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This programme contains some strong language | 0:00:02 | 0:00:09 | |
Ladies and gentlemen, please welcome your host for tonight, | 0:00:19 | 0:00:24 | |
Jon Richardson! | 0:00:24 | 0:00:26 | |
APPLAUSE AND CHEERING | 0:00:26 | 0:00:29 | |
Hello there! | 0:00:35 | 0:00:37 | |
Greetings, Apollo. Are you well? | 0:00:38 | 0:00:41 | |
AUDIENCE: Yeah! Good. | 0:00:41 | 0:00:43 | |
Thank you for coming. | 0:00:43 | 0:00:45 | |
I hope you enjoy yourselves. | 0:00:45 | 0:00:46 | |
So, who's around? | 0:00:46 | 0:00:48 | |
We have musicians here. We have... | 0:00:48 | 0:00:50 | |
Lee Ryan is here from Blue. CHEERING | 0:00:50 | 0:00:54 | |
How are you? Good. I'm all right. | 0:00:55 | 0:00:57 | |
And Tinchy Stryder is here, as well, isn't he? | 0:00:57 | 0:00:59 | |
There he is. | 0:00:59 | 0:01:00 | |
The sunglasses on indoors, you cool sod(!) | 0:01:01 | 0:01:05 | |
Trendy. | 0:01:06 | 0:01:07 | |
Took your hat off, I appreciate that. | 0:01:07 | 0:01:09 | |
I'm into, uh... I'm into a sort of type of music. | 0:01:10 | 0:01:12 | |
I don't know if you guys know it, it's sort of sub, urban music. | 0:01:12 | 0:01:15 | |
Uh...suburban music, we call it. | 0:01:15 | 0:01:19 | |
LAUGHTER Pretty cool shit. | 0:01:19 | 0:01:21 | |
I've got a new single coming out called | 0:01:21 | 0:01:23 | |
It's Like That - But We Can Have It Changed If You're Not Satisfied. | 0:01:23 | 0:01:26 | |
You've got to fight for your right to represent your local pa-a-a-arty. | 0:01:27 | 0:01:31 | |
Pretty cool. | 0:01:32 | 0:01:33 | |
Rachel's here. Hello, how are you? | 0:01:34 | 0:01:37 | |
Rachel does the numbers on Cats Does Countdown | 0:01:37 | 0:01:39 | |
because we can't let Jimmy do them, can we? | 0:01:39 | 0:01:42 | |
All come out the same, wouldn't they? | 0:01:44 | 0:01:46 | |
LAUGHTER | 0:01:46 | 0:01:49 | |
Anyway, thank you all for coming. I hope you have a wonderful evening. | 0:01:49 | 0:01:52 | |
But not too good, er, | 0:01:52 | 0:01:55 | |
cos Britain's the only country you sort of have to quantify that | 0:01:55 | 0:01:57 | |
because in most countries, when you say, "Have a good time," | 0:01:57 | 0:02:00 | |
people mean enjoy the thing we're doing, but in Britain | 0:02:00 | 0:02:02 | |
that means, "Drink until you're sick in the morning." | 0:02:02 | 0:02:05 | |
There's a really unique approach to fun we have, | 0:02:05 | 0:02:08 | |
where, if you don't remember it while you're puking into a toilet, | 0:02:08 | 0:02:11 | |
then you might as well have not done it, to be honest. | 0:02:11 | 0:02:15 | |
I've got to a point now with my drinking, where, obviously, | 0:02:15 | 0:02:17 | |
I'm not going to eliminate it altogether, | 0:02:17 | 0:02:19 | |
cos you need some alcohol to survive... | 0:02:19 | 0:02:22 | |
I'm just trying to sort my... | 0:02:22 | 0:02:23 | |
Limit my drinking so I don't get hangovers any more. | 0:02:23 | 0:02:25 | |
I'm sick of having hangovers, | 0:02:25 | 0:02:27 | |
because what a hangover is is your stomach | 0:02:27 | 0:02:29 | |
saying to the rest of your body, | 0:02:29 | 0:02:30 | |
"Would you just piss off, please?! | 0:02:30 | 0:02:32 | |
"Nothing comes down here | 0:02:32 | 0:02:33 | |
"until I deal with what you did to me last night." | 0:02:33 | 0:02:36 | |
LAUGHTER | 0:02:36 | 0:02:38 | |
GROANING: "Ooh... | 0:02:38 | 0:02:40 | |
"You don't even like Malibu!" | 0:02:40 | 0:02:42 | |
"Three of them down here at two o'clock in the morning... | 0:02:43 | 0:02:46 | |
"Arsehole!" | 0:02:46 | 0:02:47 | |
At which point your arsehole will say, | 0:02:47 | 0:02:49 | |
"Don't bring me into this." | 0:02:49 | 0:02:50 | |
"I'm still dealing with the kebab he had on the way home." | 0:02:51 | 0:02:54 | |
LAUGHTER | 0:02:54 | 0:02:57 | |
I like this time of year. | 0:02:57 | 0:02:58 | |
This is the time of year I like | 0:02:58 | 0:02:59 | |
because the drinking sort of tempers now. | 0:02:59 | 0:03:01 | |
Cos we're getting to winter now, it's getting dark. | 0:03:01 | 0:03:03 | |
People don't go out in winter, do they? They stay in and eat stew, | 0:03:03 | 0:03:06 | |
and they cry. I like that. LAUGHTER | 0:03:06 | 0:03:09 | |
Emotionally, I feel at one with that, | 0:03:09 | 0:03:11 | |
you just cut up a swede and leave it in a pan for four hours. | 0:03:11 | 0:03:14 | |
"No, you stay in there until you offer no resistance whatsoever, you! | 0:03:14 | 0:03:18 | |
"Chewing was for the summer, I'm exhausted by life now." | 0:03:18 | 0:03:21 | |
Just mush it in so I don't die in the cold months. | 0:03:22 | 0:03:25 | |
In summer I really struggle. | 0:03:27 | 0:03:28 | |
What happens in summer is people go out and they do stuff | 0:03:28 | 0:03:31 | |
and they have opinions on it. | 0:03:31 | 0:03:32 | |
Tends to piss me off a little bit, that kind of thing. | 0:03:32 | 0:03:35 | |
And you realise the carnage that is created... | 0:03:35 | 0:03:37 | |
Cos in my lifetime, I would say I only remember sort of... | 0:03:37 | 0:03:40 | |
The last two summers are the only ones I remember | 0:03:40 | 0:03:42 | |
where it's been sunny for, like, a week at a time. | 0:03:42 | 0:03:44 | |
You used to get that, you'd open the curtains and you'd go, | 0:03:44 | 0:03:46 | |
"Oh, there's sunshine, look! Let's have a barbecue." | 0:03:46 | 0:03:49 | |
And your partner would say, "It's only half seven in the morning." | 0:03:49 | 0:03:51 | |
You'd say, "I know, but let's have a breakfast barbecue, | 0:03:51 | 0:03:54 | |
"cos there's clouds coming and otherwise we'll miss it, | 0:03:54 | 0:03:56 | |
"so let's just set fire to the shed and put a sausage on it, please! | 0:03:56 | 0:04:00 | |
"Ah, it's raining now. Don't matter." | 0:04:00 | 0:04:03 | |
"You've ruined it. Good summer, that one(!)" | 0:04:04 | 0:04:06 | |
Now you have summer and you know you're in trouble | 0:04:06 | 0:04:08 | |
cos you turn the weather on in the morning and the weather people are outside | 0:04:08 | 0:04:11 | |
showing you the weather is real, so that you can believe it. | 0:04:11 | 0:04:13 | |
Carol Kirkwood's there going, "Hello! I'm outside, look. | 0:04:13 | 0:04:16 | |
"That's the sunshine, very nice, isn't it? Very hot. | 0:04:16 | 0:04:19 | |
"Not too hot, I'm not dying, you know, it's quite far away. | 0:04:19 | 0:04:22 | |
"It's sort of temperate, it's nice... | 0:04:22 | 0:04:23 | |
"You're thinking, 'Very well for you,' but cos it's so far away, | 0:04:23 | 0:04:26 | |
"it's not just on this field, it's everywhere, it's on all of us. | 0:04:26 | 0:04:29 | |
"Go outside. I know it's Monday and you've got work, but don't worry, | 0:04:29 | 0:04:32 | |
"it'll still be sunny on Friday, OK?" | 0:04:32 | 0:04:34 | |
And that's the bit where we all go, "I beg your pardon? | 0:04:34 | 0:04:36 | |
"Still sunny on Friday, you said, is it? The day when I go out | 0:04:36 | 0:04:39 | |
"and get pissed anyway, I can do that outside now, can I? | 0:04:39 | 0:04:42 | |
"I'll start e-mailing people now." | 0:04:42 | 0:04:43 | |
And whatever city you live in, | 0:04:43 | 0:04:45 | |
that's where you e-mail people the venue to meet. | 0:04:45 | 0:04:47 | |
I live in London, here... | 0:04:47 | 0:04:49 | |
which, obviously, I'm not from London, you can tell by my accent I'm from the North. | 0:04:49 | 0:04:52 | |
But you're not allowed to be a comedian in the North, | 0:04:52 | 0:04:54 | |
I have to move to London, and when the Queen's not looking, I'll steal a bit of gold, | 0:04:54 | 0:04:58 | |
and one day I'll move back up North and build a house with it. And then I'll go, | 0:04:58 | 0:05:01 | |
"Ee, it's him what left, he's come back wi' t' gold!" | 0:05:01 | 0:05:03 | |
LAUGHTER | 0:05:03 | 0:05:06 | |
"For t' building houses with, let's make 'im t' king." | 0:05:06 | 0:05:08 | |
Yes, I live in the North, but I live in London now. | 0:05:10 | 0:05:12 | |
What happens is, everybody goes to the river. | 0:05:12 | 0:05:14 | |
We all accumulate on the river when it's sunny. | 0:05:14 | 0:05:16 | |
There was a day last summer, everybody e-mailed each other Monday morning and went... | 0:05:16 | 0:05:20 | |
COCKNEY ACCENT: "'Ere, mate, you seen the burty bevver?" | 0:05:20 | 0:05:22 | |
Don't know the rhyming slang for "weather", I haven't checked. | 0:05:22 | 0:05:25 | |
It's close enough, isn't it? | 0:05:25 | 0:05:26 | |
COCKNEY ACCENT: "Burty Bevver, played for West Ham, 30 goals. Legend!" | 0:05:26 | 0:05:29 | |
LAUGHTER | 0:05:29 | 0:05:31 | |
"Yeah, yeah, I seen it, mate. | 0:05:31 | 0:05:32 | |
