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'Britain, Britain, Britain. Everybody is welcome in Britain. | 0:00:02 | 0:00:06 | |
'We are open nine till six, Monday to Saturday. | 0:00:06 | 0:00:09 | |
'No foreign gentlemen, please. | 0:00:09 | 0:00:11 | |
'What makes Britain such a wonderful place to visit for an afternoon? | 0:00:11 | 0:00:16 | |
'Why, it's the people of Britain, and it is these we look at today. | 0:00:16 | 0:00:21 | |
'Oh, my sweet Lord! | 0:00:21 | 0:00:25 | |
'Here we are in the charming Welsh village of Llandewi Breffi, | 0:00:29 | 0:00:33 | |
'home of committed homosexualist, Daffyd Thomas.' | 0:00:33 | 0:00:37 | |
# It's a sin! # | 0:00:37 | 0:00:40 | |
-Morning, Daffyd. -Good morning, Miss Davies. | 0:00:40 | 0:00:43 | |
I just had a phone call from Ruth. | 0:00:43 | 0:00:46 | |
-She got terrible morning sickness and she's not coming in today. -Aw. | 0:00:46 | 0:00:50 | |
I'm gonna put you with the new boy Ifan. | 0:00:50 | 0:00:54 | |
Ifan? Your ten o'clock's here. | 0:00:54 | 0:00:57 | |
Do you know, I think Ifan might be a gay. | 0:00:57 | 0:01:00 | |
That's very unlikely. I am the only gay in the village. | 0:01:00 | 0:01:04 | |
Hiya! I'm Ifan, but all me friends call me Fanny. | 0:01:05 | 0:01:09 | |
-Follow me. -(Well?) | 0:01:11 | 0:01:14 | |
Too early to tell. | 0:01:14 | 0:01:17 | |
Come along. Take the weight off your lallies. | 0:01:18 | 0:01:22 | |
Let's put a nice big skirt around you. | 0:01:22 | 0:01:25 | |
Now, what can we do for you? | 0:01:25 | 0:01:28 | |
A nice wash and blow? Would you like that? A blow? Ho-ho! | 0:01:28 | 0:01:32 | |
-Just a light trim, please. -Right. | 0:01:32 | 0:01:35 | |
-So do you, er, go out much? -Not really. | 0:01:35 | 0:01:39 | |
-Is there much of a scene? -Pardon? | 0:01:39 | 0:01:41 | |
A scene, dear. A gay scene - cocks and frocks. | 0:01:41 | 0:01:45 | |
-No, there is no "gay" scene in Llandewi Breffi. Just me. -Really? | 0:01:45 | 0:01:50 | |
-I am the only gay in the village. -Not any more, dear. Fanny's in town! | 0:01:50 | 0:01:55 | |
-There you are, loves. -Oh, ta. | 0:01:55 | 0:01:59 | |
-(Well? -No signs.) | 0:01:59 | 0:02:03 | |
Fanny, love. You forgot your keys. | 0:02:03 | 0:02:07 | |
Thanks. I am a dizzy cow! | 0:02:07 | 0:02:09 | |
Hinge and Bracket need walking, so I'll see you later. | 0:02:11 | 0:02:15 | |
(His brother.) | 0:02:18 | 0:02:20 | |
'At St Buddha's Hospital, Foulmouth, ropey transvestite Emily Howard is waiting to have an X-ray taken.' | 0:02:22 | 0:02:30 | |
-Right, sorry to keep you. So, Eddie Howard... -Emily Howard. | 0:02:30 | 0:02:34 | |
I'm a lady. Emily Howard, yes. | 0:02:34 | 0:02:36 | |
Right, what happened? | 0:02:36 | 0:02:39 | |
-Well, I was disembarking a motor coach when I took a tumble. -You fell off the bus? -Quite. | 0:02:39 | 0:02:45 | |
I need to X-ray the whole leg, so place this over your testicles. | 0:02:45 | 0:02:50 | |
Oh, Doctor! You DO amuse! | 0:02:50 | 0:02:54 | |
No, it's not a joke. It deflects the radiation. | 0:02:54 | 0:02:58 | |
B-But I am a lady! | 0:02:58 | 0:03:01 | |
I don't have testi-cles! | 0:03:01 | 0:03:03 | |
Well, perhaps little lady's testi-cles. Might, er... | 0:03:05 | 0:03:09 | |
-might this do for me instead? -No. | 0:03:09 | 0:03:12 | |
Or this? | 0:03:12 | 0:03:15 | |
