Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language. | 0:00:02 | 0:00:10 | |
Ladies and gentlemen, please welcome your host for tonight, Gina Yashere. | 0:00:18 | 0:00:25 | |
CHEERING | 0:00:25 | 0:00:27 | |
Hello! | 0:00:34 | 0:00:35 | |
Hammersmith Apollo, | 0:00:38 | 0:00:40 | |
what's happening, people? What's happening? | 0:00:40 | 0:00:41 | |
CHEERING | 0:00:41 | 0:00:43 | |
Excellent. Good to be here. | 0:00:43 | 0:00:45 | |
The Hammersmith Apollo. | 0:00:45 | 0:00:47 | |
Live At The Apollo. I'm hosting this. | 0:00:47 | 0:00:49 | |
-I'm hosting this! -CHEERING | 0:00:49 | 0:00:54 | |
So I'm back. I don't know if you guys know this. | 0:00:54 | 0:00:56 | |
I've been working a lot abroad. | 0:00:56 | 0:00:59 | |
Been in America quite a bit the last few years, | 0:00:59 | 0:01:01 | |
back and forth between England and America. | 0:01:01 | 0:01:04 | |
At the moment, I'm in New York. | 0:01:04 | 0:01:07 | |
It's very similar. New York and London are very similar. | 0:01:07 | 0:01:09 | |
They're similar places, they are. | 0:01:09 | 0:01:11 | |
New York is just a bigger, crazier, | 0:01:11 | 0:01:15 | |
filthier version of London. | 0:01:15 | 0:01:19 | |
Because New York is filthy. | 0:01:19 | 0:01:20 | |
It's filthy. It's dirty. | 0:01:20 | 0:01:22 | |
It's dirty. It's filthy. | 0:01:22 | 0:01:26 | |
It's dirty, filthy, | 0:01:26 | 0:01:29 | |
gross, dirty, | 0:01:29 | 0:01:34 | |
dirty city. It's filthy. | 0:01:34 | 0:01:36 | |
It's dirty. It's dirty. | 0:01:36 | 0:01:39 | |
Let me tell you how dirty it is. | 0:01:40 | 0:01:42 | |
I got into a staring match with a rat on the subway. | 0:01:44 | 0:01:46 | |
That's what I'm talking about. You know when you see a rat? | 0:01:48 | 0:01:51 | |
I saw this big rat. You think you can scare them away. | 0:01:51 | 0:01:54 | |
I went "uh" and the rat went "huh?" | 0:01:54 | 0:01:56 | |
I was like, "Oh, shit. My bad, my bad." | 0:01:58 | 0:01:59 | |
It's filthy. It's a filthy city, | 0:02:02 | 0:02:05 | |
which is a problem for me because I am very OCD. | 0:02:05 | 0:02:07 | |
Like, I am super OCD. I'm a germophobe, big time. | 0:02:07 | 0:02:10 | |
I travel a lot as a comedian, | 0:02:10 | 0:02:12 | |
I stay in a lot of different hotels and things and people always say, | 0:02:12 | 0:02:15 | |
"Oh, it must be really good staying in all these different hotels | 0:02:15 | 0:02:18 | |
"all over the world." No, not for me. | 0:02:18 | 0:02:20 | |
I travel with my own bedsheets, pillow and pillowcase, | 0:02:20 | 0:02:26 | |
special slippers that I only wear in hotel rooms because I don't want | 0:02:26 | 0:02:31 | |
hotel floor to contaminate my floor. | 0:02:31 | 0:02:34 | |
Every hotel room I stay in looks like an episode of Dexter. | 0:02:36 | 0:02:39 | |
I just put plastic. Plastic, plastic. | 0:02:39 | 0:02:44 | |
I've seen too many of those TV shows. | 0:02:44 | 0:02:46 | |
You know those science shows where they go, | 0:02:46 | 0:02:48 | |
"We went into a hotel room and we took a swab of the mattress. | 0:02:48 | 0:02:52 | |
"And we found blood, skin, faeces, and semen from a giraffe." | 0:02:53 | 0:02:58 | |
Oh, my God, they let giraffes check into the Hilton! This is... | 0:03:01 | 0:03:05 | |
I touch nothing in a hotel room, nothing. | 0:03:05 | 0:03:08 | |
I wipe everything down. | 0:03:08 | 0:03:10 | |
I don't even touch the TV remote control in a TV hotel room. | 0:03:10 | 0:03:13 | |
That's right, people. Don't touch it. | 0:03:13 | 0:03:15 | |
I wrap it in a shower cap. | 0:03:15 | 0:03:16 | |
Some of you are looking at me, like, "That's a good idea." | 0:03:18 | 0:03:21 | |
Yes, it is! | 0:03:21 | 0:03:22 | |
The TV remote is the filthiest part of the room. | 0:03:26 | 0:03:29 | |
It's filthy. It's dirty. | 0:03:29 | 0:03:31 | |
It's dirty. I tell you why. | 0:03:31 | 0:03:35 | |
I'll tell you why the remote control is the filthiest. | 0:03:35 | 0:03:38 | |
A very large percentage of people who stay in hotels are single men. | 0:03:38 | 0:03:44 | |
I'm going to say that again - single men. | 0:03:50 | 0:03:51 | |
Travelling alone. | 0:03:52 | 0:03:54 | |
All alone. Men, alone. | 0:03:55 | 0:03:58 | |
Alone, all alone. | 0:03:59 | 0:04:00 | |
Alone. | 0:04:00 | 0:04:02 | |
Single men alone. | 0:04:02 | 0:04:04 | |
All alone. | 0:04:04 | 0:04:06 | |
Alone. | 0:04:06 | 0:04:07 | |
And what do single men do when they're all alone? | 0:04:07 | 0:04:09 | |
Alone. | 0:04:09 | 0:04:10 | |
What do you do, young man, when you're all alone? | 0:04:11 | 0:04:13 | |
You? | 0:04:13 | 0:04:15 | |
You? | 0:04:16 | 0:04:18 | |
Alone in the room with your ten chubby little fingers, all alone. | 0:04:18 | 0:04:21 | |
Don't look at her, look at me. | 0:04:24 | 0:04:25 | |
You know what you're doing. | 0:04:28 | 0:04:30 | |
You're watching porn, you're having a wank. | 0:04:32 | 0:04:34 | |
That's what you're doing. | 0:04:34 | 0:04:36 | |
I don't know about you but I do not want to become the first woman | 0:04:37 | 0:04:40 | |
in the world to become pregnant from a remote control. | 0:04:40 | 0:04:43 | |
Some of you are looking at me funny. | 0:04:50 | 0:04:51 | |
I'm not saying I put them inside me. | 0:04:51 | 0:04:53 | |
Accidents do happen. Accidents! | 0:04:56 | 0:04:58 | |
I'm OCD. I'm a germaphobe. I have a problem using public toilets. | 0:05:01 | 0:05:05 | |
I can't do it. I can't do it. | 0:05:07 | 0:05:08 | |
Most women, we don't sit on the toilet seat anyway, do we? | 0:05:08 | 0:05:11 | |
They're disgusting. They're gross. | 0:05:11 | 0:05:12 | |
They're dirty. They're gross. | 0:05:12 | 0:05:15 | |
And they're coming out with this thing now where they have got those | 0:05:15 | 0:05:18 | |
paper toilet seat covers. Have you seen these things? | 0:05:18 | 0:05:20 | |
They've got these paper toilet seat covers that you pull out and put on | 0:05:20 | 0:05:23 | |
the toilet seat. Have you seen what they're made from? | 0:05:23 | 0:05:25 | |
It's tracing paper. | 0:05:25 | 0:05:26 | |
Tracing paper! | 0:05:28 | 0:05:30 | |
That stuff acts like a blotter. | 0:05:30 | 0:05:32 | |
You sit on that and pee, one drop of pee gets on it, | 0:05:34 | 0:05:38 | |
it spreads all through the paper. | 0:05:38 | 0:05:41 | |
