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This programme contains some strong language. | 0:00:06 | 0:00:10 | |
Ladies and gentlemen, | 0:00:18 | 0:00:20 | |
please welcome your host for tonight - | 0:00:20 | 0:00:23 | |
RAP MUSIC PLAYS | 0:00:28 | 0:00:31 | |
AUDIENCE CHEERS AND CLAPS | 0:00:31 | 0:00:34 | |
Hammersmith Apollo, what's happening, people? | 0:00:38 | 0:00:40 | |
What's happening? AUDIENCE CHEERS | 0:00:40 | 0:00:43 | |
Excellent. Good to be here at the Hammersmith Apollo. | 0:00:43 | 0:00:47 | |
Live at the Apollo. | 0:00:47 | 0:00:48 | |
I'm hosting this. I'M HOSTING THIS! | 0:00:48 | 0:00:50 | |
AUDIENCE CHEERS | 0:00:50 | 0:00:52 | |
So, I'm back. | 0:00:54 | 0:00:55 | |
I don't know if you guys know this, I've been working a lot abroad. | 0:00:55 | 0:00:59 | |
Been in America quite a bit the last few years. | 0:00:59 | 0:01:01 | |
Back and forth between England and America. | 0:01:01 | 0:01:04 | |
At the moment, I'm in New York. | 0:01:04 | 0:01:07 | |
It's very similar. | 0:01:07 | 0:01:08 | |
New York and London are very similar. | 0:01:08 | 0:01:10 | |
They're similar places, they are. | 0:01:10 | 0:01:11 | |
New York is just a bigger, crazier... | 0:01:11 | 0:01:14 | |
..filthier version. | 0:01:16 | 0:01:18 | |
AUDIENCE LAUGHS | 0:01:18 | 0:01:19 | |
Cos New York is filthy. It's filth... It's dirty. | 0:01:19 | 0:01:22 | |
It's dirty. | 0:01:22 | 0:01:23 | |
It's filthy. | 0:01:23 | 0:01:25 | |
It's a dirty, filthy... | 0:01:26 | 0:01:28 | |
..gross... | 0:01:29 | 0:01:30 | |
..dirty... | 0:01:31 | 0:01:33 | |
..dirty city. It's filthy, it's dirty. | 0:01:34 | 0:01:37 | |
It's dirty! | 0:01:37 | 0:01:38 | |
Let me tell you how dirty it is. | 0:01:40 | 0:01:44 | |
I got into a staring match with a rat on the subway. | 0:01:44 | 0:01:47 | |
That's what I'm talking about. You know when you see a rat? | 0:01:48 | 0:01:50 | |
I saw this big rat. | 0:01:50 | 0:01:52 | |
And I was like... You know you think you can scare them away? | 0:01:52 | 0:01:54 | |
I just went, "Argh!" and the rat just went, "Huh?" | 0:01:54 | 0:01:57 | |
I thought, "Oh, shit, my bad, my bad." | 0:01:58 | 0:02:00 | |
It's filthy! | 0:02:02 | 0:02:03 | |
It's a filthy city, which is a problem for me | 0:02:03 | 0:02:05 | |
cos I am very OCD. I am super OCD. | 0:02:05 | 0:02:08 | |
I'm a germ-a-phobe, big-time. | 0:02:08 | 0:02:10 | |
I travel a lot as a comedian, I stay in lots of different hotels | 0:02:10 | 0:02:13 | |
and things and people always say to me, | 0:02:13 | 0:02:15 | |
"Oh, it must be really good, staying in all these different hotels all over the world." | 0:02:15 | 0:02:19 | |
No, not for me. | 0:02:19 | 0:02:20 | |
I travel with my own bedsheets... | 0:02:20 | 0:02:23 | |
AUDIENCE LAUGHS ..pillow and pillowcase, | 0:02:23 | 0:02:26 | |
special slippers that I only wear in hotel rooms | 0:02:26 | 0:02:30 | |
cos I don't want hotel floor to contaminate my floor. | 0:02:30 | 0:02:34 | |
Every hotel room I stay in looks like an episode of Dexter. | 0:02:36 | 0:02:40 | |
I just put plastic... Plastic. | 0:02:40 | 0:02:42 | |
Plastic. | 0:02:42 | 0:02:44 | |
I've seen too many of those TV shows. | 0:02:44 | 0:02:46 | |
You know those science shows where they go, | 0:02:46 | 0:02:48 | |
"We went into a hotel room | 0:02:48 | 0:02:50 | |
"and we took a swab off the mattress... | 0:02:50 | 0:02:52 | |
"..and we found blood, skin, faeces | 0:02:53 | 0:02:56 | |
"and semen from a giraffe." | 0:02:56 | 0:02:58 | |
I'm like, "Oh, my God, they let giraffe check into the Hilton, this is..." | 0:03:01 | 0:03:06 | |
I touch nothing in a hotel room, nothing. I wipe everything down. | 0:03:06 | 0:03:10 | |
I don't even touch the TV remote control in a hotel room. | 0:03:10 | 0:03:13 | |
That's right, people, I don't touch it. | 0:03:13 | 0:03:15 | |
I wrap it in a shower cap. | 0:03:15 | 0:03:16 | |
Some of you are looking at me like, "That's a good idea." | 0:03:19 | 0:03:21 | |
Yes, it is! | 0:03:21 | 0:03:22 | |
The TV remote is the filthiest part of the room. | 0:03:26 | 0:03:29 | |
It's filthy, it's dirty! | 0:03:29 | 0:03:32 | |