Surely I, uh... Hmm? | 0:03:16 | 0:03:18 | |
I'm sorry. You do need to use this. | 0:03:18 | 0:03:22 | |
Would you mind if I brighten it up a little | 0:03:22 | 0:03:25 | |
-with some applique and lace? -We don't really have time for this, Mr Howard. | 0:03:25 | 0:03:31 | |
-But I am a lady! -Well, I can't give you the X-ray without it. | 0:03:31 | 0:03:35 | |
Do you know, I think I'm feeling rather better. | 0:03:35 | 0:03:39 | |
I don't think I need an X-ray. | 0:03:39 | 0:03:42 | |
Aaargh! Shit! | 0:03:42 | 0:03:44 | |
'This is a pub. | 0:03:45 | 0:03:48 | |
'As we all know, the word pub is an acronym for Philip's Uncle's Boat.' | 0:03:48 | 0:03:54 | |
Right. We'd better get you home, hadn't we? | 0:03:55 | 0:04:00 | |
-I know. -Oh, uh, do you need to use the toilet before we go? -No. -Are you sure? -Yeah. | 0:04:00 | 0:04:06 | |
-Cos once I've got you in the van, you won't be able to do toilet till we're back home. -Yeah, I know. | 0:04:06 | 0:04:13 | |
-Cos if I have to stop on the way and get you out of the van, that's a right kerfuffle. -I know. | 0:04:13 | 0:04:20 | |
-You're sure you don't need? -Yeah. | 0:04:20 | 0:04:22 | |
I need to go toilet. | 0:04:31 | 0:04:33 | |
'Following the success of video libraries, book libraries like this one have sprung up everywhere.' | 0:04:37 | 0:04:44 | |
We encourage our patients to take a Saturday job. | 0:04:48 | 0:04:52 | |
It gives them a sense of purpose and a small income. | 0:04:52 | 0:04:56 | |
Anne, who you may have met, is working here. | 0:04:56 | 0:05:00 | |
E-E-E. | 0:05:00 | 0:05:01 | |
Hello, Anne. | 0:05:03 | 0:05:05 | |
-Thank you. And how are you today? -E-E-E-E. | 0:05:08 | 0:05:12 | |
As you can see, she blends in very well. | 0:05:15 | 0:05:19 | |
'British justice is the best in the world. | 0:05:22 | 0:05:25 | |
'Anyone who disagrees is either a gay, a woman or a mental.' | 0:05:25 | 0:05:30 | |
Vicky Pollard, you have been charged with shoplifting. | 0:05:32 | 0:05:36 | |
On the 11th April, it is alleged you went into the Irkskin branch of Superdrug | 0:05:36 | 0:05:41 | |
and attempted to steal an eyeliner pencil and a can of Red Bull by concealing them in your leggings. | 0:05:41 | 0:05:48 | |
Now, in the face of overwhelming evidence, do you stand by your plea of not guilty? | 0:05:51 | 0:05:57 | |
No, but... No, but...cos what happened was, right... Shut up! He wasn't supposed to be near there! | 0:05:57 | 0:06:04 | |
Then Meredith started stirring it up, calling him all these things. | 0:06:04 | 0:06:08 | |
Right, but you admit you were in Superdrug at the time? | 0:06:10 | 0:06:15 | |
No, but, yeah...but, no, there's a whole other thing. Meredith said it weren't, but she's a slag! | 0:06:15 | 0:06:21 | |
Meredith? Who is Meredith? | 0:06:21 | 0:06:24 | |
-She's the one who done that thing about the thing, but don't eat her sweets cos she's dirty. -What thing? | 0:06:24 | 0:06:30 | |
Yeah, I know, and there was this whole other thing what I didn't even know about | 0:06:30 | 0:06:36 | |
because nobody told Wayne Duggin that Jermyn fingered Carly. | 0:06:36 | 0:06:39 | |
-Right. -But I was on the phone to Jules. | 0:06:39 | 0:06:42 | |
But don't listen to her because she had a baby and didn't tell anyone. | 0:06:42 | 0:06:48 | |
-Vicky, were you at Superdrug at the time? -No, but, yeah, but, no... because I wasn't even with Amber. | 0:06:48 | 0:06:54 | |