And you get up and you've got paper stuck to your bum. | 0:05:41 | 0:05:45 | |
So we don't, we don't sit on those toilets. | 0:05:45 | 0:05:47 | |
What do we do, ladies? What do we do? | 0:05:48 | 0:05:50 | |
That's right. We hover, we squat. | 0:05:50 | 0:05:53 | |
Did you know we do that? Your girlfriend does this. | 0:05:56 | 0:05:58 | |
Look at me, sir. Look at me. | 0:05:58 | 0:06:00 | |
She does this. | 0:06:00 | 0:06:02 | |
Every woman in the world. | 0:06:02 | 0:06:03 | |
Good thighs, good thighs. | 0:06:03 | 0:06:04 | |
That's why when she wraps her head round your neck, you can't get out. | 0:06:06 | 0:06:10 | |
Look at me. Look at me! | 0:06:14 | 0:06:16 | |
We squat, we pee. Straight line, sir. | 0:06:18 | 0:06:21 | |
Straight line. None of this deviation stuff. | 0:06:21 | 0:06:24 | |
Straight line. Straight down the middle. | 0:06:24 | 0:06:28 | |
Pee. Wipe. | 0:06:28 | 0:06:29 | |
Flush. That's what we do, right? | 0:06:30 | 0:06:32 | |
Can you do this, men? | 0:06:37 | 0:06:39 | |
Can you do this? No. | 0:06:39 | 0:06:40 | |
Only women can do this. | 0:06:40 | 0:06:42 | |
Only women. Because we are toilet ninjas. | 0:06:42 | 0:06:44 | |
Times have changed, though, times have changed. | 0:06:49 | 0:06:52 | |
You know, I'm not as young as I was. | 0:06:52 | 0:06:55 | |
So my aim is not what it was. | 0:06:56 | 0:06:58 | |
I don't know what's happened to my flaps. | 0:07:00 | 0:07:02 | |
Yes, I said flaps! | 0:07:04 | 0:07:06 | |
I can't pee in a straight line any more. | 0:07:11 | 0:07:13 | |
I've recently found myself peeing down the back of my thighs. | 0:07:15 | 0:07:18 | |
And yesterday I managed to pee on the woman in the next stall. | 0:07:22 | 0:07:25 | |
I've been out in the States. It's been good, it's been good. | 0:07:28 | 0:07:31 | |
I'm black in America, but I got this accent. | 0:07:31 | 0:07:35 | |
This accent's a life-saver. | 0:07:35 | 0:07:36 | |
It's a good accent to have. | 0:07:36 | 0:07:38 | |
Those of you that don't have it, learn it. | 0:07:38 | 0:07:39 | |
In fact, I'm a superhero in America. | 0:07:41 | 0:07:45 | |
I'm a superhero. My superhero name is Undercover African-American. | 0:07:45 | 0:07:49 | |
Because they think I'm an African-American, but I'm not, | 0:07:51 | 0:07:55 | |
so I use that superpower to catch racist shop owners. | 0:07:55 | 0:07:59 | |
All I do is go into really expensive shops and walk around real slow. | 0:08:01 | 0:08:05 | |
And sometimes I touch stuff. | 0:08:10 | 0:08:12 | |
I caught out this woman recently. | 0:08:14 | 0:08:16 | |
I was in an expensive jewellery store in Manhattan and she was | 0:08:16 | 0:08:18 | |
following me around the shop. I said, "I see you, lady. | 0:08:18 | 0:08:21 | |
"You've obviously made a judgment based on my outward appearance | 0:08:21 | 0:08:26 | |
"and the fact that I'm wearing a cape." | 0:08:26 | 0:08:27 | |
And she was very apologetic. | 0:08:33 | 0:08:34 | |
Very apologetic. | 0:08:34 | 0:08:36 | |
She left me alone in the store to browse in peace. | 0:08:36 | 0:08:40 | |
And I got away with thousands of dollars' worth of jewellery. | 0:08:42 | 0:08:45 | |
I did it for us, black people. I did it for us. | 0:08:48 | 0:08:50 | |
Black lives matter. Yes. | 0:08:51 | 0:08:53 | |
I felt a bit of tension in the room when I said that. | 0:08:54 | 0:08:57 | |
I felt some white anuses just puckering up when I said that. | 0:08:57 | 0:09:00 | |
I felt some puckering. I felt some puckering. | 0:09:00 | 0:09:04 | |
Relax, white people. Relax. | 0:09:06 | 0:09:07 | |
Obviously all lives matter, but not all lives are being treated equally, | 0:09:08 | 0:09:12 | |
so we have to reiterate the fact that black lives matter too. | 0:09:12 | 0:09:15 | |
That was the original hashtag. | 0:09:15 | 0:09:17 | |
APPLAUSE | 0:09:17 | 0:09:19 | |
That was the original hashtag, but we had to shorten the hashtag | 0:09:24 | 0:09:26 | |
so we could get it on the T-shirt. | 0:09:26 | 0:09:28 | |
So we just shortened it to black lives matter, | 0:09:29 | 0:09:31 | |
and assumed that smart people would get it. | 0:09:31 | 0:09:34 | |
There's a lot of dumb fucks out there, that's all I'm saying. | 0:09:34 | 0:09:39 | |
I get a lot of people shouting at me online. | 0:09:39 | 0:09:41 | |
"You're racist! All lives matter. | 0:09:41 | 0:09:43 | |
"All lives matter. All lives." | 0:09:43 | 0:09:45 | |
I'm like, "Yeah, I get that. I get that." Just because | 0:09:45 | 0:09:48 | |
I say "save the rainforest" doesn't mean "fuck all other trees". | 0:09:48 | 0:09:51 | |
There's a lot of anti-immigrant feeling going on | 0:10:06 | 0:10:08 | |
around the world right now. I'm an immigrant to America. | 0:10:08 | 0:10:11 | |
My mother was an immigrant from Nigeria to England. | 0:10:11 | 0:10:14 | |
And there's an immigrant mentality. | 0:10:14 | 0:10:16 | |
When you have kids in a different country, | 0:10:16 | 0:10:18 | |
you're a lot more ambitious for your kids. | 0:10:18 | 0:10:20 | |
You want your kids to do well. | 0:10:20 | 0:10:22 | |
My mum was super ambitious for us. | 0:10:22 | 0:10:24 | |
Super ambitious. Like, in an African family... | 0:10:24 | 0:10:26 | |
Any Africans in? Any Africans? | 0:10:26 | 0:10:28 | |
CHEERING | 0:10:28 | 0:10:30 | |
That's just for us, white people. Not you. Just for us. | 0:10:30 | 0:10:33 | |
African family, you've got four choices of career - | 0:10:37 | 0:10:41 | |
doctor, lawyer, engineer, | 0:10:41 | 0:10:45 | |
disgrace to the family. | 0:10:45 | 0:10:47 | |
My mum picked all our jobs before we were born. | 0:10:53 | 0:10:55 | |
When my mum was pregnant with me, someone went up to her and went, | 0:10:56 | 0:10:59 | |
"What are you having?" She was like, "I'm having a doctor." | 0:10:59 | 0:11:02 | |
And that was it. She picked my subjects at school. | 0:11:04 | 0:11:08 | |
I was going to be a doctor. Got as far as A-level biology and we had to | 0:11:08 | 0:11:11 | |
cut open a rat. Remember that? You had to cut open a rat, | 0:11:11 | 0:11:13 | |
and I discovered I couldn't stand the sight of blood, | 0:11:13 | 0:11:17 | |
or anything vaguely biological, so I had to switch it up. | 0:11:17 | 0:11:20 | |
I had to tell my mum the doctor thing wasn't going to work out, | 0:11:20 | 0:11:23 | |
