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This programme contains some strong language | 0:00:02 | 0:00:09 | |
# Oh, yeah! # | 0:00:15 | 0:00:18 | |
Ladies and gentlemen, | 0:00:18 | 0:00:20 | |
please welcome your host for tonight, Henning Wehn! | 0:00:20 | 0:00:25 | |
CHEERING AND APPLAUSE | 0:00:25 | 0:00:26 | |
UPBEAT MUSIC | 0:00:26 | 0:00:29 | |
Hey! Good evening, Apollo! | 0:00:39 | 0:00:43 | |
CHEERING | 0:00:43 | 0:00:45 | |
Are you all in a good mood? | 0:00:45 | 0:00:48 | |
CHEERING | 0:00:48 | 0:00:49 | |
A German host! Wahey! | 0:00:49 | 0:00:52 | |
CHEERING | 0:00:52 | 0:00:54 | |
Them Brexit negotiations, they're really not going very well, are they? | 0:00:54 | 0:00:58 | |
One of the many concessions. | 0:00:58 | 0:00:59 | |
And to make matters worse, I've never ever done stand-up back home. | 0:00:59 | 0:01:04 | |
The reason being, I'm not good enough to cut it in Germany. | 0:01:04 | 0:01:07 | |
Here in Britain, fucking easy! | 0:01:08 | 0:01:11 | |
If you want to have success as a stand-up here in Britain, | 0:01:12 | 0:01:16 | |
all you need to do, loads of swearing. | 0:01:16 | 0:01:17 | |
In Germany, we don't swear at all. | 0:01:17 | 0:01:20 | |
Reason being, things work. | 0:01:20 | 0:01:22 | |
APPLAUSE | 0:01:24 | 0:01:26 | |
Isn't even a joke. Heh! | 0:01:29 | 0:01:31 | |
I really enjoy doing stand-up in the UK | 0:01:31 | 0:01:34 | |
because no matter how badly a gig might go, | 0:01:34 | 0:01:37 | |
the worst that can possibly happen to a performer | 0:01:37 | 0:01:39 | |
is that someone will come up to them after and go, "I enjoyed it." | 0:01:39 | 0:01:44 | |
15 years ago, when I first came over, | 0:01:45 | 0:01:48 | |
I would have always taken it as a face-value compliment, | 0:01:48 | 0:01:50 | |
but now I understand it's the British way of saying, "That was shit." | 0:01:50 | 0:01:54 | |
It's in the same league as, "Good effort!" | 0:01:56 | 0:01:59 | |
"That was interesting." | 0:01:59 | 0:02:00 | |
"You're so brave." | 0:02:02 | 0:02:04 | |
"Stand-up comedy, that must be the hardest job in the world. | 0:02:06 | 0:02:09 | |
"Standing on stage making other people laugh. | 0:02:09 | 0:02:12 | |
"I couldn't do it...either." | 0:02:12 | 0:02:15 | |
Had them all said to me time and again. | 0:02:17 | 0:02:19 | |
I always felt at home living in the UK, I always felt at home, | 0:02:19 | 0:02:23 | |
and then I woke up last year on June 24th, thinking, | 0:02:23 | 0:02:27 | |
"Cor blimey." | 0:02:27 | 0:02:29 | |
And I didn't see it coming. Did you see it coming? | 0:02:29 | 0:02:32 | |
-AUDIENCE: -No! | 0:02:32 | 0:02:33 | |
No, most of you didn't. Some probably did. | 0:02:33 | 0:02:35 | |
I probably should have seen it coming | 0:02:35 | 0:02:37 | |
because a few months prior to the referendum, | 0:02:37 | 0:02:40 | |
I was asked to front a TV programme called | 0:02:40 | 0:02:42 | |
An Immigrant's Guide to Britain. | 0:02:42 | 0:02:44 | |
A programme for immigrants by immigrants. | 0:02:46 | 0:02:49 | |
And that was my opening experience, | 0:02:49 | 0:02:51 | |
mainly that the makers consider me an immigrant. | 0:02:51 | 0:02:54 | |
I mean, I see myself as all sorts. | 0:02:54 | 0:02:55 | |
I was born in Hagen in Westfalen, so I'm Westphalian. | 0:02:55 | 0:02:59 | |
I'm German, European. | 0:02:59 | 0:03:02 | |
-These days, Londoner. -Wahey! | 0:03:02 | 0:03:04 | |
Wahey! At a push, Cockney. Huh! | 0:03:04 | 0:03:06 | |
LAUGHTER Innit? | 0:03:06 | 0:03:09 | |
And I know if I ever have to disappear, | 0:03:12 | 0:03:14 | |
I can easily blend in in the north-east. | 0:03:14 | 0:03:17 | |
No, honestly, I can, I can, | 0:03:19 | 0:03:21 | |
because...because I have been reading... | 0:03:21 | 0:03:25 | |
..the Viz magazine now for well over a decade. I never miss an issue. | 0:03:28 | 0:03:32 | |
And, luckily, everything's written phonetically, | 0:03:32 | 0:03:34 | |
so I'm a shoe-in for the Newcastle area. | 0:03:34 | 0:03:36 | |
Where's me favourite, Sid the Sexist? | 0:03:36 | 0:03:39 | |
Where is he, then? Oh, here he is. | 0:03:39 | 0:03:42 | |
"Hullo, Sid!" | 0:03:42 | 0:03:43 | |
"Hullo, lads! What the fook are yees all grinning aboot?" | 0:03:43 | 0:03:47 | |
Uncanny, innit? Uncanny! | 0:03:49 | 0:03:51 | |
Anyone blind's going, "What's Alan Shearer doing in here?" | 0:03:51 | 0:03:56 | |
You know, if they ever remake Auf Wiedersehen, Pet, | 0:03:57 | 0:04:00 | |
I mean, I can audition for all the parts, can't I? | 0:04:00 | 0:04:02 | |
It's a one-man play waiting to be performed by me. | 0:04:02 | 0:04:06 | |
If I ever get a contract at Newcastle United, | 0:04:06 | 0:04:09 | |
or as we call them, the Toon, | 0:04:09 | 0:04:11 | |
the whole Gallowgate will be going, | 0:04:11 | 0:04:13 | |
# He's one of our owwwn He's one of our owwwn | 0:04:13 | 0:04:16 | |
# Henning Wehn, one of our owwwn. # | 0:04:16 | 0:04:18 | |
One of our own, eh? You lads and lasses speak Geordie, man. | 0:04:20 | 0:04:23 | |