It's dirty! | 0:03:32 | 0:03:33 | |
I tell you why, I tell you why the remote control is the filthiest. | 0:03:34 | 0:03:38 | |
A very large percentage of people that stay in hotels | 0:03:38 | 0:03:43 | |
are single men. | 0:03:43 | 0:03:44 | |
AUDIENCE LAUGHS | 0:03:44 | 0:03:46 | |
Let me say that again, single men! | 0:03:50 | 0:03:52 | |
Travelling alone. | 0:03:52 | 0:03:54 | |
All alone. | 0:03:54 | 0:03:56 | |
Men alone. | 0:03:56 | 0:03:58 | |
Alone, all alone. | 0:03:58 | 0:04:00 | |
Alone. | 0:04:00 | 0:04:02 | |
Single men alone. All alone. | 0:04:02 | 0:04:05 | |
Alone. | 0:04:05 | 0:04:07 | |
And what do single men do when they are all alone? Alone. | 0:04:07 | 0:04:10 | |
What do you do, young man, when you are all alone? | 0:04:11 | 0:04:14 | |
You... AUDIENCE CLAPS | 0:04:14 | 0:04:16 | |
You... | 0:04:16 | 0:04:18 | |
Alone in a room with your ten chubby little fingers, all alone. | 0:04:18 | 0:04:22 | |
Don't look at her, look at me. Look at me! | 0:04:24 | 0:04:27 | |
You know what you're doing! | 0:04:29 | 0:04:30 | |
You're watching porn, you're having a wank, | 0:04:32 | 0:04:34 | |
that's what you're doing! | 0:04:34 | 0:04:35 | |
I don't know about you but I do not want to become the first woman | 0:04:37 | 0:04:40 | |
in the world to become pregnant from a remote control. | 0:04:40 | 0:04:43 | |
Some of you are looking at me funny. | 0:04:50 | 0:04:51 | |
I'm not saying I put them inside me. | 0:04:51 | 0:04:53 | |
But accidents do happen, accidents! | 0:04:56 | 0:04:58 | |
I'm OCD, I'm a germ-a-phobe, | 0:05:01 | 0:05:03 | |
I have a problem using public toilets. | 0:05:03 | 0:05:06 | |
I can't do it, I can't do it. | 0:05:06 | 0:05:08 | |
I mean, most women, we don't sit on the toilet seats anyway, do we? | 0:05:08 | 0:05:11 | |
They're disgusting, they're gross, they're dirty! | 0:05:11 | 0:05:13 | |
They're gross. | 0:05:13 | 0:05:15 | |
And now they are coming out with this thing now where they put... | 0:05:15 | 0:05:18 | |
They've got those paper toilet-seat covers. | 0:05:18 | 0:05:20 | |
Have you seen these things? | 0:05:20 | 0:05:21 | |
They've got these paper toilet-seat covers you can pull out and put on the toilet seat. | 0:05:21 | 0:05:24 | |
But have you seen what they are made from? It is tracing paper. | 0:05:24 | 0:05:28 | |
Tracing paper! | 0:05:28 | 0:05:30 | |
That stuff acts like a blotter. | 0:05:30 | 0:05:32 | |
You sit on that and pee, one drop of pee gets on it, | 0:05:34 | 0:05:38 | |
it spreads all through the paper. | 0:05:38 | 0:05:41 | |
And you get up and you've got paper stuck to your bum. | 0:05:41 | 0:05:45 | |
So, we don't, we don't sit on those toilets. | 0:05:45 | 0:05:48 | |
What do we do, ladies? What do we do? | 0:05:48 | 0:05:50 | |
AUDIENCE MURMURS That's right, we hover, we squat. | 0:05:50 | 0:05:55 | |
That's what we do. | 0:05:55 | 0:05:56 | |
Did you know we do that? Your girlfriend does this. | 0:05:56 | 0:05:58 | |
Look at me, sir, look at me. | 0:05:58 | 0:05:59 | |
She does this. Every woman in the world - good thighs, good thighs, | 0:06:00 | 0:06:05 | |
from doing this. | 0:06:05 | 0:06:06 | |
That's why when she wraps her legs round your neck, you can't get out. | 0:06:06 | 0:06:10 | |
Look at me, look at me! | 0:06:14 | 0:06:17 | |
Squat. | 0:06:18 | 0:06:20 | |
You pee, straight line, sir, straight line. | 0:06:20 | 0:06:23 | |
None of this deviation stuff, straight line. | 0:06:23 | 0:06:26 | |
Straight down the middle of the bowl. Squat, pee, wipe, flush. | 0:06:26 | 0:06:31 | |
That's what we do, right? | 0:06:31 | 0:06:32 | |
AUDIENCE LAUGHS AND CLAPS | 0:06:34 | 0:06:36 | |
Huh? | 0:06:36 | 0:06:37 | |
Can you do this, men? Can you do this? | 0:06:37 | 0:06:40 | |
No, only women can do this, only women, | 0:06:40 | 0:06:43 | |
cos we are toilet ninjas. | 0:06:43 | 0:06:44 | |
Times have changed, though, times have changed. | 0:06:49 | 0:06:53 | |
You know, I'm not as young as I was. | 0:06:53 | 0:06:55 | |
So my aim is not what it was. | 0:06:56 | 0:06:58 | |
I don't know what's happened to my flaps. | 0:07:00 | 0:07:02 | |