"Sunshine, innit? Funshine, do it up the bumshine. Wehay!" | 0:05:32 | 0:05:35 | |
LAUGHTER | 0:05:35 | 0:05:37 | |
"Y-You coming down the river Friday night, mate, five o'clock?" | 0:05:37 | 0:05:40 | |
"Yeah, I'll see you there at four, mate. | 0:05:40 | 0:05:41 | |
"Work through lunch, 4pm." "Yeah, nice one. See you. | 0:05:41 | 0:05:43 | |
"Apples and bananas, two for a pound, wehay!" LAUGHTER | 0:05:43 | 0:05:47 | |
Successfully e-mailed. | 0:05:47 | 0:05:49 | |
This e-mail went across London, I don't know how they did it. | 0:05:49 | 0:05:51 | |
You must be able to put into the e-mail address bar, "Everyone at desks." | 0:05:51 | 0:05:54 | |
LAUGHTER | 0:05:54 | 0:05:56 | |
Swept London. So they all congregated Friday night at the river, | 0:05:56 | 0:05:58 | |
but the last line of this e-mail was, "PS, don't tell Jon." | 0:05:58 | 0:06:01 | |
Uh... LAUGHTER | 0:06:01 | 0:06:03 | |
Went to my gig, didn't I? | 0:06:03 | 0:06:04 | |
Nobody turned up. They were at the river. But that doesn't stop me. | 0:06:04 | 0:06:07 | |
I'll quite happily shout into an empty room about myself for two hours, | 0:06:07 | 0:06:10 | |
spitting bile onto empty chairs. | 0:06:10 | 0:06:12 | |
Come out to Waterloo about 11 o'clock to get home | 0:06:12 | 0:06:15 | |
and just have never seen carnage like it. | 0:06:15 | 0:06:18 | |
I've seen drunk people, | 0:06:18 | 0:06:20 | |
I've never seen a whole city shit-faced before. | 0:06:20 | 0:06:23 | |
And you know everyone's drunk | 0:06:24 | 0:06:25 | |
because there are no two people together. | 0:06:25 | 0:06:27 | |
No-one can coordinate to walk alongside one other person. | 0:06:27 | 0:06:31 | |
Veering off individuals, | 0:06:31 | 0:06:32 | |
grown men just smashing into train station walls | 0:06:32 | 0:06:36 | |
cos they've seen Harry Potter and they know that one of them... Doosh! | 0:06:36 | 0:06:39 | |
Doosh! | 0:06:39 | 0:06:40 | |
One will open up to that magical world where there's that girl, | 0:06:40 | 0:06:43 | |
where she's not old enough in the films but she is now, so it doesn't count. | 0:06:43 | 0:06:46 | |
LAUGHTER Doosh! | 0:06:46 | 0:06:49 | |
People's limbs have stopped working, they're just dragging themselves | 0:06:50 | 0:06:53 | |
across the floor, hoovering up chips. HE GOBBLES | 0:06:53 | 0:06:56 | |
The biggest problem I had is... | 0:06:58 | 0:06:59 | |
No-one has left the city all day, no-one's left London. | 0:06:59 | 0:07:01 | |
So this train now that's about to leave is heaving | 0:07:01 | 0:07:03 | |
in a way that I've only ever seen in documentaries set in the third world, you know? | 0:07:03 | 0:07:07 | |
There's that one train a year and if they don't get on it, they ain't feeding their families. | 0:07:07 | 0:07:11 | |
So they're on the roof and they're in the coupling... | 0:07:11 | 0:07:13 | |
That's happening at London Waterloo, strangers, adults, | 0:07:13 | 0:07:15 | |
hanging onto the outside of trains like that... | 0:07:15 | 0:07:18 | |
waiting for the train to leave. | 0:07:18 | 0:07:19 | |
And the police, they're saying, "You can't actually travel like that, mate, | 0:07:19 | 0:07:22 | |
"on the outside of the train there." | 0:07:22 | 0:07:24 | |
Sensible people saying, "Oh, God. Tunnels and that. Kill myself, wouldn't I? | 0:07:24 | 0:07:27 | |
"Ha-ha! What am I like?!" LAUGHTER | 0:07:27 | 0:07:30 | |
Not pissheads... "You do one, pig!" HE HICCUPS | 0:07:30 | 0:07:34 | |
"I'm touching the train, I'm on the train." | 0:07:34 | 0:07:36 | |
LAUGHTER | 0:07:36 | 0:07:39 | |
I'm not going to get home, I ain't getting home tonight, that's what's happening. | 0:07:39 | 0:07:42 | |
I realised there was one train left. | 0:07:42 | 0:07:44 | |
I thought, "If I don't get on that, that's it. | 0:07:44 | 0:07:46 | |
"When they announce the platform, I've got to be the first there. | 0:07:46 | 0:07:48 | |
"I've got a good chance, cos when they announce it, I'm the only one here who can still read." | 0:07:48 | 0:07:52 | |
LAUGHTER So they announce the platform. Not only do I get to the train, | 0:07:52 | 0:07:55 | |
I'm the first one there for the whole train, | 0:07:55 | 0:07:57 | |
which means I get my choice of every seat on a train, | 0:07:57 | 0:07:59 | |
which would freak many out - they don't know which one they want. | 0:07:59 | 0:08:02 | |
I know exactly what seat I want. | 0:08:02 | 0:08:04 | |
I want two together, but I don't want someone to sit next to me. | 0:08:04 | 0:08:06 | |
I don't want to put my bag on the seat, I'm too much of a coward. | 0:08:06 | 0:08:09 | |
When you put your bag on the seat, eventually someone comes and goes, | 0:08:09 | 0:08:12 | |
"Excuse me, could you move that, please? Yes, yes. | 0:08:12 | 0:08:14 | |
"Thought you could have this, but I'm here now, the alpha, | 0:08:14 | 0:08:17 | |
"so you can just... My seat. | 0:08:17 | 0:08:19 | |
"I'm just going to touch you with that leg, as well, how's that?" | 0:08:19 | 0:08:22 | |
LAUGHTER | 0:08:22 | 0:08:24 | |
SMATTERING OF APPLAUSE | 0:08:24 | 0:08:26 | |
"That's my arm rest, you get off, I'm having that one. | 0:08:26 | 0:08:29 | |
"You have that shitty little half one there under the window, | 0:08:29 | 0:08:31 | |
"that's yours." | 0:08:31 | 0:08:32 | |
So I'd just picked the two worst seats on the train. | 0:08:34 | 0:08:36 | |
"That'll do me, the two seats that nobody else will want." | 0:08:36 | 0:08:38 | |
What you do - you walk along the train | 0:08:38 | 0:08:40 | |
until they've joined two together but there's no divide. | 0:08:40 | 0:08:42 | |
So all these people are stuck in this bit. | 0:08:42 | 0:08:44 | |
Go in this door here, don't go on forward with your momentum, | 0:08:44 | 0:08:47 | |
just pivot round like that | 0:08:47 | 0:08:48 | |
and there's a little pouch of seats here that nobody notices. | 0:08:48 | 0:08:50 | |
And look for the table here. | 0:08:50 | 0:08:52 | |
Don't sit at the table, everybody wants the table. | 0:08:52 | 0:08:54 | |
Sit just behind the table. | 0:08:54 | 0:08:55 | |
People see the table's free, they move on. | 0:08:55 | 0:08:57 | |
There's two seats here facing backwards. | 0:08:57 | 0:08:59 | |
Most people don't like to face backwards, makes them feel sick. | 0:08:59 | 0:09:01 | |
Sit by the window so people assume there's someone there, too. | 0:09:01 | 0:09:04 | |
"Yeah, go on, keep walking, mate. This is mine." | 0:09:04 | 0:09:06 | |
Got on my seat. I thought, "I've nailed this." | 0:09:07 | 0:09:09 | |
Curled myself up into a little ball of self-righteousness. | 0:09:09 | 0:09:12 | |
Stone-cold sober, hating it. | 0:09:12 | 0:09:14 | |
People get on the train, drunk, enjoying themselves, winding me up. | 0:09:14 | 0:09:18 | |
Right. Just before we pull out of the station, | 0:09:18 | 0:09:20 | |
something hits the back of my chair. It's definitely a human head. | 0:09:20 | 0:09:23 | |
I can tell by the weight of it and the sound. | 0:09:23 | 0:09:26 | |
It's either someone who's passed out, or more excitedly, | 0:09:26 | 0:09:28 | |
someone who's running for the last train and thinks, | 0:09:28 | 0:09:30 | |
"Shit, I'll miss the last train. Maybe if I cut my head off and throw it on the train..." | 0:09:30 | 0:09:34 | |
LAUGHTER | 0:09:34 | 0:09:36 | |
"..get my head back, and then roll back to the flat, call a taxi | 0:09:36 | 0:09:39 | |
"and collect my body." | 0:09:39 | 0:09:40 | |
It's not. It's the first one, just a girl who's just "boosh!" - passed out. | 0:09:42 | 0:09:45 | |
Can't move any more. | 0:09:45 | 0:09:47 | |
I think, "How did she even get on the train?" | 0:09:47 | 0:09:49 | |
I can't look round to find out cos I'll make eye contact | 0:09:49 | 0:09:52 | |
with someone and they'll think I want to talk. "Oh, you got a face. | 0:09:52 | 0:09:54 | |
"I've got a face, mate. I was born in Bermondsey, actually." | 0:09:54 | 0:09:57 | |
LAUGHTER Oh, Jesus. | 0:09:57 | 0:09:59 | |
You just sit there, curled up. Luckily, I find out what's happened | 0:10:01 | 0:10:04 | |
because a man announces the history of the evening to us all. | 0:10:04 | 0:10:07 | |
A big South African businessman, he is. | 0:10:07 | 0:10:09 | |
He's carried her onto the train, right. | 0:10:09 | 0:10:11 | |
He's not getting this train, so he needs someone to help her off it, | 0:10:11 | 0:10:13 | |
which, for me, all he needs to do | 0:10:13 | 0:10:15 | |
is tap these two people here, doesn't he? | 0:10:15 | 0:10:17 | |
"Could you help this woman off the train, please? | 0:10:17 | 0:10:19 | |