Why-aye, champion, or something like that. | 0:04:23 | 0:04:25 | |
Ah! | 0:04:28 | 0:04:30 | |
I'm not an immigrant. Absolutely no hardship in me story. | 0:04:30 | 0:04:32 | |
I always thought, "Nah, I'm not an immigrant | 0:04:32 | 0:04:34 | |
"because there are absolutely no expectations back home." | 0:04:34 | 0:04:37 | |
It wasn't that people back home were going, | 0:04:37 | 0:04:39 | |
"Ooh, let's hope Henning succeeds in Britain... | 0:04:39 | 0:04:41 | |
"..so we can afford a second goat." | 0:04:41 | 0:04:43 | |
There was nothing riding on it one way or the other. | 0:04:44 | 0:04:46 | |
I cannot possibly be an immigrant, I have never used Western Union! | 0:04:46 | 0:04:50 | |
Now, that is surely conclusive proof! | 0:04:50 | 0:04:54 | |
Now, this might be a technicality, | 0:04:56 | 0:04:58 | |
but I always thought to qualify as an immigrant, | 0:04:58 | 0:05:01 | |
you had to move somewhere better. | 0:05:01 | 0:05:03 | |
APPLAUSE | 0:05:05 | 0:05:07 | |
Moving somewhere worse is what I associate with becoming an expat. | 0:05:13 | 0:05:16 | |
Or in more extreme cases, relief worker. | 0:05:17 | 0:05:20 | |
Back home, I was second best at everything. | 0:05:22 | 0:05:25 | |
Didn't cut the mustard whatsoever. | 0:05:25 | 0:05:27 | |
But here in the UK, everything's at eye level. | 0:05:27 | 0:05:29 | |
Everything's like, "Yeah, I can do it roughly like that". | 0:05:29 | 0:05:32 | |
And that's why Britain is such a popular place with foreigners, | 0:05:34 | 0:05:37 | |
because everything's achievable...give or take. | 0:05:37 | 0:05:41 | |
Except for becoming upperclass. | 0:05:43 | 0:05:45 | |
If you weren't born into it, no chance. | 0:05:45 | 0:05:49 | |
The best you can hope for is "wrong 'un done good". | 0:05:49 | 0:05:52 | |
Anyway, the vast majority of foreigners in the country are economic migrants. | 0:05:55 | 0:05:59 | |
And it's become a little bit of a dirty word, and I understand why, | 0:05:59 | 0:06:03 | |
because let's be honest, them econmonic migrants, | 0:06:03 | 0:06:06 | |
they do ruin it for the British workforce. | 0:06:06 | 0:06:08 | |
You don't have to agree with me openly on this one, everybody knows I'm spot-on. | 0:06:08 | 0:06:13 | |
Economic migrants, they do ruin it for the British workforce. | 0:06:13 | 0:06:16 | |
Turning up in the morning on time, sober, wanting to work. | 0:06:16 | 0:06:19 | |
APPLAUSE | 0:06:19 | 0:06:21 | |
What's wrong with you? Call in sick! | 0:06:25 | 0:06:27 | |
Assimilate, you bastard! | 0:06:27 | 0:06:30 | |
What do you mean, "trying to better yourself"? You make me sick! | 0:06:30 | 0:06:33 | |
I mean, it's not a problem if a society, | 0:06:35 | 0:06:37 | |
if we've got ethnic backgrounds. | 0:06:37 | 0:06:39 | |
It's one of the brilliant things about Britain, | 0:06:39 | 0:06:42 | |
having different ethnic backgrounds, as long... | 0:06:42 | 0:06:44 | |
Well, as long as there is some glue that holds us all together, | 0:06:44 | 0:06:47 | |
because otherwise, well, you're talking parallel societies, | 0:06:47 | 0:06:50 | |
and that's route one towards civil unrest. | 0:06:50 | 0:06:52 | |
And what's the most basic thing we all need to share | 0:06:52 | 0:06:56 | |
so we can communicate with each other? | 0:06:56 | 0:06:57 | |
-Language! -Language. Exactly right. Thank you very much. | 0:06:59 | 0:07:02 | |
And David Cameron, remember him? | 0:07:02 | 0:07:05 | |
A few months before he buggered off | 0:07:05 | 0:07:07 | |
and left the country in the doldrums, | 0:07:07 | 0:07:09 | |
he said whoever has been living here a good few years | 0:07:09 | 0:07:12 | |
and still doesn't speak the language, he wanted to send them home. | 0:07:12 | 0:07:15 | |
Now, I don't know how he would have administered it, but I get the basic idea. | 0:07:15 | 0:07:18 | |
You've been living here a few years, still don't speak the language, | 0:07:18 | 0:07:21 | |
you clearly don't want to integrate, what asset are you to this society? | 0:07:21 | 0:07:24 | |
But what's wrong with the current model? | 0:07:24 | 0:07:26 | |
I mean, if you don't speak any English, you're given a contract in the Premier League. | 0:07:26 | 0:07:30 | |
And the poor bastards even have to give interviews after the games. | 0:07:32 | 0:07:36 | |
I mean, that's just cruel, if you ask me. | 0:07:36 | 0:07:38 | |
"Eh, eh... | 0:07:38 | 0:07:41 | |
"Eh, eh... | 0:07:41 | 0:07:43 | |
"Eh...eh...score goal. | 0:07:43 | 0:07:46 | |
"Eh... | 0:07:46 | 0:07:48 | |
"Team win. Eh...I happy." | 0:07:48 | 0:07:50 | |
And that's the manager! | 0:07:50 | 0:07:53 | |
So when you move abroad, learn the language. | 0:07:56 | 0:07:58 | |
And what else brings us together? | 0:07:58 | 0:08:00 | |
Well, symbols, such as flags. | 0:08:00 | 0:08:03 | |
Seeing we're in England, it's the flag of St George. | 0:08:03 | 0:08:06 | |