AUDIENCE CHEERS | 0:07:04 | 0:07:05 | |
Yes, I have sex flaps! | 0:07:05 | 0:07:06 | |
I can't pee in a straight line any more. | 0:07:11 | 0:07:13 | |
I've recently found myself peeing down the back of my thighs. | 0:07:15 | 0:07:18 | |
And yesterday, I managed to pee on the woman in the next stall. | 0:07:22 | 0:07:25 | |
A lot of anti-immigrant feeling going on around the world right now. | 0:07:30 | 0:07:33 | |
I'm an immigrant to America, my mother was an immigrant from Nigeria | 0:07:33 | 0:07:37 | |
to England, and I don't know if this is immigrant mentality, | 0:07:37 | 0:07:40 | |
when you have kids in a different country, | 0:07:40 | 0:07:42 | |
you're a lot more ambitious for your kids, | 0:07:42 | 0:07:44 | |
you want your kids to do well, | 0:07:44 | 0:07:45 | |
cos my mum was super ambitious for us. | 0:07:45 | 0:07:48 | |
Super ambitious. Like, in an African family... Any Africans in? | 0:07:48 | 0:07:51 | |
Any Africans? CHEERING | 0:07:51 | 0:07:54 | |
That's just for us, white people, not you. Just for us. | 0:07:54 | 0:07:56 | |
SHE LAUGHS | 0:08:00 | 0:08:01 | |
African family, you've got four choices of career. | 0:08:01 | 0:08:04 | |
Doctor, | 0:08:04 | 0:08:06 | |
lawyer, | 0:08:06 | 0:08:07 | |
engineer, | 0:08:07 | 0:08:09 | |
disgrace to the family. | 0:08:09 | 0:08:11 | |
My mum picked all our jobs before we were born. | 0:08:16 | 0:08:20 | |
When my mum was pregnant with me, someone went up to her and went, | 0:08:20 | 0:08:22 | |
"What are you having?" She was like, "I'm having a doctor." | 0:08:22 | 0:08:26 | |
And that was it. | 0:08:28 | 0:08:29 | |
She picked my subjects at school. | 0:08:29 | 0:08:31 | |
I was going to be a doctor, | 0:08:31 | 0:08:33 | |
got as far as A level biology and we had to cut open a rat. | 0:08:33 | 0:08:35 | |
Remember that? You had to cut open a rat, and I just discovered | 0:08:35 | 0:08:38 | |
I couldn't stand the sight of blood or anything vaguely biological, | 0:08:38 | 0:08:43 | |
so I had to switch it up. I was like, "Mum..." | 0:08:43 | 0:08:45 | |
I had to tell my mum the doctor thing wasn't going to work out. | 0:08:45 | 0:08:47 | |
But it was all right, I said, "I'm going to be an engineer," and | 0:08:47 | 0:08:50 | |
my mum was like, "Hmm, engineer, it is on the list, OK." | 0:08:50 | 0:08:53 | |
And then she turns to my younger brother, "You will be the doctor!" | 0:08:56 | 0:09:00 | |
That's how it ran in my family. | 0:09:03 | 0:09:05 | |
She wasn't impressed when I decided to become a comedian. | 0:09:06 | 0:09:10 | |
That conversation didn't go very well, cos I was an engineer, | 0:09:10 | 0:09:12 | |
I worked as an engineer for years. | 0:09:12 | 0:09:14 | |
I used to work for Otis, repairing lifts. | 0:09:14 | 0:09:16 | |
That is what I did and my mum was proud. | 0:09:16 | 0:09:18 | |
"Yes, my daughter, she is an engineer." | 0:09:18 | 0:09:20 | |
And then I left that and decided to become a comedian. | 0:09:21 | 0:09:24 | |
My mum was not impressed. | 0:09:24 | 0:09:26 | |
She was like, "Comedy, comedy! What the hell is comedy? | 0:09:26 | 0:09:29 | |
"What am I going to tell my friends in Nigeria? Hey? Hey? | 0:09:31 | 0:09:34 | |
"My daughter is a clown." | 0:09:34 | 0:09:36 | |
But, luckily for me, within six months of starting comedy, | 0:09:43 | 0:09:47 | |
I got on this talent show called The Big, Big Talent Show, | 0:09:47 | 0:09:51 | |
hosted by Jonathan Ross. I got on this show. | 0:09:51 | 0:09:53 | |
So I called my mum, I was like, "Mum, I got through to this big | 0:09:53 | 0:09:56 | |
"talent show, it's going to be on TV, | 0:09:56 | 0:09:59 | |
"I'm through to the quarterfinals." | 0:09:59 | 0:10:00 | |
My mum was like, "Oh, yeah, that's good, very good, interesting, | 0:10:00 | 0:10:03 | |
"very good. | 0:10:03 | 0:10:04 | |
"Call me when you get to the final. | 0:10:04 | 0:10:06 | |
"I'm not interested in this quarterfinal, semifinal rubbish. | 0:10:08 | 0:10:12 | |
"Call me for the final." | 0:10:12 | 0:10:13 | |
So, sure enough, I got through to the final, | 0:10:16 | 0:10:18 | |
filmed live on television, live. | 0:10:18 | 0:10:20 | |