but it was all right. I said, "I'm going to be an engineer." | 0:11:23 | 0:11:26 | |
And my mum was like, "Oh, engineer. It is on the list. OK." | 0:11:26 | 0:11:29 | |
And then she turns to my younger brother. | 0:11:32 | 0:11:34 | |
"You will be the doctor!" | 0:11:34 | 0:11:36 | |
And that's how it ran in my family. | 0:11:39 | 0:11:43 | |
She wasn't impressed when I decided to become a comedian. | 0:11:43 | 0:11:46 | |
That conversation didn't go very well. | 0:11:46 | 0:11:47 | |
Because I was an engineer, I worked as an engineer for years. | 0:11:47 | 0:11:50 | |
I used to work for Otis, repairing lifts. | 0:11:50 | 0:11:52 | |
That's what I did, and my mum was proud. | 0:11:52 | 0:11:54 | |
"Yes, my daughter. She's an engineer." | 0:11:54 | 0:11:56 | |
And then I left that and decided to become a comedian. | 0:11:58 | 0:12:01 | |
My mum was not impressed. | 0:12:01 | 0:12:02 | |
She was like, "Comedy? Comedy? What the hell is comedy? | 0:12:02 | 0:12:07 | |
"How am I going to tell my friends in Nigeria? | 0:12:07 | 0:12:09 | |
"Hey! Hey! My daughter is a clown." | 0:12:09 | 0:12:12 | |
But luckily for me, within six months of starting comedy, | 0:12:19 | 0:12:23 | |
I got on this talent show called The Big, Big Talent Show, | 0:12:23 | 0:12:27 | |
hosted by Jonathan Ross. | 0:12:27 | 0:12:28 | |
I got on the show. So I called my mum. | 0:12:28 | 0:12:30 | |
I was like, "Mum, I got through to this big talent show. | 0:12:30 | 0:12:33 | |
"It's going to be on TV. I'm through to the quarterfinals." | 0:12:33 | 0:12:36 | |
And my mum's like, "Oh, yeah. That's good. | 0:12:36 | 0:12:39 | |
"Interesting. Very good. Call me when you get to the final. | 0:12:39 | 0:12:42 | |
"I'm not interested in this quarterfinal, semifinal rubbish. | 0:12:44 | 0:12:48 | |
"Call me for the final." | 0:12:48 | 0:12:50 | |
So, sure enough I got through to the final, filmed live on television, | 0:12:52 | 0:12:55 | |
live. Jonathan Ross is hosting. | 0:12:55 | 0:12:58 | |
And my mum comes down with her entourage, | 0:12:58 | 0:13:00 | |
because my mum does not travel without a Nigerian entourage. | 0:13:00 | 0:13:04 | |
So I do my set. | 0:13:05 | 0:13:07 | |
Jonathan Ross is interviewing me after my set and he sees my mum | 0:13:07 | 0:13:11 | |
in the audience, which was not hard to spot. | 0:13:11 | 0:13:14 | |
It is literally white people, white people, white people, | 0:13:14 | 0:13:16 | |
then a bank of African royalty, just... | 0:13:16 | 0:13:18 | |
So Jonathan points to my mum and goes, "Is that your mum? | 0:13:24 | 0:13:27 | |
"Gina's mum is in the audience." | 0:13:28 | 0:13:30 | |
And I swear to God, my mum stood up like this. | 0:13:30 | 0:13:31 | |
"Yes, that is right. I am the reason the clown is here. | 0:13:38 | 0:13:41 | |
"I am the reason. I always knew she was going to be a clown. | 0:13:41 | 0:13:46 | |
"When she was three, I bought her the big shoes." | 0:13:46 | 0:13:49 | |
So my mum only comes out for the big shows. | 0:13:50 | 0:13:52 | |
She only comes out for the big shows, and in fact, | 0:13:52 | 0:13:55 | |
my mum is here tonight. Where's my mum? | 0:13:55 | 0:13:58 | |
Where's my mum? | 0:13:58 | 0:14:00 | |
There's my mum over there. She's here. | 0:14:00 | 0:14:04 | |
Look at her, standing up. Look at her. There she is. | 0:14:07 | 0:14:10 | |
All right, you can sit down now, Mum. | 0:14:13 | 0:14:15 | |
You can sit down. This is my show, Mum. | 0:14:15 | 0:14:17 | |
It's my show. | 0:14:17 | 0:14:18 | |
It's MY show! | 0:14:18 | 0:14:20 | |
Yeah, you can sit down now, Mum. | 0:14:28 | 0:14:30 | |
And at that point, | 0:14:32 | 0:14:33 | |
I think it's time to bring on the first act of the show. | 0:14:33 | 0:14:35 | |
Are you guys ready? | 0:14:35 | 0:14:37 | |
CHEERING AND APPLAUSE | 0:14:37 | 0:14:38 | |
This first comedian coming on is a rising star on the comedy scene. | 0:14:42 | 0:14:45 | |
She's hilarious. Give it up for the very funny Ellie Taylor. | 0:14:45 | 0:14:49 | |
CHEERING AND APPLAUSE | 0:14:49 | 0:14:51 | |
Hello, Apollo. Are you well? | 0:15:01 | 0:15:03 | |
CHEERING | 0:15:03 | 0:15:04 | |
Yes. Amazing. This is lovely, isn't it? | 0:15:04 | 0:15:06 | |
Hello. My name's Ellie. | 0:15:06 | 0:15:08 | |
I got married last year. | 0:15:08 | 0:15:10 | |
CHEERING | 0:15:10 | 0:15:11 | |
Thank you. It's lovely being married. | 0:15:11 | 0:15:13 | |
Just spending the last 12 months getting used to it. | 0:15:13 | 0:15:16 | |
So remembering to call myself a Mrs, | 0:15:16 | 0:15:19 | |
remembering not to sleep with other people. | 0:15:19 | 0:15:23 | |
Apparently that one's quite important, apparently. | 0:15:23 | 0:15:25 | |
Don't get me wrong, right. I love my husband. | 0:15:25 | 0:15:28 | |
I love my husband. | 0:15:28 | 0:15:29 | |
But I also love Weetabix. | 0:15:29 | 0:15:32 | |
And if someone told me that Weetabix was the only cereal | 0:15:34 | 0:15:36 | |
I was allowed to eat for the rest of my life, | 0:15:36 | 0:15:40 | |
pretty sure in a few years... | 0:15:40 | 0:15:41 | |
..I'd want to fuck another man. | 0:15:45 | 0:15:47 | |
Don't get me wrong, right. Don't get me wrong. | 0:15:51 | 0:15:52 | |
Monogamy is really long, guys. | 0:15:52 | 0:15:56 | |
And I get from an evolutionary point of view it's better for us to be | 0:15:56 | 0:15:59 | |
paired up to do the basic things in life. | 0:15:59 | 0:16:02 | |
You know, like raise children or collect air miles. | 0:16:02 | 0:16:05 | |
I get that. | 0:16:05 | 0:16:06 | |
But I just feel like I've got so many wild oats that I want to sow. | 0:16:08 | 0:16:11 | |
I know some of you might think that's quite a male turn of phrase. | 0:16:13 | 0:16:15 | |
Uh-uh, not true. | 0:16:15 | 0:16:17 | |
I got oats, babe. | 0:16:17 | 0:16:18 | |
I got oats for days. | 0:16:20 | 0:16:22 | |
I got so many backed-up oats, I could shit a flapjack. | 0:16:24 | 0:16:27 | |
And I get not all women feel that way. | 0:16:35 | 0:16:37 | |
I understand not all women are madly into sex. | 0:16:37 | 0:16:40 | |
I've got plenty of girlfriends who are like, "Oh, God. | 0:16:40 | 0:16:43 | |
"Steve's birthday tomorrow. | 0:16:43 | 0:16:45 | |
"Fingers crossed a documentary about sharks comes on | 0:16:48 | 0:16:51 | |
"and he gets distracted." | 0:16:51 | 0:16:52 | |
