Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language. | 0:00:02 | 0:00:10 | |
Ladies and gentlemen, | 0:00:18 | 0:00:20 | |
please welcome your host for tonight, Joe Lycett. | 0:00:20 | 0:00:25 | |
CHEERING | 0:00:25 | 0:00:27 | |
Hammersmith Apollo, hello, everyone! | 0:00:34 | 0:00:37 | |
Give me an, "Ooh!" | 0:00:38 | 0:00:40 | |
-AUDIENCE: -Ooh! | 0:00:40 | 0:00:41 | |
Give me an, "Ah, ha, ha, ha!" | 0:00:41 | 0:00:43 | |
-AUDIENCE: -Ah, ha, ha, ha! | 0:00:43 | 0:00:44 | |
Yes! Let me hear you say, "Hell, yeah!" | 0:00:44 | 0:00:47 | |
-AUDIENCE: -Hell, yeah! | 0:00:47 | 0:00:49 | |
Then, as camp as you can, give me an, "Ooh, no!" | 0:00:49 | 0:00:52 | |
-AUDIENCE: -Ooh, no! | 0:00:52 | 0:00:53 | |
You shook your head at that. | 0:00:53 | 0:00:54 | |
He's going, "I'm not going to do a camp thing!" | 0:00:54 | 0:00:56 | |
Give yourselves a round of applause. | 0:00:56 | 0:00:59 | |
Lovely. | 0:01:00 | 0:01:02 | |
Hello. | 0:01:02 | 0:01:03 | |
So, right, I broke my elbow. | 0:01:05 | 0:01:07 | |
-AUDIENCE MEMBER: -Did you? -I did. I got into a fight. | 0:01:07 | 0:01:10 | |
-AUDIENCE MEMBER: -Did you win? -You should see the other guy. | 0:01:10 | 0:01:12 | |
She's fine, she's back at school. | 0:01:12 | 0:01:14 | |
No, I don't want to talk about the elbow. | 0:01:17 | 0:01:18 | |
I don't want to talk about it, cos, you know, I just want to keep it low-key. | 0:01:18 | 0:01:21 | |
That's why I wore this sling. | 0:01:21 | 0:01:23 | |
It's silver! | 0:01:23 | 0:01:24 | |
What I've realised is I'm not going to be able to get up now. | 0:01:26 | 0:01:30 | |
I've really shat myself up, here, haven't I? | 0:01:30 | 0:01:33 | |
Right. | 0:01:34 | 0:01:36 | |
Ha! | 0:01:39 | 0:01:40 | |
So I want to talk about Birmingham, because I'm from Birmingham. | 0:01:45 | 0:01:49 | |
Anyone from Birmingham in? CHEERING | 0:01:49 | 0:01:51 | |
Oh, loads of you. Hello, welcome. | 0:01:51 | 0:01:52 | |
I want to talk about my friend, Claire. She's from Dudley. | 0:01:52 | 0:01:55 | |
If you don't know Dudley, they have very thick accents there. | 0:01:55 | 0:01:58 | |
IN A BIRMINGHAM ACCENT: She sort of talks like that, like she's waiting to die. | 0:01:58 | 0:02:04 | |
I love Claire, but she's a few condoms short of an orgy, that girl. | 0:02:04 | 0:02:08 | |
She microwaves her clothes to dry them. | 0:02:09 | 0:02:12 | |
She never cleans the microwave, so she always smells of baked beans. | 0:02:13 | 0:02:17 | |
And she gets so drunk. Anyone getting drunk tonight? | 0:02:17 | 0:02:20 | |
CHEERING Oh, a few of you. OK. | 0:02:20 | 0:02:22 | |
Out of jobs. OK. | 0:02:22 | 0:02:24 | |
She gets so drunk. | 0:02:24 | 0:02:26 | |
We go out gay clubbing, you see. | 0:02:26 | 0:02:28 | |
You know, we'll club a gay to death maybe once a month. | 0:02:28 | 0:02:31 | |
HE SIGHS Oh, she gets so drunk! | 0:02:34 | 0:02:35 | |
I had to put her in a cab before midnight the other week. | 0:02:35 | 0:02:37 | |
She'd got this bag of chips covered in curry sauce. | 0:02:37 | 0:02:40 | |
She's not very graceful in heels at the best of times, | 0:02:40 | 0:02:42 | |
she sort of looks like when I put toilet rolls on my cat's legs. | 0:02:42 | 0:02:45 | |
You know, just sort of... | 0:02:45 | 0:02:46 | |
Taxi driver spotted her a mile off. | 0:02:48 | 0:02:49 | |
He's like, "You're not coming in this cab with those chips." | 0:02:49 | 0:02:51 | |
She went, "All I want in my life is these chips. | 0:02:51 | 0:02:54 | |
"That's all I've ever wanted." | 0:02:54 | 0:02:56 | |
He's like, "If you soil the cab in any way, you'll have to pay a big fine." | 0:02:56 | 0:02:59 | |
She says, "I won't, I promise, I just want these chips." | 0:02:59 | 0:03:02 | |
He was like, "All right." | 0:03:02 | 0:03:03 | |
I open the door for her, she tripped, | 0:03:03 | 0:03:05 | |
just pissed the chips into the cab! | 0:03:05 | 0:03:07 | |
It was like all over the window, into the chair. | 0:03:07 | 0:03:10 | |
Basically, she was so drunk she just went, "Shhh!" | 0:03:10 | 0:03:13 | |
and started pushing them into the road. She's not right, she's not right! | 0:03:13 | 0:03:16 | |
When she gets drunk, she comes up with these little wisdoms, these little philosophies. | 0:03:16 | 0:03:20 | |
She's come up with one I'm trying to live my life by. | 0:03:20 | 0:03:23 | |
Claire thinks if somebody is difficult with you in life, | 0:03:23 | 0:03:26 | |
awkward, making your life hard for any reason, | 0:03:26 | 0:03:29 | |
you shouldn't try and rationalise with them, | 0:03:29 | 0:03:31 | |
you shouldn't try and speak with them on their level, | 0:03:31 | 0:03:33 | |
you should try and out-weird them. | 0:03:33 | 0:03:36 | |
Which came very useful for me in my local post office. | 0:03:36 | 0:03:38 | |
There's a woman in my local post office, I don't like her. | 0:03:38 | 0:03:41 | |
She's been there 20 years. She's smug. | 0:03:41 | 0:03:44 | |
She's got one of those faces that's so smug it sort of folds into itself. | 0:03:44 | 0:03:47 | |
She looks like someone's punched a quiche. | 0:03:49 | 0:03:51 | |
AND she's called Lorraine. | 0:03:52 | 0:03:54 | |
She's always got some quip, some line. | 0:03:56 | 0:03:58 | |
I went in with my passport form, I was getting a new passport, | 0:03:58 | 0:04:01 | |
and they do a check-and-send service in the post office. | 0:04:01 | 0:04:03 | |
So I handed the form and she licked a finger, and went through and went, | 0:04:03 | 0:04:06 | |
"Oh, your referee has spelt 'neighbour' wrong." | 0:04:06 | 0:04:09 | |
And I went, "What?" | 0:04:09 | 0:04:10 | |
She's like, "He's missed out the H on 'neighbour'. You'll have to fill it in again." | 0:04:10 | 0:04:14 | |
I said, "Well, surely that's all right?" | 0:04:14 | 0:04:15 | |
And she went, "No, no, there can be no risk of any confusion as to what that word means. | 0:04:15 | 0:04:19 | |
"You'll have to fill it in again." Pushed it back at me. | 0:04:19 | 0:04:21 | |
I thought, I'm not having this. It takes ages to fill out that form. | 0:04:21 | 0:04:25 | |
You have to send off for it, you have to get a referee. | 0:04:25 | 0:04:27 | |
I thought, I'm not having it. | 0:04:27 | 0:04:28 | |
So I thought, I'll be a bit weird with her. | 0:04:28 | 0:04:30 | |
So, I went, "Oh, no, sorry, he's not my neighbour, he's my doctor." | 0:04:30 | 0:04:35 | |
She went, "What?" I said, "He's misspelt 'doctor'." | 0:04:35 | 0:04:38 | |
"Doctor, obviously spelt D-O-C-T-O-R, | 0:04:38 | 0:04:40 | |
"he's spelt it N-E-I-G-B-O-U-R. He spelt doctor wrong." | 0:04:40 | 0:04:44 | |
And she went, "No, that clearly says 'neighbour'." | 0:04:44 | 0:04:47 | |
SARCASTICALLY: "Oh, does it?" | 0:04:47 | 0:04:49 | |
And then I glassed her. | 0:04:56 | 0:04:57 | |
Um! | 0:04:57 | 0:04:59 | |
Now... Oh, I've got a question. | 0:05:00 | 0:05:02 | |
Anyone in from Isis? | 0:05:02 | 0:05:03 | |
No-one saying "no" very quickly. | 0:05:07 | 0:05:09 | |
I was thinking about Isis the other day. I was thinking, why would you join Isis? | 0:05:09 | 0:05:12 | |
I think the people that join Isis, they have a lack of love in their hearts, that's what I think. | 0:05:12 | 0:05:17 | |
You can't push a gay off a bridge with love in your heart. | 0:05:17 | 0:05:19 | |
Believe me, I've tried! | 0:05:19 | 0:05:20 | |
I was thinking, where is there an abundance of love in the universe? | 0:05:22 | 0:05:25 | |
