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This programme contains some strong language. | 0:00:02 | 0:00:08 | |
# Oh, yeah! # | 0:00:15 | 0:00:17 | |
Ladies and gentlemen, | 0:00:17 | 0:00:19 | |
please welcome your host for tonight, Katherine Ryan! | 0:00:19 | 0:00:24 | |
CHEERING AND APPLAUSE | 0:00:24 | 0:00:26 | |
MUSIC: Bitch by Meredith Brooks | 0:00:26 | 0:00:30 | |
Hello, Hammersmith Apollo. | 0:00:37 | 0:00:40 | |
CHEERING | 0:00:40 | 0:00:43 | |
Oh, my goodness, Live At The Apollo. The first time I was here | 0:00:43 | 0:00:46 | |
I was just a little girl, and look at me now, I'm full-blown | 0:00:46 | 0:00:49 | |
Caitlyn Jenner! | 0:00:49 | 0:00:51 | |
It feels so good. | 0:00:51 | 0:00:53 | |
I've spent so long wanting to look like one of the Kardashians, | 0:00:53 | 0:00:57 | |
I don't even give a shit it's the dad. I'll take it. | 0:00:57 | 0:01:00 | |
She's a majestic hero. | 0:01:00 | 0:01:02 | |
I am TV's Katherine Ryan and I like to talk a lot about celebrities, | 0:01:04 | 0:01:09 | |
but you've got a lot of good ones. | 0:01:09 | 0:01:11 | |
There are some celebrities in Britain | 0:01:11 | 0:01:13 | |
that I will not say a bad word about. | 0:01:13 | 0:01:14 | |
Mo Farah - love him. | 0:01:14 | 0:01:17 | |
He is a British hero. An Olympian, a good man, a good father, | 0:01:17 | 0:01:20 | |
a Somalian who acquires gold on land, | 0:01:20 | 0:01:23 | |
nothing I don't like about that. | 0:01:23 | 0:01:26 | |
He is perfect. | 0:01:26 | 0:01:28 | |
You can't say a bad word about Taylor Swift. | 0:01:30 | 0:01:34 | |
Do we have any Taylor Swift fans in? | 0:01:34 | 0:01:35 | |
CHEERING | 0:01:35 | 0:01:37 | |
"Of course we are. Shake It Off! We love her! We love Taylor Swift." | 0:01:37 | 0:01:42 | |
She's friend to all women, except if you follow her on Instagram, | 0:01:42 | 0:01:45 | |
you will notice that that circle of friends | 0:01:45 | 0:01:48 | |
is limited to Victoria's Secret models only. | 0:01:48 | 0:01:50 | |
They come on stage with her, they're her girl squad. | 0:01:50 | 0:01:53 | |
"Why do you have them on stage with you, Taylor Swift?" | 0:01:53 | 0:01:56 | |
"To illustrate that I am just as hot as them but also have a talent, OK?" | 0:01:56 | 0:02:01 | |
She's friends with Lena Dunham too. You know why that is? | 0:02:01 | 0:02:04 | |
So that when people like me want to be friends with Taylor Swift - | 0:02:04 | 0:02:06 | |
and I love Taylor Swift, | 0:02:06 | 0:02:08 | |
of course I want to be friends with Taylor Swift - | 0:02:08 | 0:02:11 | |
she can be like, "No, we don't need you. | 0:02:11 | 0:02:13 | |
"We're already friends with one human woman." | 0:02:13 | 0:02:17 | |
Nobody is that perfect. I like flaws. | 0:02:17 | 0:02:19 | |
I knew that Taylor Swift would mess up and she did mess up. | 0:02:19 | 0:02:23 | |
A few weeks ago, Nicki Minaj - a very curvaceous black R&B singer - | 0:02:23 | 0:02:27 | |
tweeted, "I think I would have been nominated for more awards | 0:02:27 | 0:02:31 | |
"if the women in my videos were slim," and, essentially, white. | 0:02:31 | 0:02:35 | |
And Taylor Swift, friend to all women, replied, | 0:02:35 | 0:02:39 | |
"Nicki, I have always supported you. | 0:02:39 | 0:02:41 | |
"If I win, you can come on stage with me." | 0:02:41 | 0:02:45 | |
Really? Oh, I knew it, Taylor Swift. I got you. | 0:02:45 | 0:02:49 | |
Back your white privilege right this minute. | 0:02:49 | 0:02:52 | |
What's Nicki Minaj even supposed to say to that? | 0:02:52 | 0:02:55 | |
"Oh, t-t-thank you, Taylor Swift. That's ever so kind of you, ma'am. | 0:02:55 | 0:03:00 | |
"I don't know. I don't know if I got no business | 0:03:00 | 0:03:02 | |
"up here on stage in front of all these white folk. | 0:03:02 | 0:03:06 | |
"I'd better hurry up and finish the laundry before your daddy get home." | 0:03:06 | 0:03:10 | |
Not cool. | 0:03:11 | 0:03:14 | |
People worry about me. | 0:03:14 | 0:03:16 | |
LAUGHTER | 0:03:16 | 0:03:18 | |
They worry about me because I'm single. | 0:03:18 | 0:03:21 | |
Really, if you are a lady who is single after a certain age, | 0:03:21 | 0:03:25 | |
people will start to get upset. | 0:03:25 | 0:03:26 | |
I get letters all the time, from women exclusively. | 0:03:26 | 0:03:29 | |
I got one a little while ago | 0:03:29 | 0:03:30 | |
and the lady must have been 200 years old | 0:03:30 | 0:03:32 | |
because she wrote this letter on, like, stationery | 0:03:32 | 0:03:34 | |
with beautiful calligraphy - it's a dead art - | 0:03:34 | 0:03:37 | |
and she wrote, "Dear Katherine, we saw your show | 0:03:37 | 0:03:40 | |
"and we were very worried to hear that you're single." | 0:03:40 | 0:03:45 | |
Like, really? You saw the whole show and that was the problem? | 0:03:45 | 0:03:48 | |