-Who's Amber? -Yeah, exactly. I don't even know who she is so you'd better ask her. | 0:06:54 | 0:06:59 | |
-Vicky, I don't think you realise the gravity of the... -No, but... | 0:06:59 | 0:07:04 | |
-If you're found guilty... -You can't say that... | 0:07:04 | 0:07:07 | |
-This is a court of law... -You... -Are you going to keep interrupting me? | 0:07:07 | 0:07:12 | |
-No, no, no, no, I'm not. I'm gonna let you speak. -Oh. | 0:07:12 | 0:07:17 | |
-We've heard from... -Oh, God! There was this horrible thing! -I give up! | 0:07:17 | 0:07:22 | |
You know Craig? He felt up Amy on the corkscrew at Alton Towers and was sick on Louise Farren's head. | 0:07:22 | 0:07:29 | |
'Matthew Waterhouse is looking for work at his local kissogram agency.' | 0:07:30 | 0:07:35 | |
I wanna be a kissogram! Mwah! Mwah! Mwah! | 0:07:35 | 0:07:39 | |
We're minicabs, mate. Kissogram's next door. | 0:07:39 | 0:07:43 | |
I wanna be a kissogram! Mwah! Mwah! | 0:07:43 | 0:07:47 | |
-Mwah! Mwah! -Lovely. We're always looking for people. | 0:07:47 | 0:07:51 | |
-What...? -Here's one for you. | 0:07:53 | 0:07:56 | |
George Bernard Shaw-ogram. | 0:07:56 | 0:07:58 | |
I come in, take my beard off and recite a play. How about that? | 0:07:58 | 0:08:03 | |
Em... | 0:08:04 | 0:08:06 | |
-Got another. John McCarthy-ogram! -Oh, what happens there? | 0:08:06 | 0:08:11 | |
I come in handcuffed to a radiator and discuss my years as a hostage. | 0:08:11 | 0:08:16 | |
I don't think there's any market... | 0:08:16 | 0:08:19 | |
Got another one. Nurse-ogram! | 0:08:19 | 0:08:21 | |
-Ah! That's more like it. -Yeah, I come in, sing Happy Birthday | 0:08:21 | 0:08:26 | |
and administer a local aesthetic. | 0:08:26 | 0:08:29 | |
-I really don't think... -Zoo-ogram. -What's that? | 0:08:29 | 0:08:32 | |
I come in...bear with me. | 0:08:32 | 0:08:35 | |
-Well? -I just told you. I come in, there's a bear with me. | 0:08:35 | 0:08:39 | |
-Sorry. -Got another one. Ian-ogram. I come in and pretend my name is Ian. "Hallo! My name is Ian!" | 0:08:39 | 0:08:46 | |
-Please leave. -Man-ogram! I'm a man. | 0:08:46 | 0:08:49 | |
-Get out. -Invisible-man-ogram. I come in and I'm invisible. | 0:08:49 | 0:08:54 | |
Woooo! | 0:08:54 | 0:08:58 | |
-Was I invisible then? -No. -Are you sure? -Quite sure. Now, please. I'm a very busy woman. | 0:08:58 | 0:09:04 | |
-A-very-busy-woman-ogram! -Could you leave the room? | 0:09:04 | 0:09:07 | |
-Leaving-the-room-ogram! -That's right. Now open the door. | 0:09:07 | 0:09:12 | |
-Opening-the-door-ogram! -Walk out. -Walking-out-the-door-ogram! | 0:09:12 | 0:09:16 | |
-And close the door. -Closing-the-door-ogram! | 0:09:16 | 0:09:21 | |
Waiting-outside-the-door-ogram! | 0:09:22 | 0:09:25 | |
Hello. I'd like a minicab, please. | 0:09:27 | 0:09:30 | |
-No, that's next door. -Thank you. | 0:09:30 | 0:09:33 | |
All right! | 0:09:38 | 0:09:40 | |
'Over in Flange at the Kelsey Grammer School...' | 0:09:42 | 0:09:46 | |
So Edward II divided by Henry V equals... | 0:09:46 | 0:09:52 | |
Anybody? ..No? | 0:09:52 | 0:09:55 | |
Equals hydrogen peroxide. | 0:09:57 | 0:10:02 | |
Question six. Determine the square root of Popeye. | 0:10:02 | 0:10:07 | |
'Sandra Patterson is so keen for her son to do well in the world of show business | 0:10:09 | 0:10:14 | |