And I realised - it's Grindr. | 0:05:25 | 0:05:27 | |
So, I've signed up to Grindr posing as an Isis militant. | 0:05:29 | 0:05:31 | |
Go with me! | 0:05:31 | 0:05:33 | |
If you don't know what Grindr is, | 0:05:34 | 0:05:36 | |
it's the dating app, it's like a gay Tinder. | 0:05:36 | 0:05:39 | |
I say it's dating, it's an absolute fuck-fest. | 0:05:39 | 0:05:41 | |
So I'd had a few conversations. A guy called Craig was the first one. | 0:05:43 | 0:05:48 | |
He put, "Lol, are you Isis?" | 0:05:48 | 0:05:50 | |
I said, "Yes, death to the West." | 0:05:50 | 0:05:53 | |
He put, "OMG, I know a drag act called Alexandra Burqa, you'd love her." | 0:05:55 | 0:06:01 | |
Alexandra Burqa! | 0:06:01 | 0:06:02 | |
AS X FACTOR VOICE: Alexandra Burqa! | 0:06:02 | 0:06:03 | |
I'd love that! | 0:06:03 | 0:06:05 | |
I was in character as an Isis militant, though, so I said, "Doesn't sound very good." | 0:06:07 | 0:06:10 | |
He said, "Yeah, to be fair, it is shit. Do you want to meet?" | 0:06:10 | 0:06:14 | |
So, success, someone willing to love someone from Isis. | 0:06:14 | 0:06:16 | |
Next one, oh, I was pleased with this. | 0:06:16 | 0:06:19 | |
It was James, his name was. | 0:06:19 | 0:06:21 | |
He put, "Want a blow?" | 0:06:21 | 0:06:22 | |
I put, "What building?" | 0:06:22 | 0:06:24 | |
Completely unacceptable. | 0:06:27 | 0:06:29 | |
He put, "OK... | 0:06:30 | 0:06:32 | |
"Tell me more about yourself." | 0:06:32 | 0:06:34 | |
I said, "I serve the Islamic State." | 0:06:34 | 0:06:37 | |
He put, "I serve in Wagamama's." | 0:06:37 | 0:06:39 | |
He actually did! He did! | 0:06:39 | 0:06:40 | |
Then I didn't reply for a bit, because I was a bit busy. | 0:06:42 | 0:06:45 | |
I got another message about an hour later. | 0:06:45 | 0:06:47 | |
He put, "Tell me, if you could do anything, | 0:06:47 | 0:06:49 | |
"what would you want to do to me?" | 0:06:49 | 0:06:50 | |
I said, "I would destroy you and your civilisation." | 0:06:50 | 0:06:53 | |
He put, "That's hot." | 0:06:55 | 0:06:56 | |
"Where shall we meet?" | 0:06:57 | 0:06:59 | |
I said, "In hell!" | 0:06:59 | 0:07:01 | |
He put, "Is that a nightclub?" So, I think that's a success. | 0:07:01 | 0:07:05 | |
Final one, Barry, bless Barry. | 0:07:05 | 0:07:07 | |
He put, "ASL?", | 0:07:07 | 0:07:08 | |
Which means age, sex, location, if you're not familiar. | 0:07:08 | 0:07:10 | |
I put, "18, male, Syria." | 0:07:10 | 0:07:13 | |
He put, "Syria?" | 0:07:15 | 0:07:16 | |
I said, "Yes, I'm serious." | 0:07:16 | 0:07:18 | |
He put, "Ha-ha, I'm in Milton Keynes." | 0:07:23 | 0:07:25 | |
I said, "Milton Keynes is full of whores." | 0:07:28 | 0:07:30 | |
He put, "OMG, tell me about it." | 0:07:30 | 0:07:32 | |
A bit of business I've been up to. | 0:07:36 | 0:07:37 | |
So, yes, I live in Birmingham still. | 0:07:38 | 0:07:41 | |
I know I don't have the accent. I know, I just never had it. | 0:07:41 | 0:07:44 | |
I was watching Fox News the other week. | 0:07:44 | 0:07:48 | |
The reputable news source that is Fox News. | 0:07:48 | 0:07:51 | |
They described Birmingham as 100% Muslim. | 0:07:51 | 0:07:55 | |
Salaam Alaikum. | 0:07:56 | 0:07:58 | |
Alaikum Salaam's what you say back. Don't worry, we'll work it out. | 0:07:59 | 0:08:02 | |
I was interested in that, because 100% Muslim they said. | 0:08:02 | 0:08:04 | |
There's a sort of truth in it, there's a lot of Muslims in Birmingham. | 0:08:04 | 0:08:07 | |
A lot of all cultures there. | 0:08:07 | 0:08:08 | |
We're known for being multicultural. We're quite good at it, really. | 0:08:08 | 0:08:11 | |
One of the most famous Muslims in Birmingham is Malala Yousafzai. | 0:08:11 | 0:08:14 | |
I don't know if people are familiar with her? Yes, she's brilliant! | 0:08:14 | 0:08:17 | |
CHEERING Yes, yes. | 0:08:17 | 0:08:18 | |
If you don't know who she is, she's an 18-year-old schoolgirl | 0:08:18 | 0:08:20 | |
who was shot at by the Taliban for wanting to be educated. | 0:08:20 | 0:08:23 | |
She now goes to Edgbaston High School For Girls. | 0:08:23 | 0:08:26 | |
It's a private school, I don't think she pays the fees. | 0:08:26 | 0:08:29 | |
I personally would hate to go to school with Malala Yousafzai. | 0:08:31 | 0:08:35 | |
Can you imagine a show-and-tell day with Malala? | 0:08:35 | 0:08:38 | |
"OK, class, what have you brought in? Sally, let's start with you." | 0:08:38 | 0:08:42 | |
And Sally goes, "I've brought in a papier mache cat that I made." | 0:08:42 | 0:08:47 | |
"OK, anyone else bring anything in. Malala, did you bring anything in?" | 0:08:49 | 0:08:53 | |
"This Nobel Peace Prize." | 0:08:53 | 0:08:55 | |
"Sally, you're a piece of shit!" | 0:08:58 | 0:09:00 | |
I'd hate to be her teacher as well. | 0:09:02 | 0:09:04 | |
You wouldn't be able to tell Malala off for anything. | 0:09:04 | 0:09:06 | |
"You on your phone, Malala?" | 0:09:06 | 0:09:07 | |
"Texting Barack Obama, actually, so..." | 0:09:07 | 0:09:10 | |
"Oh, sorry! Um... Sally, you're a piece of shit." | 0:09:10 | 0:09:15 | |
Poor Sally. No, I made her up. | 0:09:16 | 0:09:18 | |
No, I was annoyed about that. I was annoyed when they said we're 100% Muslim, | 0:09:18 | 0:09:21 | |
because when they say things like that, there's a subtext, isn't there? | 0:09:21 | 0:09:24 | |
What they're saying is that we should be worried about that - | 0:09:24 | 0:09:26 | |
there's something terrifying, frightening about Muslims. | 0:09:26 | 0:09:28 | |
I think we've got a problem. | 0:09:28 | 0:09:30 | |
I think we're using the word Muslim far too quickly to describe people | 0:09:30 | 0:09:34 | |
doing atrocities, when they don't represent Muslims any more than I do. | 0:09:34 | 0:09:37 | |
And I think we should be using a more accurate word for those people, | 0:09:37 | 0:09:41 | |
which I'm going to argue is "knobhead". | 0:09:41 | 0:09:43 | |
It's a political rally now, don't worry. | 0:09:47 | 0:09:50 | |
There'd be levels of knobhead. | 0:09:50 | 0:09:52 | |
You'd have a moderate knobhead, all the way up to fundamental knobhead. | 0:09:52 | 0:09:56 | |
And if we all did it, if we all did it, the news would have to catch up. | 0:09:56 | 0:09:59 | |
They'd have to go, "Today, two knobheads bombed a car." | 0:09:59 | 0:10:01 | |
They'd have to do it if we all... | 0:10:01 | 0:10:04 | |
And it wouldn't necessarily be to do with terrorist activity, | 0:10:04 | 0:10:06 | |
not just that, just ANY knobhead-y activity would get the knobhead word. I've thought of some. | 0:10:06 | 0:10:12 | |
People that wear a festival wristband AFTER a festival. | 0:10:12 | 0:10:16 | |
The worst! "I went to Reading..." | 0:10:19 | 0:10:21 | |
It's November, you're in a Costa, you're a knobhead! | 0:10:21 | 0:10:24 | |
Couples that put a lock on a bridge. | 0:10:29 | 0:10:31 | |
You're both knobheads, sorry. Hate that, hate it. | 0:10:31 | 0:10:34 | |
Sanctimonious mothers. | 0:10:36 | 0:10:38 | |
Have to be careful here, I don't mean all mothers by any means, | 0:10:38 | 0:10:40 | |
just a lot of my friends are having kids at the minute | 0:10:40 | 0:10:42 | |
and it's the sort of mothers that go, "Don't tell me how to raise my kids!" | 0:10:42 | 0:10:46 | |
And you're like, OK, | 0:10:46 | 0:10:48 | |
but she is trying to eat a Petits Filous with an electric razor, so... | 0:10:48 | 0:10:52 | |
You're a bit of a knobhead, aren't you? Ever so slightly! | 0:10:54 | 0:10:57 | |