She's like, "My brother Ray is also single." | 0:03:48 | 0:03:51 | |
Oh, there you go! Ladies, that's why we're single. | 0:03:51 | 0:03:55 | |
Not because we choose it but because we haven't met Ray. | 0:03:55 | 0:03:59 | |
She went on to offer me a date with Ray. | 0:03:59 | 0:04:02 | |
She said, "We'd be willing to accompany Ray on the Megabus | 0:04:02 | 0:04:04 | |
"to London." Whoa, whoa, whoa! | 0:04:04 | 0:04:08 | |
I know the only time somebody takes a bus to meet someone | 0:04:08 | 0:04:11 | |
they've seen on TV is to kill them. | 0:04:11 | 0:04:14 | |
I did not attend. | 0:04:14 | 0:04:16 | |
But men don't get these letters, that's what winds me up. | 0:04:16 | 0:04:19 | |
I work with a ton of men, they never... Look at Leonardo DiCaprio. | 0:04:19 | 0:04:22 | |
Famously single for years. He and I have the same number of Oscars. | 0:04:22 | 0:04:27 | |
Nobody's writing him. | 0:04:27 | 0:04:29 | |
LAUGHTER AND APPLAUSE | 0:04:29 | 0:04:34 | |
"Dear Leonard, | 0:04:34 | 0:04:35 | |
"we recently saw you muff-diving all those supermodels...on your yacht | 0:04:35 | 0:04:42 | |
"and we were so worried. | 0:04:42 | 0:04:45 | |
"My brother Ray is also single. | 0:04:45 | 0:04:48 | |
"Nobody wants to fuck Ray." | 0:04:50 | 0:04:53 | |
I've got a problem with Jews. | 0:04:55 | 0:04:57 | |
LAUGHTER | 0:04:57 | 0:05:00 | |
Anyone else? Please, don't put your hands up. | 0:05:00 | 0:05:02 | |
I was dating a Jewish man this year. I fell in love with him | 0:05:04 | 0:05:08 | |
and he split up with me simply because I'm not Jewish, | 0:05:08 | 0:05:13 | |
and I genuinely did not know that religion still behaved this way. | 0:05:13 | 0:05:17 | |
I am a blonde-haired, blue-eyed, white, middle-class woman in 2015. | 0:05:17 | 0:05:22 | |
I am entitled to everything. | 0:05:22 | 0:05:26 | |
It's not OK for his people to treat me | 0:05:26 | 0:05:29 | |
the way my people quite enjoy treating everyone else. | 0:05:29 | 0:05:32 | |
He said, "We can have no future, Katherine. | 0:05:32 | 0:05:34 | |
"What if we were to have a baby? | 0:05:34 | 0:05:36 | |
"I imagine that you would not consent to having him circumcised." | 0:05:36 | 0:05:39 | |
I was like, "First off, | 0:05:39 | 0:05:40 | |
"why are you imagining the dicks of babies we don't have?" | 0:05:40 | 0:05:43 | |
And secondly, you're right. | 0:05:48 | 0:05:50 | |
I've lived in England so long, | 0:05:50 | 0:05:52 | |
I didn't even notice that's one of the ways that I've changed, | 0:05:52 | 0:05:55 | |
because back in North America, all the men are routinely circumcised. | 0:05:55 | 0:05:58 | |
I checked that. | 0:05:58 | 0:06:00 | |
And here, it's just not done and I guess, all of a sudden, | 0:06:01 | 0:06:04 | |
I am against genital mutilation in all its forms. | 0:06:04 | 0:06:07 | |
But what gets me is, I've never been in a relationship | 0:06:07 | 0:06:10 | |
where the man said to me, "You know that baby we haven't got? | 0:06:10 | 0:06:13 | |
"Would you cut its cock?" | 0:06:13 | 0:06:15 | |
And the answer, "No, don't worry," was a deal-breaker. | 0:06:17 | 0:06:21 | |
I don't hate all Jews, guys. Of course not. | 0:06:22 | 0:06:25 | |
I hate one Jew, but that's how it starts. | 0:06:25 | 0:06:29 | |
I am a mother. | 0:06:34 | 0:06:35 | |
My daughter's she's such a cool kid. | 0:06:35 | 0:06:38 | |
She's called Violet, she's six years old. | 0:06:38 | 0:06:40 | |
I took her to a charity event a little while ago. | 0:06:40 | 0:06:42 | |
It was a youth homeless charity | 0:06:42 | 0:06:44 | |
and I went because Prince Harry would be there, | 0:06:44 | 0:06:46 | |
and I am normally not allowed within 100 yards of that fine man. | 0:06:46 | 0:06:50 | |
And it was full of posh people and I've learned that posh people | 0:06:51 | 0:06:54 | |
think that only other posh people care about them, | 0:06:54 | 0:06:57 | |
because they had a young man speak and he himself was once homeless. | 0:06:57 | 0:07:01 | |
I thought, "Great, we're going to see some real-world stuff." No. | 0:07:01 | 0:07:04 | |
18-year-old boy comes up to the microphone, three-piece suit, | 0:07:04 | 0:07:08 | |
he's like... IN POSH ACCENT: "Yah, so, like, a year ago, | 0:07:08 | 0:07:10 | |
"my parents were totally micromanaging my life. | 0:07:10 | 0:07:14 | |
"And so I left and I stayed on friends' couches and in summer homes. | 0:07:14 | 0:07:19 | |
"I was utterly homeless." | 0:07:19 | 0:07:22 | |
That's not homeless unless the couch smells of piss | 0:07:22 | 0:07:24 | |
and is outside a Tesco Metro. | 0:07:24 | 0:07:25 | |
"They withheld my trust fund. | 0:07:28 | 0:07:30 | |
"Do you have any idea how difficult it is | 0:07:30 | 0:07:32 | |