"I don't know if you can see that, but she's absolutely annihilated!" | 0:10:19 | 0:10:22 | |
MOCK LAUGHS "I'm not actually going to help, I'm leaving now. She's yours. | 0:10:22 | 0:10:25 | |
"OK, take care. Cheerio now. B'bye." | 0:10:25 | 0:10:27 | |
He doesn't do that cos he realises | 0:10:28 | 0:10:29 | |
if he announces to the carriage what he's done, we'll think, | 0:10:29 | 0:10:32 | |
"He's carried a lady onto the train, what a fine gentleman. | 0:10:32 | 0:10:34 | |
"I shall applaud him and carry him wherever he's going." | 0:10:34 | 0:10:37 | |
So instead, he shouts to all of us, | 0:10:37 | 0:10:38 | |
AFRICAN ACCENT: "Somebody's got to help this woman off the train, please!" | 0:10:38 | 0:10:42 | |
SCOTTISH ACCENT: "I've carried her as far as I can, but I can do no more! | 0:10:43 | 0:10:46 | |
SOBBING: "What a world, what a world..." | 0:10:46 | 0:10:49 | |
Born in South Africa, he's travelled. | 0:10:49 | 0:10:51 | |
LAUGHTER | 0:10:51 | 0:10:53 | |
Very accurate that was. | 0:10:55 | 0:10:56 | |
Anyway, I hated him. | 0:10:56 | 0:10:58 | |
He's the first individual I take time out to hate. | 0:10:58 | 0:11:01 | |
And I'm good at hate, it's my skill. | 0:11:01 | 0:11:02 | |
If it was a superpower, that'd be my thing, hating people. | 0:11:02 | 0:11:05 | |
I can see the back of someone's head for half a second, then go, "Dickhead." | 0:11:05 | 0:11:08 | |
"Who was that?" "Oh, he's gone now, but he's a dickhead, I know he's a dickhead." | 0:11:08 | 0:11:12 | |
I hated this guy for two reasons. | 0:11:12 | 0:11:13 | |
First of all, you're not helping this girl, are you? | 0:11:13 | 0:11:15 | |
You're pretending you are, but you're not. | 0:11:15 | 0:11:17 | |
If she's that drunk, she's better off back with her friends or with the police. | 0:11:17 | 0:11:20 | |
She's not better off hurtling towards Portsmouth at 100mph. | 0:11:20 | 0:11:24 | |
Nothing against Portsmouth - a fine place - but if you wake up there and you don't live there, | 0:11:25 | 0:11:29 | |
that is a problem for you, isn't it? | 0:11:29 | 0:11:30 | |
Anyone here, if you woke up there tomorrow, | 0:11:30 | 0:11:33 | |
your first thought wouldn't be, "Well, what a fine opportunity | 0:11:33 | 0:11:35 | |
"to explore the historic harbour side of Portsmouth." | 0:11:35 | 0:11:38 | |
You'd think, "Shit! I'm in Portsmouth." | 0:11:38 | 0:11:41 | |
Second of all, if we trace back why this girl is that drunk, | 0:11:41 | 0:11:43 | |
it's probably cos an hour ago he was in a bar with her | 0:11:43 | 0:11:46 | |
and he liked her, but he knew his personality was abhorrent, | 0:11:46 | 0:11:48 | |
so what he did instead, every time she asked for a drink, he got her a larger one. | 0:11:48 | 0:11:51 | |
They left together, the air hit her and she passed out. | 0:11:51 | 0:11:54 | |
And he thought, "Oh, I'd better put this one on the train, I broke it." | 0:11:54 | 0:11:57 | |
LAUGHTER | 0:11:57 | 0:11:59 | |
He's not a hero, is he? He's an arsehole. | 0:12:01 | 0:12:03 | |
He's just dumping a drunk woman on a train, right, so I hated him, right. | 0:12:03 | 0:12:06 | |
But then these two people here - I hate them cos they bailed him out. | 0:12:06 | 0:12:09 | |
They went, "Oh, that's OK, we'll get her off the train." | 0:12:09 | 0:12:11 | |
And I hated them, just for getting involved. | 0:12:11 | 0:12:14 | |
And also because they're drunk, as well. | 0:12:14 | 0:12:16 | |
What's happened is they're drunk, | 0:12:16 | 0:12:17 | |
but she's more drunk, so they've sobered up. | 0:12:17 | 0:12:19 | |
"Oh, is she drunk, is she? | 0:12:19 | 0:12:20 | |
"Don't worry, we only had the 12 Jagerbombs, you see, so..." | 0:12:20 | 0:12:23 | |
"We'll take care of this. | 0:12:24 | 0:12:25 | |
"Do be careful there, I pissed there a little bit, OK?" | 0:12:25 | 0:12:28 | |
LAUGHTER | 0:12:28 | 0:12:30 | |
Here's how good I am at hate, as well. | 0:12:30 | 0:12:31 | |
At the same time as I'm hating them for getting involved, | 0:12:31 | 0:12:33 | |
I'm simultaneously hating everyone else for not getting involved. | 0:12:33 | 0:12:36 | |
That's really top-level hatred, that is. | 0:12:36 | 0:12:39 | |
"There's a woman in distress here and you did nothing - | 0:12:39 | 0:12:41 | |
"this country's gone to the dogs." | 0:12:41 | 0:12:43 | |
He gets off the train, I start to calm myself down, | 0:12:45 | 0:12:47 | |
we're rattling along, five minutes into the journey | 0:12:47 | 0:12:49 | |
and I'm almost back at base-level hatred, which is still quite high. | 0:12:49 | 0:12:52 | |
And I hear the noise from behind me of a sort of semi-thick liquid | 0:12:53 | 0:12:56 | |
hitting the floor from about three or four feet. | 0:12:56 | 0:12:59 | |
I think, "She's never having a can of soup..." | 0:12:59 | 0:13:02 | |
LAUGHTER | 0:13:02 | 0:13:05 | |
That's a bold snack for a train, that, isn't it? | 0:13:05 | 0:13:08 | |
Heinz Big Soup, I would say, from the sound of that. | 0:13:08 | 0:13:10 | |
AUDIENCE GROANS | 0:13:10 | 0:13:12 | |
It's not that, is it? She just chundered. | 0:13:12 | 0:13:14 | |
She chundered. "Blergh!" | 0:13:14 | 0:13:15 | |
She wakes up chundering on a train she doesn't remember getting on, | 0:13:15 | 0:13:18 | |
which is obviously upsetting, so she starts crying. | 0:13:18 | 0:13:20 | |
The crying causes her stomach to convulse, | 0:13:20 | 0:13:22 | |
which makes her sick again. | 0:13:22 | 0:13:23 | |
So it's a perfect little sandwich of misery going on behind me there. | 0:13:23 | 0:13:26 | |
"Bleeergh! | 0:13:26 | 0:13:28 | |
HE MOCK CRIES "Bleeergh!" | 0:13:28 | 0:13:31 | |
What that does, of course, is rocket her up the league | 0:13:33 | 0:13:35 | |
to my most hated person on the train. | 0:13:35 | 0:13:37 | |
Relegation zone to Champions League overnight. Unbelievable form, right. | 0:13:38 | 0:13:42 | |
And the reason I hate her is because all I wanted was this seat | 0:13:42 | 0:13:45 | |
and now I've got to move, because sick is coming under the thing... | 0:13:45 | 0:13:48 | |
AUDIENCE: Urgh! | 0:13:48 | 0:13:50 | |
On my bag and my shoes. And I start looking around at people. | 0:13:50 | 0:13:52 | |
I think, "This is ridiculous now! | 0:13:52 | 0:13:54 | |
"Modern Britain - you can't even get on a train | 0:13:54 | 0:13:56 | |
"without getting someone else's insides ON you!" | 0:13:56 | 0:13:58 | |
I just want someone to look at me and go, | 0:13:59 | 0:14:01 | |
"I know, mate, what a country." | 0:14:01 | 0:14:02 | |
Nobody does. They're all looking at me angry | 0:14:02 | 0:14:04 | |
cos they're as drunk as she is | 0:14:04 | 0:14:06 | |
and they think I'm elevating myself out of this situation. | 0:14:06 | 0:14:08 | |
I can see them looking at me going... | 0:14:08 | 0:14:10 | |
SLURS: "Ooh, look at Mr Clean Shoes. Hic!" | 0:14:10 | 0:14:13 | |
"Mr La-di-da's too good to have our sick all over him, is he?" | 0:14:15 | 0:14:19 | |
"He was sick on me, mate, I didn't move. | 0:14:20 | 0:14:22 | |
"I just pissed on him a little bit." | 0:14:22 | 0:14:24 | |
LAUGHTER | 0:14:24 | 0:14:26 | |
I realised it's all of us, | 0:14:26 | 0:14:28 | |
everyone in the country is this pissed at the moment. | 0:14:28 | 0:14:30 | |
That's... Bad enough for me, I live here. I knew the signs. | 0:14:30 | 0:14:33 | |
If I hadn't had a gig, I'd be as drunk as everyone else. | 0:14:33 | 0:14:35 | |
But somewhere on this train is a nice little Spanish family. | 0:14:35 | 0:14:38 | |
A nice little Spanish family, come to Europe on their summer holidays | 0:14:38 | 0:14:41 | |
cos they've seen the Olympics. | 0:14:41 | 0:14:43 | |
"Yeah, let's go to London." Cos we told them, didn't we? | 0:14:43 | 0:14:45 | |
"Come to London. We wear matching tracksuits and help each other. | 0:14:45 | 0:14:48 | |
"Do come, do come." | 0:14:48 | 0:14:49 | |
Now they're seeing the truth. This is London. | 0:14:51 | 0:14:53 | |
Now, they're on this train, terrified. | 0:14:53 | 0:14:54 | |
They booked the tickets ages ago, gave them to the kids at Christmas. | 0:14:54 | 0:14:57 | |
SPANISH ACCENT: "Here you go, Javier, here is your Christmas present." | 0:14:57 | 0:15:01 | |
LAUGHTER | 0:15:01 | 0:15:03 | |
Perfectly serviceable Spanish accent, I ain't changing it. | 0:15:03 | 0:15:06 | |
Just cos you... | 0:15:06 | 0:15:08 | |
Just cos you are frightened by performance. | 0:15:08 | 0:15:11 | |
You've put me out of character now. Hang on, I need to get back in. | 0:15:12 | 0:15:15 | |
SPANISH ACCENT: "Eeh, nachos!" Right, I'm back. | 0:15:15 | 0:15:17 | |
LAUGHTER | 0:15:17 | 0:15:19 | |