Amanda Holden, fundamental knobhead. | 0:10:58 | 0:11:00 | |
I just don't like her, I don't like her! | 0:11:00 | 0:11:04 | |
Don't encourage me, because I'm sure she's lovely, | 0:11:04 | 0:11:06 | |
I just think she's despicable. | 0:11:06 | 0:11:09 | |
No, I don't have a problem with Muslims in Birmingham at all, | 0:11:10 | 0:11:13 | |
happy to have them, I think they add to our city and to our culture. | 0:11:13 | 0:11:16 | |
I think the big problem we have in Birmingham, | 0:11:16 | 0:11:18 | |
it's happening around the country, actually... | 0:11:18 | 0:11:20 | |
We have a lot of artisan coffee shops. | 0:11:20 | 0:11:24 | |
You know the sort of places I'm on about? | 0:11:24 | 0:11:26 | |
Shoreditch is full of them, kind of like distressed wood, | 0:11:26 | 0:11:29 | |
that kind of thing. | 0:11:29 | 0:11:31 | |
And they serve flat whites and they'll say things like, | 0:11:31 | 0:11:34 | |
"We support local artists." | 0:11:34 | 0:11:37 | |
And you know that because the art on the wall is shit. | 0:11:37 | 0:11:40 | |
Dozens, dozens in Birmingham, they're all shit. | 0:11:44 | 0:11:47 | |
Oh, no, there's one I quite like, there's one I quite like. | 0:11:47 | 0:11:49 | |
I can't say the name for legal reasons. | 0:11:49 | 0:11:51 | |
They do an avocado and feta smash! | 0:11:51 | 0:11:54 | |
Very aggressive word, I feel, | 0:11:57 | 0:11:59 | |
for what is essentially pressing with a fork. | 0:11:59 | 0:12:02 | |
Avocado and feta smash. | 0:12:02 | 0:12:04 | |
And for £1, £1.50 extra, you can get a poached egg on top. | 0:12:04 | 0:12:07 | |
It's a lovely way to start the day. | 0:12:07 | 0:12:08 | |
I went in recently and I said to the girl, | 0:12:08 | 0:12:10 | |
I said "I'd like the avocado and feta smash, please, with a poached egg". | 0:12:10 | 0:12:13 | |
And she went, "Oh, we don't do the egg any more." | 0:12:13 | 0:12:18 | |
I said, "why's that?" | 0:12:18 | 0:12:19 | |
She went, "The kitchen was struggling to cope." | 0:12:19 | 0:12:22 | |
When I hear the phrase "struggling to cope", I think of, I don't know, | 0:12:25 | 0:12:29 | |
a single mother, trying to juggle career, childcare, heartbreak. | 0:12:29 | 0:12:34 | |
I don't think of someone cooking a fucking egg! | 0:12:34 | 0:12:37 | |
So I'm boycotting them now. Boycotting them. | 0:12:40 | 0:12:43 | |
We've got a 24-hour Starbucks as well. | 0:12:43 | 0:12:45 | |
Nobody asked for one, we've got one. | 0:12:45 | 0:12:47 | |
The staff at 4am - genetically closer to a moth. | 0:12:47 | 0:12:52 | |
I've only been in once, it was about 4am, actually. | 0:12:53 | 0:12:55 | |
I got back late from a show, I thought, I'll treat myself, have a hot chocolate. | 0:12:55 | 0:12:58 | |
The guy behind the counter obviously couldn't cope with daylight | 0:12:58 | 0:13:01 | |
or anything because he was like, "Can I take a name"? | 0:13:01 | 0:13:03 | |
I was like "Yeah, it's Joe. Can I ask why?" | 0:13:03 | 0:13:06 | |
He was like, "Just in case the order gets confused." | 0:13:06 | 0:13:08 | |
I looked around an empty Starbucks. | 0:13:08 | 0:13:11 | |
Shuffled along to the service counter, | 0:13:12 | 0:13:13 | |
took him ages to make it and then he went, "Hot chocolate for John." | 0:13:13 | 0:13:17 | |
So to prove a point, I just waited. | 0:13:20 | 0:13:21 | |
"John will be here in a minute, won't he? | 0:13:23 | 0:13:25 | |
Oh, he loves a hot chocolate, our John!" | 0:13:25 | 0:13:27 | |
Now, I'm going to tell you a final thing | 0:13:30 | 0:13:32 | |
and then I'm going to bring on your first act. | 0:13:32 | 0:13:35 | |
Are you up for this? | 0:13:35 | 0:13:36 | |
CHEERING | 0:13:36 | 0:13:37 | |
What I want to tell you about is the thing I've been doing in my office. | 0:13:37 | 0:13:40 | |
I've got this office in Birmingham, | 0:13:40 | 0:13:41 | |
it's like a little space that I sort of write stuff in and whatever, | 0:13:41 | 0:13:44 | |
and I've got, like, this snap frame on the door, which is where | 0:13:44 | 0:13:47 | |
the other businesses have their business name. | 0:13:47 | 0:13:50 | |
But I'm not a business, so I just leave it blank most of the time. | 0:13:50 | 0:13:53 | |
But sometimes I get drunk in the office and I put silly things in the snap frame. | 0:13:53 | 0:13:56 | |
And I just did a thing where I put in the snap frame, | 0:13:56 | 0:13:59 | |
I put a sign up, I put a sign up which said, | 0:13:59 | 0:14:02 | |
"Have you seen this cat?" | 0:14:02 | 0:14:04 | |
with a picture underneath it that's clearly a fox. | 0:14:04 | 0:14:08 | |
Then I just put, | 0:14:08 | 0:14:09 | |
"Missing from the area, answers to the name of Samantha Peterson. | 0:14:09 | 0:14:12 | |
Any information to Peter at [email protected]." | 0:14:12 | 0:14:15 | |
I just made up these things. | 0:14:15 | 0:14:16 | |
Made myself smile, didn't think of it again | 0:14:16 | 0:14:18 | |
until a couple of days later I got an e-mail from Carol. | 0:14:18 | 0:14:22 | |
Carol wrote, | 0:14:22 | 0:14:23 | |
"Mr Lycett, it has come to our attention that you have a sign | 0:14:23 | 0:14:26 | |
"for a lost cat in your office door snap frame. | 0:14:26 | 0:14:29 | |
"May I remind you that it states in your contract that we have a strict | 0:14:29 | 0:14:31 | |
"policy on animals in the building, as this is a workplace. | 0:14:31 | 0:14:34 | |
"Animals are not permitted, and anyone found with animals | 0:14:34 | 0:14:37 | |
"in their units could have their contract terminated. | 0:14:37 | 0:14:39 | |
"Regards, Carol, Management Assistant." | 0:14:39 | 0:14:41 | |
First of all, I checked the contract, nothing in there about animals, | 0:14:41 | 0:14:44 | |
so she's got nothing on me. | 0:14:44 | 0:14:45 | |
Second of all, it's a picture of a fox, Carol. | 0:14:45 | 0:14:48 | |
I replied... | 0:14:51 | 0:14:53 | |
"Hello, Carol. My apologies, there has been a simple misunderstanding. | 0:14:53 | 0:14:57 | |
"There is indeed a sign for a lost cat in the snap frame, | 0:14:57 | 0:15:00 | |
"but Samantha Peterson is not my cat. | 0:15:00 | 0:15:03 | |
"I am attempting to find her as I believe she has been stealing from me. | 0:15:03 | 0:15:07 | |
"I popped into the office late one night last week | 0:15:13 | 0:15:15 | |
"and discovered that my collection of antique biscuits had been disturbed." | 0:15:15 | 0:15:19 | |
"Outside the building I spotted a cat and instinctively shouted, Samantha Peterson!" | 0:15:21 | 0:15:26 | |
"The cat turned, and so I deduced that is her name. | 0:15:28 | 0:15:31 | |
"I know she has my biscuits. | 0:15:34 | 0:15:36 | |
"Any help you can provide would be most appreciated. | 0:15:36 | 0:15:38 | |
"Many thanks, Joe Lycett." | 0:15:38 | 0:15:41 | |
Carol sent me a reply. | 0:15:41 | 0:15:42 | |
"Mr Lycett, I'm sorry to hear about the disruption at your office, | 0:15:44 | 0:15:46 | |
"but I would like to politely ask you to take the sign down. | 0:15:46 | 0:15:49 | |
"The surrounding businesses have made complaints | 0:15:49 | 0:15:51 | |
"that their clients are being disturbed by your sign..." | 0:15:51 | 0:15:54 | |
How you can be disturbed by a sign, I don't know. | 0:15:54 | 0:15:56 | |
She sent me another e-mail straight after, she said, | 0:15:56 | 0:15:58 | |
"Also, can I ask what the Peter Peterson e-mail address is on the sign? | 0:15:58 | 0:16:01 | |
"Are you sharing the office space? Because it's a sole occupancy." | 0:16:01 | 0:16:05 | |
