 0:19:16 | 0:19:19 | |
-What, I can never sleep here? -No. | 0:19:19 | 0:19:21 | |
What if I was working late and I felt tired | 0:19:21 | 0:19:24 | |
-and I just went over to my bed? -Not allowed. | 0:19:24 | 0:19:27 | |
What if I was working late and fell asleep at my desk | 0:19:27 | 0:19:29 | |
but I climbed on it first? | 0:19:29 | 0:19:31 | |
-No sleeping here. You have to get your stuff out. -Brilliant! | 0:19:31 | 0:19:34 | |
OK, well, saves me unpacking, doesn't it? | 0:19:34 | 0:19:36 | |
Now officially homeless. Cheers, mate. | 0:19:36 | 0:19:40 | |
What are you looking at? | 0:19:40 | 0:19:42 | |
You can stay at my mum's house if you like. | 0:19:42 | 0:19:46 | |
There was a time about a week ago when I'd have sneered at that | 0:19:46 | 0:19:49 | |
but yeah, I'll take you up on that offer, thanks. | 0:19:49 | 0:19:52 | |
Mm. | 0:19:52 | 0:19:54 | |
Excuse me. | 0:19:54 | 0:19:55 | |
Fuck's sake! | 0:19:58 | 0:19:59 | |
Happy? | 0:20:08 | 0:20:10 | |
Hiya. | 0:20:21 | 0:20:22 | |
-Hi. -I called a few times, probably didn't get the message. | 0:20:24 | 0:20:27 | |
No, I did. | 0:20:27 | 0:20:29 | |
Weren't going to call back? | 0:20:29 | 0:20:31 | |
-I'm sorry, it won't happen again. -But I feel like it will happen again. | 0:20:33 | 0:20:37 | |
It won't, I promise. | 0:20:37 | 0:20:38 | |
I have to go. | 0:20:40 | 0:20:42 | |
Please call me. | 0:20:42 | 0:20:44 | |
Maybe. | 0:20:44 | 0:20:45 | |
Please call. | 0:20:48 | 0:20:49 | |
Finally, it looks like my fortunes are turning. | 0:21:03 | 0:21:07 | |
-You explain, it was your... -Yeah, well, I felt I wasn't | 0:21:07 | 0:21:11 | |
really pulling my weight, so I've been burning the midnight oil | 0:21:11 | 0:21:15 | |
and went through my old law textbooks. | 0:21:15 | 0:21:17 | |
Yeah, he studied one term of law school. | 0:21:17 | 0:21:19 | |
Yeah I did, still got the books. That one hadn't even been opened! | 0:21:19 | 0:21:24 | |
I read through them and I found something. | 0:21:24 | 0:21:27 | |
-A juicy little detail. -Yeah, juicy little detail in this one. | 0:21:27 | 0:21:31 | |
The Law Society Guide to the Professional Conduct of Solicitors. | 0:21:31 | 0:21:35 | |
Principle 15.5, "A solicitor who becomes involved | 0:21:35 | 0:21:41 | |
"in a sexual relationship with a client should consider | 0:21:41 | 0:21:44 | |
"whether this might place his interests in conflict with those | 0:21:44 | 0:21:48 | |
"of the client, or might otherwise impair the solicitor's ability | 0:21:48 | 0:21:51 | |
"to act in the best interests of the client." | 0:21:51 | 0:21:54 | |
What we're talking about here, people, | 0:21:54 | 0:21:56 | |
is a major conflict of interest, OK? | 0:21:56 | 0:21:58 | |
Ian Wald is sleeping with my wife AND acting as her solicitor. | 0:21:58 | 0:22:02 | |
-It's not on. -Not on. -So in about an hour, right, | 0:22:02 | 0:22:05 | |
we've got another meeting, to sign the divorce settlement. | 0:22:05 | 0:22:08 | |
Going to go in there, I'll take a look at it | 0:22:08 | 0:22:11 | |
and I'll say um, "Sign here do I? | 0:22:11 | 0:22:13 | |
"Oh, lovely pen, shame it ain't going to be used today, | 0:22:13 | 0:22:16 | |
"cos I'm draging you in front of the Solicitors Complaints Bureau. | 0:22:16 | 0:22:19 | |
"You're getting disbarred for unethical behaviour." | 0:22:19 | 0:22:22 | |
-Someone just messed with the wrong midget. -Correct. | 0:22:22 | 0:22:25 | |
Dwarf, you can't say midget. | 0:22:26 | 0:22:28 | |
-Why not? -I don't know. | 0:22:28 | 0:22:30 | |
Yes, that's, er, that's fine. | 0:22:36 | 0:22:40 | |
Everything seems to be in order as we discussed. | 0:22:41 | 0:22:45 | |
Do you have a pen? | 0:22:46 | 0:22:47 | |
Thank you. | 0:22:52 | 0:22:55 | |
Nice pen. | 0:22:55 | 0:22:56 | |
-It is a nice pen. -Lovely pen. | 0:22:56 | 0:22:59 | |
It's just a shame it ain't going to be used today. | 0:22:59 | 0:23:03 | |
Do you hear that? | 0:23:14 | 0:23:16 | |
It's the sound of justice slicing through bullshit. | 0:23:16 | 0:23:20 | |
I put it to you that your relationship with your client is not purely professional | 0:23:22 | 0:23:26 | |
but has become one of a romantic and sexual nature. | 0:23:26 | 0:23:30 | |
-What has this actually got to...? -Objection. -Overruled. | 0:23:30 | 0:23:34 | |
-Don't overrule me! -Sorry, that's a knee-jerk reaction. | 0:23:34 | 0:23:36 | |