I've always been quite sexually aware, but it's never translated | 0:16:55 | 0:16:59 | |
into what I would call, you know, a slaggy period. | 0:16:59 | 0:17:04 | |
So I feel like I've got a lot of inner banging | 0:17:04 | 0:17:06 | |
that I need to get out of my system. | 0:17:06 | 0:17:08 | |
Because I really haven't slept with many people, I really haven't. | 0:17:09 | 0:17:12 | |
So in my 22 years on this planet plus another ten years... | 0:17:12 | 0:17:17 | |
..I have only slept with six people, which isn't very many. | 0:17:21 | 0:17:25 | |
So I got to the point that my friends are sleeping with | 0:17:25 | 0:17:27 | |
so many more guys, they're having to keep lists to keep track. | 0:17:27 | 0:17:31 | |
God, imagine being that sexually experienced it involves admin. | 0:17:31 | 0:17:35 | |
That's an Excel spreadsheet I could get behind. | 0:17:39 | 0:17:41 | |
Honestly, I know girls from school who have outscored me | 0:17:43 | 0:17:45 | |
on a single trip to the toilet in The Slug And Lettuce. | 0:17:45 | 0:17:48 | |
So the reason I haven't slept with many people is because, | 0:17:51 | 0:17:53 | |
when I was younger, I suffered from this condition | 0:17:53 | 0:17:56 | |
where I would go out with knobheads for years at a time. | 0:17:56 | 0:18:00 | |
Like the last one. Total disaster, right. | 0:18:05 | 0:18:07 | |
We had nothing in common. | 0:18:07 | 0:18:09 | |
I'm from Essex, born in Basildon, and this guy was super posh. | 0:18:09 | 0:18:12 | |
He had more middle names than I've had sexual partners. | 0:18:12 | 0:18:15 | |
So eventually I broke up with him, and I was like, | 0:18:16 | 0:18:18 | |
"For the first time in my life, I can have my slaggy period." | 0:18:18 | 0:18:22 | |
So I made a pact with myself that the first hot guy I bumped into | 0:18:22 | 0:18:26 | |
I was going to chat up and seduce, right. | 0:18:26 | 0:18:28 | |
So this happened a few days later. I was in a lift in central London. | 0:18:28 | 0:18:31 | |
Hot guy got in a lift with me. | 0:18:31 | 0:18:33 | |
I saw him and I thought, "Hello. | 0:18:33 | 0:18:35 | |
"Victim numero uno. | 0:18:37 | 0:18:38 | |
"Let's get this party started. | 0:18:40 | 0:18:43 | |
"I hope you like flapjacks." | 0:18:43 | 0:18:45 | |
Amazing I haven't slept with many people, isn't it? | 0:18:49 | 0:18:52 | |
So hot guy gets in the lift. | 0:18:52 | 0:18:54 | |
He presses level one. | 0:18:54 | 0:18:57 | |
We're only on the ground floor. | 0:18:57 | 0:18:58 | |
He's only going up one level. Lazy. | 0:18:58 | 0:19:00 | |
So I think, "Ellie, say something flirty to him." | 0:19:02 | 0:19:05 | |
So I said, "You're only going up one level. Lazy." | 0:19:05 | 0:19:09 | |
You've either got it or you haven't, guys. | 0:19:12 | 0:19:14 | |
Hot guy laughs. I'm like, "Oh, here we go. | 0:19:14 | 0:19:17 | |
"Shag, shag, shag. Bang, bang, bang. Oats, oats, oats." | 0:19:17 | 0:19:20 | |
Hot guy puts out his hand to introduce himself. | 0:19:23 | 0:19:25 | |
"Hi. My name's Phil." | 0:19:25 | 0:19:26 | |
And six years later, I married him. | 0:19:26 | 0:19:29 | |
CHEERING | 0:19:29 | 0:19:31 | |
You know what that means, guys? | 0:19:36 | 0:19:38 | |
My entire slaggy period | 0:19:38 | 0:19:40 | |
consisted of ground floor to first floor in a fricking lift. | 0:19:40 | 0:19:44 | |
Gutted! | 0:19:45 | 0:19:46 | |
My wedding was quite unusual, actually, | 0:19:48 | 0:19:50 | |
because you might not know this about me - I'm a full-time comedian | 0:19:50 | 0:19:52 | |
but I'm also a part-time professional feminist icon. | 0:19:52 | 0:19:56 | |
I'm in a job share with Sandi Toksvig. | 0:19:56 | 0:19:59 | |
Like all feminist icons, | 0:20:00 | 0:20:01 | |
I'm obviously extremely politically knowledgeable, | 0:20:01 | 0:20:04 | |
like, loads, babe. So I decided to use my wedding | 0:20:04 | 0:20:07 | |
to investigate a political issue, right? | 0:20:07 | 0:20:10 | |
And the political issue I decided to investigate was immigration. | 0:20:10 | 0:20:14 | |
So what I did, guys, what I did - I married an immigrant. | 0:20:14 | 0:20:17 | |
Oh! | 0:20:17 | 0:20:19 | |
I know. Immersive, isn't it? | 0:20:20 | 0:20:23 | |
I'm basically Louis Theroux. | 0:20:23 | 0:20:24 | |
It was a bit tricky at the beginning. | 0:20:27 | 0:20:29 | |
I was like, "Oh, God. What does it eat? | 0:20:29 | 0:20:31 | |
"No, don't give it milk and bread. | 0:20:33 | 0:20:35 | |
"It can't have that. Oh, no, that's hedgehogs, isn't it? | 0:20:35 | 0:20:37 | |
"As you were. Flat palm, flat palm." | 0:20:37 | 0:20:41 | |
Now my immigrant, he is Australian themed. | 0:20:45 | 0:20:48 | |
But they also come in other flavours, they do. | 0:20:50 | 0:20:52 | |
They also come - don't know if you know this - | 0:20:52 | 0:20:54 | |
with different outfits you can change. Great fun. | 0:20:54 | 0:20:57 | |
Sometimes I put my one in a suit. | 0:20:57 | 0:21:00 | |
I'm like, "Oh! Smart immigrant." | 0:21:00 | 0:21:02 | |
Sometimes I put him in a pair of trainers. | 0:21:04 | 0:21:06 | |
"Oh, casual immigrant!" | 0:21:06 | 0:21:08 | |
Sometimes I put him in a job that a British person can't or won't do. | 0:21:09 | 0:21:15 | |
CHEERING AND APPLAUSE | 0:21:15 | 0:21:18 | |
"Typical bloody immigrant!" | 0:21:22 | 0:21:25 | |
Get your own. There's loads of them. | 0:21:25 | 0:21:27 | |
Honestly, he's probably the best accessory I've ever had, | 0:21:31 | 0:21:33 | |
and I own a Taser. | 0:21:33 | 0:21:35 | |
So, no, it's really nice being married. | 0:21:37 | 0:21:40 | |
I like it. I feel like it's turned me into a woman. | 0:21:40 | 0:21:43 | |
I know it's turned me into a woman because I've started buying candles. | 0:21:43 | 0:21:47 | |
Bitches love candles though, don't they? Bitches love candles. | 0:21:48 | 0:21:51 | |
They're so expensive though. The fancy ones, the Jo Malone ones, | 0:21:53 | 0:21:55 | |
I've worked out it's actually better value and you can get | 0:21:55 | 0:21:58 | |
the same effect if you set fire to a £20 note and sniff a fig roll. | 0:21:58 | 0:22:01 | |
LAUGHTER | 0:22:01 | 0:22:03 | |
Not just candles am I buying, though, guys. | 0:22:06 | 0:22:08 | |
Buying other little bits for the house. | 0:22:08 | 0:22:10 | |
I call them trinkets. | 0:22:10 | 0:22:12 | |