Because nothing says "welcome to England" | 0:08:06 | 0:08:09 | |
more than a St George's flag in someone's front garden. | 0:08:09 | 0:08:14 | |
Now, I absolutely love the flag of St George | 0:08:15 | 0:08:18 | |
because it's a first-class burglar deterrent. | 0:08:18 | 0:08:21 | |
"I'm not going anywhere near that one, it's some nutter's house." | 0:08:25 | 0:08:28 | |
I mean, obviously equating the flag of St George | 0:08:30 | 0:08:32 | |
with mental health problems and violence | 0:08:32 | 0:08:35 | |
is quite a middle-class notion, innit? | 0:08:35 | 0:08:37 | |
All the scallywags going around burgling houses, they know better. | 0:08:37 | 0:08:40 | |
They know the flag of St George outside the house | 0:08:40 | 0:08:44 | |
guarantees a 70" plasma TV screen inside the house, | 0:08:44 | 0:08:50 | |
and make it a prime target. | 0:08:50 | 0:08:52 | |
So you're off much better flying the flag of English Heritage. | 0:08:52 | 0:08:55 | |
No-one will come near it because they know it's at least £20 to get in | 0:08:55 | 0:09:00 | |
and absolutely nothing worth nicking. | 0:09:00 | 0:09:04 | |
"Oh, look at this antique bed, it's a masterpiece!" | 0:09:04 | 0:09:07 | |
Well, it's only four-foot long because they were all dwarves back then! | 0:09:07 | 0:09:10 | |
They're only good for the bonfire. | 0:09:10 | 0:09:12 | |
So when you move abroad, learn the language, | 0:09:12 | 0:09:15 | |
drape yourself in the flag, and once you have done that, | 0:09:15 | 0:09:18 | |
might as well go the whole hog, mightn't you, | 0:09:18 | 0:09:21 | |
and do the citizenship test. | 0:09:21 | 0:09:22 | |
That's essentially a high-stakes pub quiz. | 0:09:24 | 0:09:27 | |
APPLAUSE | 0:09:28 | 0:09:30 | |
A high-stakes pub quiz where the winner gets a passport, | 0:09:35 | 0:09:38 | |
rather than some low-quality meats. | 0:09:38 | 0:09:40 | |
And you can do it once you've been in the country for five years. | 0:09:40 | 0:09:44 | |
And I never considered it, but since the referendum, | 0:09:44 | 0:09:47 | |
I've slightly changed my tune on that topic. | 0:09:47 | 0:09:49 | |
Better safe than sorry. | 0:09:49 | 0:09:51 | |
But I have to be honest with you, | 0:09:51 | 0:09:52 | |
I'm actually excited about Brexit. I really am. | 0:09:52 | 0:09:56 | |
And I want a proper, hard Brexit. | 0:09:56 | 0:09:59 | |
Because I've felt for years that I arrived in the UK far too late. | 0:09:59 | 0:10:02 | |
You know, I wish I'd been here | 0:10:02 | 0:10:04 | |
before Britain joined the common market. | 0:10:04 | 0:10:07 | |
Because from all I hear, it must have been an absolute paradise. | 0:10:07 | 0:10:09 | |
It was, wasn't it? You only had to go to work three days a week. | 0:10:12 | 0:10:15 | |
Very low electricity bills because mostly, there wasn't any. | 0:10:15 | 0:10:19 | |
Hopefully, we can relive those wonderful times together | 0:10:19 | 0:10:22 | |
in the very near future. | 0:10:22 | 0:10:25 | |
Who knows, it might still turn out a really good decision. | 0:10:25 | 0:10:28 | |
Who knows? It's too early to say. | 0:10:28 | 0:10:30 | |
But whatever happens next on this island, I want to be part of it. | 0:10:30 | 0:10:33 | |
And that's why I've started revising for that citizenship test. | 0:10:33 | 0:10:37 | |
Some of the questions, you couldn't make them up. | 0:10:37 | 0:10:40 | |
And, like, one of them is, "What day is Vaisakhi being celebrated?" | 0:10:40 | 0:10:45 | |
What? What? What? Yeah, that was me, "What?!" | 0:10:45 | 0:10:48 | |
I had to google it. It transpires that it's some Indian festivity. | 0:10:48 | 0:10:51 | |
They want you to know the answer to that! | 0:10:51 | 0:10:53 | |
And they want you to know, "How many days does Hanukkah go on for?" | 0:10:53 | 0:10:56 | |
"How many days does Ramadan go on for?" | 0:10:56 | 0:10:58 | |
Now, if I know the answers to all them questions, | 0:10:58 | 0:11:01 | |
I'm only given one passport. | 0:11:01 | 0:11:03 | |
APPLAUSE | 0:11:05 | 0:11:07 | |
I feel quite short-changed, to be honest with you. | 0:11:07 | 0:11:10 | |
But again, the idea behind that tokenistic approach is pretty straightforward, isn't it? | 0:11:10 | 0:11:14 | |
Because like it or loathe it, certainly, the bigger cities in the UK are multi-faith affairs, | 0:11:14 | 0:11:18 | |
and knowing a little bit about each other cannot possibly be a bad thing. | 0:11:18 | 0:11:22 | |
Knowing the answers to them questions doesn't help you understand | 0:11:22 | 0:11:25 | |
what mainstream Britain is all about. | 0:11:25 | 0:11:27 | |
I mean, if you want to find out about mainstream Britain, go to the darts. | 0:11:27 | 0:11:30 | |
A single evening explains all. | 0:11:33 | 0:11:35 | |
Who has been to the darts? | 0:11:35 | 0:11:37 | |
-AUDIENCE: -Yeah! | 0:11:37 | 0:11:39 | |
I mean, that is the best night out ever, isn't it? | 0:11:39 | 0:11:41 | |