'that her hair is coming out in clumps.' | 0:10:14 | 0:10:17 | |
-And off you go. -They're fruity and delicious. They're fruit-ilicious! | 0:10:17 | 0:10:23 | |
Lovely, OK. Thanks very much, er, Ranulph. | 0:10:23 | 0:10:26 | |
-Are we rocking? Have we got the gig? -We'll let you know. | 0:10:26 | 0:10:30 | |
-He does a great Otis the Aardvark. ..Do your Otis. -Mum! | 0:10:30 | 0:10:34 | |
-We've just got a few more people to see. -Have you seen The Snowman? He does that. ..Go on, go on. | 0:10:34 | 0:10:40 | |
-# We're walking in the air... # -To them! To them! | 0:10:40 | 0:10:45 | |
# We're walking through the moonlit sky... # | 0:10:45 | 0:10:49 | |
We ARE up against it today... | 0:10:49 | 0:10:51 | |
-It's better with his pyjamas on. Come on. -Mum! -We don't have time. | 0:10:51 | 0:10:56 | |
-It's his birthday today. -No, it isn't. -Please? | 0:10:56 | 0:11:00 | |
-He's dying. -What?! -Look a dying boy in the eye and say no. | 0:11:00 | 0:11:04 | |
-Well, it's no. -What? -We're looking for something a bit different. | 0:11:04 | 0:11:09 | |
We can change him. We can have something done. | 0:11:09 | 0:11:13 | |
He's a real talent. I'm sure he'll do really well. | 0:11:13 | 0:11:17 | |
-I'll say you touched him. -Get out. | 0:11:17 | 0:11:19 | |
Don't worry. We know when we're not wanted. | 0:11:19 | 0:11:22 | |
Don't EVER do that again! | 0:11:28 | 0:11:31 | |
Watch this. ..Hallo, Anne. I'd like to take this book out, please. | 0:11:31 | 0:11:36 | |
E-E-E. | 0:11:36 | 0:11:38 | |
PHONE RINGS | 0:11:49 | 0:11:51 | |
Hello? ..Sorry, guys. I'm in the library at the moment, can I call you back? ..OK. | 0:11:51 | 0:11:58 | |
E-E-E. | 0:11:58 | 0:12:00 | |
And can you tell me when the Oliver Sacks biography is back in? | 0:12:00 | 0:12:05 | |
-E-E-E. -Thank you. | 0:12:09 | 0:12:12 | |
'The health service in Britain is thriving, with three doctors to every one patient. | 0:12:19 | 0:12:25 | |
'Today, Marjorie Dawes has gone to see her mother.' | 0:12:25 | 0:12:29 | |
The doctor says you've definitely got to go into a home. | 0:12:29 | 0:12:33 | |
I don't want to go into a home. I just had a fall. | 0:12:33 | 0:12:37 | |
-Morning. How are we today? -Fine, Doctor. | 0:12:37 | 0:12:41 | |
It's Dr Harman, Mum. ..And how is the good doctor today, Dr Harman? | 0:12:41 | 0:12:46 | |
-Quite well, just...a bit bunged up. -Yes, there's something going round. | 0:12:46 | 0:12:51 | |
-Let me know if you want someone to look after you. -..W-W-We've, uh, got the results. | 0:12:51 | 0:12:57 | |
There's no internal haemorrhaging, so you can go home tomorrow. | 0:12:57 | 0:13:00 | |
-Oh, good. -Wouldn't she be better off in a home? | 0:13:00 | 0:13:04 | |
Home! Yeah? Yeah? Home! Yeah? Yeah? | 0:13:04 | 0:13:08 | |
-Put you in a home. Yeah. -No. We've done all the tests and she's quite capable of looking after herself. | 0:13:08 | 0:13:14 | |
-No, she doesn't know what day it is. ..Mum, what day is it? -Tuesday. -There you go. It is Tuesday. | 0:13:14 | 0:13:20 | |
-She thinks it's last Tuesday. ..Who's the Prime Minister? -It's... -Of Belgium. -I -don't know. | 0:13:20 | 0:13:27 | |
See what I have to put up with? | 0:13:27 | 0:13:29 | |
-Mum, what's this? -It's your nose. | 0:13:29 | 0:13:34 | |
No, it's my finger. | 0:13:34 | 0:13:36 | |