"to be on a juice cleanse when you're homeless?" | 0:07:32 | 0:07:35 | |
I hated him! | 0:07:35 | 0:07:37 | |
I looked around the room trying to find the eyes of anyone else | 0:07:37 | 0:07:40 | |
who hated this prick. Nothing. They're all like, "Yah, sounds bad." | 0:07:40 | 0:07:43 | |
There was silence in the room as he took a drink | 0:07:45 | 0:07:47 | |
and my six-year-old goes, "Pah, white people!" | 0:07:47 | 0:07:51 | |
I was like, "Yeah." | 0:07:51 | 0:07:52 | |
LAUGHTER AND APPLAUSE | 0:07:52 | 0:07:54 | |
That's what I'm saying. | 0:07:54 | 0:07:56 | |
And he wasn't even white. | 0:07:56 | 0:07:59 | |
That's such a beautiful thing, when a child can look beyond | 0:08:00 | 0:08:04 | |
someone's skin colour, | 0:08:04 | 0:08:06 | |
see the white inside of him and hate it. | 0:08:06 | 0:08:10 | |
I am 32 years old and I love it. | 0:08:13 | 0:08:15 | |
Give me a cheer if you're a woman over the age of 30. | 0:08:15 | 0:08:18 | |
CHEERING | 0:08:18 | 0:08:20 | |
Some of them won't cheer. | 0:08:20 | 0:08:23 | |
"I know, I should have killed myself five years ago." | 0:08:23 | 0:08:26 | |
Ageing is great. Ageing just means you didn't die. | 0:08:28 | 0:08:31 | |
We grow in value with every day, not the other way around. | 0:08:31 | 0:08:35 | |
Would you trade your life with a teenage girl's life? | 0:08:35 | 0:08:38 | |
Do you remember what it was like when we had no power and no money? | 0:08:38 | 0:08:41 | |
When we did our own eyebrows? No, thank you. | 0:08:41 | 0:08:45 | |
And who dates a teenager?! | 0:08:45 | 0:08:47 | |
You know that guy who got done for taking a 15-year-old to Paris? | 0:08:47 | 0:08:50 | |
Anyone who's been on holiday with a teenager knows that man | 0:08:50 | 0:08:53 | |
deserved a medal, not prison. | 0:08:53 | 0:08:55 | |
"Blah, blah, blah, blah, blah! | 0:08:55 | 0:08:58 | |
"Do you know Titanic is based on a true story? Blah, blah!" | 0:08:58 | 0:09:03 | |
I recently went home with a 25-year-old. It was weird. | 0:09:05 | 0:09:08 | |
I've not been with a 25-year-old since I was 14. Inappropriate. | 0:09:08 | 0:09:13 | |
It's very inappropriate. | 0:09:13 | 0:09:15 | |
Do you know what he said to me? He said, | 0:09:15 | 0:09:18 | |
"I think it is very scary that you're 31." | 0:09:18 | 0:09:22 | |
He said that to my face. "I think it is very scary." I said, "Why? | 0:09:22 | 0:09:27 | |
"Do you know what the difference is between me now and me at your age? | 0:09:27 | 0:09:30 | |
"Now I have more money, so what are you afraid of? | 0:09:30 | 0:09:34 | |
"My disposable income, is that what it is? | 0:09:34 | 0:09:37 | |
"Ooh! I get too many manicures for you, my feet are too soft, | 0:09:37 | 0:09:41 | |
"my entire body is too electrolysised for you, young man? | 0:09:41 | 0:09:45 | |
"What is it? My house is too nice? My thread count's too high? | 0:09:45 | 0:09:48 | |
"Was my driver rude to you? | 0:09:48 | 0:09:52 | |
"Maybe you think I'm in a rush to have a baby? | 0:09:52 | 0:09:54 | |
"Well, say, hello, I've got one. | 0:09:54 | 0:09:56 | |
"She is not a fan of yours, you little fuck badger. She hates you." | 0:09:56 | 0:09:59 | |
The main message from the media is, "Do not fancy a child." | 0:10:02 | 0:10:07 | |
We've got that. That's a terrible thing to do. | 0:10:07 | 0:10:10 | |
"Do not fancy a child, but just try to be a woman who looks like a child | 0:10:10 | 0:10:15 | |
"so that people fancy you." What? | 0:10:15 | 0:10:18 | |
GEORDIE ACCENT: "Like a little baby. Like Cheryl Cole. | 0:10:18 | 0:10:23 | |
"Like a little baby woman. | 0:10:23 | 0:10:27 | |
"Gorgeous. Absolutely gorgeous." | 0:10:27 | 0:10:32 | |
So beautiful it makes you forget she's garbage, | 0:10:32 | 0:10:35 | |
that's how hot that chick is. | 0:10:35 | 0:10:37 | |
CHEERING AND APPLAUSE | 0:10:37 | 0:10:39 | |
So pretty. Don't feel bad, some of you feel bad. | 0:10:39 | 0:10:44 | |
Cheryl Cole would glass each of you in an alley tonight. | 0:10:44 | 0:10:47 | |
"No, not me. I'm just a little gorgeous baby." | 0:10:49 | 0:10:53 | |
"Are you talking to me? Are you talking to me, Cheryl Cole?" | 0:10:54 | 0:11:00 | |
You ever been in a room with that thing? It's this big. | 0:11:00 | 0:11:04 | |
If she was born in the winter, she would not have made it. | 0:11:04 | 0:11:07 | |
Done more damage to the north-east than Margaret Thatcher. | 0:11:09 | 0:11:13 | |
But she's gorgeous. | 0:11:16 | 0:11:19 | |
Beautiful. So pretty. She looks like my six-year-old in a wig. | 0:11:19 | 0:11:25 | |
"I am the nation's sweetheart. | 0:11:25 | 0:11:28 | |
"The nation's sweetheart," and I know I can't do a Geordie accent, | 0:11:28 | 0:11:33 | |
but I don't care, no. I don't care. | 0:11:33 | 0:11:37 | |