Australian husband calls them, | 0:22:12 | 0:22:14 | |
"Great, another bit of tat with a shit quote on." | 0:22:14 | 0:22:17 | |
It's not true, they're essentials. | 0:22:19 | 0:22:21 | |
How else am I supposed to remember to dance like nobody is watching? | 0:22:21 | 0:22:25 | |
Unless I have a piece of driftwood to remind me to? | 0:22:28 | 0:22:30 | |
Essentials. | 0:22:32 | 0:22:34 | |
But my sister says the reason I like all this stuff | 0:22:34 | 0:22:36 | |
is because I'm nesting. | 0:22:36 | 0:22:37 | |
She thinks that's really good. | 0:22:37 | 0:22:39 | |
She's like, "You need to have a baby. | 0:22:39 | 0:22:41 | |
"You need to have a baby so you've got someone to look after you | 0:22:41 | 0:22:44 | |
"when you're old." | 0:22:44 | 0:22:46 | |
I'm like, "Hang on. Isn't that what the NHS is for?" | 0:22:46 | 0:22:50 | |
Unless the NHS is that screwed that by the time I'm old, | 0:22:50 | 0:22:53 | |
you literally have had to give birth to your own medical professional. | 0:22:53 | 0:22:57 | |
"Push, push! Oh, congratulations, it's an oncologist." | 0:22:57 | 0:23:01 | |
Cos I'm not sure about having kids right now, | 0:23:03 | 0:23:05 | |
so it means I'm very aware of my contraception. | 0:23:05 | 0:23:08 | |
So I've done all the research for you. So the pill, 99% effective. | 0:23:08 | 0:23:12 | |
Condoms, 99% effective. | 0:23:12 | 0:23:15 | |
Eating a large Indian takeaway and then going, | 0:23:15 | 0:23:18 | |
"Oh, look how pregnant I look," | 0:23:18 | 0:23:21 | |
100% effective! | 0:23:21 | 0:23:23 | |
LAUGHTER | 0:23:23 | 0:23:25 | |
But my view on kids actually helped me become a little bit | 0:23:26 | 0:23:28 | |
of an internet sensation earlier this year. | 0:23:28 | 0:23:31 | |
There was this thing on Facebook, I don't know if you saw it. | 0:23:31 | 0:23:33 | |
It was called the Motherhood Challenge. | 0:23:33 | 0:23:35 | |
So mums were putting up five photos of themselves | 0:23:35 | 0:23:37 | |
that made them proud to be a mother. | 0:23:37 | 0:23:40 | |
So there were pictures of, like, little Ken on the beach. | 0:23:40 | 0:23:43 | |
Little Ken trying avocado for the first time. | 0:23:43 | 0:23:46 | |
Little Ken asking, "What kind of a name is Ken for a toddler?!" | 0:23:46 | 0:23:50 | |
Lovely, lovely, lovely. | 0:23:50 | 0:23:53 | |
Now, I do not have a problem with anyone being proud to be a parent. | 0:23:53 | 0:23:57 | |
I just saw a lot of this stuff, | 0:23:57 | 0:23:58 | |
thought I'm going to do the opposite. | 0:23:58 | 0:23:59 | |
I did the non-motherhood challenge. | 0:23:59 | 0:24:02 | |
I posted five photos of myself that made me proud not to be a mother. | 0:24:02 | 0:24:07 | |
Four of those were pictures of me asleep. | 0:24:07 | 0:24:10 | |
LAUGHTER AND APPLAUSE | 0:24:10 | 0:24:13 | |
And the fifth one was of me asleep holding a bottle of wine. | 0:24:19 | 0:24:24 | |
Really, really silly, right. | 0:24:26 | 0:24:28 | |
Whacked it up on Facebook, didn't really think any more about it. | 0:24:28 | 0:24:30 | |
For some reason it went bananas, right. | 0:24:30 | 0:24:34 | |
It went viral, got shared a gazillion times, | 0:24:34 | 0:24:35 | |
went all the way round the world. | 0:24:35 | 0:24:37 | |
At one point I became Woman Of The Week on a Swahili parenting blog. | 0:24:37 | 0:24:41 | |
And it was really interesting seeing | 0:24:43 | 0:24:45 | |
the different responses I got back to it. | 0:24:45 | 0:24:47 | |
The first lot of people to write on my Facebook page were women like me | 0:24:47 | 0:24:50 | |
without children saying things like, "Oh, Ellie, thanks for giving us, | 0:24:50 | 0:24:54 | |
"the childless, a voice." | 0:24:54 | 0:24:55 | |
I was like, "No worries, babes, you're welcome." | 0:24:55 | 0:24:57 | |
And then I got some other replies and I printed them out here. | 0:25:00 | 0:25:03 | |
So, I got some replies from some mothers. That was quite interesting. | 0:25:03 | 0:25:08 | |
Like this lady. We'll call her Mummy Number One. | 0:25:08 | 0:25:11 | |
She said, "You don't understand what it feels like to become a mother, | 0:25:12 | 0:25:16 | |
"you fucking superficial basic bitch." | 0:25:16 | 0:25:18 | |
LAUGHTER | 0:25:18 | 0:25:21 | |
Mummy Number One! | 0:25:23 | 0:25:25 | |
So maternal, isn't she? | 0:25:26 | 0:25:28 | |
Then what happened is other childless women started defending me | 0:25:32 | 0:25:35 | |
against the cross mums. | 0:25:35 | 0:25:37 | |
So there was this lady who piped up, very angry. | 0:25:37 | 0:25:39 | |
We'll call her Outraged From Kent. | 0:25:39 | 0:25:43 | |
She said, "Why is this funny? | 0:25:43 | 0:25:44 | |
"Don't mock the ones who choose to be parents. Very tasteless." | 0:25:44 | 0:25:48 | |
So then an American lady came in to my rescue. | 0:25:48 | 0:25:51 | |
Now, see if you can work out why I think she's American. | 0:25:51 | 0:25:54 | |
"Jesus Christ, woman! | 0:25:56 | 0:25:58 | |
"No-one owes you an explanation. | 0:25:59 | 0:26:01 | |
"Nobody has time for another butt-hurt Mommy!" | 0:26:01 | 0:26:04 | |
Outraged From Kent comes back rather sensibly with, | 0:26:07 | 0:26:09 | |
"What on earth is a butt-hurt mommy?" | 0:26:09 | 0:26:13 | |
Nobody knows, nobody knows. | 0:26:13 | 0:26:14 | |
Then other cross mums started replying to me, | 0:26:15 | 0:26:18 | |
but these mums were from different countries, | 0:26:18 | 0:26:20 | |
so they were insulting me in different languages. | 0:26:20 | 0:26:23 | |
Don't worry, guys, Facebook translates it for us | 0:26:23 | 0:26:25 | |
so we didn't miss out. | 0:26:25 | 0:26:27 | |
There was this lady from Mexico. | 0:26:28 | 0:26:30 | |
Now when it says "it", I think it means "she". | 0:26:30 | 0:26:34 | |
"No wonder it does not have children." | 0:26:36 | 0:26:40 | |
LAUGHTER | 0:26:40 | 0:26:42 | |
"Look at its big teeth." | 0:26:48 | 0:26:50 | |
Gracias, amigo Mexico. | 0:26:57 | 0:27:00 | |
But this is all saved by the final group who replied to me | 0:27:00 | 0:27:03 | |
and they made everything better. | 0:27:03 | 0:27:04 | |
They were led by a man called Alessandro. | 0:27:04 | 0:27:07 | |
And Alessandro says, | 0:27:07 | 0:27:10 | |
"As an Italian... | 0:27:10 | 0:27:12 | |
"I need to know... | 0:27:12 | 0:27:15 | |