Jonathan Ross is hosting and my mum comes down with her entourage | 0:10:20 | 0:10:24 | |
cos my mum doesn't travel without a Nigerian entourage. | 0:10:24 | 0:10:29 | |
So I do my set, Jonathan Ross is interviewing me after my set | 0:10:29 | 0:10:34 | |
and he sees my mum in the audience, which was not hard to spot. | 0:10:34 | 0:10:37 | |
It is literally, white people, white people, white people, | 0:10:37 | 0:10:40 | |
and then a bank of African royalty, just... | 0:10:40 | 0:10:42 | |
LAUGHTER | 0:10:44 | 0:10:45 | |
So, Jonathan points to my mum and he goes, "Is that your mum? | 0:10:48 | 0:10:51 | |
"Gina's mum is in the audience?" | 0:10:51 | 0:10:53 | |
And I swear to God, my mum stood up like this... | 0:10:53 | 0:10:56 | |
"Yes, that is right, I am the reason the clown is here, | 0:11:02 | 0:11:05 | |
"I am the reason. | 0:11:05 | 0:11:06 | |
"I always knew she was going to be a clown. | 0:11:08 | 0:11:10 | |
"When she was three, I bought her the big shoes." | 0:11:10 | 0:11:13 | |
So my mum only comes out for the big shows. | 0:11:14 | 0:11:16 | |
She only comes out for the big shows and in fact, my mum is here tonight. | 0:11:16 | 0:11:20 | |
Where's my mum? Where's my mum? | 0:11:20 | 0:11:22 | |
There's my mum over there. She's here. | 0:11:24 | 0:11:28 | |
GINA LAUGHS | 0:11:28 | 0:11:29 | |
Look at her, standing up! Look at her, there she is. | 0:11:31 | 0:11:33 | |
All right, you can sit down now, Mum, you can sit down now, Mum. | 0:11:36 | 0:11:39 | |
This is my show, Mum! It's my show! | 0:11:39 | 0:11:42 | |
It's my show! | 0:11:42 | 0:11:43 | |
GINA LAUGHS | 0:11:49 | 0:11:50 | |
Yeah, you can sit down now, Mum. | 0:11:52 | 0:11:54 | |
AUDIENCE LAUGHS | 0:11:54 | 0:11:56 | |
And at that point, I think it is time to bring on the first | 0:11:56 | 0:11:58 | |
act of the show. Are you guys ready? | 0:11:58 | 0:12:00 | |
CHEERING | 0:12:02 | 0:12:03 | |
This first comedian coming on is a rising star on the comedy scene. | 0:12:05 | 0:12:08 | |
She is hilarious. Give it up for the very funny Ellie Taylor. | 0:12:08 | 0:12:12 | |
DANCE MUSIC PLAYS | 0:12:17 | 0:12:19 | |
Hello, Apollo, are you well? | 0:12:25 | 0:12:27 | |
It's amazing, this is lovely, isn't it? | 0:12:27 | 0:12:30 | |
So, hello, my name's Ellie, I got married last year. | 0:12:30 | 0:12:33 | |
AUDIENCE CHEERS | 0:12:33 | 0:12:35 | |
Thank you. It's lovely being married. | 0:12:35 | 0:12:36 | |
Just been sort of spending the last 12 months getting used to it. | 0:12:36 | 0:12:40 | |
Remembering to call myself a Mrs, | 0:12:40 | 0:12:43 | |
remembering not to sleep with other people. | 0:12:43 | 0:12:45 | |
Apparently, that one's quite important, apparently. | 0:12:47 | 0:12:49 | |
Don't get me wrong, right, I love my husband. | 0:12:49 | 0:12:51 | |
I love my husband, | 0:12:51 | 0:12:53 | |
but I also love Weetabix. | 0:12:53 | 0:12:55 | |
And if somebody told me that Weetabix was the only cereal | 0:12:57 | 0:13:00 | |
I was allowed to eat for the rest of my life... | 0:13:00 | 0:13:03 | |
Pretty sure in a few years... | 0:13:03 | 0:13:05 | |
AUDIENCE LAUGHS | 0:13:06 | 0:13:09 | |
I'd want to fuck another man. | 0:13:09 | 0:13:10 | |
My wedding was quite unusual, | 0:13:14 | 0:13:15 | |
cos you might not know this about me, | 0:13:15 | 0:13:17 | |
I'm a full-time comedian | 0:13:17 | 0:13:19 | |
but I'm also actually a part-time professional feminist icon. | 0:13:19 | 0:13:22 | |
I'm in a job share with Sandi Toksvig. | 0:13:22 | 0:13:24 | |
Like all feminist icons, | 0:13:26 | 0:13:27 | |
I'm obviously extremely politically knowledgeable, like, loads, babe, | 0:13:27 | 0:13:32 | |
so, I decided to use my wedding to investigate a political issue. | 0:13:32 | 0:13:35 | |
And the political issue I decided to investigate was immigration. | 0:13:35 | 0:13:40 | |
So what I did, guys, what I did, I married an immigrant. | 0:13:40 | 0:13:43 | |
SHE SQUEAKS | 0:13:43 | 0:13:44 | |
I know, immersive, isn't it? | 0:13:46 | 0:13:49 | |
I'm basically Louis Theroux. | 0:13:49 | 0:13:50 | |
It was a bit tricky at the beginning, I was like, God, | 0:13:53 | 0:13:56 | |