It's a bit more Ukip Calypso when I do it. I don't care. | 0:11:37 | 0:11:43 | |
"Because I'm the nation's sweetheart." | 0:11:43 | 0:11:46 | |
You're not, you are the answer to the question, | 0:11:46 | 0:11:49 | |
how beautiful do you have to be to make the nation forget | 0:11:49 | 0:11:51 | |
about how you drunkenly assaulted a nightclub worker? | 0:11:51 | 0:11:55 | |
I don't even believe she's human! | 0:11:55 | 0:11:58 | |
Nobody human is that pretty, | 0:11:58 | 0:12:00 | |
even God is throwing everything he can at this thing - | 0:12:00 | 0:12:03 | |
malaria. It won't die. | 0:12:03 | 0:12:05 | |
Nah, I can't do it. Of course I love Cheryl Cole. | 0:12:12 | 0:12:16 | |
Of course I want to be friends with Cheryl Cole, | 0:12:16 | 0:12:18 | |
just so anyone else tries to be friends with her, she can be like, | 0:12:18 | 0:12:21 | |
"No, no. I'm already friends with one human woman." | 0:12:21 | 0:12:25 | |
Hammersmith Apollo, please join me in welcoming my first guest. | 0:12:29 | 0:12:33 | |
I am in stitches every time I'm in his presence, | 0:12:33 | 0:12:36 | |
it's the hilarious Henning Wehn. | 0:12:36 | 0:12:38 | |
CHEERING AND APPLAUSE | 0:12:38 | 0:12:40 | |
MUSIC: 99 Red Balloons by Nena | 0:12:40 | 0:12:42 | |
UK! | 0:12:52 | 0:12:54 | |
Yeah, let me quickly introduce myself. My name is Henning. | 0:12:54 | 0:12:59 | |
The German comedy ambassador. | 0:12:59 | 0:13:02 | |
Not the easiest of jobs. | 0:13:02 | 0:13:05 | |
But let me get one thing straight, | 0:13:06 | 0:13:08 | |
we Germans, we like a laugh. | 0:13:08 | 0:13:11 | |
LAUGHTER | 0:13:11 | 0:13:13 | |
No, honestly, we really do. We really do. Just like the Brits. | 0:13:16 | 0:13:20 | |
The only difference is - Germans laugh once the work is done. | 0:13:20 | 0:13:24 | |
Rather than instead of. | 0:13:27 | 0:13:30 | |
And that indeed is the main cultural difference. | 0:13:30 | 0:13:32 | |
What a fantastic turnout here this evening. Is there... | 0:13:32 | 0:13:37 | |
There's almost bound to be someone else from Germany in the audience. | 0:13:37 | 0:13:41 | |
-CHEERING -Blimey. | 0:13:41 | 0:13:42 | |
Ja, so viele? Wen haben wir denn da? | 0:13:42 | 0:13:45 | |
Wo war denn das im Theater? Da oben oder da hinten? | 0:13:47 | 0:13:49 | |
Ich kann das von hier nicht so recht sehen. | 0:13:49 | 0:13:53 | |
Da oben? Ja, wen haben wir denn da, | 0:13:53 | 0:13:55 | |
junge Frau? Wer ruft denn da so schon? | 0:13:55 | 0:13:57 | |
-AUDIENCE MEMBER SHOUTS OUT -Chris. Yeah. | 0:13:57 | 0:14:01 | |
LAUGHTER | 0:14:01 | 0:14:03 | |
Ja, und, Chris, wo in Deutschland kommst du her? | 0:14:04 | 0:14:06 | |
Potsdam! | 0:14:06 | 0:14:08 | |
Aus Potsdam! Ah, guck mal an! | 0:14:08 | 0:14:11 | |
Und hier schon langer in Grossbritannien, oder was? | 0:14:11 | 0:14:15 | |
MAN SHOUTS OUT | 0:14:15 | 0:14:16 | |
Seit wann?! | 0:14:16 | 0:14:17 | |
-Vier Jahre! -Vier Jahre! Guck mal an! | 0:14:17 | 0:14:20 | |
Und... Wohnst du direkt in London oder irgendwo in der Umgebung? | 0:14:20 | 0:14:25 | |
MAN SHOUTS OUT | 0:14:28 | 0:14:31 | |
Richtig! Ganz richtig! Hat er recht! Hat er recht! | 0:14:33 | 0:14:36 | |
By the way, Chris and I, we're just doing exactly the same thing | 0:14:36 | 0:14:39 | |
that Brits do whenever they travel abroad. | 0:14:39 | 0:14:41 | |
We just carry on speaking our own language regardless. | 0:14:51 | 0:14:56 | |
Maybe you noticed we do it without shouting? | 0:14:56 | 0:14:58 | |
Chris, he just told me he came over four years ago and, Chris, what was | 0:15:01 | 0:15:05 | |
your English like when you first arrived? | 0:15:05 | 0:15:08 | |
-Very good, ja. -Very good. | 0:15:08 | 0:15:11 | |
It's so unbelievable, cos he is from the former East Germany, | 0:15:19 | 0:15:22 | |
so you would expect him to be fluent in Russian, not in English. | 0:15:22 | 0:15:26 | |
Fantastic. No, I mean... | 0:15:26 | 0:15:28 | |
I can't say that my English was any good when I first came over. | 0:15:28 | 0:15:32 | |
Cos I came over with school English. | 0:15:32 | 0:15:34 | |
And what does that mean? Didn't know any idioms. | 0:15:34 | 0:15:38 | |
Didn't know any colloquialisms. Had next to no vocabulary. | 0:15:38 | 0:15:41 | |
The only thing I had was grammar. | 0:15:41 | 0:15:44 | |
Cos I learned that at school. | 0:15:44 | 0:15:46 | |
And I would say everything | 0:15:46 | 0:15:47 | |
exactly the way it was written in my grammar book. | 0:15:47 | 0:15:51 | |
"I was... | 0:15:51 | 0:15:53 | |
"You were... He/she was. We were. You were. They were." | 0:15:53 | 0:16:00 | |
But now having lived in London for the past 13 years, | 0:16:00 | 0:16:02 | |
these days I go, "I was. You was... | 0:16:02 | 0:16:06 | |
"He/she/it was. We was. You was. They was." | 0:16:08 | 0:16:10 | |