-She doesn't know if she's comin' or goin'. -Mrs Dawes... -Marjorie. | 0:13:36 | 0:13:41 | |
We only put people in homes when they can't look after themselves. | 0:13:41 | 0:13:46 | |
What if her flat was attacked by a pack of wolves? She's very vulnerable. | 0:13:46 | 0:13:51 | |
-I'm not going to recommend further care. She doesn't need it. -Bye, Doctor! | 0:13:51 | 0:13:57 | |
Get well soon. ..Oh, he's such a flirt. | 0:13:57 | 0:14:01 | |
Now, what are we gonna do with you? You can't come and live with me. | 0:14:01 | 0:14:05 | |
-I don't bloody want to. I want to go back to my own flat. -But I'm renting it out now. -Who to? | 0:14:05 | 0:14:12 | |
Some gays. | 0:14:12 | 0:14:15 | |
Social Services have found you a very nice place, just an hour down the road. | 0:14:15 | 0:14:21 | |
-I could go and live with Barbara. -Mum, Barbara hates you. That's why you should cut her out the will. | 0:14:21 | 0:14:28 | |
-Now, is there anything you'd like me to bring you? -My dressing gown. -I've taken it to Oxfam. | 0:14:28 | 0:14:34 | |
-Well, I was halfway through that Maeve Binchy. -I'M reading that now. | 0:14:34 | 0:14:39 | |
Oh. Well, how about my jewellery? | 0:14:39 | 0:14:43 | |
Well, I'll see you tomorrow, then, Mum. | 0:14:43 | 0:14:46 | |
Cheerio! | 0:14:46 | 0:14:49 | |
Ooh, she's a burden. | 0:14:49 | 0:14:52 | |
'The fortunes of ex-children's entertainer Des Kaye have taken a tumble recently. | 0:14:53 | 0:14:59 | |
'To make ends meet, he's been forced to take a job at DIY Universe in the northern town of Little Tokyo.' | 0:14:59 | 0:15:06 | |
Uh, what's this now? | 0:15:12 | 0:15:15 | |
-Nothing. -I won't tell you again. | 0:15:16 | 0:15:18 | |
You're not on telly any more. Take those down and get back to work. | 0:15:18 | 0:15:23 | |
-Do you know where the masking tape is? -This man will help you. -..Do you know where the masking tape is? | 0:15:23 | 0:15:30 | |
Wicky-woo! Des Kaye, pleased to meet you. Can I have me hand back? | 0:15:30 | 0:15:35 | |
-Yeah. Do you know where the masking tape is? -No, I don't. But I've got a friend who does. | 0:15:35 | 0:15:42 | |
Say hello to Mr... | 0:15:42 | 0:15:45 | |
Croc O'Dile. "Top of the morning. Where's my breakfast?" | 0:15:45 | 0:15:49 | |
Never mind about your breakfast. This young lad wants to know where the masking tape is. | 0:15:49 | 0:15:56 | |
-"I'm hungry! I want my breakfast!" I'm so sorry about this. -Get off! | 0:15:56 | 0:16:00 | |
-Des! -I'm just helping a customer. | 0:16:02 | 0:16:05 | |
We let Anne make her own way home. She's earned £5 today. | 0:16:14 | 0:16:18 | |
That's her money and she can spend that any way she wants. | 0:16:18 | 0:16:22 | |
See you later, Anne. | 0:16:25 | 0:16:28 | |
'At TV Centre, the BBC continues to fulfil its charter to educate, entertain, inform | 0:16:29 | 0:16:35 | |
'and provide work for Patrick Kielty'. | 0:16:35 | 0:16:40 | |
-Peter, I've a tape of last night's news here. I wasn't happy with it. -Really? -Let's look at it, shall we? | 0:16:42 | 0:16:49 | |
Now we go over to our Royal correspondent Peter Andre. | 0:16:51 | 0:16:56 | |
Thank you, Raworth. | 0:16:56 | 0:16:59 | |
I'm standing outside Highgrove Church where, earlier today, | 0:16:59 | 0:17:02 | |
the Royals attended their traditional Easter Sunday service. | 0:17:02 | 0:17:06 | |
Textbook. | 0:17:06 | 0:17:08 | |