what does it eat? | 0:13:56 | 0:13:57 | |
No, don't give it milk and bread, can't have that, | 0:13:59 | 0:14:02 | |
oh, no, that's hedgehogs, isn't it? As you were. | 0:14:02 | 0:14:04 | |
Flat palm, flat palm. | 0:14:05 | 0:14:06 | |
Now, my immigrant, he is Australian-themed. | 0:14:11 | 0:14:14 | |
But they also come in other flavours, they do. | 0:14:16 | 0:14:18 | |
They also come, I don't know if you know this, | 0:14:18 | 0:14:20 | |
with different outfits you can change. Great fun. | 0:14:20 | 0:14:23 | |
Sometimes, I put my one in a suit. | 0:14:23 | 0:14:26 | |
I'm like, "Oh, smart immigrant." | 0:14:26 | 0:14:28 | |
Sometimes I put him in a pair of trainers. | 0:14:30 | 0:14:32 | |
"Oh, casual immigrant." | 0:14:32 | 0:14:34 | |
Sometimes, I put him in a job that a British person can't or won't do. | 0:14:35 | 0:14:39 | |
CHEERING | 0:14:42 | 0:14:45 | |
Typical bloody immigrant! | 0:14:48 | 0:14:50 | |
Get your own, there's loads of them. | 0:14:51 | 0:14:53 | |
Honestly, he's probably the best accessory I've ever had, | 0:14:57 | 0:14:59 | |
and I own a Taser. | 0:14:59 | 0:15:00 | |
So, no, it's really nice being married. | 0:15:03 | 0:15:05 | |
Cos I'm not sure about having kids right now, so it means I'm | 0:15:05 | 0:15:07 | |
very aware of my contraception, so I've done all the research for you. | 0:15:07 | 0:15:11 | |
So, the pill - 99% effective. Condoms - 99% effective. | 0:15:11 | 0:15:16 | |
Eating a large Indian takeaway, and then going, | 0:15:16 | 0:15:20 | |
"Oh, look how pregnant I look!" | 0:15:20 | 0:15:23 | |
- 100% effective. | 0:15:23 | 0:15:25 | |
But my view on kids actually helped me become | 0:15:28 | 0:15:30 | |
a little bit of an internet sensation earlier this year. | 0:15:30 | 0:15:32 | |
There was this thing on Facebook - I don't know if you saw it - | 0:15:32 | 0:15:34 | |
it was called the Motherhood Challenge. | 0:15:34 | 0:15:36 | |
So it's when mums were putting up five photos of themselves | 0:15:36 | 0:15:39 | |
that made them proud to be a mother. | 0:15:39 | 0:15:41 | |
So there'll be pictures of little Ken on the beach. | 0:15:41 | 0:15:44 | |
Little Ken trying avocado for the first time. | 0:15:44 | 0:15:47 | |
Little Ken asking, "What kind of a name is Ken for a toddler?" | 0:15:47 | 0:15:51 | |
Lovely, lovely. | 0:15:53 | 0:15:54 | |
Now, I do not have a problem with anyone being proud to be a parent. | 0:15:54 | 0:15:58 | |
I just saw a lot of this stuff, thought, | 0:15:58 | 0:16:00 | |
"I'm going to do the opposite." I did the Non-Motherhood Challenge. | 0:16:00 | 0:16:04 | |
I posted five photos of myself that made me proud NOT to be a mother. | 0:16:04 | 0:16:08 | |
Four of those were pictures of me asleep. | 0:16:09 | 0:16:11 | |
APPLAUSE | 0:16:14 | 0:16:17 | |
And the fifth one was of me asleep, holding a bottle of wine. | 0:16:21 | 0:16:25 | |
Really, really silly, right? Whacked it up on Facebook. | 0:16:28 | 0:16:30 | |
Didn't really think any more about it. | 0:16:30 | 0:16:31 | |
For some reason, it went bananas, right? | 0:16:31 | 0:16:35 | |
It went viral, got shared a gazillion times, | 0:16:35 | 0:16:37 | |
went all the way round the world. | 0:16:37 | 0:16:39 | |
At one point, I became woman of the week on a Swahili parenting blog. | 0:16:39 | 0:16:42 | |
And it was really interesting, | 0:16:45 | 0:16:46 | |
seeing the different responses I got back to it. | 0:16:46 | 0:16:49 | |
So the first sort of people to write on my Facebook page were women, | 0:16:49 | 0:16:51 | |
like me, without children, saying things like, | 0:16:51 | 0:16:53 | |
"Oh, Ellie, thanks for giving us, the childless, a voice." | 0:16:53 | 0:16:57 | |
I was like, "No, worries, babes, you're welcome." | 0:16:57 | 0:16:59 | |
And then I got some other replies, and I've printed them out here, | 0:17:01 | 0:17:04 | |
so I got some replies from some mothers, | 0:17:04 | 0:17:07 | |
so that was quite interesting. | 0:17:07 | 0:17:09 | |
Erm... Like this lady. We'll call her Mummy Number One. | 0:17:09 | 0:17:12 | |
She said, "You don't understand what it feels like to become a mother, | 0:17:13 | 0:17:17 | |