I replied, "Hello, Carol, no, Peter is my private investigator. | 0:16:05 | 0:16:09 | |
"He has agreed to live in the office and work on this case for | 0:16:11 | 0:16:13 | |
"as long as is necessary. | 0:16:13 | 0:16:16 | |
"I've replaced the sign, with my compliments. Many thanks, Joe." | 0:16:16 | 0:16:19 | |
I replaced the sign with the same picture of a fox, | 0:16:19 | 0:16:21 | |
just with "Wanted dead or alive" over it. | 0:16:21 | 0:16:23 | |
A day later, another e-mail from Carol. | 0:16:28 | 0:16:30 | |
"Mr Lycett, we've had more complaints | 0:16:31 | 0:16:34 | |
"that you've replaced the sign with a very similar sign. | 0:16:34 | 0:16:36 | |
"Also, you can't have anyone living in your office. | 0:16:36 | 0:16:38 | |
"Is there a time we can speak on the phone today? | 0:16:38 | 0:16:40 | |
"It would be easier to discuss this rather than over e-mail. Regards, Carol." | 0:16:40 | 0:16:43 | |
I didn't want to speak to her over the phone, so I replied, | 0:16:43 | 0:16:46 | |
"Carol, I'm afraid that will not be possible. | 0:16:46 | 0:16:48 | |
"I've been advised by Peter Peterson that I shouldn't use the phone | 0:16:48 | 0:16:51 | |
"as it could be bugged." | 0:16:51 | 0:16:52 | |
She replied, "OK, Mr Lycett, | 0:16:58 | 0:17:00 | |
"I just had one of our security guys go round | 0:17:00 | 0:17:02 | |
"and there is no-one answering the door and the lights appear to be off, | 0:17:02 | 0:17:05 | |
"so I'm fairly confident your investigator isn't living in the office. | 0:17:05 | 0:17:08 | |
"As long as you don't have pets in the office, | 0:17:08 | 0:17:09 | |
"I'm happy to forget the whole thing. Regards, Carol." | 0:17:09 | 0:17:12 | |
Very diplomatic, very considerate, on Carol's part. | 0:17:12 | 0:17:15 | |
I replied. | 0:17:15 | 0:17:16 | |
"Carol, Carol, Carol..." | 0:17:19 | 0:17:21 | |
"Of course your security man didn't spot Peter Peterson - | 0:17:22 | 0:17:25 | |
"he is a private investigator. | 0:17:25 | 0:17:28 | |
"And shape shifter. | 0:17:28 | 0:17:29 | |
"He lives in the cracks. | 0:17:29 | 0:17:30 | |
"He's watching you when you least expect it. | 0:17:30 | 0:17:32 | |
"He lives in the shadows of your darkest fears | 0:17:32 | 0:17:34 | |
"and your weakest moments when you're naked and vulnerable, | 0:17:34 | 0:17:37 | |
"he's there, watching, waiting, protecting. | 0:17:37 | 0:17:39 | |
"He lives through all of us, within us, beside us. | 0:17:39 | 0:17:41 | |
"He's the breath on the back of your neck, the breeze in your hair, the moisture in the air. Cheers, Joe." | 0:17:41 | 0:17:45 | |
I also put, | 0:17:53 | 0:17:54 | |
"PS, also, FYI, I found Samantha Peterson last night. | 0:17:54 | 0:17:57 | |
"I slaughtered her as a sacrifice to our beloved gods | 0:17:57 | 0:18:00 | |
"and burned the body in a tribal ceremony. | 0:18:00 | 0:18:02 | |
"I took the sign down this morning." | 0:18:02 | 0:18:04 | |
Carol replied, "Thank you." | 0:18:04 | 0:18:06 | |
OK! | 0:18:15 | 0:18:17 | |
So, yeah, I'm going to introduce the first act now. | 0:18:17 | 0:18:19 | |
I love this guy. I've worked with him for years, | 0:18:19 | 0:18:22 | |
since we both started stand-up, and I just think he's wonderful. | 0:18:22 | 0:18:24 | |
So please give all your love and warmth for the amazing | 0:18:24 | 0:18:27 | |
Ivo Graham! | 0:18:27 | 0:18:29 | |
Good evening, Live At The Apollo! | 0:18:45 | 0:18:47 | |
My name's Ivo. I'm going to tell you a few things about myself. | 0:18:49 | 0:18:52 | |
Let's start off with the big news, I've got Amazon Prime. | 0:18:52 | 0:18:55 | |
Not sure how many of you are currently riding | 0:18:57 | 0:18:59 | |
the Amazon Prime wagon. | 0:18:59 | 0:19:01 | |
It's a hell of a wagon to ride, | 0:19:01 | 0:19:02 | |
living in the next-day delivery dream. | 0:19:02 | 0:19:05 | |
What a thrill. | 0:19:05 | 0:19:07 | |
Or at least it was, for the first month. | 0:19:07 | 0:19:10 | |
You know how it is, just meant to be a bit of fun before Christmas, | 0:19:10 | 0:19:13 | |
really, but... | 0:19:13 | 0:19:14 | |
Forgot to cancel the trial in time. | 0:19:14 | 0:19:16 | |
Now I'm trapped. | 0:19:18 | 0:19:19 | |
Walking around every day with an Amazon Prime subscription | 0:19:19 | 0:19:22 | |
I neither want nor need. | 0:19:22 | 0:19:24 | |
The world's shittest superpower. | 0:19:24 | 0:19:27 | |
Going up to strangers in the street, | 0:19:27 | 0:19:28 | |
"Do you need anything tomorrow? It can be arranged." | 0:19:28 | 0:19:32 | |
But people are jealous. | 0:19:34 | 0:19:35 | |
Like my flatmate, he tried to muscle in on my Amazon Prime action. | 0:19:35 | 0:19:38 | |
He said, "I need a book quite urgently, would you mind ordering it for me off your account?" | 0:19:38 | 0:19:42 | |
I said, "Yeah, sure, why not? Spread the love." | 0:19:42 | 0:19:45 | |
But then overnight, had a bit of a change of heart, | 0:19:45 | 0:19:48 | |
thought to myself, you know what? No! | 0:19:48 | 0:19:50 | |
My Prime privilege is not something to be bandied around willy-nilly. | 0:19:50 | 0:19:54 | |
I've paid my money - I didn't mean to, but I have. | 0:19:54 | 0:19:57 | |
I've joined an exclusive club | 0:19:58 | 0:19:59 | |
and it's not for me to bail-out the muggles. | 0:19:59 | 0:20:03 | |
So that book arrived the following morning | 0:20:03 | 0:20:04 | |
and I kept it in my possession for another two to four working days. | 0:20:04 | 0:20:09 | |
Because I'm an extremely petty man. | 0:20:09 | 0:20:11 | |
What else can I tell you about myself? | 0:20:12 | 0:20:13 | |
I've got a girlfriend, that's very exciting. | 0:20:13 | 0:20:16 | |
Yes. | 0:20:16 | 0:20:17 | |
Or at least it was, for the first month. | 0:20:17 | 0:20:20 | |
You know how it is - | 0:20:20 | 0:20:22 | |
just meant to be a bit of fun before Christmas, really, but... | 0:20:22 | 0:20:26 | |
I forgot to cancel the trial in time. | 0:20:26 | 0:20:28 | |
Now I'm trapped. | 0:20:29 | 0:20:31 | |
I'm joking. I am extremely grateful. | 0:20:32 | 0:20:35 | |
I was a very late starter | 0:20:35 | 0:20:37 | |
to the whole world of sex and relationships. | 0:20:37 | 0:20:38 | |
I remember there was a bet amongst my group of friends at school | 0:20:38 | 0:20:41 | |
that I'd be the guy in the group that would not have sex | 0:20:41 | 0:20:44 | |
until after they left school. | 0:20:44 | 0:20:45 | |
To most people, that's an insult. | 0:20:45 | 0:20:47 | |
To me, very much challenge accepted. | 0:20:47 | 0:20:50 | |
I took those expectations and I surpassed them | 0:20:50 | 0:20:52 | |
by the length of an additional educational establishment. | 0:20:52 | 0:20:57 | |
I'm not ashamed of that, | 0:20:57 | 0:20:58 | |
tried to turn it into something I'm sort of proud of, | 0:20:58 | 0:21:00 | |
like a sort of modesty Top Trump. | 0:21:00 | 0:21:02 | |
Obviously I'm well aware that age of virginity loss, | 0:21:02 | 0:21:04 | |
not an official category in most official Top Trump sets, but... | 0:21:04 | 0:21:08 | |
I like to imagine that it is, because if you had this guy, | 0:21:08 | 0:21:11 | |
your opponent would need to be packing | 0:21:11 | 0:21:13 | |
some pretty strong Christians or he'd be going home. | 0:21:13 | 0:21:16 | |
I wasn't helped when I was growing up by the fact that | 0:21:18 | 0:21:20 | |
I spent most of my childhood at an all-boys boarding school. | 0:21:20 | 0:21:22 | |