"what kind of wine is that?" | 0:27:15 | 0:27:18 | |
LAUGHTER AND APPLAUSE | 0:27:18 | 0:27:21 | |
Guys, you have been an absolute dream come true. | 0:27:25 | 0:27:28 | |
Thank you so much. I'm Ellie Taylor. Thank you! | 0:27:28 | 0:27:30 | |
Ellie Taylor! | 0:27:39 | 0:27:41 | |
WHOOPING | 0:27:41 | 0:27:43 | |
I ain't got any kids. Kids scare me. They know too much stuff. | 0:27:48 | 0:27:52 | |
I think the internet has ruined childhood. | 0:27:52 | 0:27:54 | |
They know everything. There's nothing you can hide from them. | 0:27:54 | 0:27:58 | |
Nothing! | 0:27:58 | 0:27:59 | |
Like, kids are now bullying each other online. | 0:27:59 | 0:28:01 | |
Have you heard about this? Cyber bullying. | 0:28:01 | 0:28:04 | |
Have you heard this? Cyber bullying. | 0:28:04 | 0:28:05 | |
Kids nowadays are too fat and lazy to punch each other in the face. | 0:28:05 | 0:28:09 | |
Now school bullies are taking their money by PayPal. | 0:28:16 | 0:28:19 | |
The internet has ruined childhood, it's ruined it! | 0:28:25 | 0:28:29 | |
Things that we didn't have that they have now. | 0:28:29 | 0:28:32 | |
Like, when I was a kid, we didn't have paedophiles. | 0:28:32 | 0:28:35 | |
No, we didn't. We had flashers. | 0:28:36 | 0:28:40 | |
Who remembers flashers? | 0:28:41 | 0:28:43 | |
-AUDIENCE: -Yes! | 0:28:43 | 0:28:45 | |
Do you remember flashers, little boy in the front? | 0:28:45 | 0:28:47 | |
You've got no idea, have you? | 0:28:49 | 0:28:51 | |
-What's your name? -Craig. | 0:28:51 | 0:28:53 | |
Craig, we didn't have paedophiles when I was a kid. We had flashers. | 0:28:53 | 0:28:56 | |
Do you know what flashers are? Do you know what they are, Craig? | 0:28:56 | 0:28:59 | |
I'll tell you what they are. We'd be skipping home from school... | 0:28:59 | 0:29:02 | |
Cos that's what we did in the old days, Craig, we skipped. | 0:29:04 | 0:29:09 | |
This was a form of transport when I was a kid. | 0:29:10 | 0:29:13 | |
LAUGHTER | 0:29:13 | 0:29:15 | |
We'd be skipping home from school, Craig, | 0:29:19 | 0:29:21 | |
and there'd be an old man hiding in a bush, just... | 0:29:21 | 0:29:23 | |
And you'd skip past him and he'd jump out of the bush, Craig, | 0:29:33 | 0:29:38 | |
and he'd have nothing on but a coat, just a coat, a mac. | 0:29:38 | 0:29:43 | |
And he'd open the mac as you skipped past. | 0:29:43 | 0:29:45 | |
He'd come at you like that, "Agh!" | 0:29:45 | 0:29:47 | |
LAUGHTER | 0:29:48 | 0:29:51 | |
-And you'd be like that... -SHE SCREAMS | 0:29:57 | 0:29:59 | |
And then you'd skip home as fast as you could. | 0:30:01 | 0:30:03 | |
And you'd tell all your friends and family that you'd been flashed. | 0:30:10 | 0:30:15 | |
And that was exciting, Craig. | 0:30:15 | 0:30:17 | |
That was entertainment. | 0:30:19 | 0:30:21 | |
You'd get home and you'd go, "Guess what, guess what!" | 0:30:23 | 0:30:26 | |
"What? What?" "I got flashed." "No!" | 0:30:26 | 0:30:29 | |
"Yeah. I was skipping home from school and an old man jumped out | 0:30:29 | 0:30:33 | |
"of a bush and flashed me." | 0:30:33 | 0:30:35 | |
"Oh, my days! | 0:30:37 | 0:30:40 | |
"That must've been horrible for you." | 0:30:41 | 0:30:43 | |
Let's go back there and see if he's still there." | 0:30:47 | 0:30:49 | |
LAUGHTER | 0:30:49 | 0:30:52 | |
Ah! Are you guys ready for your next comedian? | 0:30:56 | 0:31:00 | |
WHOOPING AND CHEERING | 0:31:00 | 0:31:02 | |
This next comedian coming on is hilarious. | 0:31:05 | 0:31:08 | |
I'm looking forward to seeing him. | 0:31:08 | 0:31:10 | |
He is from Australia and he's very, very weird. | 0:31:10 | 0:31:14 | |
Give it up for Sam Simmons! | 0:31:14 | 0:31:17 | |
Woo! | 0:31:25 | 0:31:27 | |
Oh, right, hello, Apollo! | 0:31:27 | 0:31:30 | |
WHOOPING | 0:31:30 | 0:31:32 | |
We'll address this straightaway. | 0:31:32 | 0:31:33 | |
I'm well aware that I look like a Super Mario Brother | 0:31:33 | 0:31:37 | |
had sex with a Spaniard at Betfred, but that's... | 0:31:37 | 0:31:40 | |
that's the look I'm going for tonight, people. | 0:31:40 | 0:31:42 | |
It gets worse though, look at this. | 0:31:42 | 0:31:44 | |
LAUGHTER | 0:31:44 | 0:31:46 | |
I look like all the faces from the children's board game Guess Who?... | 0:31:47 | 0:31:53 | |
..condensed into one head. | 0:31:54 | 0:31:58 | |
All right, well, enough of what my head looks like on the outside, | 0:31:59 | 0:32:03 | |
let's see what it looks like on the inside. Let's go. | 0:32:03 | 0:32:06 | |
-VOICEOVER: -'Uh, Do you like bread?' -Yeah, bread's all right. | 0:32:06 | 0:32:09 | |
-'Do you, like, fully get into it?' -Not fully. | 0:32:09 | 0:32:12 | |
What are you talking about, what are you talking about again? | 0:32:12 | 0:32:15 | |
-'Bread.' -Yeah, I know bread, mate, I know bread. | 0:32:15 | 0:32:17 | |
-'Oh, you know bread?' -Well, I don't know bread, I like toast. | 0:32:17 | 0:32:21 | |
-'I like toast.' -Yeah, toast is good, eh? | 0:32:21 | 0:32:23 | |
'Yeah, I fully get into bread. | 0:32:23 | 0:32:25 | |
-'I like bread when...' -DISCO MUSIC | 0:32:25 | 0:32:27 | |
'I...good...uh...near bread.' | 0:32:27 | 0:32:31 | |
What are you talking about, mate, what are you going on about? | 0:32:31 | 0:32:34 | |
-What's going on? -'Bread.' -Yeah, I know bread! | 0:32:34 | 0:32:36 | |
What's going on with this disco music, man? | 0:32:36 | 0:32:38 | |
What's with the music?! | 0:32:38 | 0:32:41 | |
'Uh, it's for the bread.' | 0:32:41 | 0:32:42 | |
What do you mean, "It's for the bread"? | 0:32:42 | 0:32:45 | |
'Uh, when you're putting on bread shoes.' | 0:32:45 | 0:32:47 | |
You should've just said putting on bread shoes. | 0:32:47 | 0:32:49 | |
'Uh...bread shoes. | 0:32:49 | 0:32:52 | |
-'Oh, yeah. This one's going out... -# Bread shoes... # | 0:32:52 | 0:32:54 | |
'..to all the ladies out there who like to wear bread on their feet.' | 0:32:54 | 0:32:58 | |
# Bread shoes... # | 0:32:58 | 0:33:00 | |
Ah. | 0:33:00 | 0:33:01 | |
LAUGHTER | 0:33:01 | 0:33:04 | |
# Put on the bread shoes! | 0:33:04 | 0:33:07 | |
# Bread shoes, bread shoes. # | 0:33:12 | 0:33:15 | |
MUSIC STOPS | 0:33:22 | 0:33:24 | |
Heads up! | 0:33:24 | 0:33:25 | |
They're nice. | 0:33:27 | 0:33:29 | |
So that's the vibe we're going for, ladies and gentlemen. That's it. | 0:33:29 | 0:33:31 | |
LAUGHTER | 0:33:31 | 0:33:33 | |