"you fucking superficial basic bitch." | 0:17:17 | 0:17:20 | |
Mummy Number One! | 0:17:25 | 0:17:26 | |
So maternal, isn't she(?) | 0:17:28 | 0:17:29 | |
Then what happened is other childless women started | 0:17:33 | 0:17:36 | |
defending me against the cross mums. | 0:17:36 | 0:17:38 | |
There was this lady, piped up, very angry. | 0:17:38 | 0:17:41 | |
We'll call her Outraged From Kent. | 0:17:41 | 0:17:43 | |
She said, "Why is this funny? | 0:17:44 | 0:17:46 | |
"Don't mock the ones who choose to be parents. Very tasteless." | 0:17:46 | 0:17:50 | |
So then, an American lady came in to my rescue. | 0:17:50 | 0:17:53 | |
Now, see if you can work out why I think she's American. | 0:17:53 | 0:17:56 | |
-IN AMERICAN ACCENT: -"Jesus Christ, woman! | 0:17:57 | 0:18:00 | |
"No-one owes you an explanation. | 0:18:00 | 0:18:03 | |
"Nobody has time for another butthurt mommy." | 0:18:03 | 0:18:06 | |
Outraged From Kent comes back, rather sensibly, | 0:18:09 | 0:18:11 | |
with, "What on earth is a butthurt mummy?" | 0:18:11 | 0:18:13 | |
Nobody knows. Nobody knows. | 0:18:14 | 0:18:17 | |
Then other cross mums started replying to me, | 0:18:17 | 0:18:19 | |
but these mums were from different countries, | 0:18:19 | 0:18:21 | |
so they were insulting me in different languages. | 0:18:21 | 0:18:25 | |
Don't worry, guys - Facebook translates it for us, | 0:18:25 | 0:18:27 | |
so we didn't miss out! | 0:18:27 | 0:18:28 | |
There was this lady from Mexico. | 0:18:30 | 0:18:32 | |
Now, when it says "it", I think it means "she". | 0:18:32 | 0:18:36 | |
"No wonder it does not have children. | 0:18:38 | 0:18:41 | |
"Look at its big teeth." | 0:18:50 | 0:18:52 | |
Gracias, amigo Mexico. | 0:18:58 | 0:18:59 | |
But this is all saved, in the end, | 0:19:02 | 0:19:03 | |
by the final group who replied to me, and they made everything better. | 0:19:03 | 0:19:06 | |
They were led by a man called Alessandro. | 0:19:06 | 0:19:09 | |
And Alessandro says, | 0:19:09 | 0:19:11 | |
"As an Italian, I need to know, | 0:19:11 | 0:19:16 | |
"what kind of wine is that?" | 0:19:16 | 0:19:19 | |
APPLAUSE | 0:19:20 | 0:19:23 | |
Guys, you have been an absolute dream come true. Thank you so much. | 0:19:26 | 0:19:30 | |
I've been Ellie Taylor. Thank you. | 0:19:30 | 0:19:33 | |
APPLAUSE | 0:19:33 | 0:19:35 | |
Ellie Taylor! CHEERS | 0:19:40 | 0:19:44 | |
Are you guys ready for your next comedian? | 0:19:48 | 0:19:51 | |
CHEERS | 0:19:51 | 0:19:54 | |
This next comedian coming on is hilarious. | 0:19:57 | 0:19:59 | |
I'm looking forward to seeing him. | 0:19:59 | 0:20:01 | |
He is from Australia, and he's very, very weird. | 0:20:01 | 0:20:05 | |
Give it up for Sam Simmons! | 0:20:05 | 0:20:08 | |
CHEERS AND APPLAUSE | 0:20:08 | 0:20:12 | |
-All right! Hello, Apollo! -CHEERS | 0:20:19 | 0:20:23 | |
We'll address this straight away. | 0:20:23 | 0:20:24 | |
I'm well aware that I look like a Super Mario brother had sex with a | 0:20:24 | 0:20:29 | |
Spaniard at Betfred, but that's the look I'm going for tonight, people. | 0:20:29 | 0:20:34 | |
It gets worse, though. Look at this. | 0:20:34 | 0:20:36 | |
I look like, er... | 0:20:38 | 0:20:40 | |
I look like all the faces from the children's board game Guess Who?... | 0:20:40 | 0:20:46 | |
condensed into one head. | 0:20:46 | 0:20:48 | |
All right, well, enough of what my head looks like on the outside. | 0:20:51 | 0:20:54 | |
Let's see what it looks like on the inside. Let's go! | 0:20:54 | 0:20:57 | |
-RECORDED VOICE: -Er, do you like bread? -Yeah, bread's all right. | 0:20:57 | 0:21:01 | |
-Do you, like, fully get into it? -Not fully. | 0:21:01 | 0:21:04 | |
-What are you talking about? What are you talking about again? -Bread. | 0:21:04 | 0:21:06 | |
Yeah, I know bread, mate. I know bread. | 0:21:06 | 0:21:09 | |
-Oh, you know bread. -Well, I don't know bread, but I like toast. | 0:21:09 | 0:21:12 | |
-I like toast. -Yeah, toast is good, eh? | 0:21:12 | 0:21:14 | |
DISCO MUSIC STARTS PLAYING | 0:21:14 | 0:21:16 | |
Yeah, I, erm, fully get into bread. I like bread when I good. | 0:21:16 | 0:21:20 | |