I mean, that is 180 out of 180, it really, really is. | 0:11:41 | 0:11:46 | |
A phenomenal night out. | 0:11:46 | 0:11:47 | |
Let's quickly set the scene. | 0:11:47 | 0:11:49 | |
No-one at the darts watches the darts. | 0:11:49 | 0:11:52 | |
The board's too small, too far away | 0:11:53 | 0:11:56 | |
and the whole game, quite frankly, far too boring. | 0:11:56 | 0:11:59 | |
Instead, the whole entertainment | 0:11:59 | 0:12:01 | |
is the audience shouting abuse at each other. | 0:12:01 | 0:12:03 | |
And that's achieved in the following way - | 0:12:05 | 0:12:07 | |
there's two different kinds of ticket. | 0:12:07 | 0:12:08 | |
There's raked seats all around, | 0:12:08 | 0:12:10 | |
and then there is an identical number of seats | 0:12:10 | 0:12:13 | |
available at tables in the middle. | 0:12:13 | 0:12:15 | |
And the tickets at the tables, they're a fiver dearer. | 0:12:15 | 0:12:18 | |
And the whole entertainment is centred around those £5. | 0:12:18 | 0:12:22 | |
Because all evening long, the people at the tables | 0:12:22 | 0:12:24 | |
shout at the people in the raked seats, | 0:12:24 | 0:12:26 | |
"You can't afford a table! You can't afford a table!" | 0:12:26 | 0:12:31 | |
And then the raked seats retaliate with... | 0:12:31 | 0:12:33 | |
# Did your father, did your father | 0:12:33 | 0:12:36 | |
# Did you father pay for that? # | 0:12:36 | 0:12:38 | |
# We pay your benefits We pay your benefits | 0:12:38 | 0:12:42 | |
# Does your butler know you're here? # | 0:12:42 | 0:12:45 | |
And that's Britain in a nutshell, innit? | 0:12:49 | 0:12:51 | |
Class obsession, tribalism | 0:12:52 | 0:12:55 | |
and very, very narrow margins. | 0:12:55 | 0:12:59 | |
Because think about it, | 0:12:59 | 0:13:01 | |
even the people at them posh tables, | 0:13:01 | 0:13:04 | |
they're still only at the darts. | 0:13:04 | 0:13:07 | |
APPLAUSE | 0:13:07 | 0:13:09 | |
Do you want to see some more comedy? | 0:13:12 | 0:13:14 | |
CHEERING | 0:13:14 | 0:13:16 | |
Wunderbar! Please welcome to the stage | 0:13:16 | 0:13:20 | |
the phenomenal Lucy Porter! | 0:13:20 | 0:13:22 | |
CHEERING AND APPLAUSE | 0:13:22 | 0:13:24 | |
# There's a guy works down the chip shop swears he's Elvis | 0:13:24 | 0:13:29 | |
# Just like you swore to me that you'd be true | 0:13:29 | 0:13:34 | |
# There's a guy works down the chip shop...# | 0:13:34 | 0:13:36 | |
My God! Well, well! Hello! | 0:13:36 | 0:13:40 | |
Hello! I'm so delighted to be here. | 0:13:40 | 0:13:43 | |
I'm Lucy, I'm a suburban mother of two. | 0:13:43 | 0:13:45 | |
I have two small children. | 0:13:45 | 0:13:48 | |
I say that, I lie, I have two young children. | 0:13:48 | 0:13:50 | |
They're not small because they take after my husband, Justin. | 0:13:50 | 0:13:54 | |
I'm 4' 11", my husband, Justin, is 6' 5". | 0:13:54 | 0:13:56 | |
So to give you a mental image of what that's like, | 0:13:56 | 0:13:59 | |
in the bedroom, it's like a ventriloquism act that's gone to a very dark place. | 0:13:59 | 0:14:02 | |
Don't dwell on that image or anything, but it does | 0:14:07 | 0:14:09 | |
sort of look like he's wearing a novelty pencil sharpener on his, erm... | 0:14:09 | 0:14:12 | |
Anyway... | 0:14:12 | 0:14:14 | |
But, yeah, the kids are massive, so... | 0:14:18 | 0:14:20 | |
Cos when I got pregnant, our friends were fascinated. | 0:14:20 | 0:14:22 | |
They were like, "This is some kind of medical experiment. | 0:14:22 | 0:14:25 | |
"What happens if you cross a cart horse with a Shetland pony?" | 0:14:25 | 0:14:28 | |
And the results were...they always wanted to be in the delivery room. | 0:14:30 | 0:14:32 | |
They were like, "This could be the first time the baby slaps the midwife back," right? | 0:14:32 | 0:14:36 | |
It's weird as well, cos they don't look like me, not just cos they're | 0:14:37 | 0:14:40 | |
massive, but also cos they've inherited Justin's colouring. | 0:14:40 | 0:14:43 | |
They are blonde-haired, blue-eyed. | 0:14:43 | 0:14:45 | |
It's like I've been ethnically cleansed from my own family. | 0:14:45 | 0:14:48 | |
I did all the hard work, none of my DNA made the cut. | 0:14:50 | 0:14:53 | |
We're different in lots of ways, Justin and I. | 0:14:53 | 0:14:55 | |
Class-wise, we're quite different. I would say I'm lower middle class. | 0:14:55 | 0:14:59 | |
I'm from a place called Croydon. | 0:14:59 | 0:15:00 | |
CHEERING | 0:15:00 | 0:15:02 | |
Whoo! | 0:15:02 | 0:15:03 | |
For anyone who doesn't know Croydon, it's a lovely little fishing village just to the south of London. | 0:15:03 | 0:15:07 | |
A beautiful spot. | 0:15:08 | 0:15:09 | |
So, I would say I'm lower middle class, I think | 0:15:09 | 0:15:12 | |
I'm lower middle class. | 0:15:12 | 0:15:13 | |
Justin is from a little village in Hampshire, mm-hm? | 0:15:13 | 0:15:17 | |
So I would say he's upper middle class, right? | 0:15:17 | 0:15:19 | |
And you might say, "Well, you're both middle class, what's the difference?" | 0:15:19 | 0:15:22 | |