Prince Charles - he has magical powers. Prince Edward - without his beautiful wife, Griff Rhys Jones. | 0:17:08 | 0:17:15 | |
Prince Andrew - with a very young Sarah Ferguson. | 0:17:15 | 0:17:18 | |
I've met him loads of times. | 0:17:18 | 0:17:21 | |
I really like him. Hi, Andrew! No, he can't hear me. | 0:17:21 | 0:17:25 | |
The Queen there - she's the main one. | 0:17:25 | 0:17:29 | |
And light of my life - Princess Royal Anne. Oh, Anne... | 0:17:29 | 0:17:34 | |
Sweet Anne... | 0:17:34 | 0:17:37 | |
# I love you, Anne And I want you, Anne | 0:17:37 | 0:17:40 | |
# Please pull me, Anne I'll push you, Anne | 0:17:40 | 0:17:43 | |
# Please hurt me, Anne And bite me, Anne I want you, Anne, in the morning. # | 0:17:43 | 0:17:49 | |
Back to the studio. | 0:17:49 | 0:17:51 | |
-Um...Peter... -Problem? | 0:17:53 | 0:17:57 | |
'It's ten minutes since Andy last ate, and his stomach's already rumbling.' | 0:18:01 | 0:18:07 | |
Right, I'm gonna go and pick up Maria. Is there anything you need me to do before I go? | 0:18:07 | 0:18:13 | |
Yeah, I wanna chocolate. | 0:18:13 | 0:18:16 | |
-I bought these chocolates for when Maria comes. -I wanna chocolate. | 0:18:16 | 0:18:21 | |
All right, you can have one. | 0:18:21 | 0:18:23 | |
-Now, which one do you want? -That one. | 0:18:23 | 0:18:27 | |
-That one? -Yeah. | 0:18:28 | 0:18:31 | |
-That's dark chocolate. -Yeah, I know. | 0:18:31 | 0:18:34 | |
-You don't like dark chocolate. -I know. | 0:18:34 | 0:18:37 | |
You always say dark chocolate has a bitter edge to it and lacks the oral ecstasy of its milkier cousin. | 0:18:37 | 0:18:44 | |
-Yeah, I know. -Well, why don't you have the caramel tub, then? You like the caramel tub. It's caramel! | 0:18:44 | 0:18:50 | |
-I want that one. -Well, they're going back on the shelf now. | 0:18:50 | 0:18:55 | |
I don't like it. | 0:18:55 | 0:18:57 | |
-I did warn you. -Can I have another one to take the taste away? | 0:18:59 | 0:19:03 | |
No. You can have another one when Maria gets here, and not before. | 0:19:03 | 0:19:08 | |
DOOR CLOSES | 0:19:13 | 0:19:16 | |
'Everyone in Britain loves the opera.' | 0:19:36 | 0:19:39 | |
'Go to any bus stop or factory floor and all you hear is "Don Giovanni this, Rigoletto that".' | 0:19:39 | 0:19:45 | |
Charles? | 0:19:52 | 0:19:55 | |
Charles? What's the matter? Charles? | 0:19:55 | 0:19:59 | |
-Make way. St Tom's. Make way. Coming through. -He just passed out. | 0:19:59 | 0:20:04 | |
-Don't worry. He's in safe hands. Now, go and dial 9999. -Oh, I wasn't expecting this on me first day. | 0:20:04 | 0:20:11 | |
-Come on, Neville, what do we do? -Check his pulse? | 0:20:11 | 0:20:14 | |
-That won't do much good. -Put him in the recovery position? -He might be having a heart attack! -I dunno! | 0:20:14 | 0:20:21 | |
-Give him a Polo. -What? | 0:20:21 | 0:20:24 | |
-The mint with a hole. -That's not in the manual. -There's no time for that! | 0:20:24 | 0:20:29 | |
-It doesn't seem to be doing anything. -Well...can't be his heart. Maybe it's a blood clot. | 0:20:29 | 0:20:35 | |
Blood clot...blood clot. Let's see. | 0:20:35 | 0:20:38 | |
-Got it. TicTac. Check he's not allergic. He ain't got a tag? -I can't see anything. | 0:20:38 | 0:20:44 | |
This is a good bit. I saw this last night. She doesn't know the Duke is really her husband in disguise. | 0:20:44 | 0:20:51 | |