My parents sent me away to an all-boys boarding school | 0:21:22 | 0:21:24 | |
for the first time when I was seven years old. | 0:21:24 | 0:21:26 | |
I don't blame them. It was a good decision. I was a shit. | 0:21:26 | 0:21:29 | |
I was asking too many questions. | 0:21:29 | 0:21:31 | |
The big questions, questions no parents are prepared to answer. | 0:21:31 | 0:21:34 | |
How are babies made? | 0:21:34 | 0:21:36 | |
What's happened to the dog? | 0:21:36 | 0:21:37 | |
Why does Home Alone 3 have a different child? | 0:21:37 | 0:21:39 | |
Too many questions. | 0:21:39 | 0:21:40 | |
"Send him away at the earliest possible juncture, | 0:21:41 | 0:21:44 | |
"let somebody else explain Macaulay's problems to the boy." | 0:21:44 | 0:21:47 | |
For five years as a teenager I studied at probably | 0:21:50 | 0:21:52 | |
the least popular all-boys boarding school of them all. | 0:21:52 | 0:21:55 | |
I studied at a school called Eton College. | 0:21:55 | 0:21:57 | |
I like to drop that quite early into all of my stand-up sets, | 0:21:57 | 0:21:59 | |
just in case anyone in the crowd was liking me too much. | 0:21:59 | 0:22:03 | |
I wasn't a popular kid at Eton, but I wasn't bullied, no, | 0:22:03 | 0:22:05 | |
and I'll tell you why, because I was house catering rep. | 0:22:05 | 0:22:08 | |
Nobody fucked around with the house catering rep, | 0:22:10 | 0:22:12 | |
I'll tell you that much for free. | 0:22:12 | 0:22:14 | |
Or, to narrow it down, | 0:22:14 | 0:22:16 | |
nobody with a nut allergy fucked around with the house catering rep. | 0:22:16 | 0:22:20 | |
The rest of the boys, not so bothered, admittedly, | 0:22:20 | 0:22:22 | |
but those select few, | 0:22:22 | 0:22:24 | |
living every day in constant fear of the genuine anaphylactic danger | 0:22:24 | 0:22:27 | |
that I posed. | 0:22:27 | 0:22:29 | |
Skulking around in the canteen, | 0:22:29 | 0:22:31 | |
big bag of macadamias poking out my pocket, | 0:22:31 | 0:22:34 | |
as if to say, "You know who I am, and you know what I'm capable of." | 0:22:34 | 0:22:37 | |
Most exciting times for me as a teenager, | 0:22:39 | 0:22:41 | |
going to parties in my holidays. | 0:22:41 | 0:22:43 | |
Usually about one party a year, just to keep my hand in. | 0:22:43 | 0:22:46 | |
I wasn't invited by girls my own age, no, | 0:22:46 | 0:22:48 | |
I was invited by their mums, who in turn were asked to do so by my mum. | 0:22:48 | 0:22:51 | |
My mum was like my agent, back in the day. | 0:22:51 | 0:22:54 | |
Very popular mum on the East Wiltshire social scene. | 0:22:54 | 0:22:58 | |
Some of that popularity trickled down | 0:22:58 | 0:23:00 | |
and I'd go to these parties and I'd be a hit - | 0:23:00 | 0:23:01 | |
not with the girls my own age, but with their mums, | 0:23:01 | 0:23:04 | |
because the mums trusted me. | 0:23:04 | 0:23:06 | |
They knew what they were getting from the other boys | 0:23:06 | 0:23:08 | |
at their daughters' parties, | 0:23:08 | 0:23:09 | |
getting red wine stains in the carpet and sexually transmitted infections. | 0:23:09 | 0:23:13 | |
Not from this guy. They knew what they were getting from me - | 0:23:13 | 0:23:15 | |
a box of Quality Street at the start of the night, | 0:23:15 | 0:23:18 | |
a hand with the washing up after dinner, | 0:23:18 | 0:23:20 | |
and a thank you letter in first class post the following day. | 0:23:20 | 0:23:24 | |
I don't like to boast too much on stage, but I'm not ashamed to say | 0:23:24 | 0:23:26 | |
that I write a fucking good thank you letter. | 0:23:26 | 0:23:30 | |
All the trimmings, ink fountain pen, velum parchment paper, | 0:23:30 | 0:23:33 | |
one crazy summer even experimented with a wax seal. | 0:23:33 | 0:23:35 | |
The overheads were too crippling in the end, | 0:23:37 | 0:23:39 | |
but it was a hell of a summer, I can tell you. | 0:23:39 | 0:23:42 | |
It's a disappearing art in the digital age, | 0:23:42 | 0:23:44 | |
the old-fashioned thank you letter. I loved it, the formality of it. | 0:23:44 | 0:23:47 | |
Writing my address in the top right-hand corner, | 0:23:47 | 0:23:50 | |
just in case any of the mums wanted to write back. | 0:23:50 | 0:23:52 | |
They never did, but I gave them the option. | 0:23:52 | 0:23:55 | |
Date underneath, the classic six-figure date formation - | 0:23:55 | 0:23:57 | |
day, month, year. | 0:23:57 | 0:23:59 | |
Unless it was an American family, obviously, in which case | 0:23:59 | 0:24:01 | |
still day, month, year, because they must learn. | 0:24:01 | 0:24:05 | |
Changing the world one letter at a time. | 0:24:05 | 0:24:08 | |
Sometimes I was so keen to get started on my thank you letter | 0:24:13 | 0:24:16 | |
I'd start it while still at the party itself. | 0:24:16 | 0:24:18 | |
Usually in the late hours of the night a schism would occur, | 0:24:20 | 0:24:23 | |
everyone else would be in the next dorm playing spin the bottle or strip poker, | 0:24:23 | 0:24:26 | |
I'd be on my own at the desk, bashing out the first draft, | 0:24:26 | 0:24:30 | |
deciding whether or not to dedicate an entire paragraph | 0:24:30 | 0:24:33 | |
to the Viennetta. | 0:24:33 | 0:24:34 | |
I went to university and things got more exciting at university. | 0:24:39 | 0:24:41 | |
There were girls there, I became friends with them, sometimes good friends. | 0:24:41 | 0:24:44 | |
I was often told by my female friends | 0:24:44 | 0:24:46 | |
that I would make a great boyfriend. | 0:24:46 | 0:24:49 | |
These females and their addiction to the hypothetical tense. | 0:24:49 | 0:24:53 | |
When will they have the courage to turn these theories into a reality? | 0:24:53 | 0:24:56 | |
I'm sure a few of us here have been told that we would make great boyfriends or great girlfriends. | 0:24:58 | 0:25:02 | |
One of those compliments which loses its appeal quite quickly, I think, | 0:25:02 | 0:25:05 | |
like being told by your computer you have excellent password strength. | 0:25:05 | 0:25:09 | |
Eventually the compliment wears off. | 0:25:11 | 0:25:14 | |
I know I've got a good password. | 0:25:14 | 0:25:16 | |
How about a bit more attention to my banging secret question? | 0:25:16 | 0:25:19 | |
The real jewel in the crown, | 0:25:19 | 0:25:21 | |
an entire childhood spent misleading people about who my best friend | 0:25:21 | 0:25:24 | |
was specifically with this in mind. | 0:25:24 | 0:25:26 | |
At university it stopped being about going to parties, | 0:25:31 | 0:25:33 | |
started being about going to clubs. | 0:25:33 | 0:25:35 | |
I'm not having a go at clubs. | 0:25:35 | 0:25:37 | |
As an adult now I quite enjoy going to clubs, I go quite often, | 0:25:37 | 0:25:39 | |
I'm an absolute slave to the rhythm. | 0:25:39 | 0:25:41 | |
Back in the day, very nervous, | 0:25:43 | 0:25:45 | |
and never more nervous than the first time it was proposed that | 0:25:45 | 0:25:48 | |
we travel to London specially for a club night. | 0:25:48 | 0:25:50 | |
I remember consulting the itinerary that afternoon saying, | 0:25:50 | 0:25:53 | |
"Guys, I've seen when our train gets in and when the last train home departs. | 0:25:53 | 0:25:57 | |
"That's going to afford us about 45 mins max of boogie time, what's going on?" | 0:25:57 | 0:26:01 | |
To which I received a truly chilling response. | 0:26:01 | 0:26:04 | |
The guy said, "Oh, no, you've got it wrong - | 0:26:04 | 0:26:05 | |