But, lower middle class, upper middle class, there are differences. | 0:15:22 | 0:15:25 | |
It's things like, both our families had holiday homes, but theirs didn't have wheels. | 0:15:25 | 0:15:29 | |
But we've moved now, we've moved to a place called Pinner. | 0:15:32 | 0:15:35 | |
And we only moved to Pinner because the estate agent said to us, | 0:15:35 | 0:15:38 | |
he said, "Oh, Pinner is a lovely part of west London." | 0:15:38 | 0:15:41 | |
West London? We get Welsh telly. | 0:15:41 | 0:15:43 | |
It's not London, its not London. | 0:15:47 | 0:15:48 | |
But it is very nice. | 0:15:48 | 0:15:49 | |
One of the things I like about where we live is it's very multicultural. | 0:15:49 | 0:15:53 | |
I think that's one of the brilliant things about London. | 0:15:53 | 0:15:55 | |
I think multiculturalism is something we really have to fight for. | 0:15:55 | 0:15:58 | |
Like, the school my kids go to, | 0:15:58 | 0:15:59 | |
it was very easy to pick a school for my kids, cos obviously | 0:15:59 | 0:16:02 | |
we just picked the one with the highest ceilings, but the school | 0:16:02 | 0:16:05 | |
they go to, it's a really nice school and it's very diverse. | 0:16:05 | 0:16:09 | |
Like, we have a mums' night out once a month | 0:16:09 | 0:16:12 | |
and all the mums from the school go. And there are women there | 0:16:12 | 0:16:14 | |
from every economic background, every race, every religion. | 0:16:14 | 0:16:18 | |
And we have a fantastic time and the Muslim mums drive us home. | 0:16:18 | 0:16:21 | |
APPLAUSE | 0:16:23 | 0:16:26 | |
I tell you what, it is nice. I had an incident the other day, though. | 0:16:29 | 0:16:32 | |
I was walking down the street near where I live | 0:16:32 | 0:16:35 | |
and it was one of those sunny days. | 0:16:35 | 0:16:36 | |
One of those days that reminds some van drivers that women have breasts, you know one of those? | 0:16:36 | 0:16:42 | |
And I was walking down the street and there was a van drove up | 0:16:42 | 0:16:45 | |
and slowed down and two guys leaned out of the van | 0:16:45 | 0:16:47 | |
and they were in classic kind of leching position. | 0:16:47 | 0:16:50 | |
And I knew they weren't going to be looking at me, | 0:16:50 | 0:16:52 | |
because I'm 44 years old... And, in fact, my older friends, when I was | 0:16:52 | 0:16:55 | |
turning 40, they said, "Aw, being over 40, it makes you invisible." | 0:16:55 | 0:16:59 | |
And I have found, yes, that is true, but the brilliant thing is | 0:16:59 | 0:17:03 | |
it mostly makes you invisible to dickheads, | 0:17:03 | 0:17:05 | |
so it's not really a problem, it's a superpower if anything. | 0:17:05 | 0:17:09 | |
So, I'm walking down the street and these two guys are leaning | 0:17:09 | 0:17:11 | |
out of this van and I see they're leching, | 0:17:11 | 0:17:13 | |
but they're looking past me at a younger woman, | 0:17:13 | 0:17:15 | |
a woman in her 20s who is walking alongside me. | 0:17:15 | 0:17:18 | |
And these guys do the classic thing, they lean out of the van | 0:17:18 | 0:17:21 | |
and they gave this woman a very detailed appraisal of her anatomy. | 0:17:21 | 0:17:24 | |
You know, they covered all the main areas in bullet pointed form, very thorough. | 0:17:24 | 0:17:27 | |
And then they went on to suggest what | 0:17:27 | 0:17:30 | |
I can only describe as a smorgasbord of activities they felt | 0:17:30 | 0:17:33 | |
they would enjoy indulging in with her were | 0:17:33 | 0:17:35 | |
they not under pressure of time to get to the next plumbing job. | 0:17:35 | 0:17:38 | |
So, they did all this and they drove off and naturally | 0:17:39 | 0:17:42 | |
I turned to this woman and I said, "Oh, my gosh, are you OK? That was horrific." | 0:17:42 | 0:17:46 | |
And she said, "No, I'm fine, it happens all the time." | 0:17:46 | 0:17:49 | |
And I thought, "Yeah, it does when you're in your 20s, doesn't it?" | 0:17:49 | 0:17:51 | |
And we were chatting about how silly it was as we walked down the street. | 0:17:51 | 0:17:54 | |
And then we got further down the road | 0:17:54 | 0:17:56 | |
and the traffic had slowed down and this van had come to a stop. | 0:17:56 | 0:18:00 | |
And I think a few years ago, I would have just left it, | 0:18:00 | 0:18:02 | |
said nothing, but this year, I thought, | 0:18:02 | 0:18:04 | |
"Do you know what, if I'm going to be invisible, you know who else is invisible? Ninjas." | 0:18:04 | 0:18:08 | |
"I am going to be a bloody middle-aged ninja, I'm going to strike," right? | 0:18:09 | 0:18:13 | |
So, I went up to the van and I just leaned in and I said, | 0:18:13 | 0:18:16 | |
"Oh, hi, guys, listen, sorry to bother you, I just wanted to say | 0:18:16 | 0:18:19 | |
"thank you so much for what you did back there, because my son | 0:18:19 | 0:18:22 | |
"here has been undergoing a very difficult gender reassignment." | 0:18:22 | 0:18:26 | |