Cos that's what every other Herbert says, or "'Erbert." | 0:16:17 | 0:16:22 | |
And I always wonder... When I say "we was," how do people take that? | 0:16:22 | 0:16:27 | |
"Oh, look at that Henning, ever so well assimilated." | 0:16:27 | 0:16:30 | |
Or do they go the other way? "What? He has been living here all those | 0:16:30 | 0:16:33 | |
"years and he still can't get the most basic things right. | 0:16:33 | 0:16:36 | |
"It's embarrassing." | 0:16:36 | 0:16:37 | |
Recently, I got me answer. I did a gig up north. | 0:16:37 | 0:16:40 | |
Or "up Norff..." | 0:16:40 | 0:16:43 | |
In Bolton... | 0:16:43 | 0:16:44 | |
AUDIENCE MEMBER CHEERS | 0:16:44 | 0:16:46 | |
Wayhey! And I got heckled with the wonderful line - | 0:16:46 | 0:16:48 | |
"Fuck off back to London!" | 0:16:48 | 0:16:50 | |
Why do people move abroad? | 0:16:59 | 0:17:01 | |
It's always for one of two reasons, isn't it? | 0:17:01 | 0:17:04 | |
Either you want to broaden your horizon | 0:17:04 | 0:17:07 | |
or you're not needed back home. | 0:17:07 | 0:17:09 | |
And usually it's the latter, but no matter, no matter your motivation, | 0:17:10 | 0:17:15 | |
once you live abroad, you become a lot more patriotic. | 0:17:15 | 0:17:19 | |
A lot more nationalistic. In my case, that isn't very good. | 0:17:19 | 0:17:24 | |
Well, I was already firmly right-wing | 0:17:26 | 0:17:29 | |
when I was still living back home in the Ruhr valley. | 0:17:29 | 0:17:31 | |
It hasn't got any better since. | 0:17:31 | 0:17:33 | |
I mean, these days, I get national pride out of the strangest events. | 0:17:33 | 0:17:37 | |
Now, I remember reading in the paper a couple of years ago | 0:17:37 | 0:17:41 | |
that Germany had won the world championships in marbles. | 0:17:41 | 0:17:45 | |
On reading, I was like, "Yey-hey!" | 0:17:47 | 0:17:50 | |
Yet, until reading that, | 0:17:50 | 0:17:52 | |
I didn't even know anyone over the age of four...did play marbles. | 0:17:52 | 0:17:59 | |
I remember, I remember when we won Pope. | 0:17:59 | 0:18:03 | |
Did you remember when Germany won the Catholic Church? | 0:18:03 | 0:18:07 | |
I know, far more recently, we lost it to the Argies, | 0:18:09 | 0:18:12 | |
but, far more vividly, I remember how great it was when we won it. | 0:18:12 | 0:18:15 | |
It was like, "Ja! Super! Ratzinger, du bist der Beste! | 0:18:15 | 0:18:18 | |
"Super! Super." | 0:18:18 | 0:18:20 | |
I was over the moon. | 0:18:20 | 0:18:21 | |
It was like winning the football World Cup...again. | 0:18:21 | 0:18:25 | |
I know full well, if, at the time of the Pope election, | 0:18:28 | 0:18:31 | |
if I'd still been living back home in Germany, I would have reacted | 0:18:31 | 0:18:34 | |
completely differently. | 0:18:34 | 0:18:36 | |
I would have just said, "Oh, no, not that reactionary Bavarian twat." | 0:18:36 | 0:18:39 | |
But once you live abroad, | 0:18:39 | 0:18:41 | |
you embrace everything about your country, | 0:18:41 | 0:18:44 | |
everything remotely German. | 0:18:44 | 0:18:46 | |
Like the royal baby. | 0:18:46 | 0:18:48 | |
LAUGHTER AND APPLAUSE | 0:18:48 | 0:18:50 | |
Number two. "Yay!" | 0:18:51 | 0:18:54 | |
And that was the moment when I had to admit to myself | 0:18:56 | 0:18:59 | |
that my moral compass has gone so haywire... | 0:18:59 | 0:19:01 | |
I'll never, ever be able to return to Germany ever again. | 0:19:01 | 0:19:05 | |
It's no problem, I'll just stay here in the UK. | 0:19:07 | 0:19:09 | |
Cos you're really good to us foreigners. | 0:19:09 | 0:19:13 | |
No, honestly, you really are, because you tolerate us. | 0:19:14 | 0:19:17 | |
You don't welcome us... | 0:19:20 | 0:19:22 | |
But you do tolerate us. And that's a great British virtue, isn't it, | 0:19:23 | 0:19:26 | |
tolerance? What's tolerance? | 0:19:26 | 0:19:28 | |
There is something you really, really dislike... | 0:19:28 | 0:19:32 | |
..but you can't be bothered... | 0:19:33 | 0:19:34 | |
..to do anything about it. | 0:19:36 | 0:19:38 | |
Back home, we call that lazy cynicism, anyway... | 0:19:40 | 0:19:43 | |
Dear, oh, dear. I've been in Britain 13 years and, Chris, I have to | 0:19:45 | 0:19:49 | |
very quickly come back to you up there... | 0:19:49 | 0:19:51 | |
After four years in Blighty...do you still | 0:19:51 | 0:19:53 | |
feel more German or have you started to feel British? | 0:19:53 | 0:19:58 | |
-Actually, more British, yes. -It happens, yeah, it happens. | 0:19:58 | 0:20:03 | |
If you live abroad, you do assimilate to a degree. | 0:20:03 | 0:20:07 | |
Like, on stage, on stage, | 0:20:07 | 0:20:08 | |
there is never any doubt about my nationality. | 0:20:08 | 0:20:11 | |
On stage, I properly German it up. | 0:20:11 | 0:20:14 | |