"not the last train home tonight, first train home in the morning." | 0:26:05 | 0:26:09 | |
Does anything send more of a shiver down the spine of a nervous debut | 0:26:09 | 0:26:11 | |
clubber than that? | 0:26:11 | 0:26:13 | |
You guys know how UK train tickets work - | 0:26:13 | 0:26:15 | |
that's going to exceed the remit of our same-day return. | 0:26:15 | 0:26:19 | |
There's no next-day return! | 0:26:19 | 0:26:21 | |
I was being asked to stump up for an open return, | 0:26:22 | 0:26:25 | |
commit to a potential month of clubbing. | 0:26:25 | 0:26:27 | |
A month spent at the O2 Academy Brixton, | 0:26:30 | 0:26:32 | |
me and 3,000 of South London's rudest boys. | 0:26:32 | 0:26:35 | |
As I found out as I entered my second hour of | 0:26:36 | 0:26:38 | |
holding the door open for them. | 0:26:38 | 0:26:40 | |
Listened to drum and bass, a genre I thought I would enjoy. | 0:26:42 | 0:26:45 | |
I quite enjoy bands without a guitar player. | 0:26:45 | 0:26:48 | |
Thought we'd be listening to something like Keane. | 0:26:48 | 0:26:52 | |
There were no other Keane fans in the O2 Academy Brixton that night, | 0:26:52 | 0:26:55 | |
or at least no others wearing an official band T-shirt. | 0:26:55 | 0:26:59 | |
It was a night of crime. | 0:27:00 | 0:27:01 | |
People were breaking into the venue without tickets, | 0:27:01 | 0:27:03 | |
people were smoking indoors, people were doing drugs in the loos. | 0:27:03 | 0:27:06 | |
Not having a go at any of these things, | 0:27:06 | 0:27:07 | |
we've all broken the rules at some point in our lives. | 0:27:07 | 0:27:10 | |
I once sold multipack cans of Coke individually at a church fete. | 0:27:10 | 0:27:14 | |
Made a sweet, sweet £4 profit off my mum's friend, Yvonne. | 0:27:15 | 0:27:18 | |
We're all going to hell. | 0:27:18 | 0:27:19 | |
Got no objection to it. | 0:27:22 | 0:27:23 | |
I was often told by my friends at university that | 0:27:23 | 0:27:25 | |
I would make a great drug-taker. | 0:27:25 | 0:27:27 | |
But I wasn't partaking in any illegal activities that night. | 0:27:29 | 0:27:31 | |
However, despite this, I was mistaken on the dance floor | 0:27:31 | 0:27:34 | |
not just for a drug-taker, but for a drug dealer. | 0:27:34 | 0:27:37 | |
Man caught me rubbing my gums, | 0:27:37 | 0:27:38 | |
misunderstood the situation, approached me, | 0:27:38 | 0:27:40 | |
attempted to make a purchase. | 0:27:40 | 0:27:42 | |
There's no lower moment in your life than when you have to explain | 0:27:42 | 0:27:45 | |
to a potential client that what you are applying is not, in fact, MDMA, but Bonjela. | 0:27:45 | 0:27:49 | |
That's right, my good man, and in a couple of hours' time | 0:27:50 | 0:27:53 | |
you guys will be coming up and my ulcers are going to be going down. | 0:27:53 | 0:27:57 | |
Had to push on through till brunch. | 0:27:57 | 0:28:00 | |
My life has improved now as an adult man with a girlfriend. | 0:28:03 | 0:28:06 | |
It's given me a new confidence, a confidence bordering, admittedly, on smugness. | 0:28:06 | 0:28:10 | |
Of course you're going to feel smug, walking around town every day with a girlfriend on your arm. | 0:28:10 | 0:28:13 | |
In my opinion, the third best thing you can walk around town with, | 0:28:13 | 0:28:17 | |
after £100 in cash and a water bottle you filled up at home. | 0:28:17 | 0:28:20 | |
Not a perfectly universal feeling, that, | 0:28:22 | 0:28:24 | |
but there's a few legends in the room who know what it's like. | 0:28:24 | 0:28:29 | |
That thrill, sashaying about the place with a bottle of pre-filled faux-Evian on the go, | 0:28:29 | 0:28:34 | |
sometimes pre-refrigerated on the days when you're really nailing life. | 0:28:34 | 0:28:39 | |
Looking at strangers on the Tube thinking, | 0:28:39 | 0:28:41 | |
"You're probably thinking I bought this bottle of Vittel from a shop. Bloody did, in 2012." | 0:28:41 | 0:28:46 | |
And having a girlfriend is nearly as exciting as that. | 0:28:51 | 0:28:55 | |
I like it. | 0:28:55 | 0:28:56 | |
I remember the first time I went back to my girlfriend's flat. | 0:28:56 | 0:28:59 | |
We met, we kissed at a party - finally I'd kissed a girl at a party, | 0:28:59 | 0:29:02 | |
and what a kiss it was. | 0:29:02 | 0:29:03 | |
If I had to rate the kissing, probably rate it as 12A, | 0:29:03 | 0:29:06 | |
12A-rated kissing action, | 0:29:06 | 0:29:08 | |
in that my parents weren't there, | 0:29:08 | 0:29:10 | |
but their presence would have been reassuring at times. | 0:29:10 | 0:29:13 | |
We then decided to share a taxi from the party. | 0:29:16 | 0:29:19 | |
It was a taxi of purely geographical logic, I can't stress that enough. | 0:29:19 | 0:29:22 | |
Her flat was halfway between the party and my flat, | 0:29:22 | 0:29:25 | |
it made sense to share. | 0:29:25 | 0:29:26 | |
The route was eccentric, but not implausible. | 0:29:26 | 0:29:29 | |
It would stand up in court. | 0:29:29 | 0:29:31 | |
Taxi pulls up outside her flat, she turns to me, she says, | 0:29:31 | 0:29:34 | |
"Oh, you can just come and stay the night here, if you want?" | 0:29:34 | 0:29:36 | |
That's not the exciting bit of the story. | 0:29:36 | 0:29:38 | |
The exciting bit of the story, getting to turn to the taxi driver | 0:29:38 | 0:29:41 | |
in the front and say, "Actually, mate... | 0:29:41 | 0:29:44 | |
"We'll both be getting off here, if that's all right?" | 0:29:44 | 0:29:47 | |
Mixed response at the Apollo tonight. | 0:29:49 | 0:29:50 | |
That's the greatest moment of my life so far, take it or leave it. | 0:29:50 | 0:29:53 | |
You'd understand if you'd been there, if you'd seen the taxi driver's face. | 0:29:56 | 0:29:59 | |
The most amazing mixture of emotions on his face. | 0:29:59 | 0:30:02 | |
He was angry, of course he was angry. | 0:30:02 | 0:30:04 | |
Just been referred to as "mate" by a posh child. | 0:30:04 | 0:30:07 | |
But he was proud, as well, a real sort of paternal pride on his face. | 0:30:08 | 0:30:11 | |
More pride than my actual father showed when I told him the following morning. | 0:30:11 | 0:30:16 | |
He did not believe me. | 0:30:16 | 0:30:18 | |
But that didn't matter because I had my proof. | 0:30:18 | 0:30:20 | |
"If it didn't happen, Dad, then who am I writing this thank you letter to?" | 0:30:20 | 0:30:24 | |
Tradition is tradition. | 0:30:26 | 0:30:27 | |
Ladies and gents, this has been an absolute privilege. | 0:30:30 | 0:30:33 | |
Thank you so much for having me. | 0:30:33 | 0:30:34 | |
I've been Ivo Graham. Goodbye! | 0:30:34 | 0:30:36 | |
Ivo Graham! | 0:30:40 | 0:30:42 | |
Amazing. | 0:30:44 | 0:30:46 | |
Right, it's time for your next act. | 0:30:46 | 0:30:49 | |
I love this act so much, you're going to have such a brilliant time, | 0:30:50 | 0:30:54 | |
so please give all your love and warmth for the amazing, | 0:30:54 | 0:30:56 | |
the wonderful Phil Wang! | 0:30:56 | 0:30:59 | |
Hey, guys, hey, how's it going? | 0:31:12 | 0:31:14 | |
Good to hear, all right, yeah. | 0:31:14 | 0:31:15 | |
It's me, Phil Wang! | 0:31:17 | 0:31:19 | |
Phil Wang, that's right, real name, Phil Wang. | 0:31:21 | 0:31:24 | |
"Phil" and then "Wang". | 0:31:24 | 0:31:26 | |
Phil Wang. | 0:31:26 | 0:31:28 | |
First you hear "Phil", then you think, "Oh, everything's normal." | 0:31:28 | 0:31:30 | |
Then, bang, "Wang"! | 0:31:30 | 0:31:32 | |
Out of nowhere, like a bat out of hell. | 0:31:34 | 0:31:36 | |
Phil Wang. | 0:31:36 | 0:31:37 | |