Don't let me lose the rhythm, don't let me lose the rhythm. | 0:15:19 | 0:15:23 | |
SPANISH ACCENT: "Here you go, Javier, here is your Christmas present." | 0:15:23 | 0:15:26 | |
SHRIEKS: "Oh, what is it?! What is it?!" | 0:15:26 | 0:15:27 | |
"Yeah, he-he..." | 0:15:29 | 0:15:32 | |
"I'm going to tell you when I stop laughing at your voice." | 0:15:33 | 0:15:36 | |
"This summer, we're going on our holidays to London town!" | 0:15:39 | 0:15:43 | |
"London town!" | 0:15:43 | 0:15:44 | |
"That's right, London town. But when we get there, | 0:15:47 | 0:15:49 | |
"please don't speak out loud because people will laugh in your face." | 0:15:49 | 0:15:52 | |
LAUGHTER | 0:15:52 | 0:15:54 | |
"London town!" | 0:15:56 | 0:15:57 | |
"London, 2012 Olympic, London!" | 0:15:57 | 0:15:59 | |
"London, 2012 Olympic London, | 0:15:59 | 0:16:01 | |
"but we're going there in 2013 because it's cheaper." | 0:16:01 | 0:16:04 | |
"Booked us an apartment. It's on the edge of the city, | 0:16:06 | 0:16:08 | |
"so every day we wake up, we have some breakfast, | 0:16:08 | 0:16:10 | |
"we get the train into town, we go to Buckingham Palace, | 0:16:10 | 0:16:13 | |
"we watch a show, you can stay up late every night | 0:16:13 | 0:16:15 | |
"and we get the last train back to the apartment | 0:16:15 | 0:16:17 | |
"in the city of London!" | 0:16:17 | 0:16:18 | |
"Fucking Lo..." "Don't swear." | 0:16:18 | 0:16:20 | |
LAUGHTER | 0:16:20 | 0:16:23 | |
They're on this train now, | 0:16:24 | 0:16:26 | |
seeing for the first time what London is really like. | 0:16:26 | 0:16:28 | |
They're going to go back and their friends will say... | 0:16:28 | 0:16:30 | |
SPANISH ACCENT: "How was your holiday in London?" | 0:16:30 | 0:16:32 | |
They're going to say... ANGRY VOICE: "Let me tell YOU..." | 0:16:32 | 0:16:35 | |
"..something about London. | 0:16:36 | 0:16:38 | |
"You get the train in London, Jesus Christ." | 0:16:38 | 0:16:41 | |
"You get the train in London, everybody is puking | 0:16:43 | 0:16:45 | |
"and shitting and crying." | 0:16:45 | 0:16:48 | |
"Urgh, puke you!" | 0:16:50 | 0:16:51 | |
"Don't worry, you puke me, mate, I'll piss you!" | 0:16:51 | 0:16:54 | |
LAUGHTER | 0:16:54 | 0:16:56 | |
"You have to swim out of the train!" | 0:16:56 | 0:16:58 | |
Their friends are going to say, | 0:16:59 | 0:17:00 | |
"Jesus, why was everyone so drunk? Was it a festival or something?" | 0:17:00 | 0:17:03 | |
They're going to go, "No, it was the sunshine come out!" | 0:17:03 | 0:17:06 | |
LAUGHTER AND APPLAUSE | 0:17:09 | 0:17:12 | |
There we go, consider yourselves satirised. | 0:17:15 | 0:17:17 | |
Are you excited for a great evening? | 0:17:19 | 0:17:22 | |
CHEERING Yes, good. | 0:17:22 | 0:17:24 | |
It's time to welcome our first guest. | 0:17:24 | 0:17:27 | |
You couldn't be in better hands. Please, go wild and crazy. | 0:17:27 | 0:17:29 | |
Welcome to the stage the wonderful Sara Pascoe! | 0:17:29 | 0:17:32 | |
CHEERING AND APPLAUSE | 0:17:32 | 0:17:35 | |
CHEERING | 0:17:38 | 0:17:40 | |
Hello! Hello. | 0:17:41 | 0:17:43 | |
Thank you for having me, Hammersmith. I love it. | 0:17:43 | 0:17:45 | |
What a beautiful building and what a beautiful place. | 0:17:45 | 0:17:48 | |
I live in Lewisham, which is...brilliant. | 0:17:48 | 0:17:50 | |
SMALL CHEER Yeah, whoo, Lewisham. | 0:17:50 | 0:17:51 | |
If you haven't been there, just go southeast from here | 0:17:51 | 0:17:54 | |
until you start getting scared, and then you've arrived. | 0:17:54 | 0:17:56 | |
It's brilliant. | 0:17:56 | 0:17:58 | |
We have something in Lewisham I've never seen anywhere else, right, | 0:17:58 | 0:18:01 | |
which is about six months ago, along our high street | 0:18:01 | 0:18:03 | |
and all the windows of the shops, | 0:18:03 | 0:18:05 | |
they put life-sized stick-on policemen to protect us... | 0:18:05 | 0:18:09 | |
It's so odd, it looks very odd. | 0:18:10 | 0:18:12 | |
The first day I saw this, I was with my boyfriend, I was like, | 0:18:12 | 0:18:14 | |
"Why have they all started selling those?" | 0:18:14 | 0:18:17 | |
Cos I didn't understand. | 0:18:17 | 0:18:18 | |
He went, "No, Sara, they've put them there to deter shoplifters." | 0:18:18 | 0:18:22 | |
Like, what, cos they can't pick them off?! | 0:18:22 | 0:18:25 | |
And then he explained to me, maybe you know this, they've done these studies, | 0:18:25 | 0:18:28 | |
the Government, and it's all to do with the subconscious. | 0:18:28 | 0:18:30 | |
Because of the connotations of law enforcement, | 0:18:30 | 0:18:33 | |
when people see these policemen, they are less likely to steal. | 0:18:33 | 0:18:35 | |
But imagine how successful actual law enforcement would have been. | 0:18:35 | 0:18:39 | |
Cos this means that not only is Lewisham a den of thieves, | 0:18:40 | 0:18:42 | |
they are also the stupidest people in the world, and I'm worried, | 0:18:42 | 0:18:46 | |
because it's working, where's it going to end? | 0:18:46 | 0:18:48 | |
Oh, 22% of people on the 91 didn't realise that | 0:18:48 | 0:18:52 | |
the bus wasn't moving with one of these stick-on drivers. | 0:18:52 | 0:18:56 | |
25% of criminals sent themselves to prison with our stick-on judges. | 0:18:57 | 0:19:03 | |
I'd write a letter to my local politician, | 0:19:03 | 0:19:05 | |
but I'm not sure how high up this goes. | 0:19:05 | 0:19:08 | |
This is more endearing - this is about two months ago - | 0:19:09 | 0:19:11 | |
somebody put up posters all around Lewisham, | 0:19:11 | 0:19:14 | |
saying that they'd lost their homing pigeon. | 0:19:14 | 0:19:16 | |
Right, and I really love animals, | 0:19:17 | 0:19:20 | |
so I kind of stood there reading the poster, | 0:19:20 | 0:19:21 | |
feeling really sorry for the person, like, "Oh, my gosh, they'll be really worried, | 0:19:21 | 0:19:25 | |
"they'll be out frantically looking for their homing...pigeon." | 0:19:25 | 0:19:29 | |
And then the thought struck me, "How?" | 0:19:29 | 0:19:32 | |
"How do you lose a homing pigeon - did they move?" | 0:19:33 | 0:19:36 | |
And then, when you think about it, | 0:19:36 | 0:19:37 | |
if your homing pigeon doesn't come back, | 0:19:37 | 0:19:39 | |
in fact, what you've lost is a pigeon. | 0:19:39 | 0:19:41 | |
LAUGHTER | 0:19:41 | 0:19:43 | |
So, it's technically impossible - you can't, can you? | 0:19:43 | 0:19:45 | |
Cos it's not relative to terminism, it's defined by its own name. | 0:19:45 | 0:19:48 | |
So you can't have it, can you? Like, "Oh, no, my immortal dog's died. | 0:19:48 | 0:19:53 | |
"Oh..." | 0:19:53 | 0:19:54 | |
"Ahh! My bulletproof cat got shot..." | 0:19:54 | 0:19:56 | |
The reason I moved to Lewisham - I'd never been there. | 0:19:57 | 0:19:59 | |
I took the first flat I found on the internet when I was moving in | 0:19:59 | 0:20:02 | |
with my boyfriend. | 0:20:02 | 0:20:03 | |
I've been with my boyfriend for 11 months, | 0:20:03 | 0:20:05 | |
so I'm still in that lovely bit where you cry all the time. | 0:20:05 | 0:20:08 | |
And, um... LAUGHTER | 0:20:08 | 0:20:10 | |
We moved in together after two months, | 0:20:10 | 0:20:12 | |
so I'm aware it was very quick. It was very early in our relationship. | 0:20:12 | 0:20:15 | |
But I just couldn't bear waking up without him in the morning | 0:20:15 | 0:20:18 | |
and he couldn't afford his rent. | 0:20:18 | 0:20:19 | |
And, erm... So it's romantic. | 0:20:19 | 0:20:21 | |
I really wish I could show him to you | 0:20:21 | 0:20:23 | |
cos he has the best body shape that a man can have. | 0:20:23 | 0:20:25 | |
I don't know if you've ever seen a man like this. | 0:20:25 | 0:20:27 | |
He's got very thin arms and legs, very thin, | 0:20:27 | 0:20:31 | |
and then, in the middle, a massive belly. | 0:20:31 | 0:20:33 | |
It's so nice, it's a combination. | 0:20:33 | 0:20:35 | |
He's got bad posture and he eats terribly, | 0:20:35 | 0:20:37 | |
like all carbohydrate-y sugary things. | 0:20:37 | 0:20:39 | |
I tell him all the time how much I love that belly | 0:20:39 | 0:20:42 | |
and he thinks it's because I don't want him to get insecure, | 0:20:42 | 0:20:45 | |
but it's not, it's cos I'm pretending he's having our child. | 0:20:45 | 0:20:48 | |
I love it. I love to stroke it all the time, | 0:20:49 | 0:20:53 | |
and say, "Have another biscuit!" | 0:20:53 | 0:20:55 | |
It's so nice. Now, when you're in a new relationship - | 0:20:55 | 0:20:57 | |
you'll all have had this experience - | 0:20:57 | 0:20:59 | |
it's very exciting for everyone around you. | 0:20:59 | 0:21:00 | |
So people always ask, "Ooh, how's it going?" | 0:21:00 | 0:21:03 | |