-Er... New bread. -What are you talking about, mate? | 0:21:20 | 0:21:24 | |
What are you going on about? What's going on? | 0:21:24 | 0:21:25 | |
-Bread. -Yeah, I know bread! | 0:21:25 | 0:21:27 | |
What's going on with this disco music, man? What's with the music? | 0:21:27 | 0:21:32 | |
-Er, it's for the bread. -What do you mean, "It's for the bread"? | 0:21:32 | 0:21:36 | |
Er, when you're putting on bread shoes. | 0:21:36 | 0:21:38 | |
-You should have just said, "Putting on bread shoes"! -Er, bread shoes. | 0:21:38 | 0:21:42 | |
Oh, yeah. | 0:21:43 | 0:21:45 | |
This one's going out to all the ladies out there who like | 0:21:45 | 0:21:47 | |
to wear bread on their feet. | 0:21:47 | 0:21:50 | |
# Bread shoes | 0:21:50 | 0:21:52 | |
# Put on your bread shoes | 0:21:55 | 0:21:58 | |
APPLAUSE # Put on your bread shoes, | 0:22:02 | 0:22:05 | |
# bread shoes on your feet. # | 0:22:05 | 0:22:07 | |
-MUSIC STOPS -Here, heads up! | 0:22:15 | 0:22:17 | |
So, that's the vibe we're going for, ladies and gentlemen. That's it. | 0:22:20 | 0:22:24 | |
-APPLAUSE -It's niche. It's niche stuff. | 0:22:24 | 0:22:27 | |
I'm a strong flavour. I'm like the coriander of comedy. Deal with it. | 0:22:27 | 0:22:31 | |
Hey, this is a fun thing to do. This is a good, | 0:22:33 | 0:22:35 | |
fun thing to do when you get poor customer service from someone. | 0:22:35 | 0:22:37 | |
If someone's being an arsehole to you behind the counter, | 0:22:37 | 0:22:40 | |
and you go to get your change back, OK? | 0:22:40 | 0:22:42 | |
Don't go like that. | 0:22:42 | 0:22:44 | |
Just go like that. | 0:22:44 | 0:22:47 | |
40% of the time, all of the time, | 0:22:47 | 0:22:49 | |
they'll try to balance the coins on top of your hand. | 0:22:49 | 0:22:52 | |
And don't break eye contact. Just like, "Yes, yes, yes!" | 0:22:52 | 0:22:56 | |
Here's a fun thing to do next time you go to one of those shit shops | 0:22:57 | 0:23:00 | |
like Poundland, or "POUNDland", if you're in Scotland. | 0:23:00 | 0:23:02 | |
Sorry, the north. | 0:23:02 | 0:23:04 | |
They've always got shit names. You know those shit shops? | 0:23:04 | 0:23:06 | |
I call them The Shit Shop back at home. | 0:23:06 | 0:23:08 | |
They've always got stupid names, like Price Slap and Bargain Sluts. | 0:23:08 | 0:23:12 | |
Anyway... | 0:23:12 | 0:23:13 | |
Go into one of those shops, | 0:23:14 | 0:23:16 | |
and look for the most redundant item you can find. | 0:23:16 | 0:23:18 | |
It's not hard. Those shops are just full of shit you do not need. | 0:23:18 | 0:23:21 | |
Like an oven mitt/alarm clock, you know what I mean? | 0:23:21 | 0:23:24 | |
Wander on in, find something really ridiculous that you do not need. | 0:23:26 | 0:23:29 | |
Like, I went into one shop in Adelaide, | 0:23:29 | 0:23:30 | |
and I walked in there and I found myself | 0:23:30 | 0:23:32 | |
a ceramic reindeer standing on top of a grassy mound, | 0:23:32 | 0:23:36 | |
with a thermometer just coming up off the side. | 0:23:36 | 0:23:39 | |
You know when you need to get a reindeer thermometer heaps quick? | 0:23:39 | 0:23:42 | |
Make sure there's a few on the shelf. | 0:23:42 | 0:23:44 | |
Make sure there's about 20 there. | 0:23:44 | 0:23:45 | |
Get out of the shop, OK, once you've found your shit item. | 0:23:45 | 0:23:48 | |
Wander back about a week later. | 0:23:48 | 0:23:49 | |
Go straight in, right to the person working behind the counter, | 0:23:49 | 0:23:52 | |
and go, "Excuse me, I wonder if you could help me. | 0:23:52 | 0:23:54 | |
"I'm looking for something maybe like a reindeer. | 0:23:54 | 0:23:56 | |
"Doesn't have to be a reindeer, mind you. | 0:23:56 | 0:23:57 | |
"Could be any type of ungulate or hoofed animal. | 0:23:57 | 0:24:00 | |
"The catch is, it's got to have | 0:24:00 | 0:24:01 | |
"some measurement of weather attached to the side of it." | 0:24:01 | 0:24:04 | |
This guy lost his mind. | 0:24:04 | 0:24:06 | |
He's like, "Oh, my God, I've got exactly that item!" | 0:24:06 | 0:24:09 | |
When he brings it back, though, when he brings it back, just hold it | 0:24:11 | 0:24:13 | |
and go, "Yeah, it's kind of like what I was looking for. | 0:24:13 | 0:24:16 | |