I love introducing myself, I love introducing myself, | 0:31:37 | 0:31:40 | |
favourite thing to do. | 0:31:40 | 0:31:41 | |
Every time I meet a new person, every time I meet a new person - | 0:31:41 | 0:31:45 | |
a new person as in a stranger, | 0:31:45 | 0:31:46 | |
not a baby... | 0:31:46 | 0:31:48 | |
I don't tell babies my name. | 0:31:52 | 0:31:54 | |
Babies don't care. | 0:31:54 | 0:31:56 | |
Babies are rude. | 0:31:57 | 0:31:59 | |
But every time I meet a stranger | 0:32:00 | 0:32:02 | |
I like to say, "Hi, I'm Phil, Phil Wang." | 0:32:02 | 0:32:04 | |
"Phil by name, Wang... | 0:32:05 | 0:32:10 | |
"by second name, Phil Wang." | 0:32:10 | 0:32:12 | |
That's how names work. That's how names work, for me, Phil Wang. | 0:32:14 | 0:32:19 | |
Lovely to be here. Got to come clean with you, folks, | 0:32:21 | 0:32:23 | |
I'm not very good at starting performances. | 0:32:23 | 0:32:26 | |
I tend to just say my name a bunch of times. | 0:32:28 | 0:32:32 | |
And hope for the best. | 0:32:32 | 0:32:33 | |
Starting's the hardest part. | 0:32:34 | 0:32:36 | |
Starting's the hardest part of comedy. Most difficult part of the job. | 0:32:36 | 0:32:39 | |
Comedians employ a whole host of tricks to start. | 0:32:39 | 0:32:41 | |
What a lot of comedians like to do is like to start by pointing out a | 0:32:41 | 0:32:44 | |
celebrity they look like, you know, | 0:32:44 | 0:32:46 | |
like a weird thing they bear a resemblance to. | 0:32:46 | 0:32:49 | |
And it's funny, apparently if you look at me, right, and, like, | 0:32:49 | 0:32:52 | |
squint really hard, | 0:32:52 | 0:32:54 | |
that's racist, so... | 0:32:56 | 0:32:58 | |
Don't do that. | 0:33:07 | 0:33:09 | |
You'll get kicked out of the Apollo. | 0:33:09 | 0:33:11 | |
Thanks so much for coming out tonight, by the way. | 0:33:13 | 0:33:15 | |
I love live comedy, I think it's my favourite form of entertainment, | 0:33:15 | 0:33:19 | |
live comedy. | 0:33:19 | 0:33:20 | |
Some people have very strange ideas about what entertainment is, | 0:33:20 | 0:33:22 | |
some people find very strange things entertaining. | 0:33:22 | 0:33:25 | |
There are people out there, some people love scary movies. | 0:33:25 | 0:33:28 | |
I hate scary movies. | 0:33:30 | 0:33:32 | |
They're too scary. | 0:33:32 | 0:33:34 | |
They scare the shit out of me. | 0:33:34 | 0:33:36 | |
Every time see a scary movie, I'm scared for days. | 0:33:36 | 0:33:39 | |
I hate them, but people love them. | 0:33:39 | 0:33:41 | |
People actively seek them out, | 0:33:41 | 0:33:42 | |
actually enjoy the sensation of being scared by a movie. | 0:33:42 | 0:33:46 | |
I've never understood that attitude at all. | 0:33:46 | 0:33:48 | |
I've never been frightened in real life and gone, | 0:33:48 | 0:33:52 | |
"Oh, Jesus..." | 0:33:52 | 0:33:53 | |
HE GASPS FOR AIR | 0:33:53 | 0:33:55 | |
"Yeah, I'll pay for that. Yeah, all right". | 0:33:55 | 0:33:59 | |
I feel horrible, £13, sure, yeah. | 0:33:59 | 0:34:01 | |
Let's go now. Ridiculous. | 0:34:01 | 0:34:03 | |
My friend's like this, my friend Jason, loves scary movies. | 0:34:03 | 0:34:06 | |
Jason can't get enough of scary movies, absolutely loves scary movies, Jason. | 0:34:06 | 0:34:10 | |
Now Jason is black, | 0:34:10 | 0:34:13 | |
which I only mention because you imagined him white and he isn't. | 0:34:13 | 0:34:17 | |
That's it. | 0:34:24 | 0:34:25 | |
His race is not relevant to the joke, | 0:34:25 | 0:34:28 | |
I just don't see why you should have the wrong picture. | 0:34:28 | 0:34:31 | |
But Jason loves scary movies | 0:34:35 | 0:34:36 | |
and he's always trying to get me to go see them with him, | 0:34:36 | 0:34:38 | |
go to the cinema and see scary movies with him. | 0:34:38 | 0:34:40 | |
I'm like Jason, "I don't want to pay money to feel worse". | 0:34:40 | 0:34:44 | |
That's an illogical exchange, that's a bad transaction, Jase. | 0:34:44 | 0:34:47 | |
I don't want to do that. I was thinking about it. | 0:34:47 | 0:34:49 | |
It's such a first world privilege, don't you think? | 0:34:49 | 0:34:52 | |
To enjoy scary movies. | 0:34:52 | 0:34:54 | |
What a first world, Western privilege. | 0:34:54 | 0:34:57 | |
I mean, how comfortable is your life that you have to go out | 0:34:57 | 0:35:02 | |
and buy a ticket, just to know what it's like to feel under threat? | 0:35:02 | 0:35:09 | |
You know, no-one in the Democratic Republic of Congo saw The Grudge, you know? | 0:35:09 | 0:35:13 | |
They don't need that shit, they've got real life stuff to deal with. | 0:35:15 | 0:35:18 | |
I guess it's a masochism, right, to enjoy scary movies? | 0:35:18 | 0:35:21 | |
A masochism, to derive pleasure from a pain. | 0:35:21 | 0:35:23 | |
And I understand masochism, I have to say I do, | 0:35:23 | 0:35:26 | |
because I like spicy food. | 0:35:26 | 0:35:28 | |
Love spicy food. It hurts me in my little Asian gob, but I love it. | 0:35:28 | 0:35:32 | |
And if you think about it, | 0:35:33 | 0:35:34 | |
spicy food is actually a lot like scary movies. | 0:35:34 | 0:35:36 | |
If it's good, you feel alive. | 0:35:36 | 0:35:39 | |
If it's really good, you shit yourself. | 0:35:39 | 0:35:42 | |
What else about me? I'm 26, I'm 20-goddam-6. | 0:35:45 | 0:35:50 | |
People often think I'm older, | 0:35:50 | 0:35:51 | |
because although I am 26, I look terrible. | 0:35:51 | 0:35:54 | |
I look gross and old, I guess. | 0:35:57 | 0:35:59 | |
Mothers, lock up your...selves. | 0:35:59 | 0:36:02 | |
Old Wang's on the prowl. | 0:36:05 | 0:36:06 | |
He gonna getcha. | 0:36:08 | 0:36:10 | |
I'm a bit fat, I suppose, I don't look great, I'm a bit fat. | 0:36:11 | 0:36:14 | |
I don't struggle with my weight. | 0:36:14 | 0:36:16 | |
People my shape and size often say they struggle with their weight, | 0:36:16 | 0:36:19 | |
they're always very sad, "Oh, I struggle with my weight". | 0:36:19 | 0:36:23 | |
I don't struggle with my weight. | 0:36:23 | 0:36:25 | |
"Struggle" implies that I fought back at some point. | 0:36:25 | 0:36:29 | |
I didn't... I helped. | 0:36:31 | 0:36:34 | |
I was very much an accomplice to my weight. | 0:36:36 | 0:36:39 | |
I was no barrier of entry to my weight. | 0:36:39 | 0:36:41 | |
My weight knocked at the door and said, "Can I come in?" | 0:36:41 | 0:36:43 | |
And I said, "Can I keep playing video games and touching myself?" | 0:36:43 | 0:36:46 | |
And my weight said, "Yeah"... "Come in!" | 0:36:46 | 0:36:48 | |
"Take off your shoes, though. Chinese house." | 0:36:50 | 0:36:52 | |
I have been trying to work on my look, though. | 0:36:56 | 0:36:58 | |
I've been trying to look better, I'm trying to work on my look. | 0:36:58 | 0:37:01 | |
I think it's important for all of us to have a distinct look that we like | 0:37:01 | 0:37:04 | |
and to accomplish it as best we can | 0:37:04 | 0:37:05 | |
and so, I have settled on the look of Cambodian dictator. | 0:37:05 | 0:37:09 | |
It's a pretty strong look. | 0:37:14 | 0:37:16 | |
It's been getting me a lot of respect recently, | 0:37:17 | 0:37:20 | |
mainly from Cambodian people. | 0:37:20 | 0:37:22 | |
But then I got fun shoes at the end. | 0:37:24 | 0:37:27 | |
Racist people think that I'm barefoot, but there you go. | 0:37:27 | 0:37:33 | |
That's a joke about colour, a joke about colour now. | 0:37:33 | 0:37:36 | |
Look, I've been trying to smile more, as well. | 0:37:36 | 0:37:39 | |