LAUGHTER AND APPLAUSE | 0:18:26 | 0:18:28 | |
"And, to be honest, he's been worried that it's not going that well, | 0:18:37 | 0:18:40 | |
"but what you did back there really made him feel like a proper woman." | 0:18:40 | 0:18:44 | |
-Whooo! -Thank you, I was delighted with myself as well. | 0:18:45 | 0:18:48 | |
But what was really special was that then the young woman next to me leaned in beside me | 0:18:48 | 0:18:52 | |
and in the deepest voice I've ever heard just went, "Yeah, thanks, guys." | 0:18:52 | 0:18:57 | |
LAUGHTER AND APPLAUSE | 0:18:57 | 0:18:59 | |
It was a beautiful moment. | 0:19:04 | 0:19:07 | |
Obviously, it wasn't perfect. | 0:19:07 | 0:19:08 | |
The only thing that could've made it perfect would have been | 0:19:08 | 0:19:11 | |
if the guys in the van had said, "Actually, if your child is | 0:19:11 | 0:19:14 | |
"undergoing a gender reassignment, it's incredibly insensitive of you | 0:19:14 | 0:19:17 | |
"still to be referring to her using the male pronoun." | 0:19:17 | 0:19:20 | |
They didn't do that, they just called us slags. | 0:19:21 | 0:19:24 | |
Before I go, I was just going to tell you, Justin, I said he's an actor. | 0:19:26 | 0:19:29 | |
He's a giant of the acting world, by which I mean he's six foot five | 0:19:29 | 0:19:32 | |
and he's been in Holby City. | 0:19:32 | 0:19:34 | |
But he was on EastEnders recently. | 0:19:34 | 0:19:38 | |
-Whooo! -Right? I know. | 0:19:38 | 0:19:40 | |
And he got the job on EastEnders and he came home, and when you get | 0:19:40 | 0:19:42 | |
a part in EastEnders, they're very precious about their security, right? | 0:19:42 | 0:19:46 | |
So they said to him, they said, | 0:19:46 | 0:19:48 | |
"We'll send you the script for EastEnders the day before you film, | 0:19:48 | 0:19:51 | |
"no longer before, just because we don't want it to get leaked." | 0:19:51 | 0:19:54 | |
And they said, "We will encrypt the file when we e-mail it to you, | 0:19:54 | 0:19:57 | |
"so it'll come into your e-mail and you won't be able to read it | 0:19:57 | 0:19:59 | |
"until we give you the password to decode it." | 0:19:59 | 0:20:02 | |
And they said, "We will phone you with the password, | 0:20:02 | 0:20:04 | |
"but we won't phone your mobile, cos mobiles aren't secure, | 0:20:04 | 0:20:07 | |
"so we will call your landline with the password, right?" | 0:20:07 | 0:20:10 | |
So it gets to the day before filming and he gets the script | 0:20:10 | 0:20:13 | |
and then the phone goes and he picks it up and he starts typing | 0:20:13 | 0:20:15 | |
and he's laughing. | 0:20:15 | 0:20:17 | |
And I said, "Well, what is it? Why are you laughing?" | 0:20:17 | 0:20:19 | |
And he said, "Oh, it's just the password is EastEnders." | 0:20:19 | 0:20:21 | |
LAUGHTER AND APPLAUSE | 0:20:21 | 0:20:24 | |
Your BBC, ladies and gentlemen. | 0:20:24 | 0:20:26 | |
Thank you so much for having me. Have a wonderful evening, thank you. | 0:20:26 | 0:20:29 | |
CHEERING AND APPLAUSE | 0:20:29 | 0:20:31 | |
Lucy Porter! | 0:20:38 | 0:20:39 | |
CHEERING AND APPLAUSE | 0:20:39 | 0:20:41 | |
Are you up for some more comedy? | 0:20:43 | 0:20:46 | |
CHEERING | 0:20:46 | 0:20:47 | |
Wonderful. Please welcome to the stage the phenomenal Guz Khan! | 0:20:47 | 0:20:52 | |
CHEERING AND APPLAUSE | 0:20:52 | 0:20:53 | |
MUSIC: Pow by Lethal Bizzle | 0:20:53 | 0:20:56 | |
Yeah. Live At The Apollo, what you saying? You all right, yeah? | 0:21:05 | 0:21:08 | |
CHEERING | 0:21:08 | 0:21:09 | |
Listen. It's crazy being here, man, it's surreal, in fact. | 0:21:09 | 0:21:13 | |
Until 20 months ago, I was a public servant. | 0:21:13 | 0:21:16 | |
I was a full-time secondary school teacher. | 0:21:16 | 0:21:18 | |
That's right - usually, I get a cheer, but you're thinking, | 0:21:19 | 0:21:21 | |
"I'm glad he's out, I don't want him teaching my kids. | 0:21:21 | 0:21:24 | |
"I don't want him teaching my kids!" | 0:21:24 | 0:21:26 | |
You know what? People don't take teaching seriously. | 0:21:26 | 0:21:29 | |
It's a vocation, it's a way of life. | 0:21:29 | 0:21:31 | |
Teachers sacrifice their welfare, their sanity, their health. | 0:21:31 | 0:21:34 | |
We are not just teachers who deliver a curriculum, | 0:21:34 | 0:21:38 | |
we are loco parentis, all right? | 0:21:38 | 0:21:40 | |
That means we are in the place of a parent. | 0:21:40 | 0:21:42 | |
Do you know how much responsibility that is? | 0:21:42 | 0:21:43 | |
Young lady, do you know how much responsibility that is? All right? Yeah? | 0:21:43 | 0:21:46 | |
But we're not just parents, man, we're grandmas, grandads, | 0:21:46 | 0:21:49 | |
we are medical professionals, all right? | 0:21:49 | 0:21:51 | |
I don't have the qualifications to carry that off, | 0:21:53 | 0:21:55 | |
but we are medical professionals, all right? | 0:21:55 | 0:21:57 | |
Some of the shit we have to listen to at 7.30 in the morning is unbelievable, all right? | 0:21:57 | 0:22:01 | |