It's niche, it's niche stuff. | 0:33:33 | 0:33:36 | |
I'm a strong flavour - I'm like the coriander of comedy, deal with it. | 0:33:36 | 0:33:39 | |
Hey, this is a fun thing to do. | 0:33:41 | 0:33:43 | |
This is a good, fun thing to do | 0:33:43 | 0:33:44 | |
when you get poor customer service from someone. | 0:33:44 | 0:33:46 | |
If someone's being an arsehole to you behind the counter | 0:33:46 | 0:33:49 | |
and you go to get your change back, OK, don't go like that, | 0:33:49 | 0:33:53 | |
just go like that. | 0:33:53 | 0:33:54 | |
40% of the time, all of the time | 0:33:56 | 0:33:57 | |
they'll try to balance the coins on top of your hand, | 0:33:57 | 0:34:01 | |
and don't break eye contact. | 0:34:01 | 0:34:03 | |
It's like, "Yes, yes, yes." | 0:34:03 | 0:34:04 | |
It's a fun thing to do. | 0:34:06 | 0:34:07 | |
Next time you go to one of those shit shops like Poundland, | 0:34:07 | 0:34:09 | |
or PoundLUND if you're in Scotland - sorry, the North. | 0:34:09 | 0:34:13 | |
They've always got shit names, you know those shit shops, | 0:34:13 | 0:34:15 | |
I call them the shit shop back at home. | 0:34:15 | 0:34:17 | |
They've always got stupid names like Priceslap and Bargainsluts. | 0:34:17 | 0:34:20 | |
Anyway... | 0:34:20 | 0:34:22 | |
Go into one of those shops and look for the most redundant item | 0:34:23 | 0:34:26 | |
you can find. It's not hard, | 0:34:26 | 0:34:27 | |
those shops are just full of shit you do not need. | 0:34:27 | 0:34:30 | |
Like an oven mitt slash alarm clock, you know what I mean? | 0:34:30 | 0:34:33 | |
Wander on in, find something really ridiculous that you do not need. | 0:34:34 | 0:34:37 | |
Like, I went into one shop in Adelaide and I walked in there | 0:34:37 | 0:34:40 | |
and I found myself a ceramic reindeer standing on top of, like, | 0:34:40 | 0:34:43 | |
a grassy mound with a thermometer just coming up off the side. | 0:34:43 | 0:34:47 | |
You know, how you get a reindeer thermometer heaps quick? | 0:34:47 | 0:34:51 | |
Make sure there's a few on the shelf, make sure there's about | 0:34:51 | 0:34:53 | |
20 there, get out of the shop, OK, once you've found your shit item, | 0:34:53 | 0:34:56 | |
wander back about a week later. | 0:34:56 | 0:34:58 | |
Go straight in, right to the person behind the counter, and go, | 0:34:58 | 0:35:00 | |
"Excuse me, I was wondering if you can help me, | 0:35:00 | 0:35:02 | |
"I'm looking for something maybe in a reindeer." | 0:35:02 | 0:35:04 | |
"It doesn't have to be a reindeer, mind you, | 0:35:04 | 0:35:06 | |
"it could be any type of ungulate or hooved animal. | 0:35:06 | 0:35:08 | |
"The catch is it's got to have some measurement of weather | 0:35:08 | 0:35:11 | |
"attached to the side of it." | 0:35:11 | 0:35:12 | |
This guy lost his mind. | 0:35:13 | 0:35:14 | |
He's like, "Oh, my God, I've got exactly that item!" | 0:35:14 | 0:35:17 | |
LAUGHTER | 0:35:17 | 0:35:19 | |
When he brings it back, though, just hold it and go, | 0:35:19 | 0:35:22 | |
"Yeah, it's kind of like what I was looking for... | 0:35:22 | 0:35:25 | |
"..it's just not for me, though." | 0:35:26 | 0:35:28 | |
I like doing this stuff to people. | 0:35:30 | 0:35:31 | |
It's not right. I like doing this at airports. | 0:35:31 | 0:35:33 | |
You know when you hear someone's running late for a plane and you | 0:35:33 | 0:35:36 | |
hear that announcement over the PA. It's like, "Cameron James, | 0:35:36 | 0:35:39 | |
"please get to gate number nine, please. | 0:35:39 | 0:35:41 | |
"Cameron James, your plane's about to depart, please, Cameron James." | 0:35:41 | 0:35:44 | |
You see someone sprinting through the airport. | 0:35:44 | 0:35:46 | |
Now take a punt, that's probably Cameron James. | 0:35:46 | 0:35:49 | |
So as he's there sprinting along, just yell out, "Cameron James!" | 0:35:49 | 0:35:52 | |
and they'll be like this... | 0:35:52 | 0:35:53 | |
"Just keep running! | 0:35:56 | 0:35:57 | |
"Keep running, Cameron James, you'll miss your flight!" | 0:35:59 | 0:36:03 | |
It's a safe thing to do cos they can't stop to argue | 0:36:03 | 0:36:06 | |
cos they've got to get on a plane. | 0:36:06 | 0:36:08 | |
And then just keep heckling as they're running away, like, | 0:36:09 | 0:36:11 | |
"Yeah, you better run! | 0:36:11 | 0:36:14 | |
"Fly, Cameron James, run, fly, fly into the sky, | 0:36:14 | 0:36:18 | |
"fly like a free-range chicken!" | 0:36:18 | 0:36:20 | |
Wafer-thin narrative. How cool are chickens? | 0:36:21 | 0:36:24 | |
I feel bad for chickens, I really do. | 0:36:26 | 0:36:28 | |
I mean, you know, if everything tastes like chicken, | 0:36:28 | 0:36:30 | |
why don't we just not eat chickens more? | 0:36:30 | 0:36:32 | |
You know, when you walk past, like, a chicken shop on the high street, | 0:36:34 | 0:36:36 | |
they've always got a mascot chicken in a window, like a cartoon chicken | 0:36:36 | 0:36:40 | |
just having heaps of fun, you know what I mean? | 0:36:40 | 0:36:42 | |
I saw a really elaborate one in western Sydney, | 0:36:42 | 0:36:44 | |
it was really elaborate, OK. | 0:36:44 | 0:36:46 | |
It was a cartoon chicken and he was driving a convertible sports car | 0:36:46 | 0:36:48 | |
and he had on a top hat with a monocle. | 0:36:48 | 0:36:51 | |
And he had the kind of look on his face like, | 0:36:51 | 0:36:53 | |
"Hey, things couldn't get any better, I'm a wealthy chicken." | 0:36:53 | 0:36:57 | |
I think this seriously misrepresents the experience for the actual bird. | 0:36:57 | 0:37:01 | |
I think this is how they lure chickens into chicken shops, | 0:37:02 | 0:37:05 | |
like a chicken will be over on the other side of the road going, | 0:37:05 | 0:37:07 | |
"Hey, Rowan, look at that chicken in the window there. | 0:37:07 | 0:37:10 | |
"He's doing really well, he's got a sports car." | 0:37:10 | 0:37:13 | |
This is why they cross roads, ladies and gentlemen. | 0:37:13 | 0:37:15 | |
LAUGHTER | 0:37:15 | 0:37:18 | |
Then they...go into the chicken shop not realising there's a sniper | 0:37:18 | 0:37:22 | |
hiding behind the cash register. | 0:37:22 | 0:37:24 | |
And bang! McNuggets. | 0:37:24 | 0:37:26 | |
All right, guys, it's going to get weird now. | 0:37:29 | 0:37:33 | |
This next piece is called Things That Shit Me. | 0:37:33 | 0:37:35 | |