I've been trying to... | 0:37:39 | 0:37:41 | |
Smile more, you're supposed to look better when you smile, | 0:37:41 | 0:37:43 | |
so I've been making an effort to smile more. | 0:37:43 | 0:37:45 | |
I've always been told to smile my entire life, I've been told smile. | 0:37:45 | 0:37:48 | |
My entire life I've been told to smile by strangers. | 0:37:48 | 0:37:50 | |
Since I was a kid, strangers would just come up to me, | 0:37:50 | 0:37:53 | |
kick me in the head, "Smile!". | 0:37:53 | 0:37:55 | |
It still happens now, strangers tell me to smile. | 0:37:55 | 0:37:57 | |
Apparently I have a thing called resting bitch face. | 0:37:57 | 0:38:03 | |
Yeah? Fellow sufferer, I can see. | 0:38:03 | 0:38:06 | |
Resting bitch face. | 0:38:06 | 0:38:07 | |
I guess when I'm active I look OK, but when I rest I look like a bitch. | 0:38:07 | 0:38:11 | |
And it bothers people. | 0:38:13 | 0:38:14 | |
I have to fix it for them for some reason. | 0:38:14 | 0:38:16 | |
I get harassed all the time. I'm a grown-ass man. | 0:38:16 | 0:38:19 | |
I still get harassed in the street by strangers telling me to smile. | 0:38:19 | 0:38:22 | |
Female builders shout at me. | 0:38:22 | 0:38:24 | |
They do. Female builders on female construction sites shout across the street. | 0:38:26 | 0:38:30 | |
"Give us a smile, love", they shout at me. | 0:38:30 | 0:38:33 | |
"Oh, come on, Gok, give us a smile". | 0:38:33 | 0:38:36 | |
And they squeeze their breasts. | 0:38:40 | 0:38:41 | |
It's very threatening, I don't like it. | 0:38:41 | 0:38:44 | |
So I've been trying to smile more, I've been making an effort, | 0:38:45 | 0:38:48 | |
keep the builders at bay. | 0:38:48 | 0:38:50 | |
Try and stay safe on the streets and trying to smile. | 0:38:50 | 0:38:52 | |
It does mean, though, | 0:38:52 | 0:38:54 | |
I've had to give up on the look I've always wanted, | 0:38:54 | 0:38:56 | |
which is the strong silent type. | 0:38:56 | 0:38:58 | |
That's what I've always wanted to be, strong, silent type. | 0:38:58 | 0:39:00 | |
A lot of fellas go for that look, most reward for least effort, | 0:39:00 | 0:39:04 | |
strong silent type. | 0:39:04 | 0:39:05 | |
But what I've come to realise is that, in order to pull | 0:39:05 | 0:39:07 | |
that look off, you need a jawline. | 0:39:07 | 0:39:10 | |
And old Wang don't have no jawline. | 0:39:11 | 0:39:13 | |
That's not my face. I basically have one cheek and then two eyes, | 0:39:14 | 0:39:18 | |
and that's it. | 0:39:18 | 0:39:20 | |
It doesn't work for me, I can't do that. | 0:39:21 | 0:39:24 | |
It's not fair. A guy with a good jaw, he can do that, | 0:39:24 | 0:39:26 | |
a guy with a strong jaw, he can be the strong silent type. | 0:39:26 | 0:39:28 | |
He can stand there, furrow his brow in silence. | 0:39:28 | 0:39:32 | |
People look at that guy, they give him the benefit of the doubt, every time. | 0:39:32 | 0:39:35 | |
"Oh, wow, what a stoic, fascinating man. | 0:39:35 | 0:39:40 | |
"One can only imagine what thoughts are occurring in that chiselled skull". | 0:39:40 | 0:39:44 | |
I can't do that. If I stand in a corner and just... | 0:39:45 | 0:39:48 | |
People look at me and go, "Why is that giant Korean baby so grumpy?" | 0:39:52 | 0:39:56 | |
"Get that huge Mongolian toddler out of here." | 0:39:59 | 0:40:02 | |
"He is bothering us!" | 0:40:03 | 0:40:05 | |
People always ask me where I'm from. | 0:40:07 | 0:40:09 | |
People always say, "Hey Phil, Phil Wang." | 0:40:09 | 0:40:12 | |
"Where are you from?" | 0:40:14 | 0:40:15 | |
Then I say, "Oh, London". | 0:40:15 | 0:40:18 | |
And then they say, "No!" | 0:40:18 | 0:40:20 | |
"Nice try, Phil Wang." | 0:40:25 | 0:40:26 | |
"Where are you originally from?" | 0:40:29 | 0:40:32 | |
"Hong Kong, the Philippines, Malaysia, somewhere like that?" | 0:40:33 | 0:40:36 | |
It happens all the time. | 0:40:36 | 0:40:37 | |
It upsets me, you know, I don't like it, because I'm British. | 0:40:37 | 0:40:40 | |
I love being British. | 0:40:40 | 0:40:41 | |
I have a British passport and I'm very proud to be British. | 0:40:41 | 0:40:44 | |
But I think what annoys me the most about the whole thing is that | 0:40:44 | 0:40:47 | |
I am actually originally from Malaysia, yeah. | 0:40:47 | 0:40:49 | |
So... | 0:40:49 | 0:40:51 | |
So I don't say that! | 0:40:52 | 0:40:53 | |
And then they are right to have asked, | 0:40:54 | 0:40:57 | |
I mean that's the most difficult part of the whole thing. | 0:40:57 | 0:41:00 | |
Because they shouldn't have asked, but it turns out, | 0:41:00 | 0:41:04 | |
they were right to have asked. | 0:41:04 | 0:41:07 | |
Because they were spot on, to be fair to them, | 0:41:07 | 0:41:09 | |
but it was a racist suspicion... | 0:41:09 | 0:41:11 | |
..for them to have... | 0:41:12 | 0:41:14 | |
But the suspicion was correct in the end, so... | 0:41:15 | 0:41:17 | |
I'm always conflicted. Am I offended by their narrow-mindedness | 0:41:19 | 0:41:22 | |
or impressed with their detective skills? | 0:41:22 | 0:41:25 | |
Good work, Colombo. | 0:41:25 | 0:41:27 | |
I suppose racism isn't always black and white. | 0:41:29 | 0:41:31 | |
There are shades of yellow, too. | 0:41:32 | 0:41:35 | |
Thank you, thank you very much. | 0:41:35 | 0:41:38 | |
I'm enjoy my life in the UK, though, I like it a lot here. | 0:41:38 | 0:41:41 | |
I got myself a girlfriend. | 0:41:41 | 0:41:42 | |
Thank you. | 0:41:42 | 0:41:43 | |
Got myself an English girlfriend, living the immigrant dream. | 0:41:44 | 0:41:47 | |
Smacking it. | 0:41:49 | 0:41:50 | |
It will be your jobs next. | 0:41:52 | 0:41:53 | |
Nah, the women will do. | 0:42:01 | 0:42:02 | |
Women are miracles, jobs are boring. | 0:42:03 | 0:42:05 | |
She's great my gal, she's brilliant. | 0:42:07 | 0:42:09 | |
She's a vicar's daughter. | 0:42:09 | 0:42:10 | |
A vicar's daughter... | 0:42:14 | 0:42:16 | |
The atheist's ultimate victory. | 0:42:16 | 0:42:18 | |
Take that, God, | 0:42:20 | 0:42:23 | |
old Wang snagged one of your lambs. | 0:42:23 | 0:42:25 | |
I snuck in your pen and I nabbed your lambs. | 0:42:33 | 0:42:35 | |
Hopefully going to have kids with my lady, | 0:42:38 | 0:42:40 | |
I want to have kids with my gal. | 0:42:40 | 0:42:42 | |
My girlfriend, she's a white lady, no problem with that, big fan. | 0:42:42 | 0:42:45 | |
Big fan of the white ladies. So much so actually that I've decided that | 0:42:46 | 0:42:49 | |
I'm only ever going to children with a white lady, right? | 0:42:49 | 0:42:53 | |
Not only that, my sons will only ever have children | 0:42:53 | 0:42:55 | |
with white ladies. | 0:42:55 | 0:42:56 | |
Their sons will only have children with white ladies. | 0:42:56 | 0:42:59 | |
And this will go on and on, on and on, | 0:42:59 | 0:43:01 | |
generation after generation after generation, | 0:43:01 | 0:43:03 | |
until every trace of Chinese gene has gone, every memory of me erased, | 0:43:03 | 0:43:06 | |
they won't even know I ever existed, right? | 0:43:06 | 0:43:09 | |
Because I have a dream that, in 1,000 years, the UK will be full | 0:43:09 | 0:43:13 | |
of white people who are all called Wang and don't know why. | 0:43:13 | 0:43:18 | |
Thanks very much, guys. I'm Phil Wang. Wonderful! | 0:43:18 | 0:43:21 | |
Phil Wang! | 0:43:25 | 0:43:27 | |
Amazing. | 0:43:29 | 0:43:31 | |
Ivo Graham and Phil Wang. | 0:43:31 | 0:43:34 | |
I've been Joe Lycett. See you again! | 0:43:34 | 0:43:35 |