But in everyday life, | 0:20:16 | 0:20:18 | |
in many ways, these days, I'm as British as they come. | 0:20:18 | 0:20:22 | |
Like, not too long ago, I had a groin hernia. | 0:20:22 | 0:20:24 | |
I'm not saying that's a British trait as such. | 0:20:27 | 0:20:30 | |
A starting point for this little anecdote. | 0:20:31 | 0:20:34 | |
A groin hernia is not painful, but it's incredibly annoying | 0:20:34 | 0:20:38 | |
and the worst bit about it is, | 0:20:38 | 0:20:40 | |
your body gives you very irregular pressure on your bladder. | 0:20:40 | 0:20:45 | |
You really don't know when you have to go to the toilet | 0:20:45 | 0:20:47 | |
and I was in one of those situations going home | 0:20:47 | 0:20:50 | |
after a gig on a night bus, and then the bus stopped at red lights | 0:20:50 | 0:20:55 | |
and I realised, dear, oh, dear, I have to have a slash right now. | 0:20:55 | 0:21:00 | |
So I went up to the driver and said, "Sir, sir, | 0:21:00 | 0:21:03 | |
"let me off, let me off, I have to have a piss." | 0:21:03 | 0:21:05 | |
The driver said, "No, sorry, mate. | 0:21:05 | 0:21:07 | |
"Can't. It's not a proper stop, it's just red lights." | 0:21:07 | 0:21:09 | |
"Sir, I'm really sorry about this, I'll have to piss here." | 0:21:09 | 0:21:14 | |
So I got my knob out... | 0:21:14 | 0:21:16 | |
All of a sudden, he could open the doors. | 0:21:18 | 0:21:20 | |
It wasn't against health and safety any longer, | 0:21:23 | 0:21:26 | |
so me jumping out, finding a tree, | 0:21:26 | 0:21:30 | |
pissing behind a tree was all one and because of the time | 0:21:30 | 0:21:34 | |
spent with the driver, it had all gone on a split-second too long. | 0:21:34 | 0:21:38 | |
All I'm saying, there was already a good amount of liquid | 0:21:38 | 0:21:42 | |
going down the inside of my trouser leg, so I had to wait | 0:21:42 | 0:21:45 | |
in the middle of the night, behind a tree, | 0:21:45 | 0:21:48 | |
I had to wait in the pitch-black. | 0:21:48 | 0:21:50 | |
I had to wait for my piss trousers to dry... | 0:21:50 | 0:21:53 | |
..Your Honour. | 0:21:54 | 0:21:56 | |
Luckily, it didn't come to that, | 0:22:02 | 0:22:04 | |
but it was embarrassing enough as it was. | 0:22:04 | 0:22:06 | |
And at that point, I had a fortnight to go until my hernia operation. | 0:22:06 | 0:22:10 | |
And I decided there and then to cancel all my upcoming gigs, | 0:22:10 | 0:22:13 | |
not to have a repeat of such an embarrassing incident. | 0:22:13 | 0:22:16 | |
But as it was, that night, first I had to get home. | 0:22:16 | 0:22:20 | |
So I looked down me trousers and, well, they had sufficiently dried. | 0:22:20 | 0:22:24 | |
I tell you what, I'll take the next night bus into London town, | 0:22:24 | 0:22:27 | |
I'll have a nice late-night kebab, nice cup of tea, then I'll take | 0:22:27 | 0:22:31 | |
a cab home and the world will not see me until after the operation. | 0:22:31 | 0:22:35 | |
That was my plan. | 0:22:35 | 0:22:37 | |
So I get on the next night bus, go into London town, | 0:22:37 | 0:22:40 | |
get off at Tottenham Court Road and walk up to the kebab shop, | 0:22:40 | 0:22:44 | |
and had all them health worries in my head. | 0:22:44 | 0:22:46 | |
So, will the NHS be able to treat me properly? | 0:22:46 | 0:22:49 | |
Will this knock years off my life expectancy? | 0:22:49 | 0:22:52 | |
Will I ever be able to become a father? | 0:22:52 | 0:22:54 | |
So I had all them existential worries, so I wasn't really | 0:22:54 | 0:22:57 | |
paying attention to what I was doing, | 0:22:57 | 0:22:59 | |
so when I walked into the kebab shop, | 0:22:59 | 0:23:01 | |
I didn't see the step leading into the kebab shop, so I tripped | 0:23:01 | 0:23:05 | |
over that step, immediately lost my balance and fell in, head first. | 0:23:05 | 0:23:10 | |
So, there I was, three o'clock in the morning, on all fours, | 0:23:10 | 0:23:15 | |
on the floor of a kebab shop, in piss trousers... | 0:23:15 | 0:23:20 | |
thinking, "Blimey! How British am I?" | 0:23:20 | 0:23:23 | |
LAUGHTER AND APPLAUSE | 0:23:23 | 0:23:25 | |
Thank you very much. You have been an absolute delight! | 0:23:30 | 0:23:33 | |
Thanks so much. See you very soon. Bye-bye. | 0:23:33 | 0:23:35 | |
Thank you. | 0:23:35 | 0:23:37 | |
CHEERING AND APPLAUSE | 0:23:37 | 0:23:40 | |
Henning Wehn. Well done. | 0:23:40 | 0:23:42 | |
My next guest is absolutely incredible. | 0:23:46 | 0:23:51 | |
He's the kind of comedian that comedians gather to watch. | 0:23:51 | 0:23:55 | |
I would go as far as to say he is the future of British comedy. | 0:23:55 | 0:23:58 | |
Please, welcome - oh, you're in for a treat - | 0:23:58 | 0:24:00 | |
it's the exquisite James Acaster. | 0:24:00 | 0:24:03 | |
CHEERING AND APPLAUSE | 0:24:03 | 0:24:06 | |