"It's just not for me, though." | 0:24:18 | 0:24:20 | |
All right, guys, it's going to get weird now. | 0:24:21 | 0:24:24 | |
So this next piece is called Things That Shit Me. | 0:24:26 | 0:24:28 | |
These are things that piss me off. Let's go. | 0:24:28 | 0:24:31 | |
Things that shit me - | 0:24:31 | 0:24:32 | |
when you walk into a room, | 0:24:35 | 0:24:36 | |
and then you forget why you walked in there in the first place. | 0:24:36 | 0:24:40 | |
Oh, yeah! | 0:24:49 | 0:24:51 | |
Things that shit me - | 0:24:52 | 0:24:54 | |
having to hug people you don't know very well. | 0:24:54 | 0:24:57 | |
Not you! Get in here! | 0:24:58 | 0:25:00 | |
Things that shit me - | 0:25:06 | 0:25:08 | |
this picture book of kittens which was first published in 1972. | 0:25:08 | 0:25:13 | |
Now the sad thing about this book here is, | 0:25:13 | 0:25:15 | |
if it was first published in 1972, they're all dead now. | 0:25:15 | 0:25:19 | |
It's just a book of dead cats. | 0:25:20 | 0:25:22 | |
Dead, dead, dead. | 0:25:22 | 0:25:24 | |
Dead, dead, dead, dead, dead. | 0:25:25 | 0:25:27 | |
Every one of them's dead. Dead, dead, dead. They're all dead! | 0:25:27 | 0:25:31 | |
APPLAUSE | 0:25:31 | 0:25:33 | |
Things that shit me - | 0:25:35 | 0:25:37 | |
those people who forget to take off their bicycle helmets inside shops. | 0:25:37 | 0:25:42 | |
"Do you guys got croissants?" | 0:25:46 | 0:25:47 | |
Things that shit me - | 0:25:51 | 0:25:53 | |
really confusing television commercials. | 0:25:53 | 0:25:56 | |
-JAUNTY MUSIC PLAYS -Reliability, integrity, | 0:25:56 | 0:26:00 | |
inspiration, synergy, refreshment. | 0:26:00 | 0:26:03 | |
Be who you are - The Waffle House. | 0:26:03 | 0:26:07 | |
Things that shit me - | 0:26:09 | 0:26:11 | |
my impression of a little shy guy. | 0:26:11 | 0:26:13 | |
-Stop it. -You think you're so good. -Shut up, I do not. Stop that. | 0:26:13 | 0:26:17 | |
-Yes, you do. -I do not. Stop it. -You do. You think you're so good. | 0:26:17 | 0:26:20 | |
-I don't think I'm so good! Stop it. You stop it. -You stop it. | 0:26:20 | 0:26:23 | |
-You stop it first. -You stop it. -You stop it. | 0:26:23 | 0:26:26 | |
-You little shy guy. -I'm not shy, | 0:26:26 | 0:26:27 | |
I just get a little bit weird in front of 3,000 people I don't know. | 0:26:27 | 0:26:31 | |
What? Stop looking at me. Stop that! Please stop. Please don't stop. | 0:26:31 | 0:26:36 | |
Please don't stop. | 0:26:36 | 0:26:38 | |
Things that shit me - | 0:26:38 | 0:26:39 | |
the fact that I can never be a gardener or a horticulturalist | 0:26:39 | 0:26:42 | |
because if I hold up a pot-plant like this, I look like a sex pest. | 0:26:42 | 0:26:47 | |
What? Stop it! | 0:26:50 | 0:26:53 | |
Things that shit me - | 0:26:53 | 0:26:55 | |
DISCO MUSIC PLAYS | 0:26:55 | 0:26:58 | |
One for you, man! | 0:27:15 | 0:27:17 | |
It's all right. Just let me get over there. | 0:27:21 | 0:27:24 | |
Just a minute. It's all right. I'm trying to get back here. It's fine. | 0:27:27 | 0:27:31 | |
It's fine, come on. Come on! | 0:27:33 | 0:27:35 | |
It's fine. Come on, now. | 0:27:35 | 0:27:37 | |
It's all right, it's all right. Get in there! Just get in! | 0:27:39 | 0:27:43 | |
It's not real! | 0:27:43 | 0:27:44 | |
Things that shit me - | 0:27:54 | 0:27:56 | |
-me. -Thank you very much, Apollo! | 0:27:56 | 0:27:58 | |
-CHEERS -Thank you! | 0:27:58 | 0:28:01 | |
Sam Simmons! | 0:28:04 | 0:28:06 | |
Gina, I've got too much stuff to pick up. | 0:28:06 | 0:28:09 | |
-CHEERS -I've got too much stuff. | 0:28:09 | 0:28:11 | |
-Just get your stuff, Sam. Take that massive cock with you. -Yeah. | 0:28:11 | 0:28:15 | |
-Take it. -You do know that's... | 0:28:15 | 0:28:17 | |
Just in case you were wondering. | 0:28:17 | 0:28:19 | |
-Sam Simmons! -Thank you! -CHEERS | 0:28:20 | 0:28:24 | |
You guys have been fantastic tonight. | 0:28:27 | 0:28:29 | |
You've seen myself, Gina Yashere, you've seen Ellie Taylor, | 0:28:29 | 0:28:32 | |
and Sam Simmons. Thanks for coming to Live At The Apollo. Goodnight. | 0:28:32 | 0:28:37 | |
Thank you. Goodnight. | 0:28:37 | 0:28:39 |