And it's such a difficult question to answer. | 0:21:03 | 0:21:05 | |
Like, how are you supposed to actually describe | 0:21:05 | 0:21:07 | |
the feeling of being in love using language? | 0:21:07 | 0:21:10 | |
It, er... It doesn't come anywhere near the truth. | 0:21:10 | 0:21:13 | |
At the beginning, I used to attempt to use analogies. | 0:21:13 | 0:21:15 | |
So people would say, "Ooh, how's it going?" | 0:21:15 | 0:21:17 | |
And I would say, "Oh, it's like I've always been a plant | 0:21:17 | 0:21:20 | |
"but I used to be in a garden centre or a supermarket on a shelf | 0:21:20 | 0:21:26 | |
"and now I'm in the garden." | 0:21:26 | 0:21:28 | |
And, um, you can't say that to people. | 0:21:29 | 0:21:32 | |
I've learned that. Now what happens is people go, "How's it going?" | 0:21:33 | 0:21:36 | |
And I say, "Fine." | 0:21:36 | 0:21:37 | |
And, erm... But then my friend the other day, she said, | 0:21:37 | 0:21:40 | |
"Well, you don't seem very happy." | 0:21:40 | 0:21:42 | |
And I said, "Yeah, that's cos I'm not with him, I'm here with you." | 0:21:42 | 0:21:45 | |
And... LAUGHTER | 0:21:45 | 0:21:47 | |
Apparently, that's very rude. | 0:21:47 | 0:21:49 | |
And my friend really told me off. She said, "Actually, Sara, | 0:21:49 | 0:21:51 | |
"it's very important that you stay in contact with your friends." | 0:21:51 | 0:21:54 | |
"But why? I've got him now." | 0:21:54 | 0:21:56 | |
And then she said, "Well, what about if you break up?" | 0:21:56 | 0:21:58 | |
"But if we break up, then I'll kill myself, so I still don't need you." | 0:22:00 | 0:22:04 | |
LAUGHTER | 0:22:04 | 0:22:06 | |
And we live in a society that considers any relationship | 0:22:06 | 0:22:09 | |
that doesn't last until your death a failure. | 0:22:09 | 0:22:12 | |
That's what really concerns me. | 0:22:12 | 0:22:13 | |
At the start with my boyfriend, I realised how happy I was. | 0:22:13 | 0:22:16 | |
I started worrying that we would break up one day | 0:22:16 | 0:22:18 | |
cos all of my previous relationships have finished | 0:22:18 | 0:22:21 | |
and I don't want that to happen. | 0:22:21 | 0:22:22 | |
And what I found out is... | 0:22:22 | 0:22:24 | |
you shouldn't worry about the ending at the beginning, | 0:22:24 | 0:22:27 | |
it ruins everything and it's illogical. | 0:22:27 | 0:22:29 | |
It's like giving birth to a baby dressed as the grim reaper. | 0:22:29 | 0:22:32 | |
It's like turning up at a job interview and going, | 0:22:33 | 0:22:35 | |
"Oh, what's the point? If you don't sack me, I'll quit." | 0:22:35 | 0:22:38 | |
So I was thinking about other couples. | 0:22:39 | 0:22:41 | |
I thought a lot about Adam and Eve, | 0:22:41 | 0:22:43 | |
cos they, of course, were the original couple. | 0:22:43 | 0:22:45 | |
And sure, at the beginning, it's all magical. | 0:22:45 | 0:22:47 | |
It's all staying up late, counting each other's ribs and laughing... | 0:22:47 | 0:22:51 | |
But, over time, the magic fades. | 0:22:52 | 0:22:55 | |
He's boring, she's off talking to wildlife and comfort eating... | 0:22:55 | 0:22:59 | |
And then their landlord kicks them out, | 0:22:59 | 0:23:02 | |
one of their kids kills the other one. | 0:23:02 | 0:23:04 | |
And if they can't make it work in Paradise, | 0:23:04 | 0:23:06 | |
what chance have I got in Lewisham? | 0:23:06 | 0:23:08 | |
LAUGHTER AND APPLAUSE | 0:23:08 | 0:23:11 | |
We don't have a lot of problems. It is early days. | 0:23:17 | 0:23:19 | |
The two things we have... Me and my boyfriend, | 0:23:19 | 0:23:21 | |
we always have a row when I'm getting dressed | 0:23:21 | 0:23:23 | |
because he thinks it takes too long. | 0:23:23 | 0:23:25 | |
He doesn't understand that I have to try on all of my trousers | 0:23:25 | 0:23:27 | |
because some of my trousers are liars | 0:23:27 | 0:23:30 | |
and they lie about the shape and size of my legs. | 0:23:30 | 0:23:34 | |
And different trousers lie on different days, | 0:23:34 | 0:23:36 | |
so I never know who's going to be doing it | 0:23:36 | 0:23:38 | |
and I have to try them all on. | 0:23:38 | 0:23:40 | |
And I don't know who's behind it - if it's Nato or the Illuminati - | 0:23:40 | 0:23:44 | |
but they're trying to slow me down. And the other thing, | 0:23:44 | 0:23:47 | |
I don't like leaving him alone in the house | 0:23:47 | 0:23:50 | |
because I'm worried he's having sex with somebody that he thinks is me. | 0:23:50 | 0:23:53 | |
Yes. | 0:23:54 | 0:23:55 | |
My worry is I've got a doppelganger, | 0:23:55 | 0:23:58 | |
someone who looks exactly like me, and he's doing it with her. | 0:23:58 | 0:24:01 | |
The reason is, apart from the start where it was passionate, | 0:24:01 | 0:24:03 | |
I don't think that we have enough sex anymore, | 0:24:03 | 0:24:06 | |
but he says that we have plenty. | 0:24:06 | 0:24:07 | |
Which makes me think he must be having it | 0:24:09 | 0:24:11 | |
with someone he thinks is me... | 0:24:11 | 0:24:13 | |
..when I'm not at home. And that's annoying on two levels. | 0:24:14 | 0:24:16 | |
Like, number one - he's cheating on me behind my back, | 0:24:16 | 0:24:19 | |
and number two - I'm not allowed to have a go at him about it | 0:24:19 | 0:24:22 | |
because he thought it was me. | 0:24:22 | 0:24:24 | |
I mean, what if she said she was me? | 0:24:24 | 0:24:26 | |
That is the kind of thing I would say. | 0:24:27 | 0:24:29 | |
LAUGHTER Now... | 0:24:30 | 0:24:32 | |
I'm being flippant... It's a very serious subject. | 0:24:33 | 0:24:36 | |
I hope you've never had this experience, | 0:24:36 | 0:24:38 | |
but if you're the one in the relationship who wants to have sex | 0:24:38 | 0:24:41 | |
more than the other person and you get rejected all the time, | 0:24:41 | 0:24:43 | |
what you end up with is sexual frustration. | 0:24:43 | 0:24:46 | |
And that, it's just such a horrible thing. | 0:24:46 | 0:24:48 | |
It's a vicious cycle, it's game over, | 0:24:48 | 0:24:50 | |
because you can't seduce anybody once you're sexually frustrated, | 0:24:50 | 0:24:53 | |
when you need it most. | 0:24:53 | 0:24:54 | |
You can't encourage someone to do it with you by crying with rage. | 0:24:54 | 0:24:58 | |
It doesn't change their mind. | 0:24:58 | 0:25:00 | |
And I've tried talking about it both on stage and to his mum and... | 0:25:00 | 0:25:04 | |
LAUGHTER | 0:25:04 | 0:25:05 | |
Yeah, for some reason, it's not helping. I can't talk to my mum about it. | 0:25:05 | 0:25:08 | |
My mum's brilliant and I love her and respect her, | 0:25:08 | 0:25:10 | |
but she gives bad advice, especially about sex. | 0:25:10 | 0:25:14 | |
My mum was brought up Catholic. | 0:25:14 | 0:25:15 | |
She thought that was very oppressive, and she tried to liberate me | 0:25:15 | 0:25:19 | |
and my sisters by giving us all of the information, OK? | 0:25:19 | 0:25:22 | |
Too much information. | 0:25:22 | 0:25:23 | |
When I was 11, before I started secondary school, | 0:25:23 | 0:25:25 | |
my mum gave me a lecture about cunnilingus. | 0:25:25 | 0:25:28 | |
Hmm, in preparation for secondary school. | 0:25:30 | 0:25:33 | |
My mum told me what it was and then she said | 0:25:33 | 0:25:35 | |
that whenever I went to bed with a boy, | 0:25:35 | 0:25:37 | |
I was to insist that he do this as a mark of respect. | 0:25:37 | 0:25:41 | |
Now, I look back as an adult and I think, | 0:25:43 | 0:25:44 | |
"Oh, I can see what my mum was trying to do, | 0:25:44 | 0:25:46 | |
"she obviously wanted to empower me to find my own pleasure." | 0:25:46 | 0:25:49 | |
It had the exact opposite effect - it ruins everything. | 0:25:49 | 0:25:51 | |
There is no way you can enjoy yourself | 0:25:51 | 0:25:53 | |
with a man between your legs if you're thinking... | 0:25:53 | 0:25:55 | |
.."Hmm, Mum'd be proud." | 0:25:56 | 0:25:59 | |
Very similar kind of age, | 0:26:00 | 0:26:02 | |
I still would have been in the first year at school, so about 11. | 0:26:02 | 0:26:05 | |
I must have heard somebody using the word "twat". | 0:26:05 | 0:26:07 | |
I must have picked it up | 0:26:07 | 0:26:08 | |
because, in a row with my mum, I called her a twat. | 0:26:08 | 0:26:11 | |
She was very angry but also calm. | 0:26:11 | 0:26:13 | |
And she stopped me. She said, "That is a very ugly word, | 0:26:13 | 0:26:16 | |
"but a very beautiful part of the female anatomy." | 0:26:16 | 0:26:19 | |
And then she drew me a very, very detailed vagina... | 0:26:19 | 0:26:23 | |
LAUGHTER ..as a demonstration of her point. | 0:26:23 | 0:26:25 | |
So obviously what happened was, the next day at school, | 0:26:25 | 0:26:28 | |