MUSIC PLAYS | 0:24:06 | 0:24:08 | |
-Yeah. -LAUGHTER | 0:24:20 | 0:24:23 | |
Tonight, I want to tell you about a friend of mine. | 0:24:23 | 0:24:27 | |
He works in a casino. | 0:24:27 | 0:24:29 | |
And one day, he... | 0:24:29 | 0:24:32 | |
Is dice plural and die singular? Or is die plural? | 0:24:33 | 0:24:39 | |
Anyway, he killed two people by mistake. | 0:24:39 | 0:24:41 | |
Say he's my friend. He's not really my friend. | 0:24:46 | 0:24:48 | |
I'm on the jury. I shouldn't say friend, should I? | 0:24:48 | 0:24:52 | |
They make that very clear. "He's not your friend, mate." | 0:24:52 | 0:24:55 | |
I see him every day, he seems like a nice guy. | 0:24:55 | 0:24:59 | |
There was someone else called James on the jury. | 0:24:59 | 0:25:01 | |
Got confusing. | 0:25:01 | 0:25:02 | |
How we got round it, right, everyone would call HIM James One | 0:25:02 | 0:25:05 | |
and me Wolf. I got to choose my own name. It's pretty cool. | 0:25:05 | 0:25:08 | |
Me and James One hit the town, cutting it up. | 0:25:12 | 0:25:14 | |
I was making an effort for once, | 0:25:14 | 0:25:15 | |
dressed to impress, I had my best tie on. | 0:25:15 | 0:25:17 | |
Paisley, paisley makes the girls go crazily. | 0:25:17 | 0:25:20 | |
Walking round. Chatting to a lady at one point. | 0:25:22 | 0:25:24 | |
She was lovely. Lovely, lovely lady. | 0:25:24 | 0:25:27 | |
She's a masseuse, big respect. | 0:25:27 | 0:25:29 | |
I've tried to give a massage to partners in the past. | 0:25:29 | 0:25:32 | |
Not easy, is it? | 0:25:32 | 0:25:33 | |
Not sexy massage, drag your minds out the gutter, just normal massage. | 0:25:33 | 0:25:37 | |
You know, just normal massage you do in a relationship. | 0:25:37 | 0:25:40 | |
You know, normal, just normal. Normal stuff. | 0:25:40 | 0:25:45 | |
Normally what? You're normally in bed, ain't you, normally, | 0:25:45 | 0:25:48 | |
for a massage with your partner? Normally in bed. | 0:25:48 | 0:25:51 | |
End of the day, fair to say. End of the day, bed. | 0:25:51 | 0:25:55 | |
Don't do a massage in the morning, that's far too decadent. | 0:25:55 | 0:25:59 | |
Save it to the end. Lights out, aren't they? Lying down. | 0:25:59 | 0:26:04 | |
Completely dark, ain't it? Just lying there | 0:26:04 | 0:26:07 | |
and only one of you knows that a massage is about to take place. | 0:26:07 | 0:26:11 | |
If you're not in on it, you're sitting there, | 0:26:16 | 0:26:18 | |
you've got your eyes closed and you're thinking to yourself, | 0:26:18 | 0:26:21 | |
"I'm going to go to sleep now. I'm going to go to sleep. | 0:26:21 | 0:26:24 | |
You're lying there, feeling safe. | 0:26:24 | 0:26:27 | |
Just me and the person I trust most in the world. | 0:26:27 | 0:26:30 | |
The last thing I'm expecting at this point is an ambush. | 0:26:31 | 0:26:35 | |
And then, the partner will turn to you...in the dark, | 0:26:38 | 0:26:45 | |
like a coward, | 0:26:45 | 0:26:48 | |
spineless, and they'll say, | 0:26:48 | 0:26:53 | |
"I've got a genuine muscular complaint... | 0:26:53 | 0:26:57 | |
"that I really should get seen to by a trained professional. | 0:26:57 | 0:26:59 | |
"However...how would you like to improvise a massage on me | 0:26:59 | 0:27:04 | |
"with your zero expertise?" | 0:27:04 | 0:27:08 | |
"Would I ever? Let's get this light back on." | 0:27:08 | 0:27:11 | |
Then the masseuse... | 0:27:13 | 0:27:15 | |
..will assume the position. | 0:27:18 | 0:27:19 | |
Which, if you've ever received a massage from a partner before, | 0:27:23 | 0:27:26 | |
you'll know the position in question is sitting on them. | 0:27:26 | 0:27:29 | |
Again, I don't know if you've ever paid for a professional massage... | 0:27:32 | 0:27:36 | |
This move rarely crops up. | 0:27:36 | 0:27:39 | |
Park themselves on your lower back - it's too familiar. | 0:27:40 | 0:27:43 | |
Get your partner to do it, you get what you pay for, you cheapskate. | 0:27:43 | 0:27:48 | |
They're sitting on you, just sitting on you! Just sitting on you. | 0:27:48 | 0:27:53 | |
You know, like a bully does. | 0:27:53 | 0:27:56 | |
Just sitting on you like a bully. | 0:27:56 | 0:27:59 | |
And then, they start guessing. | 0:27:59 | 0:28:01 | |
Just... | 0:28:01 | 0:28:02 | |
..having a flying guess all over your back, | 0:28:04 | 0:28:07 | |
doing moves they've half-remembered from films they've seen. | 0:28:07 | 0:28:11 | |
If you can't see what I'm doing at the back there, | 0:28:17 | 0:28:19 | |
I'm just using the heels of my hands. | 0:28:19 | 0:28:21 | |
You want to put them either side of the spine and then, you want | 0:28:21 | 0:28:25 | |
to put your full weight on that in the hope that that's OK. | 0:28:25 | 0:28:27 | |
Wing that, chance it - it's not your back. | 0:28:30 | 0:28:33 | |