I want to give you an example. | 0:22:01 | 0:22:02 | |
One of my boys gets up out of his chair, walks over to me. | 0:22:02 | 0:22:06 | |
I say, "Hey, did I say it was OK for you to get out of your chair?" | 0:22:06 | 0:22:10 | |
He said, "Nah, sir, but listen, yeah?" | 0:22:10 | 0:22:13 | |
LAUGHTER | 0:22:13 | 0:22:14 | |
"Sir, this is a serious, now." | 0:22:17 | 0:22:19 | |
I said, "Listen, man, I don't care if it's 'a serious', yeah? | 0:22:19 | 0:22:22 | |
"Just give me till break time and I'll do it." | 0:22:22 | 0:22:24 | |
He said, "Nah, sir, you don't understand. This is a serious now." | 0:22:24 | 0:22:29 | |
I said, "Is anybody touching you?" You have to check that, innit? | 0:22:31 | 0:22:34 | |
I'm an adult, you got to check that. I said, "Is anybody touching you? | 0:22:36 | 0:22:39 | |
"Because if they are, go tell someone else, | 0:22:39 | 0:22:41 | |
"that's a lot of paperwork, man, I've already got this to do! | 0:22:41 | 0:22:44 | |
"Tell the year head, he's not doing anything. | 0:22:44 | 0:22:46 | |
"In fact, here's some advice for you, son - run! | 0:22:46 | 0:22:48 | |
"Anybody try touch you, just run away!" | 0:22:48 | 0:22:50 | |
He said, "Nah, sir, listen, man, stop mugging man off and that, yeah, | 0:22:52 | 0:22:55 | |
"this is a serious medical issue man's got now, yeah?" | 0:22:55 | 0:22:58 | |
I said, "What is it?" | 0:22:58 | 0:22:59 | |
He said, "Sir, yeah, I looked down this morning, yeah? | 0:22:59 | 0:23:03 | |
"And I got a problem here." | 0:23:03 | 0:23:04 | |
I said, "What? In your stomach region?" | 0:23:04 | 0:23:07 | |
He said, "Nah, sir, I got a problem in my pinnis." | 0:23:07 | 0:23:10 | |
I said, "You are not going to pass GCSE English | 0:23:12 | 0:23:14 | |
"if you pronounce words like that, we need to work on this." | 0:23:14 | 0:23:17 | |
He said, "Nah, sir, listen, stop mugging man off, yeah. | 0:23:17 | 0:23:20 | |
"Seriously, man, man's got a problem down here, innit? Down here." | 0:23:20 | 0:23:23 | |
I said, "Well, what's wrong?" | 0:23:23 | 0:23:25 | |
He said, "Sir, I woke up first thing in the morning, | 0:23:25 | 0:23:27 | |
"I looked down there, yeah, and my ting has turned green." | 0:23:27 | 0:23:31 | |
Now, Apollo, don't get me wrong, I was grossed out, | 0:23:34 | 0:23:36 | |
but I was kind of interested as well. "Green?!" | 0:23:36 | 0:23:38 | |
LAUGHTER AND APPLAUSE | 0:23:38 | 0:23:41 | |
"What the hell you been doing? Dipping it in mint tea? Why is it green?" | 0:23:43 | 0:23:46 | |
I've got this going on and one of my girls jumps out of her chair. | 0:23:48 | 0:23:50 | |
"Sir, sir, listen, yeah, I shared a Cornetto with Craig | 0:23:50 | 0:23:53 | |
"and now I'm pregnant, what shall I do?" | 0:23:53 | 0:23:55 | |
I said "Whoa! Whoa! | 0:23:55 | 0:23:56 | |
"That's not how that works, but can you give me | 0:23:58 | 0:24:00 | |
"a minute, please, I'm over here trying to deal with something." | 0:24:00 | 0:24:03 | |
She said, "Sir, you know what, now, I'm sick of you, yeah, you don't | 0:24:03 | 0:24:05 | |
"ever give me the attention like you used to. If you don't listen | 0:24:05 | 0:24:08 | |
"to me right now, I'm going to start self-harming, sir. I hate you, sir." I said, "Shush!" | 0:24:08 | 0:24:11 | |
"Shush, please, OK? Just give me a minute. | 0:24:11 | 0:24:14 | |
"I'm over here trying to figure out what's wrong with Teenage Mutant Ninja Dick and YOU..." | 0:24:14 | 0:24:18 | |
"..are stressing me out with your immaculate Cornetto conception story. Go away!" | 0:24:20 | 0:24:24 | |
I hate these kids! | 0:24:26 | 0:24:28 | |
Let's, ugh... Let's lighten the mood a little bit. | 0:24:30 | 0:24:33 | |
Let's talk about terrorism. Terrorism... | 0:24:33 | 0:24:35 | |
LAUGHTER | 0:24:35 | 0:24:36 | |
Listen, one of my main issues with terrorism is simple, right. | 0:24:39 | 0:24:42 | |
It's got people that have known me my entire life doubting my credibility, all right? | 0:24:42 | 0:24:47 | |
It's mad... And I want to let you know, all right, | 0:24:47 | 0:24:50 | |
you guys are a little bit worried at the moment. | 0:24:50 | 0:24:52 | |
I'll make it explicit for you. | 0:24:52 | 0:24:53 | |
I am not a member of Isis, all right? | 0:24:53 | 0:24:55 | |
I'm not, OK? I've nothing to do with those people, | 0:24:57 | 0:24:59 | |
I don't follow their ideology. | 0:24:59 | 0:25:00 | |
That's cos I've got six months left on my Al-Qaeda membership. | 0:25:02 | 0:25:04 | |
LAUGHTER AND APPLAUSE | 0:25:04 | 0:25:07 | |
Where did they go? My gosh. | 0:25:07 | 0:25:08 | |
One of the worst things about terrorism is how it's got people | 0:25:10 | 0:25:13 | |
doubting my credibility, people I've known my whole life, all right? | 0:25:13 | 0:25:16 | |
I want to give you an example. I've got a neighbour, OK? | 0:25:16 | 0:25:19 | |
She's called Maud, she's known me for 27 years. | 0:25:19 | 0:25:22 | |