I heard somebody calling somebody a twat, | 0:26:28 | 0:26:30 | |
and I marched over and said, "No, actually, it's a very ugly word, | 0:26:30 | 0:26:33 | |
"but a very beautiful part of the female anatomy." | 0:26:33 | 0:26:35 | |
And I drew them a very, very detailed vagina. | 0:26:35 | 0:26:39 | |
So, subsequently, at school for five years | 0:26:39 | 0:26:41 | |
I was known as a raving and predatory lesbian. | 0:26:41 | 0:26:44 | |
Of course, we were children. | 0:26:45 | 0:26:47 | |
We had no idea what a lesbian was, | 0:26:47 | 0:26:48 | |
but it was probably the girl surrounded by self-drawn genitalia, | 0:26:48 | 0:26:52 | |
pushing it on people all the time. | 0:26:52 | 0:26:55 | |
And I would argue that it is better to be called a twat | 0:26:55 | 0:26:58 | |
than Leonardo Da Minge-y. | 0:26:58 | 0:27:00 | |
LAUGHTER | 0:27:00 | 0:27:03 | |
I don't know if you know, but there's this organisation, | 0:27:03 | 0:27:05 | |
they're called No More Page Three and they want Page Three banned... | 0:27:05 | 0:27:08 | |
SOME AUDIENCE MEMBERS: Whoo! Yeah, whoo! | 0:27:08 | 0:27:10 | |
..not just cos it's objectification, but cos it's so pervasive, it seems acceptable. | 0:27:10 | 0:27:13 | |
Children grow up thinking that that's an OK way to look at women, but ever since they've existed, | 0:27:13 | 0:27:17 | |
there's been a backlash against them, with people pointing out, | 0:27:17 | 0:27:20 | |
and rightly so, we live in the Western world. | 0:27:20 | 0:27:22 | |
No-one is coerced to become a Page Three girl, that is their choice. | 0:27:22 | 0:27:25 | |
Why are feminists oppressing other women? | 0:27:25 | 0:27:27 | |
And also, if you took it away, | 0:27:27 | 0:27:29 | |
how are they supposed to earn their living? | 0:27:29 | 0:27:31 | |
And I did think, I was like, "Yeah, this is an unsolvable problem," | 0:27:31 | 0:27:34 | |
until I did solve it in a dream. | 0:27:34 | 0:27:37 | |
Guys, we have to make Page Three-like jury duty. | 0:27:37 | 0:27:41 | |
LAUGHTER | 0:27:41 | 0:27:42 | |
Yes. So, every woman over the age of 18 becomes eligible for Page Three | 0:27:42 | 0:27:49 | |
and then all that happens is one day, you get up, | 0:27:49 | 0:27:51 | |
and there's a letter. | 0:27:51 | 0:27:52 | |
And it says... "Oh!" | 0:27:52 | 0:27:54 | |
.."Dear Sara, please come to the Sun offices | 0:27:54 | 0:27:56 | |
"at 9am tomorrow morning, bring some snazzy pants | 0:27:56 | 0:28:01 | |
"and a pithy quote about Syria..." | 0:28:01 | 0:28:03 | |
And you just have to go and then you have to do it, | 0:28:03 | 0:28:06 | |
because if Page Three represented the whole spectrum | 0:28:06 | 0:28:08 | |
of what it looked like to be a woman, | 0:28:08 | 0:28:10 | |
it wouldn't be objectification any more, | 0:28:10 | 0:28:12 | |
it would just be nudity, it wouldn't be dangerous | 0:28:12 | 0:28:14 | |
because it would show all the different kinds of breasts. | 0:28:14 | 0:28:16 | |
There'd be small ones and saggy ones | 0:28:16 | 0:28:19 | |
and different-sized ones and hairy ones, and men... | 0:28:19 | 0:28:21 | |
Men would still like it cos it's still boobies. | 0:28:21 | 0:28:24 | |
LAUGHTER But the other difference would be to the woman's face | 0:28:24 | 0:28:27 | |
cos at the moment, they're very young, very beautiful women - | 0:28:27 | 0:28:30 | |
it's not them I'm attacking, it's the system. | 0:28:30 | 0:28:32 | |
But their facial expression is coquettish, | 0:28:32 | 0:28:34 | |
so it's permissive, it allows them to be looked at. | 0:28:34 | 0:28:37 | |
What it says to the viewer is, | 0:28:37 | 0:28:38 | |
"Ah! You've just found me in the garden!" | 0:28:38 | 0:28:42 | |
LAUGHTER | 0:28:42 | 0:28:44 | |
"I haven't got a top on, and you shouldn't really be looking, | 0:28:44 | 0:28:48 | |
"cos you're my best friend's dad! | 0:28:48 | 0:28:50 | |
"But it's OK..." | 0:28:50 | 0:28:52 | |
Whereas, with the new system, the woman on Page Three, | 0:28:52 | 0:28:54 | |
she'll be 52, she'll be a dinner lady... | 0:28:54 | 0:28:56 | |
She'll be aghast and horrified at what they're going to say at work | 0:28:56 | 0:29:00 | |
the next day, and she'll be looking straight down the lens... | 0:29:00 | 0:29:04 | |
..knowing exactly what you're doing. | 0:29:05 | 0:29:08 | |
So, in a way, Page Three might just all die out on its own, mightn't it? | 0:29:08 | 0:29:12 | |
Without anyone having to tell anyone what to do. | 0:29:12 | 0:29:14 | |
When you say things like this, this is what I get now, that people, they attack you by saying, | 0:29:14 | 0:29:18 | |
"It's cos you're jealous. | 0:29:18 | 0:29:19 | |
"You're not as good-looking as these women, you don't want anyone else looking..." | 0:29:19 | 0:29:23 | |
It's not jealousy, I love beautiful women and I like looking at women... | 0:29:23 | 0:29:26 | |
The only thing that makes me jealous is pornography, I don't like my boyfriend watching it. | 0:29:26 | 0:29:30 | |
I do think it's kind of a form of infidelity, | 0:29:30 | 0:29:32 | |
cos he'll be imagining himself having sex with other women, | 0:29:32 | 0:29:34 | |
and I don't understand why he needs to watch it | 0:29:34 | 0:29:36 | |
when I draw him such great vaginas. | 0:29:36 | 0:29:38 | |
LAUGHTER That should be plenty. | 0:29:38 | 0:29:41 | |
He hates being in my stand-up, he doesn't like me talking about him. | 0:29:41 | 0:29:44 | |
He hates what I say about his belly at the beginning... | 0:29:44 | 0:29:47 | |
The first time he saw me do that at a gig, he started a diet, | 0:29:47 | 0:29:49 | |
but he's only lost weight from his arms and legs. | 0:29:49 | 0:29:52 | |
It's worked out well for me. | 0:29:52 | 0:29:53 | |
He also did the nicest thing that anyone's ever done for me, right. | 0:29:53 | 0:29:56 | |
He waited for me after a gig once as a surprise. | 0:29:56 | 0:29:58 | |
He was trying to spice things up. | 0:29:58 | 0:30:00 | |
He waited for me, he had spent all day rewriting the rules | 0:30:00 | 0:30:02 | |
to Trivial Pursuit to make it | 0:30:02 | 0:30:04 | |
Strip Trivial Pursuit... | 0:30:04 | 0:30:06 | |
And he was like, "Come on, Sara, we'll go straight home. | 0:30:06 | 0:30:09 | |
"We'll have a drink, we'll have a sexy time and..." | 0:30:09 | 0:30:12 | |
I don't know if any of you have ever played Strip Trivial Pursuit... Mm? | 0:30:12 | 0:30:16 | |
But let me tell you what it is. | 0:30:16 | 0:30:17 | |
That is you, sitting on a chair with no clothes on, feeling fat, | 0:30:17 | 0:30:22 | |
watching someone fully clothed beat you at Trivial Pursuit. | 0:30:22 | 0:30:26 | |
LAUGHTER | 0:30:26 | 0:30:28 | |
Thank you so much for having me. | 0:30:28 | 0:30:30 | |
Enjoy the rest of your night. Bye-bye. | 0:30:30 | 0:30:32 | |
WHISTLING AND APPLAUSE | 0:30:32 | 0:30:35 | |
Sara Pascoe! | 0:30:36 | 0:30:38 | |
CHEERING | 0:30:38 | 0:30:40 | |
Are you ready for our final act of the evening? | 0:30:42 | 0:30:44 | |
AUDIENCE: Whoo! | 0:30:44 | 0:30:46 | |
Please go wild and crazy for the wonderful Mr Nathan Caton! | 0:30:46 | 0:30:49 | |
CHEERING AND APPLAUSE | 0:30:49 | 0:30:53 | |
Hello, hello, hello. | 0:31:00 | 0:31:01 | |
Evening, guys. You guys all right? | 0:31:01 | 0:31:03 | |
AUDIENCE: Yeah! | 0:31:03 | 0:31:04 | |
Good. Allow me to introduce myself. My name is Nathan Caton. | 0:31:04 | 0:31:08 | |
I'm from a little town called Greenford, in West London. | 0:31:08 | 0:31:10 | |
SOME AUDIENCE MEMBERS: Whoo! | 0:31:10 | 0:31:12 | |
Really?! You're cheering Green...?! | 0:31:12 | 0:31:14 | |
Y-You've never been there before. Right? | 0:31:14 | 0:31:16 | |
Nah, Greenford... Greenford, it's a nice area... | 0:31:16 | 0:31:19 | |
Greenford's the kind of area, where, like, | 0:31:19 | 0:31:20 | |
everyone thinks they're a bad boy, | 0:31:20 | 0:31:22 | |
but deep down, everyone is soft as shit. | 0:31:22 | 0:31:24 | |
Right? I'll give you a prime example. | 0:31:24 | 0:31:26 | |
Remember a few summers ago, we had the famous riots, | 0:31:26 | 0:31:30 | |
up and down the country, right? | 0:31:30 | 0:31:31 | |
And during the riots, the rioters, | 0:31:31 | 0:31:33 | |
they were targeting the same kind of shops. | 0:31:33 | 0:31:36 | |
You know, Foot Locker, Carphone Warehouse, JD Sports, you know. | 0:31:36 | 0:31:39 | |
The obvious places to loot if you're going to loot. | 0:31:39 | 0:31:42 | |
In Greenford, do you know who they looted? | 0:31:42 | 0:31:44 | |
Hobbycraft. | 0:31:44 | 0:31:46 | |
LAUGHTER | 0:31:46 | 0:31:48 | |
Yeah, that's how bad-boy Greenford is! | 0:31:48 | 0:31:50 | |