And just move them out in a pattern that, from where you are, | 0:28:36 | 0:28:40 | |
looks nice. | 0:28:40 | 0:28:43 | |
It's pleasing to your eye if not to their actual back. | 0:28:43 | 0:28:46 | |
Nice and symmetrical all the way up. | 0:28:46 | 0:28:48 | |
A bit of shoulder work, obviously. You're not stingy, are you? | 0:28:58 | 0:29:01 | |
Some shoulder work while you're there. | 0:29:01 | 0:29:04 | |
What you're doing there, just gathering all the skin and muscle... | 0:29:04 | 0:29:09 | |
A nice chunky pinch and just let it go and do it again. | 0:29:09 | 0:29:13 | |
That's all that is. Letting it go, just move it somewhere else, | 0:29:13 | 0:29:16 | |
put it back where it was. That's that move. | 0:29:16 | 0:29:18 | |
Like an arcade claw that never wins anything, never gets any toys. | 0:29:18 | 0:29:21 | |
No toys. No toys. | 0:29:21 | 0:29:23 | |
Hardest part of jury duty. | 0:29:30 | 0:29:32 | |
LAUGHTER | 0:29:32 | 0:29:35 | |
I'll tell you what it is. The debates. | 0:29:35 | 0:29:37 | |
We had to go off, just the jury, in a little room | 0:29:37 | 0:29:39 | |
and debate the case every day. | 0:29:39 | 0:29:42 | |
Everyone else had opinions, except for me. I felt stupid. | 0:29:42 | 0:29:45 | |
In the end, I just played devil's advocate. | 0:29:45 | 0:29:48 | |
That's what you do if you don't have an opinion. It's clever. | 0:29:48 | 0:29:51 | |
Because devil's advocate, you don't need an opinion. | 0:29:51 | 0:29:54 | |
You just say the opposite to what everyone else is saying. | 0:29:54 | 0:29:56 | |
It's not on you because it's not you. It's the devil. | 0:29:56 | 0:29:59 | |
Who, let's not forget, is a certified rotter. | 0:30:00 | 0:30:03 | |
I was playing devil's advocate from the get-go. | 0:30:05 | 0:30:08 | |
Day one, first debate we ever had, everyone else on the jury, | 0:30:08 | 0:30:12 | |
they were saying how the murder was really bad. | 0:30:12 | 0:30:17 | |
Prime opportunity... | 0:30:17 | 0:30:19 | |
..for a little DA. | 0:30:20 | 0:30:23 | |
I piped up, "Hey, guys. | 0:30:23 | 0:30:26 | |
"To be fair, we're all going to die one day anyway. | 0:30:26 | 0:30:28 | |
"These people just died a little earlier | 0:30:28 | 0:30:30 | |
"than they would have in the first place. Cut this guy some slack, let him walk." | 0:30:30 | 0:30:35 | |
Went back to the hotel, I rang my mum up. Said, "Hey, Mum. | 0:30:35 | 0:30:38 | |
"I played devil's advocate in court today, you'd have been proud of me. | 0:30:38 | 0:30:41 | |
"I looked real clever." | 0:30:41 | 0:30:43 | |
She said, "Did you lead up to it by saying, | 0:30:43 | 0:30:46 | |
"'Just playing devil's advocate'?" I went, "Should I have?" | 0:30:46 | 0:30:50 | |
She went, "Undoubtedly. | 0:30:50 | 0:30:52 | |
"Otherwise, it just sounds like your own horrific opinion." | 0:30:52 | 0:30:56 | |
Day two involved a lot of backpedalling. | 0:30:57 | 0:31:00 | |
Had a similar problem with "no pun intended". | 0:31:01 | 0:31:05 | |
A couple of days later, we're having a debate, I piped up. "Hey, guys. | 0:31:05 | 0:31:10 | |
"No pun intended, | 0:31:10 | 0:31:12 | |
"but do you think it's possible that the gardener planted evidence?" | 0:31:12 | 0:31:16 | |
So what? So what? | 0:31:16 | 0:31:18 | |
Back to my hotel, I rang my mum up. I was like, "Hey, Mum. | 0:31:20 | 0:31:23 | |
"I said, 'No pun intended,' in court today. You'd have been proud of me. | 0:31:23 | 0:31:27 | |
"I looked real clever." | 0:31:27 | 0:31:29 | |
She said, "Did you say, 'No pun intended,' | 0:31:29 | 0:31:32 | |
"at the end of the sentence?" I went, "I said it at the top." | 0:31:32 | 0:31:36 | |
She went, "Right. That does sound like you knew fully well | 0:31:36 | 0:31:39 | |
"you were heading into a pun and did very little to change course. | 0:31:39 | 0:31:44 | |
"Therefore, the pun was fully intended, James." | 0:31:45 | 0:31:48 | |
What I learnt from those two experiences is, | 0:31:51 | 0:31:54 | |
if you make a pun in polite conversation, people will | 0:31:54 | 0:31:57 | |
hate you more than that time you openly defended murder. | 0:31:57 | 0:32:02 | |
You have been a joy to speak to. Thanks for listening to me. Bye! | 0:32:05 | 0:32:09 | |
CHEERING AND APPLAUSE | 0:32:09 | 0:32:11 | |
James Acaster. | 0:32:15 | 0:32:17 | |
Have you enjoyed yourselves this evening? | 0:32:19 | 0:32:21 | |
CHEERING | 0:32:21 | 0:32:24 | |
Me too. | 0:32:24 | 0:32:25 | |
Thank you so much for listening. | 0:32:25 | 0:32:27 | |
Let's hear it again for my tremendous guests - Mr Henning Wehn | 0:32:27 | 0:32:32 | |
and James Acaster. | 0:32:32 | 0:32:35 | |
CHEERING AND APPLAUSE | 0:32:35 | 0:32:37 | |
I've been Katherine Ryan. I'll see you soon. | 0:32:37 | 0:32:40 |