And because of the media narrative, the way that the media | 0:25:22 | 0:25:25 | |
portrays Muslims, minorities, Black Lives Matter... | 0:25:25 | 0:25:27 | |
The world is very divisive, who in this room just wants to live and get along? | 0:25:27 | 0:25:31 | |
Make some noise. | 0:25:31 | 0:25:32 | |
CHEERING | 0:25:32 | 0:25:33 | |
Exactly, we all want to, all right? | 0:25:33 | 0:25:35 | |
But the media has got people doubting me, all right? | 0:25:35 | 0:25:38 | |
So, I've had my neighbour 27 years, we've got a... It's a nice, simple | 0:25:38 | 0:25:41 | |
thing, it's a neighbourly thing to do, all right? | 0:25:41 | 0:25:43 | |
A regular Friday wheelie bin ritual. | 0:25:43 | 0:25:45 | |
We grab the wheelie bin, drag it down to the end of the driveway, | 0:25:45 | 0:25:48 | |
have a quick natter, go back in. | 0:25:48 | 0:25:50 | |
It's what neighbours do, innit? It's what neighbours do, all right? | 0:25:50 | 0:25:53 | |
This particular Friday, Maud is like clockwork, but she was late. | 0:25:53 | 0:25:56 | |
And I'm thinking, "Is Maud OK? | 0:25:56 | 0:25:58 | |
"I hope she's all right, usually she's like..." The bin was | 0:26:00 | 0:26:02 | |
stinking of shit but I thought, "You know what, I'm going to stay here, | 0:26:02 | 0:26:05 | |
"I'm going to be a good neighbour and have this conversation." Three minutes later, boom! | 0:26:05 | 0:26:09 | |
She kicks open the door, she's stressed, she's flustered. | 0:26:09 | 0:26:11 | |
I said, "Maud, is everything OK?" | 0:26:11 | 0:26:14 | |
She says, "No! | 0:26:14 | 0:26:16 | |
"No, Guz, everything is far from all right. | 0:26:16 | 0:26:20 | |
"Have you seen the news?" | 0:26:23 | 0:26:24 | |
I'm like, "Listen, Maud, a lot of my cousins are on there, I don't watch that shit, you know that... | 0:26:24 | 0:26:29 | |
"It brings back a lot of bad memories for me, Maud." | 0:26:29 | 0:26:31 | |
She says, "Guz, it's the Izis." | 0:26:31 | 0:26:33 | |
I-Z-I, she's from Birmingham, that's how she spells it. "It's the Izis. | 0:26:33 | 0:26:36 | |
"They've been doing terrible bloody terrorisms again, them lot." | 0:26:38 | 0:26:41 | |
I was like, "Listen, that's bad, I don't agree with those people | 0:26:41 | 0:26:44 | |
"and, you know, I hope they're brought to justice." | 0:26:44 | 0:26:46 | |
She says, "You say that, Guzzy, yeah, but you've got to tell me something, babes. | 0:26:46 | 0:26:49 | |
"You're nothing like them, are you?" | 0:26:49 | 0:26:51 | |
I said, "What? | 0:26:51 | 0:26:52 | |
"Maud, you've known me 27 years, baby, I'm nothing like them, | 0:26:54 | 0:26:58 | |
"stop buying into the media narrative, | 0:26:58 | 0:27:00 | |
"stop buying into the news, I'm me, Guz, your neighbour." | 0:27:00 | 0:27:03 | |
She says, "I know, I know you say that, it's just that from very specific angles..." | 0:27:03 | 0:27:06 | |
LAUGHTER | 0:27:06 | 0:27:08 | |
"..it's a very Bin Laden look you've got going on there." | 0:27:10 | 0:27:12 | |
I said, "Hey! I don't even look like that guy. Very racist!" | 0:27:12 | 0:27:15 | |
She says, "Guz, I know, I'm just being silly, I'm just being silly, | 0:27:15 | 0:27:18 | |
"but you just do me one more favour, though, babes, OK? | 0:27:18 | 0:27:20 | |
"It's just more for my Rod, really, yeah? | 0:27:20 | 0:27:22 | |
"If you hear anything about it before the news does, just let me know." | 0:27:22 | 0:27:26 | |
LAUGHTER AND APPLAUSE | 0:27:26 | 0:27:28 | |
Live At The Apollo, what does Maud think is going on here? | 0:27:36 | 0:27:40 | |
That all Muslims are in one WhatsApp group? Because, blud... | 0:27:41 | 0:27:44 | |
..that's a very big WhatsApp group! | 0:27:46 | 0:27:48 | |
That's 1.8 billion participants, to be specific. | 0:27:48 | 0:27:50 | |
That's a lot of blue ticks to keep hold of. | 0:27:50 | 0:27:53 | |
"Imran, Imran are you there, bro?" "Which Imran am I addressing? | 0:27:53 | 0:27:56 | |
"There's 33 million Imrans in the group!" | 0:27:56 | 0:27:59 | |
LAUGHTER AND APPLAUSE | 0:27:59 | 0:28:01 | |
Guys, I'm out. My name's Guz Khan. | 0:28:02 | 0:28:04 | |
CHEERING AND APPLAUSE | 0:28:04 | 0:28:06 | |
Thank you. | 0:28:06 | 0:28:07 | |
You lot need to... I'm a confident guy, I'm a confident guy, | 0:28:10 | 0:28:14 | |
you need to remember the name, guys, cos I'm going to blow up. | 0:28:14 | 0:28:17 | |
Not like that, you pricks. | 0:28:17 | 0:28:19 | |
Say Guz Khan, thank you! | 0:28:20 | 0:28:22 | |
CHEERING AND APPLAUSE | 0:28:22 | 0:28:23 | |
Guz Khan! | 0:28:28 | 0:28:30 | |
CHEERING AND APPLAUSE | 0:28:30 | 0:28:32 | |
Ladies and gentlemen, you have been an absolute delight, please | 0:28:32 | 0:28:35 | |
give it up one more time for the two phenomenal acts we have seen. | 0:28:35 | 0:28:38 | |
Lucy Porter and Guz Khan! | 0:28:38 | 0:28:40 | |
CHEERING AND APPLAUSE | 0:28:40 | 0:28:42 | |
Thank you very much, Auf Wiedersehen. | 0:28:42 | 0:28:44 | |
APPLAUSE | 0:28:44 | 0:28:45 |