If I hear objection, I say overruled. | 0:23:36 | 0:23:39 | |
Didn't even get that from law school, I got it off the telly! | 0:23:39 | 0:23:42 | |
Sir, I ask you again, would you characterise your relationship | 0:23:42 | 0:23:45 | |
with your client as being one of a sexual nature? | 0:23:45 | 0:23:48 | |
Yes, but it's not relevant. | 0:23:48 | 0:23:50 | |
It's not relevant? May I refer you to exhibit A? | 0:23:50 | 0:23:55 | |
Where's the post-it? | 0:23:56 | 0:23:58 | |
Oh, sorry, there was some chewing gum I had to get rid of. | 0:23:58 | 0:24:01 | |
I can see where you're looking. | 0:24:01 | 0:24:03 | |
-How! -All the greasy thumb marks. | 0:24:03 | 0:24:05 | |
Oh, yeah, from my fish and chips! He's like Sherlock Holmes! | 0:24:05 | 0:24:09 | |
Right, so you are aware of the Law Society's Guide | 0:24:09 | 0:24:11 | |
-to the Professional Conduct of Solicitors? -Yes. | 0:24:11 | 0:24:15 | |
"A solicitor who becomes involved in a sexual relationship | 0:24:15 | 0:24:18 | |
"with a client should consider whether this places his interests | 0:24:18 | 0:24:21 | |
"in conflict with those of his client or might otherwise impair | 0:24:21 | 0:24:26 | |
"the solicitor's ability to act in the best interests of his client." | 0:24:26 | 0:24:30 | |
Case closed! How do you plead? | 0:24:32 | 0:24:34 | |
Warwick, my client isn't you, it's Sue, | 0:24:34 | 0:24:37 | |
so there's only a conflict of interests if she says there is. | 0:24:37 | 0:24:40 | |
-Do you feel there's a conflict of interests? -No. | 0:24:40 | 0:24:42 | |
-No. So this is irrelevant. -Ah, ha-ha, of course. | 0:24:42 | 0:24:46 | |
She's his client, you're mine. Yeah, that makes sense. My bad. | 0:24:46 | 0:24:49 | |
Oh well, it was worth a try. No skin off my nose! | 0:24:49 | 0:24:53 | |
Do you have another one of these to sign cos I ripped this one up? | 0:24:57 | 0:25:01 | |
There. | 0:25:13 | 0:25:14 | |
So, that's settled then. | 0:25:36 | 0:25:39 | |
We came to an agreement. | 0:25:39 | 0:25:41 | |
She's got half the house and she bought my half | 0:25:41 | 0:25:43 | |
which all went straight to the taxman to pay that off. | 0:25:43 | 0:25:46 | |
So, financially, I'm at nought. | 0:25:46 | 0:25:49 | |
No money, no house, no work to speak of. | 0:25:49 | 0:25:54 | |
Not bad for 41 years on this earth, is it? | 0:25:55 | 0:25:58 | |
CHUCKLES | 0:25:58 | 0:26:00 | |
Why is that funny? | 0:26:00 | 0:26:01 | |
You're so serious! | 0:26:01 | 0:26:03 | |
-I just lost everything. -LAUGHS | 0:26:03 | 0:26:06 | |
(Such an idiot.) | 0:26:08 | 0:26:10 | |
This is your room. | 0:26:16 | 0:26:17 | |
There's not much space. | 0:26:19 | 0:26:22 | |
It's sort of a spare room. We dump all of our junk in here. | 0:26:22 | 0:26:26 | |
-There's no bed. -No, I know. No room, too much junk. | 0:26:26 | 0:26:29 | |
HE BURPS | 0:26:44 | 0:26:45 | |
It really annoys me when I see famous people interviewed | 0:26:52 | 0:26:56 | |
and they get asked, "Any regrets?" and they say "No, no regrets. | 0:26:56 | 0:27:00 | |
"I'd do it all again exactly the same." | 0:27:00 | 0:27:02 | |
I wouldn't, I'd change a lot. I wouldn't have the phone stop ringing | 0:27:02 | 0:27:06 | |
after the big films dried up, for a start. | 0:27:06 | 0:27:09 | |
I love acting. | 0:27:10 | 0:27:12 | |
I wouldn't have my marriage fail, I regret that. | 0:27:12 | 0:27:15 | |
It hasn't been easy being three foot six, if I'm honest. | 0:27:15 | 0:27:18 | |
I've had to fight every step of the way. | 0:27:18 | 0:27:22 | |
But my biggest regret at the moment | 0:27:22 | 0:27:24 | |
is surely that I'm living in a drawer. | 0:27:24 | 0:27:26 | |
I could never have predicted that. | 0:27:26 | 0:27:29 | |
PHONE RINGS | 0:27:32 | 0:27:35 | |
It's Amy. | 0:27:35 | 0:27:36 | |
Hello? | 0:27:40 | 0:27:41 | |
No need to be sorry. It's me that should be saying sorry. | 0:27:43 | 0:27:46 | |
It's good to hear from you. | 0:27:48 | 0:27:49 | |
No. I'm fine, yeah. Just staying at Cheryl's at the moment. | 0:27:51 | 0:27:55 | |
You know my assistant, yeah? No, she's let me use the spare room. | 0:27:55 | 0:28:00 | |
No, it's fine, it's comfortable. | 0:28:00 | 0:28:04 | |
So how are you doing? | 0:28:04 | 0:28:06 | |
Subtitles by Red Bee Media Ltd | 0:28:31 | 0:28:33 | |
E-mail [email protected] | 0:28:33 | 0:28:36 |