During the riots, there were young kids going, | 0:31:50 | 0:31:52 | |
"Yo, blud! Yo, blud! I want a new hoodie, yeah? | 0:31:52 | 0:31:54 | |
"But I want to make it myself." | 0:31:54 | 0:31:56 | |
Real bad boys do arts and crafts, you get me? | 0:31:58 | 0:32:01 | |
So, that's where I live, I live in Greenford. | 0:32:02 | 0:32:05 | |
Um, I live at home with my mum still. | 0:32:05 | 0:32:08 | |
Thank you for that judgmental silence. | 0:32:08 | 0:32:10 | |
LAUGHTER | 0:32:10 | 0:32:12 | |
I like to get it out the way from the top, you know? | 0:32:12 | 0:32:14 | |
Cos I've come to realise some people do have a bit of an issue | 0:32:14 | 0:32:17 | |
with the fact that I still live at home with my mum. | 0:32:17 | 0:32:19 | |
I did a gig not too long ago where I got booed off stage for saying | 0:32:19 | 0:32:23 | |
that I live at home, right? | 0:32:23 | 0:32:25 | |
I walked out, I went, "Hey, guys, how you doing? | 0:32:25 | 0:32:27 | |
"My name's Nathan Caton. I'll tell you a bit about myself. | 0:32:27 | 0:32:30 | |
"I still live at home with my family..." | 0:32:30 | 0:32:33 | |
And as soon as I said it, the whole audience went, "Boo! Boo!" | 0:32:33 | 0:32:37 | |
I said, "All right, man. All right, man. Chill out!" | 0:32:37 | 0:32:40 | |
Gosh! That's the last time I do a charity gig for an orphanage. | 0:32:40 | 0:32:43 | |
LAUGHTER | 0:32:43 | 0:32:46 | |
APPLAUSE | 0:32:46 | 0:32:48 | |
You're jealous cos my family kept me, piss off! | 0:32:48 | 0:32:52 | |
Nah, sod 'em! Who are they going to cry to? | 0:32:53 | 0:32:55 | |
AUDIENCE: Oh! LAUGHTER | 0:32:55 | 0:32:58 | |
Yeah, I live... So, I do generally live at home, I live at home... | 0:33:00 | 0:33:03 | |
I live with my mum and my stepdad. | 0:33:03 | 0:33:06 | |
They got married quite recently, right? | 0:33:06 | 0:33:09 | |
Now, don't get me wrong, listen, I'm happy for my mum, | 0:33:09 | 0:33:11 | |
she's found happiness, that's great, she deserves it. | 0:33:11 | 0:33:14 | |
However, at the moment, they're still going through that whole... | 0:33:14 | 0:33:16 | |
that honeymoon phase, where they're having sex all the time... | 0:33:16 | 0:33:20 | |
Yeah, that is bloody disturbing, man. | 0:33:20 | 0:33:22 | |
Cos my bedroom is, like, right next door, so every time they do it, | 0:33:22 | 0:33:25 | |
I hear EVERYTHING. | 0:33:25 | 0:33:27 | |
Like, a few Saturdays ago, it's late at night, I'm about to go to sleep. | 0:33:27 | 0:33:31 | |
From next door, I can hear my stepdad going... | 0:33:31 | 0:33:33 | |
"Oh, yes. Oh, yes. Oh, yes. | 0:33:33 | 0:33:36 | |
"Oh, yes. Oh, Lord. Oh, Lord. | 0:33:36 | 0:33:38 | |
"Say something nasty, say something nasty, say something nasty..." | 0:33:38 | 0:33:41 | |
So, I screamed out, | 0:33:43 | 0:33:44 | |
"You're not my real dad!" | 0:33:44 | 0:33:46 | |
LAUGHTER | 0:33:46 | 0:33:48 | |
Yeah, I showed him! | 0:33:50 | 0:33:52 | |
..Coming in my house, shagging my mum, what an idiot... | 0:33:53 | 0:33:57 | |
The cheek. | 0:33:57 | 0:33:58 | |
So, yeah... Living at home, boy. Um... | 0:33:58 | 0:34:01 | |
I mean, it's not all bad. | 0:34:01 | 0:34:02 | |
There are some good things about living at home, like, um... | 0:34:02 | 0:34:05 | |
The best thing for me is my neighbour. | 0:34:05 | 0:34:07 | |
I've got the best next-door neighbour in the world. | 0:34:07 | 0:34:10 | |
So, an old lady called Mrs Bishop. | 0:34:10 | 0:34:11 | |
Lovely, sweet old lady, but she's overly PC when it comes to race. | 0:34:11 | 0:34:16 | |
She's petrified of appearing racist, right. | 0:34:16 | 0:34:19 | |
So much so that whenever she talks to me or my family, | 0:34:19 | 0:34:23 | |
she never says the word "black". | 0:34:23 | 0:34:24 | |
Instead, she says...urban. | 0:34:26 | 0:34:29 | |
She'll say something like, "Oh, Nathan, Nathan. | 0:34:31 | 0:34:33 | |
"Um, do you know the little, um, the little urban kid from Number 5? | 0:34:33 | 0:34:36 | |
"You know with the big, urban hair? You've seen him, right?" | 0:34:36 | 0:34:39 | |
Mrs Bishop, you don't have to do that, man. | 0:34:40 | 0:34:42 | |
That's dumb on so many levels. | 0:34:42 | 0:34:43 | |
I'm mean, like, firstly, urban is not an adequate replacement | 0:34:43 | 0:34:46 | |
for black, right? | 0:34:46 | 0:34:47 | |
Urban's a city, anyone can be urban. | 0:34:47 | 0:34:49 | |
Two - the word black, it's not racist, it's a colour. | 0:34:49 | 0:34:52 | |
I'm not going to get offended over a colour. | 0:34:52 | 0:34:55 | |
I'm a human being, not a bull. | 0:34:55 | 0:34:56 | |
And three - even if the word black WAS racist, | 0:34:58 | 0:35:01 | |
I still wouldn't be offended if you said it | 0:35:01 | 0:35:03 | |
cos you're black, too. | 0:35:03 | 0:35:05 | |
LAUGHTER AND APPLAUSE | 0:35:05 | 0:35:08 | |
Spit it out, what's wrong with you? | 0:35:12 | 0:35:14 | |
I'm immature. I know I'm immature. | 0:35:14 | 0:35:15 | |
I get told all the time I'm immature. | 0:35:15 | 0:35:17 | |
I think the big reason why I'm so immature is... | 0:35:17 | 0:35:19 | |
It's cos of my mates, right? | 0:35:19 | 0:35:20 | |
A lot of my mates who I hang with, they're very immature. Like, um... | 0:35:20 | 0:35:23 | |
My mate Paul, he's a prime example of how immature we are, right? | 0:35:23 | 0:35:27 | |
My mate Paul, he's, um... He's what I like to call a bit of a lad, | 0:35:27 | 0:35:30 | |
which is basically a man's way of saying, | 0:35:30 | 0:35:33 | |
"He's a bellend, but he's my mate." | 0:35:33 | 0:35:35 | |
That's what a lad is, innit? Like, he's a dickhead, but I've known him for too long | 0:35:36 | 0:35:39 | |
to get rid of him, right? | 0:35:39 | 0:35:40 | |
Paul, he's a typical lad. He does lad things. | 0:35:42 | 0:35:45 | |
Lads say things that are maybe racist, sexist, | 0:35:45 | 0:35:49 | |
misogynistic or homophobic, and then they always justify it | 0:35:49 | 0:35:52 | |
by going, "Banter, innit? Banter, innit? | 0:35:52 | 0:35:54 | |
"Bants, bants, bants, bants, bants," like a proper dickhead... | 0:35:54 | 0:35:58 | |
Paul does it all the time. | 0:35:58 | 0:36:00 | |
I remember one time England were playing Poland, | 0:36:00 | 0:36:03 | |
it was a World Cup qualifier. | 0:36:03 | 0:36:04 | |
And what happened was the FA allocated 18,000 tickets | 0:36:04 | 0:36:08 | |
to the Poland fans, which is like double the normal amount. | 0:36:08 | 0:36:11 | |
Um, Paul found out and he was like, "Yeah, bruv, that's cool. | 0:36:11 | 0:36:14 | |
"If the FA want to let 18,000 Polish people into Wembley Stadium, | 0:36:14 | 0:36:18 | |
"it's the least they could do. | 0:36:18 | 0:36:19 | |
"After all, they probably built the place, innit? | 0:36:19 | 0:36:22 | |
"Ha-ha-ha. Banter, innit, bruv? Banter, innit, yeah? | 0:36:22 | 0:36:24 | |
"Bants, man. Bants, bants, bants, bants." | 0:36:24 | 0:36:26 | |
"Shut up, you idiot." | 0:36:26 | 0:36:28 | |
That's dumb. I mean, firstly that's a lazy stereotype. | 0:36:28 | 0:36:31 | |
Not all Polish people are builders. | 0:36:31 | 0:36:33 | |
Secondly, Wembley Stadium was ?75 million over budget | 0:36:33 | 0:36:37 | |
and four years behind schedule. | 0:36:37 | 0:36:39 | |
That's got British builders written all over it. | 0:36:39 | 0:36:42 | |
LAUGHTER AND APPLAUSE | 0:36:42 | 0:36:44 | |
If you're going to be racist, just be accurate. | 0:36:48 | 0:36:50 | |
That's one thing that annoys me more than racism itself - | 0:36:51 | 0:36:54 | |
lazy, sloppy racism. | 0:36:54 | 0:36:57 | |
Not saying that there's good parts of racism, | 0:36:57 | 0:36:59 | |
but lazy, sloppy racism really gets on my nerves, right. | 0:36:59 | 0:37:02 | |
I'll give you an example of what I mean - | 0:37:02 | 0:37:04 | |
a story which happened during the summer. | 0:37:04 | 0:37:06 | |
Um, there's a black football player called Dani Alves. | 0:37:06 | 0:37:09 | |
He plays for Barcelona. | 0:37:09 | 0:37:10 | |
Now, he was playing one game and during the match, | 0:37:10 | 0:37:13 | |
a fan from the crowd chucked a banana at him. | 0:37:13 | 0:37:15 | |
Just random - "pow!" Right? | 0:37:15 | 0:37:17 | |
Dani Alves is quite cool, didn't let it get to him. | 0:37:17 | 0:37:20 | |
Picked up the banana, ate it, chucked away the skin, right? | 0:37:20 | 0:37:23 | |
Now, when it happened, some of my white friends | 0:37:23 | 0:37:25 | |
were asking me how I felt. | 0:37:25 | 0:37:27 | |
Cos that's what happens every time there's a story in the news | 0:37:27 | 0:37:30 | |
that's linked to black people. | 0:37:30 | 0:37:32 | |
I don't know why. It always happens. Any time... | 0:37:32 | 0:37:34 | |