These are things that piss me off. Let's go. | 0:37:35 | 0:37:38 | |
'Things that shit me.' | 0:37:38 | 0:37:40 | |
UPBEAT MUSIC PLAYS | 0:37:40 | 0:37:43 | |
'When you walk into a room | 0:37:43 | 0:37:44 | |
'and then you forget why you walked in there in the first place.' | 0:37:44 | 0:37:48 | |
LAUGHTER | 0:37:52 | 0:37:54 | |
Oh, yeah... | 0:37:57 | 0:37:59 | |
'Things that shit me. | 0:37:59 | 0:38:01 | |
'Having to hug people that you don't know very well.' | 0:38:01 | 0:38:04 | |
Not you, get in here! | 0:38:06 | 0:38:07 | |
Mwah! | 0:38:07 | 0:38:09 | |
'Things that shit me. | 0:38:13 | 0:38:14 | |
'When you meet a strange Mexican person named Pablo | 0:38:16 | 0:38:18 | |
'and he starts being all weird.' | 0:38:18 | 0:38:20 | |
LAUGHTER | 0:38:22 | 0:38:24 | |
Shh! | 0:38:24 | 0:38:25 | |
'Things that shit me. | 0:38:30 | 0:38:32 | |
'Waiters that ask you how your food is while you're | 0:38:32 | 0:38:34 | |
'still chewing the food.' | 0:38:34 | 0:38:36 | |
AUDIENCE GROANS | 0:38:36 | 0:38:38 | |
'Are you enjoying the food?' | 0:38:38 | 0:38:39 | |
It's delicious, now fuck off! | 0:38:39 | 0:38:41 | |
'Things that shit me. | 0:38:44 | 0:38:46 | |
'This picture book of kittens which was first published in 1972.' | 0:38:46 | 0:38:51 | |
Now the sad thing about this book here is | 0:38:51 | 0:38:53 | |
if it was first published in 1972, they're all dead now. | 0:38:53 | 0:38:56 | |
It's just a book of dead cats. | 0:38:57 | 0:38:59 | |
Dead, dead, dead. | 0:38:59 | 0:39:02 | |
Dead, dead, dead, dead, dead. | 0:39:02 | 0:39:05 | |
Everyone of them's dead. | 0:39:05 | 0:39:06 | |
Dead, dead, dead - they're all dead! | 0:39:06 | 0:39:08 | |
'Things that shit me. | 0:39:13 | 0:39:15 | |
'Those people who forget to take off their bicycle helmets inside shops.' | 0:39:15 | 0:39:20 | |
Do you guys got croissants? | 0:39:23 | 0:39:25 | |
LAUGHTER | 0:39:25 | 0:39:27 | |
'Things that shit me. | 0:39:28 | 0:39:30 | |
'Really confusing television commercials.' | 0:39:30 | 0:39:33 | |
GENTLE PIANO MUSIC | 0:39:33 | 0:39:34 | |
"Reliability, integrity, inspiration, synergy, refreshment, | 0:39:34 | 0:39:41 | |
"be who you are. The Waffle House." | 0:39:41 | 0:39:44 | |
LAUGHTER AND APPLAUSE | 0:39:44 | 0:39:46 | |
'Things that shit me. | 0:39:46 | 0:39:49 | |
'Pigeons. Especially when pigeons catch up with one another.' | 0:39:49 | 0:39:53 | |
"Ooh." | 0:39:53 | 0:39:54 | |
"Ooh." | 0:39:56 | 0:39:57 | |
"Ooh!" | 0:39:58 | 0:40:00 | |
"Ooh-hoo-hoo!" | 0:40:00 | 0:40:02 | |
"Ooh." | 0:40:02 | 0:40:03 | |
"Ooh, apologise." | 0:40:03 | 0:40:05 | |
"Uhh!" | 0:40:05 | 0:40:07 | |
'Things that shit me. Teenagers.' | 0:40:09 | 0:40:12 | |
I saw a group of underage teenagers | 0:40:12 | 0:40:14 | |
waiting at the front of Tesco the other day | 0:40:14 | 0:40:16 | |
and they asked me to go buy them some beer. | 0:40:16 | 0:40:18 | |
I thought, "Hey, yeah, why not? I already look like this." | 0:40:18 | 0:40:21 | |
Anyway, when I came back I found out | 0:40:21 | 0:40:23 | |
they were just really lazy 23-year-olds. Let's go. | 0:40:23 | 0:40:27 | |
'Things that shit me. Sadness. | 0:40:27 | 0:40:29 | |
'When you get kind of sad and you feel sadness.' | 0:40:29 | 0:40:33 | |
SLOW PIANO NOTES 'Sadness.' | 0:40:33 | 0:40:36 | |
'Sadness.' | 0:40:39 | 0:40:41 | |
CHANGES BACK TO UPBEAT MUSIC | 0:40:41 | 0:40:43 | |
'Things that shit me. My impression of a very erotic cat.' | 0:40:43 | 0:40:47 | |
Tss! Tss! Tss! | 0:40:47 | 0:40:49 | |
Tss! Tss! Tss! Tss! Tss! | 0:40:49 | 0:40:54 | |
'Things that shit me. My impression of a little shy guy.' | 0:40:54 | 0:40:58 | |
Stop it... "You think you're so good." | 0:40:58 | 0:41:00 | |
Shut up, I do not, stop that. "Yes, you do." I do not, stop it. | 0:41:00 | 0:41:03 | |
"You do, you think you're so good." | 0:41:03 | 0:41:04 | |
I don't think I'm so good, stop it, you stop it. | 0:41:04 | 0:41:07 | |
"You stop it." You stop it first! "You stop it." You stop it! | 0:41:07 | 0:41:10 | |
You little shy guy. I'm not shy, I just get a little bit weird | 0:41:10 | 0:41:13 | |
in front of 3,000 people I don't know. | 0:41:13 | 0:41:15 | |
What? Stop looking at me, stop that! Please stop. | 0:41:15 | 0:41:19 | |
Please don't stop, please don't stop. | 0:41:19 | 0:41:21 | |
'Things that shit me. | 0:41:21 | 0:41:23 | |
'That time I confused going on a trip to Legoland | 0:41:23 | 0:41:27 | |
'with a leg of lamb.' | 0:41:27 | 0:41:29 | |
Uh? | 0:41:29 | 0:41:31 | |
'Things that shit me. | 0:41:31 | 0:41:33 | |
'The fact that I can never be a gardener or a horticulturalist | 0:41:33 | 0:41:36 | |
'because if I hold up a pot plant like this, I look like a sex pest.' | 0:41:36 | 0:41:41 | |
LAUGHTER | 0:41:42 | 0:41:45 | |
What? Stop it! | 0:41:45 | 0:41:47 | |
'Things that shit me.' | 0:41:47 | 0:41:49 | |
POP MUSIC PLAYS | 0:41:49 | 0:41:52 | |
LAUGHTER | 0:42:05 | 0:42:08 | |
I feel it, man! | 0:42:09 | 0:42:11 | |
Come on, just let me get over there. | 0:42:14 | 0:42:17 | |
I've got to get... | 0:42:17 | 0:42:19 | |
Come on. | 0:42:19 | 0:42:21 | |
It's all right... I'm trying get back here. | 0:42:21 | 0:42:24 | |
It's fine, it's fine. | 0:42:24 | 0:42:25 | |
Come on, come on. | 0:42:27 | 0:42:29 | |
Come on, come on, just get in there. | 0:42:34 | 0:42:36 | |
Just get it... It's not real. | 0:42:36 | 0:42:38 | |
'Things that shit me. Me!' | 0:42:48 | 0:42:51 | |
Thank you very much, the Apollo! | 0:42:51 | 0:42:54 | |
Thank you! | 0:42:54 | 0:42:55 | |
-Sam Simmons! -I've got too much stuff to pick up! | 0:42:58 | 0:43:03 | |
I've got too much stuff. | 0:43:03 | 0:43:05 | |
Get your stuff, Sam. | 0:43:05 | 0:43:06 | |
Take that massive cock with you. | 0:43:06 | 0:43:08 | |
-Take it. -You do know, that's...? | 0:43:08 | 0:43:11 | |
Just in case you're wondering, there you are. | 0:43:11 | 0:43:13 | |
-Sam Simmons! -Thank you. | 0:43:14 | 0:43:16 | |
You guys have been fantastic tonight. | 0:43:21 | 0:43:23 | |
You've seen myself, Gina Yashere. | 0:43:23 | 0:43:25 | |
You've seen Ellie Taylor and Sam Simmons. | 0:43:25 | 0:43:28 | |
Thanks for coming to Live At The Apollo! | 0:43:28 | 0:43:30 | |
Good night! Thank you, good night. | 0:43:30 | 0:43:32 |