Oh, it causes a right brouhaha-ha. | 0:20:51 | 0:20:55 | |
Right, where were we? Oh, yeah. | 0:20:55 | 0:20:57 | |
Maybe the dose is wrong. | 0:20:59 | 0:21:02 | |
-I think he's had a stroke! -Then we don't have any choice. Neville... | 0:21:02 | 0:21:07 | |
we're going to have to open the Extra Strong. | 0:21:07 | 0:21:11 | |
'A favourite destination for holiday makers, after Siberia, is Scotland.' | 0:21:18 | 0:21:25 | |
-AMERICAN ACCENT -Are you open for afternoon tea? | 0:21:25 | 0:21:29 | |
Ooh! Maybe I am and maybe I'm not. | 0:21:29 | 0:21:32 | |
PLAYS A MERRY TUNE | 0:21:33 | 0:21:37 | |
-Oh. OK. -Oh, no, no! I am! | 0:21:38 | 0:21:40 | |
Please, sit doon. Sit doon. | 0:21:40 | 0:21:43 | |
-What an adorable little place. -Smells funny in here. | 0:21:43 | 0:21:47 | |
I shall be back in a moment with the cake trolley. | 0:21:48 | 0:21:52 | |
Here I am with the cake trolley. | 0:21:54 | 0:21:57 | |
-Don't those look great, Kimberley? -I want the chocolate cake! | 0:21:57 | 0:22:01 | |
OK, honey. ..Kimberley has a nut allergy. | 0:22:01 | 0:22:05 | |
-Do you know if there are any nuts in it? -Yes! | 0:22:05 | 0:22:10 | |
Do you mean, yes, there are nuts, or yes, you know? | 0:22:10 | 0:22:13 | |
-Yes. -Which? -If I tell ye the truth, I'll tell ye a lie, but if ye call me false, I'll also tell ye a lie! | 0:22:13 | 0:22:21 | |
PEEP! | 0:22:21 | 0:22:23 | |
OK, so does the cake contain nuts? | 0:22:23 | 0:22:26 | |
Carrot cake, carrot cake, have ye any nuts? | 0:22:26 | 0:22:30 | |
The carrot cake contains...no nuts. | 0:22:33 | 0:22:36 | |
Lemon drizzle cake, lemon drizzle cake, have ye any nuts? | 0:22:37 | 0:22:43 | |
The Lemon drizzle cake contains... no nuts. | 0:22:45 | 0:22:49 | |
NOTES PIPE OUT | 0:22:49 | 0:22:51 | |
No nuts. | 0:22:52 | 0:22:55 | |
Chocolate cake, chocolate cake, have ye any nuts? | 0:22:56 | 0:23:00 | |
He wants to speak to you. | 0:23:03 | 0:23:06 | |
Mike Kapalski? | 0:23:11 | 0:23:13 | |
'Here we are at the country home of romantic novelist Dame Sally Markham. | 0:23:13 | 0:23:18 | |
'I'd love to write a book but, unfortunately, I don't have a pen.' | 0:23:18 | 0:23:23 | |
His hand passed over the curves of her body, firmly, without desire, | 0:23:23 | 0:23:29 | |
but with soft, intimate knowledge. | 0:23:29 | 0:23:32 | |
End of chapter. | 0:23:32 | 0:23:34 | |
This is wonderful, Dame Sally. | 0:23:34 | 0:23:36 | |
Yes, it is, rather. Chapter four. As she went home in the twilight, | 0:23:36 | 0:23:41 | |
the world seemed a dream. | 0:23:41 | 0:23:44 | |
The trees in the park seemed bulging and surging at anchor on a tide... | 0:23:44 | 0:23:50 | |
'In Britain's capital city of Sneddy, are the offices of theatrical agent, Jeremy Rent.' | 0:23:50 | 0:23:57 | |
If you'd just like to sign on the second page. | 0:23:57 | 0:24:00 | |
-Er, have you got a pen? -There you are. | 0:24:03 | 0:24:07 | |
Den...nis Waterman. | 0:24:09 | 0:24:13 | |
At last, we've got you a job. | 0:24:13 | 0:24:17 | |
I'm glad to see you're finally over this silly "write the theme tune, sing the theme tune" business. | 0:24:17 | 0:24:23 | |
-Oh, no, that's all in the past. -Well, thank goodness for that. | 0:24:23 | 0:24:28 | |
Well, if that is all, I will be on my way. | 0:24:28 | 0:24:32 | |