Like, I guarantee any... One of my white friends will ask me, | 0:37:34 | 0:37:37 | |
not just how I feel, but how black people feel as a whole... | 0:37:37 | 0:37:41 | |
I don't know. We don't all get together and discuss shit. | 0:37:41 | 0:37:45 | |
You don't get PMQs for black people. | 0:37:46 | 0:37:47 | |
You know, we all get together in a room, | 0:37:47 | 0:37:49 | |
a little speaker at the front going, "Order, order, order. | 0:37:49 | 0:37:52 | |
"Come on, black people, let's start proceedings. | 0:37:52 | 0:37:54 | |
"We're already half an hour late cos we all turn up late. Uh..." | 0:37:54 | 0:37:58 | |
"OK, first topic on the agenda, | 0:37:59 | 0:38:01 | |
"now that America have started another horrific war | 0:38:01 | 0:38:04 | |
"in the Middle East, | 0:38:04 | 0:38:05 | |
"is Barack Obama still black or now mixed race? Discuss." | 0:38:05 | 0:38:08 | |
Right? | 0:38:08 | 0:38:10 | |
We don't do that. We don't get together. | 0:38:10 | 0:38:12 | |
But I guarantee, any time there's a black story, | 0:38:12 | 0:38:14 | |
my white friends will come to me. | 0:38:14 | 0:38:16 | |
Like, the end of 2013, three of my white friends text me | 0:38:16 | 0:38:19 | |
the same thing, going, "Hey, bruv, I heard about Mandela. | 0:38:19 | 0:38:22 | |
"Are you OK?" | 0:38:22 | 0:38:23 | |
LAUGHTER | 0:38:23 | 0:38:25 | |
Piss off, man. | 0:38:27 | 0:38:28 | |
Of course I was sad, it's Mandela. I was, I was sad. | 0:38:30 | 0:38:33 | |
I think everyone was sad. I was... I was sad, but also, like... | 0:38:33 | 0:38:36 | |
Right, this might sound weird coming from a black person, | 0:38:36 | 0:38:39 | |
but I don't mind saying it, cos, you know, it's honestly how I felt... | 0:38:39 | 0:38:42 | |
Looking at the love and adoration that was shown towards Mandela | 0:38:42 | 0:38:46 | |
after he passed away, it kind of made me a bit jealous | 0:38:46 | 0:38:49 | |
that here in the UK | 0:38:49 | 0:38:50 | |
we haven't had that same kind of segregation or racism. | 0:38:50 | 0:38:53 | |
How I felt, right? | 0:38:56 | 0:38:57 | |
I mean, obviously, there's logic to it, hear me out. | 0:38:58 | 0:39:01 | |
In South Africa, they had the whole apartheid movement. | 0:39:01 | 0:39:05 | |
As a result, they got inspirational black leaders, you know, | 0:39:05 | 0:39:08 | |
like Nelson Mandela, Desmond Tutu... | 0:39:08 | 0:39:11 | |
In America, they had the civil rights movement. | 0:39:11 | 0:39:14 | |
As a result, they got inspirational black leaders, you know, | 0:39:14 | 0:39:17 | |
like, Malcolm X and Martin Luther King. | 0:39:17 | 0:39:19 | |
Here in the UK, we've had nothing. | 0:39:19 | 0:39:22 | |
As a result, who have we got? | 0:39:22 | 0:39:25 | |
Lenny Henry... | 0:39:25 | 0:39:27 | |
Ainsley Harriott... | 0:39:27 | 0:39:29 | |
And Howard from the Halifax adverts. | 0:39:29 | 0:39:31 | |
LAUGHTER AND APPLAUSE | 0:39:31 | 0:39:35 | |
Don't get me wrong, I love those guys, | 0:39:38 | 0:39:40 | |
but it's not the same, man, it's not the same. | 0:39:40 | 0:39:43 | |
So anyway, sorry, I've gone off point. | 0:39:43 | 0:39:45 | |
I was talking about Dani Alves, | 0:39:45 | 0:39:46 | |
the black football player who had a banana chucked at him, right? | 0:39:46 | 0:39:49 | |
And I said, after it happened, | 0:39:49 | 0:39:51 | |
my white friends - not being racist - | 0:39:51 | 0:39:52 | |
just casually were asking me how I felt. | 0:39:52 | 0:39:55 | |
Now, how I felt was, I was offended, but not for the reason | 0:39:55 | 0:39:58 | |
that they thought I'd be offended. | 0:39:58 | 0:40:00 | |
I wasn't offended because it was racist, | 0:40:00 | 0:40:02 | |
I was offended because of HOW it was racist, you know? | 0:40:02 | 0:40:06 | |
The guy chucked a banana. | 0:40:06 | 0:40:09 | |
Really? A banana? | 0:40:09 | 0:40:11 | |
What kind of lazy, boring, uncreative racism is that, man? | 0:40:11 | 0:40:15 | |
It's not the 18th century, it's the 21st century. | 0:40:15 | 0:40:18 | |
Black people, we've moved on. We like other things now, you know? | 0:40:18 | 0:40:21 | |
Chuck a Nando's menu, man! | 0:40:23 | 0:40:25 | |
APPLAUSE | 0:40:26 | 0:40:29 | |
A banana, that's not racism, that's potassium. | 0:40:30 | 0:40:33 | |
I'm not offended by that. | 0:40:33 | 0:40:34 | |
Up your game, bellend. What's wrong with you? | 0:40:35 | 0:40:37 | |
Love sports, man. I'm a massive sports fan. | 0:40:40 | 0:40:43 | |
Me and my mates, always arguing about sports, | 0:40:43 | 0:40:45 | |
always arguing about stuff. | 0:40:45 | 0:40:46 | |
We got into an argument, | 0:40:46 | 0:40:48 | |
me and one of my mates in particular. | 0:40:48 | 0:40:50 | |
We got into a argument at the start of the year. | 0:40:50 | 0:40:52 | |
A former football player, he came out in the news, right, | 0:40:52 | 0:40:56 | |
to reveal that he's gay. | 0:40:56 | 0:40:57 | |
Now, that's cool. Fair credit to him for coming out, that's all good. | 0:40:57 | 0:41:00 | |
However, at the same time, I can't help but think, | 0:41:00 | 0:41:02 | |
"Why is it someone famous revealing that they're gay | 0:41:02 | 0:41:05 | |
"is still seen as a headline?" | 0:41:05 | 0:41:07 | |
You know, it shouldn't be a headline to be gay in today's day and age. | 0:41:07 | 0:41:10 | |
So what? That shouldn't be a headline. | 0:41:10 | 0:41:11 | |
It's like, OK, it's cool, you're gay. | 0:41:11 | 0:41:13 | |
What do you want, a cookie? | 0:41:13 | 0:41:15 | |
Oh, a cock, knock yourself out. Go for it, right. | 0:41:15 | 0:41:18 | |
No big deal, right. | 0:41:18 | 0:41:19 | |
But the weird thing was, after that player came out, | 0:41:19 | 0:41:22 | |
I was talking to a mate of mine, who is gay... | 0:41:22 | 0:41:24 | |
Cos that's what happens every time there's a story in the news | 0:41:24 | 0:41:27 | |
that's linked to gay people. | 0:41:27 | 0:41:29 | |
LAUGHTER | 0:41:29 | 0:41:31 | |
APPLAUSE | 0:41:31 | 0:41:34 | |
I was asking him how gay people felt as a whole, right. | 0:41:37 | 0:41:40 | |
I was saying... I was like, "Bruv, I don't get it. | 0:41:42 | 0:41:44 | |
"Why is it a big deal to be gay in today's day and age? | 0:41:44 | 0:41:46 | |
"It's not a taboo, it's normal, it's accepted. It's cool, right?" | 0:41:46 | 0:41:49 | |
But then my mate, he was like, "Nathan, let me stop you there, OK? | 0:41:49 | 0:41:52 | |
"Um, yes, I hear what you mean. The world is more tolerant, | 0:41:52 | 0:41:55 | |
"it's more liberal. Yeah, I get that. | 0:41:55 | 0:41:57 | |
"But, trust me, if someone famous comes out, | 0:41:57 | 0:41:59 | |
"it's still a big issue, innit? | 0:41:59 | 0:42:00 | |
"Cos gay people, we're still seen as a minority, you know? | 0:42:00 | 0:42:03 | |
"Like you being black, for example." | 0:42:03 | 0:42:05 | |
No, it's not. | 0:42:08 | 0:42:09 | |
Like, when I was 17, 18 years old, | 0:42:10 | 0:42:12 | |
I didn't have to gather my family together. | 0:42:12 | 0:42:15 | |
LAUGHTER | 0:42:15 | 0:42:17 | |
"Mum, Grandma..." | 0:42:20 | 0:42:22 | |
"..um, I've got something to tell you guys, yeah? | 0:42:23 | 0:42:25 | |
"Uh, Mum, remember the other day when you came in my room | 0:42:25 | 0:42:29 | |
"and, um, I was reading the Nando's menu and you asked me why?" | 0:42:29 | 0:42:32 | |
"Remember that? | 0:42:34 | 0:42:35 | |
"And, um, Grandma, remember last weekend | 0:42:35 | 0:42:39 | |
"when I picked you up and I was half an hour late for no reason? | 0:42:39 | 0:42:41 | |
"Remember that, yeah? | 0:42:41 | 0:42:42 | |
"Well, basically, it's because I'm, um... | 0:42:42 | 0:42:44 | |
"It's, um, because I'm..." | 0:42:44 | 0:42:46 | |
"What, boy, what? What you is? What you is?" | 0:42:46 | 0:42:48 | |
"It's cos I'm..." | 0:42:50 | 0:42:52 | |
"No! | 0:42:52 | 0:42:54 | |
"In my house?! You is? You is?!" | 0:42:54 | 0:42:58 | |
"Yeah, I'm urban." | 0:42:58 | 0:43:00 | |
LAUGHTER AND CHEERING | 0:43:00 | 0:43:04 | |
You guys have been cool. I've been Nathan Caton. Thank you, cheers. | 0:43:04 | 0:43:08 | |
CHEERING | 0:43:08 | 0:43:11 | |
Nathan Caton! | 0:43:11 | 0:43:13 | |
CHEERING AND WHISTLING | 0:43:13 | 0:43:15 | |
Have you had a good time? ALL: Yeah! | 0:43:17 | 0:43:19 | |
Thank you for coming. Ladies and gentlemen, tonight you've seen Sara Pascoe. | 0:43:19 | 0:43:23 | |
CHEERING | 0:43:23 | 0:43:24 | |
Nathan Caton. CHEERING | 0:43:24 | 0:43:26 | |
And from myself, Jon Richardson, see you again soon. | 0:43:26 | 0:43:28 | |
Take care. Good night. Bye-bye! | 0:43:28 | 0:43:30 | |
CHEERING AND APPLAUSE | 0:43:30 | 0:43:33 |