Oh, I have just remembered! | 0:24:37 | 0:24:40 | |
Happy birthday! | 0:24:42 | 0:24:44 | |
Oh, Dennis, you are naughty! | 0:24:44 | 0:24:47 | |
No, I'm not. I'm good. | 0:24:47 | 0:24:50 | |
Well...thank you. | 0:24:50 | 0:24:52 | |
-It's got great music on it. -Dennis. | 0:24:52 | 0:24:55 | |
-Sorry. -Well, it's very kind of you. | 0:24:55 | 0:24:59 | |
I'm just going to cut the cake if you'd like to come in. | 0:24:59 | 0:25:04 | |
-Can you pass me the knife, please, Dennis? -Oh, isn't Dennis with you? | 0:25:04 | 0:25:09 | |
I'm right here. | 0:25:09 | 0:25:11 | |
-Thank you. -Make a wish. -We haven't sung Happy Birthday yet. | 0:25:11 | 0:25:17 | |
Oh! Go on, then. | 0:25:17 | 0:25:20 | |
1, 2, 3... | 0:25:20 | 0:25:22 | |
-# Happy birthday to you... # -# I'll change the situation | 0:25:22 | 0:25:25 | |
# Right people, right time Just the wrong location | 0:25:25 | 0:25:30 | |
# I've got a good idea Just you keep me near | 0:25:32 | 0:25:37 | |
-# I'll be so good for... Happy birthday, -dear Jeremy | 0:25:37 | 0:25:42 | |
# I'll be so good for you De-doo-doo de-doo! Booo! # | 0:25:42 | 0:25:48 | |
-Cake, anybody? -Just a small piece. | 0:25:50 | 0:25:55 | |
There you go. | 0:25:55 | 0:25:58 | |
'It's lunchtime at this Chinese restaurant in Ducking Down. | 0:25:59 | 0:26:03 | |
'I myself love Chinese food. | 0:26:03 | 0:26:06 | |
'My favourite dishes are 14, 29 and 53.' | 0:26:06 | 0:26:10 | |
-Me and Mollie Sugden were friends years before Are You Being Served. -Liz. -..In a minute. | 0:26:11 | 0:26:18 | |
Mollie said to me would I like to be her bridesmaid? I mean, well! | 0:26:18 | 0:26:23 | |
-Liz! Your food's getting cold. -In a minute! | 0:26:23 | 0:26:27 | |
-Of course I was delighted! It was a wonderful day... -You said you were going to the toilet! -I was! | 0:26:27 | 0:26:34 | |
But I got chatting about being Mollie Sugden's bridesmaid. | 0:26:34 | 0:26:39 | |
It was a lovely do. We had a lovely meal and there was dancing and they played the Beatles... | 0:26:39 | 0:26:46 | |
-I was at school with Paul McCartney. -Oh, right. And then... -Really? | 0:26:46 | 0:26:50 | |
-What was he like? -Oh, a really nice bloke. And he was dead musical, even then. He'd always play the piano. | 0:26:50 | 0:26:58 | |
-And Mollie Sugden, whose bridesmaid I was... -Did you meet John Lennon? | 0:26:58 | 0:27:02 | |
I did actually, once. I went round and John was there and they were doing a bit of jamming... | 0:27:02 | 0:27:08 | |
The Beatles aren't going any more! Anyway, I said to Mollie... | 0:27:08 | 0:27:12 | |
Oh, I love the Beatles! | 0:27:12 | 0:27:15 | |
-I've got all their tapes. -Why don't you join us? -Thank you... | 0:27:15 | 0:27:19 | |
No, Clive! Come away! | 0:27:19 | 0:27:23 | |
-Excuse us. -But he was at school with Paul McCartney. | 0:27:23 | 0:27:27 | |
Yeah, and I was Mollie Sugden's bridesmaid, but I don't go on about it! | 0:27:27 | 0:27:32 | |
Get over it. | 0:27:32 | 0:27:35 | |
Boring! | 0:27:35 | 0:27:37 | |
45...46...47...48. | 0:27:38 | 0:27:43 | |
Have you got a light? | 0:27:49 | 0:27:51 | |
I won't be long. | 0:27:51 | 0:27:53 | |
'And so this week's journey comes to an end. | 0:27:56 | 0:28:01 | |
'If you have enjoyed the programme, | 0:28:01 | 0:28:03 | |
'you might like to get up and do a dance in honour of it. Goodbye.' | 0:28:03 | 0:28:08 |